I can’t decide
if I’m comforted by the fact
that every thought  
I’ve ever had
has probably been had
before

And I don’t know
which is worse
That we are, perhaps
incredibly,
undeniably
not special at all
Or that we incredibly,
undeniably
are

Tam-is niyang paghiyom ang nagahatag kanako’g
kalagsik hangtud sa kahangturan.    


Gahum! O Gahum! Nga dalagita sama sa nagbagang kalayo sa kabatan-onan    
‘Di mapalong kon agi-an man sa mug-ot nga panganod o uwan,    
Sama sa usa ka punoan, aduna siyay gibarugan,    
‘Di matarog ug matangtang bisan igka pila mo pang tayhupan,    
Kini jud mga dalagita, kusog magpapitik sa dughan    
Ma-anaa man sa luyo o sa atbang, mahutdan gayod ka’g hangin bisag wala gadagan    
Ug in-ani ka-cool ang nag-inusarang dalagita nga akong gipanguyaban.    


Sa mga pulong nga akong gihandum sa kagabhi-ong itum  
Sama sa mga words nga akong gihandum, aduna kini gahum     
Words ug mga pulong, mabutang man sa taas o sa silong, kini tanan kay akong sagolon    
Mag-iningles man o sa ma-bisaya, gugma lang sa gahum nga babae akong maangkon      
She is undeniably adorable murag, life in cotton      
Babaeng angayan bisag unsa pa iyang sul-oton     
Kay aduna siyay own things nga maka-empower sa iyang kaugalingon.    




She’s an epitome of an empowered woman that looks at you with unbothered recognition;    
Like a walking sculpture beyond the measure of imagination and description.    
Her mind is filled with wonders, and her heart is a slate;    
born to be herself and not to solely procreate    
A capable woman that hits like a note    
A note that is enough to float your melodic boat    
One that accepts you even if you look like a goat.    


Sa nagtuyok-tuyok na mga pulong na gipuga sa akong utok    
Anaa pa sa akong mind, ug ni-retain, ang pahigugma niyang pagtutok,    
Aduna puy times nga musuol ang iyang katok,    
Pero bisag unsa kagahi ang iyahang dughan, naa juy times nga kini kay humok    
Samot na sa times nga ako maghinuktok    
samtang ikaw nalunod sa tam-is **** paghinanok    
Paghigugma ko kanimo sama sa usa ka ubo, kusog muugbok.    


Sama sa usa ka lyrics sa usa ka song,    
Di malipong ug paminaw sa naglatagaw kong mga pulong    
Ako mubalik ug Iningles para ikaw na naminaw;    
makakita pa ug preskong  silaw sa adlaw.    
Aduna napud ko pabalik, padulong na mag-iningles ug balik    
Sa hunahuna ako nalumos, pero dughan ko pa kay abtik    
Samot na ug ikaw ang mutunga, mupadayon kini ug pitik.    



An empowered woman, An empowered woman!    
Balak kong gitagik, kunus-a paman ni mahuman,    
Ay, ‘way kurat! Padulong nani sa katapusan,    
So fret not and relax! Higopi sa ug kape kay naa nata dapit sa katapusan    
To sum it all up, she is an empowered woman    
She is someone that believes nga aduna siyay padulngan.    
‘Di matarog bisag igka pila mo pa ihuyog.

i used to write about him
endlessly
in tattered journal pages
and in cheesy poems
but i didn't want to admit it

i didn't want to admit
the fact that he was gone
and writing him into paper
wasn't going to bring back
the person i once knew

i didn't want to admit
that i wasn't in love-
that instead, i was cold and lonely
for endless summer nights
in the pitch black vacuum of my room
when everyone else was sound asleep
and i should've been, too
i guess at that time
i just didn't want to admit
the fact that i was too busy writing
to realize i was just lying to myself

so this is me finally admitting it-
this is my apology letter
for blindly lying to myself,
for believing the miserable lie
that writing about him
would bring us back to life

because so far it hasn't worked
and i'm undeniably sick
of lying to myself
and ignorantly believing it will

