Addled sapphire
blends with skies of
severed cerulean.
Morning dew tides
into my slivered lungs.
The mire, borne
from past reflections,
that snap from my memory
like broken ribbons.
Pastures of azure
amidst agony, frozen
within a monster’s jaws.
Its frostbite fades into my
veins.
Again, within these beryl
everglades cannot move.
I cannot see you.
Where have you gone?
This air, it blisters
Into my lungs and
benumbs me.
And still, I run.
Accept my feelings,
here and now.
And in parting, let me vow
that in a night
or in a day
if you vanish
or if you stay
in my death
when my flesh is gray
you will see me in your everglades.
I run
in search of you.
within the moor
and its creek of dreams.
lucent crystal cannot hold
my shivering bodies
it breaks beneath me.
bubbles. . . water. . .
flooding
flooding
flooding
into my body.
again?

Addled sapphire
blends with skies of
severed cerulean.
Morning dew tides
into my slivered lungs.
The mire, borne
from past reflections,
that snap from my memory
like broken ribbons.
Pastures of azure
amidst agony, frozen
within a monster’s jaws.
Its frostbite fades into my
veins.
Again, within these beryl
everglades?I can never move.
not truly.
I can never see you.
You are always gone.
This air, it blisters
Into my lungs and
benumbs me.
colder… colder
growing colder.
And still, I run
And still. I run?
Through the swamp
Through the trees
Through this forest
Of shattered dreams.
Why… do I run?
It’s not for father.
It’s not for mother.
It’s not for the god?Who never bothered.
bones splinter into my feet
tattered teeth from
children’s skulls,
and broken cartilage from?ah. I see.
this body isn’t just one of
mine,
It’s one of many.
hair, as fine as a violin’s
bow.
Feelings – left behind.
Somewhere.
Keen frost sinks in
its unforgiving fangs.
I succumb to the cold.
This Great Mire
consumes me.
again. again. again. again.

Addled sapphire
blends with skies of
severed cerulean.
Morning dew tides
into my slivered lungs.
The mire, borne
from past reflections,
that snap from my memory
like broken ribbons.
Pastures of azure
amidst agony, frozen
within a monster’s jaws.
Its frostbite fades into my
veins.
Again, within these beryl everglades
Enough.
Enough..
Enough!
Please.
I beg of you.
Enough is enough!

High above,
The harvest moon shines.
And I see it reflected,
within your scarlet eyes.
A face I cannot see,
Another mind, presented.
Like a dream within a
dream.
Residual thoughts tremor
Through lost woods
Of muddled blue.
You offer me a tome,
Bound in black stardust.
Its words its whispers
Like a serpent’s soft sigh.

“For each word that you
read,
You will yearn,
your blood will burn.
For my knowledge
Of perception.
Hand over your heart,
If you truly wish to learn.
It matters not how you
plead,
If you oblige by this
serpent’s creed.
Your only form of
payment is to bleed.”
Fooled by your black sugar
That covers my eyes
You tricked me.
For the tome that I opened,
its pages,
Much like my own soul,
Are vacant.
And the water floods into
My lungs
Again.
Empty words dissipating
Upon the surface of the
mire.

Addled sapphire
blends with skies of
severed cerulean.
Morning dew tides
into my slivered lungs.
The mire, borne
from past reflections,
that snap from my memory
like broken ribbons.
A child’s ribbon, torn from
her hair.
Ah.
I knew I had left these
thoughts,
Somewhere.
A book without words.
A mind without answers.
My tears hit the
parchment,
And text froths to the
surface.
A story.
I see a story here.
Its words reflecting
within shadows of blue-green.
And now,
Only now.
Do I see what you mean.
If I must repeat
This elegy.
If my pen cannot
Produce ink
Without agony is this vice worth taking?
And are these feelings
worth understanding?

Addled sapphire
blends with skies of
severed cerulean.
Morning dew tides
into my slivered lungs.
The skies are borne
from past reflections,
I can no longer remember
who the reflection is.
I have found myself,
Alas,
My soul remains,
Frozen within
This Elegy of the Glades.
My tears,
Turned to crystals
Within the mire.

Addled sapphire
blends with skies of
severed cerulean.
Skies that I reside within
Now, and forever

Isn’t physically quick or agile.

Disappears in libraries.

Has been known to dissolve into the physical pages of books.

Is good at tucking herself into the stacks and retreating to reading nooks.

Blends in at coffee shops where her voice can be drowned out by the grinding and the steaming.

Can become indistinguishable in the dark of theatres, in the quiet shuffle of art galleries, the finger-snapping of poetry readings, the hum and jostle of the Tube.

Is indistinct. Adept at hiding in plain sight.

They say deja vu is a glitch in the matrix
Repeating numbers is a sign from the universe
Angels scream my name from upside down on the ceiling telling me to quit looking at the clock maybe demons maybe I should pay the **** attention
222333444555666777whaaaaaat
That’s not a time
Time ain’t it
Time heals don’t it
But what is stagnant
Sometimes we’re dead
But we move fast
Together
In time
Travel
Through space
Through a line meet your soul face to mine
Hearts beat faster time moves with it that’s the reality so what are you doing
Taking it slow or fast it’s you or pass
Illuminati my life with your eye-seed to the sky can’t remember my thoughts don’t know why I even try
Try to finish a creation pieces of art are never finished close to what I think
Is completion I think I forget how to breathe I’ve got a blemish I cannot see I’m not sure what’s on my lenses sometimes i don’t speak please tell me what the bens is
Keep saying I’m haunted aight
Keep tellling em I’m doing fine
Life’s chaotic but that’s what it’s about
The blends of of the **** around
The hint hang ying yang huh
The freak shows births golds of stone (gh) yeah
But do you even know what the sheets is what if we really going to do da business man **** this **** I don’t know it I already told you I don’t know how to complete this I have no solutions I feel soulless and too much negative too much negative shitnitz my focus my pictures too big I don’t know how to control this I kept saying that I want to relinquish self but what I really need to do is help make a squeal tell em truly how I feel Queen lions roar from the jungles to the shores sideways animals judging their **** from the sidelines
Wasn’t the point making them feel the fire burning in mountain veins but what animals can you truly tame
Cavemen mocking snakes forming fires for the first time killing em with their own tricks man we keep repeating history with our imperialisthe ******* stupidest **** ever
Please excuse my individual
I’ve not much experience with taking over but with my experience we’ll have an experience we’ve never had before and from there our experience will be something to learn from we learn from experiences
I’m opening my mind and my forgiveness forget to forgive I’m all in forgetfulness can we speed to the completion of wishes I beg this from the bottom of my ***** soles to the top of my buzzed head I hear sobriety is the path to success but I can’t create in loneliness I bring pain and sorrow to the art party drown me out with ***** and bring me to my knees in grass prairies in heaven Reaching out for angels bind me in confusion it’s raining in my heart tea parties never breed working brains did they never tell you that in school? Keep teaching myself everyday yeah in the backs of tiny rooms on mountain peaks I breathe in tropical trees blurring all the lines that form all sorts of definition communication of my mind to yours, the shore at the end of the telephone game I lost the rhythm that goes to the flow I dropped the wand that brings flying wings I smacked the lips of the devil I kreeped in hell I’ve been told I’ve always been addicted to pain repeats repeats 444

