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I wander no longer
I prefer to wait at my master’s chamber
To eat
To drink
To talk of love
He flames my heart
With desire
Never felt before
Enthralled and awestruck
I lose my senses
In
His love
All night long
I am consumed
In a hot passion

Don’t ask!
I don’t
Know
We ever sleep or endlessly frig
Can I even count?
Brent Kincaid Jul 2015
The old saying talks about
Being snug as a bug in a rug
But how can you feel that way
If you never ever get hugged.
If you hug your loved ones
They may not need drugs.
It’s an inexpensive medicine;
The basic household hug.

Worse things could happen
Than to catch the hugging bug.
It’s a better remedy than you
Can find in an apothecary jug.
It doesn’t require prescription
And is no big weight to lug.
You always have one handy,
The standard loving hug.

A hug can be the cure for you
When you are in a purple fug
And your face begins to look
Like a rather dyspeptic pug.
Somebody wonderful arrives
And gives your heart a tug
By giving you the all-time best
Wholehearted, loving hug.
Dave Robertson Nov 2021
Fug
autumn drinks heavily
slides into winter black
singing old songs in the dark
of loss and lack
and imperfect memory

these months weigh more:
grit under the eyelid
cold **** in the soul weight
that scratches and suffocates

but the coals will glow
and windows steam the same,
inside from time to time
and safe
Martin Narrod Apr 2014
Not against the peaks of protest, these aurulent banners and jasperated jaspe so so jargoon! It's like I was suddenly alive, beat-stretched out of winter neige and into the pancosmic blisses of bright and ebullient spring, plugged with an agromania to abide this new formidable friend in the aeviternal beauty of she and I togetherness. Never to spill a morsel of a minute away from us again, upon the newly conjured spirits unto us both. To be amidst a cynosure of such affiation, to be in the temperate or tropical gardens whispering about our mutual love for flowers nad lists. This that precedes us, bright colliding auras in this newfound numinous kindling of us two. Watching it, making it happen- it unfolding before me made me naseaus with excitement, dithering what our next move out to be. I just wanted to kiss her face, her cheeks, put our hands together so quickly, just to let our amorous fug fill the room with silver albuminious smoke from our breaths. Miles below this, round the Earth to other places, there are the fixtures of bright and corybantic life commoved by other nations and other poised people of the light, that I should not be idle in my desires to usher myself into this grand and briguing introduction. So she said, we will play the question game, the inquiry game, we will state the mark, draw upon deep and fantastical recall, bring from our minds the most immense truths and share them, no matter now feral, or caustic, or melancholy- they will be shared until we explode with each other, our intrigues wrapped in our perfervid and amatory excitedness for one another. Too vast with wonder to be afraid of- am I such a fiend for such resplendence. That we could be vitrified in eternity in a veil of fulgurite. So at this nightfall, this acronychal of bloviating bliss, to write and wonder, incessantly in the finest of provincial matters to settle this garden where Thetis lives to be of her, two philocalists in verdant pasture, heaped with matters of the pen and the palm, in the droves of this beautiful advesperating eve- where first I wrote to you, and then I wrote you back.
Written in Atlanta, Georgia
Martin Narrod Apr 2014
1909, on top of the dragon.
Marigolds whipping a tepid fug in this small room of stringy daylight.
That place where we fell in love. Where I dropped a hot cup of tea on my pants
And we ate sushi on the beach. I love the beach.

I am not ready for the ice festival or your new boyfriend.
He smells like bad disco and old people.
This piano concerto that I play before bed, before awakening,
I have your black dresser drawer in my bedroom,
It glistens of our days of Jasmine and Roses.

My mind blurs stories of you, her, and the other girl.
Rad violin songs, a friend from Argentina has introduced me to
Mystify me, I cannot hear straight or stand still. I have acquired
A gift for shivering. Still I can feel your talons raking up my spine.
*******! Where? Why? How did you do that thing with your mouth?

