Hiding behind a facade
It's not me
It's never me
Who am I
I'm still figuring things out
Personality's change right?

Red flags in the beginning are easy to turn into little sticky notes, notes for later that sometimes lose their adhesive and fall to the ground much like my current tolerance for ****** dudes

The first known use for red flags was by the military to indicate they’re ready for battle, unfortunately I’ve seen enough red flags to start the next world war

I should’ve known
When I came back from Arizona and he said “you must’ve cheated on me because your ****** feels different”
Not because he’s insecure
or
because he doesn’t know trust
or
because he’s trying to assert control

I should’ve known
When he asked if I “had a problem getting wet because it seemed like that was a thing”
Not because he doesn’t know foreplay
(side note: **** doesn’t teach you foreplay)
or
because he doesn’t actually turn me on
or
because fun fact!- women can be turned on and not be wet

I should’ve known
When he said “if you shaved, then I’d go down on you 24/7”
Not because he was scared that choking on my ***** hair reminded him he’s with a real woman that grows hair
and humans inside her
and ideas
and opinions
and strength
and my body is not yours to give me ultimatums of

I should’ve known
When I asked if figuring out my pleasure was a burden and he answered “actually, yes it is”
Not because he’s too lazy to actually want to pleasure anyone but himself
or
because his only ****** education ended with a .com
or
because no one has ever expected more of him

I should’ve known when he said
“What I want out of a ****** partner is someone that wants me inside of them as soon as possible”
Not “inside my soul”
or
“inside my thoughts”
or
“inside my memories”
or
“inside an intimacy he will never know”

I should’ve known when he said
“Let me show you how Rachel did it”
Not “this is how I like it”
or
“can we try this?”
or
“opening your ******* mind to how another human being moves around you”

I should’ve known when
He spit on my ******, the universal sign for disrespect  
Like I deserve the same fate as tobacco swollen cheeks
Like my ****** is your spittoon,
am I the end of a tobacco session or a fancy wine tasting?
these things matter

Now I find it symbolic men are taught to spit while women are taught to swallow

Swallow our reactions
Swallow our feelings
Swallow our voices
Swallow his releases
Swallow his spit
Swallow us whole

When you see a red flag do not ignore that it means battle
This battle is not a healthy one, this battle will leave you bruised
Uproot this flag and take it with you to remind yourself
You can lose every battle and still win the war


11/28/2016 Amanda Powell

You are the velvet to my lace, the freckles on your face, the rocket to outer space when i’m forgetting why my feet need to hit the ground.


You are three seconds away from a sunrise when I desperately need the light, you are a cup of tea and wisdom, and you are a giggle at just the right moment while the blood exchanges ideas between my wide-eyed fanatic manic panic mind and my static acrobatic heart.

You are love and a smile when everything around has fallen dark. We fall down the seasons, each leaf turned to green as the time is subjective as valued.

we fall down the winter of broken glass and torn kneecaps and into the summer of understanding and patched hearts.

We fall down the stairs of the boy who was the blank slate and into the arms of the boy who painted his stone happy.

You are the living room of my soul, where all the pictures make us smile just to look at them and the quilt on the couch is beautiful enough to make up for the small tear in the corner. Where the cups of tea sipped are innumerable as the curls on your head and the watercolor windows open past our souls and into our worlds.

Someday we’ll be able to keep track of our socks and get enough sleep but right now I’m still figuring it out. I’m still trying to connect the sky to the tree to the earth to the tesseracted interaction theatrical statement of who I am and what I will be. We will become.

A message from my balding scalp and dying follicles. Just acting out as testaments, of how I had tried too hard. Of how I had tried too hard to figure out all the wrong things. And how I had went all out with them, and then went all out, without. And so now, with all this done, I am all out of everything. Out of my mind, out of control, out.. Of you. Out of the love I was so sure would hold so true. The love I was so, so sure had held.. So, so true... So now complacency and naïveté has brought ME, Out of a body which was once a temple.. MY temple. My hiding place and holy sight. My prayers going forwards towards a brighter future, where everything worked out with the moonlight and with our cosmically charged super stars aligned, and it all worked out with such giggles and bright skies. Bright skies all to spite the moonlight for being a nighttime thing... And we were to be so sweetly enveloped; in figuring it all out, and everything.

