There are pleas
that disguise themselves
in trees
that whisper in the dark-
Like a crinkle in a kiss,
or the words that you'll miss;
too late for meds,
too late for sleep
this time.

We ride on the beaches
with cool kids and leeches.
We **** blow off the ground
because there are times you feel,
and some you fake
when everyone is around.
The bodies in red
that you leave in your head.

The trees tesellate
into nooses and goodbyes.
And I swear this isn't the first time
that you've loved me
like it's the last time;
when I've been something to lose.
The love you have
is the love you refuse.

Your cries are milk-
I wish your cancer was mine.
To be a mistake.
To be left behind.

She painted her nails
some shade she hoped
reflected her personality,
and she thought it wasn't
  honest that they weren't
chipped yet.

Her parents sat on a couch
that slumped around the
  middle, gathering the mass
of her parents,
  maybe the mass of her world.

And they yelled at this
boxed television; a t.v. so
******* strange you had to
  swear, swear, swear
you were stuck in 1997.

1997, our year of Jordan:
a unisex name that bled
'I am the same and name of
some place I'll never go;
so place I'll never be big as.'

And our Jordan looked
  at her nails; and she
looked at them again, walking
to her campus, thinking,
"It's not honest that these
are not chipped."

But she had dreams, or
something close to what
a dream used to be.
She didn't want to admit
she had the American Dream;
a dream that millions had,
because the odds of compet-
-ition didn't intimidate her;
she was bothered by the thought
  of sharing something with
millions of people she would
pass on by, asking for nothing,
not even the acknowledgement
  that, yes, we are all in this
together, and to **** each other.

You see, this isn't a normal thing,
Jordan Racer-Cameron would
throw-up all over the waves
bouncing towards the ears of
those girls -- you know -- who
sat around the edge of standard
  cafeteria tables; those girls with
perfect nail polish; those guys that
would write **** like this.

"You see, this isn't a normal thing,"
she vomited out, holding her phone,
"It's cracked but I am not. Every one
will think I am damaged -- but I am
so, so, so not ******* damaged.
I am not broken. There is no way
I can be broken. Ah, no; I wanna
live in Los Angeles. I don't want
to be some broken, fake wolf."

When she flopped home,
passing perfect green squares
surrounded by perfect white teeth,
she tripped, kinda fell, and kinda
  caught herself.   Raising her hand,
on her knees, under a coal dust sky,
she rose her hand before the burning fire,
smiling at the blood splitting her finger;
smiling at the middle nail's fragmented being.

She ****** the blood off,
feeling free of the prose,
found her home,  
and greeted her
   potatoes of parents.

I asked her why she cut herself,
and she said,
"Because death has an edge
and life is pointless."
She asked that I not
write a poem
romanticizing suicide,
just a poem about
how hard it can be
to celebrate life.

I'm so happy-
I've masturbated until I can't feel
and that's okay.
My hair is brittle;
the water's iron and so are you-
your love's a mess.
God is angry
because he doesn't have to exist
to be real.

Hipsters ruined liking Wes Anderson-
Bill Hicks was brilliant
and everyone is an intellectual.
Your ideas aren't yours-
your words are mine
and mine are yours.
Writing to be antidepressed,
because singing is for the shore,
for your shore.

Let's pick each other's psychology,
like we're removing clothes
or missing ads,
and get lost in each other's darkness,
because, "I love you,
I suppose.
I suppose."

The roads spread throughout
  and past the city, like
the reaching veins of
  my body.

Scabbed trees, **** and
smashed by my
    high-beams,
remind me of the time   I
  sat on the riverbank,  my
cousin receiving oral ***  
  from this gypsy girl.

You don't know the moonlight
  until it's all that touches you.

I don't remember her name
but she posed on motorcycles
and had *** with her uncle.

She was nice
  and the product of
a sad environment.

The thick earth around me,
smothered by nightsong;
it's getting so dark;
the light is escaping.

****** almost killed
  my true love.
****** kills everyone
  around here,
around just about every-
-where. This long dark;
  this nightsong.

Neon lightning reaches around the room,
pink, leaf, and aqua -- 1. 2. 3.
But she kneels in the corner,
aware of herself, however myopic.

And the rain roars, vaguely,
asking to be found through gunmetal vents.

The floor; a cloth, having the
lint of light bear-trapped among the
blood black tiles, escaping to
faux-fur rugs of an alien beast.

Still in the inks of foster wolf disparity,
her eyeliner paints her pearl cheek,
asking whatever, whenever -- 1.2.3.

The old man sits in the dark,
fire by his radio, listening to
John Legend sing about his all,
which I guess is a lot since
he goes on about it for
four or five ******* minutes.
I sit here and think about all the reasons
I hate 13 Reasons Why. I sit here and
smell my candle, to my future.
I think about Miley Cyrus *******
and wonder if she feels pleasure
  like you or me.

I don't know what kind of creature
  is out there.  I don't know
how  to  feel  about  the  world.
My bedroom door may be paranoid
for me,   and I have anxiety over
  knocking that may never come.
Or maybe it will come and I'll
  be ordinarily unprepared for it.
Unprepared for it, as I normally am.

Visions of Japanese women
  dance on the ceiling, like silver
statues in garments of gore.
Or maybe they're not Japanese
and that I am a racist or under-
-educated -- which is most likely
the  same  ****  thing.
  They dance on my ceiling
and I stare, no longer wondering
if I'm rude, if they're real, if
the house I live in is current-
-ly losing value. These type
of things just happen, swear.

My candle is burning bright,
reaching towards the hugging
  blinds; smelling like sea salt
and an ocean I will never touch.

Standing like a model in a motel room-
jealous eyes can't open the blinds.
Every time, every time.

Je t'aime à la folie, broken frames.
These are beautiful songs for damaged people
that don't think they're all the same.

They taste like formaldehyde,
so hopefully they'll preserve me.
But, instead, they burn the room
as they kiss my neck and collarbone.
Lapdancing on my loneliness-
Please, let me remove my eyes and hands,
because I've seen and have felt too much.

You don't understand:
everything is ideation
and demisexuality.
Double entendre:
I'm a toxic lover,
I have girls around my waste.

Take a look around and see how damaged everyone is,
and how universal they are in their illusory disguise,
"How can we be so smart if the last line was redundant, guys?"

