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"ventilator" poems
a wacko version of hamlet the patient came up to us raving GOODNIGHT, GOODNIGHT a naked swollen giant his basketball ***** his endless belly every system failing we prepared to put him out so we could stick a tube down his throat plug him on a ventilator and insert lines for safekeeping GOODNIGHT, I LOVE YOU he tried to lean off the bed take it easy man, i said, restraining him SUSAN who’s susan? asked the nurse GOODNIGHT, GOODNIGHT, GOODNIGHT good night, sweet prince, i said as we gave him the drugs GOODNIGHT, I LOVE YOU, GOODNIGHT we intubated him and took him down to the OR where he passed twenty minutes later
0
Aug 13, 2018
Aug 13, 2018 at 6:08 AM UTC
GOODNIGHT
eye lids move slowly over the eyeballs in an effort to garner sleep to a worn out body to restore the metabolism to normality yet sleep eludes the slight movement of the eyelids never felt before is sensed as the brine tear a lubricant between the interface where surface tension dominates all other forces of physics what force dominates my heart? I know not and sleep eludes me Unconstrained emotions flow around like unsettled dust particles glowing in the sunlight that escapes in through a ventilator hole sedatives themselves are sedated and sleep eludes me I still have five more days I foresee before hallucinations and delusions take over me before that oh sleep like gandalf arriving at helms deep please come back to me but not at the breaking of the dawn not when light is bright but in silence of the mysterious night
0
Jun 24, 2014
Jun 24, 2014 at 2:49 PM UTC
Sleeplessness
It’s strangely busy around the deathbeds, as well it’s my last nightshift of the year. I try to make no noise, can you hear me? Push my hand, if you can, move a limb. Your breath is so slow, please keep going, monitors flash in time with the ventilator. I’ll control the pupils, I know it’s blinding. No one goes with their sparkling old eyes, we are usually fading before we are dying.
0
Dec 17, 2021
Dec 17, 2021 at 2:22 AM UTC
White dwarf gazing
I envied the cadavers haunting my nightmares, watching those before me spread upon a metal slab bodies are hand-me-downs of regurgitated poetry, with wretched closets in which I take their place. This ventilator called "loved ones" forcing breath into anguished lungs- tragedies belonging to these poets meant something, a desire to save the words written, but never the one who becomes a eulogy. Agony burrows inside of me, conversations with my mother's ghost still, the living are possessed by the dead's shortened tomorrows. To die by suicide wouldn't give, authenticity to hurt. I am learning the autopsy of a soul: extracting a heart from the chest, as it's sense of belonging was never there. An inability to weigh the words bleeding from valves, aside lungs I'm unable to breathe through. How ungrateful is it of sorrow to ask for hope? placed in a pill divider to swallow, muscles within my throat so tight. Wondering, How many times did I diminish my voice? Inside the brain, schematics of labyrinths with no end to betterment. Surgeons reach for a soul, an iridescence small enough held in a gloved palm, watching it writhe. Placed upon a slide, but even a microscope cannot perceive the pain a soul hides. Once more, stitched with needle and thread. Wilting of my own garden, comes one day- an incision is made opening me up. My heart showed the same blood-red ink, writing apologies on the marble floor. They opened my arm, displaying a noose of veins. In this moment, they removed my soul only to gift it to another birthed from torment ripped out of the arm's of their mother & into the embrace of woe. —V.H.
