Nauseous to meet you.
Nauseous to greet you.

Nauseous to look at you.
Nauseous to cook for you.

Nauseous to show you.
Nauseous to know you.

Nauseous to talk to you.
Nauseous to walk with you.

Nauseous to smell you.
Nauseous: to hell with you.

first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide

PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

Connect like comets,
got thoughts but won’t comment,
controversial as a result of being honest,
honestly sick of the politics & sick of the nonsense,
actually I’m sick of it all to be honest but still I won’t *****,
conflicted by the conflicts that’re inflicted on my conscience,
from the constant onslaught of plots that they’ve got that I’m barraged with,
in this enormous orbit that we’re all in it’s ugly & gorgeous I’m nauseous but conscious,

just wishing they’d stop it & I’ve lost my train of thought but haven’t yet lost consciousness,

at,

a house party in The Hamptons,
July 6th. 2018,
last week D.C.,
next week Miami,

bless the vibes like we bless the mics,
that’s why they want us around,
if I get the invite & have the time I might take that flight,
because I’ve been all around but still up to get gown,

buzzing off of a mixture of different chemicals,
feeling Sharon ****** operating off of basic instinct,
Semi-Quasi-Serious-Centennial-American-Millennials,
wer­e are what is in so we tell them to get out with their doubts & we dismiss what they think,

live big & still get enough to give more than a little bit away to various charities,

with 3rd Eye Vision that’s 20/20 so they can’t pull a fast one on me,
in the perfect position I see everything while most of them can barely see anything,
not kidding but we do play no kids no way,
our artistic creations are what we will leave behind as our living legacies,

staying grounded at the same time we’re all stars outta this world like a fabulous galaxy,

where we connect like comets,
got thoughts but won’t comment,
controversial as a result of being honest,
honestly sick of the politics & sick of the nonsense,
actually I’m sick of it all to be honest but still I won’t *****,
conflicted by the conflicts that’re inflicted on my conscience,
from the constant onslaught of plots that they’ve got that I’m barraged with,
in this enormous orbit that we’re all in it’s ugly & gorgeous I’m nauseous but conscious,

just wishing they’d stop it & I’ve lost my train of thought but haven’t yet lost consciousness…

∆ Aaron LaLux ∆

Little poppies, little hell flames,
Do you do no harm?

You flicker.  I cannot touch you.
I put my hands among the flames.  Nothing burns

And it exhausts me to watch you
Flickering like that, wrinkly and clear red, like the skin of a mouth.

A mouth just bloodied.
Little ****** skirts!

There are fumes I cannot touch.
Where are your opiates, your nauseous capsules?

If I could bleed, or sleep! -
If my mouth could marry a hurt like that!

Or your liquors seep to me, in this glass capsule,
Dulling and stilling.

But colorless.  Colorless.

T'was the night before Christmas
The gifts were all wrapped
When the smell, well...it hit me
Our new puppy had crapped

I knew I could smell it
It was not just a ****
The puppy had dropped one
I awoke with a start

I could hear a slight rustle
As he went to his bed
But, the smell made me nauseous
And it turned my eyes red

I could hear a slight jingle
From the dog tags he wore
It was then that I found it
In the hall, by the door

I had not put on slippers
I had not hit the light
I just hope I could see it
Try as I might

But, as puppy bombs go
this was one for the ages
It had started out loose
And had grown in three stages

My foot found it first
And before I could halt
It was between my toes
And it wasn't his fault

If I'd turned on the light
I'd have seen it, no sweat
But, now, I was hopping
With a foot, brown and wet

I was off to the bathroom
Hopping mad, so to speak
when from out of my bedroom
I heard "What's that reek?"

It was worse than it started
Now, I'd helped it along
It was me, now in trouble
And somehow, that was wrong

Down in the kitchen
I could hear the dog snore
While, I was still hopping
On one foot by the door

My wife, said "go shower"
And clean up the rug
I hopped to the bathroom
And sat down, with a shrug

It was the night before Christmas
I should be out like a log
But, this is my life
Because I own a dog....

A - the atrocity that my life has become
D - the damage, and still,  im not done
D - the denial, the doom in the vile,  dangerous, daunting; forever defile
I - the image I fake of myself, I- my constant &chronic; bad health.
C- the cost of a chemical wealth.
T for the tension, paranoia and fear. Yet it’s the letter that symbols it’s here.  
I - irrational, insensible, intense. I - irresistible iridescence .
O- for the option that I didn’t take, O for the others that still I forsake.
And N for nervous. Nauseous. Night. N, the neophyte, turned narcissist knight.

Transparent to everyone, how its hold is too true
So clear its invisible, Addiction did coo:  

“when you wake and feel my crave,
and all my charms  different behave;
resistance, strength, pain & choice,
may mute my spell,  quiet my voice.”
“embrace what little light is shed”  suggested addiction, faintly he said:

“For I can **** the best man dead,
with only shadows in their head.”

I went to the garage to throw up and came out with a glass of water and a box to store my waste
I wish I had thrown up everything all that was me
But nothing came up but a wee little bit
Our adventure set off and to the shed we went only to be disappointed by the crude lawn mower
Once more the travels we set off on to the couch it is
Where he shows me a trick to alleviate my nauseous head
My legs spread for him and I cannot control the yes daddy slipping from my ***** ****** lips at the time
21 and **** with the tats he was everything I wanted and so the game began where his **** ****** my ******* tight *****
Age is just a number I'm 17 ******* it a responsible one at that with a job and friends and good grades and a future and here I am wishing I was good enough for this man
But I was
And he was cute and funny and sweet and
Gone
And this 17 year old sits waiting wondering what the **** do I do when I want but do not need and what the **** do I do when he may not want me
But baby I'm a jumper and the fall is scary but
Am I strong enough to crawl out of that hole again?
Am o stupid enough to chance it?
Will this even effect me as much as I'm playing into it?
I may not even like him when it comes down to it
But ****
I want to **** again
And I want to be loved
But these are indeed not the same thing my first time guy

