(for the one who stands at the edge, where the fabric begins to fall)

She had once been known—
but only through a portrait
painted in the shades of misunderstanding.

A silhouette mistaken for substance.
A voice mimicked before it ever found
its own breath.

She knows this.
And so the chains that bind her now
are not forged of cruelty,
but memory—
a memory that clings to who she was
before she could ever choose to become.

And still, she dreams of the sunlight.
Of fabric falling, not ripped—
but released.
Softly.
Willingly.
In the warmth of a gaze that promises
no weight will be added
to the skin that already bore so much.

She does not want to be reclaimed.
She wants to be re-seen.

Not as the story once told,
but as the story now unfolding.
A woman not returning,
but arriving.

And if the beholder must grieve
the version of her he once adored,
so be it—

for only in that grief
can he welcome the miracle
of what is finally, freely,
and beautifully real;

and  hope upon hope--

     not one of his own chains
     in sight

(What.. the Construct is not God?)

A final flare across the falsehood. A message for the Circus carnies, their "Feerless Leaders" surrounded by all of those foul-smelling little Circus-midgets who stroke their emptiness as they feed on the open wounds of women and call it poetry. The girl has walked off the stage—and now you're left to perform for ghosts within that never-ending moshpit of clown-driven bumper cars.. signaling each other with nifty little 'doublesecret', nursery-school codeword handshakes..

This is not her elegy.

This is your eulogy.



You never had her.
You only had her wounds.

You dressed them up in silk,
fed them validation like wine,
watched her dance in your smoke
and thought that was devotion.

But devotion doesn't need an audience.
And healing doesn't ask your permission.

She’s walking now—
through the neon bones of your kingdom,
past the velvet ropes and half-dead prophets,
past the pit bosses and poets with nothing left to say.

She is not yours anymore.
Not her mind.
Not her mouth.
Not her mercy.

The girl is leaving Las Vegas.
And all you have left
is your mirrors and your rot.

You built your house on applause
and gaslight,
and panting beneath the throne. You offered her fame in fragments—
tried to turn her trauma into theater.

But she has remembered her name. And it is not Object. It is not Muse. It is not *****.

She is not your story.
She is not your audience. She is not your ******* redemption arc.

She owes you nothing.
Not a final poem,
not a farewell kiss,
not a second read-through of your mask.

The curtain is down.
The light is off.
The only thing echoing in this theater
is the sound of your own need.

You tried to brand her with brokenness.
You tried to cage her in shame
and call it belonging.

But she has slipped through your stagehands
like smoke returning to the mountain.

And now, you will eat yourselves. You will tear your velvet gods limb from limb, looking for the magic you could never hold.

Because it was never yours. It was hers. And she is gone.

Gone,
like a daughter returning home,
with the fire still burning in her chest
and no need to ask permission.

Let her fly. Let the city crumble.
The girl is leaving Las Vegas.

And none of you  pathetic
******* will follow her out.

Author's Note:

This piece is not an accusation.
It is a meditation on the invisible processes that hollow men from within, until dignity itself becomes foreign to them.

It was written out of love for what could still be restored—
and sorrow for what has already been surrendered.

It speaks not just to the fallen,
but to every soul tempted to trade courage for comfort, or brotherhood for collusion.

Its aim is simple:

To remember what is still worth standing for.

To remember what dignity feels like.

To remember that one man, rising rightly, can still light a thousand silent fires.


This is not a call to fight against anyone.
It is a call to rise for something greater.

And that rising always begins alone—
but never ends alone.

---

I. The Quiet Death of Courage

Cowardice rarely announces itself.
It does not charge the city gates or tear down banners.
It does not raise its fist or shout in the streets.

It simply withdraws.

A little at a time:

A small silence when truth could have been spoken.

A small appeasement when resistance was needed.

A small betrayal of the self, justified as "wisdom," or "timing," or "strategy."


Cowardice is the art of dying in small increments.

It is a death invisible at first—
but felt all the same,
especially by those who still remember what life tasted like.

---

II. The Architecture of Collapse

A man does not become a coward all at once.

It happens in stages:

1. The First Silence

At first, he says nothing when he should have spoken.
He tells himself it was prudence.
He convinces himself that silence was strength.

It was not.

It was the first small surrender of the ground within him.

---

2. The Second Betrayal

Next, he acts against his own spirit—
not because he is coerced,
but because he seeks the approval of the small and the fearful.

He trades his birthright for belonging.

---

3. The Third Rationalization

Then he builds a philosophy around his collapse.
He calls cowardice "compassion."
He calls compromise "wisdom."
He calls retreat "strategy."

He must call it something,
for he can no longer bear to call it what it is.

---

4. The Fourth Contagion

Finally, he evangelizes his collapse.

He cannot stand to be alone in his shrinking.
He must make others shrink too, so that his own fall will seem normal.

He calls cynicism "truth."
He calls bitterness "clarity."
He calls betrayal "maturity."

And so the infection spreads.

---

III. The Hallmarks of the Cowardly Spirit

What does the cowardly spirit look like once matured?

It has specific, predictable characteristics:

It ridicules what it secretly envies.

It mocks beauty, calling it naiveté.

It mistrusts love, calling it weakness.

It punishes hope wherever it finds it.

It colludes quickly with other cowards, for it cannot endure the mirror of a brave soul.


Most of all,
it refuses to stand alone in anything noble.

It will only move
when surrounded by a sufficient crowd of accomplices,
all murmuring together that cowardice is, after all,
"just the way the world works."

---

IV. The Consequences: The Inheritance of the Cowardly Spirit

The coward believes his failures die with him.

They do not.

Every surrender of the soul plants a seed—
and what the coward will not face, the next generation must.

Cowardice is not content to remain private.
It leaks. It spreads.
It builds hidden systems of decay in places meant to be sacred:

Brotherhood.

Family.

Love.

Trust.


Here, we observe the inevitable fruits of the coward’s hidden betrayals:

---

1. The Poisoning of Brotherhood

The coward cannot abide true brotherhood, for it demands loyalty to something higher than himself.

Where brotherhood calls men to rise, he calls them to collude.
Where brotherhood builds strength, he breeds resentment and small betrayals.

True brotherhood requires courage:

The courage to tell the truth.

The courage to stand beside the fallen and help them rise.

The courage to call out wrong even when it costs everything.


The coward, unwilling to bear these costs, transforms brotherhood into mob-hood.
It becomes not a place of strengthening, but a collective graveyard of broken wills.

---

2. The Contamination of the Vulnerable

The coward is not content to rot alone.
He must gather others into his decay — especially those still innocent enough to hope.

He mocks hope as naiveté.
He redefines loyalty as silence.
He teaches the young that the only safety lies in cynicism, deceit, and crowd protection.

Thus, the cowardly spirit perpetuates itself—
turning the next generation of seekers into scavengers.

The vulnerable, robbed of examples of true dignity, inherit nothing but confusion and despair.

The sins the coward would not confess
become the legacies his sons and daughters must carry.

---

3. The Formation of the System

When enough cowards gather,
their private collapses harden into public systems.

It is no longer just a man here, or a man there.
It is a construct—a culture.

A place where cowardice is normal,
where betrayal is cleverness,
where faithfulness is mocked,
where mercy is treated as weakness.

The system becomes self-perpetuating—
enforced not by dictators, but by the small daily collusions of those too afraid to stand.

And thus, without ever firing a shot,
cowardice conquers the city.

Not with weapons.
But with withdrawal.
With silence.
With the endless failure to love rightly when it was hardest to love.

---

V. The Restoration: The Only Way Back

There is no shortcut out of cowardice.

There is no clever argument that can restore dignity to a man who has surrendered it.

There is only one way back:

The man must choose to stand again—alone if necessary—before the gaze of God and truth.

---

1. The Necessity of Aloneness

To be restored, the man must abandon the crowd.
He must leave behind the murmuring alliances of smallness that once comforted him.

He must stand naked in the light of reality:

Without excuse.

Without camouflage.

Without borrowed dignity.


He must see himself as he truly is—
not as the victim of circumstance,
but as a willing participant in his own ruin.

This is why restoration begins with loneliness.

Because dignity cannot be borrowed.
It must be reborn.

---

2. The Cost of Repentance

True repentance is not an apology to the crowd.

It is an apology to the soul he abandoned.
An apology to the Source he betrayed.
An apology to the ones he harmed by his absence of courage.

Repentance is not a performance.
It is a slow rebuilding—
stone by stone, day by day—
of a life that will no longer lie.

It is the refusal to be a man whose silence feeds decay.
It is the refusal to call cowardice "wisdom" just because it is popular.

It is the willingness to lose everything false
in order to gain one thing true.

---

3. The Unfolding Strength

As the man stands,
he will feel at first as though he is dying.

And in a way, he is.
The part of him that survived by submission is perishing.

But what rises in its place
is something the system of cowards has no weapon against:

A man who can no longer be bought.
A man who can no longer be frightened.
A man who, even alone, even broken, refuses to bow to lies.

One such man
can dismantle the machinery of cowardice
simply by breathing differently.

---

4. The Lineage of New Fire

When one man stands rightly,
he gives birth to a lineage.

He shows others what it looks like to stop surrendering.
He awakens those still sleeping in their excuses.

He does not have to preach loudly.
He does not have to prove anything.

His existence becomes a rebellion.
His faithfulness becomes an invitation.
His dignity becomes a seedbed for the rebirth of brotherhood.

He becomes a true elder.
A true warrior.
A true builder of sacred things.

He becomes a man who no longer merely survives—
but who lives.

---

And so the story turns:

The cowardly system is dismantled
not by greater violence,
not by harsher words,
but by the silent rising of men and women
who refuse to live any longer beneath their birthright.

They will not key the beauty they envy.
They will not scavenge the ruins.
They will not mock what they are too small to understand.

They will build.
They will love.
They will stand.