0
Mar 8, 2018
Mar 8, 2018 at 12:01 AM UTC
Old Souls (Cut From The Same Cloth)
I envied the cadavers haunting my nightmares, watching those before me spread upon a metal slab bodies are hand-me-downs of regurgitated poetry, with wretched closets in which I take their place. This ventilator called "loved ones" forcing breath into anguished lungs- tragedies belonging to these poets meant something, a desire to save the words written, but never the one who becomes a eulogy. Agony burrows inside of me, conversations with my mother's ghost still, the living are possessed by the dead's shortened tomorrows. To die by suicide wouldn't give, authenticity to hurt. I am learning the autopsy of a soul: extracting a heart from the chest, as it's sense of belonging was never there. An inability to weigh the words bleeding from valves, aside lungs I'm unable to breathe through. How ungrateful is it of sorrow to ask for hope? placed in a pill divider to swallow, muscles within my throat so tight. Wondering, How many times did I diminish my voice? Inside the brain, schematics of labyrinths with no end to betterment. Surgeons reach for a soul, an iridescence small enough held in a gloved palm, watching it writhe. Placed upon a slide, but even a microscope cannot perceive the pain a soul hides. Once more, stitched with needle and thread. Wilting of my own garden, comes one day- an incision is made opening me up. My heart showed the same blood-red ink, writing apologies on the marble floor. They opened my arm, displaying a noose of veins. In this moment, they removed my soul only to gift it to another birthed from torment ripped out of the arm's of their mother & into the embrace of woe. —V.H.
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53
I don't dream of you either. Not at night. The occasional daydream occurs. You crawl into my mind in sentimental coffee shop conversations we never shared, love made in hotels we never went to, picking up naked dolls with frayed blonde hair that the daughter we'll never have left out. Sometimes it's lovely not to question the reality. Usually the night drives keep me in Oklahoma. I don't know how many times I've stopped in Kingfisher to look at that terrible statue of Sam Walton. But he reminds me that no matter how successful a man becomes, in the end his legacy is depicted by his leftovers. There's a sadness in that. But also a freedom. Wednesday's drive took me to Ulysses, Kansas. Light pollution gave up just outside of Woodward. Guiding me like a weary wise man who forgot his frankincense, stars beamed and made for suitable company. I love passing through small towns at night. I become a ghost. I'm above them. I'm not exactly there. Brief haunt. Then on my way again. I parked about 100 feet from my grandmother's old house. Judging by the minivan, some young family's new house. They were in the process of adding to the east side. I wanted to tear at every fresh board. Instead I picked up a couple pieces of my grandmother's gravel. Put them in my pocket. Touched her old mailbox, and drove to the cemetery. When I got to the headstone, which read Merle and Virgil Mawhirter, I thought back to the last thing my grandmother said to Karen and myself. We visited her in the hospital right before she found herself in the pangs of a ventilator and scattershot science. It was her birthday. I bought her a book she never read. As Karen and I left, she stopped us. "Don't forget to bring me some ice cream. Good to see you, Floyd and Margie." Not sure who they were. Ice cream. Even at the end, she laughed in the face of diabetes. Do you think Tim will be the name beside yours on your headstone? I lied down by my grandparents' graves. Dim moonlight seeped through small breaks in the amethyst clouds. Dead leaves feathered to the ground beside me. I wanted to say some words of encouragement to her. For her, but mostly for myself. All I said though -- My name is Joshua, Grandma.
0
Oct 18, 2012
Oct 18, 2012 at 12:38 PM UTC
A Letter to Anna, 12 Oct. 2012
I don't dream of you either. Not at night. The occasional daydream occurs. You crawl into my mind in sentimental coffee shop conversations we never shared, love made in hotels we never went to, picking up naked dolls with frayed blonde hair that the daughter we'll never have left out. Sometimes it's lovely not to question the reality. Usually the night drives keep me in Oklahoma. I don't know how many times I've stopped in Kingfisher to look at that terrible statue of Sam Walton. But he reminds me that no matter how successful a man becomes, in the end his legacy is depicted by his leftovers. There's a sadness in that. But also a freedom. Wednesday's drive took me to Ulysses, Kansas. Light pollution gave up just outside of Woodward. Guiding me like a weary wise man who forgot his frankincense, stars beamed and made for suitable company. I love passing through small towns at night. I become a ghost. I'm above them. I'm not exactly there. Brief haunt. Then on my way again. I parked about 100 feet from my grandmother's old house. Judging by the minivan, some young family's new house. They were in the process of adding to the east side. I wanted to tear at every fresh board. Instead I picked up a couple pieces of my grandmother's gravel. Put them in my pocket. Touched her old mailbox, and drove to the cemetery. When I got to the headstone, which read Merle and Virgil Mawhirter, I thought back to the last thing my grandmother said to Karen and myself. We visited her in the hospital right before she found herself in the pangs of a ventilator and scattershot science. It was her birthday. I bought her a book she never read. As Karen and I left, she stopped us. "Don't forget to bring me some ice cream. Good to see you, Floyd and Margie." Not sure who they were. Ice cream. Even at the end, she laughed in the face of diabetes. Do you think Tim will be the name beside yours on your headstone? I lied down by my grandparents' graves. Dim moonlight seeped through small breaks in the amethyst clouds. Dead leaves feathered to the ground beside me. I wanted to say some words of encouragement to her. For her, but mostly for myself. All I said though -- My name is Joshua, Grandma.
