Death undoes itself like a woman undoes her dress
With knowing look and shrewd-salt of beguilement
Of supple shoulders and bared back, of life shimmying
Down the legs of the longest dark road of disappearing.

You who have lifted up your sunburned face,
Long-told of peasant warmth and the forest tableaux.
Barefoot, you brought the book of hours upon dusty roads,
Ungoverned, little flower from Jeanne to Lourdes to Lisieux.
Our Lady, osculum pacis, the kiss of peace in wood and stone.

Burned out to those dusty eyes,
Now-empty look of rosework from the forest-fall of sunlight.
Medieval prayer, earthly-dim to its rafters of oak,
Come un-cinctured in ashen cloud of amice and alb,
And the murine blackness of plague-like smoke.

Birds that sit blinking at the winged fossil of intrados,
Pipe air through your own ribbed vaults, organum pulse.
Let the city rise in your vining voices—and hold the note.
The great ***** intones from the runs and pedal stops,
Along the turbid streets of the rue de la Cité to the empire of catacombs.

Beside his candle, the monk in sadness knows
All loveliness of heaven except his own.
Our Lady, every sunset is your faded candle hour of peace, for us to know.
Holy Father, so passes worldly glory,
Over the roofs of Paris like fire-scorned and leaden wings.

Light has shone, light as death,
Sunset is gathered in fishing nets,
Like a twine of leafy stems.
~The coldest sea is the blood
Of the murdered and aggrieved~
Scaly Autumn of lost fires and dragon plumes,
Lanterns in the fog, graverobbers of the moon,
Light has shone, suckles at the tomb.

Autumn was an old Viennese street held up in sacrifice to the sky,
With burnt-song offerings that still see through the clouds, as they see through you.
His was cobbler craft of reed-winded flame for the foot in tune,
Amid the outsnuffed shopkeepers’ lights and the candlesmoke of midnight hours,  
Pulsing above the inner heart of the Ringstrasse
Of brass signs and paving stones, misted and mute.
His was the candelabra of wick-notes
Wanded through the windowed rooms of forested night.
His were those woods filled with doorways, bookcases, and stairs
And everything dim and warm with people, no longer there.

***

The winter sunlight played across the keyboard of crypted windows,
And in the muted under-roofs of ice and snow,
On one window, like a hand in whole rest,
The caramelized glass swallowed the flame-image of the stray redbird
And the black carriage wheels that passed.

In the long hallway of the Viennese flat,
One candle remained lit in the mouth of song.

Death has one gleaming eye transfixed to the comings of fathers,
The second one to mothers is bound.
Make no suture or stitch to its blood-seeing.
Death, when you took the first mother,
The last son your undoing avows.

The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.

In our love for the wind and all that passes,
Each smote of self, a wisp of loss and absence,
Like the snow pendulous slips over last grasses,
In the glow of the lamppost and unholding fences:
So too the thousand-grains of breath
Blow through our bodies’ incandescence,
And in the starlit-smoke from the dragon's mouth
On wings of filth swirl the bone-edge of death.

The towering candles of the monk’s studious hours
Now guttered to an old head on the pillowing smoke.

The Pied Piper of Hamelin bloated on the lawn
And the rat tails from his eye sockets engorged.

War is the end of all lore,
The bare abdomen of the ****** Mary gutted for her son,
War is a *******’s mouldering arms,
The infidel to love, the mutilator of colors,
War is the broken feast of the heart,
Bones picked clean.

Moon of Pythagorus, such proofless arithmetic derived,
No sigmoidal curves or cold calculus of the divine,
But pale barbarian, war-bringer of straight lines,
Your sea drifts commandeered like lit ash-spears in line,
Or the thrashing of wind-whipped rags of horses’ manes.
Moon of Pythagorus, the phantasms of your campfires
Of waiting armies flicker like fireflies along the stream.