Carrie walked down to Fell street through the park. He leaned upon his faithful cane which was split, splintered, and water logged from being left out on the back porch in the rain where he sat every night before bed. His free arm swung by his side, his hand spread wide open, letting the sun warm his palm. His other arm was constricted with his muscles tight as his hand gripped the polished wooden ball handle. Carrie's skin seemed to envelop the ball there was so much of it. The cane and Carrie were one whenever they walked together.
He passed the Japanese Tea Gardens. He had been there many times. He remembered the strong taste of the green tea he had been served and how energized he felt after his third cup. He remembered the sturdy wooden table and chair he sat on while over looking the crystal clear koi ponds, the seaweed underneath the water reaching up to the sun for nutrients like the hands of the long dead. He remembered how the children had gathered near the water as mothers watched them feed the fish food they were not to be fed, anxiety cramping their smooth skin as they watched to make sure they didn't slip in. The waitresses were all so gentle, so quiet, caring for whatever Carrie had wanted. In that solitary moment, he had felt like a newly appointed king, the 5 acres of garden his domain.
The gates were closed for the day, with many frowning tourists sitting on the steps that lead inside. Carrie figured they had been confused by the times but yearned to tell them if they stood on the street, they could still see the ancient replicas the blood red pagodas, stone lanterns, bamboo stalks, and cherry blossom trees which were just beginning to bloom. There was so much one could see from the street. But, Carrie trudged past them, figuring they would not understand an old man trying to show them beauty from afar.
A long line of benches stood before Carrie after he passed the garden. He sat down next to a young, Chinese couple. They both held a map and were looking at it upside down and sideways. Carried smiled. They were speaking rapidly, laughing sporadically, turning the map around and around in a circle as if they were both at the helm of a sinking ship. He wondered what they were so confused about - had they never read a map before? But then, he realized, they were probably on vacation and in love, maybe even on their honeymoon. He laughed, thinking, They're confused about everything.
A few minutes passed and soon the young couple was gone. Carrie sat with the cane between his legs, both of his hands drooped over the handle. In front of him, like a painting, were London plane and Scotch elm trees lined up in symmetrical rows and the Rideout Fountain. Carrie could see the water was still except for when a light breeze brushed over the water or a child threw a hand full of coins in to make a wish. Their hair reflected the bright rays of the sun. The sky was empty, save a few scattered flying birds going to where Carrie knew not where.
He closed his eyes and listened only to the sounds around him: tires rolling along the smooth concrete road; people chattering behind and in front of him; a door closing; the rustling of leaves from a sharp gust of wind; a car horn; a sneeze; two lovers embracing, their kisses sounding like the steps of kitten paws in the sand. Carrie opened his eyes and cast his gaze aside to the left. There was another old man. His back was bent, his cane was worn, and his legs wobbled with every step, much like Carrie's. The man was alone and dressed in a heavy grey sweater, a pair of beige trousers, and simple brown shoes. Carrie wondered where this man was going and at such slow pace. Why was he alone? Who had he been with before? Where was he coming from?
Carrie then realized he was leaning so far forward from the bench, he almost fell off. He ****** his cane out, catching himself, and pushed himself back. He looked around to see if anyone had noticed his mistake. Twenty or so asian people were crowded like sardines inside of the bus stop terminal. They all looked to be avoiding the sun, uninterested in whatever Carrie looked to be doing. The 44 roared by, stopped in front of the crowd, where they all laughed, giggled, and preceded to jumble in. Carrie looked over his shoulder, sure someone was right there keen to make a comment, but there was no one. He sighed, relieved. Being old and falling down with no way to get yourself back up was one of Carrie's biggest fears. The other, of course, was spiders.
Once Carrie reorientated himself, he looked up to see where the other old man was. He was gone. Carrie stood up, his knees shaking slightly. He jammed his cane down to steady himself and took a step forward. His eyes strained from the sun, which was beating down on him now, hotter than it was before. He took a slow step forward, then another, and then another. Once he got in the rhythm, his mind didn't have to focus on it as much. He could let it wander to wherever it wanted to. Sometimes, he let it wander to death, sometimes to past lovers, and sometimes to his late wife, Patty, but never very long on her.
He stopped to catch his breath and wipe his brown. Next to him stood a dark lime green statue of a lion. It was miniature and sun stained. The teeth were dull and the eyes were blank. It was very beautiful and Henry realized he had never seen a lion in the wild, only at the zoo. He wondered if they were any different out in Africa or wherever they were the most and if they roared the same. The one's he had seen at the zoo were sluggish and lazy; almost depressed. He could see why, being cooped in there all day long with only your wife to talk to.
"That wouldn't be so bad," thought Carrie, "To be trapped in a cage with the one you love. That's marriage, isn't it? Isn't that love?"
A cough startled him out of his meandering, love provoked thought. Sitting on a bench across the street where the apple cider press statue stood, was the old man Carrie had seen before. He was hunched over, fishing something out of his bag. Carrie wavered back and forth, watching the old man. A noise rustled behind him and Carrie slowly turned his head to see what it was. Two children were running around the fountain, splashing water at one another.
"Nothing to speak of," grumbled Carrie, "Wasting water all the same."
Carrie turned back around and saw that the man had pulled out a shiny, red and green apple. The man bit into it slowly, taking his time as he broke the outer skin of the apple so the juices spurt into his mouth. Carrie's stomach rumbled when a hard gust of wind hit his back, forcing him to step forward. He put out his cane and felt the peg slide and grind over the rough concrete. A man behind him reached out to help, but Carrie waved him away, mumbling that he was fine and that he didn't need any help. The man on the bench hadn't paid him any notice. The apple in front of him was all he needed. Carrie walked to the other side of  apple cider statue opposite the man and sat down roughly, for the man looked up from his apple a little wide eyed and a little annoyed. Carrie smiled awkwardly at him, but it came out more like a frown. The man relaxed his face, slowly letting it become blank while a line of apple juice rolled down over his lip. He licked it up, coughed, and went back to studying the intricacies of the half-eaten apple.
The mans face, Carrie saw, was *** marked and dented, like a car that had just been through the worst of accidents. His eyes were barely visible behind what seemed like hundreds and hundreds of creases, wrinkles, chicken's feet. The man's bulbous nose was an obvious sign that he was or had been a serious drinker. It was swollen and red, drooping from the mans face like a glob of honey that just wouldn't fall. The lips were creases of an old pair of jeans that had been left out in the sun. Though Carrie couldn't see his hair because the man wore a large, dapper styled hat on his head, he wouldn't doubt there wasn't much of anything under there. The old man was anything but beautiful, but Carrie, who had been staring at the man out of the corners of his eyes while pretending to look at the apple cider statue, could not look away. He was utterly fascinated with how the man held himself. Why was he so ****** interested that apple? Had he never seen one before? Carrie then thought the man was homeless, so he must be crazy, but when he had walked over before, Carrie hadn't smelled the usual musty musk that homeless people give off. He had smelled like nothing, usually meaning he slept in a bed and showered regularly. Then, in the midst of Carrie staring at the man's unbelievably shiny brown loafer, he said something.
"What you looking at there?" asked the man. He was hiding his ragged face behind the apple. A few pieces fell to the ground below. Carrie could see the bite marks were mere nibbles, like a rabbit had been eating it.
"Hm...I...uh," stammered Carrie. He looked up into the sky, trying to spot a bird to hide where his gaze truly had been, then looked down at the ground. There was a tiny pebble that resembled a hermit crab. He focused on that until the man asked the same question again.
"Were you staring at me, my friend?"
My friend, Carrie thought, He thinks I'm his friend? How on Earth did we get to there? I barely know him. I'll say something. He paused. Well, say something!
"I was staring at your apple there," Carrie mumbled, "It's a very nice looking apple."
"It's very tasty," he nodded, looking back it, admiring the colors of the skin that had yet to be bitten in. "Would you like some?" He stretched the half-eaten apple out to Carrie.
"Oh," Carrie laughed, startled, "I'm fine. Quite full." He patted his stomach.
"Are you sure? It's almost dinner time."
Carrie looked the man up and down, then smiled, "I'm fine. I ate just earlier."
"Oh really, where did you eat?" The man inched forward on the bench and rested his eyes on Carrie, waiting for an answer. Carrie's lip quivered with the thought of having to come up with a quick lie. The man had placed the apple back in his bag and was completely focused on Carrie's lie.
"Well, you see, there's a great place up past Lincoln Way toward the beach. I go there all..."
"Lincoln Way!" exclaimed the man, "You can make it all the way up there!"
Carrie was flattered. He could walk far past Lincoln way and up any of the side streets, if he had the energy, but had never been congratulated for the fact. Carrie shifted back and forth in his seat, blushing for being thought of so highly.
"With this cane," Carrie said, tapping the ground with the end, "I can go almost anywhere."
"Wow. Where'd you get it?"
"My son gave it to me when I first started showing signs of getting old," said Carrie, "It was kind of like a joke at first, but then, I really needed to start using it, and I've been attached to it ever since."
"That's nice," the man nodded, "I bought mine for 50 cents down at Salvation Army. You know the one on 3rd?"
Carrie said that he did.
"Spent 50 cents on this thing four years ago and it has taken quite a beating, but still, it works and looks fine as you can see."
"Doesn't look so bad."
"Well thank you, I appreciate that."
The two of them paused, looked each other up and down, then found something other than themselves to look at. Carrie noticed the soft lines of the man in the statue twisting the cider press and how his muscles were as detailed as a real man's. He had never seen so much physicality in a statue before. It really looked like this man was pressing apples in front of his eyes. Carrie was at a loss at how one captured that feeling of true action in stillness. He looked up to where the statues face was and saw that the eyes were cast down to where the press was tightening. He thought maybe the man was thinking if he stared to where he was working, he would twist harder. The statues hair was soft and smooth in the sun. Carrie followed the statues legs down, past the flat stomach and taught ab muscles, to the feet which were pressed into a large stone so to get more leverage. The veins on the feet were almost pulsating with blood and strength. They seemed to rise and fall with what Carrie imagined would be the mans heartbeat, if he had one. He didn't quiet understand why the man was had to be naked, but figured it was for the sake of art. Carrie was not an artist, but with the free time that was allowed to him by growing old, he was starting to appreciate what he saw, feel it a little more often, then when he had no time at all when he was young and busy. He wasn't sure which he enjoyed better: being old and feeling more or being young and always with something to do.
The man had let his eyes wander from Carrie, to the small statue of a boy. His mouth was pressed up to the spicket where the apple juice was being pressed from above. He imagined the statue of the man above the boy was his father or at least he wished that it was. The boys skin was very smooth and reflected the sun softly up back into the mans face. He looked closer at the face of the boy and saw that it was a silent kind of contentment. The man took out the apple from his bag, took a bite, and offered it again to Carrie.
"Take a bite," he persisted, "Sitting in front of this statue, looking at this little boy drink up that apple juice has to be getting you thirsty."
"I'm really fine," said Carrie, smiling uneasily.
"Come on. You don't gotta' worry about me."
Carrie paused, really thought what he was so scared about, and then admitted that was only uncomfortable because of this stranger's hospitality. He hadn't obliged a kind gesture in a long time.
"Alright," he said, "I'll have a bite."
"There you go!" The man handed the apple over to Carrie.
He took a bite and let the cool juices jump into his mouth. A small dribble ran down his cheek, where he quickly wiped it away with his sleeve. He didn't want to look like a slob, much like the man had looked when he first began eating it. Carrie looked down at the apple, nodded, and handed it back to the man.
"It's," he started, still chewing, "Very good. Thank you...I'm sorry, I don't know your name."
"Symon," he said, taking a bite of the apple, which was almost gone, "Symon with a Y."
"Thank you Symon."
"You're welcome..." he paused, "I never did get yours."
"Oh," he laughed, "I'm sorry. I'm Carrie."
They both reached forward and shook hands. Carrie hadn't sat with another man and talked with them since he'd buried Patty. After that, it had grown hard to shake hands with anybody he knew. Maybe it's easier with him because he's a stranger? Carrie thought, Maybe I should meet more strangers? Probably go and get yourself killed. That's a funny thought. I never thought I'd go by getting murdered. I always figured I'd let time take me, rather than the hands of another. He doesn't look like a killer anyway. He's got to be older than me. He's definitely slower. Look at his hand shaking. Your hand doesn't shake. Does it? Carrie looked down at his right hand which was resting on the handle of his cane. Solid as a rock, Carrie mumbled to himself, As a rock.
"What was that?" Symon blurted, eyeing Carrie, "Where'd you go?"
"Just thinking."
"Bout' what?"
"Whether my hand was shaking or not."
"My hands shakes all the ****** time. It's like one of those kitchen timers or chattering teeth you twist, it goes for a while, and then eventually goes off, but me, never. No, never this hand never stops shaking. Got a ******* mind of its own."
Symon raised his right hand so Carrie could see. Sure enough, it was shaking like a leaf in a tree ready to fall off. The shake wasn't violent, but definitely noticeable next to a hand that was still. It was more a buzz than anything else. Carrie couldn't imagine Symon writing his name down and coming out eligible.
"How do you write your name? Does it get all messed up?" Symon looked at him, then looked away. Carrie froze, realizing he may have just asked a very touchy subject.
"Huh?" Symon asked, looking back. "I got something in my eye real quick. I didn't even hear what you said."
"Oh," Carrie stammered, "What I said was..." Symon cut him off.
"I'm just joshing yah!" Symon shouted, "Course I can write my name! Whenever I put pen or pencil to paper, the shake usually calms down. Don't know why, but it does. I never ask que