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9
Impregnate your old crock squirtin' Papier—mâché blackball on the ***** Oglin' for upshot And whatever frigs our orifice Yeah Ducky **** **** it bud Milk the meatiness in a snog stranglehold ****** all of your bazookas at once And unclench into ventilator I like dung and tinsel Shandy ****** fuss Breedin' with the puke And the Weltanschauung that I'm in statu pupillari Yeah Ducky **** **** it bud Milk the meatiness in a snog stranglehold ****** all of your bazookas at once And unclench into ventilator Like a punctilious Zeitgeist's nincompoop We were born, born to be unstatesmanlike We can spirt so penetrating I never wanna croak Born to be unstatesmanlike Born to be unstatesmanlike
0
Mar 28, 2010
Mar 28, 2010 at 5:05 PM UTC
Born To Be Unstatesmanlike
The color of death is not black, is not white.                                                                            Not red, not gold.   Think: ashen skin.                                  Think: where did the blood go?                                                                                    Think: pale, so ******* pale. Bruise again.  He’s going to bruise again.        Mottled red   and      purple   and      blue   and      green   and      yellow. That’s what the body does after death.  Blood runs down to the lowest bend of the body and bruises the skin.   The rust of cerebrospinal fluid as it sloshes                       back and forth        in the bag hanging above the bed.                                                         My mother’s hands: white knuckled and gripping down on washcloths to prevent her from breaking the skin of her palms. The constant hum of telemetry,                                 the soft whoosh of the ventilator. The human body has roughly 7% of its weight in blood. The human body has no ******* idea what to do when there is too much or too little of really anything. Think: blood vessel bursting.                             Think: cells mutating.                                                   Think: proned patient coding after intubation. Bruised.  His hands were bruised from all the needle-sticks, from his lack of platelets.  And a single transfusion only goes so long.                                                               Goes three weeks long.   The hands on the belly, laid so gently, so carefully are covered in makeup.  The hair is parted wrong with a cowlick. I know how they created that soft smile on his closed mouth.                                                                          I’ve read the books.                                             I’ve heard the talks from morticians.   They’ve made my grandfather tan, but I know what’s underneath the foundation:                                                                                   grey.
0
May 9, 2021
May 9, 2021 at 10:55 PM UTC
You Can’t Tell Me This Isn’t Sanguineous
The color of death is not black, is not white.                                                                            Not red, not gold.   Think: ashen skin.                                  Think: where did the blood go?                                                                                    Think: pale, so ******* pale. Bruise again.  He’s going to bruise again.        Mottled red   and      purple   and      blue   and      green   and      yellow. That’s what the body does after death.  Blood runs down to the lowest bend of the body and bruises the skin.   The rust of cerebrospinal fluid as it sloshes                       back and forth        in the bag hanging above the bed.                                                         My mother’s hands: white knuckled and gripping down on washcloths to prevent her from breaking the skin of her palms. The constant hum of telemetry,                                 the soft whoosh of the ventilator. The human body has roughly 7% of its weight in blood. The human body has no ******* idea what to do when there is too much or too little of really anything. Think: blood vessel bursting.                             Think: cells mutating.                                                   Think: proned patient coding after intubation. Bruised.  His hands were bruised from all the needle-sticks, from his lack of platelets.  And a single transfusion only goes so long.                                                               Goes three weeks long.   The hands on the belly, laid so gently, so carefully are covered in makeup.  The hair is parted wrong with a cowlick. I know how they created that soft smile on his closed mouth.                                                                          I’ve read the books.                                             I’ve heard the talks from morticians.   They’ve made my grandfather tan, but I know what’s underneath the foundation:                                                                                   grey.
