Submit your work, meet writers and drop the ads. Become a member
Robert Ronnow Aug 2015
Madison's defense of the establishment clause to the Virginia
      legislature:
Religion both existed and flourished, not only without the support of human laws, but in spite of every opposition from them, and not only during the period of miraculous aid but long after it had been left to its own evidence and the ordinary care of Providence.

                                          May I say
electromagnetic waves. Radiant energy.
Light travels in waves
                                      Waves of what?
Electromagnetic waves consist of electric and magnetic fields
oscillating at right angles to each other
and to the direction of motion of the wave.
                                                           ­             All waves can be described
in terms of amplitude, wavelength, frequency and speed.

Waves of what?
                            Think of a hand waving. The wave itself
is virtual, ideal. The hand and eyes are waves. The wave's
a quantum guess.
                           Religion and electromagnetic waves - visible, audible, ideal
causing real reactions in earth-time (real as it gets). Madison's
ordinary
               care of Providence
                                               impossible to handle.

Needed is a medium: antenna, cathode ray, page,
body
          hairy, sweaty
                                 diurnal
with the capacity to say Providence electromagnetic visible light
element god.
                       Alone in your life and body. Say
the heavy word
weighty word
isotope
             charged word (ion god)
the particle physicist and political philosopher have it over the poet
who is sharing ignorance
                                           pretty much all he doesn't know.

Or who stays within a dimension she knows she knows, extrapolating
her hand in a child's hand or husband's hold or nest in a tree hole
limited government
                                  separation of powers
                                                          ­            daily low intensity warfare
light, radio and gamma waves
                                                     Waves of what?
Matter can be treated by both wave and particle theories (the duality of matter) since its convertible counterpart - light - has long been treated successfully by both theories.
convertible counterpart
                                         light matter light

Solutions to the equations are called wave functions, or orbitals.
Religion or the duty which we owe our Creator and the manner of discharging it can be directed only by reason and conviction, not by force or violence. It is proper to take alarm at the first experiment on our liberties. We hold this prudent jealousy to be the first duty of Citizens, and one of the noblest characteristics of the late Revolution. The free men of America did not wait till usurped power had strengthened itself by exercise and entangled the question in precedents. They saw all the consequences in the principle and they avoided the consequences by denying the principle. We revere this lesson too much to soon forget it.

Last night's movie She's No Angel on the Christian channel
begged many essential questions (and had bad music)
                                                          ­                                  why
the loving liberal successful couple should
keep a shotgun in the home (later used per Shakespeare)
                                                    ­                                           what
the community's (authority's) reaction to the violence
and precipitating dissembling might have been (per The Crucible)
                                                       ­                                             whether
the golden spiritual couple would subsequently dissemble lobby or
      defend
themselves and the loved one legally and lengthily (per Dostoyevsky)
                                                    ­                                                   where
unclean tragic outcomes end in Death's cleanliness
ravens eat the fur and guts of bad guesses off the roads (per A
      Designer of Systems)

but not I think missing
the deeper lesson

that she is neither her past
nor her wings

but a pure goodness
                                   bone stillness
                                                       ­   potential energy

a light wave
and a particle.
--Madison, James, "Memorial and Remonstrance Against Religious Assessments"
--LeMay, Beall, Robblee & Brower, Chemistry: Connections to Our Changing World, Prentice Hall, 2000

www.ronnowpoetry.com
Before there was anything that mattered everything that would ever be existed , it was the essence of totality , it was without dimensional constriction or necessitated form .  Optimistically speaking time had no relative realism to it’s progression because realistically nothing had happened yet .  As it continued it became according to it’s innate inflections as a functionally integrable form .  The questionably understandable nature of it’s conjunction was an omnipotent directive beyond necessitated action or morphological construction .  The enigmatic consciousness of it’s relatively interrelated conception was spontaneous and yet it continued without elemental omniscience.  

As the relative complexity of it’s interrelations evolved dimensional consistence was born.  Humanly understandable laws of physical integration governed many facets of it’s conjunction yet the totality of it’s ramification was beyond humanly realistic conjecture .  

The organic morphology of biological ontogeny was a conceptually reflective derivative of functional physical mechanics yet it’s diversity exceeded it’s physical complexity , understanding evolved .  Relatively extraneous interpolations of adhesively practical extremity succeeded in a hierarchy of functionally integrable forms .

Retrospectively speaking pragmatic practicality is a humanly rational possibility .  Rational logic can conceive of individually totalitarian structural forms , yet the implosive nature of their rational cohesiveness becomes a practical partiality due to the diversity of their definitive impetus .

Perhaps the essence of our being is the logical counterpart for the matrix of our subjectively conclusive social fragmentation , or perhaps we are evolutionally incapable of cumulatively rational correlation.  Problematic diversity could be perfectible on an individually infinite level or contrarily perhaps ubiquitous causality is the ultimate survivor.  