I can’t really say whether or not you have stars in your eyes, but I would like to formally inform you that galaxies reside in your smiles. Yeah, I know, pupils create parallels to black holes and irises of all hues can, when looked deeply upon, create constellations and similarities to stars long since dead, but
I don’t really think much about your eyes, their shade or their size, because I’m too busy basking in the sunshine that is your ever-present smile. You’re happy. You’re a child of light, and the sun can only ever be swallowed by eyes so you must stare-- how else could you ingest enough electromagnetic waves to radiate more than our residential system star? You’re a flower, synthesizing and using outer space to create the kind of sugar that must somehow be contagious, ‘cause here I am, feeling sickeningly, disgustingly sweet.
I find myself a kindred spirit of the ocean, because we are both called by the motion of the moon, but you are called by the stars. I’m a moonbeam to your sunshine, just a reflection of your spectrum but at least you’re helping me shine.
I didn’t intend to write poetry about you, but you’re so set on resetting my negative mindsetting sun that I can’t find the energy to get angry about the twelve million tangible social issues that currently control this century life. I’m a creature of night yet somehow I’ve started to look forward to long days of sunshine, and it might have something to do with the nickname I’ve given you, Sunshine.
So, yeah, you have galaxies in your smiles-- but those galaxies have stars that flood up to your eyes, because there are universes in your lungs and black holes in your brain swallowing up the negative space, which is a paradox to say but you’re full of those, aren’t you? Your veins are made of stardust that came from wishes prayed up to ***** of gases and energy that are actually too many light years away for the words to ever reach. We watch the stars silently because it’s just a funeral procession, a speck in space that once had possession over life and creation but is now dead. The stars are all dead. We’re looking into the past, the real tangible past, because that star right there, 42 light years away, is a reflection not of today but rather 1973. That star right there, 42 light years away, has since changed and is living in a future that we will never quite see.
I’m never going to read this to you, okay? Because for all I know, in 42 days I will be writing poetry while picturing a different face and people are less like the sun and more like the phases of the moon, just a circle of change. We will never see what all those stars look like currently, because we will never be able to see more than a few seconds into what is seconds away from being history. I mean, the sun that we see when we leave this building is already 8.3 light minutes behind its appearance presently. We will never see it die because we will always be 8.3 minutes behind, and that terrifies me.
It’s the fear that you’re trying to shine out of me, though, so just promise me that you’ll keep smiling.

With the slightest touch I grow wings
And I am able to see the things I couldn't before.
A second chance to grab on with both hands.
I believe everything happens for a reason,
The path of your smile lies in wait.
Finding excess need.
The times I couldn't catch my breath.
The maturity of being open.
To elope in a touch that brings the next moment that much closer.
The pretense of spending my time soaring known that you were the reason why.
The full disclosure of trust in a none apologetic moment.
The only problem is figuring out where we land.
Do we even have to come back.

Dear death,
I am a waste.
I am a waste of space, of air, of life.
I am a waste.
I am wasting away in this darkness of memories that I can’t seem to let go.
I am a waste.
How do I rid myself of pain that strings along the chords of my heart,
Playing it as if an instrument.
How do people make sense of the waste?
How do they learn to appreciate how their mind was meddled with and how their heart gave and gave only to be unappreciated?
I am a waste,
And I still cannot figure out how to make something out of nothing
I am still figuring out who I want to be and where I want to go and all I can seem to think of is you.
Death,
What do you do to people who are wasting away?
Do you **** the breath out of their lungs leaving them to slowly decay and turn to dust?
Or do you hug them tight and tell them everything will be okay even though all you’ll leave behind is a mess?
Death,
I can’t put my pieces back together again.
Sometimes it’s hard getting out of bed and I call you,
Yet you never pick up.
Sometimes I long to jump off of bridges and land into the arms of comfort...yet I never have the courage
Because giving myself to you or to life means commitment and I’ve never known anyone to be committed to me.
Sometimes the waste pulls me in and I drown in a sea of my mistakes; the ones people constantly remind me of, and it seems easier to let the water fill my lungs and sink than fight against the tides.

I am a waste,
Yet I’m still figuring out how to be more.
How to evolve and progress and become
To simply become something more
To want more
To experience and live more
To have said a waste but I certainly am not.
I have been put on this earth for a purpose, and I’m on an adventure of figuring out what my reason is.

It’s possible to speak too much to remember what your words mean.
And so is the two-fold danger faced by writers.
Danger is to pace a hole in the floor.
Danger is to stand until you can’t move anymore
like when shallow waves **** your feet into the sand.

So I try not to stand when I write.

I keep a narrow tack
without too many big words
which pedants use to dig great holes in the ground
–moats to keep others out–
or make you think they think big.

But anyone who reads knows about Icarus
and anyone with aims must beware:
to shoot directly upwards is to strike your own head
when like fate the arrow
returns to source.

You’re only as good as your mind,
your characters only as strong as you are.
—at least, this is true in so far as you know.
True in so far as they speak.
For to test them you must torque them
and twist at their cores,
and make opposing forces meet–
but only
as hard as you can.

This makes writing a hill slick with oil.
Insecure. Potential energy.
Potential failure
seated
in all of that grime
that cakes your toes like grease that coats
the teeth of great industrial gears.

So I try not to stand when I write.

But whether the better take comes when you plunge
and you slide and dissolve like so much ice,
I must say I don’t know,
the thought
seems nice.
But the same
It seems like those who let go
Are the ones
with the least to say.

I can't decide
either which way.

All I know about writing is
most sentences are punctuated wrongly.
The period is certain,
but writing is undecided.
It is the figuring-out, a quest-bound troop
that moves with all its own fanfare.
Question marks curl up—
invisible smoke on a summer coal fire:
heat twisting the air like irons in stoke
giving sign of the transformations there withheld.
For fire mediates matter,
so writing stands ever-between.