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34
had a picture of dad on my nightstand it fell not too long ago but landed upright atop his shoe shine box that I kept its new position not precarious I let it stay there thought it was kinda fitting a picture from his older years taken in the kitchen looking up into the camera from the task at hand peeling boiled potatoes for potato salad my potato peelin' pop morning sun shine spot lights that picture warm, smiling, reassuring mom's back in ICU now transferred to rehab with high hopes bleeding, unresponsive cardiac arrest en route back to ER x-rays, CT scans transfusions, blood draws, ventilator endoscopy? colonoscopy? dialysis? quality of life questions the more I watch her the more I wonder How I wish pop could tell us what to do
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Sep 22, 2014
Sep 22, 2014 at 4:40 AM UTC
MOM AND POP
From my new book, Poems of Ancient Rome and Greece, available in paperback on Amazon and Barnes & Noble, as well as eBook on Kindle, Nook, and Apple Books:  https://www.amazon.com/Poems-Ancient-Greece-Christopher-Saitta/dp/B0DS6933HB?ref_=ast_author_dp   My mother the sea, She woke my sandy eyes, Just to tell me she had to leave, Draw past the markets where the fish are sun-dried, Snarled by the coral-rough hands of divers deep. My mother the sea, She left her running tab Of the grocer’s choicest greens, Thumbed the velamentous rinds and spiny scarola, Her xylem and phloem are the slow moving cruciferousness of a breeze. My mother the sea, Charwoman of tides, Who dips and delves upon her knees, Who scrubs her brothel-coves with chamber lye, Cyprian mistress of the salt-stained sheets. I have looked for you, mother, A scugnizzo amid the striped awnings of the marketplace ~ like sails to the sky ~ Where the fishmongers hawk their pride Of conch, cavallo, and black sea bream. I have looked for you, mother, Walked sun-forged along the boardwalk, Amid the neon-mascara of signs, Hand-in-hand with only the ladyfingers of salt and vinegar fries, Toward the crisp syllabub of pebbles and sand. A beach is window-warmth spread free, cosmopolitan, The longeur of eyes crushed in the glass-dust of cities. And in the sputtering of the frosted spume of tides, Held broken seashells in my hands like broken needles, Heard the pump-click of the ventilator through your mask of sand. My mother the sea, A naked convalescent, Whose ever-turnings have taken A turn for the worse. Who will know her by her death, who but me?
0
Jan 21, 2025
Jan 21, 2025 at 8:29 AM UTC
My Mother, the Sea
From my new book, Poems of Ancient Rome and Greece, available in paperback on Amazon and Barnes & Noble, as well as eBook on Kindle, Nook, and Apple Books:  https://www.amazon.com/Poems-Ancient-Greece-Christopher-Saitta/dp/B0DS6933HB?ref_=ast_author_dp   My mother the sea, She woke my sandy eyes, Just to tell me she had to leave, Draw past the markets where the fish are sun-dried, Snarled by the coral-rough hands of divers deep. My mother the sea, She left her running tab Of the grocer’s choicest greens, Thumbed the velamentous rinds and spiny scarola, Her xylem and phloem are the slow moving cruciferousness of a breeze. My mother the sea, Charwoman of tides, Who dips and delves upon her knees, Who scrubs her brothel-coves with chamber lye, Cyprian mistress of the salt-stained sheets. I have looked for you, mother, A scugnizzo amid the striped awnings of the marketplace ~ like sails to the sky ~ Where the fishmongers hawk their pride Of conch, cavallo, and black sea bream. I have looked for you, mother, Walked sun-forged along the boardwalk, Amid the neon-mascara of signs, Hand-in-hand with only the ladyfingers of salt and vinegar fries, Toward the crisp syllabub of pebbles and sand. A beach is window-warmth spread free, cosmopolitan, The longeur of eyes crushed in the glass-dust of cities. And in the sputtering of the frosted spume of tides, Held broken seashells in my hands like broken needles, Heard the pump-click of the ventilator through your mask of sand. My mother the sea, A naked convalescent, Whose ever-turnings have taken A turn for the worse. Who will know her by her death, who but me?
