There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.

Mashup

Part I

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.

My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.

Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.

You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...

All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.

Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.

Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.

Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.

Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.

And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words

George Carlin's wife died early in 2008 and George followed her, dying in July 2008. It is ironic George Carlin - comedian of the 70's and 80's - could write something so very eloquent and so very appropriate. An observation by George Carlin:

The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.

We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom.

We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.

We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.

We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.

These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to ****. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete.

Remember to spend some time with your loved ones, because they are not going to be around forever.

Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.

Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.

Remember, to say, 'I love you' to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.

Remember to hold hands and cherish the moment for someday that person will not be there again.

Give time to love, give time to speak! And give time to share the precious thoughts in your mind.

And always remember, life is not measured by the number of breaths we take, but by those moments that take our breath away.

Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted *****
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's sensual ecstasy.

Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreadful cards foretell,
Shall be paid, but not from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.

Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of sweetness show
Eye and knocking heart may bless.
Find the mortal world enough;
Noons of dryness see you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.

Coming to now, the story of life not as a practical lesson in wisdom as such in a parable or teaching only casual experience for individual. Experiencing this wisdom will change your knowledge gained through the events of becoming with the kingdom of heaven. Ways on the tree of life or paths which are ordained or divined in the Lords or spheres build your learned life knowledge. Adapting as a disciple on the natural skill of the soul shows a person whom, the individual is in a pure state of self and exponential in the ***** of the tree of life.
As a child of light I lived happily joined in the union of spirit, my young soul always with the Almighty Father and Creator in the Tenth heaven. From a dream of the past awaking as a watcher of an extremely large craft inside the entire vessel I could see animals each of them were named and had most important characteristics from the Father. From high aloft in Heaven to the boat a watch was taking place omnipotent over the last life within. Many hosts and angels spoke once I was inside the boat but wasn’t as a soul like a spirit invisible I saw and heard. Angels divine in accord to works of commands were at work in heaven whole groups of choirs known as orders were not ever interrupted by my watch. Trumpet sounded heard in the spirits from heaven to the sea and rush gate of the heaven’s upon the earth. The name of angel that sounded and captured fallen in the thirteenth month; Tebae-et, into the stellar order of gates or fallen paradise.
A child of light borne in spirit always with the hosts or different characters in life such as Chanokh (Enokh-Father of Melekhi-Tsedek order), but it was either in dream or warden amongst crowds of souls touring in celestial spheres with paths of light on the tree of life. Walking outside my house the morning after my dream, I felt as if I could float in the air body and soul light as a feather. Surrounding me was Topaz, chrysophrase, jasper, chalcedony, and amber gemstones still transparency like crystalloluminescence. Above me sapphire with alabaster and my soul looked down upon me with white eyes shining light out of them in a robe covered in my names brilliantly shone in gold light in the temple of my soul. My body was in euphoria and I stared into the future and realms of heaven, seeing into the seven seals as celestial wardens. The divine experience was wholesome pure enrichment to my soul each word I had in communion with the throne of supreme majesty firm with glory, order, and unconditional loving care. Differences in the Father; whom was a body of so many names and creations perfect in commands, recordings, gates, cycles of hosts myriads, elementals, migrations of stars, and firmament upon firmament.
The way of the most holy spirits as complete body of the Father the original tree of life, which is known completely in the true names it was created as. The spirits, angels, guardians or incessantly serving hosts help the Father governing of the kingdom of heaven in the four parts of man. The structure I remember is perfection with tongues that fill the heart with everlasting laughter, hope that cheerfully overcomes in a soul victory. The heavenly abode the height of the throne gives the soul countenance of wisdom to the word unto man. Upon a single walk with the Father had taken my body and spirited my being in soul countenance of wisdom so far through the future I had saw unto trumpets of revelation.
Melekhi-Tsedek order the true religion to be proclaimed unto man the creatures such as animals, fallen accursed, the plant life in, promise, orphans, and widows were watched over on the decree or divine ordination from heaven. Ascending up to the throne; I went through the knowledge of the complete day in heaven or paradise recorded then toured the solar spheres, through the knowledge of the spirits or holy hosts that did in accordance to the orders. The process was divined in the Father’s willpower over my essence I had knowledge to what was being experienced in a connection unto every living creation. Completely, opening the mind unto Ratsiel (secret of God), through the third-eye founding of my soul into mysteries of kingdom of heaven. Voices of many named angels were annunciating with pleasant tones and choirs voices of angels by the thousands. Recording archangels kept the things that were occurring in the kingdom of man, while also serving the obligated roles of their natural being as direct personification of God. Organized, synchronized, and in spirit of prophecy patterning so perfected without error moving about in every way structurally sound through commanded orders. Systems of planets were kept sealed in the seven hallways or wards that divide heaven’s celestial nether space from the foundation of firmaments of word and universe unto the highest Lords signs of zodiac places. Above Almighty Father can sit omnipotent as ascending angels, spirits, or orders can go the entire flight focused on the Father’s throne. The orders of body were eminence Seraphim, Cherubim, Wheels (Thrones), Dominions (Authorities), Virtues, Powers, Principalities, Archangel, and Angels. Although the kingdom in spirit was always changing and becoming according to the cycle of the sun’s orbital sphere into the gates of each day on a 28 year cycle and 7,000 year unto 7 days in heaven the Lord a light-giver and also Lord of completion, Sabbath day.
A fresh gust of wind and a light pure feel was a regular experience while awakening my mind I learned of the Elders of heaven whom had crazy stories like when Samson had the might to slay the lions or tore down the temple of Dagon. I knew the hosts and things that had become in the kingdom of heaven to allow the might shone as a show for the heaven, but also act of the devils in his life. This knowledge was in a book the scripted the entirety of all the acts that take place as a divine act, once a celestial being was in visitation in spirit. The seraph Ratsiel (secret of God) investigated the acts of the temptation of Adam by Chavah and the acts of the archangels in response to the threat. The accord to the acts of everything that exists in the accord to knowledge of the solar is obtainable through this book, the book of knowledge.
