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Suresh Gupta Mar 2019
WHO AND WHAT .......
03/28/2019


THAT WE EXIST IN A PHYSICAL STATE IS UNDENIABLE
THAT OUR PHYSICAL STATE IS VALIDATED BY OTHERS IS UNDENIABLE,
THAT OUR PHYSICAL STATE IS TEMPORARY IS UNDENIABLE
THAT WE EXIST IN THE VOID AND VACUUM OF SPACE AND TIME IS UNDENIABLE
THAT ALL ENERGY/MATTER IS IN PERPETUAL FLUID MOTION IS UNDENIABLE
PERCEPTION IS UNDENIABLE
OUR IGNORANCE TO FULLY COMPREHEND PERCEPTION IS UNDENIABLE


OUR SINGULARITY (INDIVIDUALITY) IS UNDENIABLE
UNDENIABLE..........UNDENIABLE.......... UNDENIABLE
EXISTENCE OF NON-EXISTENCE IS UNDENIABLE
Nick Durbin Sep 2012
The undeniable sense of presence, seen through the realms of deception...
Amidst the very capillaries strung infinitesimally throughout our bodies...
Overwhelming at times, the very concept cripples our thoughts,
Circling us back to seemingly endless questions -
Endless roads without a point of reference,
Leaving us standing in a dark crowded space searching for the unreachable light...
Yet, the meaning behind the unseen presence forces the deluded mind to forge on -
Stretching our morbid ideals even further...
Leaving us the inhibited beings we possess...
Still concluding at plebeian answers -
Fitting, yet discouraging...
The common capacity of our restraining thought process, leaves us almost hopeless to accumulate the information needed to fulfill our determining destination...
But it is that feeling,
That inkling sensation of the undeniable presence that keeps us searching -
That gives us hope...
And in that minute innovative state we dwell on what could be...
The Truth Dec 2013
You're the sweetest person I’ve ever met and I’ve only known you for a short while.
Nothing like a carefree person (which you are) to make me blow away.
I admire you...only a child who’s smarter than he looks
My undeniable love for you can’t ever be enough
When were hand in hand I smile and so do you
I cant find a bigger, stronger word to say how much I love you
And though  your small now, you’ll get bigger soon
My darling child, just want you to know my undeniable love
Is how much I care for you.

Your brown skin is way to soft
And I’m sure those girls will target you
When you smile, the worlds happy
And when you frown it makes me wanna cry
I still haven’t found the right words...not yet
Still haven’t found the right feeling...not yet
Still haven’t found the right hugs to give you...not just yet
But I know I've found the love for you when I held you in my arms
I was scared because you were fragile
Because you were small
Because you were precious...more precious than the stars
And since your growing now I just want you to know
I love you .


Dedicated to: Jacob
Aaron LaLux Aug 2016
Fisherman’s Bastion

Hey,

how have you been?

I know,
some time times can be tough,
but remember,
nothing’s permanent this too shall pass,

we are only an idea of our own imagination,

and I don’t know if that makes things better or worse,
but then again maybe there is no such thing as better or worse,
and maybe that’s the truth,
and maybe the truth is that sometimes the truth hurts…

Hey,

how have you been?

Tell me,
are you enjoying this miracle called life,
in this body,
that you’re currently in?

I’m not sure you fully heard the question because I don’t know if you were listening,
so at the risk of being repetitive I’m going to ask it again,

“Hey how have you been,
are you enjoying this miracle called life in this body that you’re currently in?”

And yeah I know you’re confused and think you might be a lesbian,
or maybe an asexual extra-terrestrial multi-dimensional alien,
but hey that’s okay all the world’s a stage and we are all thespians,
oddity prodigies isn’t it ironic how sometimes the poison is the medicine,

I’m not sure you heard the reference because I don’t know if you were listening,
so at the risk of being repetitive I’m going to say it again,

“All the world’s a stage and we are all thespians,
oddity prodigies isn’t it ironic how sometimes the poison is the medicine.”

Hey,

how have you been?

I thought about you today,
all day actually,

all the way from Budapest Castle,
through the Labyrinth to Matthias Church,
where I drank water from the fountain,
to quench my reoccurring thirst,

I thought about you today,
from the thermal baths at Lukacs,
to right here where I’m writing this,
back to the Basilica on the Turrets of the Fisherman’s Bastion,

actually I have a question if you don’t mind me asking,

hey,

how have you been?

It seems what I’ve received from atop the turrets contemplating,
is that my attraction towards you is both affection and indifference,
affliction and obsession and independence and addiction,
and possession and freedom and acceptance and rejection,

wait a second it’s actually also the most beautiful creation in all of creation

it is we are the self manifestation of perfection from chaos and misdirection,

oh my look now to the sky is where we are headin’,

and things are going so fast now I think it’s about time I check in,

hey,

how have you been?

You still give me the chills like the hottest Sun mixed with the coldest Wind,
which also describes the highest highs both literally and figuratively that I find myself in,
because what I write is the result of insight from the Most High inside that I then let out with my pen,
and also it seems where I write these lines it’s usually from places high in the sky it can’t all be a coincidence,

this feels all too real to try and even begin to attempt to pretend,
confident and confused at the same time like wanting to make love with your best friend,

When,
will we be able to make love unconditionally without any preconditions,
when can we just be without wanting to do,
like being at a Basilica in the petition position but not needing to be on a mission,

can we please just land on foreign land for the sake of seeking refuge from stormy seas or simply to stop from drifting?

When will we be able to just be without all the questioning and invasive investigations,
I mean seriously these people these days ask so many questions it’s beginning to feel like an inquisition,

made a few more references there could you please write back and let me know when you get them?

Let me know when,
you stop fishing,
because I already know who I want,
and of course I’ve only got one question,

hey,

how have you been?

Listen,

I’m tired you’re hired please love my rebellious heart into submission,

and I guess that’s what I’ve been trying to say the whole time but I got lost in all the added adjective descriptions,

caught up in the moment as the sun set’s over the Danube river,
casting this beautiful city of Budapest in a golden glow that ripples and glistens,
and I realize just how unbelievably beautiful this whole globe is,
but honestly the whole world is only half as beautiful when i find you missin’,

see you seem so far away when you’re anywhere but here…

Here,

where I watch tourist take selfies as lovers give kisses,
from atop the turrets of Fisherman’s Bastion,
staring over the edge fighting back the undeniable urge to plummet into the abyss,
and I’m wondering if you feel the same undeniable way and that is why one last time I’m asking,

hey,

how have you been?

∆ Aaron LA Lux ∆





Fisherman’s Bastion

Hey,

how have you been?

I know,
some time times can be tough,
but remember,
nothing’s permanent this too shall pass,

we are only an idea of our own imagination,

and I don’t know if that makes things better or worse,
but then again maybe there is no such thing as better or worse,
and maybe that’s the truth,
and maybe the truth is that sometimes the truth hurts…

Hey,

how have you been?

Tell me,
are you enjoying this miracle called life,
in this body,
that you’re currently in?

I’m not sure you fully heard the question because I don’t know if you were listening,
so at the risk of being repetitive I’m going to ask it again,

“Hey how have you been,
are you enjoying this miracle called life in this body that you’re currently in?”

And yeah I know you’re confused and think you might be a lesbian,
or maybe an asexual extra-terrestrial multi-dimensional alien,
but hey that’s okay all the world’s a stage and we are all thespians,
oddity prodigies isn’t it ironic how sometimes the poison is the medicine,

I’m not sure you heard the reference because I don’t know if you were listening,
so at the risk of being repetitive I’m going to say it again,

“All the world’s a stage and we are all thespians,
oddity prodigies isn’t it ironic how sometimes the poison is the medicine.”

Hey,

how have you been?

I thought about you today,
all day actually,

all the way from Budapest Castle,
through the Labyrinth to Matthias Church,
where I drank water from the fountain,
to quench my reoccurring thirst,

I thought about you today,
from the thermal baths at Lukacs,
to right here where I’m writing this,
back to the Basilica on the Turrets of the Fisherman’s Bastion,

actually I have a question if you don’t mind me asking,

hey,

how have you been?

It seems what I’ve received from atop the turrets contemplating,
is that my attraction towards you is both affection and indifference,
affliction and obsession and independence and addiction,
and possession and freedom and acceptance and rejection,

wait a second it’s actually also the most beautiful creation in all of creation

it is we are the self manifestation of perfection from chaos and misdirection,

oh my look now to the sky is where we are headin’,

and things are going so fast now I think it’s about time I check in,

hey,

how have you been?

You still give me the chills like the hottest Sun mixed with the coldest Wind,
which also describes the highest highs both literally and figuratively that I find myself in,
because what I write is the result of insight from the Most High inside that I then let out with my pen,
and also it seems where I write these lines it’s usually from places high in the sky it can’t all be a coincidence,

this feels all too real to try and even begin to attempt to pretend,
confident and confused at the same time like wanting to make love with your best friend,

When,
will we be able to make love unconditionally without any preconditions,
when can we just be without wanting to do,
like being at a Basilica in the petition position but not needing to be on a mission,

can we please just land on foreign land for the sake of seeking refuge from stormy seas or simply to stop from drifting?

When will we be able to just be without all the questioning and invasive investigations,
I mean seriously these people these days ask so many questions it’s beginning to feel like an inquisition,

made a few more references there could you please write back and let me know when you get them?

Let me know when,
you stop fishing,
because I already know who I want,
and of course I’ve only got one question,

hey,

how have you been?

Listen,

I’m tired you’re hired please love my rebellious heart into submission,

and I guess that’s what I’ve been trying to say the whole time but I got lost in all the added adjective descriptions,

caught up in the moment as the sun set’s over the Danube river,
casting this beautiful city of Budapest in a golden glow that ripples and glistens,
and I realize just how unbelievably beautiful this whole globe is,
but honestly the whole world is only half as beautiful when i find you missin’,

see you seem so far away when you’re anywhere but here…

Here,

where I watch tourist take selfies as lovers give kisses,
from atop the turrets of Fisherman’s Bastion,
staring over the edge fighting back the undeniable urge to plummet into the abyss,
and I’m wondering if you feel the same undeniable way and that is why one last time I’m asking,

hey,

how have you been?