How fortunate
Our color blends unintentially,
Wildly with thoughts bleeding outside the lines what have we started: again

And again I stroke
And again you absorb
And again this easel-- summoned
And again your vellum-- softened

Perched on a stool,
Vibrant as mangos --ripening
I chose you, the spectrum
Unknown to most

The only museum I go to.

POEM FOR IMALRIGHT
Dear Imalright
I discovered your poetry and LOVED all of it. I was struck by lots of what you wrote and it inspired to write this to you. I promise you I mean every word of it.
I read your poems:
Unexceptional
Unbeautiful
Anxiety at 3AM
Two sad teenagers
Relapse
Fifteen
Starving artist
2014
Nothing special
Rough Edges & a dorky face
Under eyes
I adored them and spent the better part of a full day, hours and hours combing through the verses, dissecting the poems, analyzing the words and fully appreciating your incredible work. I picked out my very favorite phrases or yours that I found particularly powerful and moving and responded to these lines. I wanted to start a challenge. (In fact I posted this challenge as a poem, you can find it on my page).
I thought it might be nice to do like a secret santa thingy on hellopoetry only not secret and not santa… what I mean is, find a random stranger you literally have never met and do NOT know at all whose poetry you like and spend actual time genuinely reading their work, picking out your favorite lines and responding to them, pondering them, etc. Write something positive to them and post it as a poem with their name in the title. The “DEAR BLANK” challenge only you put their name instead of “blank”. I think we could all use a little recognition that we exist and are worth something since everyone seems a little depressed on here (including myself) which is fine, it’s a great outlet but it would be nice for people to just spontaneously find that a random stranger spent time in their life just to recognize you and care about your poetry. To write a kind poem/letter to them responding to lines in their poetry. I just thought that you seemed like a wonderful poet and a wonderful person based on your poetry so I chose you, Imalright. So here it is:

Your head whispers these words that crawled onto the page:

We're the kind of people that fade into the background

that people forget are in the room.

-Imalright

I won’t say something that the rest of society seems to think fixes everything. I won’t tell you the typical: you are important to everyone, you are not just a faded part of the background, people do notice you etc. because those are empty words everyone uses and they people who are always pretty in the spotlight are always the ones to say it, so what do they really know about the background, forgotten, white-noise people like us?

I will tell you, instead, I know it hurts like hell to be forgotten. For your existence to go unnoticed. I know being a part of the background is never anyone’s first choice. I am a backdrop-dweller myself. I am the unnoticed girl who blends in with the shadows. There is nothing wrong with that.
Never forget that the starry night sky is a background too. You can still be wonderful without being the center of attention. You can still be wonderful even if you are a part of the background. I want you to know, I noticed your poetry. I noticed you, and your name, and your wonderful talent and I have spent my time dissection every poem you have posted because every single one of them, is a different shade of amazing. We are all backgrounds in someways but what we choose as our phone screen backgrounds tend to be pictures of what we love the best. Pictures of beautiful things. There is nothing unbeautiful about the background. So from one forgotten soul in a room to another, I your poetry was just another account in millions like the stars but you are one of the loveliest sections of this world’s background I have ever seen. Keep that in mind. 







I just wish that I was one of those beautiful things.

-Imalright

Once again, I won’t use a society phrase like: Everyone is special and beautiful in their own ways!! Because people don’t seem to get that no matter what they say, it doesn’t even matter if it is true, but if you tell someone who thinks they are not one of those beautiful things that they are beautiful They. Do. Not. Believe. You. It just doesn’t matter, it won’t change their mind, it doesn’t help and it doesn’t fix it. It just makes them feel like you are lying to them and then they feel vain and self-conscious about admitting to you that they don’t feel beautiful etc. etc. I’ve been there so I know.
So I won’t tell you that. But I will tell you a couple facts instead.

It is a fact, that there is ugly inside of every single person.
It is also a fact, that there is beauty inside every single person.
Because beauty is NOT a definable concept. It is different to every person depending what kind of lens they look through and let me tell you, physical beauty is artificial and even though I wish I could be physically attractive in my own eyes, I have come to accept and I hope you have too or will as well, that a deeper beauty than that is inner beauty. What you keep in the cracks and crevices you made yourself in your soul. I think you are beautiful. I the pages you’ve written on soaked with ink made out of your inner self is magnificent. Your way with words and your flow of thoughts, the way you look at life through an indigo-tinted-one-way-glass-lens, it is all a whispering sort of beauty. Like the soft ringing sound of raindrops skimming the window pane on a grey sky, storm cloudy day. That same sort of delicate loveliness. I think you are a very unique and exquisite color of beautiful unlike any other poet I’ve ever seen. I don’t know you, you don’t know me, we can’t label ourselves friends since I have never spoken to you, but friends are basically socially required to tell you that you are beautiful whereas strangers are bound by no such obligation, yet still I tell you, I find you a person with a beautiful soul. I have only ever seen your poetry, but that is enough for me to know you are a beautiful person. After all, poetry is really where our souls spill what they are truly composed of. If I were to judge your beauty by your face and actions, all those are altered by circumstances beyond our control, society standards and pressure etc. What you do does not define you. Your soul does, however. You are beautiful to me. 