I’m sorry I wrote you.
I’m sorry I’m as weak as I told you.
I’m sorry I wasn’t lying.
I’m sorry I never lied.
I’m sorry for all the broken nights
I’m sorry I couldn’t fix them.
I’m sorry I couldn’t fix myself
I’m sorry I couldn’t help you.
I’m sorry I messed everything up
I’m sorry I couldn’t take it anymore.
I’m sorry I got tired of being alone
I’m sorry the permanence makes it easier.
I’m sorry you can’t write anymore.
I’m sorry I never could.
I’m sorry you couldn’t see yourself how I always saw you
I’m sorry you can’t see what I still see.
I’m sorry I loved you.
I’m sorry I loved you harder than I’ve loved anyone else
I’m sorry you made me question myself.
I’m sorry it ended this way.
I’m sorry I kept writing because I didn’t know how not to
I’m sorry you told me I could.
I’m sorry I didn’t listen when you said I should stop
I’m sorry I didn’t listen when everyone said I should stop.
I’m sorry I took all those nights seriously.
I’m sorry I believed every word you said.
Well…not every word.
I’m sorry I became such a problem
I’m sorry nobody listened to me.
I’m sorry for being right.
I’m sorry the permanence makes it easier.
I’m sorry I failed you.
I’m sorry I took the hit
I’m sorry I asked you to do that
I’m sorry I let you
I’m sorry you didn’t listen.
I’m sorry I couldn’t stand seeing the bracelet anymore
Or the pictures
Or the letters
Or the poem.
I’m sorry I can’t touch them without getting nauseous.
I’m sorry the permanence makes it easier.
I’m sorry I don’t even hurt that much anymore.
I’m sorry I don’t think of you as often as I should
I’m sorry you’re not sorry that I don’t think of you as often as I used to think I should
I’m sorry it ended this way.
I’m sorry you don’t care.
I’m sorry I don’t believe your goodbye
I’m sorry I don’t believe any of it.
I’m sorry I don’t care.
I’m sorry I sort of wish it was different
I’m sorry I think this is probably for the best.
I’m sorry I can’t be there to fix it
I’m sorry you let me go.
I’m sorry the other side of this coin is gone,
Your half dozen of these tacos are still here,
We never watched Finding Nemo.
You never finished renaming the constellations.
I’m sorry I never finished teaching them to you.
I’m sorry bandanas are now out of your life
I’m sorry you never wear sports bras.
I’m sorry my hands feel empty and naked
Now that yours are gone.
I’m sorry your hand was the best thing that ever happened to mine.
I’m sorry that was such a cheesy line.
I’m sorry I want a hair-cut
I’m sorry I want to chop it all off.
I’m sorry you’ve ruined that side of town for me
I’m sorry I’m no longer allowed.
I’m sorry it ended this way.
I’m sorry I would want to forget me too.
I’m sorry I kept writing letters
I’m sorry you never read them
I’m sorry I never will again.

By: Nabs

    When I was little, my mother often gave me flowers.

She would make me a crown of Primroses that smells like the day my father left us.
I would smile and dance a little twirl that had her smiling fondly. Her little princess, Said she couldn't live with out me.
I believed her.

Right before my mother decided to stop breathing, she gave me a bouquet of Lily of the valley.

I never knew that apology was poisonous.

    The day I turned fifteen, my grandmother gave me a book on flowers, It was written with green ink and bound in human skin. Said that It was family heirloom. Said that the universe needed someone who understand Hana. Said that I was born to understand only them and to remember that flowers are ephemeral.

I cradled the book, feeling as if the world was spinning. Opening it feels like coming home after a long time of drowning.

By the time I realized, a bush of Basil and beds of Petunias were growing in my home like ****. The color should have been red instead of purple.

      I met you when you were giving a bundle of daisy to a boy.
The boy scoffed and slapped the daisies to the ground. It's petal were falling apart just as blue and black blooms like an eager bud on you. Your body were taut as a string but your face was smiling, the kind of smile I couldn't decipher the meaning.

I picked the daisies up and asked if i could keep it.  You said only if I gave you my name.

You were wreathed with White Hyacinth and Pine leaves. It suits you.

    You told me one day, after you gave me a Bleeding Heart, that I needed to learn more than the languages that flower speak. That I needed to learn human.
I asked to you why do you say that?
You looked at me, with a little smile and a soft look on your face. Told me that I was too oblivious, I was more flower than human. I frowned and said," That hurts".
You laughter was much more sweeter than any Honeysuckle.

Though I still didnt understand your laughter nor the bleeding heart.

    The sight of our hands lacing together, looks much more delicate than Queen Anne laces. It made me aware of the dips of your lips, how warm your callouses hands were and the way you sometimes darts to sneak a glance at me with warmth in your eyes when you thought I wasn't looking.
I would feel my heart thumping loudly and I would disentangle our hands, trying to hide the tremors in my hands. You would pursed your lips and cracked a joke.

The next day I received a bouquet of Lilacs and red Peonies. It was too beautiful and I was already withering.

    You often asked If I was ok. I said I was. You would go rigid at that and started to pull down all the blinds to your soul. But that day when I answered I was ok, you gave me an Orange mock.
Said that I can trust you. You left with out meeting my eyes.

That night, I left a single Aster on your window sill. Hoping I did the right thing.

    The thing was, I was scared. Not of you, no never of you. That I swear on White Lilies and Myrtles that we bound ourself to.
It's just, every time I'm with you I want to bare my self naked. To let you see how the parasites are growing inside me, withering me as it did my mother. My grandmother would say that it is our legacy we cannot escape. To grow and bloom then wither ourself after the peak.

My Grandmother was a Sakura tree, My Mother an Ajisai, and I was a Tsubaki.

My mother was supposed to lived longer than me. But Hydrangeas needed their rain or they'll wither away.

    You told me once, that I remind you of Wisterias. Always enduring even after the cruelest storm. I grimaced and whacked you on the back. Said that you were an idiot for thinking that. You laughed again and tickled me until I asked for mercy.

I feel less Tsubaki and more human with you.

    I never let you go to my home because I could not bear the thoughts of you seeing the lawn strewn Marigolds, the grief that latched itself to the soil.
How the yards was filled with weeds and plants that was tangling them self to choke each other. How the walls was bare and the furniture was only enough to survive. The only thing that was lending colors to my home were the branches of Plum Blossom and bouquet of Lilacs and Peonies that seems to not wither away.

This home would not hold further.

    I gave you Blue Carnations the night when vines were choking my lungs, making it hard for me to breathe.

You said they were beautiful, and smiled a serene smile. I wanted to kiss you so bad, but I was leaking clear salty sap, that was rolling down my cheeks. I told you all about Hana and all about my family. How bare my home is and how you are my Iris, my good news, my good tidings.

You hugged me, not minding the sap that's staining your shirt. I didn't see the Red Camellia you were tucking in my hair.

  The day when I almost gave you Red Daisies and Lungwort was the day I found out that you had severe allergy to flowers.
That breathing their pollen would shorten your life as the breath you took became a privilege that you were slowly losing.
I asked, "why would you endanger yourself like that?".
"I love flowers, that's all", you said with an uncaring shrug.
The thoughts of you withering away, made me nauseous.

I went home throwing away the Daisies and Lungwort, Burning down the marigolds and Petunias.

The only thing was left were Hana and the bouquet of Lilacs and Red Peonies.

  I never get to told you that my roots was withering.

  When you found me lying on my home, covered with Primroses, Camellias, and Blood Red Poppies, I know that you knew. In your hand were Peach Blossoms and they were so very beautiful.
You cradled me close to your chest. Whispering that I will be okay, that It's unfair for me to do this to him.
"I know", I rasped. My voice was barely working and Black-Red sap was steadily tricking from the corner of my lips.

  When I saw my mother walking down to me, carrying a basket full of Sweet Peas, Volkamenia, and Yarrows, I understand what your smile meant the first we met.