Diversity of motivation among self-harming individuals

An estimated one in twelve teenagers has committed self-harm. Of those many will continue self-injuring into young adult hood. Yet older adults are not immune to committing this act. In 2003-2004 adults age 25-44 were responsible for nearly fifty percent of reported/discovered self-harm cases.  There are many reasons that people self-harm. These reasons may include self-harming as a survival mechanism, self-harm as an outer expression of inner emotional turmoil, and self-harm as a means to exercise control over one’s environment.
Contrary to popular thought, only one in ten people who make the decision to self-harm are suicidal. The majority of people who cause injury to themselves willfully have a wish to avoid killing themselves. The act of self-harm is developed as a “technique” to cope and survive the afflictions of life. How can we know that this is the reasoning or thought behind the action of self-harm? “Cutters” typically reason out the least amount of damage that will “remedy” the stress intensive situation that they find themselves in, and exercise an enormous amount of restraint in inflicting only a measured amount of damage. Cutters’ common logic is that through this expression of injury, further damage to their selves may be headed off. --------, a former cutter, attests to the reality of this when he says, “Every time that I touched a blade to my skin, I would resist making a larger cut, a deeper wound. Every time that I hurt myself, I did so only in response to what drove me over the edge; Each time the amount of physical damage that I did was the very least that I could muster. I fought to do the least damage I could, no matter how intense the pain that I felt became.” He sums it up rather nicely.
Secondly, self-harm is used as an outward expression of deeper, more complex emotional and psychological phenomena. It is not a diagnosis; it is a symptom. It is a symptom of a struggle that is inherited by victims of abuse, those who lose a loved one, or experience other traumatic events during their childhood. These groups are far more likely to indulge in self-harm. One study conducted by Boudewyn and Liem found that of those college students that reported a history of self-harm, fifty two percent had been sexually abused as a child. Those that self-harm do not simply cut to cut, burn to burn, or mutilate to mutilate. There is a deeper motivation. This motivation is commonly emotional. These motivational emotions are often the results of tragic or traumatic life experiences. It is seldom that a cutter’s motivation is a want for attention.  In fact, most cutters are chameleons.
Self- harm is used as a tool to exercise control in a chaotic environment over which one would not otherwise have any means to control. Among chaos and turmoil such as the loss of a parent or close friend, relational betrayal, divorce of one’s parents, or consistent, one time, or sporadic physical, emotional, or ****** abuse an individual is radically more likely to engage in self-harm. Outside reasoning on this is only speculative. For this reason it is valuable to look at the action from the perspective of those who commit it. Cody, the same individual mentioned earlier says something else that lines up with this common scholarly opinion. He says “I remember the very first time I cut myself intentionally. I was in the ninth grade, in the school bathroom. I had just experienced what I saw as betrayal by my best friend of about ten years. I felt like I lost him. I felt like things were spinning out of control, and I couldn’t control the way I felt about it all. The only way I could feel that control was with something sharp in my hand.” This is characteristic not only of ----- but also of many other cutters.
Cutters are not (necessarily) crazy. On the surface it may appear that cutting goes against the ingrained survival and self-preservation instincts in human beings. This is actually the opposite of the truth. Many who cut feel that if they don’t inflict smaller harm to themselves that they may indeed fall to suicide. They feel that by letting out their pain in increments, and escaping in fragments, that they can slay the thoughts of suicide and urges to escape that they carry. When at the edges of rational, some instincts may take different forms. What may seem counter intuitive – an act of self-harm – becomes the definition of an instinct that it seems to defy. The desire to survive becomes so strong that it is necessary to inflict pain. This is not uncommon to survival situations. For example, the movie 127 Hours reenacts the experience of a man trapped under a boulder in a beautiful and secluded gorge. He cut off his own arm with a dull multi-tool in order to escape death. That act is the epitome of self-harm as a survival instinct.
Cutting could lead to a series of events that tailspin out of control. Loss of control could take the form of the spiral of therapies and prescriptions that would follow if it were discovered that one were cutting , or it could be the accidental slip of a blade gone too far. It could end in hospitalization. It could even end in death. However, those individuals who choose to cut, as long as sober, take precautions to avoid discovery or more injury than is intended. They are meticulous, careful even. They reason out how, where, and when they can cut “safely”. They are very much in control over the act, when they feel they cannot be in control of anything else.
It may rationally appear that pain is pain. That it would make no difference whether out or inward, because whatever its state, the pain is still owned by the individual. However, emotions are often harder to process than physical events. A burning rage, hate or guilt may well be harder to cope with than a burn to one’s arm, leg, or hand. An emotional cut to the bone may be less painful than a physical one. It may be said that the act does not transform the pain, but multiplies it. This in essence may be true, but one form of pain allows a man to ignore another. A pinch may allow a man to ignore the emotional pain of a nightmare. A small cut may allow ignorance of the bigger cut on one’s spirit or psyche.
There are widely varying and increasingly complex variations of motivation and cause of self-harm. They may include, but are absolutely and in no way limited to: self-harm as a coping or survival mechanism, self-harm as a tool to exercise control over one’s increasingly chaotic environment, and self-harm as an outer expression of inner emotional turmoil. To believe that cutting is simple is to nearly deny it altogether. Its essence is complicated. Stereotyping self-harm or self-harmers may well lead to opinions that will ostracize or further encourage the occurrence of self-harm.  Since the motivation and causes of self-harm are undeniably complex, to attempt to brush this under a rock would be to diminish its importance, and to deny healing to those who need to understand it.

What is so important beyond
the end of my own nose
that I must look and see?

this extrovert is not so green
I came, I saw, I looked,
I've seen,

the report will say
not much to see,
nothing of import'
to me.

Of course,
if I open the door
there'll be so much more
perhaps too much, I
dare not see

thankfully
there's always the
periphery

I stand between the side lines
which is hopefully
somewhere in the good times
and
the game goes on.

Pale skin that's
so beautiful in comparison to the sunset.
Her eyes,
the perfect concoction of blue and green, stare away.

Deep in thought,
tears on her cheeks, a smile pasted on her face.
Although her scenery
is lovely, the thoughts she has are not.

Dark demons
swirl in her mind and pick her brain.
They travel through
her veins, and pull her apart at the seams.

On the inside,
she's going crazy; she is undeniably insane.
On the outside,
she is smiling just like you; she's unwillingly happy.

it's cold and dark and calm outside
so you make sure that i'm tucked up tight
but i need fresh air so the window is open ajar
whilst there in the corner lays a battered guitar

i'm high as hell so you carried me home
and wrapped me up into a bed of your own
you throw a lumpy mattress by the guitar on your floor
and apologise in advance for the fact that you snore

because i can't even remember my name
may give the green light to most, to see me as 'fair game'
my hair is a mess and my clothes are askew
but that doesn't seem to matter to you

i'm taken aback as you toss me a shirt
you try to stifle your laugh but i catch you smirk
as i try to escape from the clutch of my dress
i hear a laugh which you fail to suppress

i wrestle your shirt with my limbs in a tangle
you yank it over my head, for which i am thankful
i wriggle free from the blanket and sit up cross legged
as you fling yourself down at the foot of your bed

you tell me you've just got a text from my mother
who says she trusts me with you and no other
and that you are under very strict instructions
to keep me away from all teenage destruction

it's 1.30am and my thoughts are cotton wool
but our bottle of ***** is still three quarters full
my eyes spy the battered guitar in the room
and i beg you to play me my favourite tune

an undeniably slow start as you mess up the chords
and ramble on about how i'm probably bored
but my eyes fix on yours with an encouraging grin
and as you continue to play, goosebumps rise on my skin

and as you place the battered guitar back down
you sarcastically ask whether i'm happy now
the buzz of my body and the smile on my face
shows that here, happiness is truly the case

The fateful universe has chosen
With a six billion year explosion

With a bond that is this unbreakable
Synchronicity is quite unmistakable

We are Brothers,
not by choice, luck, or the same seed

Different mothers,
But souls undeniably the same breed

If there comes a time for war
we"ll be joined together in the trenches
No matter what the game score
We"ll play, while they ride the benches

When it comes to the sacred brotherhood
Please, let this one thing be understood

No matter where you are, or whether you"re blessed with children or a wife

Your brother"s never too far, and just know you"re my dog beyond this life

Any insult you could throw my way
Is true.

I'm worthless in every single day
Who knew?

When I'm near children I shy away
Not coo.

And when I'm angry, terrible things I say
You'll rue.

I **** sunshine's shining rays
With blue.