Je t'aime à la folie, broken frames.
This is just a mediocre song for damaged people,
so they believe they're not all the same.

Don't feel too much.
Remove introspection.
Be self-absorbed.
Feel no affection.

Jazz women clap in unison, black.
All the boys in the club move
way, way over, for your health,
sister.
Some bartenders smoke ****
while polishing glasses, big or
small.
Cartoons play on box t.v.s
while people look at hubs on
smartphones.
Some gruff guy points at you
-- and, yes, it could have been
me --
we have a phone call, I think.
Who uses a payphone, any-
-****-more.

Choir children double for choir
mice.
Helicopter parents hover their
hands above their juniper drinks.
Gesturing at poorly dressed kids
has never been this in fashion.
Be perfect for the camera;
this moment will be captured
by synthetic eye.
Moms and Brads turn to
  look at us laugh.  Which has
always been in poor taste.
They say my poetry is bad
and your music is **** -- but
I guess it's nice that someone
  gave us those views.

Columbia and Harvard
seem like distant planets.
But that's where we'll be,
supposedly.
You with your Guinness,
me with my Tito's.

He bounced around
from town to town,
never becoming whole.
'Cause in his parents' eyes,
he was a parasite, hiding in
a hole.

And he let his friends down,
with promises and hopes
that deluded and destroyed
him.  Throwing his words a-
-round, never slowing down
to enjoy the beer and bodies.

He bounced around
from heart to heart,
gathering sympathy
like gold coins; hoping
that he could, if they
really would, stay and
cope a little.

And he let them down,
like his friends and his
parents. He thought a-
-bout dying and writing.
He thought about his
brother and every girl
he thought he loved,
trying to understand
if he could love if he
could not love himself.

He bounced around
from key to key,
writing about nonsense.
Or maybe it was important
and he minimized it, because
that's how he coped; or that's
how his father talked about
his son's accomplishments.
I guess his son would have
to ask himself if he ever
accomplished anything worth
making his dad proud.

And when he went to
the ward, Chestnut Ridge,
that was three years ago.
I guess he's still around,
working hard, New Yorker
something, something, something.
Dad is proud, likes Bojack Horseman
and The Walking Dead; all of this stuff
is so ******* irrelevant.

My dad is proud.

This is a robbery
  of what makes you,
makes me.
This is my honey;
  I fit inside of you;
you-you-you-you.
  This is melting.

Our malls are fiends
  and our soccer fields
are growing stronger;
  our sports are growing
trophies our children
  could never be.

This is daddy's blood;
  our hero, our stud.
Working hard to
  help the factory.
This is poverty.
This is you and me --
               a robbery
we love to applaud.

This is blood, blood,
            blood.
This is you and
         this is me.

On a long and simple gallows tree
a god and dollar bill I see --
and I've never felt so happy;
no, never felt so happy.
I walk around and brush the bush
and think about all the ants I mush,
just want to make a cent or two;
what else am I supposed
                to want to do?

And on the laundered sky I spot
a furious eye over a shackled lot
-- but I'm told it's just the sun
                               that blinds;
   destroying all the ants it finds.

I don't think I understand,
my god, my wallet is full
but my life ain't worth living.
God, you're like a bird in my hand:
something beautiful, always squirming.
     And I wish I could let go.

I've always lived this way;
used to wish for other
                         ways to feel.
On a tidal wave,
with white walls and
           a body made of steel.

And I'm drinking,
      in the sunlight.
Wind whooshing by,
says I'm James Dean.
I can't fake it,
because I'm so uncool.
Better make it
to an ivy-league school.

I've always lived this way;
always running to get closer
                       to how I feel.
On a tidal wave;
not enough money
       or looks to buy a meal.

And I'm standing,
  before the teller,
       and I tell her,
to close my account.
There goes my religion;
well, the one that isn't
       west coast bound.

I've always lived this way;
watching people on t.v.
communicate how I feel.
Wanna be a slave,
with the screen as my
                      new shield.

Leaf spines do their damnedest
to hold onto broken branches.

"These people -- if you could
                      call them that,"
the old man's shoulders pinch
his bubbling neck, "*******,
******* -- these opinionated
women; my god, I have never
seen the like, no sir."

Mother, why have you left me.
I can smell you on the freshly
                           salted roads.
It is so cold here. The snow
may never stop. The wind
has been picking up. I'm
afraid it may ******* away,
somewhere your direction.

"You see, the thing is, this
country -- no, this world --
has changed so **** much.
It's struck me, fearsome, of
what may stay; what may come,"
he runs his thick fingers through
a rather handsome silver patch,
"I wonder if what I mean to say
is that people scare me?
I don't know what that says
about me or about people."

Father, you sit and you drink,
dying in your work boots;
dying in the arms of my dream;
becoming a man slowly razed.
Your eyes are pale hazel
and they grow apart, as your
tongue pushes out, gone for
a few hours; soon missing.

"Mmm. No sir, I suppose this
world ain't for me. Virginia is
hardly the place I once knew...
You know, my wife, she found
the good in everything -- swear.
Found the good in me.
I envied her, in that one way;
she'd see the good in the *******,
*******, and these women who
just, well, don't know their place.
She'd know. But she ain't here.
Hell, I'm hardly here, tell'ya."

And all my anger I harbor for you,
my mother, I give to the women
I sleep with; the women that
break my heart; the women who
love me forever.

And all my anger I harbor for you,
my father, I try to forget, for you
are my idea of God's love, and
I desperately scratch at your surface,
excusing your roughness injuring my
fingers; forgiving you for covering me
in your blood and everything else you.

Random dates.
Random times.
Useless words.
Stupid rhymes.

It's not cool being
less than you can be
so I urge you--
urge you--
to be happy.

Because there was a man
who was a clown
and he danced for the children
as they were being lead
to the gas chamber.
And it was 1943.
And it was
**** Controlled Germany.

The clown wept,
each time the lever
was pulled
and when the children
became silent.

To stop crying,
he told himself
that existence
is just random dates
and random times.
There was no meaning
in reason
and no order
in lines.

All he could do
was all he did know,
and that was to give
happiness
before they'd go.

CHANNEL 3 AT 7:


We are at the scene, now;
an awesome showing of
                    brute force.
What some are calling the
greatest moment in U.S.
                          history
and, some, "An example
of jingoistic propaganda
masquerading as self-
-liberation."