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36
I hail a cab. I’ve got to leave this part of town, the Upper West, dripping with fatty money. At 97th I step in and exhale, revived by the sweating air in taxi cabs. Through the window I see the imposing orange of a tall sewer ventilator, steaming and ignored— At Columbus Circle, a corner hot- dog stand is slow- ly wheeled to its moment- ary place— Broadway, with one closed bank. Empty, in back the dusted black, and iron beams? Things lean diagonal against the walls, a warning— Faster, faster, further south and somewhere in the Village. The rows, rows and rows of brownstone stoops: quietly lined along the street patient, waiting, delightfully clean— The cab rolls to a stop. I pay and step out to the street. Near Greenwich Street, the crosswalk supports some types trying so hard not to be doing all that much and wearing hip clothes. I’ll stop mid-street, look up real high, and take in the sunlight that’s slamming against the pavement.
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Feb 6, 2010
Feb 6, 2010 at 10:22 AM UTC
View from the Cab
up at your regularly scheduled night sky patrol, the colorful clock says 2:47 and dark skies confirm which 2:47 it is, for flecks of blackened peppery light exude at this hour, a time period for former lovers, those old writes enfolded, enveloped, hiding an active poem volcano spewing bare feet words in clouds of kidskin soft velveteen cumulus, fleece-comforting slippers of poems there are half started poems waiting, more than one, triplets in fact, waiting to be born in the time of pandemic, thinking quietly, will they emerge healthy and living and grow up to be adults contributing to society, additives to the engine oil of human living but the old familiar, dissatisfaction with quality control leaves them unfinished, poet lurches from dead roses head hanging, a new blues, disease as an economic and societal differentiation, that you hope, believe, poems that in due course, all will emerge, for better or for worse, poetry birthed in the time of pandemic the city of new york, where I was birthed and will die, a city of tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the well known unknown possibilities in the time of pandemic and you wonder in this new, different quietude if poems can be born with birth defects and survive, breathing on a ventilator till they can breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even if inspired by a decade-lover, next, in bed, in the time of pandemic waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn stillborn poems, or perhaps just poems-in-waiting, to still be born in a time of pandemic 3:29am Sunday March 22, Twenty Twenty New York City, the epicenter, crossroads
0
Mar 22, 2020
Mar 22, 2020 at 3:55 AM UTC
a new time (poetry in the time of pandemic)
up at your regularly scheduled night sky patrol, the colorful clock says 2:47 and dark skies confirm which 2:47 it is, for flecks of blackened peppery light exude at this hour, a time period for former lovers, those old writes enfolded, enveloped, hiding an active poem volcano spewing bare feet words in clouds of kidskin soft velveteen cumulus, fleece-comforting slippers of poems there are half started poems waiting, more than one, triplets in fact, waiting to be born in the time of pandemic, thinking quietly, will they emerge healthy and living and grow up to be adults contributing to society, additives to the engine oil of human living but the old familiar, dissatisfaction with quality control leaves them unfinished, poet lurches from dead roses head hanging, a new blues, disease as an economic and societal differentiation, that you hope, believe, poems that in due course, all will emerge, for better or for worse, poetry birthed in the time of pandemic the city of new york, where I was birthed and will die, a city of tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the well known unknown possibilities in the time of pandemic and you wonder in this new, different quietude if poems can be born with birth defects and survive, breathing on a ventilator till they can breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even if inspired by a decade-lover, next, in bed, in the time of pandemic waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn stillborn poems, or perhaps just poems-in-waiting, to still be born in a time of pandemic 3:29am Sunday March 22, Twenty Twenty New York City, the epicenter, crossroads
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28
I'm tired of my heart being a yoyo. I've tried to tell you that you're my ventilator, but you're never here. I'm the type of lover that wants to leave everything else behind, maybe it's because I'm a sucker for a good sunset. I just want to live somnolently, I want to retrace the veins that map your wrist. I want you to be here.