It was Red Camellias, Love and acceptence

Why people feel the need or desire to
Listen to the radio
Or surround themselves with machines that whir and beep
Or white noise to fall asleep
Or go to concerts
Is beyond me
I don't understand why
People want noise all the time
They're committing a terrible crime!
They mutilate silence
Tarnish delicate laconism
And mangle quiet
Machines everywhere!
Machines and devices, noise and distraction from the essence of life
Tooting, blaring, screeching, whistling, crashing
Honking, booming cracking, grinding, and trilling!
We happily bask in this cacophony

So much noise that we tend to forget that
How truly precious real silence is-
A gold nugget in a long, tumultuous river.
Yet we don't want any of it, not even a sliver
Silence is that which comes nearest to expressing the ineffable
It's so pure and so true, so delectable
Silence is a true friend who never betrays
Whatever has happened to saying it all with a simple gaze?
Words are by no means proof of wisdom
Silence isn't ignorance or dullness of mind
Silence is refined
Silence is
A pause between birdsongs
The mournful song of lonely hearts
The sigh of a tree
The shift of the clouds
The obscure and perishing rhythm of forgotten thoughts
The throb of the summer sun
The timid streaming of tears down a child's cheek
The fall of a snowflake
The pulse of the veins on a frail white wrist
And a kiss between whispered promises

Babble is empty
And words, like wire
May seem solid
Yet they can be twisted to resemble anything-
Weak promises, false prayers, delusive prophecies
And can easily be broken, if one distorts them enough.

Silence is more eloquent than phrases
It is not nothing
It has a form, dimension, substance
A texture and quality of its own
So many people associate it with mystery, privacy and isolation
When really it reveals it all
Silence can be jealous; rough and small
It can be peaceful; blue and hazy
It can be tumultuous; confused and crazy
Silence can be loving; soft and surrounding
Or it can be spiteful; violent and pounding
Silence can chaste; reserved and shy
Or it can sensual, with a voluptuous sigh
Silence can be puzzled; blurry and nauseous
It can be disgusted; halting and cautious
Silence can be grieving; a falling apart
It can be horribly heavy; the weighing of unspoken secrets on a fragile heart
Silence can be anything
Agitated, insecure, submissive or authoritative
Giddy or gloomy, vicious or respectful
Silence contains it all
Every word, every language,
All the knowledge, all the memories, all the emotions
If you've ever watched a sunrise, or been in love, or spent a night home alone, or sat in grieving silence as someone held your hand
Then you know this

The silly young, the brash and impatient ones, always break the silence
With gossip and music and profanity and small talk
They always giggle, interrupt, argue and squawk
Constant conversations, words, motions, defense, offense, back and forth
Yet those who are comfortable with each other can sit without speaking
Because to love and be quiet is enough
To hold hands and not say a word is enough
Silence is the gift of the world that we've pushed aside
A precious gift wrapped in white that we've rudely denied
Silence is the highest form of thought
And it is by slowly developing this mute contemplation in us that we will,
Step by step,
With reflections, speculations, and musing
Be able to reach what is true about ourselves.
When we are quiet and timid
We sit silently and watch the world around us
We see things, we read things, we hear things that others don't, we keep quiet about them, and we understand.

I don't understand why people fear the hush
Perhaps people are afraid to surrender to the clear ****** of it
Maybe all these fools think that to keep quiet is to erase yourself
Maybe they associate silence with loss of life
Perhaps some of them know that listening to the silence can be painful
That it can reveal the pain of the world
So they cower and shy away from it

Yet look at what I've done
I'm just like the rest of them, aren't I?
I wrote and wrote, yet what do all these words mean?
How pretentious of me to think I could be one to put silence into words

Today is one of those days that makes you feel just nauseous
Today is not a very good day to be so self-conscious
Today is one of those beatdown days
The days that make think you’re in a phase
Of life.

Today is like the day you find your crush kind of hates you.
Today is the day you’re almost starting to hate food.
Today is not the kind of day you just give up and faint
Into the arms of some unwilling, kindly saint.

You think today couldn’t be worse but just imagine how it could.
Actually never mind it’d be stranger if you would.
Today is one of those days you think is about to **** you.
But maybe that’s just because you aren’t seeing the whole view.

Today is one of those days that makes you just a little bit cautious.
Today is one of those days you wish you had something like phosphorus.
Although I'll never say it loud,
I think my story I have found.

Today might be a beatdown, but you have to see tomorrow.
Because sunrises are beautiful to take pictures of.

So I hope I see you tomorrow.

Mac Miller’s death wasn’t an Overdose,
it was a Suicide,
it was the path that he chose that’s the way it goes,
when you’re chewed inside,

when you’ve got those demons,
and even beautiful music doesn’t exercise them,
we all gotta go sooner or later,
so Mac at 26 is tragic but not surprising,

wish he’d held out for one more year,
then he could’ve gotten in the Forever 27 Club,
joined the likes of Hendrix Morrison and Joplin,
but anyways whatever it’s still all love,

even though,
it hurts so bad,
especially since I’m writing this,
to Mac’s Swimming soundtrack,

13 songs on Mac’s last album,
and the last track’s ‘So It Goes’,
and ‘So It Goes’,
is playing on a record in Mac’s final post,

one moment we’re living one moment we get ghost,
and that makes me think of Jaden,
who’s last track was Ghost,
oh God Jaden no don’t start fadin’,

you’re it man,
you’re the one,
please push past the darkness of the pain,
and shine like the All Seeing Sun,

you’re our last hope like Obi-Wan Kenobi,
so don’t shut your eyes Young Jedi,
you’ve got the torch now so let it burn bright,
because the only thing that doesn’t wait is time,

time doesn’t give a fck about clocks,
until they stop,
she puts me together when I’m out of order,
perfect,

gives me the shivers how the Lord deliver’s,
and I don’t even read psalms,
but I swear to God it was all written,
that’s why even in the chaos I’m calm,

nothing’s GO:OD in the AM,
when you’re not feeling The Divine Feminine,
nauseous everyone feels toxic and obnoxious,
you're conscious that the poison feels like medicine,

resurrected just to be dead again,

it’s scary or rather haunting how Mac’s last video,
show’d him trapped in a coffin,
with a message that read Memento Mori,
you might win some but you just lost one,

shout out to Lauryn Hill,
she lost her mind but didn’t lose her life,
see no matter how difficult things get,
you win no matter what as long as you stay alive,

and it hurts so bad that we lost him,
that even I right now feel dead inside,
better take care out there and beware,
Self Care's only effective with friends to stand by,

**** I,
want to find a way to make everything alright,
want to find a way to bring back Mac,
gone forever to that Castle in The Sky,

and I just wish I could’ve said one last word to him,
and it hurts so bad I want to cry,
see Mac Miller’s death wasn’t an Overdose,
it was a Suicide,

so if you’re feeling hurt and depressed,
find someone to get that ****t off your chest,
because you’re loved whether you know it or not,
and life’s to short for long stories or regrets,

life’s too short for long stories,
life’s too real for fake friends,
so know that I love you you can always come see me,
because it’s peace love and respect till the end,

and ****,
we lost a good one today my oh my,
Mac Miller’s death wasn’t an Overdose,
it was a Suicide,

RIP Mac Miller,
may you Rest In Peace on Cloud 9,
may you finally find that love you need,
at that Eternal House in The Sky….