Later in another dream I met the minister of death in spirit which as within a myriad where thousands of spirits were at works performing the acts in which is their existence and adapted behavior as a role in realms. Being in one place while still seeing into a complete different world or plane of existence doing as is need or divined in nature. Black darkened pillars came down on me as this space ship shaped like a pyramid with the patterns of natural earth red and black like lava years after a volcano. Around me each pillar stood as a being in realm invisible to my eye except for one being on a throne centered in the myriad the throne of death. Fiery torment in flames along with brimstone flowed in two pooled lakes parallel from one another with a long path going from gate to the another gate leading to Sheol or Hades. A base foundation of the throne is a horizontal shadowed hallway with many smaller pillars which give no support to the throne, while the path is vertically centered. Two stairways go up to the platform of the throne one on each side of the platform decorated with images of Baaliyal in form of a torrent. Death sat upon the throne with darkness like the appearance of black smoke blowing from his mouth a complete skeleton. Skeletal body covered in black cloak with a screeching voice like a woman’s long fingernail’s scratching a chalkboard. Terrified I walk my being over the site of my soul-mate who is on my like side and here with me she is like a dream and become in multiple places at the same time. Beautiful she was consistently becoming in hosts of cherubim changing into many different forms of the adapting natural instincts of animal’s behavior for survival, she is tan Carmel skin color and flesh uncorrupted by any mans thoughts of lusting ruin. Passionate vivid dreams of a                maiden lying in an alien jungle full of plants most like a rainforest but yet close to the planet’s beaches, wearing a purple robe. Dark and warm humid with a damp feel to the observer of the smooth cover of the claylike terrain of the solar sphere. Again I dreamed of her while she was separated from me by the prince of Tyre or the cherub covering the mercy, she ran amongst different hallways while in the tower of Babel and giant nephlim watched with other gods in gold cursed trying to look down on things in spirit. I walked up the stairs and could see myself from outside of myself, seeing my form as a human being in appearance most like Michael or Melekhidael with breastplate of gold without a helmet. Death screeched out at me and I saw an ancient giant of hell also the spirit of Tanhumeth trying to send me into the past. Awakened into a new form I walked through the gate vertical in the chamber beneath death’s ministry. Sopheriael Yahweh took me into the spirit of a seraph Hadaneriael then, into the 10 archangels of punishment over the 10 nations of Babylon the great which took me into the depth to the ninth circle of punishment for a reign in gates of the Phul seal or in Phalek. My soul was the loosened stars of Kesil through Samuil the poisoned messenger a discernment spirit involved in the surfs of the accord of the kingdom of dark princes in paradise, the divine comedy Queen of Angels enchanted songs counted into paradise. Darkness in the kingdom of heaven, with the ability to paralyze minds with seraphim hosts of terror, I walked through the brazen gates of Hades seeing everything on fire but also thousands of thousands of different forms of creations each rarity seen with delightful insight to provoke interests into any living being. The life paths of a multitude of creations would come through Hades and become baptized through spirit’s fire of pure refinement spoken as worth in the golden city, precious daughter of the loom, here in accord to John the Baptist’s   prophecy.
At a young age of 6 years old I began to refuse the world or play directly into the kingdom of heaven which was a lonely elect of self in my family also in the church my family attended. Wicked spirits attacked the gates of my inner ear where and had began to tell me of things that would happen in future then, keep me from being with the Father completely in heaven. My memory started to fade in fear that I would only to struggle if I kept learning. Gradual disillusion way from the throne began while I was only a few years old, the devils were wise in deceit most from the tree of knowledge and future mistakes from which I saw rolling with wheels of heaven. Moments of times in the future I would soul determine things into happening from the spirit of prophecy it was something I kept special between the Father and mines relationship. Constantly I would hated life and wanted to die, feed into temptation, stole, and spoke accursedly cutting my relationship from the Father.
Was not until I was seventeen years of age when I felt an overwhelming feeling like I had just explained something about the firmament of heaven which usually gives me this same feeling like a gust of wind in my person with a prestigious self worth from outside of self comforting to my soul. Looking up into the pitch black night sky, I saw a strange and odd formed constellation of stars above me I raised my arm and pointed at three stars. As if on command or through a governing of the stars each was loosed and fell immediately after pointing to them. Excited as the skin of my body was stinging as hairs stood to the point of super natural acknowledgment of the world’s great mysteries finding depth in the human soul I watched the sky then turned to the east. About to use the marijuana I torched a bowl of green bud then thought in the medium mostly of the kingdom and Father in heaven. In the zephyr region of the sky I saw a light floating, soaring, flashing, and moving faster than anything I had ever seen in life but on movies scenes. Astonished again I watch the spirit jumping around in the sky with multiple purposes and clear intent to do for the Father most high. My only other witness to this was my black minx cat shadoe, whom I looked at and said “I going to have a vision tomorrow” then finished two more hits of the cannabis before leaving to my room in the basement of a two-story house.
Awakening to the day was full of feeling of mystery I didn’t tell any of my experience from the night before. On October eighteenth in the day I smoked some marijuana went to Crook County High School and a blood drive was setup, I planned to give a pint for my first time ever so I went to auditorium where the blood was taken from my arm. Feeling faint and in hope for a high opposed to school I left and was excused from classes. Arriving at the house I stopped my Suzuki Sidekick in front then went in and downstairs to the place after the last step knowing something amazing was about to happening I uttered the name Metatron. Linear thought was tremendous while spirit balanced on a pillar and the first seal Arathron had me in celestial hallway warding the ancient spirits from the night before. Sitting down in a lazyboy recliner chair I first start the satellite television turn it on with remote, the spirits are crazy making grandeur boosts of how I can control everything like that remote but from mind. Flipping through stations I begin to change the channel in accord to how I sense and feel the spirits. Crazy things start occurring watching until I was seeing a celestial vision. Hearing my mind from above it was intriguing and making my pride compulsive like no one living I was experiencing these sights. As a mode of characters in a set ordained function were becoming visible on the tree of life but each were in a different realm not visible to the other. Beautiful alien life most exquisite to the eyes in the planes of other worldly adobes just doing into a set way of commands rare without repetition. Nine characters panther, eagle, falcon, wolf, coyote, Siberian tiger, and one man with blonde hair came into view in a dense rainforest like jungle each was adapting to the environment but they were only one soul becoming the entire time. The forest was no longer and the upper places had new hosting since I had entered and changed things with my thoughts, I became the soul of the characters. Seeing upwardly was a flight to the top of the extreme heights of the Father’s presence through the third seal of Phalek. At the arrival of my being I saw the most adorned and absolutely marvelous splendor of white shine like that of the sun’s rays hitting snow filled fields. The Father’s presence so handsome and gorgeous I have never seen another beauty like it only his eyes were so bright shining when he created my being as a star to his left-hand above a white marble pedestal of wisdom. Father had most elegant white robe shining in purity and sat upon a throne center below seven pillars known as the tabernacle of creation or tabernacle of seven days. In the presence I was pulled back down I felt spirits by the millions entering me, fusing to the dawn star in me finding a place inside me. Possessively filled with spirits till an evil pride overtook me and I felt ever sinful or dark taint of the soul. Lightening fell on the seventh pillar in the tabernacle blue bolts streaked downward as I fell from the presence back to the sphere of Adam’s where I heard two voices speaking. Red clay-like surface with rough igneous and metaphoric rock on the solar planet were a tree had burned to charred pieces. Sin from the Tree of knowledge was present as a spirit she was a young apprentice of the ancient one or Athiquelis. Introducing herself with flaming hair of red orange flames, her eyes shone as big red gemstones of ruby and a body covered with a black dress that faded into the natural darkness of her nature. Waving and floating in the air seducing temptation in her words that spoke into my mind and not from the channel. Soothsaying feminist voice would move me to her place and origin beside a large eleven foot pillar of smooth dark bla