Whatever it is, Tom,
one thing is certain:
we will be here,
covering every second
of this gigantic American
                          moment.

"And we thank you for your fine
reporting, Lisa. Boy, I tell you,
the President is making a huge
mistake with this act."

You have got that right, Tom.
We, as Americans, cannot
allow this to happen. We have
to ask these people if they want
this to happen -- and, then, we
need to enforce, what we consider
progressive and better for their
well-being, to them. These people
are like lost puppies, Tom.
It is our responsibility to make sure
that they do not respect their religion,
their culture, or prehistoric way of life
they have become accustomed to.
If we ignore the issue, of their
third-world existence and third-world
values, then we will have lost as
human beings; and the United States
cannot lose whenever it comes to this.

"Lisa, bathe me in your words,
because nothing has ever felt so
clean and right. You're absolutely,
100% correct: we need to guide
these poor, helpless people and
show them what is right, when
it comes to culture, identity,
among other things."

Agreed, Tom. And thank you.
To make things simple for
the viewer at home, you wouldn't
buy a puppy and expect it to
**** anywhere it wanted?
You have to show it where to ****.
Heck, you have to show it what to
eat, so the **** can be a good ****.
To sum things up, these people have
been pooping incorrectly, for a long time,
and it is our responsibility to show them
the **** inside of us, and how we aren't
going to mix with them, but, instead,
show them how they can get a nice,
firm ******* that we all but
take for granted.

"Couldn't agree more, Lisa.
It is our duty, as Americans,
to help these people who have
been de-humanized, and show
them how to handle this and
the world, especially during
a time like this for them.
And let us not forget,
this is their moment."



MAD MIKE IN THE MORNING:

Hello folks, and welcome
to the Heat Zone; a place
where snowflakes melt
and where liberals sweat.
I, of course, am your man,
Mad Mike O'Leary and
boy, do we have some
serious stuff to talk about.

Our fabulous leader,
whom we shall respect,
has made our nation great,
as 195 countries --
excluding our's, of course --
citizens now have American flags
drilled into their skulls.
As an act of kindness,  
Our fabulous leader,
has given each of these citizens
the choice of keeping or removing
the flags. Of course, if one were
to try to remove the flag,
a tiny explosive would detonate,
as one can never be too sure
if a citizen would use the flag
as a weapon -- and, of course,
there is no promise that the flag
wouldn't touch the ground,
so Our fabulous leader explained
that flag burning would be an
acceptable method of removing the
flag from this plane of existence.

Here, today, we have political pundit --
or political genius; you decide --
Ryan Tomlinson to discuss this radical
new way of life, we unfortunately have
to endure. Ryan, what are your thoughts
on the controversial method of discarding
the flag: a symbol of our strength, love,
                                          and freedom?

"Well, I'll tell you Mike: you think you're
the mad one, you should ask my wife
about my reaction when I learned about
this atrocious tiny explosive destroying --
yes, destroying -- our great and mighty flag!"

Haha, is that right, Ryan? I bet Nancy got
the Rowdy Ryan I've met on Nickle Shot Night.
What were her thoughts on your reaction --
better, yet, what was your reaction, Ryan?

"Well, I can't tell you exactly how she
reacted to my reaction, because I wasn't
really listening. But, I tell you, ever since
He Who Shall Not Be Named left the office,
Our fabulous leader has had to adopt some of
his wild and, frankly, immoral methods --
which would include the burning of our flag."

You got that right, Ryan. It reminds me of
when my oldest left for college, leaving behind
some beers that little Matthew ended up drinking.
My point is,  He Who Shall Not Be Named
has left some stains that still need to be cleaned up,
but I am confident that Our fabulous leader will
scrub those right up; if Matthew can do it, so can he.
To move on, here's an issue I have
that no one is really talking about, Ryan:
Not only are you detonating this flag -- a
flag that millions of men, God Bless Them,
have fought and died for -- but you're also
covering this symbol of freedom in the
blood and gore and scalp and guts of
these dangerous people who would love
nothing more than to see our symbol destroyed.

"You hit the nail right on the head, Mike!
These people don't understand what it is
like to be an American; to deal with their
oppression and policing of our values.
They already have succeeded in dividing us
when it comes to this whole flag removal
method. You can't reason with these, people.
You can try to offer them a Benjamin;
you can try to give them tickets to Transformers,
but these people will never respect us or our
way of life. And these liberals are right behind them!
I'm not sure what the liberals plans are, right now,
but you can be sure they'll use this whole flag thing
to exploit something. Hell, they're already talking
about how we should teach these people to **** --
what if they get to them, first, and teach them to
**** on the GD flag?! The liberals are helping divide us!
That's what they do!"

You are so, so right, Ryan. This country is full of
the wrong ****; and is going down the toilet.
Well, unfortunately,
we have to go to commercial, but you can bet
your keister that we'll continue this important
discussion that involves your liberty,
your job, and your soldiers.
Mad Mike in the Morning, with special guest,
Ryan Tomlinson -- be right back.
Don't go away.

A weathered door of a face.
Her house, captured in a bubble,
on Anterograde Lane.
In the dark; in the corner,
her leg, scarred in cursive, propped,
like the whole of her frailty; on a
budget wheelchair, second hand.

A boy, brand new,
who will soon be old enough
to forget what happened.
What mother? On the road,
smeared with hot, gushing
jet-black highway blood;
encompassing the coagulated
being of what was, and, only
in hushed talks, a mother.
What daughter?

How old are you, this time?
These words slip out of a smile.
And she wishes she could hold him
-- but her frayed fingers fight back,
with every twitch trying to touch.
Delayed comfort becoming devastation
-- 4 years-old. She can hardly believe it.

Pain eats her grocery bag arms,
bulbous in her bones like
confused locusts, frenzied.  
The boy's eyes are a deep brown
nutrient-rich soil, perfectly fertile;
needing to be cared for and grown.

Forever, she could, protect him from
The Lurking that killed his mother.
At the very least, for however many
remaining years. Three. Five. Eight.
Becoming a lantern before his sight;
guiding him from dangerous design
drifting between trees, in the dark.

I'm in love with someone's daughter
living in the shards of a broken home
Cutting herself on two year-old letters
These are moments she can't fake;
reasons to feel alone
So used to abuse, her tears start to shake
I hold her close as her head starts to ache
"I love you too much,
so I can't let your heart break."
She said, "I know you love me,
but you've made a mistake."