∆ Aaron LaLux ∆

CAN'T YOU FEEL..
The gentle sound of my heartbeat,  suddenly pounding with all the intent of tearing me apart-like a lady having anxiety attacks with no help within reach?

CAN'TYOU SEE
This sparkle in ma eyes, suddenly replaced by the look of fear aroused by images deeply ingrained in my memory, Memories you created that now torture even though you meant them to teach?

CAN'T YOU HEAR?
This melodious tune turned a melancholic symphony created by my wailing n sobbing,caused by a voice once therapeutic now at its faintest sound I flinch?

CAN'T YOU SMELL?
The stench of hatred as from us it emanates and slowly it spreads into ds crowded space we share, as little by little, layers of enmity fills the air we breath?

If all these you knew then your senses would interprete

That at your touch I cower; From a feeling once sweet and tender that now drains every ounce of strength and leaves me without power.
That at the sight of these I choose blindness; Away from the ethereal face that at the sight of, leaves me numb
As to your smell I get nauseous; so nauseous
That I taste the bitterness of heartbreak
And hear the sad music my heart will play at the sound of your heart bidding mine farewell

So please, I humbly plead, let me go!
But if break my heart you must n breach my trust,
Then let all we ever shared be counted a loss and from our memories be swept away like dust,

Please!  Be fair in your dealings with me I plead
Be kind and just...
For this heart has only started to heal,
Please don't let it rot or rust..

-r3d-

A cold October morning,
Treated just like the rest,
The boy awoke nauseous,
With a pain in his chest.

A longing for something,
Far out of his reach,
He settled for darkness,
Brushed red in between.

The pain became pale,
followed next by his skin,
Respiring so slowly,
The lights going dim.

Adrift into nothing,
What feels like a dream,
Is death coming slowly,
A dying brain's final feed.

"Is this what it feels like to be dead, I think I like this feeling"

Awoken abruptly,
Surrounded by fear,
Who are all these people,
and how'd he get here.

Looking up from his back,
A tear falls from her eye,
"Relieved" does her no justice,
For not having to say...

Goodbye..

I stare at the crowd
rapid breath intakes
sweaty palms
I can't do this

I look back at her
telling her I can't do it
don't overreact
she says

my heartbeat is deafening
faster
faster
as if it wants to escape

I can do this
I think
but i know I can't

I'll fail
fail
f a i l

I feel nauseous
why am i so stupid
all I have to do is go there
just walk
**** it
why am i afraid?

I can do this,
I convince myself again
but my heart and sweaty palms
told me otherwise  

I look back to her again
with my pleading eyes
on the verge of crying

it's so simple
how can you fail,
everyone else can do it
she says

simple for her,
but I am not her
nor everyone else

why are you forcing me?

i bite my lip,
so hard that it's bleeding

I stammer
but- I - can't-do- it

why can't you understand?

You bring me good news from the clinic,
Whipping off your silk scarf, exhibiting the *******
Mummy-cloths, smiling: I'm all right.
When I was nine, a lime-green anesthetist
Fed me banana-gas through a frog mask.  The nauseous vault
Boomed with bad dreams and the Jovian voices of surgeons.
Then mother swam up, holding a tin basin.
O I was sick.

They've changed all that.  Traveling
**** as Cleopatra in my well-boiled hospital shift,
Fizzy with sedatives and unusually humorous,
I roll to an anteroom where a kind man
Fists my fingers for me.  He makes me feel something precious
Is leaking from the finger-vents.  At the count of two,
Darkness wipes me out like chalk on a blackboard. . .
I don't know a thing.

For five days I lie in secret,
Tapped like a cask, the years draining into my pillow.
Even my best friend thinks I'm in the country.
Skin doesn't have roots, it peels away easy as paper.
When I grin, the stitches tauten.  I grow backward.  I'm twenty,
Broody and in long skirts on my first husband's sofa, my fingers
Buried in the lambswool of the dead poodle;
I hadn't a cat yet.

Now she's done for, the dewlapped lady
I watched settle, line by line, in my mirror—
Old sock-face, sagged on a darning egg.
They've trapped her in some laboratory jar.
Let her die there, or wither incessantly for the next fifty years,
Nodding and rocking and ******* her thin hair.
Mother to myself, I wake swaddled in gauze,
Pink and smooth as a baby.

Poppies blossom like open cuts.
Ripe and red, they fill the air
With a cloying sweetness
So potent anyone downwind
Must shut their eyes and breathe
Through open mouths.  Tasting
The breath of flowers, they grow
Nauseous and afraid.  

The fields sway in the hot breeze
Until they resemble an ocean aflame -
It is here, among these poppies, I have
Found the blood of the Earth.  
It is moist and toxic, an acid eating away the soles
Of all that wade through it.  
How many gaunt, pale bundles of bone
Rest below these soft, red petals?
No one dares to count.  

People do not fear such
Lovely things - if they’ve only seen
Pictures.  How nice it must be
To know nothing of poppies
But their color, their shape.  
They seem almost beautiful -
But you know better.

You have stood waist deep in the
Malignant fields, breathing the air
That slowed your limbs -
Turning your arms and legs into pendulums
Swaying to the beat of the buds
That encircle them -
Until you knelt, weighed down,
Nearly submerged by saccharine terrors,
And cried, hoping the water leaking from your heart
Would put out the fires you find yourself embracing.  
After all, during the darker hours
Any light is better than no light at all
(Or so something whispers in your tired ear).  

You know the horror of poppies -
But  still you have yet to plunge
Past the black eyes of those red beasts -
For when the wind blows clean, cold
Air to you what do you do?
You raise your arms and let yourself
Feel as though you can fly -
And one day…one day
You will look down
And see yourself above
A ground free of poppies.

I had to write a process analysis paper for my adv. comp class Senior year.
My topic was an acid trip. Hope you enjoy.