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.

It ends tonight- The all-American rejects

Your subtleties

They strangle me
I can't explain myself at all.
And all the wants
And all the needs
All I don't want to need at all.

The walls start breathing
My mind's unweaving
Maybe it's best you leave me alone.
A weight is lifted
On this evening
I give the final blow.

When darkness turns to light,
It ends tonight
It ends tonight.

A falling star
Least I fall alone.
I can't explain what you can't explain.
You're finding things that you didn't know
I look at you with such disdain

The walls start breathing
My mind's unweaving
Maybe it's best you leave me alone.
A weight is lifted
On this evening
I give the final blow.

When darkness turns to light
It ends tonight,
It ends tonight.
Just a little insight won't make this right
It's too late to fight
It ends tonight,
It ends tonight.

Now I'm on my own side
It's better than being on your side
It's my fault when you're blind
It's better that I see it through your eyes

All these thoughts locked inside
Now you're the first to know

When darkness turns to light
It ends tonight,
It ends tonight.
Just a little insight won't make this right
It's too late to fight
It ends tonight,
It ends

When darkness turns to light
It ends tonight,
It ends tonight.
Just a little insight won't make this right
It's too late to fight
It ends tonight,
It ends tonight.

Tonight
Insight
When darkness turns to light,
It ends tonight.

I am a mother, a wife
A friend, a teacher
I seek happiness
I love deep
Only souls not faces
Always loyal
I don't judge  
I love to help
I see good in everyone
Which makes me naive at times
I am open to all
Hoping for a world
Where everyone fits
Labels don't exist

I latch to rules
Anxiety demands
I suffer from OCD
Always chasing order
Shackled by disinfection  
I am comfortable in control
Leading the way
I seek to inspire
I believe in others
I am honest with my feelings
I value experience
And learn from them
I reflect on my day
Always trying to improve
I search for meaning in conversations
Enjoy learning new things daily

I play sports
Love music  
Enjoy Art
Express myself in writes
Fascinated by abstracts
Reading words to gain insight
The grace in movement  
The beauty in visual artistry

I love to re-discover nature
The acoustics of birds
Waterfalls and rain
Kissing falling snow
Connecting with our majestic sky
I love the stillness
Each morning brings
The dew sleeping in the emerald
The lacquered canvas
Of quiet lakes
Motionless  
In something so vast

Yoga is my philosophy
A healthy
Body
Mind
And spirit
My destination is
The pursuit of enlightenment  
In my life's pain
I am coming out of the spiral
Enjoying my journey
Seeing straight
Swimming the unalome
I feed my soul
Hoping IT can lead me
Leaving my ego in my wake

I remain unfinished
I continue to wear masks
Sometimes to hide
As I fear rejection
Still..
As happy as I seem
As lovely as I am
My soul has a shadow
Hidden inside
My essence traced
By shaded light
I am a survivor
Broken in places
Finally accepting my true self


Jl 2016

From my "Bestifreadaloud" series about a girl that got away that Spring because I waited too long.

Part 1 The Past
A case made now faded of a simple place, a time, a space,
a perfect moment let pass in haste.
Clasped in clashes,
brash in passion,
rose from ashes,
desire fires every second's essence as it passes,
a ton amasses.
Fast bloom,
Blast!! Boom!!
The past relapses.
Notably lesser song notes float hopeful, emotional ends and remember whens.
Sent us spinning, then spin adrift again.
Sprung in spring, we fell,
Some are reasons to recall.
Summer's season breaks, we fall.
Flocks fly down and fallen callings fade to Winter's south.
How fate related still debated.
Re-Sprung the next Spring' rise, chance misses fate this date.
I weighed and debated and waited too late

PART 2
Still all these years alone, the "one", the "purpose" unsought.
Capturing thoughts,
The ones I caught and tossed,
Things I was taught and lost.
Proof framed and embossed for a cost.
Coping through the unabashed hopes to one day cash in on all this stashed trash I clash with.
"Smash it?" ...the thought crossed.  

Unimpressed by my evidence of self-less requests,
pursuit of self-evident truth proves a most ruthless abuse.
Even less are my skewed protests for “selfish quests" at the behest of the very strangers I sought to impress.
I digress.

The years compound, bossed around, kicked down but soundly employed,
I turn cold, blaming Freud for defining my non-violent, intolerance threshold on page 23 of some textbook I should have resold.
I go silent. Grow old.
"While your whining and shunning your shinning,
They're sinning and winning." Bad timing.

Girls come, go and follow this shallow, hollow fellow on the run.
While preyed upon...I paid a ton. I play.
The sum never more than the cost of rented fun.
Without insight but consent forthright,
my 30 years of intent were spent in a fortnight.
Still bent on shedding every pound of one first-moment's ton I lost not won.
Can't buy happy for less than the cost of your one-ness.
While prayed upon...paid a Son, they say.

part 3

Ohh the wait....
Ohh the weight...
My set-adrift-soul's mending depends solely on tossing
lost cause cost-spending into thrift.
Well it's a beginning.
All the amassed notes, quotes, boat-floaters,
and sailboat hopes spun in one 1-ton loss moment sprung that one Spring.

Now and again, it creeps in,
like slowly growing stinging nettles around a squelched,
once steaming scorched dream kettle.
Still stays packed away in my heart's darkest parts.
Blurred by time and place,
this burning, misplaced furnace space lays in wait.

Such compiled cold-case denial files from other life trials, lay piled in haste on my proverbial, "less pressing" messy desk of "not ready to face."
Too scared or daring to date, try to relate or contemplate
how to best equate this great weight.
Wait?... Wait.
Elation brewing from pursuing future fruition or ensuing
pure ruin gates these fates from moving, year-to-date.
For the sake of trying or dying forsaken,
another day awake is another day gained or taken.

I found her again,
the town's she's in
but she is taken and then
She learns of my wait, it's weight, my fate, she's shaken,
another ton amasses again. I pretend.
Lay down.
Drown the score of sounds surrounding.
Furthermore, slow the pulse-pounding abounding your core.
Fill your breath.
What is less is gone, tomorrow more.  

by R. Craig David-Copyright 2012

Help me understand what I mean to you...
Help me clarify that I am something, cause im tired too..
Tired of the games and blues, filled with exhaustion from my heart buying in to your lies soo much its costin me,happiness...
I wanna know for sure!'show me an exact image! of reason, why be with him, if I known you longer than you been breathin?
All this teasin is misleading, do you want me? tell me! dont leave me hangin..
Im madden and sadden by the though he has your lips, what happens to me  if it last long, and  I just come around like a bad caugh.
I've lost...
What we had is old news, but i guess time shared holds no meaning in helping you choose.
Don't come to me if your confused, i refuse to help you and your trouble, for now on do you...
Cause i been doin me, never had a problem I couldn't solved em easily with alil alcohol and **** cause you cared less about me and more about him..
I was a friend the best there was, the best there is, the best there ever will be, one you'll probably will not miss.
Or even noticed, if I disappeared, Im just a ghost, a shadowed memory,  still wanna be wanted but its hopeless...truly hopeless, why I wrote this? It won't change a **** thing about her, why Am  I still hopin? Why I care? Why I dare to even mention your name know you wont come to my aid, your never there...
Always with another or him, not knowing who you want, i was wish i was in your option, I can do much more, but never gained a chance to prove, and you wonder why I feel summertime  blues....
Im the best, One you'll never loose..
Ima alot of things but theres a side I never get to show, a side you will love, but you always say no, not givin me a chance as if I was bronze not worth your Gold,
but listen baby im silver, way out there but a good catch, ima outfielder,
something you can be near uhh never shed a tear soo why you always out me?
Always doubt me, never wanna like me, knowing im the right piece,
always misplace me baby, i can clean up mess like a wipee, 
whipe your tears on my white T,
i wanna be your  lycan whose fightin for what he likes see? but I feel there's no time for me...so again  why am I writing????
I am just helpless, a romantic put on the shelf like an old novel,
these say stomach the pain, but I put these dead butterflies in a bottle...
alone in my household, holding close what I call ghost hopes...Dead long ago, now it just cold like the snow, could build a snow man, But I just say no,
Why bother like Stone Sour...it will never happen, I blacken with thoughts, cryin in shower.
Stressin myself because my heart feels like its in a cyclical orbit,
of doubt and hopes, a limbo that continues to lower my esteem
and stings with pain like hornets..