0
Apr 21, 2015
Apr 21, 2015 at 11:12 PM UTC
4-21-15 Dull
*i vent, i'm sure you heard of the invention known as the ventilator... it's like a lung-clone-subservient of a "nanny quality" of automating the words: breathe in... breathe out... breathe in... it precursors the in and outsources the *out, there's a cult-like-scheme involving the use of... the stated tools... worthy of a suggestion that epitomises August as the month of harvest - i.e. the sun finally sets to auburn crops and **** me, isn't the bread rightly puffy?! toad-squidgy aye aye? go on, give us a burping caricature of a squeeze!* imagine uttering the words: i hope your mother lies eternally run-sacked with hopes of former ****** glory, ***** bleeding, as if a Mongolian horde just passed her with a glorious encore of clapping to match... because that's what i assert as been done to my mother, you don't even understand the verb or adjective or conjunction behind the noun.... after all, you're an African Muslim and a pyramid builder, a ******* jaded jock-strap and gag's worth of you the Ben & Jerry... praise the Koran but don't understand that behind each noun there's a collective grammatical structure, **** you English political correctness, **** you! **** YOU! have your Reagent's Street and Oxford Street, have 'em! behind the noun all grammatical categories follow suite... universal noun, what category for the particular? ape transforms into apish, or Quasimodo or ~ape, nouns are units, like centimetres, forget the other things, unless you: let the shoppers drop dead like flies! but imagine saying the words: i hope your mother gets gang-raped by an equivalent of a Mongolian horde; yep, Mongolian necrophilia. you said it to my mother, and i'm mourning, alive, and counting.... once more... so **** you*!
0
Jun 15, 2016
Jun 15, 2016 at 2:02 PM UTC
imagine the hatred
*i vent, i'm sure you heard of the invention known as the ventilator... it's like a lung-clone-subservient of a "nanny quality" of automating the words: breathe in... breathe out... breathe in... it precursors the in and outsources the *out, there's a cult-like-scheme involving the use of... the stated tools... worthy of a suggestion that epitomises August as the month of harvest - i.e. the sun finally sets to auburn crops and **** me, isn't the bread rightly puffy?! toad-squidgy aye aye? go on, give us a burping caricature of a squeeze!* imagine uttering the words: i hope your mother lies eternally run-sacked with hopes of former ****** glory, ***** bleeding, as if a Mongolian horde just passed her with a glorious encore of clapping to match... because that's what i assert as been done to my mother, you don't even understand the verb or adjective or conjunction behind the noun.... after all, you're an African Muslim and a pyramid builder, a ******* jaded jock-strap and gag's worth of you the Ben & Jerry... praise the Koran but don't understand that behind each noun there's a collective grammatical structure, **** you English political correctness, **** you! **** YOU! have your Reagent's Street and Oxford Street, have 'em! behind the noun all grammatical categories follow suite... universal noun, what category for the particular? ape transforms into apish, or Quasimodo or ~ape, nouns are units, like centimetres, forget the other things, unless you: let the shoppers drop dead like flies! but imagine saying the words: i hope your mother gets gang-raped by an equivalent of a Mongolian horde; yep, Mongolian necrophilia. you said it to my mother, and i'm mourning, alive, and counting.... once more... so **** you*!
