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"mural" poems
six lanes in a sight line past the cedar shims and trim tempered insert past the washed mural and water stained tiles covered eyes fight for focus over cork strung ties and dark distant bridges foot crawlers on lemon pegs teaming under clouded halogen light   dreamers contend in a variation of chant (throwing it off in a drawl sequence) a glimpse of the guard and warm towel assignment forge comforting relief in a task filled day
0
Dec 2, 2016
Dec 2, 2016 at 9:17 PM UTC
Catharsis
Every blue patch on the sky keeps an eye, cherishing clouds dancing, hovering over. The songs of deep blue ride the heady air, only to be stunned, all of a sudden, at the first sight— sung down on a perfectly placed mural. The Queen of Sheba tiptoes this way; King Solomon leans to the ground, only to find seas of silent blooms musing, dipping in sun-kissed dews— on gently tilted roses that will not fall, not from this picture-perfect, navel-high! Velvety, the rose rises from the ground; the forever-green Earth hangs low, in the dew on the rose that will not fall. Blossoming, eyeing an acute high, evermore hopeful to scale upward, toward the faraway, awaiting heaven's pool. There, the spotlight does not move— neither north nor south, nor up nor down— until Queen Fathima, the Queen of Heaven, steps on the "as above, so below" slope. There, the newly resurrected Earth will be primed, its minted atoms vibrating beyond bounds, rising, for the first time, atop the navel-high. Perfectly wrapped, the atom's circle finally turns on— the stepping stone that holds no pi-decimal hole. Pure Scientia hangs on the door of Paradise, awaiting the numerically perfect Queen Fathima to step. God willing, she will work in beauty: the most sought-after, perfect works of art— the lost masterpiece, not in translation, but hidden within the pi-decimal abyss of Earth's depth. Lo, the gleaning Sleeping Beauty peeps, trailing the role model Queen. Fathima—the first woman to enter Paradise— walks the walk: perfect, straight, numerically precise. As if she always knew, back from the Earth, of the murals ahead, hanging on Paradise’s wall, mathematically exact! Mirrors of imagination, new wonders on Heaven’s way, etched in the murals at the golden section, navel-high. She zooms past the ever-spinning atom’s perfect span, cemented at the entrance of Paradise. Yet leaves no footprint— for she never did, even on the sublunary Earth. A new wonder blooms in the classic old eyes: oh, Pi, still irrational, still pondering, at the measured, eternal navel-high!
0
Oct 31, 2018
Oct 31, 2018 at 5:02 PM UTC
Earth to Heaven: Navel High
Every blue patch on the sky keeps an eye, cherishing clouds dancing, hovering over. The songs of deep blue ride the heady air, only to be stunned, all of a sudden, at the first sight— sung down on a perfectly placed mural. The Queen of Sheba tiptoes this way; King Solomon leans to the ground, only to find seas of silent blooms musing, dipping in sun-kissed dews— on gently tilted roses that will not fall, not from this picture-perfect, navel-high! Velvety, the rose rises from the ground; the forever-green Earth hangs low, in the dew on the rose that will not fall. Blossoming, eyeing an acute high, evermore hopeful to scale upward, toward the faraway, awaiting heaven's pool. There, the spotlight does not move— neither north nor south, nor up nor down— until Queen Fathima, the Queen of Heaven, steps on the "as above, so below" slope. There, the newly resurrected Earth will be primed, its minted atoms vibrating beyond bounds, rising, for the first time, atop the navel-high. Perfectly wrapped, the atom's circle finally turns on— the stepping stone that holds no pi-decimal hole. Pure Scientia hangs on the door of Paradise, awaiting the numerically perfect Queen Fathima to step. God willing, she will work in beauty: the most sought-after, perfect works of art— the lost masterpiece, not in translation, but hidden within the pi-decimal abyss of Earth's depth. Lo, the gleaning Sleeping Beauty peeps, trailing the role model Queen. Fathima—the first woman to enter Paradise— walks the walk: perfect, straight, numerically precise. As if she always knew, back from the Earth, of the murals ahead, hanging on Paradise’s wall, mathematically exact! Mirrors of imagination, new wonders on Heaven’s way, etched in the murals at the golden section, navel-high. She zooms past the ever-spinning atom’s perfect span, cemented at the entrance of Paradise. Yet leaves no footprint— for she never did, even on the sublunary Earth. A new wonder blooms in the classic old eyes: oh, Pi, still irrational, still pondering, at the measured, eternal navel-high!
