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"aesthetically" poems
# *I wander throught the works of art upon a gorgeous but cool day, Bewildered by the beauty (and the price they ask to pay). Paintings hang in canvas booths in styles of every kind. Statues, crafts and metalwork aesthetically designed Food and drink and music too a rousing, festive place. But oh my friends, the greatest art was smiles on every face. So many strangers mingling with a common goal to share To wit: a friendly greeting and goodwill enough to spare. Indeed, the day was perfect with weather cool and fine. But nothing tops a friendly smile in harmony with mine.* #
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Apr 8, 2018
Apr 8, 2018 at 9:55 AM UTC
Art and Harmony
I wouldn’t dare to guess The whole extent of The adolescent mess   Left upon the first broken heart.. Certainly you are one of those Who have overcome Those common blows     That tears a first timer's world apart... Or even luckier yet Perhaps your soulmate This time around Is who you met    Reflected in the passion of your art.... Being a poet Can be quite telling Aesthetically rebelling Sharing all the secrets    Of one's unique solitary heart.....
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Sep 10, 2018
Sep 10, 2018 at 8:22 AM UTC
AESTHETIC REBEL
Inspired by a vintage ****** postcard from the 1920s - 30s: The Muse sits resplendent caressed in sepia tones and pastel cream gilded with the glaze of a bygone era her silk Charleston negligee worn proud like a vintage ornament perched on an aesthetically pleasing shapely pert insolent ***** blossomed with tiny beads of sweat the heat of such anticipation entices the pearls of the ****** to pamper and pleasure their perversions etched as if in a radiance of candlelight the flickering limbs pulse their bloom nimble fingers of dancing shadows cupping the feline curves of a chaise longue the purposefully out of place set piece the fantasy of a gentleman's reading room caked in casked sherry and Nat Sherman cigar infused aromas her elegant pose sumptuous reclining elbow length satin gloves sensually wrapped in wanton desire two fingers clasp a Sorbranie Black Russian smoked like a sultry gypsy with a fervent demeanour from a silver opera cigarette holder beckoning with the cats eyes of mischief over Pinced nez eyeglasses with a fascination imbibed in the praxis of passion the peach skin of refulgent youth directs the viewer downwards, slowly survey each contour of olive skin and stroke every hidden cleft of fabric to glimpse the nubile thighs of grace leading the eye to the arch of an ankle slipped like a fitted glove nestled in the cleavage of her calf and the chastity of future wonderment the forgotten photograph captures a period in time the memories of the muse now in motionless existence a demure allure forever frozen once lost, but now never forgotten
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Dec 1, 2012
Dec 1, 2012 at 2:40 AM UTC
Decadence of a Muse
Inspired by a vintage ****** postcard from the 1920s - 30s: The Muse sits resplendent caressed in sepia tones and pastel cream gilded with the glaze of a bygone era her silk Charleston negligee worn proud like a vintage ornament perched on an aesthetically pleasing shapely pert insolent ***** blossomed with tiny beads of sweat the heat of such anticipation entices the pearls of the ****** to pamper and pleasure their perversions etched as if in a radiance of candlelight the flickering limbs pulse their bloom nimble fingers of dancing shadows cupping the feline curves of a chaise longue the purposefully out of place set piece the fantasy of a gentleman's reading room caked in casked sherry and Nat Sherman cigar infused aromas her elegant pose sumptuous reclining elbow length satin gloves sensually wrapped in wanton desire two fingers clasp a Sorbranie Black Russian smoked like a sultry gypsy with a fervent demeanour from a silver opera cigarette holder beckoning with the cats eyes of mischief over Pinced nez eyeglasses with a fascination imbibed in the praxis of passion the peach skin of refulgent youth directs the viewer downwards, slowly survey each contour of olive skin and stroke every hidden cleft of fabric to glimpse the nubile thighs of grace leading the eye to the arch of an ankle slipped like a fitted glove nestled in the cleavage of her calf and the chastity of future wonderment the forgotten photograph captures a period in time the memories of the muse now in motionless existence a demure allure forever frozen once lost, but now never forgotten
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47
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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Jun 18, 2012
Jun 18, 2012 at 9:12 AM UTC
Fatima Latima
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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80
I am a small and expressive six-year-old I just came back from India, just a trip to visit family I wear a bindi My hands are decorated with mehndhi*¹ I wear bangles on my arm of all different colors I wore a little churi daar*² And everyone teased me “She has a disease?” “Why is there a dot on your forehead?” “You look funny” A few of my friends tell me that I look pretty and they wish to wear it too. I get a few compliments but the rest hurt I never wore a bindi in front of them again I washed my hands to rid the orange stains I never wear my Indian clothes I am a not so small and not expressive sixteen-year-old I see music festivals, I see movies, I see the people who teased me when I was six They wear the dots that I had worn They decorate their hands with what they call “henna” It wasn’t an Indian holiday I’m a little hurt Why was I teased? But they are praised “It’s aesthetically pleasing?” “The bindi is indie” Do not tease me for my culture And then take it for your own praise Is that even fair? Do you think that’s fair?