But I’ve spoken too much and I don’t know what these words mean.
And so I fold like there’s danger in writing,
while danger is imagined like borders on a continent.
Danger is thinking
I'm dangerous enough to keep silent.
Like shallow waves,
given way to sand.
So avoid letting voids form
where the mind dismisses confrontation to more capable smiths.
Writing is –at best– an attempt.
Even with shallow structures
in rhythmic din,
the silent breaks by force of pen,
and all because of the simple fact
that quiet refuses to bend.

All I can hope is my writing upholds these unknowns
while I try not to stand.

But you ask about writing?

go ahead and say it.

unsure, like slowly breaking
              daylight, realization
              sneaks in around
the corners,            here, i sit, still;
                                blind and idiotic and
           so **** unsure.
moving in slow frames, bystanding certainties' presentations,
                                                                        maybe i need this.
  maybe i need you more than anything.
but,

how
could
  you ever need me, darling?

do you remember how you felt
when you were a little kid
and you discovered a trick, a life shortcut
like closing your eyes when you prayed into the cup of your hands
and you weren’t sure if the adults knew it
but you decided to tell them anyway?
you felt brave and proud of yourself
for figuring it out
and very smart too-
but the adults already knew it
and you feel so hurt and stupid
and angry
and
i want to go back to the moment
just before i told the adults
and felt brave and proud of myself
for figuring it out
and very smart too-
and not knowing of the things to come.

I continue to be amused &
Captivated by Gabriel García Márquez,
His Love in the Time of Cholera,
Captivating me still.
His simple use of the name
“Bolívar,” por ejemplo.
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There is something uniquely Latin
About life in Latin America,
Once again, stating the obvious
For all the media-slain retards
Hovering around me.
Their never-ending enthrallment
With Strong Men,
Particularly when strength is
A measure of one’s honor,
Hizzoner,
Your honor,
To wit: Honor Killings.
In practice, a sober demonstration
Of the theory as it is practiced.
Americans—with swarthy exceptions—
Do unfavorably view most of us who
Can trace our ancestry to Southern Europe.
“Southern European,”
Itself a vicious racial slur,
And remains so north of Eboli,
No surprise that Christ stopped there,
According to Carlo Levi, writing off the
Il Mezzogiorno, beyond redemption.
Southern European:
Smug words you make them eat,
Throwing Greco-Roman Civilization
Up into their faces.
Athens & Rome--
Epitomes of culture and class--
Patricians, of course, yet
Skifoso bragging rights for all those
***** scratched plebeians of the mob.
But I digress.

Strongman Latino-Americano.
Some Bolívar, some José Martí.
Why not some Fidel?
¿Por Que No?
Tu compadre, Gabo--
Tu Generalissimo Cubano.
How could you miss, Gabo?
Castro lobbying for you, twisting the
Surreal & squirrely qualms
Of Nobel Prize Nabobs.
(SAS: Flights to Sweden, Norway and Denmark - Scandinavian Airlines www.flysas.com/en/us/‎ Welcome to the official SAS US website. Find the best flight bargains from the . . .)
You owe that bearded strong man, Gabo.
Fidel Castro: Maximum Leader to be sure--
Like Omar Torrijos & Noriega--
Panamanian Reds,
Tasmanian Devils!
And Sonny Barger –
Dubbed Maximum Leader,
By Hunter S. Thompson's Hell's Angels:
(The Strange and Terrible Saga of the Outlaw Motorcycle Gangs RetroBites: Hunter S. Thompson & Hell's Angels (1967) - YouTube ► 6:21► 6:21 www.youtube.com/watch?v=ccyu44rsaZo‎ Jul 7, 2010 - Uploaded by CBCtv Hunter S.Thompson defends his book against an irate Hell's Angels biker.)
Come Perón, come Hugo Chávez.
But, Hark-a-lark,
Let’s wait a sec
Lest we forget
Cristina Fernández de Kirchner,
One tough, Argentine *****,
Illustrating again for all men
The root of all machismo:
La Mujer!
The ***** that bore him;
Nurtured & nursed him.
****** & ****** him.
La Mujer!
(La mujer sin cabeza (2008) - IMDb www.imdb.com/title/ tt1221141/‎ Rating: 6.4/10 - ‎1,815 votes Directed by Lucrecia Martel. With María Onetto, Claudia Cantero, César Bordón, Daniel Genoud. After running into something with her car, Vero experiences a... I get 7 cents for each link, each hit, making poetry pay for once, the savvy poet, a marketer finally figuring out how to avoid death in the gutter, a death penniless, diseased, babbling and insane.)
Yes, the woman,
The woman, who loved him,
That widow who buried him.
The woman—at any particular
Time of life, in his life—
The woman who just happened to be there;
Was just hanging around
During that brief, emphatic,
Conversation lull.
Genesis got it wrong:
Adam was a stiff rib of Eve,
Made from sterner stuff,
A creation conceived in torture,
Reared in disequilibrium.

Women create the men they touch.
Strong women.

WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016

i don't know what it is about this airport,
maybe it's the fact that i've a plane waiting
to deport me back home for who knows how long
and this is something i don't want; home is a prison.
this airport is making me think,
what awaits after four hours is a return to bad things,
and maybe i should **** myself.
i've thought that an option for years,
it's there and most likely it'll happen in the future
but maybe i should speed up the process.

this isn't a poem.
this is me thinking out loud
into the ear of a paper.
this is me gathering
my thoughts
attempting
to make sense of this
overwhelming sadness
and desire to give up.

the three or five people that seem to care about me
live hundreds of miles away so for them, no matter
how much i want to do it, i can't **** myself because
they wouldn't hear of my death,
they wouldn't come to my funeral,
and it'd be like i'd disappeared without saying goodbye
which is the biggest crime and betrayal i could pull.
if i told them before hand they'd say anything to stop me
and i don't have the heart to listen to that.

i'm tired and i'm crumbling.
i'm not sure this is a life i want to pursue.
what's the point of it?
fighting with yourself
morning after morning for control.
that's no way to live.
and living for other people's sake
isn't quality either.

this isn't a poem and this isn't a suicide note
or anything of the kind. this is me letting it out
inside a ***** airport restroom stall crying once again
for the first time in what'll be many nights to come.

the paper is getting soggy and a thousand people
heading in every direction of every corner of the globe
stroll unaware outside. i suppose it's time to put the pen down
and leave.

good bye for now.
maybe next time we can write a poem together.

Need adventure Helicopter not included
I mentioned before California is like cereal it is full of fruits nuts and flakes well add Larry to the list he
Found himself out in the yard in a lawn chair and the unthinkable happened he come to the conclusion
He was bored now that just won’t do not in Los Angeles so to solve the problem he dashed down to the
Army surplus store bought a bunch of weather balloons stopped along the way got a tank of helium
Brought them home filled and tied the balloons to the lawn chair then tied the rope to his jeep went in
Got his pellet pistol sat down in the chair so with figuring at release he would float up thirty feet one or
Two ways to get down use the pellet gun shoot a couple of balloons float easily to the ground or if not
That you’re just about even with the top of the house surly you can get the house underneath you to
Jump Off on the roof now Larry wasn’t mechanical so anything to do with engineering was out what was
Is that wonderful feeling of being up there so he pulled the rope there was a slight difference in the
Expected feet not thirty but he shot up and leveled off at sixteen thousand feet ever feel your rope
Might be missing some length well if the thought ever crossed his mind about the pellet gun idea two
Things he was certain about he wasn’t bored and he didn’t want to shoot any balloons deceleration the
Other Way was not an option so what’s a not to bright Californian to do well besides holding on for dear
Life and freezing you added yourself into nature mixed bag nothing left to do but let nature do her thing
So eight hours later he drifts into the Los Angeles airport corridor of all people you would meet a pilot
Trying to land three hundred people calls the tower with this message I passed a man setting in a lawn
Chair with weather balloons and by the way he is at sixteen thousand feet and he has a gun to scrabble
F-16 would be too much even for California so good news for Larry they sent out just a Helicopter and
Brought the lame duck back to safety just another day in the state it’s hard to be surprised in but some
Still succeed

I’m 20 with a bachelor’s degree
My dad’s the proudest of me
My sisters are smiling from ear to ear
Finished first, but why wasn’t I happy?