∆ Aaron LA Lux ∆
Renae Feb 2014
Undeniable
It's undeniable the intricate design
The beauty of
The complexity
Take for instance the honey bee
Seemingly irrelevant yet
Invaluable to humankind
or have you noticed the water cycle?
Could you duplicate the impossible?
The perfection of creation
It's undeniable
I'm so sick of people giving perfect creation the evolution title. If you created something, would you want the credit? How would you feel if people gave credit to any or everything else but you?
“The Silicon Tower of Babel”
The over utilization of technology, its abuse, is unweaving humanity at the seams. Human health, sanity, and spirituality are under attack. The boom of accessibility over technology has increasingly subtracted from the frequency of face to face human interaction as well as human interaction with nature. The result is a declining emotional and psychological health and a ******* of spiritual values. Each individual who values holistic health should limit the time he or she spends using technology that isolates them to less than twenty-four hours in a week. They should make more purposeful efforts toward interacting with nature daily and for periods of at least an hour at a time. Lastly, these individuals should labor to replace reclusive technologies with modes of technology that encourage face to face and group social interaction such as movies, Skype, etc.
Self-limitation of the use of isolating technology will begin to correct the twisting of our spiritual values and the social and physiological damage that has been caused by the overuse and abuse of technology. In James T. Bradley’s review of Joel Garreau’s book discussion of radical evolution, called “Odysseans of the twenty first century”, Bradley quotes Garreau when he says that technology will result in human transcendence. In “Odysseans” it is said that “The nature of transcendence will depend upon the character of that which is being transcended—that is, human nature.”  James. T Bradley, scholar and author of this peer reviewed journal says that “When we’re talking about transhumanism, we’re talking about transcending human nature. . .  One notion of transcendence is that you touch the face of God. Another version of transcendence is that you become God.”  This is a very blatant ******* of the roles of God and man. When the created believes it can attain the greatness of its creator, and reach excellence and greatness on par with its God, it has completely reversed the essence of spirituality. This results in the ability to justify the “moral evolution of humankind” according to Odysseans. And this “moral evolution” often results in “holy wars”. In “Man in the age of technology” by Umberto Galimberti of Milan, Italy, written for the Journal of Analytical Psychology in 2009, technology is revealed to be “no longer merely a tool for man’s use but the environment in which man undergoes modifications.” Man is no longer using technology. Man is no longer affecting and manipulating technology to subdue our environments. Technology is using, affecting, and manipulating the populace; it is subduing humankind into an altered psychological and spiritual state.
Technology, in a sense, becomes the spirituality or the populace. It replaces nature and the pure, technologically undefiled creation as the medium by which the common man attempts to reach the creator. The common man begins to believe in himself as the effector of his Godliness. Here there is logical disconnect. People come to believe that what they create can connect them to the being that created nature. They put aside nature and forget that it is an extension of the artist that created it. Technology removes man from nature (which would otherwise force an undeniable belief in a creator) and becomes a spiritual bypass. “According to “The Only Way Out Is Through: The Peril of Spiritual Bypass” by Cashwell, Bentley, and Yarborough, in a January 2007 issue of Counseling and Values, a scholarly and peer reviewed psychology journal, “Spiritual bypass occurs when a person attempts to heal psychological wounds at the spiritual level only and avoids the important (albeit often difficult and painful) work at the other levels, including the cognitive, physical, emotional, and interpersonal. When this occurs, spiritual practice is not integrated into the practical realm of the psyche and, as a result, personal development is less sophisticated than the spiritual practice (Welwood, 2000). Although researchers have not yet determined the prevalence of spiritual bypass, it is considered to be a common problem among those pursuing a spiritual path (Cashwell, Myers, & Shurts, 2004; Welwood, 1983). Common problems emerging from spiritual bypass include compulsive goodness, repression of undesirable or painful emotions, spiritual narcissism, extreme external locus of control, spiritual obsession or addiction, blind faith in charismatic leaders, abdication of personal responsibility, and social isolation.”  Reverting back to frequent indulgence in nature can begin to remedy these detrimental spiritual, social, and physiological effects.  If people as individuals would choose to daily spend at least an hour alone in nature, they would be healthier individuals overall.
  Technology is often viewed as social because of its informative qualities, but this is not the case when technologies make the message itself, and not the person behind the message, the focus.  To be information oriented is to forsake or inhibit social interaction.  Overuse of technology is less of an issue to human health if it is being overused in its truly social forms. Truly social forms of technology such as Skype and movies viewed in public and group settings are beneficial to societal and personal health. According to a peer-reviewed study conducted by John B. Nezlek, the amount and quality of one’s social interactions has a direct relationship to how positively one feels about one’s self. Individual happiness is supported by social activity.
Abuse of technology is a problem because it results in spiritual *******.  It points humanity toward believing that it can, by its own power, become like God.  Abuse of technology inclines humanity to believe that human thoughts are just as high as the thoughts of God. It is the silicon equivalent of the Tower of Babel.  It builds humanity up unto itself to become idols. In extreme cases overuse of technology may lead to such megalomania that some of humanity may come to believe that humanity is God.  Technology is a spiritual bypass, a cop-out to dealing with human inability and depravity. The misuse of technology results in emotional and psychological damage. It desensitizes and untethers the mind from the self. It causes identity crises. Corruption of technology from its innately neutral state into something that negatively affects the human race results in hollow social interactions, reclusion, inappropriate social responses, and inability to understand social dynamics efficiently.
It may appear to some that technology cannot be the cause of a large-scale social interrupt because technology is largely social. However, the nature of technology as a whole is primarily two things: It is informational; it is for use of entertainment. Informational technology changes the focus of interaction from the messenger to the message. Entertainment technology is, as a majority, of a reclusive nature.
Readers may be inclined to believe that nature is not foundational to spirituality and has little effect on one’s spiritual journey, it is best to look through history. Religions since the beginning of time have either focused on nature or incorporated nature into their beliefs. Animists believe that everything in nature has a spirit. Native American Indians like the Cherokee believe that nature is to be used but respected. They believe that nature is a gift from the Great Spirit; that earth is the source of life and all life owes respect to the earth. Christians believe that it is the handiwork of God, and a gift, to be subdued and used to support the growth and multiplication, the prosperity and abundance of the human race.
In a society that has lost touch with its natural surroundings it is sure that some believe that nature has little effect on health, as plenty of people live lives surrounded by cities and skyscrapers, never to set foot in a forest or on red clay and claim perfect health. However, even in the states of the least contact possible with nature, nature has an effect on human health. The amount of sunlight one is exposed to is a direct factor in the production of vitamin D. Vitamin D deficiency has been determined to be linked to an increased likelihood of contracting heart disease, and is a dominant factor in the onset of clinical depression. Nature has such a drastic effect on human health that the lack of changing season and sunlight can drive individuals to not only depression, but also suicide. This is demonstrated clearly when Alaska residents, who spend half a year at a time with little to no sunlight demonstrate a rate of suicide and clinical depression diagnoses remarkably higher than the national average.
Dependence on technology is engrained in our society, and to some the proposed solution may not seem feasible. They find the idea of so drastically limiting technology use imposing. They do not feel that they can occupy their time instead with a daily hour of indulgence in nature. For these individuals, try limiting isolating technology use to 72 hours a week, and indulging in nature only three times a week for thirty minutes. Feel free to choose reclusive technology over social technologies sometimes, but do not let technology dominate your life. Make conscious efforts to engage in regular social interactions for extended periods of time instead of playing Skyrim or Minecraft. Watch a movie with your family or Skype your friends. Use technology responsibly.
To remedy the effects of the abuse of technology and the isolations of humanity from nature, individuals should limit their reclusive technology use to 24 hours in a week’s time, indulge in nature for an hour daily, and choose to prefer truly social technologies over reclusive technologies as often as possible. In doing so, individuals will foster their own holistic health. They will build and strengthen face-to-face relationships. They will, untwist, reconstruct and rejuvenate their spirituality. They will be less likely to contract emotional or social disorders and will treat those they may already struggle with.  So seek your own health and wellbeing. Live long and prosper.
Erin Jul 2018
If you’re ever sat alone in the darkest room of your mind remember that there’s a tealight on the windowsill.

Light that candle.

And that little flame of mine will glow so fiercely, emitting undeniable warmth and love,
that will dance around the room like a firefly.
Poetic Artiste Jul 2014
Simple words escape ever so parted lips
Voices of the sweetest seduction
My undeniable weakness
“I want you”
Whispers of the finest intentions

The warmth of your breath brushes across my ear
Fingertips glide down the shapeliest of curves
Caressing jewels
Excitement builds
Moans escape...
Drenched in the sweetest place

Passion
Inhale, Exhale
The deadliest of pleasures
My needs, your wants
All accounting for desperate measures

Start, Stop
Location is no matter
Subtract clothes
Divide legs
I speak in tongues your body loves to hear
Tracing lines in ways you cannot manage to bear

I am the worst of teasers.
Geraldine Taylor Oct 2017
Change

Verse 1
It starts right deep inside of me, a true grasp on identity
The present moment is the place to be, regardless of who's watching me
It’s plain to see, comprehensively, no real gain comes easily
Whether to the left or right of me, time in motion, truly free
To persevere is the truest reward, ride this train be truly on board
This right here to truly afford, come together, one accord
A single mind retrain able, good grades are attainable
Accomplish the impossible, you can be unstoppable
A single step to take, of directions moving on
Keep it moving in forward motion, articulate my song
With an aim of harmony, we can but soldier on
We must create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

There are challenges that are facing me, complex to simplicity
Teams move forward socially, share discussions vocally
To stand as one, it’s just begun
Separation can’t become
A team with victory truly won
A united cause, brought as one
Determination is the real deal, certified replacing the seal
Energy the people can feel
A new beginning, fresh appeal
A brand new chapter practical
Solutions that are workable
Greatness is achievable
Concepts are conceivable
A new journey to take, whether short or whether long
Keep on moving forward, embracing a new song
With amicability, we all will progress on
Let’s create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Verse 2
To offer forth a helping hand, notions yet to understand
To be welcomed in a foreign land, disharmony is sinking sand
It’s clear to see, comprehensively, operate more tactfully
With wisdom understandably, let the innocent be truly free
A greater love that can’t be defined, to comprehend the passage of time
Appreciation truly is mine, reverence beyond the sky
Of nature undeniable, progress transformational
Advancing the responsible, of wonderment sensational
A single step to take, cultivated going strong
Keep it moving in forward motion, can we all just get along
With advancing harmony, on a road that may be long
Let’s now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Advancing with a point of view, discernment of what’s really true
Comprehension of what’s true for you, of new horizons to ensue
With a faculty of proficiency, movements of efficiency
With complex capability, time in motion, skillfully
Experience that can be applied, universal always onside
Letting go of innermost pride
Truthfulness, no need to hide
Application practical, let your goals be reachable
In him all things possible, passionately powerful
With awareness to awake, with weakness rendered strong
Keep moving in forward motion, articulate my song
With all tranquillity, uncover what is wrong
We can now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Verse 3
Let actions be effectual, real change be perpetual
Creative with the intellectual, let guidance be instructional
Be rational, co-operational, shared ideas are practical
Measuring the mathematical, alignment formational
Aiming high reach for the sky
Given standards you can defy
With courage here the aim is to try
Moving forward, mystify
Far from the undesirable, feelings unreliable
Testing the improbable, reality is changeable
A bolder step to take, of directions moving strong
You can always go beyond the place that you came from
With realised clarity, we gain sense of the wrong
Let’s now create a place, where we can all belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Change may be uncomfortable, let fear be inexcusable
Steer from the reprehensible, payback is repayable
To so forgive, inexhaustible
Of oneness that is plausible, the broken rectifiable
Connected, relational
Associate and we can relate, don’t waste time, a pitiless state
Memories that we cannot retake, in position, get in place
Abundance that is plentiful, examples observational
Joyfulness obtainable, experience the seasonal
Of actions yet to take, we’re keeping the game strong
Keep moving in forward motion, wherever you came from
With avid harmony, we all will soldier on
We can now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Bridge