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Apr 20, 2019
Apr 20, 2019 at 11:47 AM UTC
i am a six year old
As she is Feeling worthy, She takes the journey With Eyes wide shut; in truth ever so blindly Embracing her spirituality Divinely She Rises As Peek of the Day At High Noon She’s In tune Like the Sun in rotation to the 28 phases of the moon She’s in tune as summer in the month of June Just as a flower in its fullest bloom She’s in tune As the skin embracing the molecules of perfume She’s in tune Just as a baby in the mother’s Womb Just waiting to be born soon She’s uses Art of Divination Shes sees Life/God in all of Creation She self heals through crystals, spiritual baths and mediation Her Aura is that of roses, poetry, and galaxies She pulls one in with her defiant rules of gravity Draws one closer with her celestial cavity She’s cosmic candy Some may say They call her the Milky Way Because around her even the stars feel safe enough to come out and play She’s a whole vibe, the rhythm of reggae She’s life one breathes into their airway She’s paradise’s secret highway She’s Cosmic Candy She’s As beautiful as watching the chaotic grace of a Star burst to me Her spirit is wild and free as the unknown depths of the sea Speaking aesthetically, she is truth So heavenly She is Cosmic Candy
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Sep 14, 2019
Sep 14, 2019 at 1:05 PM UTC
“Cosmic Candy “
scars of a past I wanted nothing to do with led me to handcuff myself to a lampole for security. I had reached my consensus. I threw the keys to these cuffs in mental portals where I thought no one would dare to ever travel. Many tried searching but I intentionally obstructed access with deceptive rants of fear and caution. By then I was sure that I had thoroughly built walls of security; I was safe ...but who would've thought my aesthetically intellectual design had a weakness? The enemy came just as they all did, hoping to be let in... but this one reacted differently when the ranting came; I was now at a disadvantage because I had no other alternatives for defense. The enemy showed no care for my security; It was attractive And I succumbed while Never forgetting my plan Although it seemed my design was nugatory. My mental lampole and cuffs, gone. I was left subjugated at the feet of a queen who carried an aura with the most beautiful spectrum. Like a bull snake, promises of security grappled my core, draining it of all fear leaving behind no traces of deception. Although defeated, she still remains my enemy because serendipity never seems to stick around.