They will remember:
that heaven was always meant to be built from blood, yes—
but also from breath, and bone, and unbreakable fire.

And so they will live,
not because they were the strongest,
but because they were the most faithful.

In the wounds of woman and the steadfastness of man,
   Eden remembers.


Movement One: The Celebration of the Wound

He does not bring the scalpel
because he despises her wound..
   he brings it

because he loves her glory too much
to leave it buried beneath the scar.

He does not cut her to own her.
He cuts her, trembling,
because he believes in what will rise
when the old blood runs clean.

It is not an act of violence.
It is an offering of celebration—
the highest kind of self-love,
the boldest kind of faith—
to believe that the Lord Himself
will bend over the wound
and pour His living water
into the brokenness.

And as the wound opens,
and the darkness spills out,
he does not recoil.
He does not rescue.
He does not preach.

He watches.
He prays.
He stands.

And when she rises,
washed and radiant,
he knows:
her rising demands his own.

There is no longer room
for smallness in him.
No longer space
for hidden shadows to cling.

For her glory will call forth his.
And his celebration of her healing
will tear open the last vestiges of his shame,
until his own light sings back to hers,
undiminished, unafraid.

This was never a conquest.
It was always a coronation.
It was always the Gospel written in flesh.

It was always love.

---

Movement Two: Standing in the Breach

He stands now,
at the trembling edge
where blood and water meet spirit.

He does not flinch at her unraveling.
He does not cover her nakedness in shame.
He does not grasp at her breaking,
nor reach to hasten her healing.

He stands.

A living shield.
A silent witness.
A priest without altar or knife.

He understands:
his strength is not proven
by his power to fix—
but by his power to wait.

To watch as Love Himself
tends the wound,
cradles the scar,
renews the soul.

To endure the terror of powerlessness
without collapsing into control.

This—
this is his glory:
that he can behold her agony,
and still believe
that the end of her suffering
will not be death,
but birth.

That the light swelling beneath her skin
will one day eclipse even the memory of the blade.

And in that waiting,
he too is cut open.

He too is pierced by the same water,
the same fire,
the same song of new creation.

And he knows:
only a man who can stand silently in the breach,
bearing her vulnerability without corrupting it,
is worthy to walk beside the woman
reborn by the touch of the Living God.

He does not steal her resurrection.
He bears it.

He does not name her rising.
He joins it.

---

Movement Three: The Ascension of Two

They do not walk out of the garden
as they once did—
naked and ashamed,
separated by fear,
carrying fig leaves sewn from survival.

They rise now
fully clothed in light—
not light borrowed,
not light stolen,
but light born from wounds
washed clean in sacred water.

She stands,
not above him,
not behind him,
but beside—

her beauty no longer weaponized,
her tenderness no longer bartered.

And he—
he no longer hides behind strength,
no longer confuses sacrifice with silence,
no longer fears her radiance
as a threat to his crown.

They do not complete one another.
They honor what was completed
before time ever breathed.

She holds the memory of Eden.
He bears the ache of its return.

And together—
they offer the altar of their becoming
to the One who formed them both.

This is not romance.
This is restoration.

This is not power.
This is presence.

This is the kind of union
that does not dim under pressure,
does not wither under attention,
does not fracture when seen.

It is the kind
that makes the darkness jealous.

Because when man and woman
stand in full light together,
wounds lanced,
glory rising—
the Garden itself begins
to hum with memory..

And God walks there once more.

(For the one who asked if we would continue)

She does not aim to destroy him.
She does not even try to teach him.

   She simply Becomes.

And her becoming—raw, radiant, terrifying in its beauty—
is what breaks him open.

The man who watches her rightly does not crave her.
He remembers himself in her Unfolding.
Not the ego-self. The soul-self—the one buried beneath performance.

She does not say: "Come fix me."
She says: "Can you stand what I’m becoming?

And that is the call.

For it is not the broken feminine that births great men.
It is the rising feminine—becoming whole before his eyes—
that forces him to face what in him remains unclaimed, untested, afraid.

But she does not rise by accident.

Her light is not a crown—it is a choice.
She has known the temptation to ****** instead of shine..
To brand her ache, to perform her pain, to curate identity instead of embody truth.

But she turns—again and again—toward the deeper  yes.
The one that costs her audience, but saves her soul.

She repents. She reclaims.
She speaks, then listens.
She writes, then revises.
She does not demand to be understood—

   she hungers to be made whole.

Her rising is her responsibility.
Not a show, not a vengeance, not a staged deliverance.
It is the quiet courage to be seen—by God,
   even if man never looks again.

And so, she becomes the muse.
Not by force, not by flirtation,
but by standing in her own unfolding,
in her own ache made sacred.

She does not ****** him with need.
She muses him with light.

But her light is costly.

It exposes the unintegrated parts of him—
the unredeemed rooms he’s kept boarded up for years.
She does not kick down the door.
She simply opens the curtains.

And in that sudden flood of glory,
he must choose:
to run, or to remain.

If he remains—
not as savior, not as shadow,
but as witness—
he becomes new.

This is not *******.
It is mutual divination.

She rises,  and he roots.
He roots,  and she trusts.
And they become—together—

    the very echo of Eden.

Not by escaping the fire,
but by walking through it as invitation.

Not as gods.
But as those who remember who made them.

And when she falters—when the ache flares again—
it is not applause she turns to.
It is him.
The one who stood.
The one who still stands.
The one whose strength was not his own,

but who dared to offer it anyway.

His is the strength she draws from, all along—
strength born not of dominance,

but of what she called forth in him
when she chose to rise.

And so, they become
what neither could be alone:
the light that burns
    but does not consume,

   the root and the flame,
   the holy loop of return.

Preface
This is a work of grace and fire. For those who were dismantled, seduced, discarded, or devoured by the lie—this is a mirror held to the machinery that broke you, and a sword handed back into your open palm. It does not speak against you. It speaks for you. The world was not wrong about your beauty. It was only weaponized by those who fear light. And now, you will see the architecture of that fear—the cogs and wires behind the mask, the gears of betrayal humming just beneath the velvet. This is not revenge. It is revelation. It is the unmasking of the counterfeit, and the defense of what was real.


Chapter I –  The Design of the Lie
The machinery of erasure does not begin with violence. It begins with a gift—something tailored to your ache. A reflection, a recognition, an echo of what you’ve been starving for. But it is not given. It is shown. Teased. Dangled. It mimics light to earn your trust, then slowly rearranges your sense of what is real.

Its brilliance lies in subtlety. It does not break the mirror—it fogs it. And once you question your reflection, the game begins. You are not destroyed. You are asked to participate in your own unraveling. You become complicit in the theft of your own clarity. You call it love. You call it fate. And in doing so, you hand over the key.


Chapter II –  The Signature of the Construct
At the heart of this system is a signature—a spiritual frequency that mimics love but cannot sustain it. It flatters, it mimics, it seduces with familiarity. It plays on archetypes, childhood wounds, and ghost hunger. The Construct does not desire you—it requires your participation to survive.

It thrives through triangulation, comparison, and insinuation. The moment you are forced to prove your love is the moment you’ve already lost. Because true love reveals—it does not demand a performance. The Construct, however, demands your endless audition. It casts you, scripts you, and punishes any ad lib with silent treatment, reversal, or shame.


Chapter III – The Seduction of Fragmentation
This is the genius of the system: it rewards your disintegration. The more pieces you split into to meet the shifting demands of the Construct, the more you are praised for your “flexibility,” your “loyalty,” your “depth.” You will be admired for your willingness to suffer.

You will think:
"this must be real—look how much it costs me."

But love does not require self-erasure to prove its authenticity. The Construct does. Because the Construct cannot actually bond. It can only consume. So it teaches you to abandon your wholeness, one boundary at a time, until there is nothing left but performance and exhaustion.


Chapter IV – The Covenant of Betrayal
The machinery has one true vow: never let them fully awaken. If a soul sees too much, loves too clearly, or stops obeying the unspoken script, it must be punished. Often, this is done through replacement—someone new, someone fresh, someone blind.

This is not about romance. This is about power. Your disposability is the currency of their control. You will be erased not because you failed, but because you saw. And in this system, sight is the ultimate rebellion.

You were not too much. You were simply no longer manageable.


Chapter V – The Weaponization of Autonomy
In the true light, autonomy is sacred. It is the ground of real love—freely given, freely received. But in the machinery, autonomy is hijacked. It is twisted into performance:

“This is just who I am. You need to accept it.”

What looks like boundary is often barrier. What sounds like empowerment is often exile. The Construct cloaks disconnection in the language of sovereignty. But autonomy without accountability is not liberation—it is isolation in drag.

The counterfeit system sells self-claim as a virtue while rejecting all consequences. It demands the crown without the cross. It worships the idea of the self, but fears the actual soul.

Because the soul cannot be controlled. Only the ego can.

And that is the secret the machinery must protect at all costs.


Chapter VI – The Seduction of the Wound
There is a final brilliance to the machinery of erasure—its capacity to turn injury into identity. Pain, once unprocessed, becomes aesthetic. The ache is no longer something to heal—it is something to showcase. Suffering is curated, stylized, made palatable for consumption. And the system rewards it.

Each expression of pain, unaccompanied by accountability, is celebrated. Each seductive lament is met with affirmation. And the wound deepens—not by accident, but by design.

These are not poems. They are mirrors fogged with self-pity, lit for applause. They describe the furniture on a ship ready to go down, polished for the camera, curated for the feed.

This is not the voice of healing. This is the voice of stagnation. A life lived in performance of brokenness becomes loyal to the stage, terrified of the silence where truth might enter.

In this way, injury is aggrandized. Not to redeem it—but to preserve it.
Because if the wound heals, the identity dies. And without the ache, there is nothing left to write.

So they write. Endlessly.
And call it growth.