With mind-sets evolved, there is true insight
Let’s create a place, to truly shine our light
There is wisdom to release, to regain our inner peace
Together as one, together as one
Compassion in the land, with a heart to understand
A true united force, let’s lend a helping hand
With due simplicity, re-establish harmony
Let’s set ourselves free, let’s set ourselves free
True change may be uncomfortable
Yet it is unmistakeable
New steps that are approachable
Of thoughts from the conventional
Mindful and relatable
Hopeful and aspirational

Verse 4
To go beyond, no greater time, reclaim your light it’s time to shine
In relaxed mode we will decline, natural gems can be refined
Branch of the vine, be aligned
Masterpieces of design, purposed for potential prime
Stand in line, for such a time
Become a part of the solution, let’s create a revolution
Educate the institution, truly merge into a fusion
Reduce the confrontational, join the inspirational
Movement motivational, achieve the aspirational
The journey will be great, endurance may be long
Keep moving in forward motion, can we all just get along
With solid harmony, a team can become strong
Let's now create a place, with the option to belong
Of problems to be solved, of all the games to win
If the foundation is laid, by then we can begin
A sense of harmony, let's take the vision on
Let’s now create a place, where the people can belong


Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Written by Geraldine Taylor ©️
The distant hollow of the high mountain pass
swallows the setting sun as it steals away southbound
behind the coastal mountain's tangerine sunset hued silhouettes
Mulberry plashed shadows pointing northward
across the evergreens outstretched dimming,
beneath the waning fade of each fleeting eventide

Sundown ebbing asunder the wafting daylight,
each gloaming of the day, helplessly a moment sooner past,
transfixed further south beyond yesterday's passing azure
The lazy days of summer escape unbounded,
nomadic as the sea I've seen sail away before;
evanescent as the beauty of the bloom summer days beheld
and the memory of the fragrance they exhale

The nebulous weight of the gravity is consciously denied
by the truths a human heart beholds
A moment’s epiphany afflicts like a rogue wave in a calm sea;
the only thing my heart ever wanted remains out of reach

Everything my heart needs consciously surrendering
to the poignant passing moment's beauty,
the falling sun at distance sets more suddenly now
Lost in the undeniable certainty
life's imminent season's change

Eyes drawn stubbornly from presence to a sky so far away,
knowing there'll be no restitution for the welling sense of loss...
A bitter sweet song mummers in the silence of the absorbing spell,
summer's sun stained pages of watermarked soul scribbles,
time tattooed reparation for the indelible ache
of a harsh grey winter loneliness

Perhaps too familiar, this whelming Déjà vu
that tears my soul;     that tugs at these roots
but cannot sever their sacred grasp
But for now, eyes fixed to the sun's
inevitable tightening tether hence —
to wear weary each fraying thread's  impending break

Each sunset leans a deeper angle southward
as it slips down through the firwood shadows;
illuminating other faraway latitudes
far beyond the distant horizon skies

The preordained continuum unfolding what will be ...


someone you used to know ... September 11, 2017 ... 7:30 PM
Devon Clarke Jan 2014
So..

Ive been thinking about you a lot lately.
At this point in time, i should probably be studying *Mathematics

But instead, I'm looking to add us two together
Because it wouldn't be nearly as complicated as long division
To subtract all the zeroes in my life
Until its just you and I as a final product.
The only thing I really got out of calculus
Was that a great relationship could be our derivative.
I think the function for Y
This is happening is because
You have made
an X-ceptional difference
In my life;
Your beauty's limits are just imaginary numbers.

But -
I think I should review my English notes,
Because, I swear- We're just like Romeo and Juliet!
... minus the whole killing ourselves thing,
There aren't enough words in any dictionary
To completely envelop the feelings I have that make me so wary,
Now that you've torn down my walls, I hate being vulnerable,
You've gotten so close, so fast -
i can almost feel you hugging my soul.

Pero, uhh, donde esta mi libro de Espanol?
Porque
hay una mujer que domina mis sentidos con solo tocar mi piel,
y solo por un beso con ella soy feliz.

But in all seriousness.
The Chemistry we have is undeniable.
You take away all the oxygen in the room
When you get my blood boiling
And stomach toiling
when our eyes lock;
A limitless amount of reactions are unfolding
With you being my catalyst for my heart beating
Every time our hands are meeting.

Its now 5th period, Psychology,
When we kiss, its visualized neurology
Because my lips still tingle when you allow me
To go clinically crazy,
I'm only left to plead insanity
After our physiological fallacy.

Or maybe i should crack open my History textbook,
Because all I ever hear about
Is how Benjamin Franklin was a ****,
And that crazy chick from 300 stabbed her love affair,
Or, quite simply,
How nothing good ever lasts.
Well, I don't know why I'm even in school anymore,
Because I feel like you and I reversed millenniums
Of misguided relationships,
Because with finger locked,
We ran through Berlin Walls that said
High school romance was stupid,
And practically caused World War 3
When so many jealous lovers realized
That the only weapon of mass destruction
Is the undeniable army of two that we have become.
I'd say
We're a bit closer
To that old couple from The Notebook!
..wait..
they die too.

So the last bell has rung,
You made me late to every class,
But if my homework was just to love you,
**There'd be no doubt that I'd pass.
Rebekah Lamb May 2014
If I kiss a woman, I am a lesbian
If I kiss a man, I am straight
I have this illogical need to scream at the heavens from atop a cliff
To scream I’m here in this world; I exist!
To say I am just bisexual is wrong
To say that certain aspect of me is the most oppressed is wrong
I am a woman, I am bisexual, I have tourettes, I have depression
I could go on for hours saying I ams
Saying statements that describe me
I am oppressed and stereotyped by the society I live in
So why is being bisexual the one I defend the most?
I asked myself this daily
Until I found the answer
Every other fact about me is undeniable;
I have a ******
I have diagnoses
That is tangible evidence
I have no sheet of paper with a signature of some fancy M.D.
Nor do I have some body part that labels me as bisexual
There is no definite way to tell if I am bisexual
Which makes it easier for people to say You’re just confused or It’s just a phase
And no matter how often I say it’s not; they won’t believe me
They don’t believe me because I don’t have the evidence they want
I don’t have an M.D.’s signature
I don’t have that ‘bisexual bodypart’
All I have is my own knowledge
And I don’t give a **** if that’s not good enough for you
Because I do exist
And I am here to stay
This is an old poem that I wrote quite a while ago. I think some people may enjoy it.
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
her magnetic force, compels his closeness
her magnetic force, compels his closeness
ever they've been in love, undeniable are their feelings
ever they've been in love, undeniable are their feelings
undeniable are their feelings, her magnetic force
compels his closeness, ever they've been in love

dreams of unison realized, it's but an embrace away
dreams of unison realized, it's but an embrace away
opportunity knocks at the door, just step through
opportunity knocks at the door, just step through
opportunity knocks at the door, it's but an embrace away
just step through, dreams of unison realized

will they venture to the evermore, all it takes is a risk
will they venture to the evermore, all it takes is a risk
by giving present ties a miss, their love cannot be rebuffed
by giving present ties a miss, their love cannot be rebuffed
all it takes is a risk, by giving present ties a miss
their love cannot be rebuffed, will they venture to the evermore

their love cannot be rebuffed, opportunity knocks at the door
dreams of unison realized, all it takes is a risk
by giving present ties a miss, undeniable are their feelings
her magnetic force, compels his closeness
will they venture to the evermore, ever they've been in love
it's but an embrace away, just step through
Onoma Jun 2019
many have come before me--

as i have come before many,

and i have seen what needed

seeing.

as they have seen what needed

seeing.

i'm no judge of that which

light hits...what it falls upon

with the courage of morning.

yet some seeing is undeniable--

the way a flower can feel itself

even though it's blinded by the sun.

where it Knows it truly Loves...

and is Loved.
Shannon Jeffery Apr 2014
I have a message
For you haters
You're the wreckage
Your words like razors

No longer shall I keel
To your decimating attitude
I have an intransigent zeal
Of undeniable magnitude

Your reign of terror
Now a speck in the past
Your puppet strings I sever
Now free I feel, at last

I dare you, I dare you
Try to cut me down
But be warned, I will strew
Your face all over the ground

No longer am i afraid.
All the hated, it's time to stand
All the haters, it's time to be repaid
No more worries, just grains of sand

The tides now change
Deny them their satisfaction
Their power has no range
Haters, this is your termination
Sick of all the people who think they are better and put others down. Time to stand up.
Kate Richter Nov 2012
To realize, your malice intent,
and power hungry destruction of my
most hidden and vulnerable *****...

I am relieved to be free of your
vindictive and spiteful soul;
everything about you is abrasive,
brooding and angry, vicious and ugly

That person,  so gentle and endearing
is lost, I am not so sure he even exists,
just one of your many disorderly personas

And to think of my pain,
self-mutilating thoughts and attempts
to make sense of the shock
trying to free myself from your lock of
enamoring lies. I could feel the
end when we had just sprouted,
battling my intuition with a fawn dawn heart-
with you, I finally felt full after some empty time.

But upon reflection of your undeniable misogyny,
I thank you! I could not be more thankful for you exiting my life,
the confirmation of this delusion we called love,
I am so thankful I was tricked, you see,
without honesty, I could only give you so much, and
only that much, is what you could take away from me-

Leaving behind such vitality and adventurous expression,
Charm, wits and sentiment for living
the performer in me you never could accept,
Merely shaking the strength only a woman could have.

You could never break me, although you tried-
and in that I find pity, that you feel so small
You seek power in destroying a lover
like breaking a heart is a triumph,
You are no huntsman and I am not your doe
I refuse to be your object for show
Robert Ronnow Mar 2017
Beautiful summer day. You know you're gonna die
that's why you know no joy.
Obsessed with self, there is no answer
unless religion, tv, stories, sports matter.
So what if nothing rhymes and I don't
bring my life into an expressible state
or fight purposelessness, anomie. No one writes.
Running the gauntlet alone. A good day to die, the Apaches say.

For men like us dying's easy, it's living that's hard.
And since dying's much like living, that's hard too.
There's some contentment in letting community decide
your place in it. We're not talking to you.
Really, it's a perfect day. Every leaf is out
that's coming out. The grass is high
and unidentified yet another year. Being knowledgeable
is the best defense against your insignificance.