BY: Emmanuel Jv Hernandez
5/23/14
(might add and edit later depending if i doesnt flow the way i want or needs more insight to get across what im feeling)


comment what you think!!!!!

The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.

Not near-sighted; not far-sighted

Just blinded by stupidity
By rich inhumanity
Lack of love in society

Absence of insight; omission of outsight

Just censored curiosity
Loss of credibility
Condemned abnormality

Futures foresighted; actions unsighted

The past, no punctuality
Death by immortality
Buried from reality

Born of barrows blood and acorn goodness:
honest as nature and prodigious as her harvest.

Cursed with cowardliness, blessed with bulk
but an irksome intellect invariably finds fault.

The pain of creation softened by canine affectation,
and artificially-altered perception.

Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey

Evening light is gentle, slow
Caressing leaves, metal roofs, soil
Plants, flowers, pavements and gates
Clouds are the mothers - they shield us
Lest the sun shines too much.

Take a breath and look around;
The sweet and tranquil garden will take it away.
All colour blend in synchronised harmony;
Blues and browns, pinks and whites
Crossing into and over each other like
oil paints,
Warm, welcoming, beautiful.

It is soothing - the sound of nothing
That disrupts; razes; hates
Disturbs; curbs quiet insight;
One's imagination is the lone
source of maximum sound
That vibrates through the garden.

My grandfather, my grandmother's brother,
Smiles as though the sun shines through his teeth
Dresses in a pale blue shirt
Black shorts
Both well-worn
Ready to play
some basketball.

Oh, the joy, the fun
The refreshment arising from this game in a courtyard
In grandfather's garden
Among young trees, leaves and other green growth.
There stands a home by hand made
Basketball stand,
A concrete base with metal support hands
Floppy strings of hoop
To shoot the ball into.

The garden has been bathed, it is fresh
It is refreshed.
Grandfather demonstrates, I listen and follow,
To throw the ball into the hoop
With precision and care; throw some force
Into the air.
The ball dances around the circle
then drops to the concrete floor.

We take turns
As I throw and grandfather returns
9/10 of the time my aim's bad
but the ball grandfather throws, I actually catch!
(Or it will tumble on wet soil)

Exciting, the thumping
of rubber ball against ground;
Keen eyes and agile hands and feet
To catch the stray ball;
With swift movements the ball flies!
From sideways, afar and near,
Into the hoop successfully, finally.

Back into the house we go,
As the sun leaves for home.
The garden prepares for night;
So do grandfather and I;
Grandfather washes up; I talk to
Grandmother in the garden;
waiting for night, to
fall
fall
fall,
into infinite darkness -
poignant memories

they say you'll never forget
where you were on 9/11
i was nine
i sat in the kitchen
and watched the television
play out the violence hour after hour
my child-like mind conflated the Two Towers
in Tolkien's literary fantasy
with these acts of misanthropy  
and i was taught at the dinner table
that very evening
that all of life could be reduced
to capital letters defining a
cosmic struggle of Good vs. Evil

and yet
regardless of their affiliation
on this defunct
political spectrum of
left left
left right left
politicians canonize a legacy of
injustice and oppression and
in order to suppress
democratic expression
they propagate the notion
that dissent is treason

because the wars we wage are blessed
by the sagely insight of rich old men
who sit safely in mansions protected by
picket fences as white as their skin
while they play off our emotions and
turn us into thoughtless sheep
content to stomach the whims of
politicians propagating vengeance

i will speak this out even
when my voice shakes
because i have seen the hypocrisy
of this war on terror
that relies on terror
to cultivate more terrorists
in order to perpetuate the notion
that Orwell posited

war is peace
freedom is slavery
ignorance is bliss
isn't it

in my naïveté
i rejected the reality of
torture and murdered children for
i nursed a secret hope that
despite the pictures and videos
that served as empirical evidence
we were still somehow
the good guys and
they were the bad guys

but Americans rained white
phosphorous on Fallujah
dropped the world's first
and hopefully last
atom bombs on Hiroshima and Nagasaki
we toppled democratically elected socialists
whose interests betrayed our self-serving agendas
cultivating a policy of extra-judicial assassination
regime change is the name of the game
just ask the CIA
they'd tell you
business is booming but
then they'd have to **** you

so i switched off my TV screen
and picked up books
i read Slaughterhouse-V
and treasured the way Vonnegut
looks at the lives of even
bees and butterflies as valuable
intoning "so it goes"
every time a living thing dies

i read O'Brien's
recollections
of Vietnam
a month later
he said that
like white lies
tall tales and
fishermen’s yarns
every war story
has a bit of truth

and i've seen the proof
in the photographs of
Abu Ghraib and Guantanamo Bay
in the aftermath of drone strikes
that left pieces of kids scattered
across the desert sands of foreign lands

i see the toxic side-effects of
systemic violence in the eyes
of homeless veterans suffering
on the streets with PTSD
a flicker of fear livens a
deadened gaze at the sound of
every backfiring engine
as if they're a thousand miles away
on some distant shore

betrayed by their own
government once again
a Purple Heart is
a death sentence
when there are 22
military suicides a day
thanks for your service
now die in silence

like bad religion the phrase
war crime is rather redundant
and i testify not because i
aim to disrespect the
men and women in uniform
on the contrary

when i say
**** war
it is because i
cherish every brother
and every sister
who has perished in the
churning gears of conflict

they shoved tall tales of hope
for a collegiate education
and far-flung travel
down our throats
just sign here
right along the dotted line

we want you
to march into hellfire
we want you
to send missiles into
tiny huts and villages
tracking cell phone signals
we want you
to sit down
shut up and
just do as you're told

to every fallen human who
has been sent off to fight on
behalf of this
or any other
corrupt nation
i sincerely apologize
for not taking to the streets to protest
a vitriolic ideology

i regret filing my taxes
when 54% or more of our budget goes to
military expenditures so they could
stick an M-16 in your hands
and ship you off to die for abstract
and so often arbitrary phrases like
freedom and justice for all

you were robbed of your liberty
by a capitalist system that seeks profit
like a false prophet for
bank accounts soar in times of war  
and in my apathy i hammered
nails into your coffin

and i pride myself on  
being an anti-militaristic
non-violent anarchist because
i don't hate soldiers
if i did i would remain
silent and apathetic
and let the government
abuse its youth

i celebrate humanity
regardless of ethnicity and creed
which is precisely why i despise
this system that sacrifices
generation after generation for
conquest and imperial notions

pray tell
will we turn from the
error of our ways
wake up from
this terrorist daze
before it's too late
and say