I JUST WANT TO BE LOVED I JUST WANTS THINGS TO BE OKAY

-Imalright
A truthful scream of the heart that many have felt. It’s funny that we all have this same base desire that tends to reveal itself more and more the later at night it gets, and yet we all still suffer the feeling of being unloved and unokay alone and silently. I wish I could reach out and fix you because the pain of others that is out of my reach always pains me more than any kind of physical agony I could ever endure. I can’t fix you though, so instead I offer you the only thing I can, I am with you. As a friend, just another soul on the earth who has felt this feeling you express in this line. I reach out with the hands of my spirit and for your spirit. Maybe if you know that I too have felt unloved and unokay you can find comfort and strength in that. Because no matter what kind of darkness you face, literal or internal, I find being united with someone empathetic to you who knows how you feel makes it just a little less scary even if it is just a sliver of hope for even just a second. It is something and the idea of “hereness’ you know, like being “here” for you, being “with” you in that emotion is all I can offer and I just want you to know, I love everyone and everything until I am given a good reason not to. So in a way, even if not on a personal level (because I do not know you, so I can’t love you on a personal level the way a sister loves a sister or a best friend loves a best friend) just generally, you are loved by me, because I love your poetry and I love all things that haven’t given me reason not to. And do you know what? Even though it hurts and it is unfair, everyone has to be unokay for a little while. I have been too. Maybe you were unokay for longer than what could possibly be near just or humane or reasonable but you were strong enough to pull through. I applaud you for this and want you to know your strength in powering through your unokayness has been recognized and admired. By me. Because the warriors are the ones up at 3AM having anxiety attacks but never let it show and you are a warrior. I am proud to call you a fellow poet.




but being sad and lonely is worse than being sad.

-Imalright
I know what you mean by this line. It is sculpted so beautifully though. The words in the phrase are just so raw and honest. Not over romanticized, just plain relatable great poetry in its true form as it should be. Wonderful. I hope you have found refuge from loneliness or will find refuge from it soon in finding someone else’s heart to call your own and in your heart belonging to someone else.





A new scar for that comment that boy said.
A new scar for that friend that betrayed you.
A new scar for every word you swallow.

-Imalright
That boy has scars of his own and he thought it would make them fade if he cause you to have scars too. ***** him. The betrayal of a friend is a special kind of pain like being stabbed with a knife you made yourself. A pain I know too well and wish no one else knew. Let the scars heal and do not swallow words. You will choke pretty soon if you don’t. Keep in mind that you are worth more than scars. I think you are worth more than scars.






You don't know how bad things are.

-Imalright
First off, I love this line. Just so simple and yet so relatable. There is some beauty to that. Sort of like thorns on a rose stem. Although they can be piercing and ugly there is magnificence that goes along with it. To be 15 and not know how bad things are, you have the rest of your life to obsess over the bad things and how awful things really are. You have the rest of your earthly existence to be broken, so like a child’s smile, at least you had that one moment in your life when things weren’t shattered as far as you knew.





With nowhere to go but everywhere
-Imalright
What an extraordinary thought. Such a liberating idea. You have really inspired me with this one single phrase. Keep in mind, you can be so inspiring to people who don’t even know you (like me) just with your words. You really make such a difference in this world. I have decided after reading this line, I’m going to try and let a little bit of that philosophy into my life. Nowhere to go but anywhere.

And that hope is going to make me stop doing this to myself.

-Imalright
Well, I really hope so too. I hoped for hope to save me for way too long. Eventually you gotta find it in yourself because this world is a little short on Hope, its main export being Despair. Just know you are not alone in this. I wish Hope was something you could wrap and mail it to someone who needs it but I can’t hand you Hope. I cannot offer it to you physically but if it helps at all, if it creates Hope for you, I want you to know that I personally, desperately from the bottom of my heart hope to God, genuinely thinking of you individually as a person that you have healed or are healing or will heal through Hope. If that helps. I have been crumbling, but somehow, after a hell of a lot of anguish, I found Hope. You can too. If it doesn’t help then I offer you my hand spiritually and metaphorically. Stay hopeful, because in this world, that is all we have.






i'm nothing special
im not beautiful
i'm not gifted

-Imalright
I know I can’t change your mind the same way no one can change mine when it comes to how self-image and esteem, but I just wanted to tell you even if you don’t believe me, in my eyes and in my opinion, not saying this to be fake or just being nice. If it weren’t true I just wouldn’t bring it up or say anything about it but you are VERY special. …okay that doesn’t sound good that sounds like the kind of special people put in quotations like: oh, she’s um… you know, “special” alright…
What I meant was, you are special because your poetry has made a difference in my life. You insightful view into life, your precious unprecedented perspective on the world and how you perceive it is very special. I have already explained why I think you are beautiful internally and keep in mind there is no such thing as one type of physical beauty. It is all about opinion and to some person or some people out there, you ARE physically perfect. To them, your physical traits are their definition of beauty because beauty doesn’t have a size, a color or a shape. That is the beautiful thing about beauty. And you are gifted at poetry, that’s for **** sure. Your poems are absolutely toxically flawless I adore them and I really, really mean that. Your writing is close to my heart. That may come across rather creepy sorry about that haha :P but you need to know that you are gifted when it comes to beautiful words.






No one will make me believe that all of my flaws aren't wonderful.

-Imalright
Such a sensational thought and resolve. I really and truly admire and acknowledge your indescribable strength I wish I could achieve to not only accept but embrace your flaws. You are such a strong person and I want to thank you for being such an inspiration to me and the rest of the world, doing that and finding that truth within yourself that flaws are wonderful things.
wondering why i had shattered myself in the process of picking up someone else's pieces

-Imalright

Okay, before I say anything else… omfg wow holy mother of waffles. (That is not a very common expression but I am so struck by the priceless incredibleness of this line I can’t think straight. Also, waffles are good.) This is amazing… how do you come up with stuff like this???!! The imagery, the metaphor, the power of the phrase embedded in the words just… wow. Spectacular. God, I just really, REALLY hope with every ounce of my soul you find a way to repair yourself or someone to repair you because to lose yourself, saving someone else who was broken is so heroically tragic it breaks my heart because you are such a beautiful person.




Dear Imalright
I offer you Poet’s Love.
One poet to another.
I admire your work and your work is made out of little parts of you.
I admire you and your strength, your writing abilities and your outlook on life.
Never ever change.
I hope you find Hope.
Message me anytime should you need anything.
And I want to thank you for being such a strong inspiration to the race of people we call: Poets.
Love,
Ember Evanescent.

