~
O Painter
with thy own eye
                        would thee
paint me in mine own natural hue
prithee paint me as i am,
imperfections
            and blemishes true

Load thy brush
                      with colors sundry
to maketh yond first pure sweep
across the ****** frieze,
fill'd with pangs of hunger.
paint me as i standeth
                  bethought, in deep

With mine own love and mine own desire,
blurring the edges unclean
with mine own regrets
                  and mine own mental gyre,
in mine own natural age,
               of deep forest green

O Painter
Paint me sinister turquoise,
in lavender and maroon,
combine the amethyst and amber
blend the iceberg
       and the indigo moon.

Paint me as i standeth,
       prithee see with thy eye
a mistress in yond lady plight
Prithee paint me all i am
i cullionly
a mistress in all yond lady might

Paint me in the optimistic
                             silv'r of dawn,
but don’t miss the purple
to shade the bruise
                              of the bygone.
paint me in the sky blue journal

O Painter
Paint me as a unique template
smudge black white and grizzled
merging all the colors of thy palette.
col'r me a rainbow
                            in a rainy drizzle

Paint me tall so yond i standeth
loftier than any mountain
Paint me as a dram bird, delicate
with soft feathers silken

Paint me harmony, as a violin
so yond i can sing thy solitary tune
paint me as thy poetry
         with song and melody
wrapp'd in a cocoon

O Painter
paint me as a dream yond rises
                               in did saturate colors
with a steady upbeat flight awry
tint, a fluttering
             of a quite quaint butterfly

Portray me with endurance
imbue so bold and bright
doth not hesitate
                to depict mine own mind
in profound fuchsia and white.

Useth the colors yond thee would borrow
Thy palette not yet exsufflicate
Paint mine own loss and mine own sorrow
in search of a shade so ******

Adorn mine own heart in glowing garnet
at which hour thee paint mine own love
add a true broken blue shade
of the cloud and the rain above;

Study mine own dry sorrow
                              in mine own soul
useth any shade thee plaited
soften the edges of control
in a tinge of xanthene.

O Painter
Prithee paint me
Mine own passion and mine own spirit
shall has't a crimson r'd hint
mine own remorse and mine own regret
shall reflect an ink stain print

Paint me in mine own eye so true
O Painter
but add a dash of courage too
~

You were born five years before the Spanish Civil War that would see your father exiled.
Language came later to you than your little brother Manuel. And you stuttered for a time.
Unlike those who speak incessantly with nothing to say, you were quiet and reserved.
Your mother mistook shyness for dimness, a tragic mistake that scarred you for life.

When your brother Manuel died at the age of three from meningitis, you heard your mom
Exclaim: “God took my bright boy and left me the dull one.” You were four or five.
You never forgot those words. How could you? Yet you loved your mom with all your heart.
But you also withdrew further into a shell, solitude your companion and best friend.

You were, in fact, an exceptional child. Stuttering went away at five or so never to return,
And by the time you were in middle school, your teacher called your mom in for a rare
Conference and told her that yours was a gifted mind, and that you should be prepared
For university study in the sciences, particularly engineering.

She wrote your father exiled in Argentina to tell him the good news, that your teachers
Believed you would easily gain entrance to the (then and now) highly selective public university
Where seats were few, prized and very difficult to attain based on merit-based competitive
Exams. Your father’s response? “Buy him a couple of oxen and let him plow the fields.”

That reply from a highly respected man who was a big fish in a tiny pond in his native Oleiros
Of the time is beyond comprehension. He had apparently opted to preserve his own self-
Interest in having his son continue his family business and also work the family lands in his
Absence. That scar too was added to those that would never heal in your pure, huge heart.

Left with no support for living expenses for college (all it would have required), you moved on,
Disappointed and hurt, but not angry or bitter; you would simply find another way.
You took the competitive exams for the two local military training schools that would provide
An excellent vocational education and pay you a small salary in exchange for military service.

Of hundreds of applicants for the prized few seats in each of the two institutions, you
Scored first for the toughest of the two and thirteenth for the second. You had your pick.
You chose Fabrica de Armas, the lesser of the two, so that a classmate who had scored just
Below the cut-off at the better school could be admitted. That was you. Always and forever.

At the military school, you were finally in your element. You were to become a world-class
Machinist there—a profession that would have gotten you well paid work anywhere on earth
For as long as you wanted it. You were truly a mechanical genius who years later would add
Electronics, auto mechanics and specialized welding to his toolkit through formal training.

Given a well-stocked machine shop, you could reverse engineer every machine without
Blueprints and build a duplicate machine shop. You became a gifted master mechanic
And worked in line and supervisory positions at a handful of companies throughout your life in
Argentina and in the U.S., including Westinghouse, Warner-Lambert, and Pepsi Co.

You loved learning, especially in your fields (electronics, mechanics, welding) and expected
Perfection in everything you did. Every difficult job at work was given to you everywhere you
Worked. You would not sleep at night when a problem needed solving. You’d sketch
And calculate and re-sketch solutions and worked even in your dreams with singular passion.

You were more than a match for the academic and physical rigors of military school,
But life was difficult for you in the Franco era when some instructors would
Deprecatingly refer to you as “Roxo”—Galician for “red”-- reflecting your father’s
Support for the failed Republic. Eventually, the abuse was too much for you to bear.

Once while standing at attention in a corridor with the other cadets waiting for
Roll call, you were repeatedly poked in the back surreptitiously. Moving would cause
Demerits and demerits could cause loss of points on your final grade and arrest for
Successive weekends. You took it awhile, then lost your temper.

You turned to the cadet behind you and in a fluid motion grabbed him by his buttoned jacket
And one-handedly hung him up on a hook above a window where you were standing in line.
He thrashed about, hanging by the back of his jacket, until he was brought down by irate Military instructors.
You got weekend arrest for many weeks and a 10% final grade reduction.

A similar fate befell a co-worker a few years later in Buenos Aires who called you a
*******. You lifted him one handed by his throat and held him there until
Your co-workers intervened, forcibly persuading you to put him down.
That lesson was learned by all in no uncertain terms: Leave Felipe’s mom alone.

You were incredibly strong, especially in your youth—no doubt in part because of rigorous farm
Work, military school training and competitive sports. As a teenager, you once unwisely bent
Down to pick something up in view of a ram, presenting the animal an irresistible target.
It butted you and sent you flying into a haystack. It, too, quickly learned its lesson.

You dusted yourself off, charged the ram, grabbed it by the horns and twirled it around once,
Throwing it atop the same haystack as it had you. The animal was unhurt, but learned to
Give you a wide berth from that day forward. Overall, you were very slow to anger absent
Head-butting, repeated pokings, or disrespectful references to your mom by anyone.    

I seldom saw you angry and it was mom, not you, who was the disciplinarian, slipper in hand.
There were very few slaps from you for me. Mom would smack my behind with a slipper often
When I was little, mostly because I could be a real pain, wanting to know/try/do everything
Completely oblivious to the meaning of the word “no” or of my own limitations.

Mom would sometimes insist you give me a proper beating. On one such occasion for a
Forgotten transgression when I was nine, you  took me to your bedroom, took off your belt, sat
Me next to you and whipped your own arm and hand a few times, whispering to me “cry”,
Which I was happy to do unbidden. “Don’t tell mom.” I did not. No doubt she knew.

The prospect of serving in a military that considered you a traitor by blood became harder and
Harder to bear, and in the third year of school, one year prior to graduation, you left to join
Your exiled father in Argentina, to start a new life. You left behind a mother and two sisters you
Dearly loved to try your fortune in a new land. Your dog thereafter refused food, dying of grief.

You arrived in Buenos Aires to see a father you had not seen for ten years at the age of 17.
You were too young to work legally, but looked older than your years (a shared trait),
So you lied about your age and immediately found work as a Machinist/Mechanic first grade.
That was unheard of and brought you some jealousy and complaints in the union shop.

The union complained to the general manager about your top-salary and rank. He answered,
“I’ll give the same rank and salary to anyone in the company who can do what Felipe can do.”
No doubt the jealousy and grumblings continued by some for a time. But there were no takers.
And you soon won the group over, becoming their protected “baby-brother” mascot.

Your dad left for Spain within a year or so of your arrival when Franco issued a general pardon
To all dissidents who had not spilt blood (e.g., non combatants). He wanted you to return to
Help him reclaim the family business taken over by your mom in his absence with your help.
But you refused to give up the high salary, respect and independence denied you at home.

You were perhaps 18 and alone, living in a single room by a schoolhouse you had shared with Your dad.
But you had also found a new loving family in your uncle José, one of your father’s Brothers, and his family. José, and one of his daughters, Nieves and her
Husband, Emilio, and
Their children, Susana, Oscar (Ruben Gordé), and Osvaldo, became your new nuclear family.

You married mom in 1955 and had two failed business ventures in the quickly fading
Post-WW II Argentina of the late 1950s and early 1960s.The first, a machine shop, left
You with a small fortune in unpaid government contract work.  The second, a grocery store,
Also failed due to hyperinflation and credit extended too easily to needy customers.

Throughout this, you continued earning an exceptionally good salary. But in the mid 1960’s,
Nearly all of it went to pay back creditors of the failed grocery store. We had some really hard
Times. Someday I’ll write about that in some detail. Mom went to work as a maid, including for
Wealthy friends, and you left home at 4:00 a.m. to return long after dark to pay the bills.

 
The only luxury you and mom retained was my Catholic school tuition. There was no other
Extravagance. Not paying bills was never an option for you or mom. It never entered your
Minds. It was not a matter of law or pride, but a matter of honor. There were at least three very
Lean years where you and mom worked hard, earned well but we were truly poor.