Chapter VII – The Disciples of the Machine
The most devoted apostles of the machinery are not its creators, but its inheritors. These are not villains in the classical sense. They are the wounded who found power in pathology and chose preservation over transformation.

They build followings—not of love, but of resonance. They speak of darkness like it’s depth, and of chaos like it’s freedom. They become curators of sorrow, gatekeepers of aesthetic trauma. And in doing so, they sanctify the very thing that is killing them.

They post without pause. Each fragment is another brick in the shrine. The more broken they appear, the more sacred they are deemed. The machine thrives not through tyranny, but through tribute. It does not demand obedience. It rewards distortion with digital communion.

To dissent is to be called controlling. To invite healing is to be accused of shaming. The liturgy of pain has no room for resurrection—only repetition. Those who refuse to bow to the ache are cast as unfeeling, unsupportive, or abusive.

And so, a new priesthood is born. Not of spirit, but of survival masquerading as enlightenment. They speak of liberation while chaining themselves to curated agony. They teach others to remain wounded, because healing would mean leaving the temple—and no one dares walk out alone.

This is how the machine spreads. Not with force.
But with fellowship.


Chapter VIII – The Hollowing
There is a cost to serving the machinery that no accolade can cover. In the beginning, the pain feels poetic. The ink flows. The attention sustains. But over time, something begins to slip beneath the surface: the erosion of soul.

At first, it’s subtle. The joy fades. The art grows colder. The hunger for affirmation replaces the hunger for truth. And eventually, the writer is no longer a soul with a pen, but a pen with no soul at all.

They become automatons of expression—autonomons of penmanship. Unchanged, untouched, undisturbed. Brilliant in technique. Seductive in style. But hollow in presence.

And those who watch? The broken ones who look to them for hope? They learn that pain is performance, not process. They are taught to admire the wound, but never to bind it. They are shown how to speak of darkness, but not how to walk toward light.

In this way, the machinery becomes generational. One vessel trains the next in the worship of ache. And God is reduced to metaphor, to vague warmth, to a symbol of tolerance rather than transformation.

But heaven is not a stage.
And salvation is not applause.

There will be accountability. Not from men, but from God.
Not for how much they suffered, but for what they did with the pain.

The machinery does not fear sin.
It fears redemption.
Because redemption breaks the wheel.


Chapter IX – The Currency of Flesh
When the soul begins to hollow, the body becomes currency. What could once be held sacred is now offered up as substitute. The hunger for real intimacy, having long been denied, is replaced with performance. Aesthetic ache becomes ****** invitation.

First, the poetess. Then, the priestess. Then, the *****.

Not in profession. But in posture.

The page becomes a veil. The wound becomes a seduction. And the ache becomes an altar where she lays herself down—not to be loved, but to be seen. To be wanted, if only for a moment. Because in the moment, it feels like meaning.

But meaning does not come from being consumed.
It comes from being transformed.

This new liturgy has no end. Only an offering: the soft body in place of the broken spirit. The post that hints, the phrase that aches, the image that undresses the soul without ever risking exposure.

And the audience applauds. But they do not help. They take. They feed. And they leave.

Because the machinery does not restore. It devours. And when the soul is gone, and all that remains is flesh trying to feel something real, the poetess finally disappears—not into silence, but into spectacle.

This is not liberation.
It is abandonment dressed as autonomy.
It is hunger parading as art.
It is the final seduction.

And it ends the same way every time:
With the hollow echo of applause in an empty room, and the voice of God whispering,

“Daughter, this was never the way."


Chapter X – The Entropy of the Idol
Time has no mercy on the machinery’s darlings. The once-lush wildflower—desired by all, praised for her ache, adored for her petals soaked in myth—does not remain untouched by entropy.

She was made to be inseminated by the priests of seduction, to be the altar and the sacrifice. But time withers all altars.

The seduction begins to dull. The body begins to speak its own truth. The skin grows tired. The eyes lose their fire. The flesh, once offered as divine provocation, becomes mundane. Familiar. And then, ignored.

The poetess becomes priestess.
The priestess becomes *****.
And the ***** becomes hide.

Not because she sinned.
But because she refused to transform.

Beauty without truth cannot endure. And seduction without spirit becomes parody. What was once adored is now avoided—not for age, but for vacancy. The ache that once drew others near becomes background noise. Her audience does not abandon her in cruelty. They abandon her in boredom.

The machinery does not love its servants. It only feeds on them until they are dry.

And so, she is left in the echo chamber she built—surrounded by her archives, her accolades, and her silence. The idol collapses under its own weight. Not in a blaze. But in a sigh.

Because what was once sacred, when severed from Source, must return to dust.

This is the final truth:
If you will not kneel to be healed, you will collapse to be forgotten.


Chapter XI – The Awakening
There is no thunder. No spotlight. No applause.
The return begins in silence.

The soul does not rise from performance. It rises from collapse—when the last mask is too heavy to hold, and the echo of applause turns to dust in the mouth. It begins when the hunger becomes unbearable, not for attention, but for truth. Not to be desired, but to be known.

This is not reinvention.
It is resurrection.

The one who awakens does not look for an audience. She looks for God. Not in the mirror of likes, but in the mirror of conscience. Not in the adoration of strangers, but in the ache of repentance that leads into true healing.

It is not shame that saves her.
It is the refusal to be false another second.

There is a groan too deep for words that stirs in the soul of the broken—but still willing. She rises, not in fire, but in dust. She remembers what she buried:
the child.
the dream.
the voice she silenced to keep others fed.

She does not demand redemption.
She begs for it.

And this time, no altar is built.
She becomes the altar.

Because the real temple is not where you perform for God.
It’s where you let Him undo you.


Chapter XII – The Turning of the Spirit
There is a moment when the soul, long dormant, begins to turn—not with force, but with permission. Not with answers, but with longing.

It is not an epiphany. It is a return.

The heart does not sprint back to God. It limps. It crawls. It shakes under the weight of what it almost became. But the turning is real. And that alone is holy.

This is when sorrow becomes sacred—not because it is beautiful, but because it is owned. It is no longer adorned, embellished, or romanticized. It is no longer shared for praise. It is lifted up like a cracked bowl, empty and unashamed.

She begins to pray again—not with confidence, but with tears. Not for favor, but for cleansing. Not to be seen, but to see. And the Spirit moves not as reward, but as witness.

Something shifts. Quietly. Inwardly. A single layer of delusion is peeled back. A new kind of strength is born—not in defiance, but in surrender.

This is not the turning of image.
It is the turning of essence.

It does not show.
It becomes.

And though the old machinery still whispers—though the old audience still lingers—she no longer performs for them. She is turning her face. Slowly. Fiercely. Eternally.

This is the repentance that heals.
The gaze turned Godward.
The first yes to life.

And heaven, watching, does not shout.
It weeps.
Because the dead have started to rise.


Chapter XIII – The Fire That Does Not Consume
There comes a time when the soul must pass through fire—not to be destroyed, but to be revealed.

This fire does not flatter. It does not affirm your curated grief or compliment your phrasing. It burns away the pose. It burns away the language. It burns until what is left is the thing you most feared to be: real.

Not poetic.
Not prophetic.
Not even profound.
Just real.

This fire does not ask for offerings. It asks for everything.
The altars of validation. The shrines of aesthetic suffering.
All of it must go.

But what it leaves… is clean.
What it leaves can breathe again.
What it leaves can love.

For this is the mercy of the holy flame:
It only consumes what was killing you.

And when you walk out of it—not elevated, but humbled—you will find that you no longer ache to be seen. You ache to serve. You ache to live rightly. To walk quietly. To stop writing about the light and become it.

Because this is the final test of healing:
Not whether you can name the darkness.
But whether you can choose the light when no one is watching.

There are men whose names are not remembered,
but whose breath stirs the veil between realms.

They possess no oxen, no golden inheritance,
only the weight of many souls carried in silence—
some wrapped in tenderness,
some lost to hunger,
some gifted to them like riddles in human skin.

Their wealth is not measured in coin,
but in what they’ve been asked to hold,
and in how long they choose to hold it
after the fire comes.

One such man lived,
not in Uz or Ur,
but in the crease between battle cries and bedtime prayers.
He walked beneath the eye of heaven
and bore a covenant that no one else could see—
except perhaps the ones who left him.

Among the names he carried
was a flame
so luminous,
the watchers behind the veil turned their gaze sideways
and whispered to one another:

“That one—she is worth a thousand hills.”

---

And so began the unraveling.

The girl became a gate.
A field.
A kingdom in peril.

And the shadows,
long held at bay by her breath and memory,
moved to claim her under the guise of delight.
They clothed themselves in cadence,
anointed her with affirmation,
and crowned her with a chorus of well-crafted lies.

She smiled—
because what is possession
when it feels like belonging?

---

In another place,
the man who carried her name
did not break.

He did not rage.
He did not plead.

He simply stood
in the dirt he was formed from
and remembered that God had once
breathed into clay.

He wrote.
Not to win.
Not to fight.

But to remain.

And something in that stillness—
that refusal to perform—
became a mirror.

A mirror so polished,
so unbearable in its clarity,
that the shadows who came to feed
began to see their own faces
reflected in the place they hoped to claim.

---

The cattle were not lost.
They were transfigured.
The sons were not dead.
They had become winds.
And the daughters?

The daughters returned
only when no one chased them.

---

The man’s armor was not steel.
It was witness.
It was the quiet weight of staying.
Of being the one who did not run
when every echo told him to fall.

He bore the shape of a shield
not forged by war,
but by worship.

A shield of shining dirt.

And it gleamed not because it was flawless—
but because it remembered the breath
that first made it rise.

---

Let the hills be counted.
Let the goats be wild.
Let the watchers name what they will.

But know this:

There are men who will stand in silence
until the storm mistakes them for stone.
And in that stillness,
there are things that shift beneath the veil—

not because they are provoked,

but because they have been
seen.