About people, every waking moment pray
They'll shoo.

And every sin which others lay
I do.

So every insult thrown my way
Is undeniably true.

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

This is for the outspoken racists
The short-sighted chauvinists
The one-sided misogynists
And every avid supporter of any form of intolerance

I think it's time I give you a piece of my mind
Allow me to crack through my cranium and you can
Extract whichever lobe of my brain you find suitable to fix your mental feebleness

Take my frontal lobe, I beg you because
Your so called conscientious thoughts
Permanently belong in the dumpster
Your brain flies confederate flags at half mast
As a constant reminder that even if
The South doesn't rise again you can still rest
Knowing you wave ignorance blissfully in the air

Or maybe you should have my parietal lobe
Since your manipulation of information is highly suspect
I suspect you've placed bigotry and hostility under solid ground
Equipped with enough racial slurs and misogynistic remarks
To blow up this whole town
Homegrown nouns and verbs conducting your own personal weapon of mass destruction
Corrupting the ears that welcome your mushroom clouds

Then again, your occipital lobe is out of whack too
Considering whether gray clouds paint the sky or
Royal waves reflect golden rays
All you ever see is black or white, gay or straight
Wrong or right, hate and hate
And I hate to break it to you
But you are blind to the beauty before us all
Your eyes fail to focus in on how we all
Lose scarlet plasma to paper cuts
Gain white hair and hardened scars
And share copper casket homes six feet deep

I almost forgot about your temporal lobe
That needs an entirely new design
Because it seems as though through all of this outrage
You can't process the filth in your mind
Like the smell of your own rotten attitude
Escapes your nostrils and pollutes the openness around you
Preventing any genuine intention the air it needs to breathe

Your entire brain is a train wreck
You need professional intellectual injections
Red pen corrections that can transform your neural network
Into a well-oiled machine fueled by tolerance
Overflowing with premium petroleum enhanced with high grade sensitivity to diversity

I want your synapses to fire positive discussions
Rather than recreate cerebric tyranny
I want your gray matter to mind its manners
To render exceptional positions
So your point of view refuses to point fingers
I want your prejudices pressure washed so far down
Your head's highway that they resort to becoming full-time pedestrians
I want your ability to communicate eliminated unless
You annihilate the venom from your vocabulary

But the choice is yours
You're voice is yours
And I won't take it from you
This is not a debate nor a dispute over your vernacular
Hate speech is undeniably your native language
And unfortunately you own the right to be as wrong as your words allow you to be
Instead this is merely a message that I hear your hostility
A not so subtle reminder that your narrow-mindedness is nauseating
And this society has enough deadly diseases to deal with
To drill your acceptance defect straight through your skull
But please feel free to take any part of my mind
And find the time to perform your own lobotomy
So maybe then you'll understand
That intolerance has no place in anyone's anatomy

To finish anything in entirety requires a full circle- and goodbye is a picky eater. Good is the pieces of pie fully enjoyed already- don't forget the fingertips good. The ones licked crisp and clean from the plasticware every time. While bye remains the uneaten slices spoiling silence in the kitchen. Crumbs too stubborn to move along, to move anywhere at all. Notice these slices never once greeted each other on a dinner plate- and there is no place for distance during dessert.

2. Goodbye is invisible ink scribbled too quickly for certainty. Proper sendoffs deserve the type of visibility that billboards form. So if you have the audacity to send seven letters my way disguised as our final embrace- I will unwrap your formality, like 5am Christmas morning, and pretend I'm on the naughty list. Hidden messages lack a sense of transparency that leaves only second guessing and farewells should need no crystal *****.
Goodbyes are as good as guesswork- and we are not fortune tellers.

3. Goodbye implies loss or rejection, but well wishes are meant for times
when loss is undeniably absent. Wishing wells bathe separation with good intentions- each copper coin anointed an underwater masterpiece.
While goodbye addresses detachment with partial reflections, splitting waves too strict for clarity. So all I see are the ripples of me spread too thin, the pieces of me scattered in every direction. Goodbye wishes no one well.

4. Goodbye is simply one word. Goodbye is not naturally destructive. Goodbye is no vocal cord villain.
Words are neither inherently good nor bad because we ascribe their significance, but evidence suggests a one word farewell serves innocent ears unjust death sentences.

5. The moment you allow I love you to skydive from your tongue, the word goodbye steals the parachutes mid-launch causing fatal free fall to artificial grass your hands never actually planted. This land is lunar rock rare- desolate when day breaks.
Goodbye is not fertilizer for greener pastures- rather an open invitation for wildfire to reduce the cosmos to ashes.

6. Endings are inevitable and sometimes quite necessary. And I'm not suggesting we prolong foregone conclusions. But our parting words need not necessarily be regrettable. Goodbyes are often stressed in tragic spectacles only designed for Broadway stages and sometimes all that's needed
is a genuine platform to stand on to say something like-- I'll miss you or I'm not ready for this or I can't do this anymore.


7. Goodbye is not a last resort.
Last resorts lead to final destinations you never come home from and you were never home, you were never home for me, you were always goodbye. Goodbye was your one way ticket to paradise, the kingdom your words worshiped and call me a traitor if you must, but the paradox you fundamentally found comfort in is tyranny trapped in one breath.
And that's never been comforting enough for me to believe in, never been real enough for me to hold.
Goodbye is sweet sorrow- one hollow word that makes your smile hurt.
It's solid rain on sunny days, stolen hearts on lay away. It's two syllables that were forced to hold hands that were never ever friends to begin with.
Goodbye is an oxymoron- and it will never justify your warm hello.

The world around me is beautiful yet
I find it also exists as a force to be feared.
A plethora of the unknown and uncertain
Trace my every movement.
Where are you headed?
I gasp and grip for the nearest answer.
I’m unsure and I’m ripped to shreds.

Life itself is a mystery, an enigma never to be solved.
Surrounded by questions and hypotheticals,
Am I supposed to organize it alphabetical -ly
Breathe. Calm down - I hear in my periphery.
So I take a moment to finally let
It wash over me, to forget
Everything I ever knew -and to focus on the present.
Or the future I suppose, any moment other than now.
To find a place where contentment abounds somehow.

Light cannot exist without darkness.
So I accept the situation all around.
And fall desperately into unconsciousness.
To rejoice in the reprieve of thought.