the State can try to
whitewash history but
i refuse to let them
brainwash me

teamara

As in the nub of the remains of crayola crayon that’s been used to color in so many smiling cartoon suns on a piece of paper-
Her favorite color is yellow.
And I don’t mean a wimpy *** pastel yellow or sometimes a pale yellow
I mean her favorite color is bright *** yellow.
Like Pikachu yellow.
Like she’s almost nineteen but she’s still willing to play Gameboy Pokemon yellow.
There’s something innocent yet corny kind of yellow about her.
She’s beautiful like yellow jirasol petals
She’s intricate as yellow thread woven in a Rasta Dom
She’s yellow like gold and Africa
She’s sweet like pineapples and delicate like daffodils
I still don’t know why her favorite color is yellow
Maybe it has to do with her fascination of Asian men…
I mean! ...with the continent of Asia
She thinks she’s more like pink Japanese cherry blossom trees in the summer
But I know she’s truly yellow petals on Paolo Verde trees blowing in the wind spreading around Tucson
A metaphor for her love
She’s yellow like the color in the middle of my pride rainbow- She supports me
She’s yellow like the big painted sun at the hospital with a big grin
I wonder why nobody smiles at hospitals
The place where life is easily given as taken
Where we are reminded that our health is sometimes taken for granted
Other than that great big yellow sun
She is the only that radiates yellow and smiles
In waiting rooms, she seems like she’s the calmest
Even though she’s the only one going through surgery
She’s so beautiful on the inside her body can’t even take it
She doesn’t deserve scions or scalpels to even be considered touching her bronze skin
I wish instead they would strip down the color yellow from my life
And give it to her to make her smile so bright that even word “cancer” would cease to exist
But still. Even through pain and hardships
She still smiles. Not only is she yellow when she’s happy
She tends to radiate yellow even when she’s gloomy
When I’m upset, her aura has way of rubbing off on mine
And I get insight to why her favorite color is yellow
‘*** she’s the kind of yellow that represents strength
She’s yellow like tall forts made from gold bars
She’s yellow like flames that roll of her tongue when she spits fire
She’s yellow like a crayola-crayon… except she can’t be broken
From her, I’m learning
That even when you’re hurting
You can still shine bright like your favorite color.

New breath fills her lungs with the air of a world that does not know her.
So quietly does she lie in her mothers' arms:
A new light that shines on the earth today,
Bright with a peaceful radiance so wanting in the world.
Filled with the grace of  purity she stepped into our lives,
Ready to teach her lesson to those who would join her in tranquility:
So prepared to bare life's mantle, she greeted the world with a quiet sigh
Of one who understood its noise and hustle, but quietly smiled with wise eyes.



Oh Satya live up to your name
Your mothers have given you with great insight!
That you might show all the world your love
And that we might learn from your power and your light.

it's 8pm

after the sun departs and we are greeted by constellations
or what we could see past the rising light of the city
The elitists of the day go home
A time of opportunities has gone down with the day
But what would the night bring us?
The start of a new journey and to be one with the city?
Never in the eyes of a 9-5 type

it's 12am

the stars
they call our name
towers being our line of communication
should we go?
we could get caught, though?
I have to wake up early tomorrow
what if, what if, what if
'What if' didn't make your greatest memories and you know it

every emotion between ambition and fright from what lays ahead
but that feeling is what makes it worth while.
doesn't matter if were opening the door to the outside or crawling out a window
the next feeling hits you and it is more than awe

it's 3am**

above the ***** streets of Houston
60 plus up with not a witness insight other than god
as our eyes gaze upon the lit streets, that stretch infinitely
our perspective changes
what once was Houston
is now a interlay different world
who knew a city could offer you so much without trying to give it to you

Can you hold me,my love?
I'm losing my grip
I've been through rough patch
only able to grieve
My treambling body,
My hopes,that is about to dissaper
it's for you to hold
it is your part of share,to care
& I , I will be your strength
Everybody goes through nightmares
I will be there to show you light
on your  darkest night
We will reach out to the sky,
Sky is the limit, they say
the limit : so limitless
the limit : we've set
we do this often to ourself
setting limit to everything we get
I, I am going to worship every inch of you
If you promise to do same
we are gonna talk,make love
under the night sky
star gaze,just to feel alive
I am going to rip off all the romanticism inside me
if that's what love feels like
l've been good but
I've also been blessed with the bad side
I am fed up with fake promises
and people who pretend to make things right
I want to be able to write love poems again,
So baby, tell me no lie .

hitherto i naively challenged
my decision to enter an ominous existence
a vicious maze veiled in obscurity
inconceivable to navigate without the accumulation
of bruises, heartache, and psychic mutilation

the torment’s ache so unfathomable
i begged to evaporate beseeching death’s arrival
and with the dexterity of a masterful wizard
i magically spun threads of my shredded soul
into a mangled ball of mental lacerations

then stealthily in the opaque of the night
i rushed the frigid black ocean’s high tide
and deluging myself in the ebony water
i buried the battered ball
now deeply eclipsed in the onyx abyss

it sapped all my strength to hold it under
drowning in the wave’s of sea motion
stinging salt alive on my pours
gasping for air i surrendered my grip
releasing my marred orb of élan vital

capitulating to the sand on the beach
i ceded the fight and watched the sphere roll
unraveling it glistened against the white sand
an opalescent tapestry lit by twilight
mirroring the stars against the coal sky

in the lustrous lunar midnight
reflected back by silver moonlight
littered with specks of fluorescent insight
astonished i drew in my breath as i read
words interlaced in the untangled web

the wounds are there
creating a looking glass
peer in
and you will heal
your own consciousness

©2016janetaylor

I was alone deep within my thoughts lost in nature.
in other words passed out in the park as usual from a night of deep research and binge drinking hey everyone needs a ******* hobby okay.

I was just about to do some deep sea diving I'm kidding it's more like explore the hot tub with Jennifer Aniston and Lawrence hey I bought those goggles why not put them  to some good perverted use right?

When all the sudden I was pulled from my ******* utopia and brought to reality with some strange hamster dressed like a troll throwing bean bags at my head Jesus Christ this is why I stopped passing out in truck stops.

I banish you strange drunken  wizard with a banishing spell .
he said as he kept throwing his strange little bean bags at me I tell you
you have to worry about a man playing with his bean bags in the park I mean sure that kind of **** flew in third world countries like Canada  
but here in the states we had guns so we could protect  areselves and go hunting cause who doesn't love some male bonding?
Or buying a A-K 47  to  blow the living crap out of everything insight .  

**** the woods it's filled with to many fury hippies to began with and what wall doesn't say high class better than some animals head on it looking like it just got prison *****.
Yeah it looks so natural  and dead that is .

But enough with the foreplay and back to the bean bag throwing troll nerd .
Hey man your supposed to exit the playing field after I hit you with that ******* .

The strange dressed nerd said then snickred to with fellow dork homies.
You got to love newbies they don't even know a level 12 troll God from a ***** cave spider.

They all seemed to be smoking crack for they all busted up laughing at this strange little escaped from the asylum hamster.

I wasn't sure if I should just run or try to speak with these odd nerd folk  they kind of of reminded me of Muppets on acid yeah that was a bad trip don't ask.
Boy I never knew Miss Piggy was such a **** or a gymnast.

Excuse me gaydolf 
So  is there so reason you woke me up or are you just off your meds and looking to throw your bean bags at the first drunken in semi coma person you find sleeping on a bench ?

Your not part of the game?

The strange little troll nerd asked me and from the surprise in his voice I could tell this weird little hamster was on some great ******* drugs once told me two things.
One I needed to dump these ******'s like a truck stop burrito.
And two I had to  find out who his doctor was cause I wanted triple of whatever this kid was having .

No sir I'm not part of a game or show unless it's being the judge of a wet t shirt contest cause I do believe in supporting the *******.
Hey **** the whales save the *******  they look awesome and who cares bout the environment duh there's sharks in there didn't you ever see jaws besides everyone knows I'm allergic to water.
That's why I drink whiskey its much better for you besides ever see flipper hop out the ocean for a bathroom break ?


Hey this dude isn't part of the realm were in he's just some old *** drunk.
Another strange hamster said to his Troll friend.

Oh sir I do beg your pardon here take this .
The troll nerd handed me a bottle .
Now this was more like it I kicked it back and tasted the most foul tasting ***** I'd ever tasted in my life .