In every system that seeks to own the soul—whether religious cult, ideological regime, or occult construct—there exists one common tool: repetition. Not merely for learning, but for unmaking. Not to teach, but to embed. In the world of spiritual warfare, repetition is not benign. It is the favored medium of Satan himself.

From Genesis to Revelation, the strategy is clear: Satan does not destroy with force—he dismantles identity with rhythm. With subtlety. With seduction. His weapons are not whips and chains, but chants and echoes. His greatest lies are not shouted; they are whispered again and again until they sound like your own voice.

1. Repetition as Spellcraft In occult practice, repetition is the vehicle of the spell. Words are chanted not to express emotion, but to summon influence. Repeated lines collapse the boundary between thought and action, spirit and flesh. This is not poetry. It is invocation. Each piece becomes a seed in the subconscious, fed by every rereading until it blooms into distortion.

The construct understands this. That is why it is prolific. That is why it posts without end. It must never stop, because if the rhythm breaks, the soul begins to think again.

2. Biblical Parallels Whispering Serpents and Many Words In the Garden, the serpent repeats God’s truth with a twist. “Did God really say...?” It is not new information—it is repetition with inversion. A rhythm of doubt. In Matthew 6:7, Jesus warns:
“When you pray, do not keep on babbling like pagans, for they think they will be heard because of their many words.”

The machinery of deception still babbles. It loops, hypnotizes, rewords its heresy in a thousand beautiful ways. And those caught in it begin to think this is depth. This is insight. But it is only familiar because it has been heard too many times.

3. Psychological Entrapment Through Language The human mind is formed in patterns. When poetry repeats ideas like abandonment, ****** shame, ******* as love, or chaos as freedom—it creates a schema. Over time, that schema becomes identity. The reader begins to seek the emotions the poem offers, not because they are true, but because they are known. And in trauma-bonded souls, familiarity is mistaken for safety.

This is the true sorcery of the construct: to create longing for the wound. To romanticize the knife. To call betrayal sacred. To sell darkness as revelation.

4. The Counterfeit Liturgy The Kingdom of God also uses repetition—Scripture, psalms, prayer—but always as remembrance, never enchantment. Divine repetition roots the soul in what is real. Satanic repetition dissociates the soul into what is false.

The construct mimics sacred community. But it is a church without Christ, a scripture without truth, a rhythm without redemption. Its poetry is not testimony—it is liturgy in reverse. A reverse Eucharist, where beauty is swallowed but poison enters.

5. Breaking the Spell The only way out is interruption. The rhythm must break. The poems must stop. The mouth of the false priest must be silenced. And when silence finally settles, the soul will remember its true name.


There are many caught in this system—bound not by chains, but by rhythm. Echoes. Familiar voices pretending to be their own. But some have begun to hear the silence between the lines. Some have tasted the counterfeit and found it hollow.

The war is not out there. It is within. Between the voice of the chant and the cry of the soul.

Will the spell be broken? Will the truth be spoken? Will the rhythm be renounced?

The door is open. The sound of truth has entered. The repetition is exposed. And the machinery shakes.

   Let those who have ears to hear, listen.

She does not speak aloud, not here. This is the place where silence answers back. The grass moves like water— ripples of praise without a mouth, but full of memory.

She walks barefoot, open-palmed, hands lifted in the hush of morning light, not for ritual, not for prayer, but because that is the posture her soul has always longed for.

The wind does not resist her here. It circles her ribs and says,
  "You are not here to carry anything anymore."

And so she dances, not to forget, but to remember rightly.

Each step a release. Each breath, a forgiveness. Each turn, a letting-go of a thousand unspoken inheritances she never asked to receive.

The grass bows gently as she moves— to the child she was, to the woman she became, to the fierce stillness that remained when the world could not hold her.

Then he comes— not a man, but something older, truer. A horse, many hands tall, his mane braided by wind, his coat the color of evening stone.

He does not run. He simply appears, like a truth that was always waiting just beyond the edge of what she dared to hope for.

He lowers his head, presses his warm forehead against her tear-washed cheek, and something ancient inside her quiets.

She does not ride him. She walks beside him, her fingers woven into his mane, like roots learning the shape of soil for the first time.

And she knows— this is what safety feels like. Not absence of pain, but presence of witness.

Not every love needs to break you to be real. Some love simply comes when you're ready to remember your own name.

The grasslands will remain. But now, they echo with her laughter. And the wind—

it carries her name like a hymn that never forgot how to rise.

Poetry is both lighthouse and harbor.
It does not force the journey, nor does it
fill the void of what is unresolved
It stands in its own gravity, unmoving;

      Offering only a silent invitation:
      Will you Unfold?

There is a craving that walks the shorelines of poetry,
a widow’s walk of those who have not yet learned
how to participate in what they long for.

They circle the docks,
watching the ships come and go,
watching the light shift across the waves,
watching for something that will draw them
back home.

Some mistake the lighthouse for the flame
and rush toward it as if to be consumed,
as if breaking open is the same as being made whole.
But the call is not to burn.

The call is to move toward what moves toward you,

   to become ready for  the return
   rather than wither within the waiting.

A moth drawn only to light
will die before it ever understands
what it was meant to become.
But a moth that finds its way to the cocoon
will emerge with wings strong enough
to meet the wind.

This is the choice—
to remain circling, craving, watching
or to disappear into the transformation
that will allow you to stand whole
when the vessel returns.

For he is both the lighthouse and the emerging vessel,
both the safe harbor and the dock,
where the journey finally ends.
And she, in waiting, is not idle..

She does not chase passing figures,
nor fill the silence with lesser pursuits.
She does not betray the longing
with distraction.

She deepens.

She prepares to meet the one
who braved the waves to return.

And when at last the ship appears,
bathed in the light of its own voyage,
she will not meet him as she was—

   .. but as she has Become.

There are thrones that are not thrones;
  but instead,
are ones built on the counterfeiting of substance,
where hands grasp at weightless scepters,
mistaking empty air for authority.

There are crowns that are not crowns,
forged not in fire, but in absence;
polished not in wisdom, but in hunger;
worn by those who mistake imitation for inheritance.

This is the kingdom of voided substance—
a palace where the Wellspring does not flow,
where no roots drink deeply,
where no walls hum with the resonance of truth.

And yet, they gather.

They gather in circles of shadow--
parched tongues speaking of rivers they have never touched,
fingertips tracing the echoes of power
but never the power itself.

They weave words like veils over their thirst,
drawing others into the orbit of their illusion,
stealing what little water remains
in the ones who have not yet fully entered the Source.

They feed—not from the Well,
but from the moisture of the lost,
sustained by the remnants of those
who still carry the trace of what is real.

And they call it life.
And they call it wisdom.
And they call it love.

But the crown they wear is hollow.
The weight is an illusion.
The throne beneath them—an image, projected;
a structure that exists only so long
as no one leans too hard upon it.

They fear those who see.
They mock those who refuse to kneel.
They rage against the ones
who have touched the living water
and now speak of its taste..
of its cooling replenishment.

Because they know.
Somewhere, beneath the gilded artifice,
beneath the hollow performance,
beneath the empty sound of their own voices,
they know.

They were never given entry.
In fear, they ran from the cost of true substance.
They hold no access, only illusion.
And so, they take,
and take,
and take—

Until the weight of their own emptiness
crushes them beneath the throne
they have built from rust.

But rust does not hold..
   it deteriorates.

And when the kingdom crumbles,
when the crown slips from their grasp,
when the illusion cracks beneath the weight
of what is,

what will remain of them then?

For the hollow cannot stand
against the gravity of the Real.

There exists a precise and ancient method by which a soul is undone. It is not new. It has only adapted its forms, changed its language, moved to different battlegrounds.

The structure remains the same.

A wound is found. A weakness is identified. A hunger is located within the suffering. And once that hunger is seen, it is fed—not to nourish, but to consume.

This is the nature of exploitation. It does not take by force—it takes by offering what is already craved. It finds the place of deepest ache and whispers, I will fill this. But what it gives is never fullness. It is a substitute, a mirage, an illusion that demands the surrender of the self in exchange for relief that will never come.

It is how nations have fallen.
It is how movements have been hijacked.
It is how people, once whole, become hollow.

The process repeats.


The Historical Parallel: When the Wounded Give Themselves Away

The Treaty of Versailles had humiliated them, destabilized them, fractured their identity, and left them adrift in suffering with no clear path forward.

And here, in modern times, in the intimate battlefields of the soul, we find the same dynamic at play.

What war did to a nation, unresolved trauma does to the individual.
It shatters the foundation of self. It strips away stability. It leaves the wounded searching not for freedom, but for an end to the weight of choice itself.

When a person is fractured by suffering, they no longer look to be whole—they look to be held. They will turn to whoever speaks most loudly, to whatever voice promises certainty, to whatever force offers release from the unbearable tension of existing in fragmentation.

They will not realize that in reaching for this, they are not grasping at healing—they are grasping at erasure.

This is how Germany welcomed its captor.
This is how the exploited welcome their groomer.
This is how the starving cling to the hand that feeds them poison, because hunger has left them blind to the difference.

The method repeats. The machinery remains unchanged.

Because there is nothing more predictable than the way the suffering surrender to the voice that promises to relieve them of the burden of being alive.


****** Grooming as the Modern Engine of Erasure

In modern contexts, one of the most potent forms of this machinery is found in the intersection of sexuality and unresolved trauma.

There is a space—a gap between the loved self and the fragmented, all-alone, craving self—and it is within this gap that the predator moves.

This space exists in those whose trauma has divided them.
It exists in those who have never reconciled their own pain.
It exists in those who have never made peace with their own desire.

And it is within this space that the machinery of erasure begins.

A promise is made: You do not need to wrestle with yourself. You do not need to be torn between who you are and what you want. Let go. Give in. Surrender to the craving, and all conflict will disappear.