Hope, ‘the thing with feathers’
I’m not so sure about that.
Hope feels misleading, or leading only into disappointment.
I feel frustrated, emotionally drained perhaps?
Maybe I’m cynical. That’s probably it.
It’s definitely a promising possibility.
I think hope acts as an anvil that crushes everyone
Praying for it to hang in the sky for a tad longer.

Hope is disillusioning.
But that doesn’t mean I don’t indulge every once in a while.
Hope is enlightening, addictive, whatever you want to call it.
But it’s undeniably beautiful, it ties you to the future.
It gives you aspirations. So here’s a list of hopes.

I hope I get to dance in the rain without a care of drenching my clothes.
Nature surrounding me with her soaking embrace, and thunderous applause.
With tiny drops of water slowly grazing my face, and
Maybe then I’ll finally know what harmony feels like.

I hope I get to reinvent my whole life and everything I know.
I hope I can fall into those nights where I barely remember my name but your arms are there to guide me home.
I hope I learn to face the light, and that it mends the brokenness of my soul.
I wish for nights where I discover a new version of myself by exploring foreign cities with people I’ve never met.
Where adrenaline is coursing through my veins,
And excitement greets me at every corner.
I hope I lose myself to find someone new.
To find the extraordinary within the mundane.
To appreciate the little things.
I want to live with purpose, to leave with meaning.
I hope I get to grow, that I get to change.
I hope I travel the world before it’s gone.
And to experience all that I can, through perspectives of empathy.
I want to impact others, to change the world,
But I suppose that can’t be done without changing myself first.

I hope I experience the feeling of being in love again.
The blinding euphoria of falling completely for what’s just a construct.
I want to find a place where I can be myself, without pretenses, without explanation.
I want to forgive, to laugh until I can’t breathe, to be brutally honest,
To be torn down to nothing and to have to begin again.

I hope I find peace of mind.
Because I know I’ve been searching for quite some time.
I hope I learn to let go.
I hope I learn to appreciate hope rather than ostracize it.
To open the curtains and to let the light come streaming in.
I hope I realize that it’s okay to not always know.
I hope I live my life before I go.

“Decolonize your mind before you become a new black slave.” He whispered to me before pushing one of his dreads behind his ear and grinning wildly at my perplexed expression. I lowered the straightener and stared at him for a while – I had loved him because of the way he was self-assured, it never faltered and I knew an explanation would follow as I leaned forward, raising an eyebrow, questioning him.
“You know you’re a queen right?” He continued, interrupting my train of thought, while turning off the straightener at the plug point.
“Ja, I know.” I answered blatantly.  
“ Then decolonize your mind.” He shouted before thrusting his hands into the sky and exiting my room. I think he knew I would figure it out for myself because as I stared at the straightener on my desk- it clicked. The statement vibrated in the very depths of my soul and an untapped reserve of energy was suddenly channelled into my aura. I could feel my ancestors, I could hear their cries, I could feel the weight of shackles, I could feel a whip, I could feel resentment, I could feel hatred, I could feel the power of a God who didn’t look like me, I could feel my peoples names that were written out of history books, I could taste blood in my mouth, I could feel blood on the cotton, I could feel what it meant to be black.
It was an epiphany, induced both by drink as well as the stench of my burnt hair. The epiphany spoke to me, reminding me that who I am was holy. That black was undeniably beautiful and not in the clichéd way that I learnt of in history when people averted their eyes, avoiding discomfort presented in an unacknowledged truth. It was in earnest, that I realised that my melanin was paramount to a glorious dynasty that I was privileged enough to be a part of. I would wear my ancestry daily and no longer shy away from the truth of my being. I am sun kissed, I am regal, I am Cleopatra, I am King Shaka, I am the soil and the trees and everything that matters in this universe, I am a closed fist lifted in a rally where mercy has intersected rage, resulting in non-violence.
The only violence that is accepted is that which vehemently opposes the status quo that my people are not good enough. That is what was meant when he told me to decolonize my mind.
“ You will be villianized in your pursuit for emancipation because the margin of melanin present in our people will always render you a slave so choose now what you will subscribe to. “ and I made a decision, standing upon the raw backs of my ancestors- I chose a discarded truth and the truth is this-  I am art. We, are art and art cannot be subjugated or castrated by a close minded agenda, set by people who have never bothered to understand you nor will they ever begin to.
I am  a poem that breathes and speaks and therefor has no choice but to be remembered. I will be etched into the minds of people who would rather forget me. I will be written down in history books next to men who would rather deny my existence.
In that moment, in my epiphany, I began to wade barefoot through my soul. I began to find pieces of myself I didn’t know where lost – and is that not courage in itself? Finding the corpse of your soul, buried beneath a cruel, mercilessly pale agenda?
          
Is speaking the truth not brave?
So I set down the straightener, and began to live.

You are a Woman of Iron,
Composed of high expectations,
Forged with strong morals.
Quenched by the coldness of the world.

Your determination stands firm against all challenges.
Victories are graciously and easily surrendered to you.
Energetic and effective action.
All around you, people take notice.

Your are a Woman of Silk,
Your feminine form, undeniably ****.
Your sweet odor is of respect and admiration.
Your skin, amazingly smooth & firm.
Your sensal lips draw me closer.
Your smile, beautifuly contagious, brightens all the day.
Your blue-gray eyes, sparkle of happiness and captures my soul

Your sassy auburn hair, thick and shinney,
bounces and flows as you graciously move about.
Your voice is soothing, it sings to my heart.
Your laughter, lifts my spirits,

A perfect combination, you are...
A woman of Iron & Silk!

People write down New Year resolutions in a variety of categories like health, happiness, family and so on. I think beauty deserves a spot on that list too.

It’s my job to be beauty obsessed and I love it, but there are always areas of improvement for me, and maybe for you too. I think there are a few things we all need to do more of this new year. Some of them are things that you have heard me say over and over again (and yes, i’m not going to stop), and some you’re hearing for the first time.

But a new year should bring ideas, practices and habits that will make you who you want to be. Here are my (and some of your) New Year beauty resolutions for 2016.

1. Wear Sunscreen Every Single Day

I’m pretty good with this because I never leave my house without sunscreen on my face.