Bored with the various street drugs that you take daily to achieve a mediocre high, you long for something new. You're striving to reach enlightenment, mental clarity, and an escape from your worldly woes. By chance or fate, you come across a man selling what he claims to be the best of all drugs: LSD, lysergic acid diethylamide-25, better known as acid. This appears to be the only way your mind and, in turn, your soul will experience the mysterious and desirable acid trip.
Upon impulse, you purchase the drug. This was saturated in a piece of newspaper. As you survey your ticket to mental bliss, you read the words on the small paper. The sentences of the article were cut to meet the spacial requirements of the acid. This made the paper difficult to read. Deep within the mess of incomplete thoughts and ideas, your eyes cross paths with the word peace. The simple but powerful word that was camouflaged in the unfinished article increased your desire to take the LSD. The "peace" was your chance to free your mind and consequently yourself.
Giving into impulse, you place the paper under your tongue. Like the words on the paper, the acid dissolves into your glands entering your body with aspirations of arriving upon your brain. Moments later, you feel nothing. You were expecting the drug to work immediately upon contact. This was far too big of an expectation. LSD like many other medications needs time before it comes to life. Disappointed, you retreat to your living room to watch a film on the television. As you sit in the dark, ruby red chair, your only thoughts are about acid.
An hour later you feel nauseous. Racing to the bathroom it starts to hit you. The porcelain toilet and clear water within is your muse. With each heave, you notice a minor change in your mind. When finished with vomiting, you realize your stomach is empty. You try to think of something to eat but your stomach has no desire to take anything.
The mirror catches your attention and there you stand staring at yourself. While gazing upon yourself, you notice your pupils have dilated. The large black circles that were once small now resemble the largest craters on the moon's surface. During this moment of time, your vision is misty. Every shape has a fog surrounding it.
When your hand reaches the forehead, the temperature of your skin burns it. As your hand rests there longer, your fingers are cooled by little drops of sweat that slowly flow down your forehead in an effort to cool your body. You conclude that the fever has created the sweat that is secreting from your body. The moisture from the evaporating liquid has created a misty air. This realization leads you to believe that the acid was beginning to take control.
An immense thirst has dried your throat and mouth. Like a desert they both need water. You have this newfound energy and possess the amount of adrenaline that can keep you up for days. You feel invulnerable and this is the healing hour for the body and soul. As the second hour of your experience comes to a close you have covered a lot of ground. You have gone from having control to no control. The acid has changed you. The man you were two hours ago was in a different dimension. In this dimension you are a new and different man.
The third hour has brought the acid to its maximum power. Your high is peaking. The visions you see and the sounds you hear paint beautiful hallucinations. They feel sensational and bring waves of shivers up and down your spine. The television screen looks like a portal to a new world, and the sounds it makes sound like greetings in a foreign language. Your eyes close and you open them immediately. Realizing this is not a dream, a state of confusion fogs your mind. Despite reality, every thought and action feels dreamlike.
Contemplating the situation, you ask yourself if this is normal. Cackling, you scream, “Normal does not exist. Normality is simply an impossible goal that has plagued society since the beginning of time." The once well known actions and thoughts that molded you were strange and unknown. This was the point of no return. You would never go back to the past. Normal process occurs no longer this far into an acid trip.
You feel groovy. Everything is fine. Your face is frozen in the shape of a smile. Nothing can take you down. The serotonin in your brain has been altered, making every moment feel good. Still staring at the screen, you see a tiny man waving at you. The physical greeting he gives you carries the sound of a hello. When he opens his mouth you see what he says. Each word is portrayed by a symbol in an unclear language. The symbols hypnotize you and give you comfort. The mind without acid would see nothing in the hypnotic symbols. But the symbols converse with you. Your sensations have now crossed over. Sights have turned to sounds, and sounds to sights.
Matter is glowing with a faint rainbow that lies on each objects surface. The fourth hour of your high is ending, the man in the television is becoming harder and harder to see. Like your high, the man is leaving. Over the next two hours, you slowly drift back to reality. The once sea bound boat is approaching land and, with each passing wave, you are coming closer to sobriety.
The loud song of the cuckoo clock has marked the sixth hour. LSD no longer controls you. You are a different man but in the same respect, the same. At your command you gave yourself to a higher power, one that intensified your emotions and took you back to man's primitive mind set. Drained from the crusade, you turn off the television to rest in the quiet. The sun is leaving with your energy. A cool breeze travels through the room which carries you to sleep.

I got no more ***** on my arms, vaginal schemes and gospel psalms. Very private skinny tribes, lit up with oversized black lights. In the very end, everybody walks this way, they all move like idioms, they all wanna be lit up like stars. Some could be prevalent like cascading dreams, nauseous just like mesquite BBQ baby-back wings.

Fly away little bird, fly away. But don't try to leave
Or you won't get paid.

I know very well, just what kinda caption your capsaicin
Can be, lit up like honey blunts, golden stars on top of your christmas tree. Strawberry Swisher Sweets, Blueberry Dunhill flavors, poke your hand through the fence, make friendly on your neighbors. If you like Kimmel Live, Conan at Midnight too, recipes for the zombies, SS ****** Youth. Blow-up and be a party. Get off work and drink your check. Get down, get off- I'll show you. Just how Martin pays the rent.

Did you expect it all to stop at the wave of your hand?
Like the sun's just going to drop if it's night you demand.
Well, in the dark we're just air, so the house might dissolve.
But once again we are gone. Who's going to care if we were ever here at all?
Well summer's going to come; it's gonna cloud our eyes again.
No need to focus when there's nothing that's worth seeing.
So we trade liquor for blood in an attempt to tip the scales.
I think you lost what you loved in that mess of details.
They seemed so important at the time,
but now you can't recall any of the names, faces, or lines;
it's more the feeling of it all.
Well, winter's going to end. I'm going to clean these veins again.
So close to dying that I finally can start living.

"Hi, we're back. This is radio KX and we're here with Conor Oberst of the band Bright Eyes. How are you doing Conor?"
"Fine, thanks. Just a little wet."
"Oh, it's still coming down out there?"
"Yeah, I sort of had to run from the car."
"Well we're glad you made it! Now, your album 'Fevers and Mirrors'... tell us about the title. I know there's a good deal of repeated imagery in the lyrics; fevers, mirrors, scales, clocks. Could you discuss some of this?"
"Sure, let's see... the fevers..."
"First, First let me say that, this is a brilliant record, man, we're all really into it here at the station and we get lots of calls, it's really good stuff."
"Thanks. Thanks a lot."
"So talk about some of the symbolisms."
"The fever?"
"Sure!"
"Well, the fever is basically, what ever ails you, or oppresses you... It could be anything. In my case it's my neurosis, my depression... but I don't want it to be limited to that... it's certainly different for different people. It's whatever keeps you up at night."
"I see."
"And the, and the mirror's like, as you might have guessed, self-examination, or reflection, or whatever form. This could be vanity, or self loathing. I, I know I'm, I'm guilty of both."
"That's interesting. How about the scale?"
"The scales are essentially our attempt to solve our problems quantitatively, through logic or rationalization. In my opinion it's often fruitless, but... always, no, not always... And the clocks and calendars it's uh... is just... time... our little measurements, it's like, it's always chasing after us."
"It is. It is. Uh, How about this Arienette, how does she fit into all this?"
"Um, I'd prefer not to talk about it, in case she's listening."
"Oh, I'm sorry. I didn't realize she was a real person."
"She's not. I made her up."
"Oh, so she's not real?"
"Just as real as you or I."
"I don't think I understand."
"Neither do I, but after I grow up I will. I mean a lot... a lot of things are really unclear for me right now."
"That's interesting. Ah, now you mentioned your depression..."
"...No I didn't."
"You're from Nebraska, right?"
"Yeah. So?"
"Now, let me now if I'm getting too personal, but there seem to be a pretty dark past back there somewhere. What was it like for you growing up?"
"Dark? Not really... uh... actually I had a great childhood, my parents were wonderful. I went to a Catholic school. They have... they had money, so... it... It was all... easy. Basically I had everything I wanted handed to me."
"Really? So some of the references, like babies in bathtubs, are not biographical?"
"Well I do have a brother who died in a bathtub. Drowned. Actually, I had five brothers who died that way."
Chuckles
"No, I'm serious. My mother drowned one every year for five consecutive years. They were all named Padraic, so that's... they all got one song."
"Hmm."
"It's kinda like walking out the door to discover it's a window."
"But your music certainly is very personal."
"Of course. I put a lot of myself into what I do. But it's like, being an author you have to, free yourself to use symbolism and allegory to reach your goal and, and a part of that is, compassion, empathy for other people and their, and their situations. Some of what I sing comes from other people's experiences as well as my own. It... It shouldn't matter, the message is intended to be universal."
"I see what you mean."
"Can you make that sound stop, please?"
"Yes!