In any case it is beyond our subjugatively rational cohesive coercion to intercede en masse on our own behalf as an integrated unit. Our conceptual abilities have been thwarted by the unmitigatably individual nature of our extraneous conclusiveness .
Re-post
judy smith May 2016
For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney
Breethyr Nov 2020
When i tell people about how i saw beyond reason, they tell me i'm not making any sense. Ironically, that's exactly the point. Something beyond reason can't make sense, logically, but it doesn't mean there isn't anything beyond logic.
We as people often act defying logic, although, arguably, the logic we live by is relative, and that leads to certain logical conclusions. What i am more interested in is, if all the relative points of logic can be seen as parts of objective, or even universal logic, then can i map it's boundaries? The answer is no. For the reason that if you can't see beyond a certain point you can't tell what's behind it. Say i stumble upon the logical end of my thought - it seemingly ends at a certain point, but what is beyond - i cannot know, that's why i can not tell if it's the logical end of it is relative to me or objective. But that is a logical mistake on my part. It's the relatively logical way to think, but objectively it's doomed for failure. For the same reason why we can't find the edge of our universe - not just because we don't see beyond the visible space region, but because it is impossible to reach such an edge in three dimensional space.
Allow me to logically explain why, on example of a two-dimensional space. Imagine yourself in a jar with water, you are swimming on the surface. The boundaries of the jar is your observable, or for better word - reachable universe. But the jar is not the entire universe, beyond the jar there is enormous amount of water. Whether it exists on a three-dimensional sphere or simply goes forever is irrelevant - you will never swim to the edge regardless. But if you were to be able to jump up from the surface of water then you would have understood that the true edge of this universe was actually vertical and you've just escaped through it into a new 3-dimensional one that is an extension of the two-dimensional one you previously were floating in. Now how do you then escape this 3-dimensional one you found yourself in? You know the answer, you jump into the 4th dimension - the logically only true edge of it.
Whether you can do it or not is irrelevant, what matters is what it tells us about logic - the exactly same thing - you can't reach the end of logic by simply looking around for it's borders, you have to fundamentally defy logic and go beyond it from the start.
Before we attempt that i have to lay down some things i kept secret from you until now. Why do i even chase the logical end? The answer is - i don't, i chase the fundamental understanding of the universe. "Whoah - hold up there" you might say, "what a perverse charlatan you are with your irrational methods, leave the universe to scientists!" And i will tell you - you are completely right. I don't understand anything a physicist or astronomer does when they examine what they can about the universe, but i believe, even though objectivity is not a matter of belief, to have a full understanding one can't study things from one aspect. Logic is the counterpart to fact, it is due to logic that facts exist the way they do, and it is due to facts available to us that we have the relative understanding of logic that we have today. Logic is the interpretation of the universe. And to reach a logical limit, in a sense, would be similar to reaching the limit of the universe. I can't jump into the fourth dimension of space, but i still i want to gain the fundamental understanding. I am desperate. That's why i will not stop until i have found it.
I have to derail from logic, and to do so i first need to deconstruct it. Construct is the foundation logic. By tying things into constructs, logic allows for interpretation of facts. Take for example the three dimensional space. It's construct is simple - it is existing in a three-axis fashion. There is left-right, forward-backward, up-down. Very simple, yet if need be it allows for great complexity, which can always be traced down to it's construct - three axis. To go beyond logic's very basic construct would be reaching my goal, but it is too early for that, as i can't yet pin-point what that is; i can do it for the relative space that i operate in, since with logic i interpret it, but to break down the very thing i interpret the world with is a completely different task.
Let's return to constructs. As i have realized, they are the foundation of logic. But further than that, they allow for existence of concepts. Now, beyond being a pretty word, a concept is something that we can logically interpret - understand, deconstruct or construct. Now not to play this game of terms any further, for the sake of logical simplicity i have decided that there are two types of concepts (and nothing further) - relative and objective. Relative concepts are understood in connection to other ones, while objective ones don't need the presence of others to still be ready for interpretation. The truth is, no one operates in objective constructs, because for that you would have to be outside of logic and universe, know it completely and wholly, only then would you truly be able to tell what constructs are objective. Even though relative to us, some concepts seem objective, for example - evolution, we describe it as the process of continuous adaptation. Seems very objective, right? But to proclaim such a thing is a fallacy - as even though it may be connected to our entire relative field of logic, we cannot tell whether is a fundamental property of all layers of the universe beyond our own. Another example - the concept of process. Well, time flows and with it something changes. Very objective. But time is relative to our perception of reality, there may not even be "time" at all and all there is is the way we experience the universe. What if we experienced time backwards? What if we experienced all time available to us at once? What if we did not experience time at all and stayed in a single "time-frame"? Is the concept of process still valid then? As such, all concepts available to us lie in the relative region of logic, and as far as we can understand, they don't stretch beyond it at least objectively.
Now that i have decided upon the features of logic, i need to derail. I don't know where to start so i will attempt to deconstruct a concept, and hopefully i will reach a logical failure - that will indicate to me that i have reached the limit to which i can deconstruct the concept, unless of course i have failed to stay true to logic, which seems contradictory, but really it isn't, as duality is the nature of the universe - even in logic.
If i have to "derail" then i will go with the concept of "a train". The one that travels on rails. What is a train? Is it a machine powered by fuel that goes on rails to transport someone or something, and usually consists of many connected wagons? Yes, but a lot of that is formalities, as how exactly a train works isn't a fundamental part of it's concept. The human idea of train can easily be seen in how we use the word alternatively - "train of thought". Fundamentally, it's something that travels to (hopefully)_a destination (but this train is doomed to fail). As such, i have discovered that "train" is only one of the faces for the fundamental concept of "transportation". Transportation is so fundamental to not just our existence but all life on Earth; because of this the invention of train by humankind was inevitable.
Let us transport somewhere. Conceptually, transportation means continuous movement of object by another. I want to go from point A to point B and i transport myself: i put myself in a cart and the cart takes me there. I want to transport a can of soda from the store to my fridge: i transport it there by carrying it in my hand.
I have realized that transport is a bad word for all of this, since it is not yet the most fundamental concept. What an oversight by me! Let's quickly fix this by proclaiming that more fundamental than transportation is movement. That truly is a great concept, as it is very fundamental, so please replace the word "transportation" for the word "movement" in the previous examples i'd described.
Movement is the primordial concept. I have arrived to such conclusion by thinking for an entire minute. If the construct of our perceivable reality is the three-axis, then by adding the concept of time and cause-effect into the mix, movement inevitably appears. Actually i have messed up with the terminology, so i will clean up the mess: construct of perceivable space is three-axis, but the fundamental construct of our relative reality also consists of time and cause-effect. In such a formation, movement is the primordial construct of this relative reality, as it is the most fundamental act. If you didn't know, non-movement is impossible in our reality due to the principle of relativity: even if you stay in place - from many perspectives you are in fact moving.
How does movement occur?.. What does it describe?.. A process of me moving from one point to another in a certain period of time? But what if it can also be reversed and describe me as moving in time in a certain length of space? Yes, it should, absolutely. Because from a detached perspective, it's the same thing. For me to move a certain distance, a certain amount of time has to pass; when a certain amount of time passes, i inevitably move a certain distance. I can't move to a certain distance without passing through a certain amount of time. I can't pass through a certain amount of time without moving some distance. In fact, i have an idea, i will move through time just because i decided to, and for that to happen i only need to go over a certain distance, or i may not even need to go, as i move through space all the time anyway. I still can only experience the time in one direction which is dictated by the cause-effect first being cause then effect in my relative perception of reality, but all it takes for me to go backwards is to turn around the cause-effect axis the same way i would turn around in the spacial three-dimensional axis'es. Everything would be exactly the same, just going backwards, and would make perfect sense once you apply a different logical interpretation strategy (with the effect being prior to cause).
Now i turn on the cause-effect axis in such a way that to my right is the cause and to my left is the effect. Time is at a standstill. I can't tell for sure but either i experience just one time-frame or all of them at once, but time no longer plays a part in my perception of reality, in fact now i see that to my right is the past and to my left is the future - it's frames like the one in which i currently am but slightly alternated, only if connected in a sequence they combine into time, but standalone they are like three-dimensional pictures.
I have experienced the world in a way i never had yet, but it still makes complete sense. I need to start removing parts of the logical construct. As i still witness past to the right and future to the left i decide that i can also see the alternative pasts and futures - all of those that intersect the one frame i currently inhabit. Why did i even decide i can do that? Because quantum mechanics told me i can, since according to their principles, universe is both deterministic and random - all effects occur from all possible causes and thus form infinite amount of timeline forks - all of which happen but a single observer feels like he only experiences one.
So i am an observer who turned perpendicularly around the cause-effect axis and decided that he can see what other observers he interconnected with experienced and will experience - them being technically other versions of me that cross paths in this frame. Now, when i say i've decided, you must understand, that even though factually none of this is possible, logically it is, just as much as you don't need to actually perform an action to sort of experience it - when you play a video-game or imagine things. Now, back to my experience of this ultra-reality, it is not very comprehensible, as it is similar to having not just one vision but 3 powered by infinity. I can't take it all in, but all my counterpart versions did come to this time-frame too, after-all. Which means that right here and now there's infinite amount of me, and all-together we can comprehend this mess of infinite pictures, one by one. This is definitely some sort of super-consciousness, made possible by all of us observers realizing that we interconnected from divergent paths in this one frame, which in turn was made possible from us rotating on the cause-effect axis. This is as close as it comes for me experiencing something truly divine. Not factually possible, yet logically experienceable.
Now i have seen it all - the entirety of my personal observable universe - or to be more factually correct - the entirety of my relatively available logic. Being only one of those infinite converging observers, i can't really tell you exactly what it consists of, but if you follow me in my previous steps you will understand it without me having to explain it.
Now only just one thing remains to finally derail - as i see everywhere i could ever see, and still wish to see what i could never see. Just like from that two-dimensional water i jumped into the three-dimensional air above it, i have to jump from whatever this thing i currently am experiencing to somewhere beyond it.
And i actually do so. In a way. I can't see **** here. Or at least, i can't figure out what i see, it makes no sense, it is beyond logic, beyond comprehension. Not even the infinite amount of my brethren can figure it out, it is on a completely different plane of existence, or maybe it even is unexistance, i can't know. It's completely quiet, even though maybe it is actually loud, just that the sound doesn't make any sense to me, so it's the same as if i don't hear anything. I just stare into it which is both nothing and so much everything to me that i almost drown in it. It pretty much ***** my thoughtful entirety into it much like a black-hole, it can't really do it but all my thoughts are attracted to it. It is to me like a great void that probably has lots of stuff inside but i can't possibly ever reach it, so to me it's a void. A void beyond logic, the delirious nonsense itself. I cannot reach it.
I get back from it to my plane of existence and turn around into the normal position on cause-effect axis of my relative reality. I really did it, i found that edge, that border. It's such a strange insight unlike anything else i have ever experienced in my head. I both know and don't know so much more about the universe - i experienced that black hole in my head, the end of the line for the train of logic, that drowns out into the vast void of complete irrationality relative to me. Now i know where and how to find it, and while it's not of any use to me, it brings me both despair and solace.
And did You find your end of the line?
Not a poem but a small personal philosophical absurd "treatise".
NeroameeAlucard Oct 2014
If I'm a plumber then she's my princess peach,
if she's Zelda, then I'm her Link.
If my life was Contra, then she's my Konami Code.
Can't you tell ny Lady is the subject of this ode?

If she's Curly Brace then I'm her counterpart Quote,
Seriously, I'm in love with her if you didn't catch it I left a few notes,
If I'm the Belmonts, then she's the vampire killer,
if I'm Michael, she's my thriller.

If I'm Pac-Man, then she's my Miss
If I'm Alucard, then she's my transformation into mist
If I'm Kirby then she's waddle Dee,
quite frankly this is getting sappy so I'll get to the point.
I love this girl more than a stoner loves a joint.