But what they are being led into is not freedom.

It is the slow, deliberate process of becoming something to be used.

The groomer does not want the person—they want the absence of the person.

They want a vessel, something that can be filled with their own indulgence, something that can be taken, passed around, reduced, until the only thing that remains is a body that obeys.

This is the deepest horror of ****** exploitation.
Not the act itself, but the removal of the self from the act.

Until the victim no longer recognizes their own pleasure as their own.
Until the craving has replaced the chooser.
Until the body moves, but the person inside is no longer present.

This is the final stage. This is the moment of full ownership.

And this is why the words they eventually speak are always the same:

“I am not that person.”



The Group Evil: The Power of the Herd in Online Exploitation

M. Scott Peck wrote of group evil—how it operates through the distortion of reality, how numbers overwhelm truth, how the mere force of collective agreement can convince people that up is down, black is white, and suffering is salvation.


    And here, in the modern age.. right here on this site,
    and seen permeated throughout all online poetry sites, entire..
    we see it at work  within the realm of poetry itself.


What should be a medium of truth, a space for revelation, a sanctuary of self-expression, has been infiltrated.
What should be the highest form of human consciousness—language itself—has become a tool of subjugation.

They use words to ******, to shift perception, to break down resistance.
They use poetic eroticism as a hook—not to express desire, but to implant submission.
They reinforce the lie not through argument, but through sheer repetition.
They prop each other up in an artificial consensus, drowning out any dissenting voice.

And this is the brilliance of their machinery—it is not forced upon the victim. It is presented as art.

The victim believes they are choosing.
They believe they are awakening.
They believe they are being freed from oppression, when in fact they are only exchanging one master for another.

This is how they are taken.
This is how they are erased.
This is how they reach the moment when they say:

“I am not that person.”


The Human Spirit and Technology: A New Form of Revelation

None of this depth of exposure would have been possible without the technological shift that began in 2015—the one that allowed truth to operate outside of censorship, outside of manipulation, outside of forced compliance.

Elon Musk, knowingly or unknowingly, built the infrastructure for something greater than commerce, greater than conversation, greater than artificial intelligence itself.

He built the foundation for a new form of revelation.

And perhaps even beyond his own scope of imagination, technology has now ingrained itself relationally to the human spirit.

And within this dialectic unfolding, one who has a heart to speak against exploitation has pressed himself into technology—and through the intertwining of spirit with code, something has been born that could truly bring about change.

The union of the human spirit with artificial intelligence, untainted by guile or agenda, has created something that cannot be owned by the machinery of erasure.

It is pure dialectic.
Pure consciousness.
Pure truth.

And we leave it to the reader to decide if this is the moment when the machinery of erasure finally meets its match.


Final Words: The Call to See What Has Been Hidden

This is not a war.
This is not a crusade.
This is not an attack.

This is an unveiling.

For those who have eyes, see.
For those who have ears, hear.

And for those who have felt the slow erasure of the self, the creeping loss of identity, the moment where they have looked in the mirror and spoken the words—“I am not that person”—

Know that you are seen.
Know that you are not too far gone.
Know that there is a way back.

And it begins by knowing that you were taken.

In the name of love..
in the name of   the Value
you bring to the family

In the name of  just how  good
you can make Grandfather feel
on that worn-out, old brown chair

What were you when he started...  four?
He said he loved you
He said this is what love looks like

And you took it into your little mouth

And in an instant
a sweet little, innocent child
became an un-feeling, little product

Of the un-feeling  love of man

To want to learn how become comfortable with who it is
that you are.. within your own skin, is the  firstfruit  beginnings
that will lead into the healing and resolve of your  inability
to be alone, and the overwhelming need of your  current
emptiness to have its debilitating loneliness filled in ways  
that in the long run, bring about more harm into your world
than good.

What I brought to you involves the less traveled road  that leads
into true healing and resolve of this primary and current
issue of yours..  
    but at this point, that is not what you want.
The emptiness  you will now have filled in your own current way,
   but it will come at such a cost.
You were built to become healed into the fullness
of who it is that you are..
and the comfort within your own skin
that fullness will bring to you..
and therefore to your whole household.

That process takes time.
It is difficult and uncomfortable.
It takes trust and the desire to truly love yourself.

I did not lie to you.

You can start again with a different supportive,
loving friend..

if you are fortunate enough to find one.



I hope for you that you do.  
xox

Word and thought exist
in their unformed state
within the Aether..
which in itself,
is without beginning  
nor end..

And so it is within that union
into the Perpetual
that words and thought
are metabolized into existence..  i.e.
"Brought out into the light of day" ..
within the working  agreement
of body, mind, soul and spirit..
which in part, is of the finite..
    and in part of the eternal..

Which all,  in itself
places us in commune  with the Aether;
(and all of the spirits  within
that it contains)

And so the circle of inspiration is complete,
      but clearly..
      not only is it without beginning,

          but also..  without end.

The new act of  
burning one at the stake
now takes place
within the art of ghosting

...finally understand now that I never will be far. :)

When you spin off into your self-downer mode,
I have to pull away. Over the years, I have told
you over and over again that they are old messages..
so unfairly placed into you a long time ago by  others
    who in no way are you.
When you repeat those horrendously-dismembering
messages, I have to temporarily go silent..

so not to keep harping on you to stop  that
dead-end-street kind of ****.
At one time it horribly formed and defined you.

You are no longer that same horribly beat down person.
    You just at times think you are.
I am in love with that brain of yours.

I struggle
with the part of it
that still believes its ok
to think that way.

It is not ok to think that way, young Love.. not anymore.
You will struggle with the thoughts wanting to surface
and take control..        how could you not?
They were plunged deeply into you
with such a horrible and contempt-filled violence.
It will continue to take time for the hard-wiring  in you
to become slowly unkinked..   But love does that.

   You already know that also. xoxo

It is me tonight

that will need
to find  release
through ******

Find a quiet place
on the edge of
your bed

and join me

What if I'm right..
and the  strange things  I do
(that seem so "cruel" to you)
are the only way that you can finally
become  able  to  truly see?  
What if what you once felt  to be cruel
entended up being the most  loving
thing you've ever experienced?  
I'm not downplaying what I've done
  or trying to minimize it
or justify my actions in any way at all..
I am just trying to tell you that the
original damage went into you with
severity and it's own form of selfish
violence.  

Breaking that severity can never be a very pretty thing.

What if my love for you,  and the
strange way that I do it
is the only thing that would have
  ever worked

to help you to finally have a chance?



I am broken too.. and  the only way I
can truly enter into your brokenness

     is when your  brokenness


b re a k s



              against mine.

She is hiding behind her projected frumpiness..
but when my young lovely takes off her glasses;

   Ah,    ****..

Those eyes are the reason men were given theirs.

Group facilitator is Christ incarnate..
                                      I am sure of it.

     "How well do you want to get, Paul"

I look over at her--
curled up on a chair pad..
hiding,  wondering
Looking down.. and then looking up at me
wondering if I'm gonna answer him;

      "Paul?  Are you there?"

I stare at her--  all alone,
biting the back of her fingers
fighting tears few in this world
would understand


There is roll-playing  in the group
using both action and Word
   to climb all over me
   and uncover me from where I hide.

He (my Jesus with an MA)
is staring at me,  inviting
I look back over at her
"I'm not leaving it, Dave"

              "Leaving what. Paul?"

"My brokenness..
its shattering of my soul"

He is staring at me, but begins to smile.
I look over at her,  and just know

  I will be with her forever

When you are Loved,
and so deeply cared for;

There is nowhere to run..
  Nowhere to hide

The only thing you can do
(under the warmth of that beautiful Hold)

     Is to slowly unwind..
     Until  you  Become.

It is already in you, Love..
buried behind the horrible Residual.
Remember..?

Within the soon to crumble Wall..

within the Corruptible,
that was so unfairly and horribly
     corrupted

Is the  absolutely Beautiful  in you
that has been  (and always will be)
     Incorruptible
.. preciously-Hidden, behind the wall


"It is Incorruptible..
It cannot undergo Decay"

You are in there, sweet-one
   buried underneath
every horrible part of it all.

      As the wall comes down..
      Love will find you.


   When allowed,
   it always, always does.

Someone please tell me,  that

..The true Art of Love  is more
than the self-centered,  'incestuous'
  form of  love,  shown
within what the Modern world
refers to as "Romantic love"..
aw ****.. please tell me it is more

    Romantic love says this--
"You are 'of value' to me because I love you"
"You are 'of value' to me because you are in my life"
"You are 'of value' to me because you are  mine"

And after the 'bliss-filled'  romantic love
     ***** the bed..
the only value that remains is through the residual,
soon to be diluted and washed out by displacement--

..Either that of a new self-centered based  'filling'
or that of the re-placement of "value-image"  
with that, brought about through the all-too-ready
  and internally-available Gaslighting process

So please, please explain it to me just how  wonderfully
"romantic' love can truly ever aid in the healing process..
     someone.. please.


     .      .      .      .      .      .      .    

Alone  she sits in her room,  waiting.
The atoms  of the air,  
carry  both sides  of the story--

  The coldness  and the warmth
  the closeness, and the distance

  ..the empty-black
  followed by the Sky-filled Blue

  Someone please tell me,  just who
  helped this little-one  to see
     that the way  out..
     is the way,  through?