Burn me, Moon, with your fire-tongued spears,
Your haunt of horses, unbridled and reared,
Burn an eye through my heart like the oculus of the Pantheon,
So I can see my pulse beat against the ash of naked footsteps
Of those who make false shrine to me.

She kept bed-side by me all along,
Her prayer like a flower behind my ear,
Asleep, I think I hear the petals fall.

The elucubrations of the lute, pulsing from the finger strums of starlight,
Plum-twilight of the Colosseum like an emperor’s bowl of plucked fruit,
As the night’s ghost-gods are tuned to Castel Sant’Angelo, Hadrian’s tomb,
Who drink the dwindling hours from the wine-stemmed glass of musical moon.

But come the times out of tune, the dwindling of stone is the going blind of Rome:
Rome is built upon millions of eyes closed with the underside of their lids tattooed,
By labyrinthine aqueducts, far-aging roads, and traceries of Nero’s Golden Home.
Then death its sight-sun blooms through; death the architect of Seven Hills renews.

From the first, the fluid-filled sacs of stars,
The yolk of yellow lightning and oily rain,
Then the placental storm, birth-giver of roads and oxen loads,
Witch towers made from silk hair and the peasant sucklings of plague,
Whelped there by the milk of the river Arno, by turns pacified or stern.

The Dark Ages is a storm nesting in the sky, built by posthumous stares,
Piece by piece, a raven’s birth from eyes and saliva of roads and rivers.
Of the woman who gave birth, the sway of leaves where once fell hair,
Only her lips hover in the air of warm sun,
Like a fountain in the bare palace courtyard
Suspiring, flowing, extolling…

So Herodotus muttered marble dust into his beard,
And foretold the white clay of the mule road,
And the whiskers of Greece grew long with legend.

Books are like the sun’s rays,
Still giving off fingertip warmth,
Though long cut off from the source.

Books are sunlight and Greek silence
Captured in glass firefly jars.

The light from the end of eternity
Comes in through the window glass
Sits on the sill with the red Anthurium
In the stenciled orange Waterford vase
Centuries.down.and.Decades.done.
From the grassy light of the Lyceum.

If the sun were to choose where to die,
It would falter over Pompeii,
And lie like a broken godhead
Or lava poured into the pottery cups of
The open-skied houses.

The lit fuse of her lips touching off
A din in the black powdery night:
Illumined and immolated am I.

The farmhand burns the leaves, though the bodies of slaves
Lie at heaven’s impasse in the trees of dying looks, barring them
From peaceful death, the sad emulsified perch of love and heat,
Hung at noon like John Brown untended, bearded of sticky summer,
Heavy-headed swinging noon and the smell of honeysuckle blood,
Fetid day like the coming dirt of graves, the clinging air of disease,
Snake-winding down from the trees with no pleasure of the bitten apple.

To spend the hours compiling skies, indexing unearthly strata,
Mark the dog-eared page of moments with the hesitant thumb,
Waiting to turn each day and find death a bouquet of words,
All to view glowing creases under the closed eyelids of time.

I remember the hidden chapel bells in her voice,
The little cloister of her abbey looks that opened
To a lovelorn courtyard of cisterns and well works,
The sounding pulleys and ropes from the springs,
I will miss her nothing said to my infinite misgivings.

Numerations of
Lips...Tally bead-like...kisses
On the abacus.

Pleiades seven maidens sigh,
The sweeping, coruscating gown of stars,
In stillness-rapt, the cosmos in collective gasp,
At Atlas, his amalgamated bulk of last breath.

***

We breathe in the gown of ending,
The snake tongues of our synapses
Flicking out the decomposed praeludium
For the saprobic stars to feed off the detritus of night.

The most beautiful poem is written on a shroud,
As if the stars closed their eyelids at seeing the gods die,
But still-gauzy foundlings like cities of dusted sunlight,
Bound so long between the pillars of Athens and Rome,
Disconsolate remnants in after-golds and winding sheets of stone.