I never meant for anyone to be my pulse.
I promise not to step on your feet
if you teach me how to waltz.

If you wanna be the same,
be the same with me --
I swear we’ll always
blend right in.

And when you say
you don’t like Jaws,
I'll still be a Peeping Tom
behind your books.

When you lie, Maggie-Pie,
about the movies you’ve seen,
it makes the Tom Waits you like
seem contrived.

Degenerate drug kids,
too high to be a star,
in love with moments.

Give me my moments,
my lifeless promise
to always have a car
and insurance.

If you wanna be lazy,
be lazy with me --
I swear we won’t
ever do ****.

And when you bop
your head to Kendrick,
I’ll watch you melt
underneath the strobe.

Place your finger on a globe,
tell me where you think
you could be, then tell me
about your perceived
self-worth.

Degenerate punk kids,
with more ink than squids,
and a tip-jar future.

Give me my future,
my hurried ten years;
you know my twenties;
you know my reason.

Give me my reason,
give me my reason, give me my reason.

My antidepressants don't work
the way I want them to.
I tried to imagine watching each film
with anyone but you.

Your flickering eyes,
they project the world.
Hidden reels
inside your soul.
There's too many people
inside your bones.
You don't have to be
in your theatre alone.

I forgot how to sleep
under the same ceiling.
I watch movies in the dark
to remember the feeling
that made me confide in her.
My eighties film.
My Winona Ryder.

There's too many people
inside your bones.
You don't have to
be in your theatre alone.

Five after dawn
and your movie's still on.
Christian, **** the popular kids,
because they don't understand
how her brain works,
how her glances steal,
how each death
can't make her feel.

Your flickering eyes,
they project the world.
I watch movies in the dark
to remember the feeling
that made me confide in you.
My eighties film.
My Winona Ryder,
let me forget you.

Maybe you're crazy
with your cleaner.
Maybe each swing of the mallet
made you meaner.
Maybe reality bites because of Heather.
Maybe it scared you that we were in love, together.

Maybe it scared you to stay together.
Maybe it scared you to stay together.

There is a couch and it is where I fall.
My seventeen year-old legs,
bandaged with bumblebee knee socks,
arch like ****** pink lawn-flamingo joints.
Crookedness meets at
cigarette skin thighs: grape-kiss fingerprints,
like mental leprosy, projected.
My eyes meet at where fingers told me to stay
and where the knuckles followed.

Acorn ***** hair sleeps in a tuft,
woken by the brush of a thirty-three year-old soccer coach.

-

My Vans grip sandpaper tape,
preceding clicks: sliding up and down,
like graduation day maternal comfort,
like dirt-under-the-fingernails *******.
Clicking wheels, sound waves
smacking across asphalt jungle.
Sounds escaping and reminding me
of how I'll never.

I'm not in love --  not sure if I can,
be affectionate towards the things
I don't understand.

I'm not in love -- even if I could,
I don't think I'd care like I should.

After long dark,
you can find me in my mind;
taming serpents; kissing girls.
You may not understand
why I've been the way I am.
You're under-educated
and that's only half your fault.

Sometimes I am imprisoned
within the waves of an ocean
that always misbehaves --
but it's not my fault; just the
way the god rolls: making halves
and making wholes.

After the short syrup of light,
you can find me hiding, true;
pulling off ticks; kissing boys.
You may not comprehend
the way I'm fumbled together.
You're under-educated
and that's only half your fault.

Always I am imprisoned
within the crash of culture;
my thoughts treated like worms;
my illnesses considered contrived.
But it's not my fault; just the
way you guys roll: ignoring halves
for conventional wholes.

White whiskers rooted above the trumpet player's lips;
his body moves like a sci-fi parasite, as he spits out songs
at the big bellied, Skecher-chic, boardwalk children.
The kids give a moment's interest before passing by like
armored flies, if armor were cheap cotton shirts and
helicopter parents.

Sooner or later, the sunset meets the brim of his hat.
It's a mystery as to the speed of the trumpet dropping
from his lips to its case, but you'd have to find someone
who cares about those types of things.

His brown, leather, Payless feet jut outward; away from
one another and towards American stores reflecting themselves:
Italian restaurant, Thai restaurant, Car Insurance, Dollar Store.

Quicker than you'd think, his denim hips are clamped by
the wooden arms of a misplaced deck chair, relocated to
a dining table as small and low-income as the man who
saw the dreamlike orange and purple sky drift away
behind the cemetery gray blanket of smoke, rising from
a fractured ground littered in mud-bathed, leaking bodies.

When the night has only begun to settle in, the man's
thick hands carefully adjust her picture, for he fears
the paleness of his fingers will leave more of a residue
than he is accustomed to.

Kept within the copper and green borders, she has
only begun life; twenty-three and never having to apologize,
there is still so much left to the imagination; her olive grey
cheeks are sided to his eyes, ready to be jammed with
baby, mommy, and daddy fragments of windshield;
waiting for the last embrace of a sturdy steering wheel;
her hair still dry and not dampened by insides coming out
or the flying weaker-than-you-think half-gallon of whole milk
that covered -- or washed, depending on your attitude -- the
back of her fifty-three year old head; the eggs fortunately
missing twelve times, hitting what was left of the windshield,
leaving an image comparable to the wall of a bar that not only
has a dartboard but also a man with terrible aim or who had as
much alcohol as the man who slipped his car into Margaret
and Joseph's life.

Joseph looks away from her picture, as his glass eyes begin
to shatter. Running fat palms and bulbous fingers through
the white, over grown lawn on his scarred scalp,
he says her name three times before retiring to the mattress
Margaret picked out.

I have a hard time in bars,
specifically ones I don't belong in.

Sometimes I stand at the bar,
this wooden horseshoe, among
other faces that I probably blend
into. I want to say, Can you see me,
but don't because why would they?

My friends are mostly gone,
scattered across states like bats:
blindly searching for life.

I didn't deserve them, anyway --
that's not self-pity, that's just
how it is.

At most midnights,
I find myself swallowed by
existential terror.

Like most Americans,
I want to be the best
and have more than my
parents ever did.

Anyway, I don't belong in bars
because I think I am better than
the people there and someone,
who thinks that type of stuff
doesn't deserve a drink -- just
repercussions.