(bonus points if you can name all the games referenced, and the Konami Code)
mel May 2018
you are your own cosmic hue
always so perfectly subdued
your darkness has reason
your Light fuels the moon
the contrast shines out
from your head to my heart
like we’re some kind of dance
where the Cosmos can spark
their rhythm to guide us
through our souls’ embark
collectively, we are
the Divine Counterpart
Mateuš Conrad Mar 2017
i read stories of angry drunks and wonder:
           why am i so "pathetic" reading into calm?
don't know... truths by a millionaire
might make more sense...
mix ***** with coke watch
the icecubes melt and then take another
sip and it's harsh, pinching like
a crab's signature...
         but then alcohol formulates
around me like a memory tool,
gone are the lessons of school,
      gone the need for arithmetics that
lead to no hoard of gold of erebor -
just that cinema and standstill -
   like my genesis of memory,
  with a great-grandfather in kindergarten
him playing the piano and me playing
a toy piano aged 4, and in my memory
he representing no clear image
but a mere shadow / merely a shadow...
               or laughing at my great-grandmother's
funeral, then sitting up at night
   gnashing my teeth so hard
until i managed to bite off a piece of my
left mandibular central incisor...
         and in the mourning crowd
  when close family members were throwing
flowers into the grave unearthed
and being asked to do likewise
i shouted no!...
                      and took the intended flower
to be thrown into the grave
   to my grandparent's home and sat there
with a candle, gently burning
     the petals with the flame until
the petals, originally red, turned purple;
it seems i can't forget my education in chemistry,
that's not me saying i prefer thought "experiments",
i find them abhorring,
             it's still perplexing how that rose
that was intended to be thrown into the grave of my
great-grandmother ceremoniously
     turned purple from red when gently
applying fire from wax...
        i'm sure a bunsen burner flame of blue
flame would have scortched it...
    as i'm sure you agree, there are hues
to fire, blue flames and very engaging chemical
experiments... in all honesty?
   i did the best chemical experiment in school
and not at university... thanks to mrs. khan...
it involved extracting polyethylyne
in an in vitro environment...
               what you might call an event horizon
akin to physics...
                    oh physics, and the fact that
it's focus on procuring adherents does not stand
within an in vivo environment they propose
to speak about it...
          oddly enough, chemistry does not
popularise itself, only biologists and physicists
popularise themselves,
         chemists usually turn into amphetamine
pushers...
  like: because it began with a ****** name
     and an even ******* primate, do i care?
no... i'm getting drunk!
  why do physicists and biologists get the *******
high-ground in culture and chemists get
the sub-culture? oh right... poetry and
the counter-culture...
      i own the literature:
a. atkins' physical chemistry
          b mcmurry's organic chemistry
c. shriver & atkins' inorganic chemistry...
   from experience though:
    organic chemistry is where you have fun...
it's almost culinary in nature,
   and the patience involved...
sometimes an experiment can last for days...
i find the other two environments too sterile,
well... inorganic chemistry is spectacular,
i'll just add that it's flamboyant...
             physical chemistry is a ******* graveyard,
that **** is so sterile that you don't
   even know whether it's physics or just
applied mathematics...
               but how electrons travel in
organic chemistry's textbooks?
            i could do that **** for ever -
                    the nearest thing to x-ray vision
of what is formed and how it all seems like
quasi-robotics of something taking off a faulty
limb and asking for a more manageable counterpart,
it's all metaphor though, evidently not literally
applicable...    but that doesn't say it's not similar
in the case of having such a point of view...
  but yeah... why do biologists and physicists
think they can speak about their theories
  as populists might speak their political agenda
when they're forgotten the principum in vitro?
                 what they are doing is what
current right-wing political movements are doing,
giving them a platform akin to populism
     i.e. via the principum in vivo...
                    i mean it's there, including chemists
running amok shoving toothpaste and petrol down
peoples' lifestyles... and sure, pills...
    but i find that less demeaning than showing
ideas into peoples' heads... like it might
       change their narrative skills for the better...
still...
        now i'm tempted to find the third alternative
to vitro / vivo...
                               in mirror, a replica,
    something that can compensate the phenomenological
groundwork for, say, the punk or goth movement...
     trouble is, what could be resurrected from latin
to derive the word mirror...
     mercury?                           it has to be,
given in silico, so there must be a counter-elemental
derivative working from that...
thus -                                             in mercurius,
     that ought to prescribe the x            definiton
     to a situation                  where + is rarely
                       attributed to the movement of the canvas;
and yes, writing can also imply
serving the dish neglect to all wordly affairs.
emily c marshman Oct 2018
I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.
“And such bees! Bilbo had never seen anything like them. If one was to sting me, He thought, I should swell up as big again as I am!”
      -The Hobbit, JRR Tolkien
Egeria Litha Nov 2014
Nothing can influence
A Man
Stronger
Than a Woman
It's a difference
Through yin
That causes
Yang to become
Whole

It's like the beast
Crawling towards
The beauty
She need not
Use force
Or violence
To get the animal
To draw closer

Her prescence -
A flower
So sweet
Anything with a nose
Wants to inhale

The influence of
A woman
Is a journey inward
Where the flow
Comes in

I could show you where
You begin
Where it begins -
In the formation
Of a wave curling
To form
An infuriating
Break
Soaring through
the wind

She gets him
Contemplative
Her words
Sound like Sanskrit
She knows what he needs
Beyond what his ego
Believes

And maybe gentle
Or crying
Should not be forbidden
The influence of women

A females touch delicious
A Man's counterpart
And producer of souls
The answer to family
The true love gaze
An access to divinity
The missing ingredient
Of the recipe

A Woman's influence
On a man
Is the way the world
Transitions
Classy J Nov 2016
Diving into bath salts, raving flue that is as sicking as math, at least that is what I conclude from my findings presented to the court. Objection, objection, sir I don't see the connection, maybe your rhyme scheme needs perfection. Maybe it does, but ***** it, I'm blessed by God; baby please sit down and take a chill pill and just enjoy this buzz. Busting off, so back off, bout to prove my case like I’m Ace Attorney, oh and I know it’s off topic but if I lived in America, I would’ve voted for Bernie. What the **** am I on? Came to save the digital world you can call me a digimon, you bet I’m a champion! Serendipity dear deputy; I’ll be typically wittingly searching for some tranquility. What is the validity of this vicinity as I only accept notability and won’t let this become a liability!

Pathologically paraplegic hypochondriac with insomniac who be popping poems profusely perfect; while whimsically worm's try to be strategic, but sadly choke and lose it. Miles set apart; it certainly is not a strut in some park, but everyone has to start somewhere before they engrave their mark. Don't reside yourself to just being a silhouette, nor be one to toot your clarinet. Two sides to every person like Dr.Jekyll and Mr.Hyde; be careful to not let your pride turn into carbon monoxide. For pride will always lead to your downfall, so please take off your iron curtain and tear down your Berlin wall. Improvident incongruous incredulous confidence; underwhelming astonishment of such fundaments of these heinous and callous acts of deceitfulness. Trickery of thy decadence; why art though jittery when you are full of benevolence? So used to getting what you want I bet; well this situation can not be fixed by dough, so I see why you are in a cold sweat! Fake confidence won't help you here especially when one lies; you made a mistake and will face the consequences and I am not one quick to forgive no matter how much you apologize.  

Don’t have time to consider your sensibility, because my life is going a twitter with too much hyperactivity for me to deal with your stupidity. Befittingly that I’ll be building up the intensity, to infinity and beyond goes this creativity of this anomaly. Not going to prolong this phenomenon, I’ll be going off like a Molotov over this intercom, yeah you better not ever underestimate this underdog. Lackadaisical are these other rappers; they’re so replaceable and incapable to be educational. Incomprehensible is this loop of hip-hop now a days, why can’t we be inspirational or is it to late because we left morals and substance back in the olden days. Can’t afford to be anchored anymore, I’ve poured in too much time to be just be locked behind some door. I refuse to be ignored and be left ashore; I am not worried about going into the storm; because you are bound to come across some things that need some work like chores. Spinning the wheel, reminiscing of how it felt when I no longer concealed who I was and my self-image had been healed.

Used to be reclusive & convinced myself that I was a duffass, but now I’m exclusive to being a smart ***. This is the new era, this is a new fire; it’s time to spice things up so better pull out the sriracha. Leading the revolution like I’m Che Guevara, I’m light as feather whatever the endeavor even if my life story doesn’t end up as pristine as Cinderella’s. Why so infatuated by worldly wants? Why so decorated when you can't hide the fact that you're the same basic *** font? Trying be something else, striving to be someone else, wanting to be anything else. You are who you are, if you think it will make things better you cucu, because in my eyes you are really a star. You have to expand your interpretation and perspective of life, you have to demand without hesitation a piece of that collective pie; because I believe everyone should be equal in this life.

Calculated bullets that go straight through my cranium; manufactured outlets that show great things but have also turned us into brainless aliens. Complicated hookups that grow irritating and become as unstable as uranium; what was once sacred has become as spontaneous as going to a gymnasium. Confiscated trinkets cast away and leaves those affected very irritate; while also simultaneously making apathetic souls that have gone through the same thing be able to understand, help or relate. Cultivated rebellious culprits that don't take the memo of being cooperative, instead they choose to be provocative and opposite of the other conglomerates. I’m so fascinated by this fabricated segregated supposedly liberated and sophisticated community; where-as some so foolishly stupidly amusingly think that everyone has the same equal chance at opportunity. Moderated, regulated and orchestrated where some are situated; if you don’t think that it has something to do with be affiliated to a certain demographic then maybe you never got educated in the affairs of those discriminated. It’s a good thing then that class is in session; so viewer or listener  please use discretion when taking time to witness or hear my position. Deafening out all ill whims; wrestling with these unsettling menacing fears and guilt from all of my sins.

Yeah no need for hallucinogens, all I need is two hydrogens and one oxygen. Rocking in my moccasins; so you can bet I am not one to drop my promises. Native honour who is also a innovative scholar and who was created not to falter. I may not be good with numbers, but I'm good at making sure you never slumber on my words; because I work on them day and night in my 36 chambers. Beware the pretender, they are manufactured by the vendors to keep us from being together. Defend your heart; be wise who you befriend and who you pick for your counterpart. There will be hurt and affection can be perverted, so know your worth and never ever let yourself be distorted. It is not your fault, it is not my fault, so then who is at fault? Is it just life in general? Is it because of the being who lives eternal? Is it all of the above? I don't know, but we shouldn't judge and instead choose to accept and love!

Pardon me Martin, but if this class were a prison I’d be the warden. I make the rules here and I took the tools given to me to get me here. So listen, please listen to my lesson that I have to present to you as class is still in session. Loading yawl with ammunition to be able to transition to be able to complete your goals or missions. No I’m not tripping, I’m driven  by a higher force to break away the old ways of thinking such as division. This is not the prohibition anymore, so please open your minds and join me on this expedition. Going into the unknown, so here’s to hoping you get through this, as time goes on and be able to look back at it we may feel like this was no more than a tiny but important milestone.  Achieve, believe, conceive, receive, intrigue, and succeed because I think you are unique. You are the only you in the whole galaxy, don’t let agony turn into tragedy; ***** anxiety; yeah and never let your dreams just be some fantasy.