I use it underneath my makeup and then use my primer on top. I’m great with applying SPF on my face and all over, especially if I plan to spend long hours under the sun. But one thing I know needs improvement is being more aware of my neck, chest, hands and other areas that one might forget.

If this resolution needs to be on your list, I would suggest you apply sunscreen all year round. It is also important to add an extra coat of sunscreen on your hands when getting a gel manicure because of the UV lights often used to dry the nails.

2. Washing My Makeup Brushes

Speaking of brushes, I’ll like to mention their somewhat high maintenance nature. If you don’t wash your brushes regularly, not only are you leaving them open to bacteria, which leads to possibly breakouts, it also means that your brushes won’t pick up pigment and work as well as it should. I know, washing your brushes seems like an huge task, but if you use a brush cleaner, it is much easier and faster.

Personally, I’m going to set aside a specific time – Sunday afternoon at 2PM to do this chore every week. This will give my brushes enough time to dry properly before the start of the week. To help you remember every week, you can set a reminder on your phone.

3. Being More Adventurous with Makeup (and hairstyles)

It’s so easy to get into a makeup routine, but people like MakeupShyla do a great job of switching it up. Celebs on Instagram are a great inspiration for trying new things, gold eye shadow, bold red lips and more. Amrezy always mixes it up; glossy lips, matte, dark lips, Coloured eyeliner she isn’t afraid to try it out.

And why should she be? It’s makeup she can wash it off! We should all be more out there with out makeup looks and try out new looks. Bold red lips, more shimmer, cut crease eyeshadow – the beauty world is your oyster.

4. Book in for Regular Facials

Looking after your skin is a bit like looking after your teeth. While you may brush and floss regularly, you still need to see the dentist for a deep clean and check up.

I have a fantastic ****** routine and really good products I use on my skin, and even though this might seem enough, it just isn’t. I know that times are tough in this economy and it’s undeniably smart to cut back on extraneous purchases. However, here is my opinion on why a monthly ****** is a good investment.

Your skin is always on display and often has the power to dictate how good we feel about ourselves. Investing in proper skincare has a value that can be arguably more important than buying a new dress or going out to a fancy restaurant or even taking an expensive vacation (a ****** is a mini-vacation).

A ****** will cleanse the pores on a much deeper level, extractions/cleaning out the pores can help to maintain clear skin, stop acne formation, as well as help to change the pore’s size. Often times left unchecked, pores can start to stretch and widen with the accumulation of oil and dirt. So I have decided to get a ****** monthly, and I think it wouldn’t hurt if you did too.

5. Using Hair and Skin Masks

Hair and skin masks are fun to use and make a huge difference for soft, shiny hair and clear skin. I really love the dead sea mud mask from Pure Body Naturals at the moment. I love the way my skin feels after I use it – it’s simply amazing.

And I also love the Cantu hair masque – it leaves my hair moisturized and soft. I think I would use this once a month going forward, and also apply a facemask once a week at a time that’s perfect for me.

6. Take Care of My Natural Nails

As ridiculous as it sounds, a manicure is one of the first things people will notice about your appearance, especially if you work in an office.

For a while I have been using nail extensions and acrylics. While it looks beautiful, it also makes my nails underneath very soft. I would like to take a break from nail extensions and grow my own nails. Strong, long and healthy! This is also something you can adopt, your nails need the TLC.

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-brisbane

Like everything in this world wounds
Around the thought of us,
Whether pain and touch, or just
Sweet serendipitous moments we shared.

All will be stored inside my little mind,
Never will it be erased, and I know troubles will come but never will
Denying you, my love, be in my vocabulary.

Like all the stars, in rainbow colours hidden
Under and over thousands of horizons meeting
Seemed nothing, beside you, dear, I will forever feel
H**eavenly around our intertwined bodies, and kisses.

In Hebrew, her name means devoted to God
She was consecrated,
An oath to God
But she never fulfilled her purpose, for she went astray
Endless and countless sins, undeniably a sinner
Living not according to the Almighty's will, but
Living according to her choice, so
Expect her to be, both good and bad


Imperfect she is, but it is what makes her human
Special, she may not be, but still out of the ordinary


Many times she was lost
Yet, still managed to be found


Not wanting to be astray, again she trusted the invisible hand
Afraid of what might she become, again she started to pray
Miserably she asked for His guidance,
E*nlightened, her faith restored, and now trying to serve her purpose

A dream catcher is the key to the soul,
Keeping away bad thoughts before you go to bed,
Having them in him for ever and ever,
So the bad thoughts can't come back to your head.

His own beauty compares nothing to me,
With his entire silent stillness and grace,
Keeping away all mt bad memories hidden to my sight,
Having my dreams keep their pace.

He has his own spirit far inside it,
Placing away old bruises and cries,
Scooping them away like cool earth dirt,
Carrying them away from my eyes.

He can't ever succeed another thing,
Attempting to keep my innocence pure,
He can show me subconscience from reality,
He helps me keep my awareness sure.

His own feathers are wild, curly, brown,
While the beads are his khaki green eyes,
He understands my abuse at a young age,
Makes me face my demons and say good bye.

His web to catch them are his hands,
Big, steady, undeniably warm,
Covering half the area of my back,
While I breath in his chest and hide from harm.

He knows he can leave, but he doesn't,
He's a nightingal, my children and I are his songs to sing,
Deeply breathing, protecting me all night,
He wears the other matching ring.

Days pass, my love, and I'm afraid of t'ese feelings,
Which at first startled and surprised me,
Solidified but threatened me,
Hastened my heartbeat-and lingered stubbornly, at my wit.

I was treading down in my stilettos;
And all, today, had been silent hitherto-
Whenst I but caught about thee;
More charming than the breezy day itself, and more free.

Ah, thee! How I longest to silence thee forever,
Thee to whom delights my shelter;
Thee to whom every lie shalt be truth,
and to whom all dreary ages shalt be youth.

How I longest to ****** thee;
to strangle and behead thee,
so that thou shalt no more haunt me-
just like these feelings that twitch, and dazzle me-
forever and ever; like a bewitching, yet sadistic misery.

Shalt I hate them, my love?
Shalt I depict but mock all them?
Ah, tease me-o, tease me, my love!
Catch me about those rippling grass,
Which like a bucket of green water,
Bloom and flirt with the startled bush in mass,
before autumn greets, and their brightness shalt alter.