You and mom took great pains to hide this from me—and suffered great privations to insulate
Me as best you could from the fallout of a shattered economy and your refusal to cut your loses
Had done to your life savings and to our once-comfortable middle-class life.
We came to the U.S. in the late 1960s after waiting for more than three years for visas—to a new land of hope.

Your sister and brother-in-law, Marisa and Manuel, made their own sacrifices to help bring us
Here. You had about $1,000 from the down payment on our tiny down-sized house, And
Mom’s pawned jewelry. (Hyperinflation and expenses ate up the remaining mortgage payments
Due). Other prized possessions were left in a trunk until you could reclaim them. You never did.

Even the airline tickets were paid for by Marisa and Manuel. You insisted upon arriving on
Written terms for repayment including interest. You were hired on the spot on your first
Interview as a mechanic, First Grade, despite not speaking a word of English. Two months later,
The debt was repaid, mom was working too and we moved into our first apartment.

You worked long hours, including Saturdays and daily overtime, to remake a nest egg.
Declining health forced you to retire at 63 and shortly thereafter you and mom moved out of
Queens into Orange County. You bought a townhouse two hours from my permanent residence
Upstate NY and for the next decade were happy, traveling with friends and visiting us often.

Then things started to change. Heart issues (two pacemakers), colon cancer, melanoma,
Liver and kidney disease caused by your many medications, high blood pressure, gout,
Gall bladder surgery, diabetes . . . . And still you moved forward, like the Energizer Bunny,
Patched up, battered, scarred, bruised but unstoppable and unflappable.

Then mom started to show signs of memory loss along with her other health issues. She was
Good at hiding her own ailments, and we noticed much later than we should have that there
Was a serious problem. Two years ago, her dementia worsening but still functional, she had
Gall bladder surgery with complications that required four separate surgeries in three months.

She never recovered and had to be placed in a nursing home. Several, in fact, as at first she
Refused food and you and I refused to simply let her waste away, which might have been
Kinder, but for the fact that “mientras hay vida, hay esperanza” as Spaniards say.
(While there is Life there is hope.) There is nothing beyond the power of God. Miracles do happen.
 
For two years you lived alone, refusing outside help, engendering numerous arguments about
Having someone go by a few times a week to help clean, cook, do chores. You were nothing if
Not stubborn (yet another shared trait). The last argument on the subject about two weeks ago
Ended in your crying. You’d accept no outside help until mom returned home. Period.

You were in great pain because of bulging discs in your spine and walked with one of those
Rolling seats with handlebars that mom and I picked out for you some years ago. You’d sit
As needed when the pain was too much, then continue with very little by way of complaints.
Ten days ago you finally agreed that you needed to get to the hospital to drain abdominal fluid.

Your failing liver produced it and it swelled your abdomen and lower extremities to the point
Where putting on shoes or clothing was very difficult, as was breathing. You called me from a
Local store crying that you could not find pants that would fit you. We talked, long distance,
And I calmed you down, as always, not allowing you to wallow in self pity but trying to help.

You went home and found a new pair of stretch pants Alice and I had bought you and you were
Happy. You had two changes of clothes that still fit to take to the hospital. No sweat, all was
Well. The procedure was not dangerous and you’d undergone it several times in recent years.
It would require a couple of days at the hospital and I’d see you again on the weekend.

I could not be with you on Monday, February 22 when you had to go to the hospital, as I nearly
Always had, because of work. You were supposed to be admitted the previous Friday, but
Doctors have days off too, and yours could not see you until Monday when I could not get off
Work. But you were not concerned; this was just routine. You’d be fine. I’d see you in just days.

We’d go see mom Friday, when you’d be much lighter and feel much better. Perhaps we’d go
Shopping for clothes if the procedure still left you too bloated for your usual clothes.
You drove to your doctor and then transported by ambulette. I was concerned, but not too Worried.
You called me sometime between five or six p.m. to tell me you were fine, resting.

“Don’t worry. I’m safe here and well cared for.” We talked for a little while about the usual
Things, with my assuring you I’d see you Friday or Saturday. You were tired and wanted to sleep
And I told you to call me if you woke up later that night or I’d speak to you the following day.
Around 10:00 p.m. I got a call from your cell and answered in the usual upbeat manner.

“Hey, Papi.” On the other side was a nurse telling me my dad had fallen. I assured her she was
Mistaken, as my dad was there for a routine procedure to drain abdominal fluid. “You don’t
Understand. He fell from his bed and struck his head on a nightstand or something
And his heart has stopped. We’re working on him for 20 minutes and it does not look good.”

“Can you get here?” I could not. I had had two or three glasses of wine shortly before the call
With dinner. I could not drive the three hours to Middletown. I cried. I prayed.
Fifteen minutes Later I got the call that you were gone. Lost in grief, not knowing what to do, I called my wife.
Shortly thereafter came a call from the coroner. An autopsy was required. I could not see you.

Four days later your body was finally released to the funeral director I had selected for his
Experience with the process of interment in Spain. I saw you for the last time to identify
Your body. I kissed my fingers and touched your mangled brow. I could not even have the
Comfort of an open casket viewing. You wanted cremation. You body awaits it as I write this.

You were alone, even in death alone. In the hospital as strangers worked on you. In the medical
Examiner’s office as you awaited the autopsy. In the autopsy table as they poked and prodded
And further rent your flesh looking for irrelevant clues that would change nothing and benefit
No one, least of all you. I could not be with you for days, and then only for a painful moment.

We will have a memorial service next Friday with your ashes and a mass on Saturday. I will
Never again see you in this life. Alice and I will take you home to your home town, to the
Cemetery in Oleiros, La Coruña, Spain this summer. There you will await the love of your life.
Who will join you in the fullness of time. She could not understand my tears or your passing.

There is one blessing to dementia. She asks for her mom, and says she is worried because she
Has not come to visit in some time. She is coming, she assures me whenever I see her.
You visited her every day except when health absolutely prevented it. You spent this February 10
Apart, your 61st wedding anniversary, too sick to visit her. Nor was I there. First time.

I hope you did not realize you were apart on the 10th but doubt it to be the case. I
Did not mention it, hoping you’d forgotten, and neither did you. You were my link to mom.
She cannot dial or answer a phone, so you would put your cell phone to her ear whenever I
Was not in class or meetings and could speak to her. She always recognized me by phone.

I am three hours from her. I could visit at most once or twice a month. Now even that phone
Lifeline is severed. Mom is completely alone, afraid, confused, and I cannot in the short term at
Least do much about that. You were not supposed to die first. It was my greatest fear, and
Yours, but as with so many things that we cannot change I put it in the back of my mind.

It kept me up many nights, but, like you, I still believed—and believe—in miracles.
I would speak every night with my you, often for an hour, on the way home from work late at
Night during my hour-long commute, or from home on days I worked from home as I cooked
Dinner. I mostly let you talk, trying to give you what comfort and social outlet I could.

You were lonely, sad, stuck in an endless cycle of emotional and physical pain.
Lately you were especially reticent to get off the phone. When mom was home and still
Relatively well, I’d call every day too but usually spoke to you only a few minutes and you’d
Transfer the phone to mom, with whom I usually chatted much longer.

For months, you’d had difficulty hanging up. I knew you did not want to go back to the couch,
To a meaningless TV program, or to writing more bills. You’d say good-bye, or “enough for
Today” and immediately begin a new thread, then repeat the cycle, sometimes five or six times.
You even told me, at least once crying recently, “Just hang up on me or I’ll just keep talking.”

I loved you, dad, with all my heart. We argued, and I’d often scream at you in frustration,
Knowing you would never take it to heart and would usually just ignore me and do as
You pleased. I knew how desperately you needed me, and I tried to be as patient as I could.
But there were days when I was just too tired, too frustrated, too full of other problems.

There were days when I got frustrated with you just staying on the phone for an hour when I
Needed to call Alice, to eat my cold dinner, or even to watch a favorite program. I felt guilty
And very seldom cut a conversation short, but I was frustrated nonetheless even knowing
How much you needed me and also how much I needed you, and how little you asked of me.  

How I would love to hear your voice again, even if you wanted to complain about the same old
Things or tell me in minutest detail some unimportant aspect of your day. I thought I would
Have you at least a little longer. A year? Two? God only knew, and I could hope. There would be
Time. I had so much more to share with you, so much more to learn when life eased up a bit.

You taught me to fish (it did not take) and to hunt (that took even less) and much of what I
Know about mechanics, and electronics. We worked on our cars together for years—from brake
Jobs, to mufflers, to real tune-ups in the days when points, condensers, and timing lights had Meaning, to rebuilding carburetors and fixing rust and dents, and power windows and more.

We were friends, good friends, who went on Sunday drives to favorite restaurants or shopping
For tools when I was single and lived at home. You taught me everything in life that I need to
Know about all the things that matter. The rest is meaningless paper and window dressing.
I knew all your few faults and your many colossal strengths and knew you to be the better man.

Not even close. I could never do what you did. I could never excel in my fields as you did in
Yours.  You were the real deal in every way, from every angle, throughout your life. I did not
Always treat you that way. But I loved you very deeply as anyone who knew us knows.
More importantly, you knew it. I told you often, unembarrassed in the telling. I love you, Dad.

The world was enriched by your journey. You do not leave behind wealth, or a body or work to
Outlive you. You never had your fifteen minutes in the sun. But you mattered. God knows your
Virtue, your absolute integrity, and the purity of your heart. I will never know a better man.
I will love you and miss you and carry you in my heart every day of my life. God bless you, dad.

The first time that Evan laid eyes on her, he told himself that he was going to marry her. Embarrassed by his own fantasy, he quickly dismissed that thought as fast as it came to mind, telling himself what an idiot he was. Yet, from time to time, in spite of his reasoning, the thought would invade his skull.

