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"ridges" poems
My land is bare of chattering folk; The clouds are low along the ridges, And sweet's the air with curly smoke From all my burning bridges.
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22.8k
Sanctuary
You say doctors will make the best poets. They will search your emotions by the skin; cutting open to reveal and revel with surgical precison. They will play with heavy drugs and blades-- nothing shall hide beneath the armors of bone and muscle. They know the anatomy of the heart too well. They will find the things you have hidden in your chest. I say doctors will never be poets. They are too mechanical, too fast with their edges and ridges. They cannot see the pain as pain but merely as an anomaly. That sadness is black bile not melancholia. They cannot sing to you but only clammer in medical jargon. Poets will use their imperfect words, and perfect rhymes to find the secrets of your rib cage with ease. They will find every flaw of your broken body and make it the best story you've never heard. Doctors, they will put love to define as a momentary rush of adrenaline, an arrythmia for another human caused due to an imbalance of the heart rhythm. Poets will tell you that love is the first jolt of life for them. They will say love is a state of euphoria that takes those irregular rhythms to perfect symphonies. Doctors say that veins carry blood devout of oxygen. I say that they carry your broken emotions to their feelings factory to mend it within its beautiful catacombs. All those doctors will find and fix you with perfect solutions. And these poets will do their best to be your perfect solution.
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Jan 31, 2014
Jan 31, 2014 at 8:25 AM UTC
Doctors
Paints of dark twilight hues, Slathered across in blunt strokes. Blend with deft hands, Cajole gently with jabs and pokes. Backdrop begging for a few others. Longing to hold in infinite embrace. Friends of earth and midnight sky. Worthy of a doe-eyed lovers' gaze. Cascading moonbeam... Drenching all in silvery white. Restless twinkling stars... Singing their mismatched might. Silhouetted landscape as horizon, Darkened oils of plateaued ridges. Finest brush could only manage, To close the gap, I build bridges. Nearing completion, this stint on canvas. Nuances of dawn for what I've begun, Usher the arrival of a brand new day. All I need now is a few drops of sun.
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Oct 6, 2014
Oct 6, 2014 at 11:05 AM UTC
Sundrops
It was three am and, we were still up talking- laughing at inappropriate jokes with tired voices and sleep blending into the whites of our eyes like paint being mixed before an artist creates her masterpiece. By the window, I sat, staring at the moon and it’s perfect figure, so round and complex with ridges only where meant to be. My mind was searching like a lost child for an answer to my happiness, my mind was searching for a reason to be unhappy, but each time it would fail then try again. By the fifth time searching, I finally realized that this was what it was like to be ok. This was how it felt to be living for more than sleep at night and empty rooms. This is what it feels like when the stars are aligned, and everything is still. Tonight the moon asked me how I was feeling and for the first time in forever I said I was doing quite alright.
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Jul 5, 2018
Jul 5, 2018 at 3:08 PM UTC
I had a conversation with the moon last night
“isn’t it crowded in california?” people always ask me but you should have seen the way it looked from the sky expanses of empty valleys mountains of uninhabited ridges cities that i could touch with my fingertip much like the stars in the dark night air and green as far as the eye could see the silver snow that dotted the land reminding us not to forget about it never had i been so far above that i could notice it all always stuck in my corner of the universe and you should have felt what i felt knowing that there are still areas of my heart that have yet to be realized and explored and populated by anyone who is not you even though at one point you occupied the spaces the cracks in my chest and lungs and limbs so much that i thought you were a piece of me but the seasons change and so do people so my winter will be drastically different than my summer when you climbed out of my life and into another’s and hearts break and shrink and expand to make room for different hearts (mine’s currently in the process of getting rid of you)
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Jan 8, 2015
Jan 8, 2015 at 12:13 AM UTC
i wrote this on an airplane
And it is braided with silk, but woven of plastic- -materialistic; corrugated ridges on burnt iron legs. But to the streets of suburban deforestation, Her influential deciphering - infatuated - purged Of seamless equations and reincarnated followers, Abides by the diamond-bleach, the sultry circuits, Poised in the foetal position for the last - yet first - Time.