...and your goal?"
"I don't know. Uh, create feelings, I guess. A song? It never ends up the way you planned it, though."
"That's funny that you say that, do you think that..."
"Do you ever hear things that aren't really there?"
"I'm sorry, what?"
"Never mind. How long have you worked at this station?"
"Oh, just a few minutes. Uh, now you mentioned empathy for others. Would you say that that is what motivates you to make the music that you make?"
"No, not really. It's more a need for sympathy. I want people to feel sorry for me. I like the feel of the burn of the audience's eyes on me when I'm whispering all my darkest secrets into the microphone. When I was a kid, I used to carry this safety pin around with me, everywhere I went in my pocket. And when people weren't paying enough attention to me, I'd dig it into my arm until I started crying. Everyone would stop what they were doing and ask me what was the matter. I guess, I guess I kinda..."
"Really? You're telling me you're doing all this for attention?"
"No, I hate it when people look at me. I get nauseous. In fact, I could care less what people think, about me. Do you feel that? Wanna dance?"
"No, I'm feeling sick."
"I really just wanna be warm yellow light that pours all over everyone I love."
"So, uh, you're gonna play something for us now. Is this a new song?"
"Yeah, but I haven't written it yet. It's one I've been meaning to write, uh, called, "A Song To Pass The Time."
"Oh, that's a nice title."
"No it isn't. You should write your own scripts."
"Yeah, I know!"

I am so sick of love.
Loyalty, honesty, dedication, compassion, compromise, for better or for worse (when it's always worse)!
I am so sick of love, and all the drama that accompanies it.
Most of all what makes me absolutely ill, in a brain and heart exploding in anger and disappointment respectively, kind of way,
are the Lies!
"You're all I want", "I need you", "I need a friend", "I still love you", "I will always love you", "Is there any chance?", "Can we get back together?",
all the attention seeking, melodramatic, time-consuming crap!
Followed by guilt. That nauseous feeling of, what if? What If? WHAT IF?
Was it the right thing? Will I find another? What about the broken heart?
The sleepless nights of pondering how to end things, the poems written and unpublished, the practising in front of the mirror, cigarettes to channel the guilt elsewhere...
For crying out loud!
After years of guiding me, I should have given way more credit to my instincts.

And now for the new chapter. Embracing an old art, new to me. Currently so underrated and misjudged by priests, mothers and newly-weds.  
The philosophy of zero expectations to infinite pleasure and everything in between.
No regrets, no time wasted (and hell was my time wasted on you!#$#$#$).
Time to give up my soul to the darkness, (God, I hope you'll understand I still love and believe you, but I prayed and prayed. I can't wait any more!) and my body to the sailor boy!
Absolutely No Strings Attached.
No *******, no promises, just *** (and cuddles), a lot of *** (and waking up next to him?)
Anyway, NO STRINGS ATTACHED! [Except for the invisible, really strong one. He is irresistible after all and I'm a dreamer who never, ever learns, and follows her instincts way too much!]

One thing's for sure.
I am so profoundly sick of love!

Life is a tumbling sea of nauseous waves right now
Waves fueled by dreams I can't even begin to decode
Unless you take into consideration my worst fears

if words are food for the mind,
then here is a glimpse of mine
if words are drugs for the brain,
then here is why i'm so pained.

abandoned, abhorrent
abnormal, absent
abstract, abuse
addicted, anxious

betray, bitterly
blank, blasphemy
bloodless, breakdown
breathless, brutal

captive, casually
catastrophe, cautiously
change, cigarettes
crucial, clueless

damaged, dangerous
deadly, disastrous
disheartened, disconcerting
dramatic, dreading

eager, eccentric
ecstasy, eerie
effete, effortless
embittered, excess

faded, failure
faintly, fallacy
faltering, fatally
fearfully, finally

garbage, gawky
gibberish, gloomy
gone, goodbye
graphic, gratify

hallucinate, harshly
hazy, heartless
hectic, helpless
hesitant, hit-and-miss

idiotic, idly
ignorant, intimacy
illogical, imaginative
infatuated, intoxicated

jealousy, jittery
journey, journal
joylessly, judicial
junk, juvenile

keen, killing
knavish, knocking
knockout, knotty
knowingly, knowledge

laborious, lacking
lame, languishing
lifeless, literature
lovelorn, lugubrious

madness, maintenance
make-believe, malaise
mean, melancholic
mellow, melodramatic

naff, naivety
nameless, naturally
nauseous, nebulous
neglected, nervous

oasis, objectionable
obliged, obliterate
oblivion, obscurity
obsolete, one-and-only

pacifist, pained
pale, panicky
paradise, paralyze
passionately, passively

raging, ranting
rationalize, raving
realistic, reasonable
rebellious, reckless

saboteur, sadness
sake, sameness
sanity, satisfactory
scar, steady

taint, tangled
tasteless, tearful
telling, temperamental
terror, theoretical

unaffected, uncanny
uncommon, unconsciously
undesirable, uneasy
unfortunate, untidy

vaguely, vanish
vanity, vanquish
versatile, vicious
violence, voracious

waiting, waking
walkout, wanting
wasteful, weary
withering, wrecking

if words are food for the mind,
then you've seen a glimpse of mine
if words are drugs for the brain,
then no wonder i'm so pained.

*-djs

for all the names on that granite wall and many others...

I  Prelude

Vietnam broke my mind.
Now it runs like a cheap watch
always leaping about in time.
It pulls me backward into
strange visions of a world gone mad.
My life is time borrowed from corpses.
It is hard to lead your life
while you are stuck in another.
Time, the great healer,
only seems to make this worse.
Self-medication, legal meditation,
nothing seems strong enough
to stop the pounding of the rotors,
the screams of the men and the monkeys.
I have never been able to **** the demons
hidden in the tree lines of my mind.
Forty-three years later I'm still hiding
nauseous and naked in the napalmed jungle.
But my high mileage body clings to life:
the quest for immortality knows no shame.
Now I am a poet drunk on words,
stumbling over the illusion of art.
The more I know of language,
the less I understand life and loss.
And still the mortars rain down
in an eternal, inescapable monsoon.


II Place

Imagine a land that smells entirely of ****.
Only 70 miles wide in some places.
I flew above the abandoned bases of a war
that had been abandoned as well.
Places given up to the jungle
where 60,000 Americans died for nothing.
An implacable enemy that had fought
the Japanese and French before us
and had no doubt they would prevail.
A very beautiful place seen from the air
if no one was trying to eradicate you.
Skinny children, old women, many ******.
A place where real tigers might well
leap from ambush and eat you alive
and snakes so deadly that once bitten
you only got two steps before death.
Breathtaking sunsets and sunrises.
And the possibility of doom everywhere.
Rice paddies, mountains, triple canopy jungle.
Gorgeous beaches and an ocean laden
with sharks and sea snakes for company.
A place where death picked his teeth and smiled.