I count upwards from you and in my peaking hours of misfortune, I
Never come back down to earth's giant centrality of duel existence.
My gut expands into my chest, my nervous system and anxiety is
All of you, a lot of her, and none of the other girl.
I make half inch black markings on the wall, this curse of feeling and not forgetting
That never goes away.
David W Clare Jan 2015
Better stop and think, you should watch your step
be careful what you say, don't want to get me upset

just button your lip, no need to leave a tip
time to dummy up, go away now and get yourself hip

better pack it up, go live with your mom
the life i choose is a bit too strong

take on a wild girl like me, the kind they say many just hate us

a **** i couldn't give, hey boy i'm not your waitress

"I'm not your waitress"
hey, get your eyes off me
"I'm not your mommy"
don't touch me. cause i don't work for free
"I'm no not some **** waitress"
no oh whoa ...
"I'm not your inflatable dolly or sweet lovely waitress"


i'm sick and tired of your simple mind

can't you tell by now, you're a waste of time

dont push me around, the envelope you've stretched it


my name's not Natalie Step and Fetch-it

this kinda of scene is ill for mental health

you want something? then go get it yourself

take on a power girl like me, the type they say many only hate us

a crap i couldn't give, hey boy i'm not your waitress

"I'm not your waitress"
hey, get your eyes off me
"I'm not your mommy"
don't touch me. cause i don't work for free
"I'm no not some **** waitress"
no oh whoa ...
"I'm not your waitress"

i'm sick and tired of your idiot mind

cant you tell by now, to me you're a waste of time

dont push me around, the envelope you've stretched it


please dont grab at me or slap my hot **** ***

im not interested in you, an old poor white stupid trash

too bad, you look confused and so hungry fool

i wouldn't serve you well: it takes more than any money can do

listen up!

"I'm not your waitress"
hey, get your eyes off me
"I'm not your mommy"
don't touch me. cause no no no ... i don't work for free
"I'm no not some cheap waitress"
no oh whoa ...
"I'm not your missy prissy kiss kiss kissy  wa wa wa waitress"

fa fa fa fug-off jocko ****!

"I'm not your waitress"
hey, get your eyes off me
"I'm not your mommy"
don't touch me. cause i don't work for free
"I'm no not some **** doh doh waitress"
 no no oh oh whoa ...
...I'm not your waitress!

© 2009 david clare  clairvoyant music / BMI    all rights reserved
My sassy Thai ex girlfriend in Thailand said this title to me...
TomDoubty Aug 2021
Make a wish, and then its gone
A curl of smoke now a spent dry wick
Happiness held for a moment

Then the sickly spittled cake
For the birthday boy, mum loads him up
And jealous friends crowd round
Skirting round the edges,
Dad takes a snap at mum’s request
Happiness held for a moment

Further out, against the wall
Elderly relatives watch it all
In prickly jumpers, sovereign chains
Fisherman’s friends and pocket change
Slow and still, they watch it all

I unpack the plastic crap my parents bought
Parents doing all they ought to get me hooked
That plastic smell like sniffing glue
The cheap thrill of something new
Happiness held for a moment

Party bags at the door and then its over
Thanks are forced from mouths
By parents with an eye on the morning
Outside the orange October light is fading
On streets the lamps are lighting
And  the hush of school tomorrow hangs there
Among conkers and chimney smoke

Back inside my home the smell of boys
hangs in the air; a fug trapped
in deep pile and double glazing
The telly’s on now and **** are burning in the ashtray
Now they’re asleep, and its over

I sit surrounded in my room at the back of the house
The orange light is coming in through thin curtains
I can’t move for presents yet I feel I am imploding
Like a crinkled balloon, expelled of everything
Feeling everything and nothing
Happiness held for a moment

August 2021
Guep seeb do fug
Uptoob queev buh
Luft goo dub ug
Fleeg dahs luh

Obku *** qwuarsh
Fab go mud marsh

Me go fabroso
Egvar seeg lu
Xybahso
Imba go mu
Cabbo de
Ogg be
Fingers fumble at buttons
liquorice in our breath
misty fug of your name
still lingers on the window
it watches
toes like bent paperclips
fidget impatiently
glass half-full of lemon and lime
little bubbles little fizzes
mute television
goldfish mouths with no sound
this evening
'vamp' your chosen shade
exposed navel heartbeats
blood thump in ear
a sock falls off
the other overboard already
twenty fingers
it's alright
I say it's fine it's alright
Written: February 2015.
Explanation: A poem written in my own time, which was actually typed up in an email to a friend first, and then posted on here. No edits from that email version.
NOTE: It is possible that over the next few months, several of my older poems will be removed from HP, as I am not quite liking the website in the same way I used to, plus those old pieces are not very good.
Laura Turner Dec 2014
Do not presume to think dear sun
To ****** away my dreams
The dark still holds me in it’s thrall
Within the great unseen