There is

the bitter taste of the last cigarette

on the roof of my mouth,

a sourness on my tongue

and i try to remember the last time i felt like this.

or rather…

the last time I DIDN’T.

seems like as time goes on, every day becomes a struggle,

and some days more than others.

I want everyone to be my friend,

but i wonder where this inferiority complex comes from?

it paralyzes me and i do not want to speak.

meeting people, seeing my ideas put into words

by other lips and others’ gestures,

and yes I agree,

but ******* you make me so tired.

no, i do not need your hugs,

and no i do not need your validation.

and hell no i do not need your apathetic agreement

because like hell you would understand,

like hell you would know that

you can’t bleach this brown skin of

all the slurs and all the stigma,

that you can’t flat iron out the

ethnic tangles of my afro-something hair,

that you can’t even guess,

cause even i don’t know,

even we don’t know,

if i’m black or native or forcibly half white,

if i’m 10% this or 50% that,

like I have to be broken down

into numbers and percentages

cause I just can’t be whole again,

cause we just can’t be whole again.



They took everything,

they came and took everything

*******,

and yes God ****** us,

your ****** God ****** us,

you came and you traded

our generosity, our good faith, our sustenance,

you took all of that

and gave us biblical ******* about a God,

some overbearing, vengeful Lord

that didn’t even love you,

oh God, and we were the savages?

You came and you stripped us naked,

took off layer after layer of dignity and prosperity,

we gave you firm hugs of solidarity,

and you groped our ******* like they were worthless,

we gave you kisses of peace,

and you rammed your tongues down our throats,

demanding we choked into silence,

and we were supposed to thank you.

You came and you ***** our land,

our mothers, sisters, and daughters

and we were supposed to be compliant.

we were supposed to be quiet,

and we were supposed to be content,

happy to fill our wombs

with children who would later struggle

with the realization that the reason the color of their skin

was neither yours nor mine,

that it was neither milky white nor toasted earth,

was because my people had been ****** by yours,

figuratively, literally but most significantly, forcibly

generation after generation,

subjugation after subjugation

for 400 ******* years.



And here I am.

400 years later and I don’t know who I am.

They say I could be Chicana,

or Mexicana,

I could be Mexico Americana,

I could be Latina,

or even, god-forbid,

Hispana.

I could be but what does that even mean?

what does Mexican mean?

a land where the majority of the people

descend from the great people of indigenous America,

or the great people of Africana roots,

or these chaotically beautiful blends

that result in the sweetest of dark coffee- soft caramel of spectrums,

still say “indio" like an insult,

still say “*****" like an insult,

still say “prieto" like an insult.

still say, “baby girl, get out the sun,

what you tryin to get darker for?"

still say, “hell no we ain’t african!"

like that would be a bad thing.



and ******* it i am ******* tired.

first I smell myself.

the deep bass tonality of my musk,
hot, creamy, sweetness unique, of coffee and creamy,
my owned sweat oiled secretions massaged into her skin
emplaced by vigorous parts rubbing and tongue caressing,
under the fading shadows of my glancing, desirous admirings


then I smell herself.

sinking sunset glimpses of last nights parfume parfait,
scattered in random strategic locations architecturally planned,
some flavors come over me like modest waves,
others spelunking found in crevices, cracks and caves,
where humans tread in guileless search of guiltless pleasure

then I smell our sharings.

lemon and thyme, paprika, sea salt and pepper,
a basted rub laid upon animal skin consuming, and consumed,
the vinaigrette balsamic and California yellow raisins, pine nuts,
decorating leaves of red soil spinach and spicy arugula,
word salads, so miraculously ingenious, you swear off eating flesh

then I smell our combinations.

the air conditioned atmosphere that blends us properly chilled,
the olive oils pressed from two colored differing skins,
the mortal and pestle finely grinding our own fresh crumbled dirt,
appearing in places where dirt is wet panko crumbs encrusting us,
our combined liquidity, shaken and stirred, drying in martini tandem

it is 8:17am and this recipe of reciprocity,
at its most pungent peaking,
for soon raining waterfalls of potable city water
and the sophistry of French soap,
the pseudoscience of modern chemical shampoo,
together erasing, scrubbing away this poems aromatherapy tapestry,
your perplexed complexing nostrils will mock you once more,
for ever disbelieving, thinking you could no longer write of
only love poetry that crested high above the trite


Friday, March 29 2019

My balance is often complicated by the complex complications of construed situations.
The uncensored limitations, the spiteful aggravation; they think these are indications that I should melt with temptation through my frustration.
But if you felt my vibration, it would send you to the sky, where I am stationed.
I could never be what you want me to be in your dreams,
it seems that the seams to my soul are more than what you see them to be.
You don't see me. I became transparent,
hold me to the light for my transparency
to be clear to read.
Clarity will arrive here when your conscience calls and you appear.
My heart blends in the healing water that has a hallow father.
He is the fire that breeds these things that allow me to bleed and be these words that you see.
My balance is often complicated
but I have never once waited to be rejuvenated.
The light of the moon
illuminated my sight through my doom.
I dance with the stars and i hope we all meet soon,
so that we can bloom
as these words fill up the space
in this 4 cornered room.

-L.G

Myself caught in the heatwave sunlight, brown eyes
furrowed in the sun, scarf loose on my neck/
the transcendental Denpasar morning-birds
are playing their melodies in my head still,
three years post-Indonesia.
        All of my soul to India now,
        sky the pink of painted elephants
        on Jaipur dawning,
        my afterlife was somewhere here
        perhaps two generations ago, chances are.
               Vijay Raghav Rao and Alla Rakha
               playing the Tabla/via earphones/treading the
               Funary Box City (Kashi) future Spring
               hands held together keeping calm pace.
               Looking about, my twenty-two year old face
catches humid wind
S
I
L
V
E
R
S
H
O
P
tattered bike leaning on the gated guest house entrance
     PERENNIAL AZURE SHIVA SITS CROSS LEGGED/
     COBRA NECKLACE IMITIATONS ON THE GODDESS THROAT/
     MEDITATING SHIVA/
dulled from years and corrosion.
Brahmin center of the market street
flapping it's tail,
sweat beads from my forehead bleeding
to oily pavement.
At last the months have come for the river Ganges,
April penumbra/savage thunderclap
while school children uplifting the heart
                 AND MIND
are ROARING in their laughter
the CONTINENTAL DISCORD OF JOY
sleeping with their eyes open
while others are too tired for the Earth.
Sidney Bechet floating swan songs during
the black hour cremations/
“Bechet Creole Blues”
CATERWAUL IN THAT              VOID
THE METAMORPHOSIS OF DEATH/
LUNACY OF LIFE
                     (I've arrived at the simultaneous crossroads
                                                      ­  of both)
searing flesh in open air pyramids/
Manikarnika Ghat,
Asia  F
          L
         O
         W
          S
through dreams
like inevitable prophecy
and as ash blends with stars
the CITY seems fulfilled
and mystifying
in it's
                      (((((RESPLENDENCE)))))