What a dumb idea anyhow! It was just lame, teenage fantasyland! Girls did that kind of junk all the time, saying they were going to be Mrs. So-and-so, and thank God nobody could read his mind to know what he was dreaming up! Like she would marry him! He felt like a dumb ****, great in athletics, but far out of her league. Not even having the courage yet to ask a girl out on a date, and now he was already thinking of marriage! Pathetic! Really! Only a freshman in high school, he felt he should know better, lacking the good common sense his dad always tried to drive into him and had himself.

Ginny Delgado belonged with the smart kids, the brains of the school, although she seemed to stick more by herself, away from any stereotypical clique. Evan had first seen her in his biology class, and he remembered when other students wanted to copy off of her test papers. She never allowed any of that to happen, though, even if it would gain her popularity, false popularity but attention just the same.

It was a surprise to him that Ginny seemed to have few friends. Mostly, girls who were nerdy and smart did not seem very attractive or put together. Ginny seemed to have it all. She was smart and pretty, but she never identified with any of the girls who thought they were hot—and all other girls were not—and so she stood apart as one who shrouded herself in guarded aloofness.

And now here he was at his 20th high school reunion, one he really did not want to attend, but talked himself into going anyway. Perhaps, he could shoot the breeze and run into a few old buddies, his basketball friends. He didn't think that much of Ginny since he graduated from Fillmore, much less anybody from all those years ago. There really wasn’t any reason to reminisce once high school was behind him. School was not misery for Evan Stewart, but it wasn’t a time where everything seemed magical and carefree, not like for some students who looked upon those days as some of the fondest memories of their lives.

It was the class of ’92, and a huge banner displayed across one of the walls read, “Welcome back, class of 1992! Fillmore High School rules!” There was a good turnout, and Evan recognized a lot of people, although there were fewer that he knew by name.  

Sitting under dimly light lights, around a bunch of round tables, Evan now sat with the other alumni, stuck in a crowded hall with music blaring away from the early nineties. He had his overpriced meal. He had his few beers.

But what now?

He was almost bored to death. He was beginning to watch the clock more and more, scanning the room to see if he could possibly find reason to stay longer.  But then something happened that he never expected to happen, never even would have imagined it.

And, suddenly, his heart started to pick up its pace.

Was that her?

Evan thought he had made out the vague shape of a possibly familiar figure, an amazing and sudden surprise. Was that Ginny Delgado?

He wondered if he was seeing things as he intently stared across the room at the shadowy prospective of Ginger Delgado. But with the low amount of lighting, it just might not be her but someone he never even met before. How awkward would what be?

If it was Ginny, she was sitting next to a guy who seemed obnoxious and full of himself. Even from afar, he appeared to be a guy who would be in everyone’s face, with wild hand gestures, talking away and giving nobody else a chance for a word in edgewise.  If that really was Ginny, was that her husband? What a trip that would be! All the sense he once attributed to her would have to have gone out the window, if that were the case.

Sitting at Evan’s table were several of the other guys that were also heavy into high school basketball. Most were married and came with their wives—nobody was alone as Evan was—and now they all tried to act like they were thrilled to be all gathered together to show off their accomplishments. They were all passing around stories of life after high school, after basketball—some with talk of their college days, their wives, their kids, their jobs and careers—plenty of drinks to go around, and some toasting to the good, old days and to even brighter futures ahead. Evan was never married and did not have any children, so he felt he had much less to say. Most of those guys were not even very interesting, even though they tried to make it out that they had achieved so much in their lives. They may have been out of shape and past their prime, but all of them tried to act like they were the same as they were twenty years ago. None of what they all said impressed Evan at all, even though he tried to be interested.

He kept looking at the woman across the room, and the more he looked at her, the more he was convinced he was spot on about her. She had to be Ginny! He should just get up now and have the guts to ask her! But what would she say? Yes, I am Ginny Delgado, and this pushy **** next to me is my husband?

Though he was twenty years older, Evan felt just as awkward and as scared as he did in his freshman Biology class. It was better to just let the issue be. He’d rather save face than look like a total fool.

Suddenly, the unexpected occurred, something that gave Evan’s heart even more of a stir than he initially had when he spied her presence. Was it possible? Ginny now looked like she was starring back at him, as if they had somehow miraculously locked eyes and she had an uncanny ability to notice him back, from that afar off, now being transfixed onto him!  

You’ve really lost it now. What do you think, that she really notices you and remembers you?

Ginny stopped paying attention to the obnoxious man beside her and kept looking in Evan’s direction. She even reached her hand up and gave a little wave out his way.

Timidly, Evan waved back.

Standing up, Ginny started to make her way across the room. The obnoxious guy next to her looked on after her, like he could not believe she had wanted to part company with him. Evan guessed she was not his wife—thank God for that!

No, there is just no way she is coming over to talk to you. Alright, maybe she is. Get a hold of yourself now! Stop acting like a teenager and act like you actually know something about women. Come on, Evan! Get it together! She is coming.

Evan was right. It was Ginny Delgado! But she stopped short of his table to sit a down at the table in front of him, next to another fellow classmate of theirs, a female student that he vaguely remembered, though he did not know her name.

It was almost a relief she did not come to sit with him! Yet the disappointment was equally there. Seeing her more up close, Evan knew for sure it was Ginny. She was still quite pretty, perhaps even more so now, her medium brown hair and her dark purple dress complimenting each other. Not wanting to stare, Evan couldn’t help but to shoot many glances her way, without trying to be too obvious.
          
She smiled a lot, glad to talk to another person that she knew, and probably glad to be away from the guy she was stuck with before. Her eyes sparkled, and Evan never remembered ever seeing her so unguarded. In biology class, she was quiet, like he tended to be. Now she seemed so different, seemingly freer to be herself. Evan rarely saw her smile in high school, but thought she was very serious and sophisticated.

Before long, the DJ was now playing Eric Clapton’s Tears in Heaven. Couples at all tables were making their way to the dance floor. Soon, Ginny was approached by some guy who asked her to join him for a dance. She shook her head, no. Nonchalantly, the man turned to the woman that Ginny knew and asked her. She gladly accepted, said something to Ginny as if to have her permission and understanding, and then took the man’s hand to go to the dance floor. Ginny remained at the table by herself, looking on at the dancers with seemingly little regret that she declined an offer.

This might be your only chance, idiot. Are you going to blow it and be a wuss? Go up to her and tell her that you remember her. Go on! It is your perfect chance. What do you have to lose? If she isn’t interested, just go then. You’ve spent enough time here anyway!

“Hi…Ginny Delgado isn’t it?”

Evan asked as he approached her from behind. He cleared his throat. His voice had sounded so gravelly, as if he hadn’t uttered a single word all night. And his heart was beating a mile a minute, and he swore it must have been pulsating through his shirt. He was glad he put his suit jacket back on, for he was probably sweating like crazy.  

Ginny looked up, seemed to look puzzled, but then smiled a little. “I remember you!” she said with growing enthusiasm on her face. “Oh, but I’m sorry. You are going to have to tell me your name again”.

“Evan Stewart”, he replied. “We were in biology class together Remember? We were sophomores.”

A succession of slow songs was now being played, and Ginny’s friend was enjoying the time with her new dance partner. She certainly was in no hurry to make her way back to the table to rejoin sitting and talking with Ginny.

“Oh, sure! I remember now!” Ginny exclaimed. “Evan Stewart. Of course! You were the tall, shy guy that everyone liked because you knew how to win one for us. You were big into baseball, weren’t you?”

“Well, basketball was my best sport. I liked baseball, too, and track”, he replied humbly. It was amazing! She actually remembered more him than he thought she would!  “

Can I sit down and join you?” he asked, his courage and confidence growing.

“Oh, do!” Ginny replied, eagerly.

He felt like he was in seventh heaven. How cool was this? Sitting with Ginny Delgado? It was a bonus to a fairly descent reunion.

“So what have you been up to for the last twenty years?” Evan asked. His face was flush with embarrassment, as if he was just a guy who happened to luck out, but had no real skill in socializing with a woman he once fantasized about.

Ginny laughed a little, putting her hand up to her mouth as if her response was inappropriate. She responded, “You want a few hours? Or should I just give you a one word response?”

Evan smiled, blushing, as he tried to appear smooth and confident. “A one word response?” he asked.

“Yes. I can say it in one word—roller coaster….oops, that is two words”.

They both just sat there as I Can’t Make You Love Me, by Bonnie Raitt, played on.  

“Yeah…I guess I could say that about my life”, Evan agreed. “Would you like me to get you something from the bar?” he offered. “A coke or a beer?”

Ginny stared out onto the floor, as if she never heard him. “Isn’t it amazing how everyone comes to see the same people they always used to hang out with and still intend to hang out with to this day?” she asked. “How boring and predictable!”

Evan looked at her, puzzled, “What do you mean?”

Ginny continued to look out onto the floor, the music now upbeat dance music, and said, “Well, I mean you see all the football heroes all hanging out with each other. The members of the debate team are all huddled together as if they are preparing for the next debate. The cheerleaders, the drama club, the science club geeks…nothing has changed has it?”  

Evan shrugged his shoulders. “I guess that is typical. But that isn’t me. Sure, I saw some of the guys I played ball with, basketball, but the truth is I am not really that interested in hanging out with them.”

Ginny turned to look at him, her hazel eyes intent and solemn. Evan added, “I don’t have any contact with any of them. Nothing against them. I just don’t”.

They looked at each other in the eyes for a while. The silence was awkward. It was as Evan’s watching and waiting for her reply was the cue for Ginny to open up, and open up she did.