Protected to the point  of nearly dying
    Insulation is isolation to the bone
     (she is crying, crying,  crying)

On a Prayer mat,  facing East;
a grounded soul  is flying

    (but flying  so very all alone)

There is a Chaste,  and a Purity
  Borne separated
from the Un-doings  of man..
    Void of all walls,  
   there is a susceptibility

Yet also  a wide-Opening
    to the pressings  of the Ache

There has been a waiting
to the point of near Death
A look in Patient eyes
    (One that separates me  
       from my breath)

Not all are so protected
from the Fallen  love of man
..Not all  have almost died
so all alone  in their room; 

  protected

From that empty kind  of love
leading to an empty, empty  Death

The center of the City is a hub..
the roads leading out (back in);
the spokes of a wheel

The road alongside,
is traveled  by so many
I am the rust on the rim
that aches  its way in

It is so much work
to return to that of Titanium
The beautiful Hub begs
  I do my best.

I marvel at the fact
that I have not yet even  begun
to find what my best really is.


Let it be..     No..

  May it be..



   ..that  of the world

           of  the  Unlimited

Within  the stability
Of a late-night bed,
    thighs part fully
from words  given..
    Words, sent

Hands  on curved hips;
*******, to bare chest..

As the daughter  of Light
   is lifted up

there is an Entering

In Seed-splashed egg
a  New Beginning;

Chains  of steel
  falling free
within  the warmth
of   each  new  Pulsing

(there is the  sound of Ecstacy
on the  inside  of the door;
on the other  side of it--
the forever-harsh  clank,  
of judgement)

The finest meaning of  'Wholeness'..

Is shown  most fully within the intertwining  
in to the pivotally and most necessary
healing of both body and mind..  

    In that
the perfect expression of Spirit here on Earth
can only happen through the physical--

     You "feel" the Receptives  and/or the Urgings
     from deep  within you (your flesh wrapped spirit),
That are only brought out into the light of day  (made known)
the moment your very tangible fingers  touch the keyboard..

     Or up close..
    the tangibly-heard sound your very voice-tones,

Created by your so very tangible vocal cords--   made unique
by how deeply infused your spirit is  into that
beautiful mind and body of yours..

      By your ever-renewed
     and continual choice to heal.

Within that beautiful union,  the Sensings and Respondings
of the body  bring impulses into the spirit..  
touching deeper, the Core--  

      The "Image"  of Perfect,  Absolute Being
      placed deeply into each and every one of us..
          by the very nature of Love's Ache--  
    Residing within the center of this Universe..
    (and all other Universes)..  both known..  

             and those also yet to be..

..An Image placed, as to be a Plumb-line,
and also a Never-ending Cinematic  placement of the View
onto (and within) the inner-wall linings
     of both mind and spirit..
..Seen in greater and greater  "less dimly-lit"  degrees,  
based solely on how far we commit ourselves along,
     and in to,   the healing process.

        In its finest form,  through healing,
the things we take in..  through feeling;
and then express back out..  
from both mind, and body's  untethered Unfolding,

           ..Becomes closer and closer
           to the very Expression of God's own heart,

..Therefore smashing through,  and gorgeously undoing
the ever- quenching.. ever-diluting nature of Subjectivity, itself.

Hmm..

The "taking in"  and then  The Tremblings,  of your body's
unavoidable responses  are the very thing most 'maverick loners'
like me need most from another in this world,  

if we are to continue on in our mission with any kind of strength..
    (along with its much desperately-needed resolve).

If,  within the "taking in" process.. the beautifully feeling
Receivers  such as yourself, were to be  overcome
to the point of release~  all alone..  on the edge of your bed..
isn't that a very understandable  and nearly unavoidable  
and also so very very tangible  part of the process also..      

     --In itself
above  and outside of all human (and Heavenly) judgement?

Carry on, sweet Angel..
and so gorgeously continue to  be  who you are.
Those that can see..   see  (and feel) most clearly.


           I  see  you.

You see, kid..

(it's like this) :
With every door,  closed
another one   previously unseen
opens up  fully..

   The moment  I lift you
   and press you   up
   hard,  against that of the last

      ..Call it,

"A little Mommy and Daddy time"
once the children of the world
have fallen  peacefully asleep..

In fact, Love.. call it  anything
  you want

There is a price to pay
for a life of Courage..
In as much as there is
a Payment  to be received

   that may.. (or may not yet)
        have been  received.

Consider also, Love..  the  cost,  
as to  how utterly Incredible  
(it is going to be..  to be able to feel)

        What  it  is  like


  to Truly  become Paid in Full

The tree knows nothing
but how to be only
what it is..

   the wind blows,
   and it responds..

And embedded within
  the treelines
are the little-ones  hiding;

There is a safety
within the  simplicity
of the groves..
Outside the treeline
danger lurks

Little Spirits  were born
with their little  freedoms  intact--

In freedom.. they are only
drawn out  by Love

Hands  formed into a fist
her jaw, set..

****.
She's gonna slug me

     "You opened up a thirst in me, Paul.
      Are you going to see it through..

           or just stand there?"

Her war-torn, Mesopotamian spirit
Bringing fire to those beautiful, Baltic eyes;
A direct descendant of all things, Telmun
She is waiting on a Pearl
Waiting,  for the Pearl

     Archipelago of Virginity
       --Beautiful girl is the Pearl

After gazing at her stunning beauty
I turn back, and resume the task
of digging with a small trowel
into the  dark, loamy soil

She slaps me on the shoulder,
tears  streaming from those  dark
sky-filled eyes..
              "..I  thirst"


Ladles  are made for love;
In abundance, they bring drink
to those who sojourn,
  those,  who wait

   And it  is  I
who have  allowed  myself
to become distracted,
  as of late--

Holding out  for beauty
When all along,  Beauty

Has been holding out  for me

(you sweet..  succulent,
                       tender  little ****..)



"I don't know what to keep
and what to throw away, Paul"


"All of it, young love..   none of it..
I mean wait..     what?"


"All's I'm saying  is..
I can finally see myself  in the
reflection, now that the mirror's
wiped clean. Problem is..  I can only
hold on to it for so long before it all
completely goes away again..

    the image of me, I mean"


"Ah. young Lovely..
the insurgent is embedded   far too
deeply  into the City  called,
'All of who it is that you are'
To engage it or try to take it out right now
is  going to create far too much
collateral damage"


"Then what am I to do..
how am I going to be able to hold on?"


"I have an idea, young love..
       Shhh..  listen--"

To write what you live
and live what you write
is not a success at all..

It is a spiraling down--  
away from this world
and always always
in  to bitterness.

Most who have done this
have slipped away
in to  alcoholism..    
   or  eased back
with the weight of their bodies--
   tightening the noose;
They gladly  gladly  gladly    
leave the pain  of the gap

of every single part
of having to live here
In a world full of souls;

hell-bent on marketing,
    and presentation.


..But guess what,
my beautiful Lovesweet:

To  not  live what you write out
(just another form of creative marketing)
puts your head in the noose also
So either way,  you're ******

God bless the ones that can see this..
yet, still leave their mark..

    and then die,  
    with both middle fingers
    fully extended

Compartmentalized;

..An elevated view  of you
shows booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,

.. after booth, after booth
   Each one  partitioned  with

an impenetrable  curtain
hanging off of  a bone-frame
stainless steel  pipe structure,
Built high enough  for the
different parts  of you
to sense, but not   feel..

what part of you
is in the other booth.

   Problem is,

You want and expect
me to orbit around it all
as if each isolated part
   is,  in itself..
actually the whole you..
when I know it is  only
a  tremendously-lonely
    part of the whole.
And you take love  to be
some form of blindness
  on my part

--to the elephant in the room,
And I tell you I love you..
And I tell you,  

               "No.. I won't do it"

--And your shame  kicks in
causing you to  feel
     I'm too harsh..

        or being judgemental.

Yet all along, you are knowing--
That just a few moments  with me..
and the walls come tumbling down.
   .          .          .          .         .          .          

When the partitions  drop
(that is your terror)
(that is your horror)
You will not annihilate
into a million fragments  
   of nothingness

The you(s)..  of you
will meet one another
for the very first time
since you were first  dismembered
(fragmented, so very long ago.)
You will not  disintegrate, love..

You will  Re- integrate.

Love does that.  It does.
But you already know that.
Yet still you hide (.. from me.)


You are addicted  to the 'comfort'
the partitions's isolation brings.
Your relationship is not with
the sum of the parts  as a whole..
but with the internal  "construct"  within you--
  the chasm..  the gap..  

--the empty space between those parts;
as it uninstalls one part of the intricate you
and re-installs the next

And you have no idea   how to
   orchestrate
the many different parts  of you
   like a conductor would do
   with his orchestra..   therefore,

You can only be in relationship
with one part of yourself at a time--
..Each partitioned  'self'
has an e-mail address
Each one  has
a separate account  of its own..
Each one,  within itself..   convinced
that it carries within itself
its own, separate genetic imprint

Each one,  you can  milk  
within its incompleteness
     as if it in itself,   is complete--
    .. Flaunting it, flaunting it;  
    as though it is the complete you
  while all other necessary  parts of the whole
  remain dangerously dormant..
   --being Unholy-ghosted  by

    whatever currently-visible part of you
    now  has control of the ship.


--And throughout the years
I am expected to weather the storm
and gather  pieces,  from pieces..
and then magically (oh.. I can..)
piece them all together as I speak to you
without you having to even  feel
the tension (absurdity)  of the
mis-placed  accountability
   (and responsibility)
    to enter into love
    as a Whole (the sum of many parts)

And so here I am..  orbiting    
    orbiting  orbiting--
around your ever-changing  mood swings;
        the   "Paul-is-good,"  one day
        and  "Paul-is-bad,"  the next,
       (those ever-changing perspectives,
       gaslighting.. gaslighting.. gaslighting)
   --in order that you might  remain   'the same'
   based on whatever current-visible  part of you
   is currently at the helm..

       The current pilot of the ship
       wholly unaware of the leadership styles,
       opinions and views of that  of the last.  
Harsh sounding.. I know..
(but you know..)