A little white fluff on a green stem.
The green stem blends with the surrounding grass.
When I wanted my dreams to come true my eight year old breath would blow the white fluff.
The sun would make the flurries sparkle and dance in the summer breeze.
It truly was magical.
I believed in fairies and wizards.
I remember the day my uncle got upset because I blew magic all over his perfectly green lawn.
My uncle informed me that apparently the fluff was a ****
not magic at all.
There is an innocence to not knowing.
The part of me that believed in magic and princesses disappeared.
I guess people have two choices in life
They can see a ****
Or they can see
magic.

It must be buried under the skin,
what makes your body tremble.
What makes your taste consistent,
just here for me to use.

You came on bended broken knees,
spread on top of a rustled bed.
You left with empty breaths,
blushing sweat, and blends of regret.

Your smile speaks so well of you,
but your dignity hides it under covers.
With a twinkle in your eye,
and a flicker of your smile.
Gave me battered pleas,
just to have you pleased.

Crude interpretation of sounds and breaths,
Legs loose with a rug dress.
Working record rhythms of nervous lips,
heavy syllables swaying off those hips.

Your hands and wrists like chords,
pressed around my skull and neck,
mangling hair and skin with defect.
And that?
That is the steadfast scar I have,
from loving you.
Although love doesn't pass through here anymore.

I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me.

To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end.

But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?

that familiar look in your eyes
that wakens my passion
in watching your pupils grow-
dilating into
the shape of my world

in your eyes i hide
in your shadow i find comfort
untouched by a warmth
that blends with your soul

i am weakend
by those big brown eyes
the ones that
could show me
all there is to feel &
i don't ever want to live
to see them shed a tear

They're burning the stubbles of yesteryear's fields
Before ploughing.
Walls of fire around every farm.
Smoke blends with the smell of pig's furtilizing manure,
And whenever my nose wrinkles up
I remember my father's words:

It's the result of millennia of agricultural tradition.
It's the smell of money.
It's the smell of soil to bread.
It's the smell of something far more important
Than nasal comfort.

He had me at
-Where he should have said-
*Organic.

You find yourself thinking in color. It permeates through every inch of what you know. Thoughts get processed in them and translated by it. Although I favor the one that shines most bright, I barely claim it. I lack of it. In fact, I come to deny it, to exclude it, rather than make it my own.

Lets think through color. Nelson lives in the reflective imposition of it. She strips it down and eats it whole. She hugs its core and stares right at it. She owns it, unlike the string of light I keep refusing.

He, she, they, constructed this. We, you, them, distort it, reshape it, bend it up, and cut it down.

It is the only lineage that connects us all. Dickinson saw the strength of the grass like your mom did and with the vision you do. But, color gets lost in translation. They used Doves to instill fear and swordsmen saw Paper as a sign of truce.

It hurts as well. Obsidian carries pain within. Marks on his back from a remote past, a past that is still dragged to the present. Obscure in its presence. Regarded as biologically distinct. Yet, we now know better, or pretend to.

Blends. Blends in, it merges, fuses, makes new. Transforms. Distorts. She made me see the core once, and it bleeds.

Not the primary but the others, from distant lands on a new canvas, filling in the outlined sketch.

The fox
runs alongside the astronaut,
who looks at a picture frame.
Around the fox’s neck, a white bandana.
There, on the spooky
moon, his only company is the fox colored aluminum.

The aluminum
fur of the fox
blends into the moonscape. The ship is empty aside from them and the spooky
remanence of the rest of the crew. As the lone astronaut
works to return home, his only comfort being the bandana
and the picture frame.

The frame
that holds a photo of a woman, standing before the ship of aluminum.
Tied around her hair, the bandana
which has since been given to the fox.
The memories it brings ever haunting the astronaut
making the moon ever more spooky.

The spooky
feeling is not eased by the frame
as the remains of passed astronauts
are trapped in this aluminum
ship, the lone survivors being the man and the fox.
He keeps his thoughts on the bandana.

Her bandana,
given to him on a dark and spooky
day, which he then gave to the fox
so he may pretend the woman in the frame
isn’t millions of miles away from them. A fox of aluminum
and a lonely astronaut.

The astronaut
chooses to focus on returning to the woman without her bandana.
He works tirelessly to get the aluminum
rocket ship off the spooky
and desolate moon, and back to earth, to see the woman in the frame.
By his side on this barren rock, looking up at him, stands the fox.

The astronaut refuses to let the spooky
atmosphere deter him from his goal of returning the bandana to the woman in the frame,
ever thankful for the company of the aluminum fox.

Creeping up the steps of the building,
She holds her breath.
The building stares at her with massive, polished eyes,
Eyes of judgement,
Daring her to enter it's realm of formality,
It's realm of order and conduct.
She holds her breath.
A chill passes through her when she sees the others.
Dressed to impress,
Traveling in packs, like wolves of the wild.
And completely unaware of everything.
They have attended a private performance,
Put on by the people,
They immerse themselves with, surround themselves with.
She holds her breath.
The walls beckon her in, soak her in.
And she blends into them like a chameleon.
Invisible.
She holds her breath.
Traveling soundlessly, with soft footsteps that don't echo along the hallow halls,
Making her way to her destination,
She holds her breath.
The door moans as it opens to reveal what lays behind.
Disappointment, dismay, disillusions,
Dread.
She holds her breath.

M covered in blood and attempting to roll a cigarette throughout but failing utterly.