I think I deserve everything
but I don't work hard enough
for the books, people, and love
I imagine.

Perhaps I am plain,
like discount yogurt, waiting
to be touched before I expire --
but there's strawberry, which,
of course, is so much better
than plain, low-fat yogurt.

There's not a universe
where I am low-fat;
why would that happen.

I am stunted: four years
behind every one else.
People like me stay
strangers: the darkest
inside the night.

They say we're degenerates
as we walk with sore shoulders,
flimsy backs, fractured dreams.

The word millennial is used like
some derogatory word --
we're meant to feel like ****
because our parents failed us.

Because smartphones help us
release dopamine.

Because we're addicted to
virtual realities.

Because we **** strangers
that we hope validate us.

No one understands why
the news says this about drugs
and this about violence -- or why
we do 'those things' and if we
have any '******* sense'.

It's beyond them.
Maybe beyond us.

It's higher than our weekends;
lower than our expectations.

Solo, like Star Wars or women's soccer
I sit on a ***** chair with pure liquor
sealed from the rest of the world

Numb, like Linkin Park or lithium
they hold my wallet like it's a gun;
want to use it to gauge my meaning.

If you want a dollar, babe, then
you gotta work to separate
yourself from everything sane
or how else can you gain

the feelings you see on t.v.,
what E! says is reality--
because you're told that's
what matters, entirely.

Identity; conform to be something
marketable -- or, at the very least,
conventional. I want my insides
to be considered pretty, but
I'd have to hope someone
would give the effort to
cut me open and ignore the joy
that my bleeding out would bring.

I think she lost a part of herself,
picking up the pieces. And that's
okay; the universe works because
something is given for
something to be gained.

Her parents were red-blooded
Americans; they drank confirmation-
bias and the minimization of minorities.
They would make her problems as small
as the countries, they couldn't find on a map,
but could find in their hearts to demonize.

Oh yes, the demons: what used to
afflict her and corrupt her pure heart.
To them, she wasn't a teenager --
a child -- stressed from carrying a
family, featuring a mother with
a brain tumor; guest starring
'I-stunt-your-growth-with-Jesus'
as the understudy for mental
health awareness.

No, she wasn't a child; she was
a burden because she cut herself,
because her legs grew too thin;
as thin as the crucifixes around
the proud, turning necks, holding
dismissive heads of 'Why-would-
you-want-to-be-dead' Christians
and 'I-don't-understand-what-isn't-
in-the-Bible' fat, white relatives.

To make things short as her
life could have been: she dipped
in and out of drugs, featuring
****** and pills that would
dip in and out of her body,
like a fool's gold life jacket,
soaking in the waves of her
pale, transitioning to adulthood,
twenty year-old waters.

She saved herself, and
they thanked God and the
boy and mostly everyone
else but her. And the little
brother sat, sinking in a seat
softer than his deep-seated
hateful beliefs. But, the
truth is that she saved not
only herself, but also the
handsome, white, tall,
smart, talented image of
'Holy-****-what-a-tall-
drink-of-privilege.' A
tall drink who cared for
her more than the country
cared about being right; who
loved her more than the parents
of the degenerates living in some
unknown collection of poems about the
disenfranchised and American angst.

She was a protest, very wondrous;
a halting of the longest dark,
a breath of fog floating towards
a lonely, very deep pond.

And she was only beginning.
And it was all very exciting.

The window is up;
sounds of rain crinkle in,
like the static in the voice
of a faraway caller.

My cats are perched,
one grey, one tabby,
listening with me, as
we stare at miniature
mudslides glaze gener-
-ations of ants, probably
clinging onto strands of
grass; waiting to become
the past.

I think of success and
what it means to me.
I look in my wallet and
count one-two-three;
one reason to like the rain;
two reasons to embrace strife;
three reasons to consume pain;
enough zeroes to choose a life
not smothered in mud, not one
where I cling onto the grass.

I dream of a dream where
my dollar bills can last.

I approach most desires
like a competition; can I
**** better than him;
can I be famous at twenty-
-three since he was famous at
twenty-four -- I must be able
to sink better than him.

God, it is exhausting. I
feel like I'm dancing with
a machine; a phantom that
I can never catch, for it runs
on my blood; my insecurities;
my passion -- and, boy, oh boy,
can I attest to having plenty of
  that stuff, ladies and germs.

I think, truly, that I am
encompassing the American Dream
I think is utterly flawed; that I think
is futile in nature; that I am sure of
is the closest thing to Hell, in this
Godless, spiritually motherless
dark shoebox of sudden collisions;
this space of useful and useless
results, splayed onto and into
our hearts, asking for reverence.

There is nothing  I want more
than to be sure that my importance
is not illusory. I am not sure if
I am real.

They tell me to lay down
and to please look at the fish.
Notice how they glide
in-and-out of the cool-blue
water; how they don't have
a care in the world -- they're
fish: one out of millions;
mindless; alone in packed
tanks; alone, jammed in
metal cans full of corpses
and low-quality mustard.

Putting the mask over my
perfect nostrils, my straight
teeth, they say Don't be afraid;
listen to my humming; how it
will blend with the high-pitch
screech you hear, now; becoming
an equilibrium of torture and
fantastical strangeness, unbound
by Gods, by Persons, by Loves.

Inside this perfect dark,
you cannot think beyond
the giant broad strokes that
is the world sweeping by --
and it is marvelous, the
buoyant miseries floating
above your head; my head
of ambivalent visions;
the Earth's core, a furiously
violent brilliance, ablaze
beneath my feet, under
layers of confounded
deathly masquerade; a
mask much like mine:
an egotistical reflection
brought out by one's
feeling of gigantic import-
-ance, despite hanging
from the vastest of ceilings;
a wannabe church in the sway
of jungle mind; primitive instinct.


***

You know you can wake up
  at this point, or so they say.
What does it all mean, to which
I murmur, I don't know. It's
hard to say what I know; if
anything, all I have is doubts.
All I can muster are regrets;
I wish I could return to that
perfect dark, confused and
semi-philosophical; all-
pretentious: a feeling of
being bound by brokenness.

They tell me to chill out;
you use semi-colons like
they're heartbeats. Focus
on whether your chest
holds validity.

They said they had to **** my dreams
because I didn't have enough zeroes.
In other words, Mr. Doe, you were
                     lied to by your heroes;
money isn't everything,
but not having it is being invisible.
You can work sixty hour weeks,
but only earn ways to be miserable.