The most beautiful poem speaks only to death,
So it may know something of our loss, our bereftness,
And like the turnkey of afternoon to evening
Under the warm-felt pressure of our reminiscing hands,
We too shall pass like long-limbed sunset along the barren grass,
Like so many solitary walks bundled up in Autumn mists,
And eyes filled with someone once there and absences to come.

A vintner of aged leaves in the wine-press of the sun,
Thin-skinned like the lucent grapes from the vine-runs
Of the island trellises and teal-cordoned waves, lowest slung
Fruit-laden bough of sky, Sicily, whose ateliers of rolled cigarettes
And uprolled sleeves like tides tease smoke into studio paints,
The black apple wine of storm made into mouthfuls of pulp rain,
Before the sunrise is gathered again in fishing nets and crab pots,
The coastal towns with their salted roofs of pied clay and pigeons
Along the lava stone streets, and night from the chanteuse of Egypt,
Singing her coral to heron, as when her bird-like barefooted slaves
Left tracks across Old Kingdom wastes, so this dreaming old man
Leaves his wrinkles to these grapes and across the sand-island pillow,
Asleep with his fathers, hay-hauling peasants of wandering darkness.

The scrimshaw of the air, the long whales-tooth of sunlight
Etched with seafarer’s care and his great wantonness for the sea,
A kiss as light as the bottlenose dolphin cresting from the water,
Then night undressed and falling down like sliding beads of watery stars
From the wet coriaceous porpoise skin and a tail of silver fire.

These clouds of Italy are grown on vines,
Infidels of skies, fruit bearers of wine-veined
Marble, fertile in spite of its own lifeless tableau,
Here thrives the succulent garden of the alone,
Where turns aside the burnt nape of the plowman,
Voyager of the cool midnight seas of the mind,
Up to this arable vine of sighs from outworn gods,
And hears his heart once more give up its throne.

The finger upon whose weight
Depends the pluck of the string,
Does pull back the folds of a drape
Of sunwashed loneliness in afternoon.
Windows drift through you, without home,
Without glass, or any warmth from looking through.
Life in its squared sequence does amass, ecumenical,
Until death its finger does pass in its final pluck
As the touch of the thundering universe.

Corded muscles of the neck ferry the voice of sky,
Charon of words adrift in a salivary dislocated sine,
A fracture of breath, the stenciled rowing of a sigh.
Psychopomps of moonlight, past-throated vultures,  
Carrion of clouds even if stripped clean in vulpicide,
Even if our scorched and coining tongues tip at stars.

The only love I have known is the bird that lives in my ear,
In the wind and cloud tunnel of long ago, with a hot salve
Of sunshine poured into the singing hole, the warm honey
Of wives’ tales, the remedy of home against the world,
Though the song has since flown.

Therein lies the fur, filled with running wind,
Milkweed in the scruff, the scent of wild-wood,
Some mystery-hearted forest where pulse begins.
Therein lies the Centaur, satyr, and god-disguised swan,
Ageless wonders prowled upon by an age-old Parthenon.
You broke your wolf’s tooth through those haunches of lore.

Therein lies the fur, filled with barking dust and dandelion war,
With a spine that stretched back to the she-wolf and city-birth,
The peeled nerve of a howl once tremored your Aurelian lips.
Therein lies the serf, hunter, fairer hand, and lord,
From wattles and daub, the wandering-sands of Saracen, or Crusader’s moor.
You kept the path beside to remind that instinct shines as the holiest earth.

Therein lies the fur, the warm, ungovernable peasant of sleep,
Ever prophetic in your skies by eyeshut-trace of the hunting moon,
Twitching at the day’s thousand faces, all asleep in themselves.
Therein lies the soldier, nurse, chaplain, and fell-prayer,
Mange-like war is the whimpering season with its flea-bitten welts of stars.
You struck blind but true at the throat of gas-hissing war.