“I went to UCLA on a scholarship. I became a history major, world history, American history, women’s history. I never intended to teach, not at first. But it just seemed a good fit for me, and I have had plenty of teaching jobs, junior high school, high school. I moved to Sacramento.  I was briefly married after I got my first real teaching job there.”

Ginny’s eyes glistened. There was a pain in them that seemed locked in deep, not really wanting to expose itself too much, but coming out nonetheless.

Evan listened on, eagerly, so she went on, her gaze towards the dance floor “It did not work out. He cheated. He did it more than once and with more than one woman.  And now that I look back, I can see how wrong it all was, especially after my miscarriage. At first, I was so crushed, and I wanted to try again, for another baby, to try to please him, Jim, my husband. Thank God, I didn’t go on and on with him. I am glad I came back here…..back to Springdale.”

She looked back at Evan. He quickly looked away from her glance, his eyes downcast to the table. She wasn’t kidding. Her life was a roller coaster. He did not know what to say, felt so inadequate.

He decided to just share, in return.

”I was engaged once. It was a long engagement. She was a friend of a friend. Lana was her name. She told me she wanted to be with me, but she just wasn’t ready to make the big leap just right away. Actually, I am kind of glad now that I look back. We both owned our own shops. She was a hair stylist and I owned my own car repair shop, but that was about all we really had in common. I mean not really, even though we both liked sports a lot. We never seemed to agree on anything.”

Like he did, Ginny just listened intently, not attempting to make any reply. Evan added, “She was willing to cut me down in a second. I see that now”.

“Well how do you like that?!”

Evan and Ginny looked up as the woman that Ginny came over to see arrived back from the dance floor. She was walking, hand in hand, with her new found dance partner, fanning herself with her hand and laughing.

“Ginny’s got some company, too!” she exclaimed, beaming at Evan.    

Ginny replied, “Rhonda Flemming, this is Evan Stewart. She used to be Rhonda Boehner back in Fillmore”

Ginny turned to Evan to introduce him to her old classmate. “Evan…Rhonda. Evan, I don’t know if you two ever met each other before when we all went to school”.

“I’m not sure I have, either”, he replied, extending his hand to shake Rhonda’s. Rhonda quickly grabbed hold of his and gave it an overly enthusiastic shake.

“Hi, Evan!” she exclaimed "This handsome man next to me  is Brian. I never knew Brian until he asked me to dance!” she said excitedly. “And I am newly divorced and so is he! How strange is that?”

Brian shook Evan’s hand and then Ginny’s. “How’s it going?” he asked, grinning with embarrassment at Rhonda’s forward frankness.

“Ginny is one of the smartest people”, Rhonda went on to Evan and Brian. “We were once partners in an English class. We had to write a paper about each other. That was so fun in an otherwise booooooring class. Remember, Ginny?”

Ginny rolled her eyes, and made a shooing gesture with her hand to convey that Rhonda did not know what she was talking about. “I’m not as smart as anyone ever thought I was. I just worked hard and did my best, but thanks anyway for the compliment” , she said, modestly.  

“Oh, you were, too, Ginny!” Rhonda disagreed. She had a gleeful glint in her eyes. “Always so serious, Ginny Delgado! “

Rhonda grabbed Brian’s hand. “Hey, Brian and I are going to go mingle and walk around and see what trouble we can get into. You two want to join us?  

Ginny and Evan looked at each other as if to say “No way!” Ginny responded, “I think we are just fine here, but thanks”

Rhonda winked at her and then tugged at Brian’s hand. The pair of them went off together, leaving Evan and Ginny to themselves.

Evan smirked at Ginny, and then they both started cracking up with muffled laughter. Evan paused and then burst out laughing again. “Where did you find her?” he asked. A tear actually began to run down his face from laughing so hard, and he quickly wiped it away.

Ginny stopped laughing, tried to compose herself, but busted out with even more laugh

dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh

With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses

A bright lad called Alistair Cook
Did enjoy the occasional book,
     He went out to bat,
     NO - don't play at that,
They did him; line, sinker and hook.

On him I'd bet my whole house,
More like a lion than a mouse,
     He bats with aplomb,
     Both dainty and strong,
It can only be Andrew Strauss.

From the pavilion did Jonathan Trott,
Nervous and anxious he is not,
     He'll be there for a while,
     All England will smile,
And South Africa know he is hot.

Next in is the feisty KP,
His batting, the top of the tree,
     Sixes so great,
     They should be worth eight,
Now just stay IN for a hundred or three!

A chap from ooop north who is good,
Goes by the name of Paul Collingwood,
     Gritty and tough,
     We just can't get enough,
Fight as hard as him, we all should.

No more will the fear he smell,
He's been down to the gym as well,
     His batting is slick,
     Number six does the trick,
The crowd cheers for Ian Bell.

Swinging his bat, it's Matt Prior,
Born with iron grit, steel and fire,
     If he holds each catch,
     We'll win the match,
And his ranking will go much higher.

Our spinner is next, Mr Swann,
His bowling is coming on strong,
     His batting is great,
     Which the opposition hate,
Not to pick him much sooner was wrong.

Our tall quickie is young Stuart Broad,
His bat is a rapier like sword,
     He can oft' bowl too short,
     Yet the batters get caught,
And Of wicket-taking we never are bored.

James Anderson is our king of swing,
Late movement his favourite thing,
     Please bowl nice and full,
     Offer nothing to pull,
And just hear those stumps go 'ping'.

Graeme Onions comes in at long last,
Cannot bat but, he can bowl fast,
     He makes them play,
     While others may stray,
Durham long-hops a thing of the past.

A
Twisted
Tail
In a
Trap or an
Upbeat
Dance
Engulfed in bliss

this is about how positive thinking is a stupid waste of time
well, not all positive thinking is *******
like, if you have a goal and you are trying to meet it
then of course it behooves you to be positive about it
it behooves you to say
yeah, i am going to get to that point
or i am going to get as close as i possibly can
and that is like
positive thinking that is proactive -
the kind of positive thinking i am criticizing
are the kind of people who think that all the worlds problems can be solved simply
by the act of being happy
or being upbeat and positive
cause it seems like in a lot of ways
i belong to a generation of people
that are so focused on the silver lining
that they miss the ******* giant *** storm cloud heading their way
you know, it's good to see the bright side
but if you only focus on the bright side
how can you ever address the real problems that face you
not every situation should be turned into something positive
there are certain things in life that just are negative
and they need to be confronted not with the power of positive thinking
but with the power of intelligent thinking
and the power of taking action based upon intelligent thinking
but most people in this country are just inert idiots
they won't act unless they are acted upon
they won't think unless you spoon feed their thoughts into them
that's why you have all these idiots listening to ******* Rush Limbaugh
they'll just sit there and nod their empty ******* head like
"yeah,Rush knows what's up"
Rush doe's not know what's up
Rush is a ******* idiot
look, our generation has some serious, serious ******* problems to face
climate change and the ensuing ecological disasters
couple that with over population
there's going to be scarcity of resources
if you live in america you are also going to have to deal with things like
growing income inequality cause you know they aren't going to pass some new minimum wage thing
in the near future
because we also have in this country an infestation
of social conservatives who become increasingly more aggressive and obstructionist
as they realize they are losing their grip on the country
that's just a FEW of the problems that our generation is going to have to be the ones to face
and right now all i'm seeing from people is
"we need to stop fat shaming people" "people need to be comfortable with their own body image"
and "we need to get more rights for gays"
look,
that's fine
that's wonderful
that's a good start
but those problems are insignificant compared to what awaits you
and i don't ******* think you people are ready
i think your sitting there with your thumbs up your *** thinking
"well the world is just going to work out as it does and i'm just going to sit here and just kinda go blumby blumbly bluuummmbb and imma think happy thoughts! maybe if i think happy enough thoughts, i'll turn into peter pan and fly away to ******* neverland and i won't have to deal with any of this ****"
well sorry, THAT'S NOT A ******* OPTION!
your stuck here on this planet like the rest of us
you might want to take some interest
you might want to stop just looking on the bright side and start looking at the ******* dark side
because the dark side is bigger
and it's going to get bigger and bigger and bigger
unless you think
unless you do something about it
and when i say you i don't just mean you
i mean me too

*T.J.

Beneath the surface of our daily lives, we are always asking the question, “Who am I, really, and where is my true home?” The answer to this question is so utterly obvious, so beautiful, so ordinary, and yet so profound, that like the nose on our face, we have a hard time seeing it. Because of our own self-imposed limitations, the answer to this mystery can only be revealed little by little, as if a great veil were being lifted inch by inch, until the truth is completely exposed. Yet, we are destined to receive this knowledge.

Today-all around us: the electro-magnetic field is active and alive, whether we feel it or not. Imagine all the electromagnetic-digital devices surrounding us! Take a moment to think about their direct or indirect effect on our bodies. Global warming is by far the most serious manifestation of the “collision”—and Mother Nature is making the evidence ever more obvious. Our bodies are like little vessels of light reflecting our bright birth right. However these vessels constantly need nourishing and care. These are amazing times for us all but we must take care of our bodies inwardly and outwardly, else we are left at the mercies of the “spiraling” energies circumventing the universe. Both scientists and spiritualists have verily presented groundbreaking evidence about what is happening beyond what can be felt, seen or sensed by human sensory perception. At times-you may feel odd sensations or more anxiety than usual. Breathe in slowly and deeply. Take your time amidst the “rollercoaster of the city’s rush hours”. Remember to connect to the “higher frequencies” of a positive lifestyle in healthy ways. Exercise, Pray, Meditate, if you can- use flower essences everyday such as: Silversword, Shooting Star, Morning Glory, Sagebrush, Snap Dragon, Cosmos, White Magnolia. Growing a flower garden has its rich rewards too.
Nature’s healing effects are unquestionable, for within nature we come face to face with the Divine infinite source of All creation-as it was, as it is and as it will ever be.