M: Blood dries much quicker than you think. It is hell on cotton and wool blends, but once it's dried on the skin, you can either chip it off or just rub it off, so that's cool. (beat) You know, after a while you start to be able to smell if someone is anemic. It's crazy, I know, but when the metallic perfume entertains the thought processes for so long, you tend to notice when something changes...

M realizes he is divulging too much and snaps out of it.


M (contd): I always feel like a greasy kebab at times like this. Maybe it's something in the electric meat shaver thing that just evokes memories of drunken nights and mysterious bruises acting as battle scars, compared between those who saw, and those who pretend they had. (beat) I feel a kind of aggressive nostalgia for those debaucherous days. I would do anything to be still under that one, singular light source, barely being able to stand due to the altered states, blacking out Blake's eyes and standing so close to him, that with the right music we would be sharing a slow dance. The air was thick and Miss Love bleaching her hair in the sink provided the perfect musings of life and love. We stumbled. We laughed. We fell. Now only I stumble. I pretend to smile. And they fall. They all fall. When I am King, you will be first against the wall.

M again realizes he is going too far and dials it back


M (contd): Some people suggest that human meat would taste similar to pork because of the similarity of blood supply and flesh density, blah blah blah. They're wrong. It's more like veal all over, but that really depends on how latent the person is, and where the meat is cut from. And who was the idiot who said the Chianti would pair well with liver?! ******* idiots. Too fatty. I wonder if the new 'Mock The Week' episode is up yet. Torrenting is a crime, I get it, but who pays for anything any more anyway? Imagine going to jail for video piracy! (laughs) God, like sharing a cell with a ****** or gang member or something, and you're there because you don't have Foxtel and you want to watch 'Game of Thrones'.


M finally decides to drop the facade of small talk and just be real*


M (contd): I'm not... normal. People don't often walk the streets covered in their neighbour's families blood. But if I take out my phone and pretend to be talking about how exciting tonight's costume party was, eyelids usually aren't battered. Normal people are too trusting.

It was a summer afternoon in Wester Ross. Two moments: one near, on tide-swept sands, with glorious and gloriously blue amalgams of sky and water; the other far, on a distant shore, a vista of sweeping rain and a gang of clouds marauding the hills. Near abouts: a meeting of warm land and cool sea over a deserted beach. There were midges of course, but on that day a lithe breeze kept them at bay. As she was discovering the chaotic delights of the disused Fishing Station, I was Charles Darwin standing on a deserted shore looking across to Tierra del Fuego. Not a sign of a dwelling, a boat, or even a person on the coastal footpath. A vast panorama spread beyond the edges of my unturning vision. Out on the grey blue water, I became Captain Vancouver sailing up the Inner Channel exploring and mapping every indent, nook and cranny of the double coast. Suddenly, five indians in their log canoe appeared paddling around the point, navigating by the feel of depth and the thrum of the current inches under their bare feet and bottoms.
 
This place, the larger vicinity, the region driven through, on and onwards, into and out towards landscapes vaster than anything I’d previously known in this small island; it had already staked its claim on my consciousness. I was transfixed. On my own, decent progress during a walk was almost impossible. I would stop every few moments aware that something new and different was going on. To miss anything seemed an affront to the sublime. I would walk early in the morning whilst she lay peacefully in bed, her arms stretched out on the blue-striped cover, her hands and fingers gently curved, at rest. This morning time was alive with a colourscape of silences, different shades of low-level noise. There is no camera able to catch the play of real all-surrounding images with those extensions of fantasy the imagination blends and stirs. No microphone can be sensitive enough to the surround sound in air and landscape, the faint breath of the sea, and the incessant conversation and playback of her tender evening voice in my thoughts. Here the past was invading the present, speculating on the future, our future.
 
I ventured inside the hut at the Fishing Station. Curious to see what she was up to. She was arranging, like children do, her found objects. Along the few shelves fixed to the corrugated iron walls her quiet hands placed and replaced, shifted and turned; then, the click of the camera, again click, adjust the focus, click. Ropes lay at her feet snake-like, hemp and nylon, that urgent orange, that too smooth blue, mounds of old fishing gear mostly unidentifiable, not an idea where the floor might be found, so completely covered. If there had been a door it was no more; just a gap in the wall, seaward.
 
These objects she arranged: screws, bolts, nails, strange keys, boltless nuts and nutless bolts, small bottles, a can or two. Everything hand-size, tarnished, rusted, some oiled, stained oil-black. I felt an intruder witnessing her preparations for a secret game, a ceremony of recording and removal. A kindly ‘do not disturb’ sign hung about her face; a blankness, a dream-like visage of the initiated, as though she held some premonition of this material’s importance, a treasure found in a shack of a shed, a ‘find’ she would collectively decode. Already this visit took on the character of a preliminary investigation. She began wrapping and tying some of the more unusual items in cloth, making mummies that in a few days she would return to and unwrap to find their imprint and press marked on the cloth.
 
We lost time in this place. Only the incoming tide was a clue to how the afternoon had advanced. The beach, at whose far end the station had been built, held a gentle new moon’s curve. The water’s encroachment of the beach became mesmeric; it was difficult to leave the looking until its tide journey had been completed. But we did, and wandering through the dune meadows, between the diffident cattle, past the remote farm at the end of the track, gate after gate, then the proper road, the twice a day post box, two houses set well back from the road, a woman leading a boy on a horse, up a rise, a lay-by with a camper van, walking backwards to keep the view to the red sand beach in our sights as the afternoon light began to turn from gold into auburn, then with fingers threaded into fingers down to the wooden cottage. And there, later, after love’s welcome and its celebration, stillness.

Scarborough circa 1989

Jacqui in the night of the instant sunrise
Raises the morning on her shoulders
Swelling between tears and laughter
She melts words into meaning
and gambles on intuition and power

Jacqui in the night of the instant sunrise
looking back and looking forward
finds the dawn most appealing
and issues commands and warnings
to all those with the inner strength to heed them

Jacqui in the night of the instant sunrise
smiles, and the strength of metal
and the purest of beauty
are forged anew

Into the eyes of this miraculous woman
I enter a new beginning
where wisdom lives, and moves, behind her horizons

Jacqui in the night of the instant sunrise
becomes the centre
where all truths are issued passage
and all lies are refused

Jacqui in the night of the instant sunrise
blends courage and compassion
into hues of fine precision
and automatic weapons

Jacqui in the night of the instant sunrise
spreads warmth like a familiar blanket
and moves the day by her power
just as it moves her.
James H. Webb

Call me Ishmael. Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world...  Moby ****, Herman Melville


Call me
Ishmael.