They will not lift these limbs of mine
They wallow in their weight
Enjoy the burden of their bonds
Refuse to animate

A captive to these strains of sleep
Gladly shackled to my bed
I revel in their sweet confines
My eyelids drawn with lead

I Self sedate with each warm breathe
Benumbed by this safe drug
Which toxifies my consciousness
I revel in it’s fug

I will not wake, I’m staying here
Please do not liberate me
Reality’sbecome too much
For me to cope with lately.
Paul Sands Jul 2015
have I been here before,
the variations of anywhere
framing the limits of waking within a wretched humility?

am I become one of the blown boys, those dear, dear boys
and their desolate, punctual, martyrdom,
or a resolute extra in a post-mortem smack fug

at ease to fester with my wounded, skyward muttering,
where even fake flowers offer injury?

I

easily shaken by bleary imaginings as obdurate
as a politicians dancing lips which, if they are moving,
must be lying,

rather crave the ocean's incoherent, uncorked, yawn
its contorted salutation an easy answer to the hardest ask
I had a conversation, one that decorum suggests I shouldn't have, and I was left as if crumpled and dumped on the kerbside
Dave Robertson Feb 2021
Bone tired, petal and stem
still crave the light.

The fug has muted us
putting aches where shines were
but the yearning for the thorn and burr
of every normal day persists

My skin is ready to be kissed
with burn and nettled rash again
to give me pause for actual thought
Dave Robertson Jan 2021
Good morning.
Lean into the good,
even if a hangover fug
has you in its grasp,
breathe deep.

We still have grey days
to argue with, some tears,
til greenery ensues
when lost, hidden and new truths will return.

So make the morning good,
with toast and jam
or salt, fat and shenanigans.

And for your soul,
despite the impotent bitterness
of prevailing winds,
prop open the door a little.
A grotty morning.
Grass pecked by frost overnight,
lead fug in the air
and I'm walking a mile
in uncomfortable shoes.

The receptionist
warbles a song I don’t know.
Ten minutes of maths  
followed by the typical
compote of questions again.

Two year four children
navigate me past classrooms,
primary colours,
shaking hands and nodding heads,
facts that drizzle over me.

Hours pass, phone cries.
The answer swells blister-like.
It’s thanks but no thanks.
He pours advice, wishes well.
I hurtle back to the start.
Written: January 2017.
Explanation: A poem written in my own time for university. It is a tanka, a Japanese form of poem, where the structure is 5, 7, 5, 7, 7 syllables. Feedback welcome. Please be aware there may be edits to this piece in the near future. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
annh Jan 2019
I’m wearing your old jacket. Remember? The one you used to fish in. The one with the tear in the silk of the right-hand pocket. You used to tease me. You used to say that this jacket kept your loose change safe from my chocolate addiction. You being left-handed; me being right.

I bury my face in the nap of the moleskin collar. My nostrils fill with your scent - stale cologne, a hint of woodsmoke, and...fish. More disconcerting than unpleasant, it’s all I can do not to choke on my memories of you. Of me and you. Together.

'Tell me, how can I be, now that you alone are gone and I am left behind?'

I feel like I’ve been abandoned in a foreign capital with nothing more than the clothes I stand up in and a wallet full of the wrong kind of currency. The day is drawing to a close. My luggage has disappeared with the exhaust from the bus which took off before I could catch my breath and explain my dilemma - that I’m not sure where I’m going or even where I’ve been. Lately.

Maybe a kindness will point me in the right direction. An open-all-hours diner on an inner-city corner, snuggled in between the high-rise office blocks. Maybe I’ll have enough cash for a meal and a trail of hot, sweet tea to lead me into tomorrow. Maybe I’ll close my eyes and remember where I’m supposed to be and what I should be doing.

And just maybe, as the rhythm of the traffic slows and the night progresses, I’ll find some peace in the ever-changing cityscape. A time-lapse production of late revellers, harried shift workers, the dispossessed and restless; until finally the earliest commuters and exercise fanatics emerge from the riverside neighbourhoods to face the new dawn.