My parents paying four-fifty, monthly
-- which is not a lot of money; we had
to eat out of cans and delude ourselves
into thinking it was funny. Sorry, Does;
                              sorry for your woes --
but America is the big hunter, and your
                            death is how it grows.

We were not equal; no account because
                   we had no account. Asked by
our family members if we bought junk
                      in a large amount. I'm sorry
to disappoint myself -- but I
                                         cannot afford
                                                   to lose.
I am the result of a flawed America
                                     that has learned
                                                to abuse.

They spent the day
eating t.v. dinners;
she had Hungry Man,
he had Kid Cuisine.

Grandma changed the channel
from Middle-Class Meltdown to
an 80's cartoon about robotic bears.
And he said, Grandma, this is scary
- so she turned it to a show with
pre-teen children and vanilla jokes.

The sun melted into orange and purple,
spilling over the horizon like melted sorbet.
Surroundings purged a different dark.
Shadows stuck more than usual, she noticed.
The Lurking was present, even if she didn't
quite understand what it was or where.

A few days passed, where she could
feel malevolence nip at the heels of her home.
She remembered her daughter,
at a recital, dancing with grace --
this helped her fall asleep.

She remembered the phone ring,
radiating a green hue, stating
words she didn't understand.
Answering it. This helped her
wake up.

I tried crushing each memory like a shortening cigarette, but it's easier to allow yourself to die than to forget.

I stood in front of the mirror-the wall behind me scribbled in green-and I watched myself shave the weathered, brunette hairs off my cheeks, chin, lips, and jawline that you found so attractive and wrapped your lips around like a future reunion of, "Hi. I'm sorry for goodbye. I'm glad I met you again before I thought I would die."

And, in my head, I watched you approach my lips with yours.
And, in my head, I took a step back and started to tear up.
You asked me to kiss you, in my head.
And I shook my head, in my head.
You said you were sorry and got help, in my head.
You were better, in my head.
You were healthy, in my head.
But I'm aware some things may only live and die and say goodbye in my head.

I sat on the edge of my bed, no longer in my head, watching "Good Morning, Vietnam", and I remembered where I was when I learned that Robin Williams died. I remembered poking your thigh, in Starbucks, and wondering how long it'd take you to feel my finger or if you'd try to ignore the feeling, like most feelings. Your lips were red and your pants were black and on white, were black cats. And you were afraid to ask for your coffee. And once you sipped on your coffee, you left a red stain and it still appears in my head. And I relive every thing while being dissacioiated with my current life. And every kiss is a red stain in my head. Oh, great, we're back in my head. I guess we never left.

And I remembered when I knew you were dying and leaving and when I knew you had died and left. But I drowned those memories in ***** and suffocated them with smoke, until my body collapsed and until my lungs learned the cursive in every exhale.

In my head.
In my head.
In my head.
In my head.

Here I sit in the dark, watching 80's films. Because thirty years ago, there was no you and there was no me. I imagine it was a simpler time for the both of us.

A time where we never met.
But I'm glad I met you.
A time where we never kissed.
But I'm glad I kissed you.
A time where I didn't say,
"It's okay.
It's okay and it's always going to be okay
because I love you too."

It's not okay. It's not okay. Itsnotokay.itsnotokayitsnotokayitsnotokayitsnotokay

Tomorrow I will wake up, put on a t-shirt, boxers, socks, jeans, worn out Nikes, and a beat up flannel. I'll check my pulse, as I do my vitals, and I'll take my medications. I'll look at my bank account and determine how much money it'll take to forget you and how much more I wish I had so I could help you.

Is there a simpler way of saying I love you, or should I continue writing this album?

Sing with me,
I've slept with bloodshot eyes
I've dreamt of a sunrise
that erases everything  
Oh, every thing

Move with me
You won't have to be alone
Wrap your hand around a microphone
And sing with me until the sun comes

Sleep with me
Talk to me about yourself all night
We'll grow tired as the dawn bites
And lay side by side,
with no where to hide

Too tired-
we can pretend to be dead
Too bad it's all in my head
It's all in your head
We'll never be dead

Your pretty face,
all scattered in black,
back to the steel --
that's how they
disappeared you.

My emptiness is
measured in rust;
drenched in the rain
that'll soak your dust.

I've wrapped you in
the red wind-breaker
I've never owned,
hoping it'll change some--
--thing, anything at all.

That'll soak your dust.
Please, Please, tell me
you won't leave me be.

There's your voice
an ear-worm in my --
I wish you'd come back,
my little guy.
I'm such a degenerate
with you off of that
tight-rope I've found my--
--self on. Why'd you gone,
Where'd you gone, my son.
Where'd you gone, my sun.
Where'd you gone, my son.
Where'd, Why'd you gone.

That'll soak your dust.
Please, Please, tell me
you won't leave me be.

Sludge black driveways
holding hazardous mindsets.

Back of his head is made of
white canvas; red strap; yum-yum.

You can see body in the window.
Cut like a Valley Girl diamond.

Brown ***** hair, faint.
Narrow shoulders, pointed.

Brows arch like arrowhead;  
floating above callous constellations.

Snarls of smoke from his cig;
dragging filter like a conscience.

He studies her while she studies
how life looks around her neck.

Closer to midnight, says Darling.
Gotta let her live in a dream-mo.

Inside the piggy bank, gold looks
like memories 'round her nape.

Peeking into the mirror's reflect,
mouthing her name, twirling hips.

What a time to be a star; stable
inside the crown of debris.

Completely secure in nakedness,
a streak of light swims closer.

Black bear fur, harboring glittery
fleas; her eyes look out and up.

It is as close as anyone ever tried.
Non-stop destruction, seductive.

Darling says, look at her look.
He takes a picture with his phone.

**** beauty, ******* to
the assertiveness of annihilation.

Looking at the picture, he curses
himself for not upgrading.

A fire overflows, as she has
one hand on her stomach and
another on her purse.

I can tell that
you can't tell
that you aren't
going to be famous.

You helped **** a kid
by selling him laced candy
because you were trying
to buy an acting career.

Your suicide threats
and cries for help
turn me on.
Because.
I would love
for you to die.

And if you were dead --
as dead as the dirt on
the graves you've helped fill --
I wouldn't sleep better or worse;
I guess I would just be happy
knowing that someone would
be able to sleep and wake up.