Can't stop the quince from blossoming
or my sons from smoking, speeding.
The best that can be done or said's a blessing.
Less tv, less guessing
about the effects of your anger unless
you want to be an angry man forever.
Coming from the funeral with friends,
talking on the telephone. OK about being alone.

Alive, almost sure of it. Whether I'm a visitor
to my life or the actual owner.
Mature poets steal, most are masturbators.
This house could use a good cleaning,
dusting for ghosts. I should subscribe
to the local newspaper, do my job well,
do less until one thing's done well.
What would that be? Old, and yet so young.

There are a million poets, I'm poet #500K.
Plenty of mysteries, infinite philosophies,
prayers, laws and unwritten rules.
That's why we go to school, life's complicated.
All I do not know: ATP, probabilities,
the glorious revolution, meiosis and mitosis
and all I'll never see, the bottom of the ocean,
the palm at the end of the mind, a wolverine.

There are certain indicators, undeniable,
inexorable. Forget-me-not, is that all I want?
To get lucky, you gotta be careful first.
To be great, you gotta be willing to sound BAD.
Although we cannot make the sun stand still
yet will we make him run. Brave revelers.
Signed engagement letter attached.
Attachment to self and to things to do.
--with a line by Andrew Marvell

www.ronnowpoetry.com
Lazlo Mehl Sep 2014
My moments with you
Have been undeniable true
Moments of pure pleasure
Moment of pure pain
Hurt beyond measure
But love beyond treasure
Sweet moments off loving
Unhappy moments of tears
We have shared all these moments
Throughout our years
We both treasure these moments
Each and every day
Moments are our memories
Those moments are our hearts
We've had many moments
And still do each year
These little moments we treasure
And will always cherish
For many years to come
LJ Jun 2016
The edge of my soul is unsilenced
by the youthful glove of lust
Curtained wonders and curtailed tales
our songs recited and memorised on saddles
Sandals of certainty , candled yester years

My soles dared to tear a form
eyes roar in beats of a sinful stare
affixed sensations, the aesthetic nightmares
the cyclic eventful roller coaster of want
The padded faded jeans and cotton shirt

A fluent code of the cold wonderland
steers protons and affluent electrical neurons
Exploding zips, complementary zest
The **** ride on your stationed rod
My stallion, a rash, an adrenaline rush, our flight (oh la la)

At the sight of the afterglow stormy taste
our echoes astound the mountain tops
a wave of the heated dream in a cage
The aged flow of the surfacing rivers
As these words live in my mind

Flickering lights inside the synagogue maze
the cleavage fountain evaporating fumes
A showcase of undeniable holes and poles
A glorified truth tied in elastic hearts
Eclipsed as a shadowy armoured reflection

Hold my hand and fly the transient transcendence
Balance as I fall behind on the heighted prolific lines
Rehouse my day on these whispered thoughts
Time circles, time travels, time lost, time found
On this hour of attachment, catch me as I wave
whispered thoughts of lust
King Panda Jul 2017
a haw and saw.
a thorn.

fruit: it is ecstasy
never bit and
undeniable.

you slurp—a cat licking
its paws
ruby and clear.
moth and cloud
drape over fruit,
make up sparkling nectar.

love is sickening.
you spend five dollars on
a rose at a bar for
a girl you will never see
again.

she will take the flower and
throw it in the trash
outside with the hundreds of
other roses.

no matter.
they have fruit, and fruit
concludes. it is life
cut with claws.
their beauty, seemingly to
be always in the clusters above.

*******, rose. **** your dew.

they seem to say. that’s when
the light hits and microbial
bleeds to miss ruby.

JAZZ!

at night retrains
beauty, makes it edible.
the rose, changing the color
of its dew—black pearl in
this drape of mystery-shaped
night.
Ah, doth swayeth the grass around the heavily-watered grounds, and even lilies are even busy in their pondering thoughts. Dim poetry is lighting up my insides, but still-canst not I, proceed on to my poetic writings, for I am committed to my dear dissertation-shamefully! Cannot even I enjoy watery sweets in front of my decent romantic candlelight-o, how destructible this serious nexus is!

Ah, and the temperatures' slender fits are but a new sensation to this melancholy surroundings. How my souls desire to be liberated-from this arduous work, and be staggered into the bifurcating melodies of the winds. O, but again-these final words are somehow required, how blatantly ungenerous! What a fine doomed environment the greenery out there hath duly changed into. White-dark stretches of tremor loom over every bald bush's horizon. O-what a dreadful, dreadful pic of sovereign menace! Not at all lyrical; much less gorgeous! Even the ultimate touches of serendipity have been broomed out of their localised regions. Broomed forcibly; that their weight and multitudes of collars whitened-and their innocent stomachs pulled systematically out. Ah, how dire-dire-dire; how perseveringly unbearable! A dawn at dusk, then-is a normal occurence and thus needeth t' be solitarily accepted. No more grains of sensitivity are left bare. Not even one-oh, no more! A tumultous slumber hinders everything, with a sense of original perplexity t'at haunts, and harms any of it t'at dares to pass by. O, what a disgrace t'at is secretly housed by t'is febrile nature! And o, t'is what happeneth when poets are left onto t'eir unstable hills of talents, with such a wild lagoon of inspirations about! Roam, roam as we doth-along the parked cars, all unread-and dolefully left untouched, like a moonlit baby straightening his face on top of the earth's liar *****. Ah, I knoweth t'is misery. A misery t'at is not only textual, but also virginal; but what I comprehendeth not is the unfairness of the preceding remark itself-if all miseries were crudely virginal, then wouldst it be unworthy of perceiving some others as personal? O, how t'is new confusion puzzles me, and vexes me all too badly! Beads of sweat are beginning to form on my humorous palms, with lines unabashed-and pictorial aggressions too unforgiving too resist. Ah, quiver doth I-as I am, now! O, thee-oh, mindful joyfulness and delight, descend once more onto me-and maketh my work once again thine-ah, and thy only, own vengeful blossom! And breathe onto my minds thy very own terrific seizure; maketh all the luring bright days no more an impediment and a cure; to every lavish thought clear-but hungrily unsure! Ah, as I knoweth it wouldst work-for thy seizure on my hand is gentle, ratifying, and safely classical. How I loveth thy little grasps-and shall always do! Like a moonlight, which had been carried along the stars' compulsive backs-until it truly screamed, while the bountiful morning retreated, and mounted its back. Mounted its back so that it could not see. Invasive are the stars-as thou knoweth, adorned with elaborations t'at humanity, and even the sincerest of gravities shall turn out. Ah, so 'tis how the moon's poor sailing soul is-like a chirping bird-trembled along the snowy night, but knocked back onto abysmal conclusions, soon as sunshine startled him and brought him back anew, to the pale hordes of mischievous, shadowy roses. Ah, all these routines are similar-but unsure, like thoughts circling-within a paper so impure. And when tragic love is bound, like the one I am having with 'im; everything shall crawl-and seem dearer than they seem; for nothing canst bind a heart which falls in love, until it darkeneth the rosiness of its own cheeks, and destroys its own kiss. Like how he hath impaired my heart; but I shall be a stone once more; abysses of my deliciously destroyed sapphire shall revive within the glades of my hand; and my massive tremors shall ever be concluded. O, love, o notion that I may not hate; bestow on my thy aberrant power-and free my tormented soul-o, my poor tormented soul, from the possible eternal slumber without tasting such a joy of thine once more! I am now trapped within a triangle I hated; I am no more of my precious self-my sublimity hath gone; hath attempted at disentangling himself so piercingly from me. I am no more terrific; I smell not like my own virginity-and much less, an ideal lady-t'at everyone shall so hysterically shout at, and pray for, ah, I hath been disinherited by the world.

Ah, shall I be a matter to your tasty thoughts, my love? For to thee I might hath been tentative, and not at all compulsory; I hath been disowned even, by my own poetry; my varied fate hath ignored and strayed me about. Ah, love, which danger shall I hate-and avoid? But should I, should I diverge from t'is homogeneous edge I so dreamily preached about? And canst thou but lecture me once more-on the distinctness between love and hate-in the foregoing-and the sometimes illusory truth of our inimical future? And for the love of this foreignness didst I revert to my first dreaded poetry-for the sake of t'is first sweetly-honeyed world. For the time being, it is perhaps unrighteous to think of thee; thou who firstly wert so sweet; thou who wert but too persuasive-and too magnanimous for every maiden's heart to bear. Thou who shone on me like an eternal fire-ah, sweet, but doth thou remember not-t'at thou art thyself immortal? Thou art but a disaster to any living creature-who has flesh and breath; for they diverge from life when time comes, and be defiled like a rusty old parish over one fretful stormy night. Ah, and here I present another confusion; should I reject my own faith therefrom? Ah, like the reader hath perhaps recognised, I am not an interactive poet; for I am egotistic and self-isolating. Ah, yet-I demand, sometimes, their possibly harshest criticism; to be fit into my undeniable authenticity and my other private authorial conventions. I admireth myself in my writing as much as I resolutely admireth thee; but shall we come, ever, into terms? Ah, thee, whose eyes are too crucial for my consciousness to look at. Ah, and yet-thou hath caused me simply far-too-adequate mounds of distress; their power tower over me, standing as a cold barrier between me and my own immaculate reality of discourse. Too much distress is, as the reader canst see, in my verse right now-and none is sufficiently consoling-all are unsweet, like a taste of scalding water and a tree of curses. Yes, that thou ought to believe just yet-t'at trees are bound to curses. Yester' I sheltered myself, under some bits of splitting clouds-and t'eir due mourning sways of rain, beneath a solid tree. With leaves giggling and roots unbecoming underneath-ah, t'eir shrieks were too selfish; ah, all terrible, and contained no positive merit at all-t'at they all became too vague and failed at t'eir venerable task of disorganising, and at the same time-stunning me. Ah, but t'eir yelling and gasping and choking were simply too ferociously disoriented, what a shame! Their art was too brutal, odd, and too thoroughly equanimious-and wouldst I have stood not t'ere for the entire three minutes or so-had such perks of abrupt thoughts of thee streamed onto my mind, and lightened up all the burdening whirls of mockery about me in just one second. O, so-but again, the sound melodies of rain were of a radical comfort to my ears-and t'at was the actual moment, when I realised t'at I truly loved him-and until today, the real horror in my heart saith t'at it is still him t'at I purely love-and shall always do. Though I may be no more of a pretty glimpse at the heart of his mirror, 'tis still his imagery I keepeth running into; and his vital reality. Ah, how with light steps I ran to him yester' morning; and caught him about his vigorous steps! All seemed ethereal, but the truthful width of the sun was still t'ere-and so was the lake's sparkling water; so benevolently encompassing us as we walked together onto our separated realms. And passing the cars, as we did, all t'at I absorbed and felt so neatly within my heart was the intuitive course; and the unavoidable beauty of falling in love. Ah, miracles, miracles, shalt thou ever cease to exist? Ah, bring but my Immortal back to me-as if I am still like I was back then, and of hating him before I am not guilty; make him mine now-even for just one night; make him hold my hands, and I shall free him from all his present melancholy and insipid trepidations. Ah, miracles; I doth love my Immortal more t'an I am permitted to do; and so if thou doth not-please doth trouble me once more; and grant, grant him to me-and clarify t'is tale of unbreathed love prettily, like never before.