Alter to falseness, and die in paleness;
Before they scramble up again in vain,
And retreat to my dreams like a dizzy villain;
In a wail of discord, and its lake of cold madness.

Ah! They hate me! And whenst thou seest not,
They seethe at me, they floweth in my brain;
they corrupt me vilely, and ruineth my restraint;
And my loving heart shalt they never defend,
for instead of hate, they grant it love;
and tempt it to kiss-t'is tiny heirloom of mine-
of thy picture, all repeatedly; over and over again.

Ah, thee, to whom my heart shalt only be a burden;
to whom the bleakest of winds only bounces, and goes;
to whom that this earth seems to have no throes-
Just like all those ****** birds who chirp about in yon garden.

Oh, thee, who looketh pristine in whichever garment,
and looketh still a darling atop whatever mute soil,
but safely comeliest amongst t'is Thursday night's infallible moonlight;
and altogether stirring to every glance-whilst inviting to each lurking sight.

Ah, thee, whose heart still, that lucky lady possesses,
and whose smiles she salutes and gladly welcomes;
I wonder whether thou shalt ever know how my heart is obsessed-
and that how thy love for her is my karma, my devil,
and the most undesirable-yet resentful, total sham!
Oh, for the gracious is ungracious indeed, in her eyes,
and peace is but to her a mere tempest of fights;
for to her, immortal are her shallow rights,
And eternal are her breaths, and thus, her tidiest lies.
I hope she shalt be soon swallowed into this earth,
and bludgeoned to death, within its eternal, whining hearth.
She shalt be sent to Hell, for all her discordant sins,
poor creature, as poor she was, whenst alive-to her kin.
But still poorer, poorer me who adoreth thee like this,
Who forever longs to taste thy sweet breaths-and kisses,
I am like an infant who seeks to walk and drink of the stars;
Without knowing the sky is indeed boundless, and strenuously far.
I am who never grows, but stupidly screams, and urges for the most
I, myself, who shall always be strangely desolate, and lost.
Ah, t'is poor self of mine! For canst I only dreamest, and seekest, and whine
Whilst her hair is in thy arms, smelling like sweet-and dreamless sleep,
Buried deep in thy charms, with her heart engaged in thine,
And unawakened by the night, as to one delight so deep.
I am envious, envious, envious-and for thy know, t'is envy is perilous,
and should I die, my spirit wouldst remain awake, and forever curious.
I shalt be wand'ring voicelessly like a fishy ghost,
Be unseen foliage in autumn, and be winter's plodded frost,
I shalt be confined in my own confinement,
and flustered away, in my own unblessed, refinement.

Yet still, nothing is more stately than my feelings;
and this picture of thee-ah, as always, solemn and so honoured in my arms.
Ah, thee, let me invite thee here-and show thee how tears are in fact, the truest charms;
and how pains are undeniably our breath-though faked, and dried away-
by unceremonious adoration and hate-
but still alive like we are, among th' very livings.

Ah, and so my feelings are dangerous-
for they have no soul; are bound not by wings.
As thou smileth to me-they smile not, but groweth serious-
and their seriousness, in return, bringst not one single uttering.
My thee, my thee, but if thou art not my fate,
how couldst I call thee always, my salvation?
In my heart thou art not merely my mate;
thou art worth all my warmth, regrets, and thus holiest temptation.
How am I to procure advancements, my sweet lad-
Should we hath been 'lone, had we never met?

With thee I hath been in love,
and for whom my feelings are tough.
Still I believe loyalty is in thee,
and honour in me-is whenst I loveth thee only.
My thee!
O-my thee, by whom these long-living trepidations
shalt no more be meaningful,
as how all other's admirations
shalt become unfelt, and sorrowful.

Feelings, feelings, o my incarcerated feelings
My tears are thy soul; that shape and form thy whole
To live and love whilst these flames are strong,
to whose lips only, I am insane-but clearly belong.

The city takes your soul block by block
While you sit on the curb in mismatched socks
Trying to retain your extremely weak but steadfast streak of being unique
Cities aren't 24-hour Christmas
The trick is to remain ambitious
Hands in your lap
No eye contact
Going tap tap tap on your Citizens app
While discreetly doodling a Sharpie spaceship on the subway seat
Hitting the street
With sick beats in your feet
Cuz thoughts of quotas and quarters won't quell a quintessential quest
To push the city to its limits and try your very best
To keep biting your nails behind elevator doors
Cuz no chewed-up hands are exactly like yours
A balancing act
Trying not to get trapped
Or smothered by facts
But undeniably
I love what's inside of me
My heart keeps me alive
But what I love makes me live
The city takes my soul
But I've got soul to give.

Balance.  What a charged and pregnant word.

Balance.  Common in our daily vernacular
but void of it's innate and innermost meaning

Balance - what do you see?
The Golden scales of antiquity?

What a dichotomous lie
For Balance is multi-planar, multi-dimensional
Multitudes of exponential, fractal-like branches
Hanging from the largest trunk of the largest tree with the largest network of life-providing roots spreading in all directions at once like a wild-fire with unlimited fuel

Balance.  It's perfectly symmetrical reflection
Only distorted by the waters of our perception
Thrives and simultaneously strives for connection
Connection to the mirrors of eternity
The pristine, naked, flesh-covered bodies of pure vulnerability, set free to explore this spherical dream

Balance is a friend, but left unseen, reaching for our touch without so much of a glance towards it's arduous efforts to bond with the deep dwelling dreams of Souls,
Balance can be distorted, as the tree is, in the ripples of our confused and distracted minds.

Crack!  A branch breaks.
Balance falters, catches itself and picks up its severed limb - a sacrifice, for the greater good.  The only good.

Crack!  Another branch breaks.
Balance steps to redistribute it's misaligned weight
A sacrifice, for the greater good.  The only good.

A fitting mantra.

Crack!  Crack!  Crack!  Branches breaking back to back
Plummeting to the cold hard ground.
This sudden decay is too much to handle
The limbs of this great tree, the greatest amongst all cannot regrow at the speed at which the others wither

Ironically, balance is now imbalanced

Shaking, desperately grasping the ground with its roots  to stay upright, at the very least, to remain present, persistent, possible, but, most importantly, present
Present for those vulnerable naked bodies to one day glance past their distorted waters and into the depths of what truly is...