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49
A sprinkle of blue sparkle off the lapis lazuli sky. A throw of stars from the full moon night. We will take in abundance while rowing the waves once in the River Nile. Hear! The crave of oars breaching the shore. Reaching out and close to the pyramid foundation. That’s scientia is pure rigid yet so open loose. One dozen milky ways can hover in rhythm over this stony knot! That doesn’t mean the Mintaka stars will give up their shares at all They will sit on the top. Without the pyramid moving a step from the true north. Between this relative sublunary and over the moon mural if and when one spaces up. The silent Moon takes a pause humming the prehistoric lullabies. With a patch of the blue sky and a starry sprinkle from the night.   Maybe then we will take a break in behind the closed doors of the great pyramid!
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Oct 10, 2018
Oct 10, 2018 at 9:40 AM UTC
Pyramid Magic
Tongue in cheek I detest you Hand over foot Make a peep ***** And I promise I'll ****** you Bad tact I'm a cesspool Festering in the nestle of your daughter's well developing ******* Everyday I follow her home from school This unnerving pervert unearthing fervor making ya catatonic & giving your heart murmurs Nurture the thought It's just the tip (Of the iceberg) Gotta stir the paint before you make a mural Ma'am, I'll purloin your ham purse until my burial Don't be a sourpuss It's final I'm vile And I swear I'm not a ********* Want some candy?
0
Mar 15, 2015
Mar 15, 2015 at 7:23 AM UTC
Creeper
Im watching over them...those freaks and perverted beast...the dark flesh that owns the land..I save them from there doom...keep them out those tombs...my job is to protect the sick...as I sit...I glimpse and I see a ray of hope... Purity...from the ***** of my imperfection...I began to be aroused...thought about swooping down, in a single bound..being so cliche'..but I've since grown from my stereotypical ways....Cuz this world here ain't kind to no hero..this worlds only sin painted in a mural...But she could be the one...my chance to save the day!!...But they wanna **** the hero...they say **** the hero....Try to save the hoes...but I think I save a woman...kryptonite to my sins...She could be the cleanse...I could actually win... -Dairy of a ****** superhero.
0
Mar 4, 2013
Mar 4, 2013 at 9:14 AM UTC
Dairy 6 of a ****** Superhero
Venezia, its musical key of brick and shade And the canals in rejoining polyphony Sweeten the dour Church-ear.   From the impasto knife and loose brushwork, A thumb-smear of waves and gently-bristled strife Rise to assumption of the cloud-submerged bay, Mural of cristallo, only-light without landscape, Made too from the winds of Murano, Its clayed blowpipe of waterways molding The lagoon of blown glass and bouquet of colored sea-shadows. The Tiber lies on its side, like the lion and fox, Licking its paws at empire’s dust, A drifting gaze of water that already foresees The swift-run northward to Romagna, Where the veined fur of the roe will succumb… A ripple twitches like one dark claw of the Borgia… The watercolors of the Arno are a fresco On the wet plaster of the lips of Firenze, Tuscan fire-dream. Or like the warring leg in curve of counterpoise, Sprung foot-forward to the daring world And arm slung down in stone-victory From this valley, too much like Elah, With taunting eyes turned from the Medici toward Rome.
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May 13, 2019
May 13, 2019 at 10:06 AM UTC
Waters of Rebirth
Oh, sad Poet, cartographer of the heart, mapping the geography where sadness is the topography of your soul. Oh, Cousteau of the changing tides, like an oceanographer, an admiral  spying the enemy on the horizon. Your sorrow comes and goes. Oh, builder of sad dreams in your house of many rooms, but one door. Like a grave, a casket shellacked with black paint, a mural of a shadow on the wall. Architectural sorrow. Oh, you sad Poet, open your eyes, paint us a poem of a rose.