I’m 21 and I passed the exam
It was ruthless, getting to where I am
I was alone in the water but I still swam
Got all the awards and accolades, but ****

I’m 22, no work, no dream
All those times I was rowing on the wrong stream
Forgot who I was and where I’ve been
Now I’m lost and they all think I’m mean

Friends and family said I’ve changed
They said I’d turned emptier and strange
But they don’t understand, I’m not deranged
For a long time, from myself I was just estranged

I’m 23 and still trying to find myself
Lost some people and honestly, I’m okay
Still no job but I know I’m on the right way
I’m finally doing what I love and I don’t care what they say

I mentioned before California is like cereal it is full of fruits nuts and flakes well add Larry to the list he
Found himself out in the yard in a lawn chair and the unthinkable happened he come to the conclusion
He was bored now that just won’t do not in Los Angeles so to solve the problem he dashed down to the
Army surplus store bought a bunch of weather balloons stopped along the way got a tank of helium
Brought them home filled and tied the balloons to the lawn chair then tied the rope to his jeep went in
Got his pellet pistol sat down in the chair so with figuring at release he would float up thirty feet one or
Two ways to get down use the pellet gun shoot a couple of balloons float easily to the ground or if not
That you’re just about even with the top of the house surly you can get the house underneath you to
Jump Off on the roof now Larry wasn’t mechanical so anything to do with engineering was out what was
Is that wonderful feeling of being up there so he pulled the rope there was a slight difference in the
Expected feet not thirty but he shot up and leveled off at sixteen thousand feet ever feel your rope
Might be missing some length well if the thought ever crossed his mind about the pellet gun idea two
Things he was certain about he wasn’t bored and he didn’t want to shoot any balloons deceleration the
Other Way was not an option so what’s a not to bright Californian to do well besides holding on for dear
Life and freezing you added yourself into nature mixed bag nothing left to do but let nature do her thing
So eight hours later he drifts into the Los Angeles airport corridor of all people you would meet a pilot
Trying to land three hundred people calls the tower with this message I passed a man setting in a lawn
Chair with weather balloons and by the way he is at sixteen thousand feet and he has a gun to scrabble
F-16 would be too much even for California so good news for Larry they sent out just a Helicopter and
Brought the lame duck back to safety just another day in the state it’s hard to be surprised in but some
Still succeed

Just this last year, in August of 2013, I was introduced to this website by an acquaintance of mine.
We'd gone on a couple of dates together, but both decided things weren't moving mutually in our
favor. I'd told her that there's no thing I love more than writing. There's a quality in the transference of emotion from thought to page that I just can't find anywhere else. Sad to say, I told her, I haven't written anything in a very long time. Was it writer's block, she asked. I shook my head, but couldn't commit to an answer one way or the other.

Sometime later, maybe weeks after that conversation downtown at The Rialto, she sent me a text message. That was when my cell phone service was still active. She said that she found this website -- literally, this website -- where a large community of people post their poetry. Hard times were fallen on her and all that, and she said that writing poetry again was a great release. She sent me a link to the website so that I could check it out.

What happened after that was nothing short of a small, personal miracle. Words were coming to me again, fast, fast. For years, nothing genuine would come. Suddenly, the gates opened. Ask anyone who enjoys writing why they write and I'm sure you'll get many, many different answers. Mine is this: to affect. There's no greater joy for me than knowing I've affected others in a way that drives them to an end. A positive end, of course. That old saying, about being able to reach out and touch just one person. That's more than enough for me.

The pain. The drama. The isolation. The spiritual dissonance. The love. The joy. The passion. The surrender. There have been a lot of feelings that drive the words I write, and I'm happy to know that there have been people out there reading, even if only a few. In a way, it's like you've all been riding along with me, and that means more than I could ever say. Instead of trying to describe it in detail, I'll say, Thank You.

I have more piece of poetry I'll be publishing here. The final piece to the Arterial Winter collection. It wouldn't feel right to leave without putting the final nail in that coffin. In the meantime, I'll slowly be removing my older works from the website, one by one, until they're all gone. Over the course of the next few weeks, I'll be rearranging everything into new collections, and figuring out interesting ways to print and sell each piece. Needless to say, I'm very excited for what the future brings.

Thank you. I really can't thank all of you who took the time to even peek at my work enough for the fire you've reignited inside of me. These endeavors, along with a couple of novel projects I've started, have given me the justification I need to actually consider myself a writer. Regardless of situation or circumstance, I'll be finding you all again somewhere. See you later. See you soon.

Best Regards

it is 1975 Saigon has fallen to North Vietnamese flower children resistance Watergate have all come and gone economy still in recession unemployment at 8.5 they sit on floor listen to Bruce Springsteen’s “Born to Run” then Patti Smith’s “Horses” Bayli rolls joint lights it passes to Odysseus he speaks “you know i ******* hate working for Dad what do you think i should do?” Bayli suggests “you love San Francisco why not move there? you’d fit right in with West Coast hippies.” he answers “what would i do in San Francisco? i don’t know anyone besides i don’t want to hang out with hippies i’ve got bigger plans” “you’re an artist Odys you’ll figure it out” he asks “would you come with me?” Bayli whispers “Yeah for sure once you’ve settled in” Odysseus tries to imagine becoming Bay Area painter thinks to listen to Bayli’s prompting remembers all the drugs craziness in Haight Ashbury Berkley that compelled him to return back east to school Mom and Dad would never support such a move he feels insecure about his abilities to survive as artist in business world easier to further his education with benefit of family’s sanction Bayli runs fingers through her hair Odysseus watches thinks how beautiful she is roar of jet engine passes he looks out window late afternoon shadows cut sharply he comments “Bayli it’s October already leaves are changing days getting shorter if i apply for January semester at Art Institute what will you do?” she answers “hang out with you? i don’t know do we have to talk about this right now?” he says “it’s going to get cold soon did you bring enough clothes?” she answers “no i need to buy some” he asks “will your parents help you?” she hesitates explains “i don’t know my father might be transferred to new assignment in D.C. my folks have their own worries i can’t burden them right now Odys you know i’ve been looking for a job something is bound to turn up soon” he stands paces her hands rub knees as she gazes up at him he says “Bayli i’m confused i wish we were older and knew what to do maybe we both need some time to consider things a little space to get perspective to be certain what we’re doing i’m getting pressure from my parents i can’t think clearly” one side of Bayli’s face makes strange grimace “Odys what do you want? Are you waiting for a sign from God? who are you searching for? is it me?” he answers “yes i love you you are only one for me” she asks “well then what are you saying? Odys what’s happening to us? i sense your thoughts drifting where were you last night in bed?” his voice grows stressed “i don’t know we were happy in Hartford Chicago is different tougher money security play more important roles maybe my doubting hasn’t anything to do with us maybe it’s environment around us character and weight of this city my parents figuring out how to pull this off” Bayli’s voice rises “did you ever consider maybe returning to Chicago and me coming here is mistake? if anything maybe we should have stayed on East Coast and faced challenges in New York City coming to Chicago is like a test a big ******* test! Let’s go back to Hartford” suddenly memory flashes through his thoughts remembers first time he brought Bayli to Toby Mantis’s loft on lower east side Toby stretches canvases for Warhol other times when Odysseus showed up with female art students Toby routinely pawed them Toby eyed Bayli and asked “Who’s she?” Odysseus quickly turned to protect but Bayli spoke up “i’m with Odys!” Toby still grabbed but Bayli pushed him away her devotion thrills Odysseus on numerous occasions she assures him “i’m happy just to be with you” he looks at Bayli holding breath as he speaks “no we can’t go back to the past there’s no opportunity in Hartford Chicago is home it’s what i know do you remember when we were partying on Rauschenberg’s roof? remember how all those New York artists sized us up like we were fresh meat? you looked so defenseless in white turtleneck i don’t trust Toby and all those people” Bayli cuts in “Toby Mantis is a drunken idiot!” Odysseus continues “maybe my thinking is all messed up there’s something else Bayli what if the more fame you achieve the more complicit you become with sin? what if reaching top means being used and abused by everyone? what if it requires betrayal deception whatever else it takes? once you sell your soul you can’t buy it back i don’t know if i’m ready to get that serious leap into heap maybe my talent isn’t as good as theirs i need time to develop grow returning to Chicago just makes more sense am i embarrassing myself? maybe you should run from me go find someone stronger i feel like i’m not good enough for you i hear what i’m saying and feel ashamed” tears well in Bayli’s eyes as she questions “Odys what are you saying?” he answers “i don’t know i don’t know what we should do i know i love you Bayli i apologize for upsetting you let’s talk tomorrow” he reaches holds her in his arms needle keeps skipping at end of Patti Smith record