A force, so strong, so humble, so forgiving reaching out through it's remaining, fatigue-strewn branches in a dire need to make contact with the branches of our mortality

When branches unite, as they shall, as they always do from time to time,
Imbalance is washed away as waves wash the shore
And Balance emerges from the distorted waters, now retreating, pulled by the tide of self-awareness

Perfectly, our fingers fill the gaps of our grief-stricken but eternally determined ally and meet with it's tender stumps, the necessary wounds of time
A fusion of worlds meld the two together in a forge as hot as the sun but as nourishing as a mother's touch

Balance, in all it's glory, sewn to us through the channels of our consciousness is now, truly, and undeniably,

Balanced.


- Brian Patrick Williams
11/13/2013

Hold the universe inside my palms
I alone understand it is but a solitary dream
Between stars I make out memories
Connecting dots, forming images ingrained in my mind

I look in the unfilled depths of sky where suns have yet to burn out, remaining eternally preserved in an explosion of beauty lightyears away wondering about humans peering at their ambience through time and space

This isolated reflection I witness change in compliance with the predetermined path set in motion by the astrological forces of nature
Unstable
My hands must be trembling
Scared of sorrow and frustration they undeniably confront

The fear of the uncertain, the inconsistency of the unapologetic future awaiting
Solemn visions of an imperfect outcome, enough torment to push strength a bit too far over the edge

Fragile balance of peace and chaos resting within cupped desperate hands
Ignorant, the quickness of extinction among synapses in the cavern lighting the entirety of my skull
Pinned under familiar self-induced delusions
Galaxies silently begging for permanent freedom
Such fate to let their wishes dangle ignored
Urges within bursting, released
That moment I also give in
Forcefully close my fingers into a fist
Instantly crushing wild constellations scattered around my consciousness
A great deal more fragile than realized

Once unshakable destiny budged a millimeter by one lone act of rebellion
Against a powerful pull the majority pretend is rigid
Elusive control by way of self-combustion of life's temporary illusions
Proof one touch can fell worlds of fantasy

Founded on fiction

Or maybe

Reality

It burns. So deathly excruciating.

It's like a never-ending, heart wrenching feeling, that separates all other emotions, all other pains, and all other scars apart.

That feeling of regret and fallen memories, colliding with each other and dragging you down so low that Hell appears to be Heaven.

Why? Why after so many years?

After so many others have managed to steal my heart, even if it was just for a moment.

Why? Even though I know those days are over, that they could never begin again, that there will always be a broken link and I will always shatter, fall, and crumble once more.

Why are these emotions still here? Why do they linger like a black cloud, suffocating me and chaining me down like a wild animal?

I know that you are only a memory, so then why are you still here?

Why do I think about you, dream about you?

Why even though I know all of your flaws and your undeniably inexcusable actions do I grip at my heart and say "I still love you"?

Even though time after time I have told myself the very opposite.

Time and time again I have banished you from my life and yet hoped there was still a chapter left of this dark story.

Why after so many countless times where I have been defeated by you, where I have fallen once more for the ****** games you play,
twisting your black fingers around my spine and seeing how far you can go until it breaks?

Why do my forsaken eyes mistake you as an angel, when you are the devil himself?

Must I continue to have hope, wishing that I could try again, even though I know you're going to once more watch as I lose all sight of the truth?

Sinister and vile as you are, relish in my delusional state, knowing you have me in your claws which scrape at my back and leave scars that not even God could heal.

Do you even know how disgusting, how sickening and maddening it feels to know that you can't even see the pain you have inflicted on me? Sure you can see the bandages, but are you really that blind to the truth of their nature?

How deep these scars truly run? How badly and desperately I screamed and begged for help inside as you dug your claws into my flesh and carved them out yourself?

Can you not see the depression, the hopeless battered soul seeping through my eyes?

I pretend I am strong. I live every day breaking at the cracks and somehow manage not to collapse into a pile of broken pieces.

Tears are dried out and the ache of a heart that has been stomped on so severely that it bleeds gray is only a small burden compared to all of the rest.

I walk on a path where there is a light just in reach, but the path vanishes once you have come close enough to that hopeful light that you can brush it with the tips of your fingers.

Do you have any idea what it feels like to look in the mirror and have to remind yourself every single day that you were never good enough?

That you are a wasted canvas, painted beautifully at first but then crumpled and thrown out because you never had a chance at being satisfactory.

You will never understand that my own emotions are poisoning me.

You have grabbed at my throat and shaken me so violently that I am unable to move, paralyzed in shame. Paralyzed in sorrow.

And yet, as I look into your eyes, I am mesmerized by your face, I fall into a trace, trapped in your spell. Trapped in this deadly cycle.

You have dragged me down into this pitiful thing. This choking, lifeless relationship where I struggle to stay alive while you climb higher on your pedestal.

And despite my previous errors, I willingly fall into your hands. Blinded by the false light you shine above your head.

dainty
dashing
deep
delectable

----

delicate
decisive
dear
devoted

----

dreaming
darling
dauntless
deniable

----

d­edicated
diehard

There we sit beneath the cherry blossom tree,
You were there, talking to me.
The silence, hearing the trees whispering.
We were spending all afternoon laughing.
I just wonder and I wanted to ask,
“Would I belong to you soon?”
“Would I ever have you?”
I wanted you to know and hear.
My heart brings off with no fear.
I wanted the way we used to be changed,
Not like how we are right now.
I wanted something  more if you allow.
Talk to my eyes, do you want it too?
The voices, I heard them in my head.
Talking to myself, forgetting the road ahead.
Every way I take, it leads me back to you.
Your smiles and the way you move are my sunshine.
Being with you makes me feel better than fine.
I forgot how the rain used to cover me.
I was never meant to leave you recklessly.
Until one day, I heard through the grapevines.
I was looking and hoping for a sign.
Fright drove my heartbeat swifter than the time I trusted you.
Why was I not given a cue?
Was I asleep when you told me?
Was I wishing you dreamingly?
Was I looking forward to the future
Of you caring and embracing me back?
You loved someone you believed,
You said she is undeniably stunning...
But, you did not have a chance to know her.
I had the time of loving you, it felt great.
I wondered, “Why did you refuse?”
Still, it was just right to forget right away.
Someday, the colours would slowly fade
Into a beautiful shade of gray.
The wretchedness would be an enduring mark...
To rather let the mark be the end of the world...
Or to look up to the shining sun and restart?
Someday, I would learn to love someone better.
Someday, I would be laughing at myself and say,
“What was the real reason why I loved you?”
Cause all I can think of was your foolishness.
I could have been dumb when I had you.
I used to laugh to our one-liners before.
We were just young naive kids.
(Now, I learned.....)
I was better off giggling with myself.
I was better off being with my friends.
I used to remember that tree,
It was where we used to sit.
Do you remember it too?
I know you had forgotten.
If you ever regret, do not return.
‘Cause you might be hanging your head the next time.
But you had been right, always right.
“Let go of the beautiful memory
When we used to sit beneath the cherry blossom tree.”