As I have related above I may not be sufficient; I may not be fair-from a dark world doth I come, full not of royalty-but ambiguity, severed esteem, and gales-and gales, of unholy confidentiality. And 'tis He only, in His divine throne-t'at is worthy of every phrased gratitude, and thankful laughter; so t'is piece is just-though not artificial, a genuine reflection of what I feelest inside, about my yet unblessed love, and my doubtful pious feelings right now-and about which I am rather confused. Still, I am to be generous, and not to be by any chance, too brimming or hopeful; but I shall not be bashful about confessing t'is proposition of love-t'at I should hath realised from a good long time ago. Ah, I was but too arrogant within my pride-and even in my confessions of humility; I was too charmed by myself to revert to my extraordinary feelings. Ah, but again-thou art immortal, my love; so I should be afraid not-of ceasing to love thee; and as every brand-new day breathes life into its wheels-and is stirred to the living-once more, I know t'at the swells of nature; including all the crystallised shapes of th' universe-and the' faithful gardens of heaven, as well as all the aurochs, angels, and divinity above-and the skies' and oceans' satirical-but precious nymphs, are watching us, and shall forgive and purify us; I know t'at this is the sake of eternity we are fighting for. And for the first time in my life-I shall like to confess this bravely, selfishly, and publicly; so that wherever thou art-and I shall be, thou wilt know-and in the utmost certainty thou canst but shyly obtain, know with thy most honest sincerity; t'at I hath always loved thee, and shall forever love thee like this, Immortal.
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
survival of the most dissociative
you don’t need anyone
to make you feel
you can feel all by yourself
you can feel any emotion you want
you have been given the full reportoire
whiteness can give you wealth
can get you ***** and enslaved
whiteness can get you anything
any type of dissociation
legal liberty
dissociative profit
an accumulation of dissociative value
to get this much sugar
dissociative cooperation of whiteness
an empire of dissociative investment
dissociative throne of power
out of control
with the need to control
anger
jealousy
envy
of those who are trying to be human
native
culture
ethnicity
anger and frustration
force and pressure to make dissociate
whiteness breathing together
against
if the cooperation of whiteness catches you
going back to help those
it tried to bury behind
dissociative reality
a desperate reality
that ceases to exist
when the intensity
of the dissociative cooperation
ceases to exist
am I the only one manifesting this honesty
a diagnosis of the diagnosers
intimate communication
tattooing the world forever
undeniable language of change
I gave all the history of dissociation
to the world
exposing abuse that is
the pride of dissociative
white supremacy
we are not the objects
of dissociative value
an association of focus
not cooperating
studying and exposing
resisting dissociation
conflicting value of nativity
accumulative value of resistance
resilience unafraid
unflinching fearless
vulnerable
reincarnating
intimate honesty
lights down low revolution
subtle
in the face of dissociative force
I need my fix of dissociation
please
do it with me
no wait
reinforce resistance
keep it up with breathing
dont conspire dissociation
I am decomposition
so I leave behind
an abrasive language
so abrasive
any remnant
of sensitivity
of dissociation
is drawn in to contemplate
to question its intentions
an exorcism of dissociative whiteness
giving into nativity
self righteousness
desperately competing to dissociate
like whiteness
**** them and you
there is beauty outside of this dissociation
Americanized
the diseased spread
of dissociative *******
dissociative procreation
the evolution of dissociative selection
Darwin’s cousin tortured and destroyed
it is fun and exciting to
denounce dissociation
do it with me
https://www.amazon.com/Escape-Liberty-Elan-Gregory-ebook/dp/B01MUCXUQ1/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1536462078&sr=8-1
the dog owner neglected
his so called friend
no sustenance to the dog
did he kindly tend

over a period of time
the poor wretch withered away
he took his last panting breath
on a hot summer's day

twas criminal what the dog owner
did foist upon the dog
for his uncaring actions
he deserves a thumping good flog

his heartlessness
truly unforgivable
the dog seemingly to his eye
twas invisible

everyday dogs die
in a state of distress
their owners perpetrating
undeniable cruelness
Cunning Linguist Aug 2015
Through a crowd
of homeless Vietnam war vets
Betcha I'm textin looking for more ***
From ****** galore
Open the back door and explore

Wreck that ***** (then I'm on to the next)
Next level ****, I'm on one at best
Deftly slip a little in your sister's sip
Now I'm caressing her *******
Hoping and praying my conquest ends with ******!
Yes, I confess I'm grotesque,
but I have finesse
I play that ***** like a game of chess

Bare witness -
I only ***** with the fattest of *******
Robbed a ******'s V-card
Now I'm charged with theft

I'm possessed and I have Tourette's
Ingested some drugs at the playground
Now I'm getting undressed
Digest my suggestive rhymes
I'm just a poor kid repressed
Manifest my pervertedness
My mind is a mess,
a nest
of enmeshed ******

And I obsess for excesses of distastefulness

It's disgraceful
My biracial angel
When I go directly from **** to ******
- In the blink of an eye
My *** game is fatal
Robbing the cradle & writing fables simultaneously
Screaming banzai!
Whilst I swan dive
straight into your ***** hole
& disable it

I'm insatiable,
Your mind is impregnable
Cause the impeccable mental images
I paint aren't erasable
Incomprehensible and intangible
Yet undeniable, I'm a despicable imbecile
Gazing in the peephole
Took a blindfolded stroll
down ***** lane and I'm on patrol
for an ocean of blowholes hundredfold

At the club so I dropped a bunch of Ecstasy
Take my shirt off so the ******* can all laugh at me
Tryna get the best of me
So I spite them out of jealousy
And absently drift away
through my mind to pornographic fantasy
My rhapsodic masterpiece
A mental form of ******
Getting busy in the squishy
til I'm dizzy in the hizzy
Swag, I do it valiantly

Turn it up this my jam
~Little ditty, bout jackin Diane~
Still a pity, too bad she's a man
Greasy ***** slap your eggs on my ham
If you'd prefer,
I might lend you a hand
Ram bam
bite the pillow I'm coming in dry
Don't be shy
Turn down for why
Either way have you in chains
by the end of the night

I'm a nemesis
***** slapping feminists
For emphasis
Hit em with a left fist
catching equal rights and ****
Yes I reek of cannabis
Can't handle bars I spit
Snide *******,
blame it on my pride and prejudice... ugh

I'm just a ******* egotist
An unrepentant hedonist
Check out Cunning Linguist
He da hypnotistic lyricist
This is my hypothesis
Maybe I'm just a nihilist
Detonating bombs
Catch me on the terrorist watchlist
Yes my words are devastating
But in your mind are resonating
Penetrating brains til it all begins disintegrating

I'm plastered
Falling over backwards
Mental state is fractured
Now watch me while I stagger
Tell your mother run for cover
Finna kidnap her


Pop pop
Got this **** on lock
Seeing double vision
Catch me jizzin in my sock

Steady speaking nonsense
Nearly unconscious
Bailing from the cops man
Too much Dwayne Johnson
***** have the nerve to call me obtuse
I be that Mr. got ***** the size of grapefruits
Most find the crash to be a nuisance
Not me.
I find an unusual serenity in the calamity.
An undeniable calm in the chaos.

As for the flash
Well it adds a little mystery
To the life I live full of misery.

Rain runs down windows
Replicating the tears down my face.
Reminding me I'm not alone
In this desolate place.

Thunderstorms are therapy
Designed to drown out our thoughts
And provide inspiration
For artistic creations
Nicole Oct 2017
It's 3:09am
I'm im the library
Desperately trying to write a research paper:
'LGBT Familes'
How fitting.
Caffeine courses through my veins
Coffee overloads my bladder
Bathroom.
I hate bathrooms.

When you have no gender
The simple act of relieving yourself becomes a chore
The heavy weight of that key decision
Chokes your lungs as you stand outside the doors
Two doors.
Men.
Women.
Not me.

The choice becomes simplified:
While I sometimes pass as a man
I often do not.
I can choose the men's bathroom
The consequence of which could end in physical violence
The same hate I explain through my essay.
The same fear that plagues my community.

The women's restroom is also an option
The consequences likely less dire than the former:
Heavy side eye and the potential of yelling.
A much safer choice.
Obviously.

Per usual, I walk into the women's room.
I take three strides inside.
Then I stop.

I've never used the men's room.
My fear of violent reactions has always won.
Yet at a time like this
How likely is it that someone is inside the men's room?

Now is my chance to face my fears.
Now I have a safe chance at peeing in peace.
In a bathroom potentially more suiting
Of my gender identity
So I turn around.
Let the door slam behind me.

Half a step into the men's room
The smell of rancid ***** hits my senses
Toilet paper liters the stalls
I have missed absolutely nothing in my years in the women's room

Women have nicer facilities
A significantly more advanced hand dryer
Cleanliness
Air freshener
Men do not have these luxuries

Now I question,
Do men not take as good of care of their bathrooms as women do?
Do the workers intentionally prioritize women's sanitation?
What causes this undeniable divide?
Is the messiness of the men's room a result of their conscious decisions?
Or simply a response to societal expectation?

Regardless,
I think I'll stick to the women's room
While I add bathrooms to my compilation
Of more discrete gender inequality
Ariana Mar 2012
I am the moth, you are the flame.
I am blinded in the darkness,
Surronded by the cold.
I am fragile, weak and fleeting.
I am the moth.

You are the flame.
You burn bright and true,
Chasing away shadows with your light.
You draw me closer and closer,
Enticing me with the heat you exude.

I am the moth intoxicated by the flame.
You are forbidden, yet irristable.
The fire is seductive, untameable, and wild.
My desires are undeniable.
But to touch is to be burned.