‘Hey, lady.’ A disgruntled voice shatters my reverie. 'I ain’t got all day, y’know.' Scrambling for cash, I reach deep into your left-hand pocket and find...***...a limp fifty-dollar bill...and a battered envelope. There’s a note scrawled on the outside in your familiar hand:

'How can you be, now that I alone have gone and you are left behind? The short answer is: you will be. For you are as singular and complete today as you were before 'mine' became 'yours' and 'I' became 'we'. My darling, I’m no tourist. You know how impatient I can get - always taking the most direct route. I’m just out of sight around the next corner. You take your time and meet me when you’re ready. Sometime...later. Whenever. I’ll be waiting.'

Stunned, I mutter an apology to the waitress and step out from the warm fug of the café into a bright, fresh New York morning. The doorbell tings shut behind me and I realise with new-found clarity that I know exactly where I am. I’m home. It’s not going to be a great day but it’ll be a better one, which is a start. Besides I have things to do - chocolate to buy, a jacket to launder, and a needle to thread.
This started out as a haiku...and turned into 500 words of I’m not sure what. Probably not poetry. I’ve seen a smattering of very long pieces on HePo - about this length - and thought I’d post it anyway. Otherwise it will just gather dust. :)
LeRoy Williams Apr 2014
So I just thought I'd sit here for a moment and reminisce
It's a chilling feeling thinking bout all the times I've missed.
getting sick of corner living,
Don't know why I got used to the pain,
Probably because I've been grabbing matches by the flame
shouting out
WHO IS THIS KID, WHO IS THIS MAN, WHO AM I!
I light another
while I'm burning CDs filled with beats,
and at night I smoke my blunts straight to the dome so I can feel a bit  more at home.
See the fact of the matter if the woman has noticed,
That this man has lost his focus,
and just the quick like hocus pocus,
Houdini back into focus.
and now boys to high up to come down from neverland,
So I guess that means he'll changed his looks, so he wouldn't appear to be such a ******* crook.
Acidic dripping form of ma become a figure of captain hook.
And the passerby  gawks and  quivers at the sight of a boy who casts a phantasm of a man,
but felt good because they knew that they would make a change if they could,
And I a phantasm of man speak: Is it I you are afraid of heard no reply
Said fug it lit a cigarette while he
spread his black and tattered wings
and flew out into constant existence
while finding out the at the same time
the only meaning to life is simply living with new found meaning.
hair like melting bronze

long and thick as honey

coagulated to the waist

mellow slosh of water

viridian wrinkles

reflect a singed tangerine

shade of the bridge

a miserable dense fug

up above her head

lips like lavender

black sweater collar

cuddling her neck

and freckles dusted

slapdash on those cheeks

little marigold flecks

but her gaze grasps you

you can’t look away

she’s detained your attention
Written: September 2015.
Explanation: A poem written in my own time, about a photograph of a girl. A woman named Mihaela Noroc is travelling the world and taking photos of other women to highlight the 'diversity of natural feminine beauty.' The series is called 'The Atlas of Beauty.' Some time ago, a selection of her images were featured in a magazine, and one image in particular caught me eye - a girl standing in San Francisco, with the Golden Gate Bridge behind her. After doing some research, I found another image of the same girl in a similar location. Her name is Sarah Gullixon. I found the photo to be very striking, and I felt right away I would have to write about it somehow.
All feedback is welcome as always. A link to my Facebook writing page is available on my HP home page.
NOTE: Many of my older pieces will be removed from HP in the coming months.
Mike Adam May 2016
Fog
Cobbles wet
air thick
unviewable.

Feeling the weeping
victorian brick of
railway arch

Warm fug of
pigeon feathers
ammonia droppings
and the playground
of houses ruined
by bombs in the
reign of hate.

Elsewhere london
swings-

A small boy lost in pea soup

(in the grate
banks of coal
glow and flicker
pictures, movies
of the soul)
Nigdaw Jul 2019
We sit in manicured silence
A sterile, germ free environment
But still we share the air
In this room,
Breathing and rebreathing
Our own and each other's fumes.
I can smell your eau de cologne
With a hint of toothpaste,
Though not enough to disguise
The lingering fug of cigarettes
In hair and on clothes,
Unchanged since yesterday, telling
Of that drink on the way home in the pub,
Your hands shake a little, yellowed fingers
Giving away your nicotine addiction;

So doc how's the state of my health.
Martin Narrod Feb 2014
1909

                           on top of the dragon.
Marigolds whipping a tepid fug in this small room of stringy daylight.
That place where we fell in love. Where I dropped a hot cup of tea on my pants
And we ate sushi on the beach. I love the beach.