Therein lies the fur, outracing the rain and the spout,
Nested with more birds and Autumn song than rain,
Your sleeping ear pooled like cool eaves of the barn.

I sing once more like a boy into your unfolded ear.
Listen always for my ancient, choral voice and your chores of play,
And race earback to the sun in the belly-grass of your free-eyed fields.
Leave your last paw mark, torn on the red clay of my hand.
You are forever wrapped in human touch, ageless and aged,
And if ever the dark in madder darkness encroaches,
Leave black eternity to my faithful eyes.

There is in sadness a sense of Fall, of spacious leprosy where crippled thought like the outmoded nymph dies behind each tree, and childlike peeks out to let at least childhood disbelieve in its unhappy end.
     There is in sadness, a branch that holds the once-upons, the happily-evers, and the destined-to-bes, a sweet find for all in grief.  Each stem lends momentum to their pluckings.
          There is in sadness, a young man who cherishes dead leaves.  He lately held waxen happiness and knew this as his permanence.

Love, if it were told how little truth you hold,
How diadems and stars are less than twinkling souls,
How anyone can fill your mercurial fancy in the fold,
How you lie before God and you lie with man,
Love, books are less old than your falsehoods,
Or the rood and the rose.

The earth-dark octaves of her singing hair,
Sung-circles of campagna, the citadel,
And campanile bells in the Segestano air.
The pail sits like an expectant kiss on the lip of the well.

Snow brings to earth the ash footsteps of Titans,
Winter in its giant vacancy of bygone strides,
The overthrown birth of frost mother and sky,
~The snow proselytizes all our warm tomorrows~
But the totality of loss lies like a starved lion,
Paws crossed, staring at the cold changeling-world,
As a young white-tailed Springbok ages into distance.

Sound is a torchlight passed
Along the eardrum to quiver in silhouettes,
Shadow puppets of the mind.  

Stars are the torchlit soundways to the divine,
With flickerings too far to be heard
Or too much shadow-disturbed to know as sign.

Love not the empress curve of your cheek,
The many-storied, empty ziggurat of belief,
The man-handled, baked brick built so high,
Your grotty thighs are pasted with all your lovers,
Your lacquered heart is glazed by luminous grief,
Head-bearer of broken vases as your crown,
Filled with dry dust from liquid stars.

When young, to the sun
Confide ~ when old, to the sun
Despise ~ Then, the sun.

Greece burned its sins in the days of Rome,
City of wrinkled roads like the crushed pillow
From a sleeping lover who left long ago.  
The sea tends to its wool-gathering of sands.

The furrier tells the bell by the time of skinning,
Archangels by their clipped wings as they fell,
Statesmen by show of divided hands at plenary ringing,
The wind by quell of truant petals from daffodil.
And even love tells its beginnings and endings,
By lips shorn of lambswool words and yield of bale.
In light or darkness, though our animal souls uprisen,
Still in their wordless and naked measuring dwell.

You who have never known the loveliness of love,
Gather your heads on the torn pillow’s edge of mud,
Under the wood-tar shadows of camphor-aided sleep,  
Where your low-flung groans are starvations of sound,
And the amputated clouds, insinuated with gangrene
And blood-stained woods, are still bound to the shooting
Stars that fell beside you and flung up hissing rays of grass.

Parents of the midnight sky, the stolen stars of your children
Open their broken mouths to the battlefield heart of trespass.
To their soldiers’ eyes, the floor of heaven is uncut grass,
Wet with rain and mold and the unlifted wings of Pegasus,
Whose unearthly hoof to unearthly earth scuffs the clod
Of the lunette for the cannons to divulge the great, stuttering
Coda of everything old, malformed of breath and bone.  