They put you on the evening news
and you laughed about it on twitter.
Because you are a river
teaching drowning lessons
but not taking responsibility
for the cornflower blue corpses
that haunt your dangerous brain
and contaminate nearby life.

You are a degenerate --
but not one with potential
or hope. You are not what
is beautiful about struggle;
you are not interesting.

You are written about
much like how cancer
is written about in journals.

I dislike my body, much
like how a mother disapproves
of her son's girlfriend.

I'm half-naked in a bed
that isn't mine -- but I'm
used to being adopted by
beds; fostered by
temporary situations.

The sun passed, long ago,
and I know that tomorrow
might vanish, emulating
melting moments aboard
brittle rib cages, slack jaws.

Nothing days like the
yesterday and the one
before that; fragments
not meant to be placed
back together, only to
be cut on, leaving wounds
to be wished upon.

I know, one day, I'll be
as tattered as this flag
I call my master. I will
die, for the thousandth
time, as I talk to an idea
about how I was in love;
how she believed in me;
how my brother was a
man I wish I could have
back; how my littlest
brother was always in
trouble and how I didn't
help enough. I was a
writer, I'll say; I was a
son, I'll whisper that
they were imperfect but
their wish, that's what I was;
their hope, that's what I was.
I was their's.  

I'll be sunken into a seat,
staring out a window,
during a night like this.
Hiccuping thoughts
that should be tossed.

My spine is crooked.
I take off my shirt
and it looks like my
body is swollen on
one side.

There's a hole on
my chest; some
insect insertion,
living between
strands of hair.

A scab is on the
back of my head
and it hasn't healed
in years. I'm afraid
to fix it because I
may make it worse.
I'm terrified of what
wounds may breed.

Surgery is probably
the answer or something
like it. I hope they don't
miss and cut something
on my spine. God forbid,
I become as paralyzed as
I feel.

There's a God --
he is near; he will
corner you with
your fear.

It's enough.
Don't say too much.
Your differences
are seen as a crutch.

You are my...
American Truth.

Don't put it in...
Please, spit first.

There's a flag --
it is real; it will
wrap around and
claim to heal.

It can't be burnt.
Won't be buried.
The colors are
three and they
are married to
something green;
something strong;
something that
will control you
all life long.

And they will tell
you that it isn't wrong.

And they will tell
you that you aren't
American, you free-thinker.

It's emergence so brief and shattering,
you'd have to question it's existence.
****** from the swamp by the sky,
it is devoid of morality; it is the terror
that does not forgive what it hasn't
given permission to.

Abrupt hum of an Indian motorcycle,
streaking across the starving freeway,
leaving ribbons of red, in the long,
uncomfortably volcanic-black night.

The body on the machine is wrapped
in cheap, crimson leather, and topped
by a navy helmet, stamped by a
visor reflecting rushed stars.

Migraine-inducing headlights hit
it's prop-store-green body, as it
drips and steps towards a vintage
orange van. Through the videotape
windshield, it can see two still figures;
two figures with aviators and bandannas.

Road signs swing by; the air zipping
in and out of the helmet. The body,
effortlessly, weaves through and
past the few vehicles lost in the dark.

Decelerating, the Indian penetrates
an exit stained: 567-TX-155.

Inside the carpet lined cave,
the figures stare at the monster,
indifferent to it's existence -- well,
not entirely one reminds the other.
It's arms dance in front of it's eyes,
blinded by the freshly clicked
high-beams; unaware that they
are, slowly, stepping closer.

Approaching a skeletal forearm,
emulating a tree, the Indian gradually
becomes silent. The body walks it
behind the rooted elbow, laying it
on a web of wooded earth; pulling
up a sleeve, removing and resting
a watch on the hot, metallic carcass.

It removes it's scattering fingers,
green and twitching, from it's
shrub framed eyes. Looking
forward, two bottles of blackness
grow near. It is a miracle only
surpassed by the instability of
life, that I look upon you, one
bellows. Consider this not
personal, but a preemptive
admonishment. Simply: I
cannot allow you to live,
for I have heard what I
cannot understand. Please
know that I admire,
thus I destroy.

The leather-clad foot-claps
eat and spit the sleeping gravel.
Pace becomes quicker; frenzied,
even. Like a comet, exact in its
imprecision, the navy helmet
falls to the ground, capturing
a night-sky goodbye; casting
the moon, briefly, into her eye.
So brief you'd have to
question its existence.

It's body, pulpy and beet red,
lodges itself between their
pale, freckled fingers. They
consume, pause, then continue
to gnash on the foreign meat.

Yellow, like an ancient bone,
the moon curves and bends
with ever chomp. It can feel
it all. The insides, pulled and
wrapped around wrists; soon
yanking; soon gritty removal.
The light begins to blend
with the surrounding dark.
Last breath, ruined by the
brief choking it's flesh caused.
So brief you'd have to
question it's existence.  

Sweat rips down from her
hair, onto her eyelids. A
dead sprint is broken into,
before she throws herself
into woods, avoiding the
approaching beams of a
vehicle. Forty-three
seconds imitate the
vehicle and go by. She
lifts her eyes to the brim
of a bush; pupils sliding
side-to-side.

Van tires make the transition
from gravel to asphalt, as the
two figures are now, indifferently,
drenched in a red-bronze, becoming
crust around their lips. The driver
says, My father told me about him --
that. He said, if given life, it would
learn to take it. You cannot change
the nature of a monster. If we
remove it, we remove death.
We control the consent.

Her heels transform her sprint
into a statue's posture. The rocks
hurt her knees, as her hands soon
follow, crashing to the ground.
Scattering fingers reach towards
her, soon met by her petite grasp.
The same fingers grow still.

She reaches towards her side,
cradling the nickle handle of
The Last Killer
looking behind her, anger and
a plan, running down her face.

Different colored fruit
with various tastes
One hits the ground
and the others
go to waste

Different colored fruit
some bruised
some small
If one has a worm
you have to
destroy them all

Different colored fruit
believing in higher things
Worshiping their trees
Debating over the rings
they find when they
tear their Gods apart
Different colored fruit
some sweet
some ****

Different colored fruit
with evolving views
Growing with the season
some becoming softer
some turning darker hues

Different colored fruit
learning how to die
Some at peace
with falling
Some hoping
to float
into the sky

I feel like dying
a death they'll count in likes.
Always second. Next best
  option -- may he rest in peace.