I am not ready for the ice festival or your new boyfriend.
He smells like bad disco and old people.
This piano concerto that I play before bed, before awakening,
I have your black dresser drawer in my bedroom,
It glistens of our days of Jasmine and Roses.

My mind blurs stories of you, her, and the other girl.
Rad violin songs, a friend from Argentina has introduced me to
Mystify me, I cannot hear straight or stand still. I have acquired
A gift for shivering. Still I can feel your talons raking up my spine.
*******! Where? Why? How did you do that thing with your mouth?

I count upwards from you and in my peaking hours of misfortune, I
Never come back down to earth's giant centrality of duel existence.
My gut expands into my chest, my nervous system and anxiety is
All of you, a lot of her, and none of the other girl.
I make half inch black markings on the wall, this curse of feeling and not forgetting
That never goes away.
If the music don't **** you the brandy will,
film of nicotine on the TV screen and
the stale smell of socks emanating from
the wardrobe,
if the strobe light don't get it
neither will you.

I fight through dimensions to get your attention and
you're ******* into a MacDonalds,
21st Century Box,
proudly presents,
the future or as near as we can tell it,
48 chicken nuggets and fug it who the hell would want that many?
maybe 24 chickens?

If the music don't **** you and
Macdonalds don't fill you
you're ******.
Simon Soane Nov 2015
Do
If there was mire
you'd lift me above,
if all was hate
you'd provide love,
if you were a soul mate
you'd give me a hug
and clean the air if I was choking on fug,
and chew for me to get rid of cud,
and find me dry land in days of flood,
plasma me up when short on blood;
you'd walk me if my legs were spent
you'd give it meaning if I don't know what it meant,
you special shimmer,
you're heaven sent.
Donall Dempsey Jan 2020
LIVING THE FAIRY TALE

make her
a doll's house from
McVities Gingerbread
Cake she absolutely adores
"Yum...yum!"

*

Her dolls line up on the kitchen table. Keeping their greedy eyes on the ingredients, The Golden Syrup gleams in a bowl like a jewel. For this session of cooking with Daddy( always good for a laugh)the lights have..**** them gone...out.

We prepare ourselves by candlelight.
I swear one of the dolls winks and licks her lips in the flickering. The big doll that can wet herself...wets herself.  
Little daughter is wearing a chief's traditional hat many sizes too big for her. She wears it like a crown. She looks like a mushroom come alive.

"Tonight..." I proclaim like the showman that I am to my assembled audience of girl and dolls. "Tonight I shall create before your very own eyes...my very own Jamaican Ginger Cake." I get dolls and girl to say the magic words "Yum Yum YUM!" and hey presto we're off.

Tilly tells the dolls in a loud whisper that "Daddy isn't as good at this as Mummy is!" My pride smarts. I'll show the little blighters I swear and swear to myself.

"Just get on with it!" the dolls scream silently.

Tilly already has a finger( not her own)in the Golden Syrup. She licks the guilty finger and fibs outlandishly "Dolly wanted to taste it!"
The black treacle remains untouched. The dolls don't like it. "Only in the cake!" Tilly confesses.

Soon spices and flour are sifted. Eggs beaten to within an inch of their lives...whisking about the bowl. "Let there be light!" I invoke the Gods and the lights come back. I am indeed favoured.

Tilly falls asleep in the kitchen's fug and warmth...curled about her sleeping cat. The cat is always asleep even when awoke.

The dolls never take their eyes off of me.

Now comes the time when the cake puffs up with pride and sits on its plate like a newly crowned monarch.  It's...it's...not bad for a Dad. But looks a bit the worse for wear..bits falling off here and there...a bit eaten...just a nibble and maybe another little nibble.

"But why Mr. Dempsey..." my Indian grocer demands with amazement "...do you want thirty..THIRTY McVities  Jamaican Ginger Cakes...for why...it's not the end of the world is it...or Brexit?"

"I'm building a house!" I whisper to him as if it is our little secret.

When she awakes..the cat as ever still asleep ...she yawns "Dolls gone..where dolls goned?"

The kitchen looks as immaculate as a conception...as if man has never touched it.

"Shhh...dolls is sleep!" I say sotto voce and adopting her lingo.
"In their own house!" I add for extra measure. Her eyes go wide.

And indeed dolls are lying down with eyes shut tight inside...their newly constructed Jamaica Gingerbread House. All except for the big doll who wet herself and who I have propped up on the loo. Although she is on the loo she finds now she can't go.