Some grass somewhere will now seem the hair of a sweetheart,
And those dead eyes will aways stare, too fond of love unknown.
So the dead soldier and grass and sky conspire to hold a woman,
So the soldier makes the truce between earth and sky,
Between man and the divine, though the chestnut trees    
In red human tongues, pay their deep-forested encomium to distance,
In misspilled gorgeousness like Apollo surveying his own tomb.

Death is the dictionary of unknown words,
Written on the pages of the unbound book
Of earth and sea ~~ to no one, its soliloquy.

We have made too much of love,
Something it will never be,
Without touch or place or rosary bead,
Beyond ourselves and the human race,
But no nearer to infinity,
Without cause or prompting by war or peace,
Simply quelled within its own embrace,
The wax seal on our lips for its unity and defeat.

If I could love, I would take the best of marble and dove,
And craft her eyes like inlaid tombs in stone skyward flight.
Just so, the Egyptian khamsin wind, by way of Rhodes,
Alights with evenness on the trullo stone of Alberobello.
Just so, the weighing of the heart lies between marble and dove.

When a woman averts her eyes,
I feel the snow has secrets to hide,
Or from the small crook of her arm,
I feel the warmth of buried sunset,
In the charm of a country steeple.

We live in the sunshine of our broken loves,
Where window curtains flow like pouring water from the aqueducts.

Sunlight is the memory of an old world, and we are just
Watchmakers who labor at the trumpets of time
As if to blow from the mouthpiece and unwind
The second hands and derelict hours of our luminous grief.
So too shines the scintilla of frost that covers the ancient wheat,
Snow falls like the listenings of lovers in the dark, and we are just
Cartographers of snowflakes, mapmakers of frozen eyes,
To zone the parallelogram of her strands of hair across the sky.

These and these and these
Were never ours.

Old stripe-laced tiger moth of the Serengeti with your sugar-seeking tongue,
Your powdered fang stubs into another ******* hartebeest of some bud.

There the floating scholar of green lines read,
There the shading peasant of sun-fields plowed,
There the fleeing empress of coral red gowns,
There the graying knight of frost-broken vows.
A tree is a haunted ruin of bare limbs and rooms.

But thought scurries around like a five-lined skink
With its tail shimmering blue as oil floating on water.

The snowflake is castellated cold,
Of chill crenellations and turnings narrow.
Court of pie-powders and gray-skied brazier smoke,
Of inner mazework dimmed to ****** holes,
Or the hooded machicolations from tower spire
Of oily darkness and arrowslits of Greek fire.

—

The snowflake is Medieval reliquary,
The frozen skull of rain and blood clear of sin,
Wind-captive with its prayer of quiet
On quietest lips, close to wine and sacrament.
Or the chapel and its waxen paramours
Of incorrupt body and candlelight upon the moors.

—

The snowflake is the mighty frozen spark,
Fire-forged and ironwrought,
Under the eye of Hephaestus,
Blacksmith of sorrow’s wind.

Her memory is like the beauty of the silted Nile,
Of sacred blue lilies and heron
And skimming eyes of the crocodile.

There in the box lives all of Christmas,
All of the serendipity of the midnight cross,
All of the iced tassels and tinsel-worn frost,
All of the gazed-upon rooftops that turn
From emptiness to stars to ever-wondering thoughts.
All of my boyhood eyes are closed now
With those in the box.

Sing my song of forgetting,
Of lips never wrong, never upsetting,
Sing the wine-infused air along,
From the violin’s grapevine song,
Purely gifted as the altar wine and alms
Of the Santa Maria della Visitazione,
A cadenza from the catgut of stringed waves,
     The vibrato in polyphonic staves across the lagoon,
          Amid the psaltery sway of submerged algae plumes,
               Like the strident tails of the horses of Neptune,
Or the teardrop-surge of the glass chandeliers of Murano,
The same powdered hue of Venetian sky,
As bluebirds fallen into their own drowned tune,  
As absence awash over the sun-scattered tombs of Olympus.

Sing with a felt-tipped tongue,
So my song of forgetting is never undone.