Yogi Paramahansa Yogananda once quoted:

Harmony with nature will bring you a happiness known to few city dwellers. In the company of other truth seekers it will be easier for you to meditate and think of God.

There is a magic about periodically moving out of the “city’s confinements” to the richness of and around nature: forest walks, boat rides, mountain trekking and much more. The main essence is in feeling a refreshed aura around and within you-an indication that the city and all its toil on you have been left behind. We have to try to get rid of the notion of time. When we have an intense contact of unconditional love with nature or another human being, like a spark, then we can truly understand that there is no time and that everything is eternal.

Other simple ways of raising energy levels include: silence in isolation and more “interaction” within you inner spirit-your Higher-self. There are always two forces warring against each other within us and we can bring these forces to a balance during silent personal introspection.  In order to relate properly with and to your inner being, one must follow the “truth of imagination.” From the word-imagination, we find the word-image, which is the manifestation of our physical form and body identity.

As William Arthur Ward said:

If you can imagine it, you can create it. If you can dream it, you can become it.

More than ever before on our planet, there is now great need for interpersonal sharing and the acknowledgment that ups and downs are a vital part of our everyday life. This process is internal as well as external. The “key” is a flowing pattern that is beneficial to all concerned. Take good care of yourself, your relationships, and your health. Exercising both mind, body, and spirit can bring you the agility to incorporate balance, whether you are alone or with a partner. Life can seem like a seesaw existence, but you can still have a wonderful time if you maintain a playful attitude.

The “image” we carry of our self within our mind and heart carries the power to bridge our highest ideals into our everyday practical life. On the other hand, attachment to a poor image of self condemnation and suffering carries the potential to destroy our right to joy and abundance. Which do we choose? Practicing the laws of “visualization” is not unlike the practice of prayer or meditation, where the seeker opens oneself to channels of higher guidance and inspiration. Ideally, we are given the opportunity to walk through the gardens and forests of the earth with astute concentration and attunement, opening our opportunity to the light of healing and service, each and every day.

Whatever your tradition or practice, however you offer your skills to the world, trace your roots and find the center of stillness and peace within. Only from this grace-filled place can we restore the health and well being of ourselves and our planet. Become one who engages the full power of the mind, heart, and spirit in the interest of alleviating suffering and making our present world a true “Garden of Eden”

Remember to build the world around you in a practical manner. Is your spiritual, mental, emotional, and physical universe anchored in truth and wisdom? Follow the “call of the wild” and listen to your inner voice within that guides you to fulfill your higher destiny. Take time to make weighty decisions. Realize the implications of your acts for the future. Stop wasting your strength by criticizing others. Recall the ancient adage “Judge not, lest you be judged”.

Reinforce your positive, upbeat, and inherently good nature so that the dark elements of this world cannot break down your resolve and dedication. For those who have suffered emotional pain from all sorts of physical or spiritual abuse, If you are to walk the path of consciousness, enlightment and empowerment, you must go beyond your “old wounds” and accept this golden opportunity to metamorphose into a new “body of light” – one that rejoices with the understanding that all aspects of life are sacred and it is in the weaving of the dark and light within ourselves that we find our true wholeness. We heal ourselves and others by first contacting the inner nourishment or the "water fountain of life" within us which sustains our ability to create beautiful things in the world as well as to act from the depth of our hearts.

Imagine opening your arms to upward spirals of your divine existence like a beautiful chalice and ask that all love pour into the vessel of your heart. This love is abundant and rich, offering the fertile elixir of passion and creativity. These are exciting time and we must accept the challenges offered to humanity at this time; in it all: Unconditional Love, Peace and Unity is the answer. Change all bad habits-those that leave you with tingling bits of guilt. Cleanse your body and home and adore the “temple of beauty” that is your embodiment: your real reason for being!

The mystery of the universe is within and without us. Love the world...Love yourself...Love the change. Anticipate illuminating insights from places deep within you. Let the inner truth of your radiance come shining through. Most importantly, focus your attention and thoughts and blossom like the beautiful morning-glory. The yearning for our lost perfection, the urge to do and be that which is the noblest, the most beautiful of which we are capable, is the creative impulse of every high achievement. We strive for perfection here on mother Earth because we long to be restored to our true oneness with Almighty God.



Muhumuza Kenneth Ezra.

Stiletto heels and a push-up bra,
Hair piled high, bleached and toned and all…
That’s the way you used to shuffle around,
But you ain’t been much since your man went to town.

Who’s that a’ worrin’ bout them wrinkles and lines?
Is that the same broad who fell for all his lines?
Well, since he left you all you do is frown.
No, you ain’t done much since your man went to town.

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now,  you ain’t known much since your man went to town.

(Interlude)

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now, you ain’t been much since your man went to town.

What’cha gotta to do to make it right
Is take your piece out of your purse, it’s a Saturday night.
What’cha gotta do is shoot him down,
‘Cause you cry too much since your man went to town.

(I'm still tweaking the arrangement. It should have an upbeat Little Richard or Ray Charles rock-n-roll mid-upbeat tempo with possibly hand claps on the downbeat like a spiritual chorus... since most early rock and r&b; musicians got their starts in small black southern Baptist churches. Let me know what you think. If it *****, tell me.

Hold me close and tell me everything is going to be okay. Tell me I'm beautiful in the most lowest and upbeat times. Sweet, gentle kisses pressed against me. Love me like no other. Minor arguments and more love. Let's talk things over and reminiscing about our past. Laughing at all the good times we've had and more to come. Let's pray together, relieving our stress, pain, and hurt. Let's just be best friends, where we tell each other secrets. Plan trips and build an empire. Be my king and I'll be your queen. Never worry about anyone else, because all their is, is just the two of us!