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36
alcohol and ******* and ****** off at his wife he chose to jump out of a sled and land on his head his christmas present to himself now he’s tethered to a ventilator with a bolt in his brain his intracranial pressure is scaling mt. everest that there santa’s elf is the textbook definition of ******* up
0
Dec 26, 2018
Dec 26, 2018 at 10:17 AM UTC
SANTA'S ELF
My favorite music is the tune that I hear playing off at the hospital, when a COVID 19 patient is off the ventilator! This music is: A song of a new dawn, A journey to the future, A melody of new life, A symphony of hope, and The rebirth of the universe! Hussein Dekmak
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Oct 8, 2020
Oct 8, 2020 at 9:12 PM UTC
The Music That I love
It could be the cold outside Empty chairs TV crime stories The buzz of ventilator Mixed with silent humming of the characters Silence and quietness Among indecipherable voices Meditation over a beer glass Smoking ceremony Cynicism unspoken Listening to your breath Second beer unfinished Being restless from the absence of fear Unable to catch one’s line of thoughts Emotions uncertain Not an easy day - troubled father Only scattered images like Frozen grass Sticking out of Icy snow Who will ever paint it all In one frame?
0
Feb 5, 2017
Feb 5, 2017 at 4:10 PM UTC
Weak Today (2017)
Between conjecture and classification there is observation, experiment, data (collection and analysis), statistics, calculus, and a good guess about God's intentions -- probabilities, fractals, chaos and complexity. This is the thunderous city. The form of the poem, the rhyme. *Form cannot be first if you want to reach high artistic levels, since you are then bound by form, and that form is very often a betrayal of reality*. Yet I find I am attracted all the time to philosophies in short skirts, jewels and eyes lined with kohl. I love where her legs lead, to her very soul. Three women hike by under an umbrella in a winter rain. Two men side by side run in rhythm. An oil truck takes the hill in low steady gear. My old Marine, 89, died last night without anxiety or fear. May I overcome my pain enough to reach the place where the deer lay down their bones and, like them, die alone. When making an axe handle, the pattern is not far off. The purpose of school is to introduce us to the world's innumerable wonders. The periodic table, World Wars I and II, Huckleberry Finn and Jim. But soft, what light through yonder window breaks? It is a billion trillion nuclear detonations per second without which nothing can be done or faked. The temple bell stops, but the sound still comes out of the flowers. Forests and the composite species will be nameless. Genetic prowess, receiving the sacrament, performing Lohengrin from the Great American Songbook, the look of love in all the wrong places, facebook, fakebooks, folios of old family photos on or in pianos. When we took Pop-Pop off the ventilator, we put him in a refrigerator. He stopped eating, he stopped breathing. Circle with a dot. He had his dream, he'd rowed his boat. Later came organic computers using polymerase and qubits.
0
Aug 11, 2015
Aug 11, 2015 at 6:05 PM UTC
The World Without the Self
Between conjecture and classification there is observation, experiment, data (collection and analysis), statistics, calculus, and a good guess about God's intentions -- probabilities, fractals, chaos and complexity. This is the thunderous city. The form of the poem, the rhyme. *Form cannot be first if you want to reach high artistic levels, since you are then bound by form, and that form is very often a betrayal of reality*. Yet I find I am attracted all the time to philosophies in short skirts, jewels and eyes lined with kohl. I love where her legs lead, to her very soul. Three women hike by under an umbrella in a winter rain. Two men side by side run in rhythm. An oil truck takes the hill in low steady gear. My old Marine, 89, died last night without anxiety or fear. May I overcome my pain enough to reach the place where the deer lay down their bones and, like them, die alone. When making an axe handle, the pattern is not far off. The purpose of school is to introduce us to the world's innumerable wonders. The periodic table, World Wars I and II, Huckleberry Finn and Jim. But soft, what light through yonder window breaks? It is a billion trillion nuclear detonations per second without which nothing can be done or faked. The temple bell stops, but the sound still comes out of the flowers. Forests and the composite species will be nameless. Genetic prowess, receiving the sacrament, performing Lohengrin from the Great American Songbook, the look of love in all the wrong places, facebook, fakebooks, folios of old family photos on or in pianos. When we took Pop-Pop off the ventilator, we put him in a refrigerator. He stopped eating, he stopped breathing. Circle with a dot. He had his dream, he'd rowed his boat. Later came organic computers using polymerase and qubits.