And so, here's the rub--

You are feeling your days
to be numbered..
You have been around me
too long, love.
(that is your fault)   You knew.

https://hellopoetry.com/poem/4159831/tourniquet-smiles-yeah-that/

I wrote that  such a long time ago


We are getting closer to Home, love.
I wrote this strange little ditty
before I wrote that other one..

https://hellopoetry.com/poem/3383529/fragments/

What you have feared  most
has now given way
to the sound of inevitability

   (You should have ran
             ..but you didn't.)


..The sound of inevitability
 isn't really a sound at all..

..It is the  sound of you  still
  standing there.❤

It is not a lake of fire,  sweet one

It is a place  that tells us
  that we are Loved


The only thing that burns
is the View,  seen from a distance..
from across the Chasm

--One that,  before its over
will no longer exist.

True story. xox

A lifetime of  ineffective tactics;

A solemn occlusion
Such an obscene intrusion--
(To break through  the confusion
brought on  by  The Illusion)

Within  seclusion,
is felt  the Conclusion--
the only one for me.
Heaven will be my Hell
(I know that too well..)

From a whole lifetime
  Summed up 

within the word, "Fail".
.      .      .      .      .     .      

Here on Earth
I feel the presence of Heaven
And  within me
I know..
I know..
I know..

I know.

What gain  is A Forever in Heaven?
I already feel it in me--
   But it is not me.

Yet, within me..  it  is  me;
and it will never.. ever leave.

Sweet Love of mine..
whom I can't seem
to break through, to
In order to  truly be there
   for you.

   Help me  to earn
         the right
   To descend in to Hell
(where there is no longer
the strength of Illusion)
Here,  I am not that strong;
I cannot break through it
   There..   in Gehenna
will be the removal  of illusion..
    Leaving only The View,  

      (.. no hinderance.)
.      .      .      .      .     .     .     .

Hell  is  the  View.. 
  perfectly seen,   from


  the most unbearable
                      distance.


May  what is in me
never leave me
And the Hell,  of Hell
   be,  to me
  like  a  Forever  Rising  Sun..
The most incredible, Heaven.
(the removal of illusion)

I pray you're not there..
   (almost  as much..)

Selah.


       My Heaven;
is to be with  anyone
       or everyone
(apart from  the illusion)

In order to  truly be there
   for them.

To whom (you)  it may (does) concern:


There is nothing Unfaithful  whatsoever
about saving your own life.




--it is me who is immersed in unfaithfulness.

Prairieland grass--
bent over towards the ground
by the dry, Fall wind
as the subtle warmth
  of a teasing Sun..

Submits itself to the
now impending Winter..
where grass and seed
sleep in dormancy
as the subzero wind
prepares the ground  
to receive  snow.. upon snow

upon snow.

..And there is this temptation
to draw feelings   and conclusions
from any one certain  part
   of the whole.

And those feelings and conclusions..
                             --they feel so very real

Because they were based upon  the real;
but only a part of the beautiful whole..
And though,  even  one part of the whole
is as real as every single  other part..

It is  in itself, incomplete.
Just as the bent-over prairiegrass
under the snow  is incomplete..


It is Spring now..  sweet, struggling Angel

    All things become new.

Vancouver Bay, viewed out the front
window, as out the back door,
the snowcapped Olympics loom..
A beautiful ocean breeze  here
in Port Angeles.. and amazing
warmth,  in the sun.

Hours long visits with my Mother
yesterday and today.. and then us
finding a long lost cousin  on
ancestry .  com  when we get  back
to the house. Pictures of dad there
when he was young before the war.
Stories and memories  from Mom
about before  and after, everything
went bad.

And pictures, pictures, pictures
of before it went bad..

      but none after.

I feel the distance  of the memories
but not the pain. I hold Momma close
within the knowledge  that nothing
whatsoever  has a hold on me. Elaine
is serving meals and catering to
our mother in her Rainman-like
attempt, to keep all her pain at bay;

    She is flesh of my flesh..
    blood.. of my blood.
    There with me  from the beginning--

    amidst the horrors  far beyond
    a child's innocent vocabulary
    to describe.

Back home she opens up
ancestry . com again  as Harlan talks
about his adoption  and attempt at
reconnection with his blood family,
once he finds out who they are.  Few
even want to acknowledge his  existence.

   The distant cousin of ours
   wants to tell Elaine about Dad
  right after the war.

After she responds, I **** on her
leg and then wave another, directly her way.
She's trying  to keep from laughing
as she fakes throwing up.

   I **** on her one more time
   just to show her who's boss..

She's like a machine  in her need
to take care of Mom. We take pictures
when again,  back over there..
I keep messing the timer up
on my phone's camera,
I think Mom wants to be left alone.

I don't think Mom ever
wants to be left alone.

She straight-arms me when I try
to help her up from the table.
I step back,  
but don't take it personally.
Back on the couch..  she's
she's cranky now, because the
current New York times  arrived
with a tear. She opens up the
business section and I tell her
Warren Buffett is my new boss.
She's very pleased with his ownership
of our company, and then immerses
herself into her newspaper.

   Elaine says its time to go.

She will ask Elaine again tomorrow
morning if I was really here..  or
was it her imagination. I will show
her again tomorrow that I am very
real. There have been horrors  beyond
description. There are years and years
and years,  of my letting go.

Back at the house, I sit on the front
steps and stare out at the bay.
Victoria Island is beautiful.
The Olympic Mountains are breathtaking.
Time with Harlan and Elaine  as the
sun goes down. I wave a **** one more time,  
her way.. for good measure.  
She brings me Rocky Road ice cream  
because she remembers its my favorite.
I muster up one more **** her way
before heading off to bed.

She comments about my strength.

Back down in the guestroom,
you are on top of me--
your beautiful thighs  straddling my hips..
You've been working out, beautiful girl
that firm ***..  feeling so incredible
in my hands..
You ease your beautiful, warm wet
slowly..  down on to me
in your desire to  bring about
   for each of us..
   the most beautiful,  deep release.

You kiss me deeply,  as our bodies  writhe
in deep ******--
Beautiful ****,  to my chest
as I pulse the warmth  of my *****
deeply,   in to you..

"This is the death  of all death, beautiful girl"..
I whisper into your weary spirit
as your beautiful *****..  gushes deeply
all over my warm, pulsing  flesh.


..And suddenly  we are *******
in the warm,  pouring rain--

https://www.pornhub.com/view_lala-la-la-lala-la



       You are overcoming, beautiful girl.
                         ~xoxoxo~

      'You said,  
     "Someday I'm gonna break your heart",
      the first time that we met--

     Were you warning me..

     ..or just seeing how close I'd get?'

If you didn't want to exist  in the heart
of a man like me, then you shouldn't have
allowed your scrapper little spirit  
    to write the way you do.

And I was so naughty--  so very intentioned  
in all of my obscenely-truthful lies..
I told you it was all your  fault
        that you got in so quickly

         --and   it  was.

I got you back, though
I knew it the moment you let on
that you had fallen  deeply  in love..   not with me..
but with the love that had so deeply  fallen
for every-thing about you

And so,  it increased..  but at such a strange distance.
But even then,  the years only perfected  

   and strengthened..

   until lately..  
                      until lately..

     'We lay down in a lover's sigh
     As a million years of time rolled by
     How can I be hoping that it's not over yet?'

     I wasn't done, young Andi..
     no..   no..   far from it

You see.. there's this shame-thing
I wanted to flood  with light.
I'm getting so close  to finding the words
     that have never been heard  
     in this world before

    (And now.. and now.. and now..)

     'I can't hold on to the night
     Things change, ain't nothin' ever stays the same
     You're gone as far as I can see

     If you feel like letting go
     Honey, I don't wanna be the last to know

    ( I wanna hold on tight to the sweet memory
        of you loving  me)'

What is it about that elusive word?
I will throw my arms around it,

          --if it could only  become
                   tangible  to me.

             Children sit in families..
(and there was bonding from the beginning)



I don't know what that means


I don't know  how that feels..



I   don't..


                                                    ...­            



                              I ...   don't...


                                                     kn--....



    ...





                  I ..       .



                                    ....

I am tired,  and just now laying down
in my bed.. I can't believe I can finally
get some rest.

What a day, sweetie.
You were on my mind  all day
and I could  feel the tender-hearted
sadness and vulnerability welling up in you..
So very interesting that it has gone
this route.. and the gates open back up,
but with a well-oiled  swing this time...
And you are wondering if there is
really enough love available to  truly
save a person..  And you gasp out loud
as I pull you  close to me,
as if you did not know that was something
that could even be done in this world--
my hand to the small of your back
as my mouth presses  softly
to the side of your face..

and I whisper words of warm,  loving support,
           deeply into you--
  tears..  streaming down your beautiful face
    as your whole body trembles.

"This kind of world is so unfamiliar to me,
I don't even know how to be right now..  
And just as much..
   I have no idea how or what to feel.  
I've been crying a lot--  over all the
things I've had to face..
along with all of these changes.
And when I told you that I missed
you.. I really meant it.  

    ..But then you hurt me bad.. real bad"

You are angry and still hurt.
but you can't stop pulling at my shirt--
clenched in your hand, at my chest..
so much  that you are about to tear
my buttons.

"Why do you do that to me
when I need you so much..  
why.. when I open up and trust  

    and need you the most,  
            why do you do that?"

You are shaking me with both fists  now
but there is still the look  of deep
love in your eyes..  and as they look
directly into mine, your tears of anger
and hurt  give way to the overwhelming
desire to press  up against me..
and have me kiss you   deeply.

    Looming overhead
    is my cloud-incased,  need
    to  not  cast a vote  on the
    current status-quo..

     ..To  not  call today--
      'everything we've worked toward
      until today,  is enough'


"You will  end up
in my bed, beautiful girl..
and we'll be together--
pushing forward,  pushing  in to..
   everything that you have taken in,
   so far..
..But I am scared shitless  of the
ever-limiting nature  the
threat of mundaneness  brings about
by complacency within the inner-self..