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May 8, 2015
May 8, 2015 at 11:33 PM UTC
Defeated
I once read the lines “Practically on top of us is a girl with long brown hair a black hoodie and the tightest jeans I have ever seen I automatically hate her because those jeans make her look good” From a book This mentality bothers me I mean Why can't we Admire another girl's beauty Instead of becoming jealous Or envious of it While attempting to find A flaw of theirs To counteract their beauty Why can't we just appreciate it While loving ourselves Completely Without making ourselves feel less Important Or desirable Or worthy Because they have something That is "better" Which is entirely subjective Due to the fact That there are many opinions Of what being beautiful Aesthetically means Since there are many people In this world Which in itself Is beautiful
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Sep 30, 2018
Sep 30, 2018 at 9:48 PM UTC
Female Empowerment
Some days I think I could love you If the grass was green enough If I didn't associate your musk with the flannel I search for at every goodwill At every thrift store Trying them on relentlessly Button up, button down As if each little plaid square could shrink my ******* smaller Stretch my back vertically Aesthetically speaking. Some days I think I could love you If was smaller and wiser If I could believe in nothing Rather than the absence of something Every time I close my eyes and pray once more Beneath the shadow of the hospital-tainted shower curtain. Some days I think I could love you If I remember the piercing blanch Of whiskey burning in the back of my throat If I recall the tears in your eyes on a mid-May afternoon Standing closely in a gravel parking lot Telling me "See ya later" instead of goodbye Kissing my forehead, nose, and eyes. Some days I think I could love you If you told me it didn't matter how prominent my collar bones are Or that it didn't take the catalyst of pickling my insides ******* a lonely man while you were away To make you want for me. Some days I think I could love you When you trace the lines of my waist Asking me not to lose any more weight When you tell me I'm beautiful That you envy my heaven When you ask to see me simply to hear my thoughts. Some days I think I could love you If you told me you loved me If that alone didn't set you apart from the rest Aligning yourself a whole in one with the others Only greater. Some days I think I could love you If I couldn't recall the misshapen line Between a large vocabulary and eloquencey Between a man and a frightened boy Between an eating disorder and self-motivation. Some days, I think I might love you If I could silence my mind of all the fragrances of adultery If I could leap elegantly past the fear of such a concept Without wondering how I appear to you compared to the rest. Some days I think I could love you If I could forget that you can't If I could remember how to open my own hatch Without fear, as the key If I could remember to love myself. Some days, I think I could love you Some days, I believe it. Some days, I don't.
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Nov 1, 2012
Nov 1, 2012 at 2:58 AM UTC
Some Days
Some days I think I could love you If the grass was green enough If I didn't associate your musk with the flannel I search for at every goodwill At every thrift store Trying them on relentlessly Button up, button down As if each little plaid square could shrink my ******* smaller Stretch my back vertically Aesthetically speaking. Some days I think I could love you If was smaller and wiser If I could believe in nothing Rather than the absence of something Every time I close my eyes and pray once more Beneath the shadow of the hospital-tainted shower curtain. Some days I think I could love you If I remember the piercing blanch Of whiskey burning in the back of my throat If I recall the tears in your eyes on a mid-May afternoon Standing closely in a gravel parking lot Telling me "See ya later" instead of goodbye Kissing my forehead, nose, and eyes. Some days I think I could love you If you told me it didn't matter how prominent my collar bones are Or that it didn't take the catalyst of pickling my insides ******* a lonely man while you were away To make you want for me. Some days I think I could love you When you trace the lines of my waist Asking me not to lose any more weight When you tell me I'm beautiful That you envy my heaven When you ask to see me simply to hear my thoughts. Some days I think I could love you If you told me you loved me If that alone didn't set you apart from the rest Aligning yourself a whole in one with the others Only greater. Some days I think I could love you If I couldn't recall the misshapen line Between a large vocabulary and eloquencey Between a man and a frightened boy Between an eating disorder and self-motivation. Some days, I think I might love you If I could silence my mind of all the fragrances of adultery If I could leap elegantly past the fear of such a concept Without wondering how I appear to you compared to the rest. Some days I think I could love you If I could forget that you can't If I could remember how to open my own hatch Without fear, as the key If I could remember to love myself. Some days, I think I could love you Some days, I believe it. Some days, I don't.
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56
She sits with one leg Crossed over the other, Her hair is parted Off-center, But not enough to be Considered a side-part. Her smile is a little crooked Because of a surgery she had Years ago. Her gait is a little awkward, Especially when she runs, And her hips aren't nearly As wide as her personality. She has a birth mark that Most people would not Say is aesthetically pleasing, But regardless of her imperfections, She is perfect to me.