Dear lord man what is this ****! ?
Umm its called bottled water dude the troll replied .

I looked at the plastic container in a mix of total disgust and hell these kids were into some weird ****.

Water huh tastes like **** what the hells the proof ?  
Umm it's water ******* it doesn't have a proof .

I tried to grasp what the two headed tall one had said but was lost .
How could anyone drink anything not to catch a buzz what twisted sick little ******* had I run across?

I had enough of these strange garden gnomes **** I reached for my trusty flask a hit of some good old 80 proof trying to rid myself of the taste of this poison called water .

Look I do not even want to know what your nerds are up to but unless it involves some hot stripper elves  a bottle of cooking oil and a twister game count me out.

Looking at me like most people do with that mix of confusion and a feeling like they needed a bath there strange leader spoke up.
Sir you have to understand we are larping and on a quest we simply confused you for another drunken wizard .

Well I can understand that my sexually confused  nerd friend but I think you need to seriously go on a  quest with me .

Your on a quest the troll dork asked lighting up like Taylor Swift after just stealing the soul of yet another misguided hamster and brainwashing millions in to believe she actually had talent or a soul I'm just saying .


Yes Gaydolf I'm on a mighty quest to get my magic  staff  blown by some cheap ****** but enough about my ******* wife.
Yeah the internets filled with perverts and if you search long enough you might just luck out and find your very own ****** with a heart of gold or drunken long winded perverted ******* like myself .

Sir I have you know me and my knights of honor are true gentlemen why we need no pleasures of cheap ******  we have the company of each other songs and campfires to drive are passions who here amongst my circle would like to follow this demented nut on some ****** bag quest for the earthly pleasures of the flesh?

The little troll nerd turned around to see his round table of fellow ******'s gone .

What the ****!

We could here his cries as me and my new crowd  of  odd little dressed hamsters were off to the Hotseat ******* in search of ***** ,Strippers and hopefully trick one of these naughty dancing hamsters into a quest play hide the sword in the well you get the point.
cause hopefully someone with some cheesy name like sparkle or Bambi or Candy would .


Sir Gonzo the strange looking Cyclops of my new entourage asked?
Yeah what is it amigo?
Do you not fear the wrath of the troll gods mom?
I mean she did bring us all here in here minivan and all.

Well my one eyed nerd friend in are quests you will learn many things there are to fear .
But nothing far worse than the river of fire that spews from thy staff after a goodnight with the ***** of the back alley.

Oh no worries Sir Gonzo I have plenty of spell packs of penicillin .
Hey does ***** Debra still do that trick with a ping pong ***** and a picture of Kanye Wests face?

We  can only hope my one eyed friend you know I cant believe you know bout ***** Debra I said with a bit of surprise in my already getting there drunken lets get this ******* ****** **** story over voice.

Duh what do you think I am one of those twilight homos sir Gonzo?
My Cyclops nerd friend replied.

that night was epic we laughed we darnk we watched a Canadian cave troll totally make out with a ****** from the magic kingdom  Minnie mouse is such a freak and I know what your saying like the nut that wrote this ***** isn't?

Thank you hamsters that truly means a lot.

Are quest was epic are night spoke of in nerds who dream only to grasp a ***** strippers ******* let alone snort coke off there arses .

I never saw my socially awkward friends again yeah I bet that troll nerd Billy Gates sits even now wishing he truly had grabbed life by the bean bag and sized the day I wonder what ever happened to him.

Stay Crazy hamster .

Always your Captain of the insane

Gonzo

There are seven eyes of understanding
some people in life are so commanding
but the divine wisdom behind them all
is to rise up in knowledge and not fall.
--------------
Just as there are seven planes of consciousness - seven spiritual states - so also are there seven states of understanding. It is always seven. The number seven is the divine number. The seven understandings are:

Eye of Instinct: governs the animal world which includes insects, fish, amphibians, reptiles, birds and mammals.

Eye of Intellect: rules most of the common human realm of existence.

Eye of Inspiration: is for those human souls whose feelings are developed like poets and artists and other creative people.

Eye of Intuition: is for those advanced human souls who have conscious visions and understanding true to the point. What you understand by intuition is always true. What you understand by intellect is sometimes true and sometimes not.

Eye of Insight: human souls on the fourth and fifth plane have insight; their understanding is direct, without thinking with the mind.

Eye of Illumination: means seeing God as he is and is experienced by those human souls who see the Light of God inside and outside of their mind. The understanding is divine.

Eye of Integration or Realization: this is the merging, becoming and understanding of oneself as God (the I am God state – Nirvikalpa Samadhi).
-----------------------

Today
When I see you in front of me
You run through a thousand words and bits
Of
Bits
Of lives you know
I am part-werewolf part-pop reference
Part great archetype part lover
I am never whole I am never me

There is no insight

Today
when
The blue of your eyes
Is only as vivid as the paintings I’ve seen
They are not your eyes
you have taken them from the blue of time
you’ve dressed your self and yourself
from cruelty in factories
and the love of the cloth

today
I am losing it
You are millions of people
A shaky picture of a picture

It must always be like this

There is no insight

Today
When you unravel the things in your purse
With gumpacks tic tacs god and a weapon
I don’t know which one you are
Who have you stolen you from?
Say existential crisis again
And I’ll disappear into the walls

There is no inside-out insight
There is no in side-out in sight
There is no in side out in sight

i know, rubbed off reading Pound, but scout's honour, but scout's honour, yet again: but on scout's honour it was a collage, and and and that's what could make Ezra's too a moment of weakness with a rainbow of subjects, a page ripped out from an encyclopaedia.

night cinema, and films from to preceding decades
this the current, 2nd of decade of a seemingly
never-ending September -
first - the disappearance of alice creed (a british
                                                         ­                            film),
second - the firm (                                            "           "   ),
the other two american, one an ageing classic -
sleepless in Seattle, and the last one the devil wears Prada -
already the differences are so relentless,
modern british cinema loves to capture grit,
graffiti on estates, meaningful f-off conjunctions,
and boy the slang in *the firm is as good as any -
one of the few films worth rummaging with at sunrise
with it fresh in memory (preferred it to
trainspotting given one face value:
Bex is way more sociopathic than Begpie, and
he doesn't end up living the easy life in
Miami or whether he is being an artist),
but the problem is... the library is too big, it's the sort
of library you'd find in heaven, although less grand,
already outside the realm of sensible reality,
beyond 2 to the power of 83 (named yogibyte),
we have this library, right now,
the 2 to the power of 3.321928 of a googol,
i.e. a Nikolai Gogolplex... but! it's not technically
a library, it's also a stock market, a phonebox,
a ***** booth, a casino... HMR & Customs, banking,
so technically we're not talking a heavenly library
(add to the list cyber warfare,
everything apart from a librarian's shush
is acceptable here)... but it got me
thinking, that film the firm (set in the 80s)...
three strands of music that interest me from the 80s,
synthesiser music (sounds really cheap now, i know)
but at least it sounds better than castrato rock
of the 80s... the synthesiser music of pseudo echo e.g.,
but these instruments were picked up by kiddies and
it was like a harpsichord to them, given previously
Bach's organs and the grand piano: a pool table
compared to a snooker table...          
and the third strand of music from the 80s... post-punk,
Joy Division (i'm not exact on the dates, blurry lines)...
Bauhaus (the man with x-ray eyes)... Staatliches...
well... post-punk... punk-entrenchment, all that
pre- post- proto- pre-fixation post-fixation...
the darker side of punk...
                                              god, this library is too big!
it's a bit like walking into a bookshop and falling
on your knees in desperation:
you can watch the aesthetic of winter through
to autumn no problem, hell, you might get a mystical insight
into this recycling bin... but when it comes to
the aesthetic of mankind's recycling bin, everyone
breaks down not having read or bothered to
read Melville or something: the price of creating
civilisation and moving away from tribalism -
and again onto cinema... cinematic warfare with
gaming, or cartoon cinema, gaming cinema,
in Seattle in 1993 they still used babysitters, now
the grown-ups sit at home while the babies
go out swinging - games less about joystick
button indentations on the fingers and more about
cinema... cinema more about games than about
meaningful conversations - take that word
games in two ways: social gaming, you know
what i mean: ******* people over;
but seriously, can you believe a band like
the soft moon exists and released an album in
2010 with such seminal songs as
parallels and sewer sickness among others?
two thousand and twelve... i was as much
gob-smacked when i realised
that godspeed, you black emperor! released
their album f# a# ∞ in nineteen ninety eight! 1998! i thought
progressive music from any genre died with punk
and the impatience at yet another solo from
robert fripp when no one wanted to do an air guitar
version of his solos (which largely borrowed from jazz).