My life is a brilliant and vivid mosaic of failures. If depicted horizontally, it would span countless walls, each with its own tapestry. Intertwined in each image would be a visage of myself in yet another battle of me, metaphorically David, and the vastness of the woven problem, here named Goliath. The only difference however, I don't succeed. My slingshot, as it were, isn't good enough.
     "Almost" is a callous and cold word, however it is the most veril word I know. It shouldn't just be something on my body like a tattoo, but rather etched painstakingly into my hardest bones. Always. Always "Almost" is not a fulfilling way to live.
     My Father once said something along the lines of "The only way I wouldn't be proud of you or that I would be disappointed in you is if you did something or made choices that lead to your unhappiness." With that, I feel as though he couldn't have been proud of me in quite some time, and further, there is no evidence that it will change. I am unhappy all of the time. I am disappointed in myself.
     I am afraid, fearful, of the hatred inside myself at times. I try and use it to my advantage, to prove my "worth", to try and do better at the current task (whatever it may be at the time). But as it usually happens, I get so angry, even vengeful, with no explanation. I sit and think about it, come to nothing, and am scared of what I am becoming.
     I am breathing, organic garbage that, because of sentience, assumes too much of, and from, my existence. I am a ******* paradox. I am realistic but full of wishes, longing for what I know does not exist; I am pessimistic, yet full of hopes, or false hopes rather, that I know fullheartedly are hubris and lost time. Whenever I need logic, emotion takes control. Whenever I look for my heart, my mind conceals its help.
     I believe in absolutely nothing but who I think I am, but I doubt myself to my bitter, black core.
I have achieved nothing with what I have been given (everything) and therefore deserve nothing that I have.
     I Am A Fake. I Am A Lie. I pretend to understand, to know, to help, to listen, but I have no idea what the **** I'm doing, who the **** I am, or why the **** I'm even here as undeserving as I am. With that, what right have I at all to "help" anyone else when I, myself, have no idea where my words will lead them? That itself makes me worse than half of the people that have killed others because at least they know who they are and what they were doing.
     I find it hard to believe that I, personally, was crafted in the image of God because I can't imagine that I resemble (in spirit, mind or matter) anything like the Perfect Being that I love and pray to. I am handcrafted debris, trash, attempting (out of place) to be something more.
     I was once told by someone I truly loved, "How can you love someone if you don't love yourself?" It's pretty easy. You first look at them, think of all the things they do and all the things they represent that lead to them making you happy, and you fall in love with that. it isn't a choice, you just do. I do nothing that makes me happy successfully, in the end, I try and fail consistently whereas someone I love is victorious repeatedly just by being them self. Why wouldn't you love someone for making you happy, yet love yourself in spite of your inability to do so?
     I don't believe anything I've ever encountered or experienced in my, as of yet, short life has prepared me for the utmost feeling of loneliness that creeps like the most dark and shadowy oppression. No cigarette is long enough, no vat of bourbon deep enough to escape that thought. Even in upbeat company that fact lingers, and of it, I am afraid.
     Why must I settle and "stay the course"? Why hold onto a sinking ship? I don't mean in terms of living versus dying, I mean in terms of living in insufferable struggle versus changing the reality. Why is this made to seem so impossible?
     Why am I in constant debt before even being old enough, experienced enough, or brave enough to even make decisions with that debt as a possible outcome?
     Since I was old enough to formulate my own opinions of the world I live in, it's been the epitome and meter of one resounding conclusion: "I will try my best and fail, suffer, but in doing this, I will have no choice but to think one day it will get better, and I can hope in my time of struggle that when that day comes, I Might Be Able To Be Happy.
     I'm in love with someone who is half a country away. She even knows, She might even feel the same, but it is for naught. I justify this by telling myself every "writer" needs a Muse.
     I lack the natural talent required to achieve my dreams in this current world. I was born with a gift I should have kept the receipt with; something I could have traded for something more realistically useful.
     Those closest to me have no idea who I am. They are the only thing that glues my sanity, and I'm fearful if they fully knew what I am, they'd leave.
     I've condensed some of these thoughts and feelings into spoken words to those I trust the most, hoping and praying they might say this is normal, that everyone goes through this, that we are all fighting the good fight. Their deaf ears betray their silent mouths.
     The rhythm in music, the voices in plays, the words to poems, the flow of my pencil, are all I have to escape this solitary confinement. But upon realizing the only things I have to help me feel "normal" are inanimate and incapable of understanding, it only further drives me into the chasm.
     I have become everything I hate. A petulant, assuming, and undeserving child ******* about his life when it's not even fully begun, and worse, has been given everything along the way and pitifully has done nothing with ******* any of it.
     I look at my Father and my Mother, and mouth agape, am stunned at their character, their perseverance. Compared to the two people who made me, I am grovelling ****, with absolutely nothing to complain about.
     I have never made a serious decision in my life unless I fully knew the only outcome before the decision was made. This makes me a coward. Logically it might make sense, but this is real life, you shouldn't do that, and **** logic.
     I always have an excuse, I'm not a real man, I'm afraid to take a fall because it's just another piece of the prosecution's evidence pointing to the guilt I possess in relation to my long record of failures.
     I'm cast outside "normalcy" because I don't believe in society. I'm not afraid to die, death actually intrigues me, a lingering curiosity. I adore the macabre because I believe there is truth of humanity in the darkness that everyone ignores exists. We profit and capitalize on procedures that **** thousands, but because it's not us they target, and usually not until the long run, we pay no mind. I believe that more than half of our so called "society", myself included, are no better in most senses than Dahmer or Panzram. At least they were honest about the monsters they were.
     I'm obsessed with thing that don't matter; theories that wouldn't make a difference in the world if proven true, questing for a Love that I rightly don't deserve and that likely doesn't exist, searching for acceptance of anyone but at the same time and equally, in paradox, caring about none of it, especially myself.
     Most nights instead of praying to God as I intend to do, I find myself wondering if I deserve His forgiveness. I know, on some level or another, if the Holy Father, Himself, came to me at any time during those sleepless nights, I would not have an even close to decent answer arguing for His forgiveness, but rather, a full of tears and chopped up, pathetic plea for it anyway.
     I dream of someone to love romantically just for the sake of being able to love someone for exactly who they are and because doing so makes me happy. It has been so long passed of this being even close to a chance of reality, that the thought of ***, or even intimacy, without that love does not even interest me anymore.
     I'm twenty years old and every job I work wants one-hundred percent of my soul and time. Is this normal? Am I not allowed to be a responsible but stupid kid for a while before I have to settle with the reality of a mundane and mind/body numbing job that takes so much of your day that at night you can only imagine the freedom of sleep rather than having a spare few precious seconds for thinking that dying has the upside of never having to show up to that ******* place again? I have no problem with working at all, in fact, I appreciate anything that has a general task and goal that is monotonous enough to keep my mind focused just enough that anything I've written here, the things that upset me, don't leak in and ruin the day, but realistically, how can I give my soul to cutting lawn? To stocking a ******* shelf? I am part of the worst generation on Earth so far, I have potential to be better than ninety--nine percent of the drooling unfortunate vertebrae we call "society", and this is what I'm supposed to wake up for? If this is what I need to accept and I'm just going crazy, fine, I accept it, but in doing this, you need to accept that if I'm crazy, you're batshit ******* nuts.
     I find myself not ever wanting to wake up. I'm not even close to suicidal, I don't want to die yet, I just can't see a logical point, or an emotional reason for any of this nonsense to continue. Can anyone identify with that? Don't misconstrue and worry yourself with me being honest with myself, I DO wake up. I wash my face, but I look in the mirror afterwards and ask "Why?", and I get the day over with anyway so I can hurry up and get home to get ready to do everything over again exactly the same the next day the exact same way, the only difference being the date on the calender and the minutes of the one life I get slowly building themselves into hours and days that will now be an empty black void of memory in my head that could've been used for something worth remembering. Why? Why settle to sulk and squander in ***** and depression when you haven't even tried to bathe in gold and happiness?
     I hate almost everything. The way things are, have been, will be. I hate the faceless sheep that complain yet attempt nothing to change their circumstances. If there is one thing to look on with pride, it is at least I'm better than that. At least if I failed, by default it means I ******* tried.
     I lack the capacity and the capability to voice these kinds of thoughts. As well-spoken as I am, I choke the hardest when I try to speak about any of them. I have to scribble and usually type them, and further, put them in a format a possible reader might be able to understand. Alas, I have failed at that as well. I put my heart and thoughts into my poetry, but anything resonating from within me that I've pounded into the countless pages I've written is lost in a sea of meter and rule-abiding rhetoric as well as aesthetically and audibly pleasing metaphors and rhyme-schemes rather than just blunt structure. No one reads anything with nothing left to the imagination. And justly so, why would they? Why try to decipher someone's heart if it doesn't also apply to you? Why read an ending if you know you won't like it unless it has "happily ever ******* after"? Why not emulate the thoughts and endure the cramping in the thumb an forefinger if it's not something you already know or something you clicked "like" on to impress the friend with the independent mind that was the one who told you to read it in the first place? I may sound bitter, I am, and hateful, but at least I am not a liar.
     If I had one absolute thing, one pure thought, one controversial heading, one cry to all who have ever asked me and I have failed to explain it better; If I can leave you with one thing; If it were possible for me to speak one line to the empty church at my funeral when I die someday and move on to peace, it would be this:
The Words I Seek With Which I Wish To Express My True Misery Elude Me.

While I love the communicable energy
Given from sanguine, upbeat music,
Sometimes the hum of the street
The rushing, dashing, of careening motors
And the leading blissfulness
Is true serenity, just enough.

15 MPH
caution, the kids are at play
embracing the youth they will
one day lose
just like you have

50 MPH
you get where you're going
but on the highway there are hazards
if you don't watch where you're going
or look through the dark
you'll wind up turned over
rolling
rolling
roll...

70 MPH
you're making time
straight forward shot
but you can not see the scenery
and the music is too upbeat
but speed along, sweetie, speed along.

100 MPH
only on the track are you really safe
you're passing strangers
you're losing control
but you can't slam the breaks
you can never stop

280 MPH—

And we're fading
Fading
Fading
And i don't know what to do
I havent got a ******* clue
But i know it was bound to happen

And its crazy
Crazy
Crazy
I thought we were meant to be
I guess you weren't the one for me
Now i know that we'll never happen

But thats alright
I'm okay
I'm gonna make it through
Today's a brighter day

And i'm alright
And you're okay
I'm almost over you
Tomorrow's a brighter day

Admirable, Blissful, Bewildered, Curious, Capable, Compassionate, Determined, Daring, Delighted, Dazzling, Eagar, Edgy, Enlightening Enthusiastic, Elegant, Fabulous, Fantastic, Forgiving, Fictitious, Fancy, Feminist, Glamourous, Gorgeous, Glowing, Guarded, Greatful, Generous, Gloomy, Happy, Honest, Hopeful, Humourous, Humble, Humane, Heartiest, Heavenly, Imaginative, Interesting, Inspiring, Intellegent, Incredible, Impressive, Important, Indecisive, Invisible, Jinxed, Joyous, Judicious, Justified, Jobless, Jiggish, Jimp, Jittery, Jazzy, Jaunty, Kindhearted, Keen, Knowledgable, Kiddish, Knavish, Knockout, Kempt, Kween, Kin, Kittens, Kinder, Lazy, Luxurious, Lively, Loyal, Limit, Laminated, Lawless, Lightning, Lushious, Luminous, Lovesick, Logical, Modest, Marvelous, Motivated, Music, Momentous, Mindful, Magical, Memories, Merciful, Mellow, Mesmerizing, Malicious, Mannered, Noble, Nervous, Night, Naive, Noted, Natural, Nifty, Nurturing, Never-ending, Noteworthy, Neglected, Narnia, Native, Number 1, ***, Openhearted, O Canada, Obviously, Obidient, Obsessions, Open-minded, Oriented, O.K., Observing, OUT-OF-THIS-WORLD, Omnicient, Outshining, Obliged, Obsticles, Passionate, Personally, Poetry, Picture-Perfect, Positivity, Pulse, Painful, Physic, Power, Protagnist, People-Person, Pros, and Cons, Purity, Purpose, Pleasant, Pieces, Quiet, Quality, Quick, Quoted, Queen, Quirky, Quintessentially, Quest, Quick-Minded, Questionable, Quarter, Quiver, Quiddity, Quiescent, Qui vive, Quip, Quantity, Ravishing, Rapport, Reliving, Reassuring, Rebal, Rainbows, Reckless, Relaxing, Respect, Remedy, Regrets, Right, Relatable, Reliable, Rad, Ready, Responsible, Rainy days, Sagacious, Salutary, Sassy, Secure, Self-assured, Self-reliant, Self-confident, Self-disciplined, Selfless, Sensational, Sensitive, Stars, Shawn Mendes, Sénorita, Sentimental, Set, Serene, Seamless, Significant, Sightly, Trustworthy, Talented, Tender-hearted, Thriving, Thankful, Titanic, Touché, Touchy, Transparent, True, True-blue, Traveller, Transpicuous, Titillating, Timeless,Tidy, Teasing, Tender, Terrific, Thorough, Thrilling, Unarguable, Ultimate, Undefining, Under-the-weather, Unalloyed, Unassuming, Uncommon, Understandable, Undivided, Unique, Unlimited, Unstoppable, Uplifting, Upbeat, Uber, Unconvensional, Uhuh, Unbelieveable, Under control, Unquestionable, Utter amazment, Valiant, Valuable, Valid, Veridical, Valiant, Vibrant, Vigorous, Vigilant, Victorious, Visions, Vivid, Voluptuous, Vulnerary, Vulnerable, Venust, Veracious, Vestal, Violen, Vroom Vroom, Victory, Vows, Wake me up, Wise, Welsome, Well-behaved, Welcoming, Well-grounded, Woke, Whimsical, Whistler, Wholesome, Wired, Witty, Wondrous, Whilst, Winter, Wonderful, Wide-Awake, Walk it like I take it, ****-bang, Wishful, Wellness, Worth it, World-Class, Xo, Yolo, Zero