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Sep 24, 2015
Sep 24, 2015 at 12:16 PM UTC
Perfect Imperfections
A strange kind of intrusive ambiance; voices in several languages, forced laughter, technological functioning; human activity intermarried with machines. The volume rising perfectly in sync with my cortisol levels, I interrogate  my past for signs of the path that led me here; it remains blurred. I did not dream of working in customer service; but here I am regardless, moments of my life that I will never ponder again; a cascade of  the present moment repeating as long as my employment contract exists. An event-less horizon, memories are stillborn here and true ingenuity stifled. There is much and nothing that has led me here. It is hard not to feel like a horse bred for performance in this place; everything is monitored, quantified, reviewed and collaborated. Performance reports produced with the fervor of medieval scholars translating the bible.  I look to the sky, what else is there to do; only to see smoke alarms and aesthetically neutral lighting arrangements. There is art work on the walls, but is generic, created to defy analysis. The colouring of the walls is chosen to exude a neutral sort of trendiness; on brand for the overarching corporate image.
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Sep 13, 2018
Sep 13, 2018 at 7:32 AM UTC
Office
Its science versus religion And cognitive thought versus deranged fantasy Wars fought for love where loves lost and heroes are burned, cherished, forgotten Little boys with ***** faces and sticks Teenagers with cars Young adults with assault rifles Men in jail some with bars some with front doors a fax machines Trees that reach the sky and some that wither crack and die Burning thoughts of the afterlife a fire fueled by fear of death The chance of being wrong The opposite thought of being right keeping you grounded in the daylight But fleeting in the night escaping just like the sun to comfort some other being The loneliness of lying awake with a deranged mind running free Clawing its way from your brain Grandpa’s dead and dads on his way out And moms still preaching the gospel And gods still ******* on ashes but not putting out fires Cities crumble and rebuild and repeat Everything is a cycle love, hate, lust, love, hate, die, repeat Breathe in oxygen exhale ***** and regurgitated knowledge Of free press movements and the civil war Fighting, sleeping, ******* eating, drinking, smoking, hurting, smiling Fields of crops that feed nations and economies They grow then comes harvest and their end Just like us harvested in the end to feed nations and economies Words that burn politicians and inspire masses Bombs that end lives and ******* children But prove were right and your wrong Our god is bigger than yours he has more firepower too Wrong side of the tracks on the wrong side of the ocean Worms eat dirt what a pathetic existence They eat dirt, **** dirt then die We eat love **** love then die We’re just worms Bigger, intelligent, more aesthetically pleasing worms Hateful thoughts and bold words Worldly views from the comfort of a laptop Medication and frozen dinners Sick, fat and dying Life is beautiful
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Feb 21, 2012
Feb 21, 2012 at 4:23 AM UTC
Fire Fueled by Fear of Death
Its science versus religion And cognitive thought versus deranged fantasy Wars fought for love where loves lost and heroes are burned, cherished, forgotten Little boys with ***** faces and sticks Teenagers with cars Young adults with assault rifles Men in jail some with bars some with front doors a fax machines Trees that reach the sky and some that wither crack and die Burning thoughts of the afterlife a fire fueled by fear of death The chance of being wrong The opposite thought of being right keeping you grounded in the daylight But fleeting in the night escaping just like the sun to comfort some other being The loneliness of lying awake with a deranged mind running free Clawing its way from your brain Grandpa’s dead and dads on his way out And moms still preaching the gospel And gods still ******* on ashes but not putting out fires Cities crumble and rebuild and repeat Everything is a cycle love, hate, lust, love, hate, die, repeat Breathe in oxygen exhale ***** and regurgitated knowledge Of free press movements and the civil war Fighting, sleeping, ******* eating, drinking, smoking, hurting, smiling Fields of crops that feed nations and economies They grow then comes harvest and their end Just like us harvested in the end to feed nations and economies Words that burn politicians and inspire masses Bombs that end lives and ******* children But prove were right and your wrong Our god is bigger than yours he has more firepower too Wrong side of the tracks on the wrong side of the ocean Worms eat dirt what a pathetic existence They eat dirt, **** dirt then die We eat love **** love then die We’re just worms Bigger, intelligent, more aesthetically pleasing worms Hateful thoughts and bold words Worldly views from the comfort of a laptop Medication and frozen dinners Sick, fat and dying Life is beautiful