Outro: Sit down class ain't over yet, forfeit those frowns or fake faint or try to jet. Lastly remember what transpired today; don't go hastily and forget about it on December break okay? For though class may be over, more days or years to come until its finally over. Though education ends, one never stops learning even on vacations with family or friends.  I hope you can look back with fondness, I hope you can stay on track in the future if you truly take the time to just focus. Is there truly an end or is this just the beginning to a new bend.
Paul Oct 2010
I feel like a friend-- a true friend,
is more than a profile on a website.

And peace is more than a handshake agreement
brought by the outcome of a gruesome fight.

I know that self worth is more than someone's opinion,
and in no other dominion but mine own to foster and care for.  

And I can see that happiness is more than having money, sure,
cause most of us laugh everyday here, and come on, we're dirt poor.

And I pray the human soul is more than Casper's counterpart,
somewhere between the heart and the pancreas.

And God, faith is so much more than cryin' and dyin'
over spilt milk between religions.

And in case you were confused, "I love you", is more than
pet names, bed games, and ***.

Music is more than pimps, hoes, and MTV Shows, and T-Pain singin through a computer.

Believe that life is more than grades and degrees,
or drugs and disease,
or the 'ABCs' of success that some old man wrote a thousand years ago.

This poem has to be more than words strewn together
to voice my discontent at the status-quo..

Hell, the word "more" itself is more than a one-syllable statment
that what we lack in the present
is just a larger quantity of the **** "we already have",
and no!

The power of your silent agreement is more than that
of my voice alone, so...

What is "more"?

In many ways, "more" is the friend you never had.
More peace in the world would end all the mindless bloodshed.
More respect and selfworth would bring beauty back to youth,

especially to the women in the world,
that sell their unique souls to look like the cover of Cosmo.

More faith, that grants serenity in the times of hardship,
will be the soothing hand of an Angel on our shoulders as
we say, "I love you" to our enemies, martyrs for a better world.

More positive music will inspire us,
to be the change we want to see in the world, today,
instead of, "Waitin' on the World to Change "♫ ♪ ♫♪

So ladies and gentlemen, make a decision: if you want to be
critics and vipers,
war mongers and hope-snipers,
ignore my intention, and live with more division.

But, if any of you are artists starving for meaning and inspiration,
if you envision a world of more than... THIS...

Then let a word change a feeling,
change a thought, change a meaning,
change your mind...
And get more out of life.
Copyright Paul Langdon October 2010
Emily Sep 2014
oh baby
the way you make me feel inside
is unlike anything i've felt in my entire life
you make me feel excited
you make me feel like i am invincible
like i can take on the world
you make me feel like i'm the only girl
in your beautiful, blue eyes
and you're mine
now that i've got you
i'm on cloud nine
with you, there's only yellow
there is no blue
when i miss you
i look up and think of you
you are the sun
the moon
and all the stars
you are my sky
you are my everything
my whole world
our time together is my favorite
i swear, i knew you in another life
there's no way a bond like the one we share
could come out of no where
this is destiny
this is fate
this is something more
you are God given
you came straight from Heaven
i love you with my entire heart
i worship you with my body
i adore you with every fiber of my being
you are my counterpart in this life
oh baby
i love you
Mateuš Conrad Jan 2017
i can't stop feeling this pounce of melancholy,
and i mean: it's like a lynx pouncing on my chest,
i can't even claim a clinical dimension to it,
it's a sadness that comes on two fronts...
   it's a sadness that i left Poland when i was 8,
and the greater part of my life was spent
using the English language...
         and i find the Anglophone world so devoid
of consistency... all this post-truth
          labelling...
       this throwing of the cartesian maxim the other
way around, the "i am" really does
   predated the "i think" scenario on the hopes
of asking for a genesis, a (0, 0) / (ο, ω) coordinate
beginning... yes, i know more of a dougnut
   and less the orbit of a planet in the latter case...
     i can't believe i'm getting this technical -
but it sometimes happens, you know?
i don't really like it... i'd love to write about less
claustrophobic matters, less constrictive intellectual
matters... and before you shoot me down
by denouncing the crass lack of motivation -
                i am frail in undertaking another "poem",
and i mean that as a way of saying:
              terse narration and no claim to technique,
or at least that's what i know is modern...
           i watch the following list of videos
as a sort of freak-natured lullaby while drinking
Obey the Walrus         I FEEL FANTASTIC
Agamemnon Counterpart       Username 666
Cursed Kleenex Commercial      There is nothing
Performance Olivier de Sagazan 2008  
     The Wyoming Incident        My Dead Great
Grandma’s Coffin in My Own backyard!
K-Fee Car Commercial       Pretty Woman
Fatal Diving Accident        Girl Goes ****** During
Makeup Tutorial       Paris Catacombs Lost Footage
Shaye Saint John – Hand Thing (yes, copy & paste
given the uppercase lettering, i can be lazy
once in a while) -
                          so i do see a lot of potential in
these clips... if you can't dazzle them: might as well
scare them...
                      but i watch them and then write
a native-language poem while listening to
    music accompanying a zbigniew herbert poem
by tadeusz woźniak - and i get all nitty gritty
when using a language i should have forgotten
aged 8... and i type one out and i am brought
to tears with it... and then it vanishes from the html
blank...
             and then a deeper horror sets in,
which Ezra Pound would have liked
and it merely means: ten quotes by Horace,
a video, with only 230 views on youtube...
                    no one would dare say carpe diem
like a cliche after seeing this video...
             but still the sadness persists...
and i can't make it systematic, not systematic in
the sense that it might appeal to the zeitgeist of:
the January blues, or... i need the pharmacological
rainbow...
        i have a miniature vineyard... enough for
35 litres of wine... and i make the wine myself...
i pick the grapes...
i crush them, i buy the yeast, i melt the sugar until
i get runny sugar-thick water,
   and you know? out of the 5 litre holders for it...
i get about 10 pristine bottles of wine,
roughly in the range of 15% a pop...
                   from 35 litres i get about 10 pristine bottles
of wine... quality-wise: the stuff you'd expect to
buy in a shopping market...
       and that's the sad part...
it bothers me that i've waited for long for the wine,
i might have mentioned it a few months back that
i do actually make my own wine... but given the addiction
it's a product that could only last for something
worth celebrating...
                     these days people speak of a marathon's
worth of abstinance from the stuff for a month...
    which is a bit sad, given that if people ventured
into producing their own alcohol, they'd have
a Dionysian month of binging on it... and then having
11 months being sober... until the natural cycle comes
back, like the rare event of a comet...
    i'm sad i lost a few poems on the way...
but i'm also sad that the drinking should begin by spring
and that i'm ****** already...
                  that i'm still buying whiskey,
and when i do actually drink that one bottle of clouded
wine today, i'll feel a sense of the most minute accomplishment...
   i can't stop facing this industrialisation of
everything... whether it's alcohol, or art...
   or intellectual debate...
   sure, i'll listen to Breitbart for a bit...
then i'll listen in on how we've began mutilating
language... then i'll think of god, and recount
kant's concept: imagine the pangs of despair i felt
reading through the second volume of the critique -
if you do: you'd be surprised by what's involved
in transcendental methodology...
    what could possibly obstruct you in the existence
of: said word... not enlarged in religious practices?
   i am comforted by the fact that kant deals with
god on a non-religious basis...
    religious i mean: worthy of a reciting only one
book a thousand ******* times and building churches...
if god is merely lodged in your mind and allows
for a narrative, who is sane enough to take that
narrative initiative from you, considering the fact
that you're not bound to kneel and read only one
book a thousand times as if that one book held
the sole capacity for your vocab exfoliation and learning
of the alphabet?
     how can you ever be bound to a cognitive detestation
of god? that really must be painful...
considering that thought is so ****** whimsical, frail,
   picky, panicky... give it all you want...
you can't establish a cognitive detestation of god
  on the simple ground that thought is being bombarded
by a 5:1 ratio of the senses versus 1 non-sense -
    which god evidently is: given the numbers of
the good-church going folks... kneeling lunatics i call them...
but the simple fact that you want to do a lobotomy on
yourself with atheism, is a bit like saying
you'll censor the mathematical statement 1 + 1 = 2...
      at least the concept of god is: language exists...
and can i add to that? if a being as such exists:
he wouldn't consist of games... the verbal colliseum
of anagrams and crosswords... language you seize
to be entertaining... it would spell out a clear
format: a x, y, z      vector precision:
    starting from point (0, 0) moving to (1, 1),
  (2, 2)        to ( 5, 5) etc. you'd get a y = x graph...
   not a ******* parabola of nuance and political
chess... or nuanced ***...
                    and is that a.i.?
           well: the french question about man inventing
god because it would be useful is much better said
these days since we we have the capacity to create ourselves...
and given how it looks: i'm going to be a caveman
trapped in a two-dimensional world of the collective
consciousness by the time the true avant-garde in this
medium starts... creating a god became boring...
so many had to recreate himself in the robotic form...
    man is currently needing this exploration...
forget the space project... it's a case of definition...
but i'm still melancholic about the wine...
     i've been waiting to sniff it and feel the sharpness
of the alcohol for a good 3 months...
       and i really wish i could write in my native tongue
so easily as i do in my acquired tongue...
     i'm sad because i'm drinking the whiskey
prior, rather than getting completely sloshed on
what alcoholism looked prior:
    it's that curse of town insomnia and how we don't
celebrate enough of what comes with natural
cycles...
              which means that ontology is dead...
given we've managed to tame the seasons...
  means that any ontological question, based on
the cycle of wine-making, brings us to a more dreary
position than with nietzsche's god is dead...
look here: at least you have something tangible...
   you can't erase god from thinking...
it's the primost a priori essence of every, single man,
it's not an a posteriori fact,
god is there, in that a priori medium like space
and time...
                              and why do people never claim
that god can contain a dualism, primarily because
the herd is encapsulated by a monotheism?
              if god could ever be an a posteriori you'd
be forced to experience some sort of revelation,
and later encounter the evil contained within the concept's
dualism, so in actual sense: be considered mad:
for not making certain choices in life and wishing to
reach for the pulpit... mind you: i had such an experience...
and my life didn't become better for it...
     evidently i should have pressed harder for
the ontological argument of: marrying the girl...
but then the same ontological argument came back
to me when i started making wine...
                      meaning i could produce alcohol
on an industrial level... and forget any ritualism involved
in consuming it prior... since i would only be
left with an addictive socio-pathological use of the
once celebrated, collective engagement by waiting for
autumn to ferment and keep me warm through
the winter... which i suppose is when all the Greeks
were kept together... drinking and ******* rather
than bother to exploit natural resources like gas and oil...
but hey! that's just me...
         but there's a sadness behind this...
start making your own wine and you'll see it...
which is to say: i don't know whether i'd have lived
a happy life with my russian fiance...
             i have only a quantum idealism to mind
expressed by fanciying myself counter to the history
i'm writing right now...
    so why is god as a priori bound as time and space?
well... why would you otherwise get so many eager
atheist gobs to reach for an argument?
                  i find that the most authentic atheists are
murderers... why? they have transcended
    the cognitive debility of an atheistic argument...
      i'll prove god does not exist by "thinking" about it...
my my: what a lovely congregation you have there!
      i'm not even trying to be clever here...
  well... there's an antidote to this scenario...
               so he's permanently lodged in our a priori
  "consciousness" (might as well do away with psychiatry
******* about with its three-layer cake of
con- subcon- and uncon-) -
                   and he's not lodged in our a posteriori
"consciousness" - i hate becoming the fiddler on the roof -
because what then? experiencing the omniniscence
and the omnipotency and whatever other trait that ******
thing does, would translate as what?
     at best a monotheism... or a place where people concentrate
in numbers... not necessarily worths of being beyond
the estimates concerning their congregation...
            it's dangerous to claim a god in the a posteriori
realm...
                that's why the safest place to keep him is in
the a priori realm... where all the big things happen,
or don't happen, depending whether you're from New York
or Hiroshima...
                    and following from kant's distinction
in transcendental methodology concerning time and space...
and god...
                 it dawned on me that he did see a distinction
between mathematical language and the lingua of
  doodling and anagrams and all those poetic jives that
give no precision...
    if time... then space...
                    if god...            then nothing...
and how are dual in the a priori realm...
       only that with regards to time and space
i'm more likely to throw a 1, or a 2 into conceptualising
these things, than i am to throw an a, or a b into it...
    algebra is secondary in talking about these two mediums...
why? because i'll get a definite rationalisation of
time and space... if i tell you the fastest man on earth
can run 100m in under 10secs...
                       if i throw in x y z into this: i might as well
end this whole narrative with: oi! Zeno! give us
that Achilles joke!
                when i mean god i mean: medium of
communication... that's not necessarily a democratic
omni-versed plateau of sponging everything every human
has to say...
       but i primarily throw 1, 2, 3... 4, 5... 8, 9 and 0
into the a priori conceptualisation of time and space...
  but if i do the same when i throw in the other symbols
into the a priori conceptualisation of god and nothing -
sure, mathematical symbols can be phonetic encoding,
as one, two, three, four... five, six...
          but apply them as one two three four to time and space
and there's no way to rationalise time and space,
because time and space is met with a nonsense
in dealing with a phonetic encoding of 1 (as one) -
due to the vacuum of space... and the timelessness of
    time as a ref. point fixated upon... let's just leave
it with the vacuum of space... 2 overpowers two (because
of to and too), 3 overpowers three (because of free)...
4 overpowers four (because of for)... not only that:
but they're more about photographic memory
and visual conceptualisation ease - no one really bothers
   a - z to be anything more than: what they actually
are as phonetically: awaiting pronunciation.
sure... letter can become mystical in a sense of:
   y looks like a tree (other than pine),
           H is a rugby goal...
                               w is a cosine graph...
                    y is a serpent's tongue...
              but that's mysticism and that's also: fair enough!
what bugs me is the opposite of the a priori
magnetism... as opposed to space and time...
god and nothing...
     well... if i throw 1 and 0 into a priori thinking
about working time and space...
  i'll get, say: 365 days in a calendar year...
               or that the acceleration of earth if 9.8 metres
per seconds squared... (cubic gravity evidently
becomes a bit pointless -
                                        imagine it:
   9.8m/s(superscript)3...   or 9.8m(superscript)2/s...
or whatever variation...
no wonder the chemists got the ****-end of the stick
when they were told they weren't allowed into
the heaven of superscript... but sent to the subscript hell
of writing dwom oxygen... ah shame: Faust! i'm coming!)...
yes... but throw 1 - 0 into the a priori
"conceptualisation" opposite of time and space,
i.e. god and nothing... the best answer you can get
is matthew chapter 1 verse 8... or SIX SIX SIX!  boogie man!
well... not... you throw in the symbols α - ω
into the a priori "conceptualisation" of god & nothing
and you get, e.g.: δατυμ -
which basically means: it can't be meaningless -
       otherwise we'd be stuck with animalistic intuition
and intelligence, overloaded with sensual intelligence
and not marred by the murk of thought...
  how this devolution happened is beyond me...
  no amount of wit makes up for the sensual sharpness of
a monkey shouting at a congregation: spy! snake!
and all with the bare minumum of phonetic distinction...
    thus α - ω are slightly meaningless when it comes
to time and space, i know these symbols to enter
this a priori venture, but we're still primarily talking
about using 1 - 0 symbols to get at the knitting-work...
just like in verse, i say of a crossword
    sound of Valhalla (4),
                 and you say: 1 across... horn!
                              and then we get the pretty picture.
3a.m.
       and the wine ritual is about to begin...
      