So many people other than me.
Having to apologize for bleeding
  on the knife in my back.
You cheated on me -- please still love me.
There are so many other men -- please
  let  me  be  your  eternal.

I'm a side *****, worth my weight
  in wallet and ****. My head of
hair is curly. Tangles of fun;
  all connected to ordinary brain.

Tell me your proud, father.
Tell me I'm worth something, mom.
Am I contributing to the economy, America?
May I crumble so that my pieces fill
the cracks that I could never fill.

So many thin, druggy boys and
a crazy, ******-honey are trying
to stomp me like the ****** dream
that I am. Pure Side *****. Pure
Side *****. Graphic designers
and killers, oh my.

But wait!
  Me?
It couldn't be me
  that you're speaking to.
Die for the American Dream?
  You want me to write for
no one to read? You want me
  to **** until I can feel?
You want me to fall apart
  and be taken care of by someone
who isn't even born yet?
  You want my money.
  You want my ***.
  You want my violence.
  You want my soul.
  You want me on one side.
  You want me to **** my brother.
  You want me to be red or blue.
  You want me to pick a news channel.
  You want me to uncover my camera.
  You want to regulate me.
  I am your side *****. I am your
  side *****. You can destroy me
  and I will apologize for the
  mess my body made.

My mother enjoyed shrieking
by the luminous Atlantic.
A place where she was sure
the salmon were scant, like
the bleach dumps, threatened
by a figure who loved binding
her to thoughts of terror.

Our hands were rough, at the
time -- so much so that we
would grasp at glass in the
white sand, pressing the edges
against calluses, without feeling,
before hurling the fragments
into the endlessness.

The sun would sit on the pink
and orange carpet of the sky.
And we would join it, with our
striped bottoms in the coarseness.

Praying for the glass to return;
asking for each piece to be sharpened,
so that we may be able to feel.

I backpedal before flanks of flames,
auburn and angry, devouring the
fractured field; deconstructing
                     the turn of the century.

The fire jumps up and down,
like a developing polaroid,
asking to be acknowledged
-- to which I can relate, but
I'd like to believe I cause
                  less destruction.

Closing my eyes, I become
submerged in memory of the
hideous boulevard she drove
down, to the tune of disposable
pop singers; crouching next to
the radio, praying with the servants
of postured finer joys like pirate
rubies and sweet kale salads.

When looking up, through the
windshield; through the life;
a tic scampers from eyelid to
cheek, as the car buckles before
a triumph of a deer; the size of
a Godly Eland, shoveling it's
human feet into the downtown
dirt: an asphalt so slick, we
rose from our seats, as the
God split our vehicle in half,
throwing us into opposite
guardrails; dodging cars,
while it watched us.

Shudders of savored gladness
drip down my hairline wound,
painting my face before I die
and return to the towering blaze.

The news needs my fear.
I struggle to survive.
Is it terrible that if I
can't tell stories,
I think I can't be happy.

3AM is the prime-time slot
for the show, in my head,
entitled, 'Thoughts About Dying'
Starring, Attaching Sentiment
To Anything is Absurdity.
I wish I didn't have
post-****** clarity.

All my old friends are old friends.
I miss my brothers.
I miss my grandma.
I miss having the wrong
answers about death.

There's a reckless wind
whipping 'round the
frayed ends of my hair,
its exodus from the sides
of cars blurring by.

Jazz drummers cycle
flurries of taps and nods.
Twitching wrists for dollars,
their cornflower blue suits
rising with the street sound,
becoming a tent for sweat,
reaching for the dangling dark  
held up by clouds and the
screams of horns and the
chimes of chatter.

And here I lean, inside a corner
between an entrance and an exit.
My dreams are starting to
last as long as these cigarettes,
I probably spoke into the chainsmoke --
being pretentious and afraid
under the spill of streetlight.

And here I am, harmfully hoping
my friend comes back, that he
didn't suffer, that he is with god,
that god exists, that I grow into
something that would make
him proud, my parents proud,
make me proud.

All the pretty girls trot the walk,
like surreal thoughts with
white converses and high-waisted
jeans holding the eyes of the few
guys and girls going home alone.

There's no proper way to end this
besides for raw ***, real violence,
and more money.

My government only cares about me
once every four years.

My bank account controls me.

I can't buy anything unless
it wants to **** me or love me.

I fell asleep after "Good Morning, Vietnam":

I can feel it all, in your hair.
Under trees.
Flying above the stratosphere.
My arms extended.
The skin burning off my torso-
struggling to breathe,
with a smile on my face.

(Canned laughter)

You're in a living room.
You are me.

I dug into my chest and petted my heart.
Groaning, the blood swam around my hands
and ate it's way up my forearm,
to my elbow,
to my neck,
to my chin,
to my lips.
"I can ******* blood,"
an internal piece of dialogue.

She whispers in your ear,
"I know who you are."
I am you.

I cut my voice on the air, calling out for her.

Why'd you abandon me?
I love you so ******* much.

Why'd you abandon me?
I love you so ******* much.

(Canned laughter)

Why'd you abandon me?
I love you so *******-

You are in my room.
I am you.
We are everything,
and we are nothing.

That's my mirror.
It's shattered.

Hey, there I am on the ground.

There's a brunette, mediocre poet.
It's shattered.

And on my hand are specs of heated sand,
sleeping in my skin-
a glass garden.

How can one find schizophrenic kisses
in a reflection.

(Canned laughter)

I said, "How can one find-"

It feels like I only notice love while I'm dying
Every breath I take feels like it's way too much
Since you're counting down from three
I trust that you'll stay with me

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying
I'd cut myself if I knew how to bleed
Just because I'm on morphine
doesn't mean my heart is as numb as me

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying
Every step I take feels like it's way too far
If you want to hold my hand
as I go then I'll understand

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying  
It feels like I only notice love while I'm dying

Now,
Don't you tell me to chill.
Like the Beastie Boys I've
got a license to ill.
Over-confident for
insecurity's sake.
An ego so big
sudden drops could
cause a quake.

Now,
Shake-Sha-Shake
                    it up.
A poem so apathetic
it might give a ****.
Wanting to rap; also
wanting to write --
don't mistake my words
for something tight.