planets and stars align at precisely certain times sometimes planets and stars meant to join pass by each other instead the universe balances within delicate loop a lot of forces influences are at work any hesitation or minuscule deviation in rotation can make all the difference in the world

his stomach knots eyes wet maybe he senses he will never again have chance like Bayli maybe not in morning he suggests she should find her own place for a while Bayli’s eyelids close heavily quietly complies he feels deep sadness sensing crucial innocence perishing cannot justify himself believes her moving is only temporary reasons if Bayli is truly the one then they will figure it out upsets him to see her go does not want to lose her does not comprehend how devastating his decision concerning Bayli will be in a way his life ends here Odysseus is never same Bayli moves into tiny studio apartment off Broadway and Surf gets waitressing job at fashionable restaurant on Halsted Street Odysseus wishes Bayli refused to leave she could have put up more fight if only she insisted “i'm not going i want to spend my life with you” why did she give up so easy? Bayli is not self-assured assertive like Mom and sister Penelope it is wrong of Odysseus to blame Bayli no one to blame but himself he should have stood up against Mom Bayli is right he is waiting for sign from God but God keeps silent glimpses his own cowardice near-north side of Chicago is small-town familiar in 1975 he hears rumor about tall strong **** who forces Bayli he goes to see her in tiny apartment does not mention what he heard Odysseus asks “are you all right?” sitting with legs crossed on floor Bayli speaks remote dispirited answers “yes i guess” their conversation is brief after he departs feels sorrow guilt is there a way back to Bayli? she seems so separate defeated far away some months later he hears she is engaged to marry shady guy who lives several doors south from restaurant where she waitresses Odysseus is stunned dumbfounded he did not realize how eager Bayli was to get married after Odysseus lets Bayli go he reasons Mom got her way not that Mom openly rejected Bayli rather she subtly snubbed showed no support he needs family’s approval Mom birthed him  he believes he owes her he recognizes losing Bayli is entirely his own fault vaguely ponders might never marry until Mom is out of picture what girl can stand up to Mom’s scrutiny demands? maybe Mom wants Odysseus all to herself? perhaps she fears girlfriend or wife will come between them? maybe his whole life is struggle to be free of Mom

Make sure
I'm the first person
You drunk text this weekend
She said
He said
You always will be
So  the weekend came
Drinks drank
Thoughts thought
Feelings felt
I'm very drunk,
And drunk texting you,
To let you know,
I miss you
And she said
Dawww
Miss you too
With three w's
Three,
Which of course means
She likes me back

I’d heard about social networking,
And how it was the next big thing,
So I just had to take a look,
And ended up on Facebook.

It only took me a little while,
To fill out most of my profile,
But I have spent many a night,
Figuring out the rest of the site.

I never realized I had so many friends,
The friend requests never end,
All the people I can’t stand at work,
And now the biggest high school ****.

I have to admit I’ve learned a bunch,
I know what all my friends eat for lunch,
And it really helps me that I know,
Everyone’s favorite TV show.

The work on Facebook never stops,
I have to water my imaginary crops,
Send get-well wishes to Farmville quick,
My friend’s imaginary cow got sick.

I now realize my chances are dire,
Of ever building a Mafia empire,
And perhaps it is a bit of a shame,
My It Girl will never go on to fame.

My kids' statuses tell me of their life,
At dinner time I get poked by the wife,
I try to keep my friend count nice and fat,
So, I even signed up the dog and cat.

I guess you can say my life’s complete,
I have more friends than I’ll ever meet,
On Facebook I can roam far and wide,
And I never have to go outside.

02-19-11.

When I was a kid
I remember watching the comedy channel
Not in my own house, mind you
My parents were too smart for that
When I was a kid hanging out at my friend's houses watching the comedy channel
I remember
A slogan
Time.  Well.  Wasted.
And I remember thinkin'
"Oh!  Yea!  I like that!  Imma sit here a lil' longer!"
I was just a boy at the time and that's as far as the thought got
About a half-hour later we decided time was better wasted building gigantic, man-eating snowmen.
Eventually I went home
I wasted some time arguing with my parents about schoolwork, ate a bowl of cereal and wasted the next 8 hours in a comatose
I woke up to waste the next several years of my life figuring out how to waste the NEXT several years of my life
Somewhere in there someone told me I should do what I feel called to do so I wasted time waiting for a sign of some kinda magicy, Jesus voodoo
While I was waiting I wasted time reading Ecclesiastes and learned about what a waste of time it is to read Ecclesiastes
So I tried filling my time with all the things that weren't supposed to BE a waste of time but then I didn't have any time so I fell flat on my face on the edge of the vortex that is the human condition!
And I cried, "God!"
"Why do you waste your time with a foolish and selfish sinner like me?"
And the almighty, holy, infinitely incomprehensible, incredible God of the Universe replied
"Time.  Well.  Wasted."

Love is beautiful
Patience and kind
Movie star kisses
Making passionate love
Paints a pretty picture
But lets get down to the nitty gritty
*** is ******* good
Rough and passionate
But the next day can be filled with regret
The next ******* day is plan b
And why don't people *** after *** on the television?
Thats a urinary tract infection waiting to happen
Or yeast infection
What the  televison doesn't t tell you
you can get hpv with a ****** on
Hpv leads to cancer
(but not all strands- you still got hope)
maybe a chance you already have hpv
Because almost every sexually active person will have it at one point in their life
What the television doesnt tell you
after **** some girls will have to take a huge ****
And most girls don't like ****
It hurts every ******* time
What the television doesn't tell you
how to use proper protection
That you can be rubbed raw
Get a hernia during ***
Sometimes its pretty ******* bad ***
Its not pretty
It can be awkward
It can be silly
and you do not need to act ****
What the telly doesn't tell you
Is how it doesn't matter about the age you loose it but when you have the emotional intelligence to go through with it
Even then you do not know that you have opened Pandora's box
You do not know what you think you know
The specialist are still figuring out ****** hygiene
So the next time you watch the television and you see the **** stars or teen lovers
It is not so easy
*** is complicated
But can be good and worth it with the right person
No matter what age or relation

I dont know
Never really did
The pain, the stress
The hunger for the truth
Blinded me from knowing
Whats wrong with me

I say I hate
I say Im angry
But thats my escape route
To keep me from realizing
That deep down inside
Im really hurt

Could this be
Whats wrong with me
Could it be
That im not looking hard enough
Not truly searching for
What all could be my problems

Like a pillars foundation
I have flaws
Some easily fixed
Others more complicated
But I still dont know
Whats wrong with me

Could it be
That I was never loved
By the one person
Who gave me my breath
Or cared enough
To say goodbye when she left

Whats wrong with me
I cant love
Without questioning it
But when Im with you
I still doubt it
But not so much

When I say those words
It pains me
Because I never felt this way
And Im scared
That I wont be able
To protect you from even more pain

Whats wrong with me
All I do is push and push
Never letting people close
Ending up alone
Without anyone to turn to
Yet I still manage to live

Every second is unknown
Every breath is questionable
Yet I still dont know
Whats wrong with me
That even your smile
Still makes me feel even more alone