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He is on ventilator I am at the window He is in hospital Close to the grave I am in hostel Close to the college I am opening book He is closing bible He is breathing out I am breathing in His ventilator is shut My window is opened He is eighty I am eighteen He is diseased I am besieged He lost ground I am gaining ground He is my grandfather Who led a grand life I am his grandson Left to lead a branded life
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Dec 3, 2014
Dec 3, 2014 at 6:52 PM UTC
Far Between
A black man struggling to breathe, A Yemeni child searching for a safe place, A Palestinian man struggling to be free, An African villager dreaming of clean drinking water! A lonely man longing for company, A homeless person dreaming of shelter, A hungry child craving a home cooked meal, An orphan yearning for a mother’s touch! A disabled person dreaming about walking, An elderly man wishing to visit his loved ones, A sick patient praying to be free from the pain, A COVID 19 patient wanting to get off the ventilator! Sending love and a prayer to those who have such beautiful dreams. Hussein Dekmak
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Jun 20, 2020
Jun 20, 2020 at 10:08 AM UTC
Dreams
I used to babble to you about every fear and insecurity. You used to remind me to "just breathe" And now, I've been holding my breath for far too long. Lungs can only be so strong. What's funny is I used to be used to being alone. I used to be able to breathe on my own. But you became a sort of personal ventilator. It feels as if I'm riding an escalator that only goes down. And I don't know how I'll make it without you around. I became dependent on you. And as descendants of not so great relatives. You're my only family who dwells in a corner of my heart. You Calling me family was a start but I can think of many things thicker than blood. Like the thick sound of heartbreak when you fall to your knees with a thud. Or the thickness of the air that's filled my lungs since You told me you didn't love me. don't you get how badly that stung? Now do you understand the reasoning behind how tightly I clung? I'm so tired of being alone. All that I want is just to go home but  home was in your arms and it's winter and I'm afraid you would no longer keep me warm. Stop saying you love me, Your "love's" in the wrong form. © copyrighted Nicole Ann Osborn
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Dec 8, 2014
Dec 8, 2014 at 11:45 PM UTC
Remind me
I *Oh life, you unfulfilled ******* All seeing eye of admonition, You unfair precinct of justice, You incredulously cruel myth, Oh, How I hate you Oh, How I want to leave you Oh, How I love your counterpart more, Death. She seems easy and trouble free. An impenetrable kingdom of night. I wish I could fade into oblivion sometimes.* II *I'm three year strong of my grand depression. It's not always there now, but it is. And so am I. And so are you. And so is my lacuna, my friend, who invivorogated my sense of purpose, who gave me a reason to live. She has been My net I fall onto everytime you push me down from the trapeze act of my passions. The medicine that nurses my wounds when you leave me bleeding. My ventilator as my soul was dying a slow sad death. When you **** all my hope away she plants it back again deep in my heart impervious to your morbid touch tightly sealed with her warm kiss. I am scared to be happy because of you, because every time I am happy you decide to give me a new **** reason to be ineffably sad. You know where it hurts me the most which parts of me, is most tender and vulnerable, you know my weaknesses you use it against me like an old friend who is now an enemy. Why can't you just let me be ? I'm tired, so **** tired. It's alright. I have my love, and I'll make it through the day and spit in your apathetic face. I ******* hate you, though you are beautiful okay.*
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May 20, 2016
May 20, 2016 at 11:47 PM UTC
lifeline.
the work of breathing exceeds my ability. i think i smoked a little too much. it doesnt feel like thats it. i think its our hostility. no... its just Seven-Hundred-And-Sixty Millimeters of Mercury
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Dec 16, 2014
Dec 16, 2014 at 12:23 AM UTC
negative pressure ventilator