kk Jul 2018
Sunshine!
Sickly yellow
slow-light colored streaks
slithering worse than sweat
down my body.
That golden ball stares down at me
like a haughty goddess,
her duality shallow and hot.
She cares not for the freedoms of humans.
She's a two-faced coin,
purgatory masked by the promise
of freedom from pained brains
and scholarly shackles.
The sun laughs at her own trickery, gargling through melting teeth
as she collects suppressed confessions
from weakened teens.
When her crescent counterpart
offers solace from her torment,
the moonlit darkness
only serves to drown us
and we splutter in our own
self-taught
year-round
lies.
And the sun
rears her tattered, flaming mane
at daybreak,
belly-laughing at idle minds now unrefined,
gleefully adding her own scorch
to already inflamed brains.
summer is worse for anxiety than you'd think
edit: adjusted enjambment
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
Michael R Burch Apr 2021
POEMS ABOUT EROS AND CUPID

These are translations of ancient Greek poems about Eros. Eros was the Greek counterpart of the Roman god Cupid. While today we tend to think of Cupid as an angelic cherub shooting arrows and making people fall in love, the ancient Greek and Roman poets often portrayed Cupid/Eros as a troublemaker who was driving them mad with uncontrollable desires.


Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wilds winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

Eros
descends from heaven,
discarding his imperial purple mantle.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 102
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
Take me!


Around the same time Sappho was writing in ******, in nearby Greece, circa 564 B.C., we have another poem about the power of Eros:

Ibykos Fragment 286
translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



I hate Eros! Why does that gargantuan God dart my heart, rather than wild beasts? What can a God think to gain by inflaming a man? What trophies can he hope to win with my head?
―Alcaeus of Messene, loose translation/interpretation by Michael R. Burch



Have mercy, dear Phoebus, drawer of the bow, for were you not also wounded by love’s streaking arrows?
―Claudianus, loose translation/interpretation by Michael R. Burch

In Greek mythology, Cupid shoots Phoebus Apollo to make him fall in love with Daphne, then shoots Daphne with an arrow that prevents her from falling in love with her suitor.



Matchmaker Love, if you can’t set a couple equally aflame, why not ***** out your torch?
―Rufinus, loose translation/interpretation by Michael R. Burch



I have armed myself with wisdom against Love;
he cannot defeat me in single combat.
I, a mere mortal, have withstood a God!
But if he enlists the aid of Bacchus,
what odds do I have against the two of them?
―Rufinus, loose translation/interpretation by Michael R. Burch



Love, if you aim your arrows at both of us impartially, you’re a God, but if you favor one over the other, you’re the Devil!
―Rufinus, loose translation/interpretation by Michael R. Burch



Either put an end to lust, Eros, or else insist on reciprocity: abolish desire or heighten it.
―Lucilius or Polemo of Pontus, loose translation by Michael R. Burch



Steady your bow, Cypris, and at your leisure select a likelier target ... for I am too full of arrows to take another wound.
―Archias, loose translation/interpretation by Michael R. Burch

Cypris was another name for Aphrodite, the Greek goddess of love. Here the poet may be suggesting, “Like mother, like son.”