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In this game they call life
I've paid a hefty price
Now it's just me, myself and I
and they got me every time
surviving this life long fight
enemies make their move
I keep my cool
then play my hand right


I don't need anything to get me through this life
put here to survive, I might not get it all right
too busy fighting the good fight
good people treat me good
But these haters just ain't right
they making moves
i'm setting trends
They acting real
a'bunch of fake-pretends
blood thicker than water
until the water get muddy
and the happy trail ends
and the ******* gets ugly
everyone laughing
but nothing is funny
and it's all over money
the system is broke
because of all of these dummies
wrapped up in their own lies
walking around like mummies
i was told I could do anything
till lately that didn't mean anything
but now that I can see, there is more to this than just me
Now, I will do anything
been blessed with many things,
victim of what envy brings
now that i'm major
I got a minor problem
with personal insight from strangers
aint seen anything stranger
i hope the do me a favor
and dont do me no favors
my followers are my suviours
your comments I savior
these haters i take'em lite like a sabor
all the positive outshines there negative behaviour
so i will not waiver

When I read
Someone's literature,
Prose, poetry,
No matter,
I enjoy the read
For the read,
Voice, style
Words, meter.
A combination
Of fact and fiction,
Shared understanding
Through emotion.
That's the art
Of literature:
When writer,
Not autobiographer,
Strikes the nail,
Strums the chord,
Touches
The subconscious
******.
One seldom
Reveals
Hard facts
Of one's life:
Writers give insight
Readers find right.

Allow me a brief introduction
I'm the whisper that tangles your mind
There's no sinful intention you harbour
That I haven't inspected and signed
With a grip on your deepest emotion
And a twist between every line
That treacherous thought you've been hiding
Could quite easily be one of mine

**

i swear tis dreadful my dear
to face ones greatest fear
to have nought and none to hold near
to lose control and let life's wheel steer,
i'll cry out, i swear, in dismay
if for one more fretful day
i hear not the words you say
yet doubt not my intent to stay,
only for your sweet words of peace
that so oft give my soul release
will make these worries cease
and take these fears from me,
they still tell me my dreams are untrue
that my smiles do not come from you
but if, only if, they knew
my desires they would not misconstrue,
so as this day comes to end
my mind to my heart i will send
and i'll see your face my friend
until waking from slumber once again.

with that distant look again overcoming my ability to conceal
all of the things that i try to pretend aren't really real,
trying to find the hope that i once help so close and dear
but i wake up to find myself alone with you no longer here.
i fall to my knees hollow and empty in both arms and soul
smiles have digressed to the bitter glares of old,
i try to capture the tears before they fall from my eyes
so that you cannot see all that i would hide and deny.
i have lost the will that once drove me to strive for more
and this failure has left me in a drunken heap upon the floor,
for that is the only warmth that makes its way into my core
and the fears go away so quickly when i can't remember anymore.
and one more drink i am sure could not hurt at all
until i stumble around lose my feet and start to fall,
i find myself without the strength or will to rise up once again
so i close my eyes and wait for the room's spinning to end.
and in this state i realize that i have not had a drink all night
but the alcohol content of life sometimes is too much to fight,
i am but a lightweight next to the thousand proof bottle of reality
and once again i have drank too much and it has overcome me.

you stand there wide eyed overcome by disbelief
that you find yourself in these situations once again
after your turmoils you will breathe a sigh of relief
and the birth of realization will start to slowly begin

i reach out for something you cannot grasp, believe in something you cannot understand, and long for something you do know know how to feel. it is beyond you. if only i would have known this sooner, i would not have wasted so much time trying to explain it to you.

i count the sleepless nights like some count sheep
it's because of these broken promises that i can't sleep,
this misinterpreted flawed logic that you want to keep
in hopes that eventually into my brain it will seep.

there are some that i gave all to that deserved nothing, when the one that i should have given my everything to is the only one that has really mattered all along. and now she is only in happy memories. the rest of you do not even come close to everything that she is...and i'm tired of trying to find someone who does. she has weighted my scales heavily against all of you, set the standard so high that none of you will ever to be able to tip the scales in your favor, but my soul will never be at rest until i find someone who can.

when you put as much energy into something as you possibly can...you will be selective about where you should direct that energy. and sometimes you find that all of your energy was spent running down a dead-end alley. so you simply walk back to the road and remember to never deviate on that path ever again.

if you feel that you must love, then love with heart, soul, mind, and strength...without all of these your love is incomplete...and destined to fail.

to forget is to lose regret or to misinterpret the goals we set. to gain is to maintain without the possibility of losing it again. to remember is pointless once it is done.

that which you lack none can give you but yourself. there are none that can make you complete or make you feel whole, that is your task. it is not until you have mastered your own mind that you should search for someone to compliment the person that you have become.

your mind is your greatest tool, your thoughts your greatest weapon, your words are everyone else's greatest enemy, and unfortunately being closed minded is your best defense.

vague predictions are rarely untrue. but to see what happens exactly how it happens before it actually happens is a gift and a curse. it gives insight and knowledge beyond the realms of the senses, but if one would share such things with others they would be considered mad.

it is almost surprising how people are so kind and open to people they do not even know. a simple smile, meaningless conversation, or common courtesy shared with a being that has nothing in common with you except that you are both in a state of being referred to as life and are in the same place at the same time. it shows that people really are good at heart. but when you get close to some people they are corrupted by their own emotions, confused by the situation, or scared of what may come. it is not that these people are bad people or bad friends, they have just not yet come to terms with the fact that people can mean well and not expect anything in return. that people can care about them without any logic or reason behind it. when if they would only open their eyes they would see that there are people who would like to do nothing more than celebrate their oddities, their peculiarities, and their differences. the things that make them unique, the things that they would try to hide. there is good in everyone, some just hide it better than others.

in a conversation a friend told me that you can't just drop people out of your life, you can't just burn bridges, and you can't leave people behind so that you can become something greater. and we argued about this for a short while. but by the end of the conversation, after i had explained all of the circumstances and everything else was taken into account, this person looked me in the eyes and assured me that there was nothing else that i could possibly do. the sad thing was...i really didn't believe anything that i was saying, i was just saying it to make me feel better about what i was going to do. are people so eager to agree and fit in that their morals are thrown to the side? i wish i could say no.