I know that maybe knowing
Whats wrong with me
Is far from my reach
But I will know in the end
Since I have more time
I will spend it knowing I will succeed

Look me in the eye
Tell me you love me
Tell me you will help me
To discover exactly
Whats wrong with me
Tell me I'll never be alone

My mother abandoned me
She was the first
Just not the last
So dont abandon me
When I need you even more
At this time of despair

I've been hurt by those
Who were suppose to love me
And those I thought I loved
But the emotions are real with you
So please don hurt me now
Hurt me when I've learned more

I know I may say
"I'll never hurt you"
But I know that at times
We hurt those we dont want to
So until I've learned
Whats wrong with me, support me

Hold me close to your eart
Build me up when I fold
Dry my tears when they come
I only have this one life
And half of it will be spent
Figuring out whats wrong with me

So maybe if the truth
To all her lies
Comes and meets my ears
Maybe then I can know
Whats wrong with me
And hopefully you'll be at my side

**** it I love you
Maybe I really dont care
Whats wrong with me
As long as I have you
It doesnt matter
The past is the past I have to let it go

But the pain will remain
The anger and the hatred toward her
It's who I am
I just cant let it ruin me
Or determine my future
The future I wish for you to be apart of

Maybe I've known
Whats wrong with me
I just never accepted it
So the truth
To whats wrong with me
Is that I bottle my emotions

No that cant be right
Maybe there is more than one thing
That is wrong with me
So I wont rest till I know
Every inch of my heart
And why is it that Im confused

Syptoms to my disorder
Confusion, extreme anger, pure hatred,
Boredom, tiredness, and love for you
So I got a broken heart
And you fixed some of it
But it dont tell me nything

Another day, another month
Maybe even another year
And I still wont know
Whats wrong with me
So in the end
I might as well give up on knowing

The truth to who I am
What I am
Why I am the way I am
Why I think morbid things
Will never truly ne mine
So Im just another John Doe

Whats wrong with me
I've never been optimistic
I can barely love you
Without thinking
Your going to wake up
And realize you deserve better

I search and search for something to define this emotion i'm living with.
Type and write to sort out my racing mind,
never to find the answers.
It's frustrating of course,
but also beautiful.
To feel something so unreal it makes you transparent,
vulnerable to the person making you feel this way.
It's love you may say,
but much more than that.
~
The lips that dance with mine,
breathe air into my lungs,
giving me life.
The words that are whispered into my ears,
are fuel to my heart,
making it speed.
The arms wrapped around me,
send me to palces unimaginable.
Lands of being safe and total trust.
Worlds of comfort and warmth.
I finally know why things never worked out with anyone else, because this is the person that takes me to new heights and gets everthing just right.
I guess you can call this love,
love from a poets soul is different
than everyday people.
artistic and twisted, overthought and true.

(-x-)                                       
                    ­                                           up to the top of the world and
                                        will lift you                                                         let you see how softly
When I am capable, I                                                                ­                  the sunrise beckons
                                  

because life is sprawled out around
us like a sphere surpassing our
periphery, that is
                                we should spin in
                                circles holding each other
                                tight, laced fingers whispering until you and I
                                figure it out well enough to

land on the cool, sweet grass
(together after all)

Hits ^ Misses
In this telling will recount close calls of different ones and some guilt and though most have raised your
Children now the children’s children your admiration doubled the worries real. Our class just had the
class reunion well we did it seems a test run three of us one we hadn’t seen in thirty years met up at
Decatur ******* Barrel close to six hours later we stumbled out we had a lot to talk about. Now for the
Next session like an old mountain men Rendezvous were adding a lot more Monroe, Jefferson, St. and
One pine street rep in fact where the first story happened in lees orchard the emblem between the titles
Is significant now any one can play paint ball but let me show how Jefferson played two Lakers and a
Denton one almost didn’t come out alive we wore the standard neighborhood issue rebel outfits heavy
Coats extra rags for padding and a head band pulled down as low as possible for our only eye protection
And the rule no head shots BB guns fully loaded let the game commence it was a bit terrifying sight
Three scarecrows slowly advancing looking for a target that’s when the real terror when one was marked
The problem I was carrying a toy bow but the arrow was mounted with a hunting tip it was blue and
Looked like a razor blade but thicker but I’m sure you could shave with it sharp gleaming silver along the
Edge for a weak it had been shot into sheds soft trees but over in the orchard it just bounced off of the
Hard apple trees and it looked like the road sign showing a straight but curvy road ahead so with those
Facts and the only fact that made it even try to be a real bow it had a hand grip that thickened it right in
The middle in all the under growth Jerry walked out in the open walking away from me so mathematics
Distance speed his steps mine halted just like the race with the train at a dead run you still was doing a
Whole lot of figuring you don’t learn that in class so I raised the bow when I let it go it was a move in
Archery where you’re just laying it down to get to the target with his dads leather bomber jacket on with
That thick padding and those rags and the arrow just bouncing off the trees by now no problem well he
Took the last step he didn’t know it but that step was across death’s threshold and he made it to
Continued life because I hit him right where I aimed in the back a lot of padding but no body fat instead
Of the arrow innocently hitting his jacket and bouncing off and dropping to the ground there was a
Thunk and a scream of pain and terror it wasn’t cupid in the woods Geri it was stupid I ran up he was getting
The coat off arrow still attached just the tip pierced his skin it didn’t feel like a bug bite believe me as I
Said ever thing factored in and the greatest divine protection it wasn’t a heart shot but if I hadn’t given
Him the last step it would have passed more than half way through destroying vital organs. He was ok but
Retribution was swift and instant I beat it out of there like a rabbit but the no head shot rule was out
Both of them bounced multiple B Bees off the side and back of my head I remember the sounds and
Feelings they gave and my thoughts were blood is thicker than water I told you I know how to run.

Now my turn we were down in Bill’s yard this time we were upgraded we had a thirty pound pull fiber
Glass bow from archery class headed by Mrs. Summers the old country girl teacher remember her
Paddle and she loved to let it sing its favorite song sting ***** sting so any way the pain of those years
Have faded we didn’t know it but we were about to make our own song I’m stuck in you. The stage set
Everyone in place when you shoot a bow in the yard you’re going to come across this problem the arrows
Will slide into the ground right at dirt level and then sew themselves up completely with grass as you
Look down something like looking for night crawlers except its day no flashlight and it doesn’t involve
Worm *** education so the fishing just involves finding the arrow this means is preferably done without
One of the shooters down field with his head down looking for said arrow but what a thrill and your
Friend Bill has done just that shot another one to help find the first one well you look up and he is out in
The street doing a mime act flailing his hands jumping up and down his mouth is moving but nothing is
Coming out I might be a little slow on the up take as they say but I got it death was on the wing I was its
intended victim what could I do if I ran right I could run right into it left was the same possibility dive
On the ground get an arrow right below your head in the neck doing what it does with the ground I
Already heard the devil way those guys **** gators in the Everglade’s by ramming a wire down there
Spine While still alive I didn’t want that experience or the other show where the guy said the worst way
To **** is with a bow not only the arrow head but the shaft creates trauma to the nerves and I couldn’t
jump straight up in the air no one wants to have their legs spread apart at a time like this so I did the
Only thing left I followed Bill’s bird dance routine turned sideways to make less of a target and then
Started bobbing my head up and down as I held it sideways looking for the biggest shaft I would get in
Life the more I looked nothing except bill became more agitated then twenty feet straight out in front of
Me there it was how curious and weird where was the beautiful yellow shaft and the two orange
Feathers with the green guide feather yes I remember everything just like the shoot out in the orchard
When people become intense everything is different those Laker boys normally weren’t that good of
Shots and I was mighty interested in this particular arrow and it didn’t glide the way it looks from the
Shooter it was wobbling and only the front was visible and it was black you don’t have to worry an
Animal will never see anything this wasn’t chicken this time Still life was being played for and I won so
When the arrow got close enough believe me I never took my eye off of it I gave it the disdain of the
matador I just bent from the waist back out of the way and let it stick harmlessly behind me in the
Ground well there is more hits and misses but they are more about guns and cars and I’m at twelve
Hundred and forty one words already so keep an eye on the children it’s a dangerous world.