III Action

Stark terror is the mother of combat;
the rage of Peleus son Achilles
drives the soldier into the filed teeth
of impossibly horrible situations.
Not for America or the Stars and Stripes
but for the man next to you
whom you probably didn't even know.
Never ask why one man dies
and the one beside him lives on.
I shot an NVA regular from 20 feet
with a Colt Model 1911 45 automatic.
Got him exactly in the chest.
He looked very surprised to be dead.
I was surprised I didn't miss.
At An Loc a Huey 20 yards from mine
loaded with 18 hopeful human beings
took a rocket up the *** and
disintegrated into a debris cloud
of metal fragments and pink mist.
No bodies to be bothered with,
no pieces large enough to identify.
A CIA officer executing the wounded.
A tame **** torturing his countryman.
The exquisitely horrific moment when
you know you are falling, not flying.
The partner cut in half by a machine gun
five feet from where I stood.
Do not try to make any sense of this.
Fall back on the mantra: *don't mean nothing.
Cling to that and you may stay sane.
Apparently, God was busy for ten years
and never bothered to visit Vietnam.

IV Comrades

Forget that band of brothers *******,
we were more like a desperate rabble
with no one to count on but each other.
Sometimes a brother shares the blood
in your veins; sometimes you know him
by the blood that flows from his.
You scream, you curse, you try so hard
and he dies like a huge baby in your arms.
Vietnam was a club you could only join
by being there deep in the ****.
Now we are old men but our memberships
will never expire until we do.
And who will remember us then.

V Aftermath

Treated like lepers, we slunk home,
each to do the best he could.
Many died in the denouement of
drugs, alcohol, homelessness, suicide.
When I got home I wanted to be alone,
to be with people, lots of *****,
but only with no emotion attached,
an ocean of Jack Daniels, lines of coke,
mountains of ***, electro-shock therapy,
calm sleep without nightmares
and sometimes the comfort of a quick death.
Not much different than most I think.
Saigon fell. Don't mean ******* nothing.
Only some of us remember and want you to know
so you won't be fooled again.

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl said he looked like Charlie Chaplin his downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance  he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in the mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in brown hair cut to shoulders she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole idea of finding someone is absolutely draining

3

they do not see each other walk right passed she in a hurry late to yoga matt slung across back handbag slung on shoulder wallet forgotten under front seat in truck he is distracted in thought wondering is he afraid of women gynophobic the air on the street is heavy dense he smells his own perspiration feels exhausted appetiteless almost nauseous they each simultaneously consider what if i lived in New York City or Chicago what is it about Tucson its small town politics gooniness poverty criminality amateurish dramas hour to Mexican border both wonder is Tucson the problem would i find a fitting lover more freely with less difficulty in some other place

Does it make you feel powerful to tell me that
I do not own my body?
Do you get satisfaction from looking down on me
from the pedestal you’ve clawed and crawled your way onto?
Tell me,
does it make you feel good to threaten me
with words that come out of your mouth so empty
but land on my shoulders so heavy
Tell me,
do you get high from the nauseous look in her eyes
as she meets yours, slowly trespassing along her body?

Does it sound like music to hear the tremble in her voice,
look like art to see her to resent her femininity,
feel like silk to touch what you have no business touching?

Tell me what it is.
Tell me what you think you can get from me,
what it is you think I owe you.

Tell me that it is necessary, justify your theft –
Do you feed off of dehumanization,
can you pocket the profit from her sense of security,
shelter yourself with their rights, their body, their life?

Where did you learn to value your impulses over her innocence?
Where did you learn to assert yourself where you do not belong?
Where did you learn to rip a woman apart piece by piece
starting with her dignity and ending with her self-worth?

Tell me,
what does it feel like to own your body?

"Whenever you're stressed,
you internalize it to your gut"
my doctor told me.

My mother always said:
"You feel everything in your stomach."

And it all makes sense now,
How I got knots and twists,
when you said goodbye.
And how I got nauseous,
when I saw you holding her hand.

But if that's true,
why does my chest hurt so much?

I am not scared and I will be strong. I’ve been lonely for ten years and now, I can see what has been gone. I am taken to a different place, far from home. The plane took me high and soared until things got low. I walked down the hallway of doom and distress. This wouldn't be a problem if he had never left. Walk into a room thats plain yet, engaged in activity. A conveyor belt and tags that say names, scrambled in my mind going their separate ways. I tell myself to focus and find my bags from here. The voices and the noises distract me, nothing has been clear. I see my name as nauseous as I can be. My stomach has taken a turn on me.


I find my bag and look around my vision is blurred and I can not hear a sound. I see his face threw the sea of people. Wearing the same flannel sweater he had ten years ago. He dominates the atmosphere with his torn up pants and his messed up hair. He looks the same but his hair is receding. His face is drooped down like paint that just won't dry. He grew tall but skinny like a plant that has withered. His face is pale but his eyes are rich brown. He has a genuine smile with teeth that had fallen out.
  
I walk up to this man I haven't seen in years we looked at each other and, we burst out in tears. Even though I don’t know him, I remember his face. From ten years passing by I’d imagine he's changed. He use to be plump and his face well rounded now it looks like he had been beaten by thoughts and loneliness. I can tell when he seen me his life already got better. He couldn’t stop talking like he was gone for forever. I talked right back to him because, I know how it feels.

I look back on all the years without him and realized we feel the same. The difference is he made the choice of being alone ,I had no need to be left. I felt lost my whole life, until he came back. Lost from what I can’t quite figure out. I just needed to feel the feeling of him being around. We walked out the crowded place and, went on from there. No one really changes, he still smelled like beer. You think someone would give up the little things for something so big. I left a couple days after, and haven’t seen my dad since. He chooses to be lonely and, I still suffer from it.

the water spins around me,
the air carries me away,
my mind, bouncing off the walls,
my heart, beats for another day.
the sky, jumps, above then below,
the gravel scraping, hurts my ears,
the world whirling around me,
the nauseous feeling of running from my fears.
my head aches from wasting all these years.

The surgery room makes you nauseous

He’s the only doctor you have
He understands how your cane helps you walk
And what music helps you relax
So when he tells you he should resign, that he’s a bad doctor,
You insist he isn’t.
He’s the only doctor you have.

He’s not so kind to his other patients,
Ignoring and laughing off their concerns
He insults and yells at his coworkers
And won’t help keep the hospital running.
Only you get his attention
So he takes you specifically under his wing,
Like a disciple instead of a patient

He’s a hypocrite, your doctor.
He tells you how fragile your lungs are
While puffing his cigarette.
He explains the benefits of a sound mind
With empty bottles across the floor
A cautionary tale, that would be fine,
If he wasn’t so lousy at being a doctor.

You’re the only one who listens to him
Because you don’t know any better.
He shows you his injuries and scars from long ago
That run for feet across his back
You hear the stories of how he and his sisters got those scars
With little detail spared.
Ironic, then, that when you get a scrape on your little knee
You can’t imagine telling him.