I am the moth, killed by your flame.
Titanic-Lover Aug 2013
"Olympic,what was my sister like?
Did the people make her grand?"
"Yes,my darling,she was fine,
The finest in the land.
No one else was like her,
No one had her creed,
I knew within my very heart
The life that she could lead!
I sent my best of wishes to her
On a tenth of April day
She sailed away into the sun,
Nothing stood in her way.
Oh,Brittanic,my darling,
I wish that you did know
The spark of pride she sent in the air
Where'er she did go.
The air around her seemed electrically charged
With her undeniable glory
I watched from afar,
Knowing she'd make a front page story!
I felt pride within my soul
When people would stop to gaze
My sister was so beautiful and bound for happy days!"
"Olympic,why did my sister die?
Why couldn't I see her face?
We wait among happy people,
She's in a somber place."
"Brittanic,my dearest baby,
I cannot tell a lie
You must put up with this old girl,
And know that I shall cry.
I cannot think of my sister
Without my vision clouding with tears
I have been without her for so very long,
So many pain-filled years.
The day I heard that horrible truth
Will be etched forever in my heart.
The day I lost my beloved sister
With which I never wished to part.
When I received news of her sinking
I raced across the waves
Hoping I'd be able to say 'good-bye'
On her very last of days.
Oh,but I didn't get there quick enough!
I didn't have enough speed!
The Captain ordered me to give up hope,
An order I didn't want to heed!
I had raced across the blackened surf
Pressing to see how fast I could go,
Now the Captain ordered me to stop,
I hope you'll know the love I did know.
I wanted to go to that very spot
Where my sister's life did end,
A glorious lady with a glorious heart,
All ended by a word called 'sin'.
He hurt me with his ruthless order
Ceasing my propellers purpose-driven churn
My anger at him burned in my soul
I didn't want to obey a command
He was forcing me to learn!!
But,he forced me to learn
Forced me to turn away
Forced me to live without saying
"Farewell"
Forced me to return to work that day.

"Olympic,are you mad at yourself?
Upset you never could say goodbye?
Upset you left her all alone?
All alone to die?"

"Oh,Brittanic,why must you ask such things?!
Such things that tear my heart in two!
But,answer you,I will,my darling,
Answer you,I shall do.
I have tried so vainly to forgive myself,
Yet,half my heart is plunged in grief,
It wraps around my very core
Like a strangling ivy wreath.
No one gave me a kindly look,
A sympathetic word they did not say,
Such as "Fair Olympic,you did all you could
To save your dear sister that day."
But I tried! Don't they know?
I tried to save her as across that ocean I ran!
I would of said good-bye
If not halted by a foolish man!
Yet,I never got to say 'good-bye'
Never let her know,
Titanic! My treasured sister!
How I love you so!!"

"Olympic,I hope you know I love you,
E'en though your heart is sad,
Forgive yourself,my dear mother,
You did not commit any bad.
Titanic knows you love her,
She knows you tried with all of your might
When love drove you across dangerous waves
On that perilous night.
You mustn't keep hurting a heart
That has dealt with so much bad,
Forgive yourself,Olympic,
And then you may not feel so sad.
I'm sure she is not mad
At the efforts you did make
You avoided danger the best you could,
Though your life was still at stake.
You acted with such bravery
On a night devoid of moon
You did all you could in hopes
To get to her so soon.
I love you,old Olympic,
I'm not angered at your ways
Concern for one you did love
Has lasted for years and days.
I'm sure you were the perfect sister
As you are the wonderful mother to me
I feel so proud when I see you come in
From a long,weary week at sea.
When I am old and wizened  like you,
I'll remember the pleasures I have known
From a grand lady named Olympic
Who hid a heart so alone.
I love you,my beautiful friend
And I'll recall a story behind the tears
Of perservering adoration for one
That you won't see for the rest of your years.
And,I'm sure,Fair Olympic,
When it comes time you too shall die,
You will be reunited with your sister,
For your kindness never did falter,nor lie."

"Brittanic,my dearest one,
It is a reassuring thought,
I will be so glad to see her,
For love will perish not.
But,for now,I am nothing more than
For men to hurt and command
But I shall dream now
Of a far-off and distant land.
A land where my sister resides
Where she,perhaps,waits for me
On a big eternal expanse,
A grand,forever sea.
I am sure my time is coming up,
I am over 20 years old!
The humans will not want me much longer,
I am no longer eye-catching and bold.
Twenty years old and over is not a lot,
For me,my life did really now just begin
But the humans will not want me much longer
They will make my life end.
I am no longer the fashionable steamer
That people clamor to take
I am 50,000 tons of steel
One day that the ship-yard shall break.
That is our future,my darling,
No matter the life we had,
It has happened to a good many ship,
It is so brutal and bad.
Do not think false wishes
That I shall escape this fate.
No,my baby,I shan't,
It will be either early or late."

"Oh,Olympic! They cannot **** you!
You have such a life ahead!
How could they be so cruel
And with their blows,make you dead?"

"Brittanic,my darling daughter,
To them,we are naught more than machines
We have no life,no hopes,
They don't even think we have dreams.
I could tell you so much more,dearest,
There is so much more I can say,
But the humans want me to go somewhere,
So,I shall come back one day.
Be true,my darling,while I'm gone,
Make me proud of your ways
Strike out over life,
Rejoice in the sun's rays
I shall come back again,
Don't you doubt that twice,
I have much more to tell you
And your company is so nice!"

I watched her as she sailed away
Into the slowly setting sun
Thinking of all she had told me
And the life that she had run.
The first thing she had done in life
Were joyful sails o'er the ocean blue
Then,drafted into war she was,
And cared for the soldiers too.
I loved her so very dearly,
And dreaded when we had to part,
But thoughts of meeting once again
Gradually settled my heart.
Her Captain took her one way,
Mine took me the other,
I remembered everything I saw
So I could later tell my dear mother.
Not everything was exciting
In those future trips I took,
Months were passing,but I recalled
Everything like a reference book.
So much time was passing,
Now the time was nigh,
When I 'd wait for dear Mother to come in
From the waves she did ply.
I waited and waited that first day
Sought out on the open sea,
It would be a wonderful time
When it was just her and me.
She would tell of her trip,
I would tell of mine
How proud she was to carry the flag
Of the White Star Line.
I waited and waited to see the tugs
That would pull her back to shore,
Just her and I together,
Sharing stories once more.
She didn't come in that day,
Perhaps that she was late
Taking a little longer that
The time the humans did slate.
She didn't come in that next day either
And I started to fret!
Did she come into a different dock
Than what she'd normally get?
The next day came,and far way,
I saw quite a sight.
Something that looked like a ship,
Though didn't appear quite right.
I watched the tugs pull it closer,
Yes,'twas a ship indeed.
But,what in heavens happened
To give it this somber lead?
I could tell it was grand at one time,
Yet,that seemed so long ago,
Curiousity wracked my mind,
And I wanted to know.
This somber shell came closer,
Devoid of deck and stack,
I looked toward the starboard bow
And the name
OLYMPIC
stared
back.

I couldn't think at all that moment!
My heart welled up with pain!
Olympic! My treasured mother!
I shall never see you again!
You were right about the ship-breakers!
They ruthlessly tore you apart!
Not paying any heed to your
Loving,kindly heart!
How shall I survive,
Without your beauty and your truth?!
Those ignorant men killed you
In your 25 years of youth!
Oh,I hope they be cursed
For doing something so bad,
Now I am without you
And so terribly lonely and sad!
Olympic! Olympic!
I shall say your name over and over again,
Hoping it shall bring you back
From hard-hearted sin!
I watched as they pulled you away,
My vision has clouded with tears
Yet,I keep on watching
You endured such fears.
Melancholy feelings grip my heart
I no longer have interest in life!
I have seen the meaning full and complete
Of a word you did call 'strife'.
No more stories to be shared
On a night glowing with moon,
No longer shall I see you,
Gleaming in the sun of noon!
The men have done their worst,
I shall no longer hear your horn,
Such a proud note it had
That I've remembered since I was born!!
Olympic,Olympic,I love you,
I'm so happy you got to hear those words
I'll wait and watch and listen
As the lament is echoed by sea-birds.
Those tug boats are pulling away
Taking you to the last of your fate.
I love you so much,dearest mother,
But,the ship-breakers I hate!!
You pass so slowly before me
I gaze for the last time at your sleek steel,
So strong,once you were,
But that doesn't now seem real.
With barely a ripple the water glides
Across your red and black coat
The humans are so uncaring
Thinking you are only a boat.
Good-bye,my mother dearest,
Farewell and aurevoir too,
I hope so much you are with your sister,
In the heavenly,eternal blue.
I wish you the best of happiness
For you loved your sister so,
As soon as the ship-breakers broke your heart,
I know that's where you did go.
I am so glad I heard the stories of
The life that you did live.
I am so glad I knew the love
The heart of you could give.
I hear the echo of your voice,
The tales that you could bring
The truths of your soul,
And the love that you could sing........

"Brittanic,my darling dearest,
When I was torn into by a collision with the Hawke,
It wasn't exactly pleasant,
And I had to return to dock.
The gentle men,they repaired my ****
Made me as good as new,
Then I sailed out again
Into the ocean blue.
Then,I threw a propeller blade,
Humans called me an accident-prone sort,
But,back again I went,
To be repaired at Belfast port.
That was the last time,dear daughter,
Titanic and I would be side by side
I wished it would last longer,
Yet time did not forever bide.
People took a photo
That immortalized that day
The very last time we'd be together,
Forever together,they'd say.
I hold that glorious memory
In the chambers of my heart.
Under 'lock-and-key',
Never,ever to part.
My sister and I together
Upon the ocean's crest
Glowing in the sunlight
At our next-to-best.
Oh,that moment was so long ago
Our moment side by side.
The last time we'd be together,
Before she sadly died.
The Captain thought me foolish
To plough through icy sin,
Yet,if it meant to save my sister,
I would do it all over again......"

My mother's words echoed
As she drifted away from sight.
Now she was with the one she loved
And tried to save on a 15th of April night.
I said my last good-bye to her
When the tug boats pulled her away.
This memory emblazoned fiercly
On this unforgettable day.
I watched a little longer
Wondered if there was sadness in the sea,
The Olympic-Class was over,
Now there was only me.
My mother was a masterpiece
When she was under steam.
Like a picture-postcard,
A reigning Ocean Queen.
People once loved my mother,
They sailed on only her,
But then,there came a change,
And she became a bothersome burr.
No one sought to save her
From the scrappers filth and grime,
She was wanted no longer,
Her age and fashion,her crime.
The people remembered her little
After her scrapping day
No flowers were strewn
In her solemn way.
Did any one else say 'good-bye',
Or,was I the only one?
Bading farewell to her grandeur,
And those crimes she hadn't done.
No monuments were erected
In her grand memory.
She was the daughter of Belfast,
And her second love was me.
She filled 25 years with her riches,
And also with her pride.
Filling them with love,
The love that never lied.
I always thought my mother to be
An invincible sort.
Who had no fears,or,if she did,
She left them back at port.
Her haunting words echoed
Her fortelling of her fate:

"I am nothing more than 50,000 tons of steel
For the scrappers to break...."

She said it with a certain sadness
For that was her future path,
She didn't deny  it with falsehoods
That they would tear her heart in half.
I shudder at the thought
Of the scrappers fire and tools
Who looked at my mother so eagerly
With eyes bespeaking cruel.
The company wanted her no longer,
No matter the life she had had,

"Scrapping happens to a good many ship,"
she said,
"And it is so brutal and sad."