I've drank a thousand beers
I've smoked a million cigarrettes
I've ate at least a hundred Twix bars
I've watched Breakfast at Tiffany's hours on end
I've flirted with every male waiter that brings me
unfulfilling dish after unfulfilling dish
I've bought weekly **** dark outfits
and I've spent my life savings
on beautiful MAC make-up and a new Legacy
and pumps I think you'd like
I've gotten my hair colored every color I can think of
I've tried being an apathetic punk, an upbeat cowgirl,  
a wide-eyed polyanna, a harsh madonna, a ****-you-feline,
an emotionally charged marilyn, and a classy Diane
I've memorized witty jokes, and roasts, and rivetting last lines
I've modeled and sang and became an athlete
I've played hard to get, I've played easy and teasy
And I've twirled my hair and crossed my legs
and learned to walk while swaying my hips
I've ran miles and kilometers and meters and
I've lifted weights and done zumba and yoga and hiked and biked and

****.

There's no comfort                                  and no          getting    to                                        ­                    you.

My love for you isn't just a feeling.
It's a civilization.
It's a group formed in unorganized noise.
A commotion of expression purposely existing
the sole purpose of you.
Living & breathing.
A jumbled language overheard.
Stenciled with each patter of foot.
Every horn honked.
Each lane clogged with the thought of you.
A foundation built from the ground up
in means to explore.
A stone age modernized.
Misinterpreted by the desire of fire.
Protected.
Built upon.
Built into the tallest building, which I call your name.
My love for you is like the plane that flies overhead.
Roaring loud in repetition.
Tedious nooks & crannies.
Places to shop, things to see.
All the things I see when I look into your eyes.
My love for you a province of sorts.
The smell seared in a pan. Best served on a plate for two.
A mix of different pastas, vegetables.
Fried in upbeat cafe, different aromas.
The chit chat different versions of me.
Complimenting the very essence of you.
A new building erected with cranes and steel beams.
Plastered dry wall.
Soon opened for your arrival

Groovy brown skinned brothas
hip hop to the smooth jazzy
beats across the starlight scene,
exhilarating eyes light up
the uptown extravagance,
as they bust a move in the
drumbeating room, rotating
and vibrating, grinding and
bending, breathing in the
singing saxophones and
trombones.

Flashy lights shine bright
and vivid in crystal clears,
as young sweet caramel
girls sway to the high
hypnotizing sounds,
spinning hips lost in the
night, gliding on waves,
shaking in the serene
breeze like swinging trees,
soaring endlessly
across the rings of Saturn.

Heavy adrenaline rises
inside the upbeat and
sassy melanin sistas,
stomping stilettos,
show-stopping arms
and thighs harmonizing
to the midnight rhymes,
while hard bassline sounds
sifts inside various dimensions
of extreme delight.

SONG-POEMS

These are poems that were written as songs, or as potential song lyrics, or that could easily become songs if someone were to set them to music (hint! hint!) …


Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
be Mother now to every child
beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
please attend to our earnest call—
When will Love be All in All?
Ave Maria.

Copyright © 2020 by Michael R. Burch



Faithless Lover
by Michael R. Burch

Well I met you darlin’ on a night like this;
the stars were fallin’ as I stole a kiss.

And I fell in love that very night,
as the moon above blessed us with its light.

But the moon was false, and your heart was, too.
Oh, I never dreamed you would be untrue.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Well, we found a preacher and we said some words.
I should have noticed yours were well-rehearsed.

When I looked above, I saw the pale moon frown;
the sky burst open; I began to drown.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Now, since that day, how you've run around.
You’ve been with every boy in town.

Well, I learned my lesson, and I learned it well:
how one night aflame left me cold as hell,
till my heart grew hard in its icy shell.

Now, I'm a faithless lover with a heart of stone.
I seek faceless lovers who leave with the dawn.

Copyright © 1991 by Michael R. Burch



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.

Copyright © 2001 by Michael R. Burch

Published by Bewildering Stories and selected as one of four short poems for the Review of issues 885-895



Through the fields of solitude
by Hermann Allmers
set to music by Johannes Brahms
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.

This poem was set to music by the German composer Johannes Brahms in what has been called its “the most sublime incarnation.” A celebrated recording of the song was made in 1958 by the baritone Dietrich Fischer-Dieskau with Jörg Demus accompanying him on the piano.



The Pain of Love
by Michael R. Burch

for T. M.

The pain of love is this:
the parting after the kiss;

the train steaming from the station
whistling abnegation;

every highways’ broken white bar
that vanishes under your car;

each hour and flower and friend
that cannot be saved in the end;

dear things of immeasurable cost ...
now all irretrievably lost.

Copyright © 2013 by Michael R. Burch
Originally published by The HyperTexts

Note: The title “The Pain of Love” was suggested by an interview with Little Richard, then eighty years old, in Rolling Stone. He said that someone should create a song called “The Pain of Love.” I've written the lyrics, now can someone provide the music?



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Copyright © 2001 by Michael R. Burch
Published by The Word (UK), The Chained Muse, Famous Poets and Poems, Grassroots Poetry, The HyperTexts, Inspirational Stories, Jenion, Starlight Archives, TALESetc, Writ in Water, Grassroots Poetry and Poetry Webring



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.

Copyright © 2006 by Michael R. Burch
Originally published by Strong Verse



Flying
by Michael R. Burch


I shall rise
and try the ****** wings of thought
ten thousand times
before I fly ...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last ...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas ...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my very early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Earthbound
by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a floating and crazily-dancing spirit horse through a storm as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

I believe I wrote this poem as a college sophomore, age 19 or 20. I did not know about the vision and naming of Crazy Horse at the time. But when I learned about the vision that gave Crazy Horse his name, it seemed to explain my poem and I changed the second line from "and yet I would fly" to "and yet I now fly." I believe that is the only revision I ever made to this poem.

Copyright © 1978 by Michael R. Burch
Originally published by The HyperTexts



Momentum! Momentum!
by Michael R. Burch

for the neo-Cons

Crossing the Rubicon, we come!
Momentum! Momentum! Furious hooves!
The Gauls we have slaughtered, no man disapproves.
War’s hawks shrieking-strident, white doves stricken dumb.

Coo us no cooings of pale-breasted peace!
Momentum! Momentum! Imperious hooves!
The blood of barbarians brightens our greaves.
Pompey’s head in a basket? We slumber at ease.

****** us again, great Bellona, dark queen!
Momentum! Momentum! Curious hooves
Now pound out strange questions, but what can they mean
As the great stallions rear and their riders careen?

Originally published by Bewildering Stories

NOTE: Bellona was the Roman goddess of war. The name "Bellona" derives from the Latin word for "war" (bellum), and is linguistically related to the English word "belligerent" (literally, "war-waging"). In earlier times she was called Duellona, that name being derived from a more ancient word for "battle."



Just Yesterday
by Michael R. Burch

Yesterday
she went a-way
and now I don’t know what to sa-ay,
'cause I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she held me tight
and our love lit up the night,
but then our flame was not as bright,
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she left me a-lone
and now I don’t know what I wa-ant ...
I just listen to a song
called “Yesterday” ...

[Descending notes: DUH Duh duh]

Yesterday, oh Yesterday,
Yesterday, oh Yesterday,
I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Stay With Me Tonight
by Michael R. Burch


Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Copyright © 2019 by Michael R. Burch
Originally published by The Lyric



This Train
by Michael R. Burch

To be sung to the melody of "This Train is Bound For Glory" up-tempo.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is cryin’,
cryin’.
This train is flyin’, flyin’, flyin’.

This train is chuggin’ on down the tracks now.
This train is chuggin’ on down the tracks now.
This train’s chuggin’ down the tracks
and it’s gonna have to
take me back now.
This train is chuggin’ on down the tracks now.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is dyin’,
dyin’.
This train is flyin’, flyin’, flyin’.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train must run a little longer.
Oh, this train must run a little longer.
And although I did her wrong, her
love is only gettin’ stronger.
This train must run a little longer.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Copyright © 2001 by Michael R. Burch
Originally published by Poetry Porch



When I Think of You, I Think of Love
by Michael R. Burch

for Beth

When I think of you, I think of Love.
Oh, when I think of you, I think of Love
as magical as the moon and stars above.
And when I think of you, I think of Love.

When I think of you, I start to cry.
Yes, when I think of you, I start to cry.
And I think you know the reason why.
For when I think of you, I think of Love.

When I think of you, I start to smile.
Oh, when I think of you, I start to smile.
I think of you and, dreaming all the while,
when I think of you, I start to smile.

When I think of you, I have to laugh.
Yes, when I think of you, I have to laugh
because it’s certain: you’re my better half!
So when I think of you, I have to laugh.

I think of you as Eve, and at your feet
blooms everything that’s equally as sweet,
as magical as the moon and stars above.
And when I think of you, I think of Love.

I think of you with babies at your breast,
and does and fawns that come at your behest,
as magical as the moon and starts above.
And when I think of you, I think of Love.