0
Oct 20, 2015
Oct 20, 2015 at 7:17 AM UTC
A rose
The slit between the roof and the abandoned house gets me—the moon drowns in his own mystical clouds, wavering and so full of light. I squint my eyes as the moon hides his presence from me. Almost knowing I had captured it with my own eyes and the grey clouds scattered like waves, consuming my breath and taking it away. He knows it still haunts me from time to time and he gave his best to give me an embrace—even when my very own existence is running cold and dry and my breath thickens with the mist of unwavering thoughts coming from the night and the stars twinkle at the sight of people looking at them—like a mirrorball entertaining strangers from the club and they shine in their spot. Even when I close my eyes, the moon peaks in its stillness. All the poets used him as their muse, radiating this mellow one could think of when the sun sleeps in her slumber. The poets had perfectly described him in thousands of words and painted him over the mural where I can see him directly and the strangeness of him calms the raging waters in me. Even when peace is quite chaotic and chaos is peaceful, a trap between the slit on the roof and the abandoned house, squinting my eyes as the moon hides his presence from me. And she haunts me as the sun begins to show herself in ways I am blinded by her light. In some ways, she shines even when it is night. In a way, she looks over the moon when he wakes up from his slumber. In a way, the stars and clouds enveloped her with the warmness of their breath. In some ways, I couldn’t look at her for too long. In some ways, I am silenced by her beauty.
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Dec 16, 2022
Dec 16, 2022 at 7:43 PM UTC
When the Moon Peaks
The slit between the roof and the abandoned house gets me—the moon drowns in his own mystical clouds, wavering and so full of light. I squint my eyes as the moon hides his presence from me. Almost knowing I had captured it with my own eyes and the grey clouds scattered like waves, consuming my breath and taking it away. He knows it still haunts me from time to time and he gave his best to give me an embrace—even when my very own existence is running cold and dry and my breath thickens with the mist of unwavering thoughts coming from the night and the stars twinkle at the sight of people looking at them—like a mirrorball entertaining strangers from the club and they shine in their spot. Even when I close my eyes, the moon peaks in its stillness. All the poets used him as their muse, radiating this mellow one could think of when the sun sleeps in her slumber. The poets had perfectly described him in thousands of words and painted him over the mural where I can see him directly and the strangeness of him calms the raging waters in me. Even when peace is quite chaotic and chaos is peaceful, a trap between the slit on the roof and the abandoned house, squinting my eyes as the moon hides his presence from me. And she haunts me as the sun begins to show herself in ways I am blinded by her light. In some ways, she shines even when it is night. In a way, she looks over the moon when he wakes up from his slumber. In a way, the stars and clouds enveloped her with the warmness of their breath. In some ways, I couldn’t look at her for too long. In some ways, I am silenced by her beauty.
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9
If that night could remember it would call him back to our Chinese restaurant to fried rice and steaming tea to our winter refuge of tile and cushions 60s retro black and white Chrome legs of lacquered tables with its mural of our Great Wall ...winding, distant, wonder If the snow hadn't muffled all but our voices we would not be— so alone Only I felt his arm take its chance around my shoulder Guiding warmth as good excuse as any to touch Two miles on foot An arc in time In lace of white to hide— what might.... Below my window “Good Night” not enough for troubadour singing, pleading, stumbling... (I worry about his long way home) ...and hardly notice... How gently Time joins Snow as if they cannot bare instead, conspire Decide the crystals Send the flakes to sift over him This loss needs snow to blur his face to fade from view.... This— tender let-down from the sky As only snow can do... Cover with beauty https://www.youtube.com/watch?v=6o6zMPLcXZ8
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Jan 9, 2017
Jan 9, 2017 at 10:39 PM UTC
Only Snow Will Do
I want to tell her But i can't. I watch the spring rain fall. A gentle tapping, Sort of rapping On the window's pane. I focus on the sound until it fades. I close my eyes and remember the day, The scene is painted in a greyscale haze. There stands you Across the room Enveloped in blue. Your favorite colour. It's late on that late winter's night, And we're with our group. If I said I knew who was there I would be lying Because it was you I was eyeing. I'll skip the cliches, like Butterflies Or, better yet, "Love at first sight" Be as they may, They all came true that night. A casual glance became A gaze became A smile. Once, Twice, Thrice, Then Five, We held it for a while. I take a drink and pause the haze. Minutes become hours that drag on for miles We found ourselves in that grassy field Dotted with trees, And rabbits, And owls. A hot summer day- The south suffers waves. Hand in hand we make our way Through the trail. We fall behind our friends, There's something I have to tell. I stumble and fumble Through letters to string, I can't think of what to say. And you say it's okay. I smile and hold you close, A mixed sense of pleasure morose. Your lips touch mine, And my heart explodes. I can't believe we let each other go We became 'twixt, Ivy to our bones. Again Time lapses There I am standing There you are Hanging On him. My rage demanding His end. But you come between Deny instead. Say I'm not right in the head, Well, baby, Love killed me dead. I turn to walk away And in turn you turn to Return to he Who shook your leaves. So we've parted ways And all was well Until recently. When I examined A mural And saw I missed a shard. A blue tile The final part To my stain-glassed heart.