What had she endured
In the breakers waterless dock?
Did she think of me?
Was I her final thought?
I love you,dearest mother,
There shall never be another like you
Think of you often,I will,
Upon the bounteous blue.

I am always the daughter of Olympic,
Always shall be Brittanic,
Always shall remember the love of my mother,
And the bravery of one named Titanic.
I  will always miss my mother,
And our days together in dock,
The stories she lovingly told me,
Be also under lock.
I will probably not share my stories
With many others,true,
But if the time does arise,
Share them I shall do.

"Brittanic,what was Lady Olympic like?
Did the people make her grand?"

"Yes,dear friend,she was fine,
One of the finest in the land...."
Though I am very learned in the subjects of Olympic,Titanic and Brittanic,any one who knows the story will realize many details have been left out. The reason for this is because I made it more of a 'human-interest' poem,to show the three sisters in a different light other than engine-driven steel leviathan vessels. Placing Olympic as the mother of Brittanic makes it easier,in my opinion,to gain feelings towards the matter. Yes,Brittanic was sunk in war ages before Olympic was sold to the T.W Ward shipyard,but to mix the details around makes it more interesting. I aim this prose to  spark interest in RMS Olympic,a grand lady who is remembered little.  Put yourself in the position of Brittanic and imagine the fright at seeing the demolished and scrapped vessel as her mother. When all is said and done though,I dedicate this poem to RMS  OLYMPIC. Rest In Peace,dear lady.
Savannah Jane Jul 2014
sitting on the window sill
watching as you lay
trying to be strong for all of us
my sister
leaving the room
because she could not handle the undeniable truth
that  sometime soon
you will be gone
because you do not want the help being offered
because you do not want to watch us all
"being there for you"
when really we're there
for us
so we can right our wrongs.
but i have no wrongs with you,
so i sit
and listen as everyone
tells me how strong i am
to watch my grandfather die
and not shed a single tear.
Tearani C Apr 2012
If I am the mother to a million poems landing on def ears and
a single one grows slowly to learn your language than
I will surly transcend into a kind of euphoria
and swim in satisfaction.
If I am the mother to a thousand ideas
and none but one shall strike you
but it is so loud the ground you stand on trembles
Than I will cross the threshold of my potential
knowing I have finally listened long enough to say something undeniable.
If I whisper a hundred nothings onto notebook paper
and after a hundred years a single sentence means something substantial to a individual..
than I have done something innately  good
and larger than myself; a single mother to a million poems
PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.
midnight prague Mar 2011
my heart claws on the inside of my chest. there is no escaping loves drum.
that rhythmic pattern that picks up. like the small things in nature in the morning. the undeniable laughter of the birds. the life coming after 9 months.
the purging after a bottle of whiskey.

I sit alone in my room. my hands are sweaty. I panic.
why is it against me and so out of my hands to deny you.
I stare at my dresses my womanly things that mean nothing.
I walk outside and stare at the immense blue in the sky. how it consumes me.
I watch the clouds sway. changing. growing. disappearing...
why does everything make sense all of the sudden. why do I feel lonelier
than I have ever felt in my entire being. time has never seeped through me
so slowly, every turmoil minute has placed itself like a beast upon
my forehead.  Every smile I see has made me grow emptier inside.

my tears mean nothing anymore. meaningless they are compared to the grief
that screams inside of my gut. it is seen on my face. there is no hiding it anymore.
I can solve every problem. unlock every door. touch every star.
all of it will mean nothing. Maybe I will find it inside of me to walk away
but this time tell you to come

Maybe I will finally accept

there is no escaping loves drum
I.

“You can only fight the way you practice”
― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy


His lessons started late
As always, and as always
What is thrown is a question
You grip tightly
around your fingers
as one would,
as one always should.

With a branch he beckons:
“Come” he asks,

“if a stick is struck from this angle,
what would your answer be?”


Always, the old man taught
With each strike, each parry,
Each disarm and lock,
Each time my knuckles
Would hurt. This way
he makes it sure
that my body
remembers.

This is always
the first step.
My mind might forget.
But the body
Remembers.


II.

“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.”
― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi


With him, everything starts
The vague quality of nonwords
Taught from pain, simplified
Through science:

the fulcrum and the lever.

Each joint, each turn,
a pattern to comprehend,
all things work in context:

A framework of the undeniable
Fact:


the world is separate
In only these two words:


Taub at Tihaya

The colloquial words for
Face down and face up;
This is a pattern
of the body.

III.

“If you wish to control others you must first control yourself”
― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy


Tihaya

The lesson starts
When he presses
His thumb forward
to a hand asking for alms
like turning a doorknob
too far to the right.

Taub

when I pull back
four fingers
on a giving hand
too far to what is left.

these are the means
for control.
When I know
How much is necessary
To push or to pull,
To teach or to break.

- 18 October 2017
For my Arnis Teachers: **** Mang Boy of Orabes Henerales; **** Fred Fernandez of Arnis Defense Silat, and Patrick Gamayo, a student of both teachers and combined the two arts.

* Special thanks for Jeffrey Steven Pua for additional poetics

*the first poem was also edited bybthe author to fit a call for submission and titled it as "Tenets of the Sword" for Luminous Scans.
I am not black.
Prince ea said it right,
That’s what the world calls me, but   it’s not me,
I didn’t come out of my mother’s womb saying “heey everybody, I’m black”,
No. I was taught to be black,
And you were taught to call me that, along with whatever you call yourself,
It’s just a LABEL.

See, from birth the world false feeds us these LABELS,
And eventually, we all swallow them, we digest and accept the LABELS, never ever doubting them.

But there is one problem,
LABELS are not you,
And LABELS are not me,
LABELS are just LABELS.

But who we truly are is not skin deep,
See, when I drive my car no one would ever confuse the car for me,
Well, when I drive my body, why do you confuse me for my body, it’s my body, get it!. Not me.

Let me break it down,
See, our bodies are just cars that we operate and drive around,
The dealership we call society decided to label mine the Black Edition,
And with no money down that is zero percent and no test-drive,
We were forced to own these cars for the rest of our lives.

Forgive me, but I fail to see the logic or pride,
In defining myself or judging another by the cars we drive,
Because who we truly are is found inside.

Listen, I’m not here to tell you how science is concluded,
That genetically we are all mixed in,
And that all human species doesn’t exist,
Or how every historian knows the evolution of all human beings that was invented in the 5th century  and it has worked perfectly.

No. I am not here to lecture.
I just wanna ask one question,
Who would you be if the world never gave you a LABEL?,
Never gave you a box to check,
Someone please answer that cause i'm still in the dark,
No. We would be one,
We would be together,
No longer living in the era of calling human beings people,
These LABELS that will forever blind us from seeing a person for who are,
But instead seeing them through their judgmental, prejudicial, artificial filters of who we think they are,
And when you let an artificial label define yourself,
Then my friend, you have chosen smallness over Greatness and minimized yourself,
Confined and divided yourself from others,
And it is undeniable fact that where there is division there will be conflict,
And conflict starts wars, therefore every war has started over labels,
It’s always us versus them,
So the answer to war, racism, sexism and every other –eism is so simple that every politician has missed it,
It’s the labels,
We must reap them off.

Isn’t it funny how no baby is born racist?
Yet every baby cries when they hear the cry’s of another,
No matter their gender, culture or color,
Proven that deep down we were meant to connect and care for each other,
That is our mission,
And that is not my opinion,
That is the truth in a world that has sold us fiction,
Please listen, Labels only distorted our vision,
Which is for  half of those watching these will dismiss it or feel resistance and conflicted,
But, just remember, so did the caterpillar before it broke the which shell and became the magnificent butterfly,
Well these labels are our shells and we must do the same thing so we can finally spread our wings,
Human beings were not meant to be slapped with labels like groceries and supermarkets,
DNA cannot be regulate everyday,
We were meant to be free and only until we remove them all,
And stop living and thinking so small,
Will we be free to see ourselves and each other for who we truly are.
An inspiration from the great Prince ea.This goes to everyone out there, as he said, "we are not LABELS, labels are not you and labels are not me, Labels are just labels.We must reap them off".
L B Mar 2017
This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped
There are photos that go with this. I'll try to post them together on Facebook.
Susan Hunt Jul 2012
CHAPTER ONE: THE DEMISE OF A YOUNG GIRL SEPTEMBER 1975


I had not seen my father in over two years when he showed up at my mom and step dad's condo. He had a slick knack of disappearing when laws were broken and he was wanted for questioning. He had an even better ability to re-enter when the heat was off.

My father owned three nightclubs in Oklahoma City. His first was the Silver Sword, and then he opened The Red Slipper. After he met his second wife, they together, opened the Jade Club.

All were successful, but the Red Slipper had a reputation. On a rare occasion, my dad would take me with him to open up the place. At first, it scared me. It was so dark in there. But as the lights came on behind the bar, I fell in love with the atmosphere.

Bobby Orr’s hockey stick hung on the wall, along with an endearing note from F. Lee Bailey. At six years old, all I knew was that they were the objects that made my dad beam.

I learned to play pool by standing on a phone book. I watched the colorful smacking ***** bounce around the most beautiful color of green I had ever seen. Chalking the stick was a chore, but after nearly poking my eye out once, I soon caught on.

It was a struggle to climb up on a barstool, but it was worth the effort. I sat at the bar and had lunch: popcorn, pretzels, peanuts and Pepsi.

As I grew older, I saw less and less of him, until he became a stranger, drifting in every once in awhile.  Every few weeks or so, I would come home from school, and see his car in the driveway.

This always shot fear and excitement through me. The air of unpredictability always made me want to ***. Unfortunately, most of the time, we were locked out of the house for a few hours, so I would have to *** in the back yard or at the neighbors. We waited on the stairs for the front door to open. And it always did, by my mom. She usually looked satisfied and serene but other times, I saw dread and sadness on her face.

Ever since I could remember, my dad had been a string of disappointments for me with a few indescribable moments of pure enjoyment mixed in between He could be kind, funny and like a real dad sometimes, that was the dad I missed. I tried to hold onto those experiences, even though he was such a mean ******* most of the time. But mostly, I just didn't know him.

Their divorce became final around the summer of 1972, but that didn't stop my mom from loving him. I don't know why, but she chased him frequently, going out to bars with her friends, trying to get a glimpse of him, and maybe more.

The last time I’d seen my father had not been pleasant. When I was thirteen, he broke down the door to our apartment and went straight to my mother’s bedroom. The noises were terrifying. The screaming, and punching sounds were followed by my mother’s whimpering, begging, groveling.

"How dare you do this to me, Patsy!? And behind my back! You could have at least told me!"

My dad had bailed himself out of jail that night. She promised him she would never seek alimony or child support again. Her lawyer was wrong. It wasn’t worth getting killed over.  

Shortly after, he had to leave the state. It had something to do with a low-level mob deal involving an insurance fraud. Too bad, it involved burning a building with someone in it. My dad became nothing but a memory, which faded away over time.