I hail
from
the clan
of Adam.

I am the
beloved
child
of Hagar;
unbowed son
of an upright
Ibrahim.

I am
the older
half brother
of Musa,
cousin to
Isa and
father to
Muhammad.

I work
in a bakery
that
overlooks
the roiling
waters of
the Nile.

It’s
owned
by an
Egyptian
General,
managed
by a
platoon
of his
hand picked
lieutenants.

I fire the
ovens,
roll the
dough
and pack
the loaves.

We bake
all day
but it seems
we cannot
quench
the hunger
that grips
our people.

My
brother
Musa
says
I bake
the bread
of tyrants
and serve it
to a people
starving for
freedom.

Musa
likes to say
if we wish
to feast at
the banquet
of liberty
we must
refuse
to eat
the bread
of fear.

In winter
our hunger
blends with
the misery
of living
in frigid
apartments.

My
dilapidated flat
in Darb Al-Ahmar
is one of a
thousand owned
by Cairo’s
most notorious
police chief.

The roofs leak,
the plumbing
is broken,
no heat in winter,
in summer
it’s a sweltering
furnace.

My home
is the
handiwork of a
cold blooded
landlord’s
indifference
to the freezing
rooms they
force us
to live in.

In their eyes,
our sole purpose
in life is to feather
their nest.

They demand
that the rent be paid
on the first of every month
and will make our life miserable
if we’re one day late
or a half a pound short.

Do they
actually
think
that we
live
only
to assure
the
warmth
and comfort
for them
and their
children?

In winter
they freeze
us into
inaction;
while
during the
summer,
swirling
ceiling fans
fail to relieve the
oppressive heat
of fire they
breathe down
our necks.

The batons
of the police
freely swing to
crack a head if
we fail to bow to
their authority
or grease
the extortionists
palms with
tributes to their
*******.

They never
shake down
their friends
that drive
the fancy
silver
Mercedes.

The big guys
roll wherever
they want.  

They
roll over
anything
they
choose.

They take
up parking
spaces in our lives;
leaving less room
for us to park
our tiny scooters.

I’m certain
the name
on their
drivers license
says privilege
and impunity.

Yet
somehow
we
always
get stuck
picking up
the tab
for
their
tolls.

Some slavishly
put coins
in parking meters
for them and get
compensated for it
by being offered
the opportunity
to wash their cars.

I’m glad
that I get
to bake
bread.

I was talking
to my friend
Isa at the
coffee shop,
he said,
“We needn't
live in a constant
state of
want and fear.”

A young man
sitting at
the next table
was a zealous
believer from
The Muslim
Brotherhood.

His name is
Muhammad,
he hands me
The Holy Quran.

My dear
Muslim
brother
exhorts
me to
submit.

He says that is
the way to a
fearless life;
free of any
need,
save
Allah’s
salvation.

My  
Muslim
brother
is firm
in his
belief
that
all
the answers
to
all
my problems
and
all
the answers
to
all
Egypt's problems
were
breathed on to
the pages of
The Holy Quran
with
The Prophet Muhammad’s
-(may peace be upon him)-
own breath;
his tongue
inscribing
the holy pages
in Arabic
squeezed
out by the
loving
embrace
of the
Angel
Gabriel.

Mubarak also boasts that
he too has all the answers to
alleviate the ills that plague us.

He’s
been ruling us
for forty years;
while the
Holy Quran
has been
with us
forever.

Our  
impatience
grows
as we yearn
for these promises
to be filled.

Mubarak swears  
he knows what is best
for the children
of Egypt.

Mubarak insists
that the way to
freedom from
want and fear
is submission to
his perpetual rule.

I get uneasy when
someone suggests
an infallibility.

I accept the
supreme dominion
and divine knowledge
of the Quran and Hadiths
but I’m not too sure
that the Imams,
politicians and
generals who
swore by its
truth really
understand
it themselves.

I am left
to question
if any of them
even see me?  

I am more of a
person then a
Muslim;
and
sometimes
I wonder
if even
Allah
has forgotten
the peril of
Ibrahim’s
children.

I wonder have
I disappeared
from Allah’s
unblinking eye
as well?

Sometimes
I look into
the mirror
to see if
I am real.

I am relieved
to see my image.

I have not
become invisible
to myself.

I am
emboldened
to know
that I am a
real person
of flesh and bones
with a mind
full of conviction
refreshed
with the blood
of a warm beating
heart.

I remind myself
I am a man,
not a faceless
subject
to be ruled.

I am an individual
not just another
submissive being
under the control
of a pious Imam.

I am Ishmael.

I recognize the fire of
life in my own eyes.

I can see the scars
of my decisions,
that my life has
etched upon my face.

I am not invisible.

I am not a casualty
of the twists of history
or the events of fate.

I take
responsibility
for me.

I am not a fish
swimming within
a giant school
trapped in an
ocean current
propelled
to a
predetermined
destination
of a well
laid net.

I am a man.

Let it be known
that I claim
responsibility
for my manhood
and I will
command
respect from
those who now
lord over me.

Like my father
Ibrahim, they
will recognize
me as an
unbowed
upright man.

They will
call me
Ishmael.

As I stand
I will raise my voice.

I will not remain
voiceless.

I am one voice
of many
who like me
have not
been heard.

We were once
grovelling dogs
that have been
transformed
into free range wolves,
set free from its cage,
we now form in packs
howling for justice.

We
will raise
our voice
in concert
so all
may hear.

We
will
make
them
listen.

They will
know who
I am.

Call me Ishmael.

Music Selection:
Muddy Waters
Mannish Boy

Oakland
2/9/12
jbm

I wait for cigs to appear in a tiny tea can
I buy things I don't need, not out of greed
He gets off late at night, quite near three
I'm not good at loving anybody, any man,
Anything

Why must I love the poets, the painters, the piano players?

I dilute, I digress, as he touches my chest
Soft permeating whispers of spurious love
Pretending for a reason to reach this octave
I'm somewhere distant, somewhere I can rest
A mess

Are artists meant to be with artists? Do they bring out in each other what is darkest?