0
Mar 15, 2014
Mar 15, 2014 at 11:34 PM UTC
Blue
I want to tell her But i can't. I watch the spring rain fall. A gentle tapping, Sort of rapping On the window's pane. I focus on the sound until it fades. I close my eyes and remember the day, The scene is painted in a greyscale haze. There stands you Across the room Enveloped in blue. Your favorite colour. It's late on that late winter's night, And we're with our group. If I said I knew who was there I would be lying Because it was you I was eyeing. I'll skip the cliches, like Butterflies Or, better yet, "Love at first sight" Be as they may, They all came true that night. A casual glance became A gaze became A smile. Once, Twice, Thrice, Then Five, We held it for a while. I take a drink and pause the haze. Minutes become hours that drag on for miles We found ourselves in that grassy field Dotted with trees, And rabbits, And owls. A hot summer day- The south suffers waves. Hand in hand we make our way Through the trail. We fall behind our friends, There's something I have to tell. I stumble and fumble Through letters to string, I can't think of what to say. And you say it's okay. I smile and hold you close, A mixed sense of pleasure morose. Your lips touch mine, And my heart explodes. I can't believe we let each other go We became 'twixt, Ivy to our bones. Again Time lapses There I am standing There you are Hanging On him. My rage demanding His end. But you come between Deny instead. Say I'm not right in the head, Well, baby, Love killed me dead. I turn to walk away And in turn you turn to Return to he Who shook your leaves. So we've parted ways And all was well Until recently. When I examined A mural And saw I missed a shard. A blue tile The final part To my stain-glassed heart.
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81
Don’t cry for me enough tears have been shed an ocean filled with the salt of regret the pains of my past can’t ruin you too the tide is coming just not for you… Don’t carry my pain you have your own no one needs the weight of two worlds you’re still standing I’m learning to carry my burdens and traumas enough for a century… Don’t focus on me that’s my job alone I’m painting my mural yours already on the wall you need your energy I’m finding my power… Don’t let my pain let you devour.
0
Feb 22, 2025
Feb 22, 2025 at 3:03 AM UTC
My Pain Isn’t Yours
We are all mere dots in this vast mural: too fickle and futile to comprehend the complexities of existing where everything is part of a design so grand that it stretches before and beyond eternity, a design so intricate that it weaves together strangers' destinies and where nothing is contingent and coincidental nothing is random and accidental nothing is ever too early or too late. But don't just use this as an excuse to settle in your unfortunate state because though everything is part of this grand plan ordained, our ultimate destiny is to be something great.
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Mar 27, 2014
Mar 27, 2014 at 7:42 AM UTC
Fate
Look at us, I'm carrying a basket made of trash and you're carrying a mouse, well the dog chewed up your glasses but you're still rockin it you have a single drop of coffee on your nose, we're ready to go to D.C. I had another where-are-we moment, it was fun. Good, that's downtown Baltimore right there, ****** capital of the world.   An elaborate mural graffiti. Wall after brick wall. A rustbelt city like Grand Rapids Detroit Cincinnati. Did you sleep well? Yes I woke up feeling like a clam in a cocoon. A sea creature inside of a forest insect, okay. I've wasted too much time on both desire and regret. Yellow bridge. Blue-green supports. Singer on the radio saying, we're young right now. There's a healthy and an unhealthy way of dealing with pain, I'm sorry for my selfish behavior in the islands. I want to go back and leave a better legacy. 'Word.' Last night to come see you I drove I-95 N, the overpass and though the rest of the city was really moving I was all alone up there, it was like driving in the sky. We pass signs saying: Icy Conditions: bridges and ramps freeze first. And a billboard: Learning Kick Flips Takes Work, So Does College We listen to our favorite island song: love the islands, love the islands, oh. You look like a rasta snowboarder girl There's something really right about having you in this car
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Mar 26, 2013
Mar 26, 2013 at 1:31 PM UTC
Coconut Baltimore
Nine months after I was born, the Twentieth Century began to collapse. East Berlin,graffiti-mural concrete, a jutted enigma scratched on ordinance maps, the sort found landscaping westernized Primary School walls. Where within, labored in real time, the television told my parents (and everyone else given to social conservation in 1989) that a wall falling down would bring an end to the gap between the working and the working poor. Freedom waited for many on the other side. But of course, History draws up different plans. Never content to just go out with a bash, or to fleetingly drift by leaving in its absence an underwhelmed lull The bloodiest century yet left the new world entrenched in an odyssey of hatreds handed down from the past right about the time human suffering became a bit dull and the peaceful countries were too busy tripling their money instead. What does History really teach us and what are the real benefits of being free, or freer than you were before? Human ambition, which burns it way out of any oasis of calm, which calls children out of sleeping in the night Always seeks out the exhaustible An inveterate Black sheep leading astray the ever susceptible ****** lamb Delusion’s strange bedfellows are the worthiest adversaries to run away from, to reserve contrition for. Unlike the inevitability of uprooted animal migration during a monsoon swell Can a people with an invested addiction to the pursuit of happiness Ever truly be prepared for the inevitability of rapid change?