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40
My water’s luminosity… whisky and sage. We breed to feed other fishies, but I’m on stage. Performing for some human’s selfish garrison. This disregard is quite humane in comparison. The cat, your companion, He claws at me constantly. I epitomize a pet. I am merely your captive; Only aesthetically attractive. I long to be the social hippie of the sea, but this isolation is drowning me. One day you’ll find me ambivalently sinking at the top of my bowl, and you will flush me down yours like the rest of your useless ****
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Nov 21, 2012
Nov 21, 2012 at 12:37 AM UTC
Finally, Your Disregarded Goldfish
as i'm laying down tonight i think of how exhausting it is to wash you off my fingers even if it's not like i ever get to hold your hand or touch you, for that matter. but everynight i have to wash your essence off my fingers like trying to get rid of gasoline but always ending up setting myself aflame. and that despite knowing how dangerous and hazardous that **** could be you just couldn't stop because you love the smell of gasoline that fills up your lungs like pumps of adrenaline right before the stench of your own burning flesh chokes you to death. most nights, i wash you off like paint. you can tell that i'm trying to forget what i bled after your face appeared on the plain canvass when my hand automatically reaches up and perfectly colors your lips, and i couldn't help but resemble them to pastel pink petals of the roses growing in royal gardens and i know i'm fooling everyone making them believe that such expertise is achieved because your bottom lip have felt my gentle stroke when i don't even know how your lips would feel when they quiver under a curious and longing touch. so i watch the colors spiral down the drain. i watch my hands brush against each other so intensely, trying to scrub the paint gone even if it won't go away. even if the blood is clean. even if i look clean. how can loving you secretly be ever clean? i'm scared it will never go away. i am a painter in my own sense, capturing a glimpse of something so intoxicating and aesthetically forbidden then turning it into something tangible. this is how painters show that their hearts collapse with just a name with just a glance not meant for their way. and they paint what little of the hope that shouldn't have been there in the first place and every night. every single night they would aim tirelessly to turn it into something they could allow. something that could exist not only in my head. something that i can call mine even if you don't know that i am yours and i knew this because your face have begun to fill every blank wall in my ******* house and i wonder how it is possible to fall in love with someone the whole world believes you shouldn't. they say that when we turn our hands into fists it is the size of our hearts. and sometimes after the long hours of painting i wash my paint-stained hands clean of an abstract myriad of yellow and blue and black and red. red for blood. red for love. red for fire. i wash my paint-stained hands turning them into fists so maybe, just maybe it will be the same as getting rid of the colors off my young broken heart. colors for you. yet i always end up washing them off with ******* gasoline. and you still dare to call me 'smart'
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Jul 21, 2018
Jul 21, 2018 at 8:09 AM UTC
please read my confession
as i'm laying down tonight i think of how exhausting it is to wash you off my fingers even if it's not like i ever get to hold your hand or touch you, for that matter. but everynight i have to wash your essence off my fingers like trying to get rid of gasoline but always ending up setting myself aflame. and that despite knowing how dangerous and hazardous that **** could be you just couldn't stop because you love the smell of gasoline that fills up your lungs like pumps of adrenaline right before the stench of your own burning flesh chokes you to death. most nights, i wash you off like paint. you can tell that i'm trying to forget what i bled after your face appeared on the plain canvass when my hand automatically reaches up and perfectly colors your lips, and i couldn't help but resemble them to pastel pink petals of the roses growing in royal gardens and i know i'm fooling everyone making them believe that such expertise is achieved because your bottom lip have felt