**

Alcohol and tobacco were constants in my family, so when my older brother, Tim, started smoking at ten years old, I don't remember much protest from anyone. I was seven and when my sister Abby, turned ten the next year, she also started smoking.  All the older kids were smoking cigarettes. I wanted to be cool, so I puked and coughed as I practiced. By the time I was ten, I too, was inhaling properly.  Around that time, I was introduced to *** by my sister's boyfriend. It did help my mood, somewhat, but it wasn't enough.

By 1974, I was using drugs from my sister’s boyfriend. John was a true drugstore cowboy. At first, he committed burglaries, which were easy at the time. There were no sophisticated electronics to stop someone from cutting a hole in the roof of a pharmacy. It took only minutes to pry open the safe that contained the narcotics. Then it took maybe another minute to fill a pillowcase full of every variety of amphetamines, barbiturates, valiums, etc.

It wasn’t long before I graduated to using morphine, ******* and then overdosed on Demerol. My stepfather sent me to a treatment facility in Tulsa Oklahoma, about one hundred miles away from Oklahoma City. The Dillon treatment center didn’t accept clients under age of sixteen but made an exception with me. I was a walking-talking disastrous miracle...or a miraculously saved disaster.

They figured that since I was fourteen, the sooner the better to start my road to recovery. Apparently, they didn’t condone sneaking *** and valiums in to the facility. I was kicked out of Dillon after about a month.

I came back home and laid low. I went back to Hefner Jr. High and enrolled back into the ninth grade. I quietly picked up where I left off, going back into business with John. My job was to sell the safe stuff; valiums, seconols, white bennies, ***, etc.


Summer came; I turned fifteen and had developed a tendency to over test my wares. I overdosed and nearly died in the hospital several times, which had led to my current predicament. Nobody knew what to do with me.

In August, I entered the tenth grade...for two weeks. I was expelled, (you guessed it) for dealing drugs. I was on homebound teaching twice a week with little supervision. My mother worked, my step-dad, **** ,worked, and I was home all day. However, I was not just sitting idly around. I was into enterprise.

**

In September, I overdosed again. I was quickly killing myself and my mother didn’t know what to do to stop it. That is why what happened was not my mother’s fault. But it wasn’t my fault either.

I never figured out how he knew where we lived. My mother moved over at least fourteen times in between the time I was six and twelve years old. Yet, here he was, at our front door, with his undeniable ‘ah shucks’ charm. His modesty was convincing. His timing was incredible. My mother stood frozen, her mouth agape. **** took the lead. He placed himself between my mother and father.

“You must be Gary Don, my name is ****; I’m Patsy’s husband." **** had never met my dad, but he'd heard enough about him to surmise who was standing at the door.

"Um, yeah, I'm Gary Don, it's nice to meet you ****", he said; as he offered a friendly hand shake to ****.

"I hope I'm not interrupting you, I was just in Duncan with my parents and they suggested I stop by and talk with you before heading back west. It's about Susie....

"Yes, Patsy said you called yesterday. We weren't expecting you this soon, but it's no problem. Why don't you come in and tell us what your plans are? Patsy, honey, would you mind putting on a *** of coffee?”

This unfroze my mother and she scurried to the kitchen. I was still in shock at seeing my dad’s face. I retreated to the staircase, but poked my head around and caught him glance at me. I flew up to the landing. I could easily escape up the rest of the stairs to my bedroom.
I was small enough to remain hidden on the landing, and heard the conversation between my mother, my dad and ****. **** was the classiest, most even-tempered adult I had ever encountered. I wished I could stop hurting him and my mother.  

My mother sat down two cups of coffee on the dining room table where my dad and **** sat. As she retreated a few steps back into the kitchen, **** politely probed my dad. My dad had the right answer for every question.

He swore he was a completely different person. He had changed. He had no hard feelings, instead he was back to help. He was remorseful for being an absent father and he wanted to make things right. He was back for a reason. He had heard that I was in trouble with drugs and school and he felt guilty for that. He had the answer to my problems. He was so convincing, so….humble, almost shy.

As I listened, I began freaking out with fear and excitement. I always wanted my dad. The last time I tried to live with him, it didn’t work out; he sent me back to my mother’s after a month. Now my dad wanted me! He wanted to save me, take care of me!

He lived by himself now. He was the manager of The Palace Restaurant/Hotel in the little town of Raton, New Mexico. It was a refurbished hotel, built over a century ago The ground floor was an elegant bar and restaurant. He was making very good money, he paid no rent and he had an extra room for me.

With a population of 6000, it was not a place to continue a lucrative drug business. Also, he would enroll me into the little high school and I could get my diploma. I could work in the restaurant in the evenings where he would keep his eye on me. Then, there was the horse. He would buy me a horse. And on and on and on.

The logic and sincerity of his argument was convincing. So there it was. An hour later, my bags were packed. I was going to live with my father in New Mexico.

That’s how in September 1975, my father whisked me away from my home in Oklahoma City, under the guise of saving me from my own demise. I was stolen and held captive in Raton, New Mexico for what seemed like forever.

My dog, Baron was coming with me, I refused to go anywhere without him. He was a tiny black and tan Dachshund. I got him free when I was fourteen, when I got back from Tulsa. To me, he was priceless. He was my best friend. He couldn’t have weighed more than ten pounds, but his heart was huge.

I talked to him about everything and he consoled me by nodding, and licking me on the cheek non-stop…or he would admonish me through his expressions and demeanor. I had lived with Dachshunds since I was seven, so understood their language pretty well. Baron understood humans better. We developed a rare communication that worked well for both of us.
Herman, our older dachshund had greeted my dad cordially. Baron couldn’t figure this out, he expressed his apprehension. He looked at me and conveyed,

“Well, if Herman isn’t worried, I guess it’ll be Okay, right? Right, Susan?”

I was sorry I didn’t have an honest answer. I did my best to settle him.

“Sure, this’ll be fun, a whole new adventure!”

As we drove West, toward the Texas panhandle, Baron kept the conversation going by his curious interest expressed by wide eyes and attentive ears. My dad amazed him with his knowledge of history, geography, geology, astronomy, world geo-politics, weather, music on the radio, literature, mechanics, religion and countless other topics. I knew he was faking his fascination with my dad. He knew he was doing me a favor.

There was not a dead moment in the air. An occasional “really?” expressed by me was enough to keep my dad’s mouth running. I was thankful for that. It kept my attention away from my jangle of emotions. As we drove through the night, I was conflicted, scared, excited, happy and worried. I didn’t know where I was going, or who was driving me there.

My dad’s jovial demeanor comforted me. He made The Palace sound like the perfect place for his little princess.

When we arrived, it was late, after 10pm., Baron was exhausted. I stood on the corner and looked up. I gulped. The three-story building was like an old gothic castle. It was a huge rectangle with the front corner cut back with a fifth wall about ten feet wide. This provided the entrance with two giant oak doors. Baron was less than enthused by its foreboding appearance. I had to agree.

Dad ignored my hesitation. “Come on, you’re going to love this place!”

He pulled open one of the oak doors, which had to weigh at least five hundred pounds. I was hesitant, but thirsty. Baron’s squirming had started to annoy me. I went forward filled with adrenalin.

The initial entrance was a small round foyer with a domed ceiling of cut glass. It was about six feet round. As I stared up at the beautiful little pieces of color, I heard my dad chuckle.

“See? I told you, there’s no place like this!”

Then I saw the true entry to the bar, a set of small bat winged doors that swung back and forth. He pulled one of the doors back, beckoning me forward. He looked down at me with a tender expression.

“Welcome home, honey, this is home now.”

As we entered the bar, I was dumbstruck. Baron was not. I stepped back in time, to 1896, into The Palace Hotel.

The bar took up half of the first floor of the hotel. It was the most captivating centerpiece of the establishment. The mirror behind the bar was the longest continuous piece of reflection glass in all the states, the brochure proclaimed. A brass foot rail extended the length of the long cherry oak bar A few feet behind was a waist high railing just like the saloons in old John Wayne movies.

The carpet was a deep royal red interlaced with black swirly patterns. Bright golden paper covered the walls. It was smooth and shiny with raised curly designs made out of felt or maybe even velour. God, I just wanted to reach over and run my fingers across it!  

The wall opposite the bar had windows that were quizzically narrow and impossibly tall. Lush maroon velvet drapes adorned them, parted in the center to provide a view of the quaint town just beyond the sidewalk.

I looked up at the ornate ceiling, which seemed a mile above me. It was covered with tiles of little angels that all looked the same, yet different. The angels danced across the entire ceiling until it curved and met the wall. I got dizzy looking at them.

“You can’t find ceiling tiles like that anywhere! My dad grinned. “They’re covered in pure gold leaf!”

I didn’t know what pure gold leaf was, but the word ‘gold’ impressed me very much.

He introduced me to the staff. I l blushed when he said; “This is Susie, my favorite little girl!” I had never heard that before. The whole crew greeted me warmly, all smiles and friendliness.  

I always paid attention when Baron got nervous but I chose to ignore him. I jostled him in my arms. My stern look at him stopped his squiggling, but his look back conveyed that I was clueless.

I, however thought, Okay, I have died and gone to Heaven! I was enchanted. My fascination with this magical setting made me feel happy; I was in the neatest place I had ever seen. I’m going to love it here!

On the first night, my dad led me around the ground floor. The restaurant was as elegant as the bar. To the rear of the restaurant, there was a large commercial kitchen. Off the rear of the kitchen, he showed, me a short hallway to the back exit. To the right, a huge staircase led to the two upper floors of dilapidated hotel rooms. A manager’s apartment had been converted from several hotel rooms connected together on the second floor, just above the entrance to the hotel.

We ended up back in the bar and sat at a table for two. Crystal, the head bartender stayed on for a little while longer after the rest of the staff were allowed to go home.

Sitting at the table, he ordered Harvey’s Bristol Cream Sherry. I had never had Cream Sherry before, but it tasted like candy with nuts and I had no problem going through numerous rounds in a very short time. I was hungry but I was too nervous to eat.

Baron, however, was ravenous. My dad fed him little pieces filet mignon and French bread with real butter. He played cute for my dad, sitting up and begging. He jumped up, putting his paws on my dad’s leg, wagging his tail like crazy.

I was a little befuddled until I caught his sideways glance that said, “I do not like this guy, but I gotta eat, I’m starving. You’re the one falling into his into his trap, not me.”

Ouch. “Baron, sometimes I wish you would shut the hell up.”

After having his fill, he settled into a wary sleep on top of my feet. I never worried about losing Baron. Where I went, he went, period.

I wasn’t aware when the bartender left. The bottle was on the table before I knew it; he kept my glass full. I was five feet tall and weighed 106 pounds. I had a lethal level of alcohol pulsing threw my entire body…and I had my daddy.

I was in a haze. Actually, it was more of a daze than a haze. My vision was

— The End —