0
Jun 16, 2013
Jun 16, 2013 at 6:00 PM UTC
Maps, Mythologies.
Nine months after I was born, the Twentieth Century began to collapse. East Berlin,graffiti-mural concrete, a jutted enigma scratched on ordinance maps, the sort found landscaping westernized Primary School walls. Where within, labored in real time, the television told my parents (and everyone else given to social conservation in 1989) that a wall falling down would bring an end to the gap between the working and the working poor. Freedom waited for many on the other side. But of course, History draws up different plans. Never content to just go out with a bash, or to fleetingly drift by leaving in its absence an underwhelmed lull The bloodiest century yet left the new world entrenched in an odyssey of hatreds handed down from the past right about the time human suffering became a bit dull and the peaceful countries were too busy tripling their money instead. What does History really teach us and what are the real benefits of being free, or freer than you were before? Human ambition, which burns it way out of any oasis of calm, which calls children out of sleeping in the night Always seeks out the exhaustible An inveterate Black sheep leading astray the ever susceptible ****** lamb Delusion’s strange bedfellows are the worthiest adversaries to run away from, to reserve contrition for. Unlike the inevitability of uprooted animal migration during a monsoon swell Can a people with an invested addiction to the pursuit of happiness Ever truly be prepared for the inevitability of rapid change?
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34
These grey walls That lost their souls Are soon to be resurrected By a new kind of art that’s been neglected. Bring in the color, Let’s have fun Change the mural, Make is shine! Many might be against it, Call it fake, Or even junk, But for me guys, This is… art.
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Dec 21, 2015
Dec 21, 2015 at 4:04 PM UTC
Graffiti lover
Motion makes me homesick, home makes me motion-sick. I've seen some **** you wouldn't believe in the past month of my young life I'm happy. Makes me want more. I want Guatemala I want Nepal I want the States by trains and motorcycles. I want to make something tall enough to shake hands with god and strong enough to last to the ends of the earth Or longer. I want to give the world back all I've taken from it and all the damage I've done. And then I want to do more. I want to start a revolution, live on a farm, paint a mural, play a symphony, shake hands with the Dalai Lama, write a book, and be home in time for dinner. I want to fold a thousand and one oragami cranes and set them free from space and while they float down to Mauritania and Portugal, to Argentina and Cambodia I want to wish for a reset button. Not to use right away, but just in case **** gets out of hand. So we've got a backup plan. I want to sit in my old age looking down that darkened tunnel and see my own birth pass before my eyes. I want to embrace infinity without soreness or shortcomings, without excuses or refusals I want to watch the universe collapse back in on itself and be part of everything at once. I want more than I can handle. I guess that means I'm young.
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Oct 24, 2013
Oct 24, 2013 at 1:28 AM UTC
Young
I wish I could give you people something of substance But the fact of the matter is I just feel so uninspired And that leaves me to think, What the hell happened to this world? There should never be a moment In any poets life where they can't draw some inspiration where they can't paint the sky burnt orange on a snowy day With their words as a brush With our words as a brush And All of our stories as our color palate I think we could paint the universe together In a fantastic mural of culture, and love
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Nov 25, 2014
Nov 25, 2014 at 8:36 AM UTC
Paint
~ *When Pharaoh checked out at the Red Sea, odd circumstance made a grab for his vacant scepter, and kingdom collided with plague to paint a mural on the palace wall (or maybe, it was the hotel lobby), of a dreamer's garden, his wife in veils, her dance a cordial invitation to a great many unmentionable things, the feral sky had blown itself out, and in muted candle nightshade, the mistress of war disembarked, and so somewhere in those upper rooms, ruler and consort, hearing the sound of running water, mystified their carnal senses by infusing themselves with a little vigorous morphine of the soul* ~
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Jul 26, 2021
Jul 26, 2021 at 2:45 PM UTC
*** in Egypt
On this frosty morning the dew-jewelled shimmering grass calls me to immortalise my naked footprints on its sparkling green carpet. The mural needs to be perfect,       it says!