"Mmm!" Tilly  mmms. "Dolls have lovely house!" eating the door and half the roof off. Cake in her curls...cake up her nose and in an ear. She eats it with all of her head. "MMMM!" she mmmms again.

"We won't tell if you don't..." the winking doll whispers (like the co-conspirator that she is) waking up in a real life fairy tale "..if you don't tell!"

The next evening... the house eaten...I pop into Mr. Patel's. "Surely not more!" he almost flinches.

"No...just the one this time Mr. Patel...just the one!"
Ksh Dec 2019
That which I breathe in and exhale
That which shows itself as fug on the window panes;
Is this proof of the warmth, or the cold?

It howls in the evenings,
angry and desperate as
it whistles through buildings,
the shush of trees, thejingle of roof tile shingles,
the eery groan between the cracks.
Is this a war cry or a lullaby?

The cold bite on skin,
the thrash on limbs,
the buffeting -- upward, downward, wherever,
intent on making man fall;
Is this the trial or the sentence?
I walked along the shore,
   orchestra of shushes
as water slopped
                        across my bare toes,
jangle of pebbles
as I placed one foot
                                 in front of the other.

In the distance
                         the orangeade tang of neon lights
                         punctuated the view,
electric hyphens
from the arcades
crammed with Irn-Bru-skinned tourists
   there for a week
on this comma of coast.

In the winter          it is different.
A silver fug that sweeps the streets
     like the cocoons of a thousand ghosts,
machine jingles muzzled,
cafes only drip
                        fed with regulars
                                                     from around the corner
coming in to pick the horses
for the 2.10 at Uttoxeter.

The phone quaked in my pocket -
   my mother, calling me home.
I passed the sandcastle rubble,
   slobber of seaweed
   like the drool of a kelpie,

my socks speckled with sand
as I texted back
on my way
Written: March 2018.
Explanation: A poem written in my own time for university. As such, changes are possible in the future. The last line is meant to be italicised, but HP seems to have messed up this system for me (and maybe others) some time ago. Please note that 'Irn Bru' is a Scottish carbonated soft drink, while 'Uttoxeter' is an English racecourse. A link to my Facebook writing page can be found on my HP home page.
Martin Narrod Feb 2014
1909

                           on top of the dragon.
Marigolds whipping a tepid fug in this small room of stringy daylight.
That place where we fell in love. Where I dropped a hot cup of tea on my pants
And we ate sushi on the beach. I love the beach.

I am not ready for the ice festival or your new boyfriend.
He smells like bad disco and old people.
This piano concerto that I play before bed, before awakening,
I have your black dresser drawer in my bedroom,
It glistens of our days of Jasmine and Roses.

My mind blurs stories of you, her, and the other girl.
Rad violin songs, a friend from Argentina has introduced me to
Mystify me, I cannot hear straight or stand still. I have acquired
A gift for shivering. Still I can feel your talons raking up my spine.
*******! Where? Why? How did you do that thing with your mouth?

I count upwards from you and in my peaking hours of misfortune, I
Never come back down to earth's giant centrality of duel existence.
My gut expands into my chest, my nervous system and anxiety is
All of you, a lot of her, and none of the other girl.
I make half inch black markings on the wall, this curse of feeling and not forgetting
That never goes away.
In my fist, to grab a hold
In my fist, thinkin too bold
forget what your mama told
wait, till the ****** mold
waitin for my hand to grab!?
hittin, on bartender's tab!?
******* and go get a cab
or wait till the ****** mold

******* until you ***
******* on a drum
bang us with each stroke
bang, bang, get me some

stand up and let it go
let *** out until flow
lAugh at others, lAugh at us
***** with no where to go

grab, me and light it up
**** the hell out of crop
let take off the ******* top
grind, grind, flour shop

stop being so jealous
care about me a bit less
**** me but don fug(ck) it up (say, fog it up(*** id Appp))
raiiiin, off, no thunder press

let's, run to mexico
I don’t know where else to go
Re,member me I am ****
I got nothin else to show!
Hi every body, I'm new here and very glad to be among such fantastic people.
Donall Dempsey Jan 2023
LIVING THE FAIRY TALE

make her
a doll's house from
McVities Gingerbread


Cake she absolutely adores
"Yum...yum!"
living the fairytale

*

Her dolls line up on the kitchen table. Keeping their greedy eyes on the ingredients, The Golden Syrup gleams in a bowl like a jewel. For this session of cooking with Daddy( always good for a laugh)the lights have..**** them gone...out.