my gentle stroke when i don't even know how your lips would feel when they quiver under a curious and longing touch. so i watch the colors spiral down the drain. i watch my hands brush against each other so intensely, trying to scrub the paint gone even if it won't go away. even if the blood is clean. even if i look clean. how can loving you secretly be ever clean? i'm scared it will never go away. i am a painter in my own sense, capturing a glimpse of something so intoxicating and aesthetically forbidden then turning it into something tangible. this is how painters show that their hearts collapse with just a name with just a glance not meant for their way. and they paint what little of the hope that shouldn't have been there in the first place and every night. every single night they would aim tirelessly to turn it into something they could allow. something that could exist not only in my head. something that i can call mine even if you don't know that i am yours and i knew this because your face have begun to fill every blank wall in my ******* house and i wonder how it is possible to fall in love with someone the whole world believes you shouldn't. they say that when we turn our hands into fists it is the size of our hearts. and sometimes after the long hours of painting i wash my paint-stained hands clean of an abstract myriad of yellow and blue and black and red. red for blood. red for love. red for fire. i wash my paint-stained hands turning them into fists so maybe, just maybe it will be the same as getting rid of the colors off my young broken heart. colors for you. yet i always end up washing them off with ******* gasoline. and you still dare to call me 'smart'
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64
We write about two AM because it is simplicity and we are underexposed. Overtime, simplicity becomes complex and subjective and harder to define. Soon you associate two AM with her hair holding on desperately to her shoulder blades, but at that point it doesn't matter what time it is because all your brain understands is her mouth and how badly you want to kiss it. Everything is clinging to something: hair to skin, sheets to mattress, mouth to teeth; but the real fear lies in what will end up letting go and this is why we are born with out fists clenched, because from the moment we are living, every insecurity spills like air out of a bag you thought was vacuum sealed. See, life is full of complexities and we can't seem to find permanent serenity, but, in the midst of it all, there are small things that resonate within us and soon we collapse into a string of cliches and we fight not to drown within them, collectively babbling and trying to make sense of the concept of never letting go.
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Apr 12, 2014
Apr 12, 2014 at 12:12 PM UTC
Aesthetically Unsound
Aesthetically tuned with the goddess My curtains blow beauty in the small corners The vines climb the tallest towers and I swing on chandeliers dancing, swishing, jumping high! I reach and touch the lantern sky! But underneath the glove lies an iron fist With this my glittering charms turn to dusk The attentive mind ruptures with jewels of intellect, Standing in the light holding the glass container of justice! My eyes come alive - I will stand against the balcony lifting the scales The flower field of lavender petals stand next to my thoughts The horse in the wind I seem to some, but until the end I will never stop to stand up Watch my kingdom come
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May 11, 2016
May 11, 2016 at 1:36 PM UTC
Libra
Sweetheart you need to be have a flatter stomach Put down that soda pop Or one day it will make you pop Put down those puff pastries Or one day they will make you the Pillsbury Dough-girl. Take up crunches and sit-ups And just ignore when your body screams for food Take up ******* in and waist trainers And just ignore that ******* in all day weakens your muscles pushing you further from your ideal Hey good lookin’ you’d be prettier if you had smaller thighs Stop eatin’ them donuts They turnin’ you too dough Stop ordering your pizzas in larges They turnin’ you large Start doing some squats Just ignore your back screaming in pain Start running sum more Just ignore that bigger thighs mean a lower risk of heart disease and premature death And a simple request from everyone else: make sure your hair always looks like a girl from a movie, that your skin is flawless, you dress perfectly, are always happy, smiling constantly, have an aesthetically pleasing Instagram, be in an adorable relationship, know all the newest music and shows You know what just be perfect but not to perfect -love society
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Oct 23, 2018
Oct 23, 2018 at 3:28 PM UTC