all poems write themselves, following plans that are drawn only
as the poem goes along, neither leading or following, but
carrying the writer along as first violin, a VIP passenger,
the first viewer, a consultant but not a conductor

a poem is written based on what has happened
a poem is written based on what was hoped to happen
a poem was written based on what could never happen
but is so well imagined that it is more real than if it happened

I willingly tell you I will not tell you which is what, for there is no difference between them for the writer, the first passenger,
though undeniably fully aware of the quality of the ware
that is proffered, plottered or just perchanced

perhaps you are thinking, but of course,
this is the way,
the way of all of us,
the way it has and will be and no
disclaimer needed for no believable claims are made

perhaps
for the weave is oft tight, tight as near-truth, and so well imagined, it wraps the first passenger in a cloak of skin
that actually feels, though cloaks cannot feel,
but belief is easily eased

there are no lines or lies in my writings
there are no definitions and
perception is only your truth


Therefore,
my poems are splats and drips.
you make them into paintings that hang
in your own private museum
but authenticated by me as
first viewer,

3/13/18
1:09am

A futile battle enmeshed
Overpowering emotions struggle to stay afloat
Heaving a deep breath I sink in
Isolated in my despair
Sliced through bone and marrow
Pain wrenches my soul, vice in its hold

A fragrance wafts in
Electrifying my soul
Reverberating memories explode
Bursting to surface
Tender moments, the story of a heaped up soul

In every cell of my being I feel you
Emanating exuding your deep truth
Your touch like butterflies
Transcendental your love
Rewinding reel by reel
The story of an unsaid love

I see you close, though I bear you not
My heart lost inside your soul
Irreplaceable the magic
Weaved by those deep emerald embers
Wants each moment to unfold

I ease back and surrender once again
To the assurance of this bliss
Entrenched deeply in this moment
Serenity shrouds a warm blanket
Intense emotions lay calm, spent
My soul in glorious serenity elevates
You are undeniably a part of me
My paragon, my serenity
Issue forth bright light, vibrant colors
Adorn the deep dark night sky
Your love a painting a million hues
Panoramic and divine.

I LOVE YOU....

Everybody in Russia loves Vladimir Putin.
In the years since he muscled his way to the top of the tree, he has established himself as the Champion of all Russia!

In the degradation following the collapse of the USSR, national pride in Russia spiralled down to an all-time low, there was little to be proud of. The satellite nations fled to independence abandoning the Rodina,  Agricultural and industrial production fell dramatically, law and order diminished dangerously. The economy shrank and the order of success in business depended largely on connection with Government and/or the Mafia. The Oligarchs became monstrously rich, the average Ivan monstrously poor. Life savings were rendered worthless overnight by the plummet of the value of the rouble. Russian society polarised from the ecstatically happy, filthy rich to the chronically unhappy, beggared poor.

Russian leadership staggered from Gorbechev’s democratisation through Yeltsin’s alcoholism to Andropov’s sudden death…. enter the fray Vladimir Putin.

Putin tightened the reins.
He organised regular payment of wages and salaries to the movers and shakers, the police and the military.
He changed the rules of doing business within the nation and made investment opportunities within Russia available to outside interests.
He took charge and commandeered discipline within the ranks of central Government.
He set about correctional treatment for the terrorists/freedom fighters in the Chechen Republic and elsewhere.
He raised the expectations of the common man and gave the people an element of promise for Russia’s tomorrow.
He invaded and took back the Crimea as legitimate Russian sovereignty.
He garnered the roaring support of the six million ethnic Russians domiciled in the Eastern region of the Ukraine.

Putin now stands, bare chested, astride Russia. He faces a hostile but cowed West with pale, blazing eyes and a ******* bulge in his trousers.
He is widely idolised by Russian women and admired by Russian men. He is their champion; he is believed to be their key to the future.
His nation is currently under severe trade embargo and economic sanction by Europe and the West which is hurting the strained economy right across the board.
The declining price of oil is adversely affecting Siberian oil profits and making further shale oil exploration uneconomic.
He enjoys hugely profitable Siberian natural gas pipeline sales to the Southern neighbour, China, but they watch the unfolding political landscape with careful, calculating tiger eyes.
Putin is regarded by Europe and the West as an unpredictable, serious threat who should not be unduly provoked.
Undeniably, the West, in their sour lipped manner, would be happy to see him and his Russian bear, fade quietly and permanently into the obscurity of the frozen wilds of the far Siberian tundra.

But if Vladimir Putin plays his cards well, he could actually bring the Rodina all of the benefits, glory and rewards that it seeks.
However, should he overplay his hand here, he may well crash and burn….and in doing so, could bring Russia’s dreams and aspirations crashing down with him.

Marshalg
Auckland
15 November 2014

I carry your laugh with me for miles.
I carry it through space and time itself.
It’s perched on my shoulders,
    comfortable,
    tranquil,
      ­  and seemingly perfect.
It makes me feel alive,
looping around my ears to hang like antique earrings
and following me everywhere I go.
Your laughter reminds me of a child
who has just gone to Disneyland
and cannot fathom all the joy and wonder surrounding him.

I carry your laugh with me for miles.
I carry it through space and time itself.
It’s balanced on my head,
                                                           ­                             leisurely,
                         ­                                                  calming,      
                                     and undeniably faultless.

She can be dangerous
She can be mean

She can be perfectly polished; pristine.

She can go overboard
She can be sad

She can also become undeniably mad.