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Sep 25, 2018
Sep 25, 2018 at 10:03 AM UTC
Picture perfect
~ *Step into the moment with bated breath, There will come the beguilement and whispered shadows at play, they seem to congeal around conflagration of wills and spirits considered outré. And if it should rain within these walls, we'll advance south and sneak under cover. Fingers will find, lips will linger and remind. It will be a slow recovery this time. The places we travel go beyond the arms reach, they war for supremacy, they alter and spasm, they're random, but hover between us in unity. This dance we make is an intimate ballet, this push and pull a blissful menagerie, a wrinkle in time we call ecstasy. In kisses christened as luminaries, appointing our own ceiling — a mural painted in the keen colors of craving. The years of such sweet communion have built this shelter, this nest, and here together we rest. And we are no less surrendering to them than straddling the heavens — the gauze of time, timber and tranquility enmeshed, and wishing it never ends.* ~
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May 24, 2021
May 24, 2021 at 1:54 PM UTC
Love is a Many-Splendored Thing
My eyelids paint a different shade of paradise each morning. Forced to make a mural of the world I was born in. Your barren brown and battered blue, Are only beautiful to those you matter to. The clouds, in their grey suits, had promised you greener pastures. We could've taken better care of you, if only you'd asked us. You're inanimate by definition, To me you're the only thing truly living. We're sorry for trashing the house as if it was our own. We'll clean it up before dad comes home. All this destruction is something I can do without. Sorry mom, I'm moving out.
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Oct 29, 2015
Oct 29, 2015 at 3:21 AM UTC
Mother Nature.
thinking about how cops are beating protestors senseless not even 20 minutes from where i live. thinking about how they block off the streets and stand unmasked, batons in hand, other hand resting pointedly on their gun. thinking about how it could be me next— another unspecified black face and black body and black existence snuffed out— a hashtag, a mural. (and those are the lucky ones.) thinking about how a memorial is the best case scenario for a black life. thinking about the bodies in the street. thinking about blood splattering the ground, mixing with paint and obscuring the “black lives matter” lettering on the road. thinking about the chalk art and loud music in a neighborhood soon-to-be-gentrified. thinking about how we’ve grown used to the stench of rotting flesh outside our doors. thinking about the taste of blood in my mouth from my nearly-severed tongue i didn’t realize i was biting. thinking about the tension in my neck and jaw. thinking about the way my eyes never seem to close. thinking about the eyes that will never again open. thinking thinking thinking.
0
Sep 27, 2020
Sep 27, 2020 at 4:27 PM UTC
11:23 pm
a nacreous tossing around at the sides, a dappled silver sunlight if looked one way, an apocalyptic gloam if another, exhaled from a seeming mouth, feeding on what has already eviscerated an unfelt ***** a predator certainly its own prey, a heat certainly poison-breath on a cheek falling when a meretricious lover spouts that spurious hypocorism, and also just a wavering, iridescent puddle— cornered, soft as a liquid steel echo of a futile struggle rolling around, bouncing off a wine glass, and a porcelain table edge, while a listening head shakes, looks down despondently, gloom glowing out the hair, a voice jaded since birth saying some thing about differences, or a helpless slender strap of hope hanging itself on the way two other eyes look at it across checkered watered wings, two swirling god whorls, two effulgent galaxies the color of melting pine bole circling around in living umber striae, pulling its gaze, raising it, as if they, they were blazing truth cased behind lithophane, and it, only an aporetic puddle now of tepid ocher, a mild earth stone placed in a hand, asked what is thought of it and the response: yes, yes of course, before foreign distance splutters its face, and it retreats from its meaning imparted to every thing (with the vulnerable precision of a swaying finger tip) to the baby lanugo of a delicate floating, through human rills, of what is horizon docked, dead, not merely deciduous—forever jilted with breath bulging as when beating a flopping eyeless fish to half-dead, head tilted up a throat trying to pry itself free, trying to live by streaming snagless, airful, without spirant sound of going lost straight from the hands— then a short chop of fullness finally expunged and sputtering like an escaped tuft of shackled wonder soaring up the sky in a puff and soul ring.