We prepare ourselves by candlelight.

I swear one of the dolls winks and licks her lips in the flickering. The big doll that can wet herself...wets herself.  

Little daughter is wearing a chief's traditional hat many sizes too big for her. She wears it like a crown. She looks like a mushroom come alive.

"Tonight..." I proclaim like the showman that I am to my assembled audience of girl and dolls. "Tonight I shall create before your very own eyes...my very own Jamaican Ginger Cake." I get dolls and girl to say the magic words "Yum Yum YUM!" and hey presto we're off.

Tilly tells the dolls in a loud whisper that "Daddy isn't as good at this as Mummy is!" My pride smarts. I'll show the little blighters I swear and swear to myself.

"Just get on with it!" the dolls scream silently.

Tilly already has a finger( not her own)in the Golden Syrup. She licks the guilty finger and fibs outlandishly "Dolly wanted to taste it!"
The black treacle remains untouched. The dolls don't like it. "Only in the cake!" Tilly confesses.

Soon spices and flour are sifted. Eggs beaten to within an inch of their lives...whisking about the bowl. "Let there be light!" I invoke the Gods and the lights come back. I am indeed favoured.

Tilly falls asleep in the kitchen's fug and warmth...curled about her sleeping cat. The cat is always asleep even when awoke.

The dolls never take their eyes off of me.

Now comes the time when the cake puffs up with pride and sits on its plate like a newly crowned monarch.  It's...it's...not bad for a Dad. But looks a bit the worse for wear..bits falling off here and there...a bit eaten...just a nibble and maybe another little nibble.

"But why Mr. Dempsey..." my Indian grocer demands with amazement "...do you want thirty..THIRTY McVities  Jamaican Ginger Cakes...for why...it's not the end of the world is it...or Brexit?"

"I'm building a house!" I whisper to him as if it is our little secret.

When she awakes..the cat as ever still asleep ...she yawns "Dolls gone..where dolls goned?"

The kitchen looks as immaculate as a conception...as if man has never touched it.

"Shhh...dolls is sleep!" I say sotto voce and adopting her lingo.
"In their own house!" I add for extra measure. Her eyes go wide.

And indeed dolls are lying down with eyes shut tight inside...their newly constructed Jamaica Gingerbread House. All except for the big doll who wet herself and who I have propped up on the loo. Although she is on the loo she finds now she can't go.

"Mmm!" Tilly  mmms. "Dolls have lovely house!" eating the door and half the roof off. Cake in her curls...cake up her nose and in an ear. She eats it with all of her head. "MMMM!" she mmmms again.

"We won't tell if you don't..." the winking doll whispers (like the co-conspirator that she is) waking up in a real life fairy tale "..if you don't tell!"

The next evening... the house eaten...I pop into Mr. Patel's. "Surely not more!" he almost flinches.

"No...just the one this time Mr. Patel...just the one!"
ooznozz Aug 2017
I SAW THE BEST MINDS OF MY GENERALIZATION
wearing halos of fog,
opening their eyes with a burst of surreal an' shattering
the beacon of light
with a splatter of the gray matter... afterwards it all became
so fug'n trite.

I'm phrasing perfect with a hint of propulsive barb'd barkin'
—Man, I am aching to blather,
**** man, it's more than ****-cheek chatter—
it BBBBBBBBBButt bubbles with a puhcussive tootin';
a howl absurd!

I raise a cup & say cheers t' Allen Ginsberg

"O BLOATED BLUES an' DECIBELS DANCE
t'BALLYHOO'd BE-BOP FLUNG
An' BOMBS BUSTIN OPEN with Gear's CLAWING
t'BE AIRBORNE",
Yes, he SITs IN a SPACE SHARE'd with us;
finger snappin' & poetry clappin' from
a heavenly ladder's rung...

A MAD HATTER's CHINA TEACUP is filled
with continuous soft crackling liveliness of effervescence...
and buoyed by the holy soul jelly roll that moves
through here now.
So let us praise and bestow upon him,
a heartfelt bow before we etch on the walls
of my primitive pome cave
our beatnik chorale reverberation of "AND HOW!"

By "ooznozz"

— The End —