Other patients resent you for having his attention
Saying your music tastes stole him from them,
Leaving them with only harsh neglect.
Truly it’s because the drunk, depressed doctor
Sees them as a weaker version of those he hates most
Like the nurses, left to do their best to comfort you
Leaving them alone to run the hospital they want to leave so badly.

He has helped you
You wouldn’t walk today if not for him
His medical advice is fairly sound
You have conversations,
But those good things became perverse
As each and every hug being haunted by tickling
As he always sleeps naked, always.
As sometimes he sits you down
And forgets what grade to put certain education courses

You hate needles to today. Naturally.
It’s in your nature. can’t be helped.
But your doctor didn’t help.
He would show syringes and explain their beauty.
Syringe displays were smaller parts of overall sessions,
But it was always integral to it.
At every squirm he repeated how you wouldn’t live without medicine
Which objectively is true.
But the Heavy weights criminals lift in Prison
And the Metal children learn about in School
Could be lifted and taught without extra indecency.
A Grove does not need Hemlock bushes

Maybe he could be a good doctor
If he wasn’t drunk
If he wasn’t poor
If he didn’t have so many scars
But the fact is that he should never have been a doctor.
And he knows that. And he tells you he knows.
But you tell him he’s the best doctor in the world.
He's the only doctor you have.

The ambulance hurts your head within a moment of being in
The waiting room has more dread every time
The *** test hits the water twice as strong
The surgery room makes you nauseous
The operating table makes time move ten times slower.

He should comfort you.
You should take comfort in him.
That's his job.
But he only takes comfort in you.
And it’s only that.

The surgery itself came throughout a whole life
Little by little
His influence holds to this day.
I won’t be a doctor. And I’ll never go to that hospital again.

Shouldn't we all be studying?

dedicated to M M Jones from Montana,
where I guess big skies make people think
about big questions and young poets thrive.


the butterflies of child-awakening
to the certainty
that school and
shame and embarrassment
were only minutes away,
once again,
is as fresh as
the flowers my love
buys every Friday,
fifty plus year later.

I would awake,
climb into bed with my mother,
telling her I did not feel well,
that my
stomach felt gray.  

I could not tell her that
the mocking I received by
my richer classmates at the
multiple lines in the fabric
of my corduroy pants
where she let my pants down
made me cannon fodder
for what we call now
bullying.

I could not tell her
of the heartbreak
when somehow the parents
of my supposed suburban friends
forgot to
pick me up for the weekly swim,
leaving me to watch
the sunset fall as I sat
on the stoop of our old house,
tucked away in an out of the way,
unfashionable street,
the shame still wet.

I could not tell her
of how two bothers tortured me
as I sat in the back seat
of their station wagon,
spitting seeds
on me like curses.  

Their older brother died of cancer
when that was still unusual,
and the mother wrote
a beautiful book
about his life.

I still hate them, those two,
fifty years later and it gives me
unusually great pleasure to
announce it to the world.

So I studied.  

Not my schoolbooks,
but lovely and ***** literature.
Friday afternoons, three children,
me the baby brother,
(anonymous, for they nicknamed me
brother as if  I was nothing but
checked off category)
to the library went.

Five, five was the max
they the austere librarians
and their coda of holy silence,
would let me withdraw.
(god I can see my library card still).  

By Friday night,
I had finished one or two,
ruining my eyes in
the lousy lamp light
in the living room,
falling asleep on the couch.  

this, reading addiction,
which afflicted the entire family,
I did well into my teens.

I have stopped reading
which amazes the very few
who know and care.

do let us re-pose,
let us repose,
the question:

Shouldn't we all be studying?

the answer of course is
yes and no.

my studying blue period
is long since ended.
now, my biographer,
will call this my red period.

for red are the memories that my remembrances
come back to me.
crystal is the clarity
of the indignities
I recall, though red,
is the anger
at the shame and
abuse I took.

now I can write what I have always held in my heart.  

those two awful brothers,
who loved to torture me,
I was glad their
wonderful brother died.

so this is my red writing period,
when the studying of a kind,
has long since ended
but the smell,
the memory of
fresh textbooks still can
make me nauseous.

Yet, I still study life around me,
as I clean countertops,
walk deserted beach isles
in early September...
this studying,
is the product of years
of studying the inside out
of me, and turning that study
fruitful into poetry.

why?
why am I writing this at 2:00 am on a Sunday morning?

I did not pose the question.

but it posed me,
and the dialogue in my mind came
sugarcane fresh and tumbling out
and will be both
recorded and recoded
("in the truth will out eventually" file)
after a fashion.

these days I sometimes study
my older poems,
whose titles I recognize,
but whose content
I cannot recall.  

so double digit delight
when I
meet again old words,
wondrous and trite,
that make believe
that all my studying
somehow paid off after all.

Today while I was at work I saw a little girl grab some candy from the shelf and shake it in front of her mom to make sure she didn't forget to buy it. As she inched closer to the counter where I was scanning all of the items all I could see were the little girls eyes and the hands that hung on to the edge of the counter. She was so tiny and was still holding the candy in her hand, so excited. Liberated.

I don’t know why that made me so nauseous but all I knew was that this little girl was given a handful of years on this earth just like me. In that instant all I really wanted to do was stop time for this little girl that I knew absolutely nothing about and give her that opportunity to enjoy her candy bar to the very last crumb and let her lick clean the left-over smudged chocolate on her small fingers and small corners of her mouth.

I hope it pleases you to know that she did enjoy it, I didn't need to stop time for her to manage that. As kids, we don’t really have that extreme perception of time and maybe that’s what so beautiful about childhood and also what’s so tragic about what comes after.

I thought this girls whole life in a matter of seconds and I grew to appreciate that little girl. But she will never know this,  she will never know who I am, nor will she ever think of me again. But by the time she left the store I found myself hoping her life is everything she wants it to be.

i’ve been feeling nauseous for a very long time
and yeah, i’ve been on a diet of hate and ***** for a while
but not that type of nauseous
queasy everywhere but my stomach
a calm boat in a tumultuous sea
its like everything is off balance
like someone cut off my hand
and only just told me
its early and my breath still tastes like *****
theres something about the hard edges of the drink that mellow me out
but thats not entirely true
because im awake at four in the morning writing this
but i don’t remember what its about
and i guess poems written at four in the morning when you’re drunk off your *** aren’t supposed to make sense
but i kinda wanted this one to
it was probably going to be some romantic love poem that ended really angrily
but truth is
sometimes your absence hurts more than anything
and when i go reaching for you
i fall on my ***
and when i go to climb into your lap for comfort
all i find is a closed door and an occupied sign
like this is an airplane
and we’ve been airborne for five hours
but im on land
we are both on land
you’ve never even been on a ******* airplane
and these metaphors aren’t going to replace you
they aren't going to ease the ache I feel every time I hear your name
and pretending they will just makes it worse
and pretending makes me turn to this same ******* bottle of *****
and it was full two weeks ago
and now there's barely a mouthful left