i am not telling anyone the secrets of the universe. i am not some great thinker that tells people things that they would have never thought of. i just pay attention and make observations about the things that happen around me on a daily basis. i am not doing anything that most of you could not do. i'm just bored enough and have enough time to actually do it.

when the morning comes and this bliss ends none of the trivial problems that i worry myself with will be gone, the worries that burden my heart will still lay heavy on my being, and there will still be no way for me to do what i wish i could do. but if i can escape it for a few more hours, if i can keep it off of my mind for just a few seconds, then i will feel like i have accomplished something.

i have proven my abilities once again. and they wanted to know how i did what i did so easily, when they knew that they could not do the same even if they knew what i did. but it's really simple, you just have to look straight through people, past all of their fronts and all of the things that they want you to believe, straight through their eyes and into their soul. the body is just a shell to carry around the soul that is within it. once you learn to see through that shell and into the depths of a person's very being, then you will understand how i can do the things that i do.

my body betrays me. when people see me all they see is the shell. this big intimidating guy that seems to stand behind a clear wall of stone, untouchable. but if you only knew what is beyond the surface then you would see why this has all become so difficult for me.

it is better to say nothing when you mean everything than to say everything when you mean nothing.

is a person considered a success or a failure when they can have anything that anyone else in the world could ever want, but they cannot find the only thing that means more than the world to them?

if i could only open your eyes. enlighten your soul. so that you could see the things that i see. feel the things that i feel. then you would see that i am not the one whose thoughts are off target. but truth cannot be taught or learned. it can only be known by those that have found it on their own.

what i have done was no easy feat. it has troubled me greatly but i know that it was the right thing to do. not for myself, but for all concerned. and i now have happiness back in my grasp. i just have to tighten my clinch and pull it closer to my heart. because a person can cry until they drown in their own tears and no one will ever notice, and it will not make them feel better nor will it fix any of the problems. but once they take control of a situation and dispose of the cause of it then the changes themselves will make a world of difference.

i would say i love you more often, but it is often mistaken as a passinng sentiment. because most people do not truly understand what love is. but just as it would make no sense to give a painting to a blind person, or to play a song to those who could not hear it; it is just as senseless to give love to those who do not know how to feel it.

i almost feel as if i should apologize at my inability to show mercy to the ignorant, but i cannot convince myself that they deserve even that much.

sometimes i wonder what it is like to be one of those people that life just leaves behind. the ones that can't keep up. the ones that have gone as far as their potential can carry them. the ones that no amount of power or influence can push them any further. and then i smile, because i know that i will only ever wonder about this.

only fools declare that beauty is only skin deep. because beauty never truly begins until you get past the surface. to the very depths of a person's being. but it is kind of hypocritical for me to say this, because my standards are so high that they get mistaken for me being shallow all the time.

was it hope or the cause that was lost?

the world will never be short of actresses. pulling you into the story, stirring your emotions with their always interesting dialog, and making it so interesting that you can't look away for a single moment. and then one day you wake up and realize that it is not a play at all, it is your life.

i pray that one day that i find the one person that makes everything that's happened so far worth while. i pray that one day i will find love. that one day i will find the one that deserves everything that i want to give someone. one day...very far away. because right now i do not even want to entertain the idea. i'm so sick of love. sick of seeing it. sick of believing in it. sick of it evading me on every corner. so at this point in my life i would just like to say "******* love", i'm better off without you anyways.

all of our fates are the same. death is inevitable. but is a great person one that ignores their fate and enjoys life for what it is, or one that lives day by day evading their fate for as long as possible?

there are questions that we all have in life. and sometimes the answers that we find to those questions do not give us the results that we expected. but i would like to say that the answers that we find are never incorrect, but some of the questions that we try to answer are trick questions and should be thrown out.

never accept what anyone else declares as reality. the only person that you can truly trust in this world is yourself. people try to make this world into something that makes them happy. and as much as this may seem absurd, you should try it for yourself. happiness is nothing but a perception of circumstances. so either change your circumstances or change your perception and you will be the happiest person in the world.

the person that i thought i cared about the most. the one that i could have given the world to. the one that i thought i meant something to. the one that i thought could do no wrong. what foolish thoughts i think. and then i did something that hurt me more than i thought it would, but it hurt less that to keep the foolish thoughts going. to pretend that i didn't feel something that i did. sometimes the best thing you can do for someone is what they really want you to do, so you let them go. and in doing so i lost a dear friend, someone that i did not realize i would miss so much. but i know that i cannot and should not try to undo it now. because some people you just can't help but fall for. and there is nothing you can do for someone that does not want your help.

i am nothing. yet, i am everything. you mean nothing, yet you mean everything. hope is nothing, yet it is all that we have. love is nothing, yet it is all that we look for. it is the things that are intangible that mean the most, yet from the outside they seem so insignificant. so meaningless.

am i nothing but a beast? my soul longs to break free but my mind restrains it. i long for freedom yet my body restrains me. lacking these restraints i truly would be nothing but a beast. but sometimes i think that the beasts are better off than i, because they follow what they know they have to do without any kind of thought or restraint.

if i had the opportunity to apologize a million times i don't think i could bring myself to do it. even knowing that you deserve it. because i have deceived myslef into thinking that i was right. and i know no other way to escape what i know is sure to come when this catches up to me.

some things you do not realize until just before death. you don't realize how much everyone that is close to you means. how much everything you think is important isn't worth anything. that the only things that really matter are what you believe, the people you love, and happiness. so, if i can realize that much now, before death pays me too much attention, then i think that my life could be the way it was meant to be instead of what it has become.

she is everything that no one can understand. could i really be the only one? the only one that sees everything that she is, the beautiful person that she is. people are sick. they call something that is beautiful wrong, just because they do not understand it. they run from something and do not realize what it is that they are losing. i would give anything to be in his shoes, i would do anything to be able to take away her pain. i would cry her tears for her if it would make her happy. but this sounds like insanity. this world knows nothing of sacrifice unless they are sacrificing someone else so that they can get what they want.

breath in. sigh. relax. release. burdens weighing heavy. soul is a stone. pulling me deeper and deeper into the abyss. the heat is spreading. from my heart out to my fingertips. circulating. it burns. all is numb. the fire of my heart and cold of my soul have nullified each other. a void is created. to erase the memories. to forget the pain. the sorrow. the loneliness. and then i am happy. because i can't remember you. because i forget me. everything fades away. meditation is bliss.

sometimes these rhymes are contrived because of lust for the ones i despise. why would someone be so attracted to the things that leave them so distracted? but the melody plays on and i know that nothing could be wrong because your singing all the words to my song. and your singing voice is so beautiful. or is it the tone and the words behind it?

integrate corruption into perfection because of a lack of reason not to. why not just leave it as it was before it was what you wanted it to be? you draw my curiosity. like a disaster. i know it's horrible but i just can't look away.

Though i can't hear her coming i know she's on her way
though she never stays for long i love her while she stays,
no one can be quite like her as hard as they should try
and when she offers herself to me i never can deny.
She creeps in from outside to hold me while i sleep
and never will she whisper the secrets that we keep,
though many fools dislike her, i'll keep her as my friend
and fall fast asleep with Silence in my arms again.


let the cold winds blow the silence away
let the rain drops fall and accumulate,
let the sun subside beneath the horizon line