Little Love, lay my heart waste;
empty your quiver into me;
leave not an arrow unshot!
Slay me with your cruel shafts,
but when you’d shoot someone else,
you’ll find yourself out of ammo!
―Archias, loose translation/interpretation by Michael R. Burch



You say I should flee from Love, but it’s hopeless!
How can a man on foot escape from a winged creature with unerring accuracy?
―Archias, loose translation/interpretation by Michael R. Burch

Many centuries later, poets would still be complaining about the overpoweringness of ****** desire, and/or the unfairness of unrequited love, by which they often meant not getting laid!



Spring
by Charles d’Orleans
loose translation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.


Fast-forwarding again, we find the great Scottish poet William Dunbar, who was born around 1460:

Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear,
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently,
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again,
so comforting her bowering leaves have been.

Keywords/Tags: Eros, Cupid, Phoebus Apollo, Cypris, Aphrodite, love, blind love, cute love, love god, love goddess, bow, arrow, arrows, desire, passion, lust, heart
All my life
is waves, expressed as rays,
phases, and cancellations...

...Waving by
and paving over
what I made in other ages

Undulating sway,
disrupting Self,
the Phrase, the Word, the Way --

Nameless, without
shape - within all shape -
all touch, all taste;

One expressed as Two:
compress, expand, repeat.
In balance, truth.

Lilting swells
that break in mind and water,
endless scintillation;

Every word as complex
as its counterpart,
unpatterned ocean;

All motion
the illusion of Desire,
the fire that burns to Rest...

...But only ever
simulates, for trough
but stimulates the crest;

When all my waves
have ceased and found their peace,
there ends my quest.
Dedicated to Walter Russell
Evynne Apr 2013
Your shadows cast down on the lonely spirits
Bringing with them intricate visions
And emitting longing desires
With searing memories that are cutting but so prepossessing
Residing between the clouds of the evening and the curtains of the dawn
You are both mysterious and majestic
With the moon as your crown
The stars as your wealth
And silence as your robe

You gaze with eyes
Open and wise
Into the universe above you
And see all of the depths of life
You listen with ears
Sharp and careful
To the sighs of desolation that flow ever so quietly
From the ever wakeful souls and the ever restless minds
You whisper with lips
Soft and sanguine
Into quiet rooms
Bearing peaceful slumber and secret dreams
With hands
Mystic and powerful
You close eyelids gently
As you guide hushed minds and aching hearts
To a world more kindly than our own

Lovers get lost in the folds of your dark and endless ensemble
And the lonely-hearted weep at your feet
You feel their unfading longing and despair
And lull them with your soft sounds and quiet presence
You are a friend of lovers
A consoler of the lonely

The minds of poets stir at your forthcoming
And hearts of prophetic stature awaken
As imagination and inspiration are both
Born and nourished under your guidance
You are a monarch to the poets
A vision to the prophets
A confidant to the thinkers
Ever so tragic
But ever so beautiful
You are home to the intellectuals and the visionaries
The writers and the artists

Over time you have revealed your secret purposes unto me
You have transformed my fear of the darkness into tireless trust
With your magic fingers you touched my mind
And my thoughts poured out in stardust
And flowed like a river beneath the moonlight
You kissed my spirit
Became my most trusty companion
You accompanied me in times of joy and in times of sorrow
You caressed my cheek and kissed my forehead
We grew closer and closer
Until we became one in and of the other
For within my dark self there are twinkling stars
That scatter passion throughout
And within my heart lies a struggling moon
In which doubt surfaces with the dawn
And comfort envelops me as the evening retreats
You awakened my soul and instilled peace deep within
I am covered with a veil of mystery
Given unto me from your own mysterious shroud

I, too, am a night
Quiet and profound
Yet fettered and unruly
Strong and exalting
Wise and amiable
Yet cryptic and capricious

For there is no real beginning to my darkness
And no real end to my depths
Before there was anything that mattered everything that would ever be existed , it was the essence of totality , it was without dimensional constriction or necessitated form .  Optimistically speaking time had no relative realism to it’s progression because realistically nothing had happened yet .  As it continued it became according to it’s innate inflections as a functionally integrable form .  The questionably understandable nature of it’s conjunction was an omnipotent directive beyond necessitated action or morphological construction .  The enigmatic consciousness of it’s relatively interrelated conception was spontaneous and yet it continued without elemental omniscience .
As the relative complexity of it’s interrelations evolved dimensional consistence was born.  Humanly understandable laws of physical integration governed many facets of it’s conjunction yet the totality of it’s ramification was beyond humanly realistic conjecture .  
The organic morphology of biological ontogeny was a conceptually reflective derivative of functional physical mechanics yet it’s diversity exceeded it’s physical complexity , understanding evolved .  Relatively extraneous interpolations of adhesively practical extremity succeeded in a hierarchy of functionally integrable forms .
Retrospectively speaking pragmatic practicality is a humanly rational possibility .  Rational logic can conceive of individually totalitarian structural forms , yet the implosive nature of their rational cohesiveness becomes a practical partiality due to the diversity of their definitive impetus .
Perhaps the essence of our being is the logical counterpart for the matrix of our subjectively conclusive social fragmentation , or perhaps we are evolutionally incapable of cumulatively rational correlation .  Problematic diversity could be perfectible on an individually infinite level or contrarily perhaps ubiquitous causality is the ultimate survivor .  
In any case it is beyond our subjugatively rational cohesive coercion to intercede en masse on our own behalf as an integrated unit. Our conceptual abilities have been thwarted by the unmitigatably individual nature of our extraneous conclusiveness .
Anon C Nov 2012
So long in search of a love like yours  
one that encompasses me completely
releasing all emotion
soul exposed bare and naked
to be examined and still accepted
what a revelation
that anyone would have that capability
attuned to every part of me
I respect you
seeing all my scars yet not even blinking
no cringing, no judging
only pure acceptance and love
a craving to heal, cure and dress my wounds
what a beautiful soul you must have, love
my counterpart, my companion
raphæl Nov 2018
is to raise a wall
back to its preexistence
to halt a
read-between-the-lines
brand of resonance;
a wall to protect
those constructed surfaces
from even being scratched.
Now, you feel
              an
                  empty sting

when your access to a
digital counterpart,
a modern-day version
of a person's cognition,
is denied.
It's as if their posts are
the only way left
where you could
actually
hear the things
that couldn't be spoken of;
where you could
feel the
immeasurable heartbeats
that could never be
projected;
  and all of these
      illusions
          make you wish
              you talked more
                  in real life.
Yanamari Jul 2019
Hello
I see you again.
A gaze that I process but
Do not comprehend,
Do not want to comprehend

Good bye
If only that was the end.

Not too close and
Not too far
Your shadow looms
Through my mind
A scar;
Not yet embedded however
Amplifying what it can be
Through a simple
Caress to my spine.

Careful and yet
Bold,
Your counterpart less of the former
And more of the latter
And yet currently,
My trust lays more in your
Parallel counter.
I wanted to trust you
But your one slip
Was enough.
I trust no person, a mirror of my ambiguous brevity in my words. All present juxtapositions, but not all juxtapositions are worth bearing. (Pers Ref: 4YS1A1,2)

The Aura Series: V
Soft, blush skin,

Aches to sink into their rightful place,

Press into their fleshy counterpart,

Yearns to push their sweet companion,

Longs to touch, to taste,

Form into the contours of a mirrored feature.

And nervously dances slurred words about,

Just behind their surface,

To tell you to kiss them ever so gently.
Bartholomew Aug 2018
In an age where society allows one to meet another without the physical presence,

To be social through media has made this generation only attracted to physical appearance

It’s hard to pin point authenticity through photograph when men with hidden agendas try to see what ur physical presents

And to be honest a hook up is never turned down it only truly shows how empty it is

And I ain’t even goin front, I’ve fallen victim to this impurity as I type this into my phone rather than writing it on paper

As I look at ur profile and swipe right hoping for the best because I’m interested in your pictures but.....

I yearn for something deeper, something more

my counterpart, that spark that I’ve been searching for

I wanna play wit you, lay wit you, pray with you if you ain’t into wishin

Want to get lost with you, share laughter and learn about ur intuition
Inspiration (J. Cole- Phitograph)
Danielle Renee Jul 2012
You’re wearing my favorite shorts today,
the red ones with embarrassing paint stains.

They’re your favorite too, since
you’re in them at least four times a week.

A recurring event, like your tendency to stop
emotion for a brief second.

That was the time the radio played the same five songs
every hour.

We embraced on sheets that I did not buy,
that you did not buy.

Twirling our feet in semi-permanent
interior paint, light ocean breeze.

Through the grocery store, down aisles of food
we’ll never try, because spaghetti is just so **** good.
Early Spring 2011
Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.