I think of you and find myself at peace.
I feed the ducks, the turtles and the geese,
all as magical as the moon and stars above,
and when I think of you, I think of Love.

I think of you as Love, a Love that heals ...
the gentlest Dove that soars and flies and wheels
then looks down on the earth from high above.
And when I think of you, I think of Love.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Hill Down the Road
by Michael R. Burch

I imagine this song being sung to an upbeat tune like “Afternoon Delight” with an emphasis on the last word in each line. The song would come out as a sort of breathless rush — one long, run-on sentence.

There’s a hill down the road
where my babe and me would go
when the sun was sinking low
where the sparkling waters flow

and we’d sit there in the grass
and we’d watch the sunsets pass
and then I’d walk her home,
but we’d never walk too fast

and we’d sit there in the summer
when the sun was in the sky
and we’d talk of our tomorrows
and we’d watch the butterflies

and I loved her even then
although I was so young
and I’ll love her till the time
that my time on earth is done

I wrote this poem as an aspiring songwriter, around age 14. But alas, I was too shy to show my compositions to anyone!

Copyright © 1974 by Michael R. Burch
Originally published by The HyperTexts



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

Copyright © 1976 by Michael R. Burch
Originally published by Romantics Quarterly



Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours —
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976.

Copyright © 1976 by Michael R. Burch
Originally published by The HyperTexts



How Long the Night
(Anonymous Middle English Lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.

Copyright © 2013 by Michael R. Burch
Published by Measure, Setu (India), Poet’s Corner, Glass Facets of Poetry, Better Than Starbucks, Chanticleer, Poetry Brevet and Deviant Art



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!

You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.

Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;

and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.

And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Swan Song
by Michael R. Burch

The breast you seek reserves all its compassion
for a child unborn. Soon meagerly she’ll ration
soft kisses and caresses—not for Him,
but you. Soon in the night, bright lights she’ll dim
and croon a soothing love hymn (not for you)
and vow to Him that she’ll always be true,
and never falter in her love. But now
she whispers falsehoods, meaning them, somehow,
still unable to foresee the fateful Wall
whose meaning’s clear: such words strange gods might scrawl
revealing what must come, stark-chiseled there:
Gaze on them, weep, ye mighty, and despair!
There’ll be no Jericho, no trumpet blast
imploding walls womb-strong; this song’s your last.

Copyright © 2006 by Michael R. Burch
Originally published by The HyperTexts



This is my translation of one of my favorite Dimash Kudaibergen songs, the French song "S.O.S." ...

S.O.S.
by Michel Berger
loose translation/interpretation by Michael R. Burch

Why do I live, why do I die?
Why do I laugh, why do I cry?

Voicing the S.O.S.
of an earthling in distress ...

I have never felt at home on the ground.

I'd rather be a bird;
this skin feels weird.

I'd like to see the world turned upside down.

It ever was more beautiful
seen from up above,
seen from up above.

I've always confused life with cartoons,
wishing to transform.

I feel something that draws me,
that draws me,
that draws me
UP!

In the great lotto of the universe
I didn't draw the right numbers.
I feel unwell in my own skin,
I don't want to be a machine
eating, working, sleeping.

Why do I live, why do I die?
Why do I laugh, why do I cry?

I feel I'm catching waves from another world.
I've never had both feet on the ground.
This skin feels weird.
I'd like to see the world turned upside down.
I'd rather be a bird.

Sleep, child, sleep ...



"Late Autumn" aka "Autumn Strong"
loose translation/interpretation by Michael R. Burch
based on the version sung by Dimash Kudaibergen

Autumn ...

The feeling of late autumn ...

It feels like golden leaves falling
to those who are parting ...

A glass of wine
has stirred
so many emotions swirling in my mind ...

Such sad farewells ...

With the season's falling leaves,
so many sad farewells.

To see you so dispirited pains me more than I can say.

Holding your hands so tightly to my heart ...

... Remembering ...

I implore you to remember our unspoken vows ...

I dare bear this bitterness,
but not to see you broken-hearted!

All contentment vanishes like leaves in an autumn wind.

Meeting or parting, that's not up to me.
We can blame the wind for our destiny.

I do not fear my own despair
but your sorrow haunts me.

No one will know of our desolation.

Keywords/Tags: song, songs, songs of life, lyric, lyrics, music, rock, love, lover, lovers

see us dancing
the moment I hear
any upbeat melody

So many places closed,
And what’s open you can’t get to
For ****** tourists.

******* clouds are over:
A chill wind blows.
The workaday sun has gone.
Oh yes, it’s Bank Holiday.

The weather is foul
Yet everyone is out.
I can’t get parked.
The crowds slow down
My enforced march.

Our local chippy is closed.
A Doctor?
No chance!
January in May
And maybe in June.

Christmas is worse.
All those needless presents.
Gifts for the sake of it.
Keeping the retailers happy
At our expense.

I’m in a grumpy mood
But who can blame me?
I always try to be upbeat,
But not today.

Paul Butters

I sit, in my prison of fears, dreams, hopes and consequences thinking,
I am thinking about my life, but most  importantly, what I want and desire. Tonight my thought is of you, as I look back and ask why? Why do I care, why do I feel, and why did I give my true love and honour.

In better times, you were the symbol of fun, new hope, and excitement.
I laughed a bit more, taste the fruits just a bit better, and saw the colours a bit brighter as excitement ran through my veins. I remembers days conversing about everything and nothing, exploring each other's favorite music, dance, style, and humour.

I grown to trust as a friend and romance as a prospect as I seen bits and pieces in you that I have not seen in others. As comfort set, so did fear and anxiety of the next chapter. It hindered, broke, scared, and hurt us. We experience forces that successfully broke us out of envy and jealousy of our closeness. Half the times we were stronger, other times, weaker as other people painted green while we only saw mud brown.

I spent many upbeat nights , dancing in my mind the beauty of the friendship and the words once said, and many nights crying, for the pain and hurt that is inflicted.

I will always not understand everything, especially the small magic that occurred as sometimes I feel insignificant to the only person I feel who is the most significant.

For the first time, I held the hand that shaken, cleaned the tears of confusion and pain, and gave only from my soul and heart, because I  just know it felt right. I watch every time unneeded, I become again void as once again I am imprisoned under negative energy and mirrors.

Always looking to cracked the bad mirror to prove the beauty and love within me, asking for a glare of notice, because as every day unfolds, I have a basic feeling of deep admiration and love solely on the history and fantasy combined we created. And I have no fear as the worst always have happened, leaving deeper in sorrow.

I realize I am a failure, not because I fail, but I found a reason to refuse to fail, as my stubborn heart persists and my mind fights. Despite the exposure of love and acceptance, for each positive influence I experience, I cannot fully appreciate as I wait for the perfect connection between what I admire and my self-reflection. When I promise to cross waters without swimming, taking hits without shields, and stopping time to fulfill my integrity, I meant it deeply as I have already executed my words.

Many times that I have drowned, shot by criticism from within and afar, broke past self budgeting, and surpass my expected limitations, I just know would do it all over again just to reflect on my mistakes to give a better story. It is my creed.

I may be a fool in many eyes, but finding a diamond with so many colourful flaws is very rare to me, and cannot be duplicated in effort or by chance. Seeing someone hold your hand as I wrapped in cold quietness is my pain, as I run out of ideas to bring forth the smile I have seen before, and the meaningful tears of love I once heard. If you were  colour, you are that shade of violet. Very loud, misunderstood, never available in most settings, but yet the shade that always sang to me.

Crucify me for being an idiot for loving, as I stand by whom I chose as my twin flames of friendship. I miss you because I have too. Some days I am glad I met someone who taught me that I could love for real, and some days I regret demeaning myself. I am guilty by creed.

As i always say, you given me spontaneous energy , in which gave my life some flavour beyond salty-boring. This here, what I am saying now, is just another random of spice to add to the ***, but in deep honesty, this is farther from the truth of randomization. I have written this starting from months ago, only in heart in mind, only to be transposed as words today.  I plea insanity, I plea the fifth, but I plea for recognition as I am guilty of melting by your presence. I refuse to walk the lines of this magic as a failure.

I offer my heart, eyes, soul, wisdom, fruits and prospects, just to see the smiling thanks and admiration I saw before existence of my deeper prison. Let me drink a cup of java and dance the floor of reality one day, and I promise the music will be more than moderately dismal. Within many days, we could choose to flour that pasta, and dip it into the sauce I prepared slowly. Let's ad-lib some more words into a book, and see what the sunset really looks like. With all of me, Peace.

Thomas~

Glossy eyes and a glazed over smile.
Curled hair and an upbeat tone.
I walked up to you for what seemed like a mile.
Your eyes were down and you were on your phone.
I knew my name wasn’t in it so I had to take the chance.
You looked away.
Didn’t give me the time of day.
All I wanted to do was dance.

I saw you leave with him, but I wasn’t upset.
I tried my best but I wasn’t enough.
Its crazy how I can remember this now and still feel regret
All these years later I finally called your bluff.
Now you’re walking toward me in a wedding gown.
It’s impossible for me to frown.
But I still can’t help but drown and fight
The thought of you sleeping with him all those years ago
And I’ll never tell my brother about that night.

Autumn mornings filtered
gentle daylight on sunbeams
across cityways
and warm-tinted sidewalks,
upbeat lofi humming
with the dove's sorrowful song,
while weaving past
the struggles days bring.

Getting lost
in the Coffeeshop Quartet.
Birring grinders and steamy explosions
chattering friends- coffee tinged emotions.
Everyone's exploring with their faces upbeat,
a little bubble of warmth against the cold harsh street.