Thick Thighs and Typical Truism
Opportunity or opposing unity to unify and untie Leper's lesion sipping each seasonal reason for loving your flowing hair and knowing care Strike the stench and light the match and throw open the hatch jump inside along with furry-toad-love *** and lust and the vex of the ****** of what is on the television gone up and through and something grew inside my skull where IT is thus, null And I speak of course off course because of this coarse curse of your love Flinching finch-pinch-tense, since she's, hence, a personal goddess I'm a man of fetus-like love of birth and woman-girth I like my girls to be bigger Though perhaps for a less redeemable reason I am the humanoid-elemental-embodiment of low self-confidence And most are out of my "league" (at least physically and aesthetically)
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Jan 17, 2014
Jan 17, 2014 at 1:08 PM UTC
Anti-Exo-Ere-Post-Diction
Every night And every morning I stare at my body Trying to figure out Who could possibly love someone With so much extra So much extra That has nowhere to go But out I roll over And see the extra gather Who could love that? Not I, not anyone Less is more I'm not asking to be the most I'll eat less to be less Not realizing that I'm blessed With a body that works And does what I ask of it It just isn't pretty enough for me
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Jun 19, 2014
Jun 19, 2014 at 10:08 AM UTC
Aesthetically Pleasing
I love the majestic ugliness of the Eucalypt; Aesthetically more appealing in its twisted, gnarled appearance Than any uniform northern conifer; Infinitely more adapted to the unforgiving antipodean climate Than those idealised European deciduous living monuments Still transfixing our collective view of how a tree should be. Those dropping leaves allowing scenes beyond; Those tendrils of bark denoting Darwinian fitness; All tug at the heart of we new Australians, Conflicted, as we are, by sensibilities born elsewhere, But borne, nevertheless, into an Ancient Eden.
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Mar 6, 2014
Mar 6, 2014 at 3:29 PM UTC
Eucalyptus
Mental illnesses are not something to be envious of There is nothing beautiful about being up at 4am at the fall of the moon And the constant dull ache inside of you that never stops With the hope that this pain will go away sometime soon There is nothing cute about cutting your wrists Hiding the evidence in a hurried, panicked mess And hoping you'll be the only one to know About the relationship with depression, who leaves you feeling helpless There is no reason to be envious over the girl panicking in the car park, Sobbing, shaking, running out of breath, Throwing up because of a fast heart beat, And feeling like you're seconds away from death So what is beautiful about Crimson coloured wrists, wet cheeks and sobbing so hard you throw up? Because last time I checked Pain isn't beautiful Pain is raw, honest and destructive.
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Nov 21, 2015
Nov 21, 2015 at 9:25 PM UTC
Beautiful: pleasing senses or mind aesthetically
a human tool, a drawing pencil, shedding snakeskin cells as lead from no. 2 pencil am **** and blood, skin and hairless, all-to-come-to-go, return retuned, at their own chosen speed, gen of regeneration of disrupted oils and heavenly blessings, morning cracks and orifices, filling and emptying obediently, to the tidings of the grieving gravity of my moon’s decisions that govern the lunatic cycle you may kiss me with all your heart unto a robust welcoming, scorn with spittle and deem unfit, I know the difference and it is inconsequential see me as combustible or flat, airless and empty, as a new or a two day old leaking birthday balloon, or a haiku that makes the reader gasp for the reasoning for breathing think of me as a meme who responds to the touch of your nippled forefinger, but my powers are unlisted, therefore unlimited for I am neither cyber or cypher though aesthetically they appear as parts of my humanity, a human machine forever reprogramming to new stimuli sensating, the temperature of your breath, the many odors of you as inputs that bear newborn children notions in my chested gas chambers, the belligerent bellum bellies of my brain my digital describe in thousands of computers do hide, but to comprehend the interacting calculations that are my constancy and my inconsistencies, you must make a tour if you are awake between midnight and dawn when from wells the visions, the fluids - the words are drawn they, the residuals of a man’s *********** with other humans, kin akin, and the thriving discourse between l, man and parental gods of invisible powers, that offers insanity as a viable solution, to cracking the codex human DNA in the vial labelled Medusa Who else?