Boy no more, he wears all coats,
Frocks, and blouses, capes, capôtes,
He bears no bow, or quiver, or wand,
Nor chaplet on his head or hand:
Leave his weeds and heed his eyes,
All the rest he can disguise.
In the pit of his eyes a spark
Would bring back day if it were dark,
And,—if I tell you all my thought,
Though I comprehend it not,—
In those unfathomable orbs
Every function he absorbs;
He doth eat, and drink, and fish, and shoot,
And write, and reason, and compute,
And ride, and run, and have, and hold,
And whine, and flatter, and regret,
And kiss, and couple, and beget,
By those roving eye-***** bold;
Undaunted are their courages,
Right Cossacks in their forages;
Fleeter they than any creature,
They are his steeds and not his feature,
Inquisitive, and fierce, and fasting,
Restless, predatory, hasting,—
And they pounce on other eyes,
As lions on their prey;
And round their circles is writ,
Plainer than the day,
Underneath, within, above,
Love, love, love, love.
He lives in his eyes,
There doth digest, and work, and spin,
And buy, and sell, and lose, and win;
He rolls them with delighted motion,
Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein,
That they may seize and entertain
The glance that to their glance opposes,
Like fiery honey ****** from roses.

He palmistry can understand,
Imbibing virtue by his hand
As if it were a living root;
The pulse of hands will make him mute;
With all his force he gathers balms
Into those wise thrilling palms.

Cupid is a casuist,
A mystic, and a cabalist,
Can your lurking Thought surprise,
And interpret your device;
Mainly versed in occult science,
In magic, and in clairvoyance.
Oft he keeps his fine ear strained,
And reason on her tiptoe pained,
For aery intelligence,
And for strange coincidence.
But it touches his quick heart
When Fate by omens takes his part,
And chance-dropt hints from Nature's sphere
Deeply soothe his anxious ear.

Heralds high before him run,
He has ushers many a one,
Spreads his welcome where he goes,
And touches all things with his rose.
All things wait for and divine him,—
How shall I dare to malign him,
Or accuse the god of sport?—
I must end my true report,
Painting him from head to foot,
In as far as I took note,
Trusting well the matchless power
Of this young-eyed emperor
Will clear his fame from every cloud,
With the bards, and with the crowd.

He is wilful, mutable,
Shy, untamed, inscrutable,
Swifter-fashioned than the fairies,
Substance mixed of pure contraries,
His vice some elder virtue's token,
And his good is evil spoken.
Failing sometimes of his own,
He is headstrong and alone;
He affects the wood and wild,
Like a flower-hunting child,
Buries himself in summer waves,
In trees, with beasts, in mines, and caves,
Loves nature like a horned cow,
Bird, or deer, or cariboo.

Shun him, nymphs, on the fleet horses!
He has a total world of wit,
O how wise are his discourses!
But he is the arch-hypocrite,
And through all science and all art,
Seeks alone his counterpart.
He is a Pundit of the east,
He is an augur and a priest,
And his soul will melt in prayer,
But word and wisdom are a snare;
Corrupted by the present toy,
He follows joy, and only joy.

There is no mask but he will wear,
He invented oaths to swear,
He paints, he carves, he chants, he prays,
And holds all stars in his embrace,
Godlike, —but 'tis for his fine pelf,
The social quintessence of self.
Well, said I, he is hypocrite,
And folly the end of his subtle wit,
He takes a sovran privilege
Not allowed to any liege,
For he does go behind all law,
And right into himself does draw,
For he is sovranly allied.
Heaven's oldest blood flows in his side,
And interchangeably at one
With every king on every throne,
That no God dare say him nay,
Or see the fault, or seen betray;
He has the Muses by the heart,
And the Parcæ all are of his part.

His many signs cannot be told,
He has not one mode, but manifold,
Many fashions and addresses,
Piques, reproaches, hurts, caresses,
Action, service, badinage,
He will preach like a friar,
And jump like Harlequin,
He will read like a crier,
And fight like a Paladin.
Boundless is his memory,
Plans immense his term prolong,
He is not of counted age,
Meaning always to be young.
And his wish is intimacy,
Intimater intimacy,
And a stricter privacy,
The impossible shall yet be done,
And being two shall still be one.
As the wave breaks to foam on shelves,
Then runs into a wave again,
So lovers melt their sundered selves,
Yet melted would be twain.
Steven Fried Jun 2013
Feminine poetry is the most alluring.
The curvature of a woman's wrist around a pen is beautiful.
Their faces are knit in concentration so intense, yet
velvety smooth. Women are graceful- they glide along the page like an
ice skater. Feminine poetry has an elegant air incomparable with their counterpart.
There is
darkness, but with darkness comes strength.
Demons abound on their pages, bred from the hardships stretching through the millennia.
Dark inspiration breeds radiating beauty.
Dania Jun 2014
Writer's blocks build walls of divide.
On the one side jump experience and feeling and emotion and thought, but on the other sit the words that rest in my mind and refuse to wake up from their pesky slumbers of stubborn laziness. All it takes is one word to smuggle itself passed a crack in the wall and there's a melody of language. The ideas can shoot itself only so high without its counterpart on the other side helping it reach the top. Oh writer's blocks, please stop mounting yourselves on top of one and other. With every solidifying brick, another word slips away and slowly writes itself into a permanent shut-eye. I know you mean no harm and simply want to exist in the struggle for perfected poetry, but my life currently lacks its  therapy. I appreciate your necessary hindrances, but if you could help me harmonize my mind and soul, I'd value your necessity much more.
Liam C Calhoun Jul 2015
The mannequin faceless,
Clothed in gold
With hands pandering svelte,
Remains an admired inanimate,
Albeit, atop whispers to a girl,
A 4-foot flower 3-feet my right,
Fretting and stumped;
Extrinsic a label – “undesirable.”

The mannequin faceless,
Her and hollow –
A towering nose above, stands
Opaque ivory, scarred come
Synonymous eyes with a symmetrical
Soul, assumed plastic perfection
And more importantly,
Soon to be sale.

The mannequin faceless
Convinced her new friend,
Her lesser, lopsided,
And natural not-so counterpart
To consume,
“Eat me, “eat me,” “eat it all,”
And then, “binge some more.”

The mannequin faceless
SCREAMS,
“BUY!”  Amongst the other torments –
Born both fingers that can’t move and
The thumbs that shuffle, “One’s,”
To the girl that was never,
“Good enough;” so shared the
Tabloid’s mouth.

The mannequin faceless demands
And DEMANDS nothing less than to
Buy, starve, suffer and sacrifice
So that every “broken body,”
May embody polymer, and for a price,
A not so fair trade whilst
Considering old man gold,
The curator of conundrum
And the plastic he’s created.
And maybe it was because I was listening to, "Radiohead."
F Alexis Mar 2014
All my life...
There has never been a shortage
Of people to tear me down.

I have never been without
Someone to throw the words that cut,
And leave me bleeding
Without a nurse to tend the wounds
Or the means to heal them.

It wasn't often that I went without
Hearing something to remind me
Of how little I was worth.

I was told that I was no good at this,
And shouldn't pursue that.
That, "if I were you, I would skip the audition."
And that I wasn't allowed to do certain things,
Because,
"You're not good at it. Get over it."
Still a ******, I was called a *****,
And was only bought clothes bigger
Than what I needed,
Because someone would rather
Convince me to hate my body,
Than change their own.

I was told that if I didn't do
Certain things,
That no man would want me.
And that he would go look elsewhere.

Though I had hands laid on me,
And not in love,
It was the words that held the most
Power.

The words that followed me.
That haunted me.
That poked at me and taunted me,
Making it impossible to ignore them.
The words that eventually,
Despite my greatest efforts,
Began to ring true to me.

And the mission whose missiles
Were these very words
Became a success,
Making me feel unlovable to the
Highest extent,
Packing me with baggage
That no one should ever bear.

The pain was indescribable.
The recovery, impossible.
The hope that I might prove it all wrong,
Harder to keep alive than
A butterfly who had already had its wings
Ripped from its body.

I had never wanted so much
For a kind heart,
A brief, flickering light
To draw me in
And keep me warm...

To nurse the cuts that always bled,
No matter how I wrapped them.
To offer gentle words
And a gentle touch.
Things that I ached for
Like food and water.

I struggled to hold on to the hope
That there was someone
Who might tell me differently.
That I was no *****,
But beautiful
And deserving of love.
That I was no terror to behold,
Or bane to their existence,
But someone that made it a little
Brighter.
That I was no problem to be solved,
But a person, a being with value
To be held
And loved
And looked after.
Someone who held purpose
And whose heart deserved
Healing
And someone to hold it,
Someone to look after it.
Someone to hold and
Look after me.

I strained to hold onto the possibility
That I could make someone happy,
Instead of only inspire their hateful words.
That I might hold some merit to someone,
And be a welcome part of their lives.

But then I realized...

No one would want all of that.

No one looks to nurse wounds
And fade scars.
No one aims to prove false
The insults and jabs and discouragement
Thrown at you.
No one wants to wait patiently
For the trust to grow while the
pain subsides.
No one wants to bear the patience
Of dealing with a broken person
Who every now and then,
Cracks a little bit.
People want shiny, new, and undented.
Not something that has been shattered
And clumsily pieced back together,
Never looking quite as pretty or worthwhile
As the perfectly intact,
Looking like it might break all over again.

I worked to fix myself,
Always trying to make better
Something I couldn't even identify.