I’m sorry
For the fact
I tore your heart into
Little pieces
But I already had gotten
My heart ripped apart
And chucked on the
Empty space below
2 years ago
When you kissed someone else
And I was already
Deeply in love
With you

I was scared that
My lungs weren’t going to be
Able to breathe
Once I began to
Fall
Hard
For you,
And
all I was scared about was
My heart not being able to
Get put together again
Because I still loved you
Even though you cheated on me
Too many times that
I realised I was still breathing,
And you only fell in love
After we got “over it”
And it was love, it was love.

I know it was love,
I could feel it in my tears
My veins,
When you smiled at me and
Looked at me like
No one else would.
That was love but I wanted was  
To
be able
to breathe even
Though I knew I was in love  
When I couldn’t tell if you
Were even at all
Because it was like
Something already teared
Apart
Both of our hearts at the same
Time that you kissed another girl,
And I was on the other side
Figuring out what love actually was
After that.

Im sorry I broke your heart
But it felt like I was more in love
With you
Then you were with me,
And I was just
Figuring a way of breathing
Whilst you were with me
And I never really
Wanted to break your heart,
I just got mine broken first.

When asked what there is to gain while attending college, most of the time the answer is a great experience, time to find out who you really are and how to fulfill your career goals. For some, figuring out what career field to enter and finding out who they are is easier said than done. Others might be lucky enough to have a moment of epiphany and realize exactly what they are meant to do.

Tae Lynn is one of the lucky ones. On the morning of October 13, 2015 she woke up and decided to launch her own makeup brand, Tae Lynn MUA.

Lynn is a senior spanish major with a minor in information systems, however, art has always been a passion of hers. Using her artistic skills she turned the faces of her client’s, into her canvas.

“I had to find an outlet and makeup definitely filled that void. It’s very lucrative and wherever I go people need their makeup done,” Lynn said.

Lynn also incorporated the “hustler” mentality and business savvy skills she learned from her business fraternity, Delta Sigma Pi, to build her brand. She made an instagram specifically to showcase her work, posted fliers around campus and used her connects to start the buzz on her brand.

However, the feedback that she received after launching her brand wasn’t the most positive. People posted negative comments about her work, which almost deterred Lynn from continuing to make a name for herself in the makeup industry until she had that defining moment, an epiphany.

When she went home to Atlanta for Thanksgiving, her car was stolen Thanksgiving night. Everything she had brought home over the break was gone, except for her makeup bag that contained all of the makeup she owned. It was the only thing she brought in the house.

“That was my epiphany moment and I ran with it. From that point on, I felt that was God’s way of telling me that this what you’re meant to do,” Lynn said.

After that “defining moment” as Lynn calls it, her brand took off like a rocket. Using her skills she has been able to meet celebrities, work for a makeup studio in downtown Statesboro and fashion shows held at Georgia Southern. The most significant event she participated in was New York Fashion Week as a published makeup artist.

Her work was noticed by the creator of a clothing line ran out of New York called Wise Guy Apparel. The creator asked her to be a makeup artist for their boutique fashion show in New York Fashion Week.

“I loved being a part of that fierce, fast-paced environment, but because all the models needed were touch-ups here and there, I wasn’t able to showcase my talent,” said Lynn.

Working in New York Fashion Week was definitely a confidence booster for Lynn and it helped her realize her worth, despite the negative criticism. She even uses the hashtag “#knowmyworth” frequently as a reminder that “you can’t let people deter you.”

“Over time I used those negative comments as motivation and I just got better at my craft, so I was able to overcome that through just being confident and knowing my worth,” Lynn said.

Lynn has a Style Seat profile where clients can book appointments with prices that range from $7-$200. She’s also available for booking in both Statesboro and Atlanta, GA. Customers have nothing put positive things to say now about Lynn’s services.

“I like the way my face transformed and it made me look a bit older. I’d definitely go to her again,” Sade McMullen, junior business management major, said.

Lynn plans on making Tae Lynn MUA a global brand one day or at least well known in the south. In order to reach her goals she simply just takes it one day at time.

Her motto is “Don’t shoot for the stars, shoot for small goals that’ll get you there”.Read more at:www.marieaustralia.com/backless-formal-dresses | www.marieaustralia.com/cocktail-dresses

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I don't know how to quite fit
in this skin I've been given,
so I take my time to slowly
       oh so slowly
cut it open,
figuring that maybe
it just needs some adjusting.

i’ve found that i do the most learning during second semester.

for example, second semester of freshman year i learned that losing friends is a lot like losing a life,
that losing friends kind of usually makes you really want to die,
that losing friends is like a comet blasting its way through your heart--
it sets you ablaze for a moment,
but then by the time you notice its absence it’s already circling another planet.
losing friends is always hard.
keep a death toll if you have to, but adding a tally mark for yourself isn’t worth it.
learn the art of letting go.
learn the art of getting by.
it’s hard, and it sometimes feels impossible,
but don’t expect too much from anything.
don’t expect too much from anyone,
but god forbid you let yourself lose all feeling.
yes, feeling hurts, yes, feeling is hard,
but going numb and cold leads to frostbite
and you'll just end up amputating the limbs that you have left.

the second semester of sophomore year,
i learned what it was like to never feel at home in your own bones.
you’re always drifting, interstate international interstellar intergalactic.
it’s all the same thing.
it’s okay to let yourself wander,
and it’s okay if you find yourself kneeling on foreign bathroom floors clutching porcelain like it’s your last lifeline.
learn that home is where your heart is.
don’t invest your heart into anything.
learn that there are teenage boys out there who will spin galaxies into your spine when they hold you close,
but learn that romance is stigmatized.
learn that relationships don’t have to be forever,
that nothing is ever really forever.
learn that friends will last longer than lovers,
and learn to tell the difference between friends and lovers.
make plans to travel the world with your soulmate,
and make sure your soulmate is someone who wants to travel the world with you.
the second semester of sophomore year,
i learned that losing friends is a lot like losing a life,
only this time it was worse because this time i was built out of scar tissue
and scar tissue is tougher to tear through but they did it anyway.
i’m still learning the art of letting go.
i’m learning that it’s okay to write as much angry, heart-broken poetry as you need to in order to get over it
because friendships wrap tighter around your heart than any other kind of relationship.
learn that the blood of the covenant is thicker than the water of the womb.
but learn to be kind to your mother, because she is trying.

the second semester of junior year
i learned the names of every single person that i could pour my whole soul into,
and just because i don’t share everything with someone doesn’t mean we aren’t friends.
i’ve learned that i have friends.
just because we aren’t awake together at 3 a.m.
doesn’t mean that they don’t sit next to me in all the classes we’re both in,
it doesn’t mean that they don’t go driving with me at 3 p.m.
a friend doesn’t have to be someone you spend every waking moment with.
a friend can just be someone that you coexist with,
someone who makes you feel like you aren’t really all that alone.

the second semester of junior year i’ve learned that i am still learning.
i’m still figuring things out.
maybe by the second semester of senior year i’ll have learned something closer to, say, what i’m doing for the next four to six years,
or maybe i’ll finally master the art of letting go.

the second half of high school
i’ve learned that, yeah, scar tissue grows.
but scars fade.
and the concave space in your chest doesn’t have to keep on growing into a black hole,
that you can fill up your cracks and crevices with stardust and iron.
losing friends is like losing a life. but, god, when they come back--

it’s okay to feel things.
it’s okay to feel too much and all at once.
it’s okay to vent and rave and scream.
it’s okay to write bad poetry about sins that you’ve already forgiven and people you’ve already forgotten and places you’ve already left behind.
it’s okay.
it’s okay to hold onto your humanity.
make maps with your own freckles and follow your veins to your eyes.
make eye contact with your own reflection.
if you can’t teach yourself something,
then how is anyone else ever going to listen?