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Dec 18, 2017
Dec 18, 2017 at 10:24 PM UTC
the twelth poem: neither cyber or cypher
a human tool, a drawing pencil, shedding snakeskin cells as lead from no. 2 pencil am **** and blood, skin and hairless, all-to-come-to-go, return retuned, at their own chosen speed, gen of regeneration of disrupted oils and heavenly blessings, morning cracks and orifices, filling and emptying obediently, to the tidings of the grieving gravity of my moon’s decisions that govern the lunatic cycle you may kiss me with all your heart unto a robust welcoming, scorn with spittle and deem unfit, I know the difference and it is inconsequential see me as combustible or flat, airless and empty, as a new or a two day old leaking birthday balloon, or a haiku that makes the reader gasp for the reasoning for breathing think of me as a meme who responds to the touch of your nippled forefinger, but my powers are unlisted, therefore unlimited for I am neither cyber or cypher though aesthetically they appear as parts of my humanity, a human machine forever reprogramming to new stimuli sensating, the temperature of your breath, the many odors of you as inputs that bear newborn children notions in my chested gas chambers, the belligerent bellum bellies of my brain my digital describe in thousands of computers do hide, but to comprehend the interacting calculations that are my constancy and my inconsistencies, you must make a tour if you are awake between midnight and dawn when from wells the visions, the fluids - the words are drawn they, the residuals of a man’s *********** with other humans, kin akin, and the thriving discourse between l, man and parental gods of invisible powers, that offers insanity as a viable solution, to cracking the codex human DNA in the vial labelled Medusa Who else?
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a soft grey blanket flows through the peaks of green pines silencing the celestial voice of the moon while steel horses restlessly paw, panting gas fumes the volleyball desert, at first glance barren reveals a complex terrain of mountains and cigarettes to the watchful eagle's eye a wooden temple towers, built on artificial ground cool stone poured into aesthetically pleasing islands a forty square foot-print a holy site of human ingenuity with offerings from the clans of Miller and Busch lying scattered like bones on the monolithic plain anbaric lamps imitating miniature stars cast shadows at night and the once vibrant world takes on unifying hues of blue I guess the old adage that "misery loves company" is indiscriminate of nature
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Sep 2, 2014
Sep 2, 2014 at 5:10 AM UTC
what do i see?
I wish the world were blind, so love could be.
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Apr 14, 2014
Apr 14, 2014 at 10:30 PM UTC
aesthetically disabled.
Solicitation by Michael R. Burch He comes to me out of the shadows, acknowledging my presence with a tip of his hat, always the gentleman, and his eyes are on my eyes like a snake’s on a bird’s— quizzical, mesmerizing. He ***** his head as though something he heard intrigues him (though I hear nothing) and he smiles, amusing himself at my expense; his words are full of desire and loathing, and though I hear, he says nothing that I understand. The moon shines—maniacal, queer—as he takes my hand and whispers Our time has come . . . and so we stroll together along the docks where the sea sends things that wriggle and crawl scurrying under rocks and boards. Moonlight in great floods washes his pale face as he stares unseeing into my eyes. He sighs, and the sound crawls slithering down my spine, and my blood seems to pause at his touch as he caresses my face. He unfastens my dress till the white lace shows, and my neck is bared. His teeth are long, yellow and hard. His face is bearded and haggard. A wolf howls in the distance. There are no wolves in New York. I gasp. My blood is a trickle his wet tongue embraces. My heart races madly. He likes it like that. Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times. Keywords: vampire, werewolf, supernatural, New York, gentleman, blood, neck, teeth, canines, wolves, desire, loathing, moon, snake, bird, mesmerizing, reptilian
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Apr 13, 2020
Apr 13, 2020 at 11:31 PM UTC
Solicitation