0
Mar 27, 2012
Mar 27, 2012 at 7:43 PM UTC
I in Graffiti Mural
a nacreous tossing around at the sides, a dappled silver sunlight if looked one way, an apocalyptic gloam if another, exhaled from a seeming mouth, feeding on what has already eviscerated an unfelt ***** a predator certainly its own prey, a heat certainly poison-breath on a cheek falling when a meretricious lover spouts that spurious hypocorism, and also just a wavering, iridescent puddle— cornered, soft as a liquid steel echo of a futile struggle rolling around, bouncing off a wine glass, and a porcelain table edge, while a listening head shakes, looks down despondently, gloom glowing out the hair, a voice jaded since birth saying some thing about differences, or a helpless slender strap of hope hanging itself on the way two other eyes look at it across checkered watered wings, two swirling god whorls, two effulgent galaxies the color of melting pine bole circling around in living umber striae, pulling its gaze, raising it, as if they, they were blazing truth cased behind lithophane, and it, only an aporetic puddle now of tepid ocher, a mild earth stone placed in a hand, asked what is thought of it and the response: yes, yes of course, before foreign distance splutters its face, and it retreats from its meaning imparted to every thing (with the vulnerable precision of a swaying finger tip) to the baby lanugo of a delicate floating, through human rills, of what is horizon docked, dead, not merely deciduous—forever jilted with breath bulging as when beating a flopping eyeless fish to half-dead, head tilted up a throat trying to pry itself free, trying to live by streaming snagless, airful, without spirant sound of going lost straight from the hands— then a short chop of fullness finally expunged and sputtering like an escaped tuft of shackled wonder soaring up the sky in a puff and soul ring.
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you look so good like a goddess where's the courage to tell you? do I know the right words? An innocence of love like a bird in the sky, in its cerulean heaven, all its purity untainted. all the painters in the world using all their colors like ravens and vultures, and the advertisers using maroon and crimson like doves and love, they just don't know. How you look in a snapshot, is better than a mural. I hate that we can't talk any more, seems decrepit, I'm so poor, spoiled by the gift of your lost love, like a pearl in my mouth, every gulp of the sea is a tearjerker. All I want is love and affection from the eden of your love, the juice of your apple a knowledge only concerning to gods. The seed of your body, a peachtree paradise, each pod dropping to the body of my death, like the shroud of renewal. Each new picture of you: the destruction of your youth, and the eruption of your wonderland, is another nail, another regretful wish that I'd seen and understood everything beautiful about you. Even in the moontide hours, when the dawn brawled and your teeth crawled against the loose skin of my earlobes as you gripped with pearly whites my lying flesh, and my lips touched every truth you'd never known. Only god could ever know the pain of now. Only I could ever wish I knew your heaven.
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Jan 7, 2014
Jan 7, 2014 at 12:19 AM UTC
Hayley.
An original creation, that's what  you are in vibrant colors nature carefully assembled, as you sashayed through your time,till here now all across the front page one can see you arousing  pleasure that moves me deeply, done in bold sweeps of a brush immersed in joy making onlookers stand agape, thrilled mumbling inanities as none has the grasp of the quicksilver aesthetics that rules you. And I, obscure , at the best like a crop circle done in the secret hours after midnight, or a cryptic mural on a dull wall, long past it's prime doodled by an interplanetary traveler gone astray, a drawing in grey fading slowly in to oblivion, yet to be deciphered is the benediction, it carries from light years far away, it will be gone soon as the light from galaxies far want to make it their own, little by little each night Am I not transient  and  to be forgotten soon? But you are steadfast and adamant very rooted in your reasoning sprung from a center devine, we both claim together.                          "Am I not a woman and lover first?" Your eyes, gleam, exuding  a timelessness that speaks to me. "I would only dream of lying naked under your sweet heaving heaviness, to receive the nectar, the transient ecstasy that gifts me the precious seed that'd grow to heights immortal,on the bank of the milky way"
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Jun 14, 2016
Jun 14, 2016 at 11:37 AM UTC
Bound together to plant a tree eternal on the banks of the milky way