He lies tired, I wide awake with moon eyes
I curl my ivory back to his kisses and fingers
My cold heart does nothing but shiver
This is a sad type of a music, reprise after reprise
I sometimes cry

And I can't get close, cause I can't relate.
No brain train is the same,
but mines off the rails and no one knows what it's like to ride,
******* great,
*this is why I don't date.

Sinner

What have I done to my world?

Egrets

Pelicans

Whales

Are you diving into the plume

A 10 mile depth of black hell?

Are you in another dimension now?

Have you given up on this world of

Easy living?

I am guilty.

I work too much and care less

As one superficial lifestyle Blends into the other

Money seems like security blanket

It is Not.

My land is covered in a part of me that dies

As the sea spits up the overdose of

Consumerism.

Each time I feel the powerlessness of hope fade

I take my plastic water bottle and throw it into a

Bin labeled

RECYCLE…

HA!

Plastic

OIL OIL OIL…

PLASTIC

******* Hell,

I bet oil is in my food chain somewhere

A box that makes it easy to cook in

A packing tool to deliver me the goods

OIL OIL OIL

Saturated Guilt

I feel like a harlot

A sinner

A part of something I cannot stop

I don’t want my world to look like this

Stop Me.

From the desire for convenience

Let me take living down a notch or two

Let me see with a part of me that is lost

THIS IS A CRY IN

(the
sledge of redemption)

I remember my body gave me another chance

When I filled it with poisons that made me feel good (you know what they are)

Will you do the same?

Oh heavenly body that holds my own.

Can you ever forgive me?

Linaji

I don't believe you,
when you say,
those three words,
the three magic sylables,
each sylable with its own emotion,
forming a sentence of commotion.

A powerful sentence,
yet you say it careless.
The words glide out of your mouth,
over your dry lips,
as they dance in the air,
without a care,
they end up in my ear,
as they find comfort here.

One natural response,
and my heart is racing,
Not knowing the consequences,
it will be facing.

My brain holds back,
trying to keep my heart on track,
trying to restrain,
but still reminding it of the pain,

The fake smile changed in a frown,
as soon as I looked down.

My mascara blends out,
as my tears take a route.
The scars that are left behind,
leave an impression on my mind
and an engraving in my heart,

People stared at me,
wondering who I could be,
avoiding my biggest fears,
and covering up my tears,
make-up was a mask,
and it was my new task,
I changed my role,
to protect my soul.
-a.s

Underneath a silhouette of stars
We confer futuristic forecasts
your skin blends with the ivory outline
of the constellation that envelopes our bodies.
Heard was the echo of
such an ever so pleasant sound
‘twas the rustling of sheets
to the rhythm of the rain

Down along the coast of Carolina
Together where the green blends with blue
Land slides into the ocean
My life slid into you

That's a day I'll never forget
A lifetime I will never regret
The tears that flowed when we both met
As I fell head over heals over you

That day we made a promise that would stand the test of time
A promise formed deep down in our hearts
In that promise, forever bound is your love to mine
From which we will never depart

With the alluring sound of surf meeting shore
Introducing itself time and again
In your gentle touch I have found something more
In the love we share I have found a true friend

Down along the coast of Carolina
Together where the green blends with blue
Land slides into the ocean
My life slid into you...

Our blood is golden wine,
I’ve been told to try sweeter blends.
My cups lay in my favorite number but the unknown in my shadow still stand.
Inside could be my salty songs for a memory that never ends.
I pull you down underwater to see just how far you can be from the sand.
Eyes wide open to the flame of your being;
It’s confidence and conflict that drag me out of my stalemate.
A torch to gaze upon something I know to be worth seeing.
Whether together or apart we still crawl the same trail to feel and be something great.
The oleander and roses course through our veins like the wax that holds together our armor.
We’re meant to grow our vines past the heavens.
That’s the place that holds serenity and storms that you never have to barter;
Where admiration never leads to lessons.
To be strong through our valleys when we feel like we’ll never climb back up.
In this garden is the place where I can accept your oceans dichotomy.
No matter how many wands, no matter how many cups;
I’ll accept it completely but of course cautiously.
All the eyes can see all the burning in my hands.
What could be sparked by nature feels easier to light on my own.
Is it gasoline I smell on demand
Or has the apple already grown?

Since I have no other way
And am in utmost need,
Painter girl,
I filch one of the eight lambs
You have made plump with
Green jackfruit leaves and
Thin gruel with paddy bran.

I will take it to the goat market
And sell it in a jiffy.

I assure you
I will not sell it
To any butcher-
The lamb you made chubby
With sweet sweet words
And much much petting
And nice lilting croons,
Mixing and mixing
Greens with browns.


Don’t be sad, painter girl.
I hear you come running
Searching for your lamb and
Cry out “O my dearest one
Who went grazing in the green fields,”
As the sun in your canvas
Sets in the sea and
The saffron blends with the dusk.
And, see your tears mingle
With the black that you wanted
To adorn the brow of
The naughtiest of them.

Painter girl,
It’s all because I have no other go
And it’s of utmost need.
I could have broken into the
Two-storeyedhouse you sketched
And stolen the ornaments in
Secret lockers that even
You are unaware of.

Or, I could have
Palmed the golden girdle
Of the beautiful ***** princess
Whose portrait you made,
The one with a nose stud.
Or, drugged her with my kisses
And plundered the harem.

Or else, I could have
Entered the snake shrine
Guarded by the dark serpents
That you often drew
And fled the country with
The precious jewel.

Or, I could have shot down
The birds that you drew
And sold them grilled.

I could have axed down the
Mahagony trees you nurtured
And sold them as timber.
I could have blinded your Kanhaiah
And made him a beggar
To become rich from the alms he earned.
I could have enslavened his Gopis
And handed them over
To the red light streets.

Painter girl,
It’s not for anything of this sort.
I take just one of your eight lambs.
Sell it for a good price
And fulfill my need.

Now, perchance,
If a new tenant comes to rent
My brain where nothing resides
And if they pay me a fat advance,
Painter girl,
Surely will I buy back your lamb.
And tether it in your painting.
Don’t you dare say then
Don’t you say then
That you have forgotten it.
Don’t you say then
You have exhausted your stock of
Green jackfruit leaves.


(Trans from Malayalam by Ra Sh)