I worked to become perfect,
To gloss myself over
And fill in the cracks,
Hoping to look like that
Lovely, intact counterpart
That I would never be.

I felt as though I waited
For something to happen
That never could be,
And for someone to come along
That would never show.
Like a constant replay
Of a jilting at the altar,
I waited for something
I dreamt about so often
I had nearly convinced myself
It was real.

I realized I could never undo
What had been done.
I could never take back
What had been said.
Because these actions
And these words
Were not my own.
And making up for someone else's
Mistakes
Is about as successful as taking
Medicine
To cure someone else's illness.

I could never fix it,
But I must always
Bear the results.

I deemed myself,
Again,
Unlovable.

I began to wonder
If this had been the purpose
Of those words all along.

To create someone unlovable
Because the speaker could not
Find love themselves.

Surely,
Only a monster would do such a thing.

But monsters are real.

And this one wasn't hiding under my bed.
Simon Nov 2019
Mind. Body. Both are transfixed among one another. They attract a certain multitude of how both permeates the other with constant activations among it’s greater whole. Two sides to the same coin. Something remotely without judgemental issues to be weary of. Mind and body servitude one another on the grand scale of themes. Monitoring what it’s like to function without one another in the best-case scenarios. One would like to think they both do have separate parts among being each others counterpart. It’s more finite then one would think at first. The difference between finite and separate existence comes with its own separate finite pieces without the other to perturb it’s operations. Finite is a judgmental classification among something to do with how each permeates the other. Yet have many finite pieces among one another who they deem isn’t worthy of there time. There’s an operation going beyond both connections between mind and body can foresee. The skeleton key of mind and body! This key is able to permeate both situational events at one singular time. A simultaneous rate without virtue to uphold it’s investigations. Investigations being something without equal ownership to who’s to be the most separate among each other. And having their own finite pieces among mixed connections one is deemed worthy to uphold among differences entirely. Does mind and body disagree with one another? Or do they simply don’t understand what they are among one another? If they did, then why the hustle from one another? A simple documentation among desirable functions on instinct to never get along. Yet why be brought together to permeate among connections across many of their pieces they already deemed worthy? Is it because they have no choice, but are fixed to get along? A forced operation which localizes their own behaviours across mind and body’s actions. Systematically removing respect among one another. All the above are equilateral. But the skeleton key of mind and body isn’t equilateral by any means. It’s the warden of both mind and body. It’s the warded succession that binds these permeated systems together for peace, and agreement. Desires without conquest isn’t deserving among one another. It’s only deserving among two sides of the same coin, when the key hiding in-between all separate pieces of finite details which takes the entire cake! Why does natures evolution want to keep these visuals under wraps? It’s only the in-between operations without separate pieces of finite details to rhythm the constant of all processes. The skeleton key is the proper picture hiding in plain sight for (non being the wiser) to evoke upon. (A reason being obvious among other reasons without closure among each other.) A testament to become stuck apart, if not for the skeleton key to fill in the gaps. Constantly pushing the desires from urges which are constantly giving practice toward mind and bodies believe in one another. Believe equals sacrifice. Both giving a well-known awareness that they aren’t truly at conflict with one another. There aware of another which binds their desires from urges over and over again. Unlocking one’s own processes among believe which equals sacrifice on a huge scale! Trying to process a path of deservance between how life is truly instructed upon. Natures evolution trying to permeate the true picture from the original design back into another’s claim. Its skeleton key is the object to truly finding progress with the original design. Mind and body being just pawns in a greater horizon. Evolution is the shenanigans of natures ploy. A thing helps pertain the connection between mind and body. Subjecting a skeleton key to react over and over again. Why? Simply so it isn’t disowned by the original designer. Evolution being natures shenanigans is a crafty finite detailed version onto natures spectrum indeed. Evolution being the key to mind and bodies success. A deceiving skeleton key hidden in plain sight for non to equally see!
They say a skeleton key opens all locks. Forcing processes to uphold many believes that it is master of all in-between transmissions among a community without value over itself entirely.
charlotte jones May 2015
We were like a house hollowed out by flames
Lust burning though the pretty paint over our bones
The fire from your harsh words curled around my heart, licking at the bottom of my spine
Carving I love you into the walls with ashes
Soft words that hit like death
Like decaying snowflakes
They blew through the home we had built together
Dancing with the floorboards just how our shoes used to
Waltzing up the steps Enameled in black war paint
From the epic of our love that raged within the walls
Support beams jutting out of the ground like fallen soldiers in the wake of our crusade
Memories strewn across the battlefield
Left floating in the eternal winter of ashes that our passion had left for us
I was ice trying to freeze over the fuze already lit for the end
You were like a burning match
lashing me to your cruel hand
getting pulled six feet under the rising water in our house
I was the flood
And you were the house fire
We were consuming each other in our own storms
You were burning up every piece of me trying to find fuel for your own destruction
I was too busy tripping over the fallen debris you left to run
the flood ripping every breathe out of your chest
the flood ripping out every memory from your dreams
because that is the only place we have left
I can only paint your face in my sleep
I didn't know until you how cold fire could be
You left me in a permanent coma of your shadow
I sleep walk through the streets at five am
trying to find the light in the distance
trying to find your face
but even in the dead of the night in two separate beds
we are a natural disaster chained in a house
weak ivory walls trying to contain
an arsonist
and an empty river
Girl, do you want a bad boy?
Warning:
if you can't handle the heat,
get off the stove.

Know them:
Bad boys are bad
not there to put up some suave show
they do bad stuff with ill intentions
not just some petty mean stuff.

Identify them:
They may not even look like one
cue the handsome look
they may even act like angels
it's really hard
differentiating them
from their goody two shoes counterpart.
How i find one when there's no archetypal look??

Game plan and execution:
1. Do something to blend in,
   not asking you to dabble in crime.
2. Make them feel at ease with you
If you're hot, you can opt to skip to step 2. You can be rest assured you won't blend in like the normal plebeians.


     So open your eyes wide
you might strike the lottery!
  if you're (un)lucky you may score one
          real bad ***.
Good luck in your pursuit.

P.S: They are not a species near extinction.
brynna Jan 2021
you are but my sacred counterpart;
the universe's most precious art
who closes the tears,
who blows me soft air;
the one who i can not bear to see depart
Justin Wright Aug 2013
Day One:
A voice speaks to me.
When you realize that being lost is so close to being found, you see a sea of family members plagued within the lineage of licentious newborns and hospital beds. You become yourself, a lisp.

Day Two:
Long ago in a city left unscorned he was torn, from the cokeheads and colorful regimes, angels sing long songs of separation anxiety and **** withdrawal.  I was torn from the deadbeats of supposed society and three day vicodin trips into my mind. So can you let me know when I get there? ‘Cause I left there running…I wonder, did someone ever tell you that two strangers could twist around your neck at beck and that three parked cars and seventeen lonely nights could haunt you for the rest of your faces.

Day Three:
Tell me of your drug induced hallucinations.

Day Four:
Wait. Hear. Can’t you listen to the relapse? Stop, think. No. gone. Left. Love. Return. My curious addiction. Go back into yourself and listen. Can’t you hear your soul call to me? It’s loud.

Day Five:
I remember prizes at the bottoms of cereal boxes, right before the net broke. Will you be first? Snap back to reality.
It’s dark in here. Wretch from me… I am crying, screaming,
haha! I’m melting inside!

Day Six:
By plucking her petals you do not gather the beauty of the flower, but the seed inside
Caked over in grief, we are not plates that match. But fools of folly caught in a sea of coke and disillusioned discord. Speed stands between directing and orders to death’s soldiers.

Day Seven:
The difference between God and his counterpart is that he makes exceptions!
Except me.

Day Eight:
Accept me!
Please.  
Wait.
No.
don’t slow,
speed.
I can only take so much forgiveness,
is a decision, and I cannot make it.
I am without it, leave me breathless.

Day Nine:
The angel of death waits
He comes for me, but I am running, finding, hiding my inner Nemo in the hands of oxycodon, privileged in the amenities of amphetamines.
I am tired of running!
Haggard.
Take away my hands, my restraints.
Let me feel
again.
Please.

Day Ten:
I am awake.
There is an apple in my field of vision.
Kiss it. Love it.
Take it to hedonism and back again.
But it knows too much.
So tell it everything will be ok.
It lives in epilepsy.
So placate it.
Resurrect my apocalypse.
Esther Jul 2013
Walking through streets alone
Watching happy couples
Embrace, kiss, love
Blissfully gazing at their counterpart
Blocking out the world
The passerby, like me
The ones who gets lost
In the shadows
Only able to watch
And strive for their own love
Wanting their own fairytale
Melinda Barrett Jan 2015
Kindred spirits, they intertwine
Made together from the same design
When they were born the stars aligned
To bring them together after time
They followed their hearts and they found
That their favorite place was underground
Too dark to travel their hearts lit the way
They ruled by night and slept by day
They dug and twisted fate itself
So they may see the other version of themselves
saranade Jan 2022
physically I have no symmetry
and it doesn’t even bother me
my physical state is electrical
and internally I am symmetrical

a love so big it's my counterpart
symmetrically matching my flesh parts
an existence created as a work of art
able to outsmart any black heart

understanding this duality
is the best of you loving the best of me
and I believe you will get there eventually
to your own symmetrical mentality
taking on the construct of what is socially deemed as beautiful

— The End —