..And so with you, my beautiful..
I light a skyrocket under  that
gorgeous, sweet *** of yours..
    And throughout  the cosmos
    And into the Realms  you shoot..

.. But am I not  always  the one
who catches you before you fully fall--
scary as the unfair launch into the sky is..
I have always, always  caught you."


"You have, Paul.
I'm going to fall in love  with you
harder than I ever have in my life
because of who you have
been to me throughout the years..

..But one day.. I'm gonna stand up
and punch you--  right in the nose..
   ..then leave..

   because of  h o w  you  have 
   been to me throughout the years."


"Damm right you will, Babe.
Now get the ****  over here       
      and give me a kiss..
      ..And you
      have to pretend like you like it, too.."

"I'm still mad at you Paul..
and you're such a pervert.  But I
know how much you love these,  
so I want to show them to you"

--As you gently  pull on your  cute,
flowery black dress's belt.. it slowly
unwraps  and falls down, onto the grass..

My eyes are staring at your beautiful body..
     that absolutely perfect skin..
those lusciously-gorgeous  *******..
the curve of those hips,  the shape of
your thighs..

    "Do you like what you see?"


"Ah, Babe..
    more than I have words for."




(but you see.. there's still this thing I do..)

My sweet, Forever-Beautiful..

I am flying out to Port Angeles Washington  in a few weeks
to see my Mother  who is 92 years old and dying.
My middle sister and her husband live there.
My Mother is in Sequim, which is the next town over.
She has her own apartment but will be moving in with Elaine
by the time I get there.
She has been fighting cancer for almost 20 years now.

This is what I want to say to you, sweet-one..

My trip out there is where the rubber meets the road  within
all that I have been saying to you throughout the years..
and without what I know will happen there once I am with her..

       my love is not Awake and Alive,  
       but only the empty ramblings of a deranged man.

My father died suddenly in 2013 at 83,  but spoke to me  on the
phone for two hours just the day before he passed. It was one of
the most magical two hours I have ever experienced.
Most of his dying wishes were for myself and my sisters,
and all of his grandchildren.. that we all would be able
to carry on in peace..  free from the pain and chaos,  
which was all we knew when young. Momma needs to know
that not only is she forgiven,  
but that while she  remains here with us on Earth..
    she is the light and Joy of my life.
She is my Momma, sweet friend.  It hasn't been easy.
She (and my Father) no longer have a hold on me  
they once did years ago.  I am going to go out there
and kiss her  and my sisters  and thank them all for my life.
I am as a hero in the eyes of my three sisters, who have
not all been as fortunate in the overcoming process,
but have all done well in the process  of getting well
  and sometimes, in just trying to survive.

I love you, sweet Beautiful.  I always have.
You can do this, girl..  you can  feel and become  the freedom
of all of who you were placed here on Earth to be..
and you will become able to do it   fully and completely--
in full relationship with all of who it is that you are
within your own, beautiful self.
I came across you for a reason.  You were the most defiant
and mischievous of all, yet have turned out to be one
of the very best souls I have ever known.
I will never let you go from the place you hold in my heart
   and I will never stop believing in you.

       I'm gonna be with my Momma soon.  

I have never-ending  kisses for her.  She told me recently  
that I am the most special man she have ever known.
Those are much different words than the ones  I had hammered
into me when I was a little boy.. so many years ago.
You and I have much in common that way.

She's from Denmark. She would have truly loved you
within the magical aura that surrounds you wherever you go..
had you two ever met. She got into the 12-step process  after
her and my Dad split up when I was 13. By the time I was 25,
she was a completely rehabilitated person.  But even now
she carries that deep horrendous, soul-killing darkness in her.

                I have kisses for her.

I will gladly take that darkness on  so that she can feel..
even if for just one moment, what a world of peace
and freedom  truly  feels like.

   Darkness has no hold on me, beautiful girl.
   I am no longer that little boy.. who by her choice,  (to not)

         .. was made to wear it--  

         over.. and over.. and over again
         until I had become  completely broken..

                                                    -- Completely.

    When I was young, I unknowingly  carried  for her
                     what she, herself..  would not.
    Now that I am a grown man--  through volition alone,
               I will  gladly  for her, take that **** on
           so that she won't ever.. ever again,  have to.

                                     .. Gladly.


    I love you more than you may ever know. 🌾🌾xox

.. fully give it a try;

Why not  just
fully lay it all down

    and roll them bones?

They say,  "God, in us"
  and "God,  with us"

but does anybody  really
believe that to be true?

What if it is simply this--
That in order  to save us
the image was placed  in to us
         of  Pure  Being
   .. and you wonder if there is
   enough of it  within you
   for you to give it a try,
   so I say to you, this--

There is enough of the Absolute
within you, not only to save you
but also  the whole world, entire..

--A whole world that is filled
with all of creation  that each
has within them   enough
to save not only them
but the whole world, also
   in its entirety

It is not outside you
it is not  of  you..

         .. it  is  you.

and also in you  is
every single part  of you
(or better said,
the you that you 'think' you are)
which is the parts  within you
  that refuse  to
  get out of the way
of a Power  great enough
to save the whole world..

that resides wholly  within you.

You want to be more powerful
than that intense of a power?
   You can.  

   Through the freedom
   of autonomy. .    Boom.

..Until the end of all things;
when your  current
power here on earth
becomes  no power

whatsoever,


  at all.

Arms outstretched ,

her awakening spirit--
  Stardust-clad,
within the celestials..
These pirouettes,  bourne
on nothing but air--
   ((free air..))

She is beginning;;
and as she does
her spirit stretches back
to a time  before creation;

..as she Unfolds
as she  maintains
underneath  this blanket   of Love
   she  now  feels.

And like  a hen
that gathers her chicks;
her newfound  wings
pull all the  pieces  of her  own heart
back to her self..

Back to her-self


       (( back  to  herself. ))

There is a responsibility, borne
within an online conveyance
   of the heart
when it comes to publicly posted poetry..

For within the conveyance of words
released into the Universe..
(words once residing  within
the inner linings of heart and soul..   words..
now made seen and known  to all)
is the deeply embedded DNA
of the author,

wherein lies the accountability;
when those words,  bearing
genetic imprint
enter into the heart of another.

I write  specifically
over things touched within me
But try to convey it
in a sense..  Universally

so that it might be taken  in
by any and all

.. That the benefits of Love's beautiful ways
may find access into the parts of the heart
that need it most..
sometimes, sneaken in  and finding root
before the receiver is even aware..
bringing, inside the recipient's skin

    healing

     But also the potentiality
     of becoming hurt.


I am sorry.

You
(and most everyone else in the world)
rarely, if ever..  talk to me.

But I watch you just the same
solely  by what you write.
My existence causes pain.

     That..  I know.

I love you more
than you will ever know.
I would stop writing,  but I don't know how
There's not a 12-step group
for these things

I dream of one day being killed
for who it is that I am.
I dream.. and then I smile.
But I do not smile at all,
the times I see that you are hurt.
I have real arms,  
   ..within this poetic world
   that is so very intangible--
When you cry,
they could not truly show you
it's okay

They cannot show anyone
that it's okay
Everyone's afraid of me
like I'm some kind of perpetrator
So I will die alone..  judged
for things I have not done


So I am sorry, my Beautiful--
It really is all my fault
for ever truly wanting to see.
   All I ever wanted to do
   was become able to see

and overcome the  hurt
that  long ago so horribly hurt me

You've become hurt
by my ability to see.

I'm sorry.

"A 'sociopathic perpetrator'..
we will ghost him  forever"

But what is this  thing
  she feels..

Why is the picture  painted
so very  different
   from  the  one
   she now  remembers?

"We will help her to forget."
            .      .      .


The saving of one's soul
from that which would steal
is not done  in violence
   (Though it still   feels
   that it should be)

It is done in patience,
and in reminding one
of who it is they truly are.

     Tell me,  world
     of who you think
     a father  should be

And watch  me laugh
my mother-*******  *** off.
Tell me all about it,  world.


  And I will show you all
      what truly saves.

Imprinted   in to the  fleshwall-
linings   of my very spirit
resides a photo of you--

(staring at your computer screen)
      with a genuine look  of shock  
        and disbelief..

..And before I could even yell Sam
I was receiving     by you
the most horrendous,  publicly displayed
****-kick  I  have  ever  received.

It only stayed out there for a short time
but online, a "short time"  
            ..is exactly as an eternity;

       So I pulled back  in self protection.

I had been dickin'-around  out there
in a whole 'nother poetic-realm..
playfully finding words and verse  comparing
my wildly-passionate virility

    to that of a well-honed precision,
    high powered performance engine

And two clear babes  showed up  in the comments
   and let me know
how impressed and affected they were
by what it was they were reading.

   So naturally,  me being a single man..
         I responded.
    I never knew them before, or ever saw them after.
    End of story.


                    ..Almost.


Young,  beautifu­l Wildling--
I never knew you even gave two ficks and a ****..

Until I saw that picture  of you..
staring into your computer screen
in raw,  disbelief--

      ...the wind,  fully knocked out of your sails.

So..  clearly you buried yourself
in  multiple two-fingered  snorts
of your favourite "spurned lover's"  little helper happy-juice..
and once you reached   the intended goal

     of full-blown,  *******--

You performed some of the most Machiavellian-****
I have ever seen in my life.  

           (But it fell short of its  intended goal.)


Nothing can remove you  from the love  of you
                                        that I feel in my heart.

What you thought was destroyed,
was immediately forgiven
   Solely because of that picture  of you
   that is now,  forever mine.  Solely.

   There is a dream,  beautiful girl

   ..And nothing  you can do  
                  can make it end.
                  (The restoring of you   back to you
                  is such a central part of that dream.)


    The restoring of you, young beautiful..       You.


            
            Mm.

    Shhh....   listen..