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Dec 3, 2013
Dec 3, 2013 at 5:59 PM UTC
Materialistic
Waiting for spring to return this winter’s day. Straining to touch warm breezes of the past. Caught in this prison of gray and white. Wishing to break these dark chains that hold me. Remnants of fall, crumpled like brown paper on the ground. Straws of pale brown growing up through the snow, ******* it dry. Seeds and freeze dried fruit lay scattered about under trees. Bare limbs and stalks drip with liquid glass. Trees hanging bare, gray in lifelessness. Winter birds call out, single in their pursuit of leftover meals. Tracks of animals unknown dot the landscape with patchwork. Waves of ridges etched in white lead off to nowhere. Sparse, sun filled days bring brief glimpses of hope. With the promise of warmth waiting to banish the cold that holds me to my past and this existence; waiting for spring to return and thaw this frozen heart.
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Aug 20, 2012
Aug 20, 2012 at 9:29 PM UTC
WAITING FOR SPRING
covered by thorns and hidden by vines but you’re still attracted to the light that reflects from my broken sides you want to swim alone tonight but I know you’d let me hold you down Velvet rose petals and shattered glass don't mix but still you’ll love me anyway despite the scars I've left on you you’d lay with me on dead grass and let me point out your fading colors you’ll excuse my relentless attempts to bury you under ground. “you're destructive and reflective, I see myself in you” As my ridges rip you to shreds you stay with me, a ****** mess and a lonely swimmer, another garden destroyed with wasted raindrop tears
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Jan 16, 2015
Jan 16, 2015 at 1:18 PM UTC
raindrop cottages
I wonder how our great creator built a vessel strong enough to contain my soul? Each day my spirit fights against my skin with violent jolts as a young bird seeking exit from a cage. Unfettered psyche free from me bounces among clouds rolls through deserts, climbs volcanic ridges migrates with birds in flight. Curious instincts guide my vital force inside and out like honey bees scour zinnias in full bloom. Dare I release my spirit today?
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Jan 1, 2017
Jan 1, 2017 at 4:24 PM UTC
Contain My Soul
On a shore flooded in the tide. Now     on a         flitting            log: Rain,     trying     to fill up the ridges white, that,      I,             along with ***** snails and           tiny        starfish are ambling to escape from. The trees, they are       laughing wet. As are the            distant           waves, snapping on returns.
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Jul 30, 2014
Jul 30, 2014 at 2:27 AM UTC
Escape, Refuge
I’m addicted to the feel of cold metal sliding across bare flesh Addicted to the instant when nothing marks smooth skin immediately before red rivers rapidly rise painting a once white canvas with a flood of emotion, tears on my cheeks, sobs caught in my throat, numbness replaced by pain & sadness. Addicted to the imperfection of red welts and dotted scabs that follow, fingers drawn like magnets to the texture of healing skin, tracing over and over and over now fading ridges Amazed that I am strong enough to heal myself over and over and over. Convincing myself that I am strong enough. I find strength in my weakness.
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Dec 11, 2018
Dec 11, 2018 at 8:41 PM UTC
Addicted
I am in levels. Past levels. This deep, intrinsic wonderful lost, the lawlessness of its fascinating expenditure of excite. Pushing through the wild and feral snow-dusted plains and timber ridges. Like red-spotted dots breathing through the cylinders called the spine. This descends into a narrow channel of scantly clad greenish scenery in a time-soaked visionary wilderness of snow, Our crab legs dancing down wiry purple highways, our heads could not even look backwards if we had wanted. Furious, love-latitudes, stalking breaths thwacking fork-ended tongues into a pinkish knot buried into the first layer of organic membrane on this railway of miniature canals, showing. And their pride snuck into the elbows, shooting down each vertebrae as it stepped with great precision every ledge that the currency emphasized. The raw accumulation of stolen heart-beats rattling between the interstices of new fuel careering these red engines. Crashing with exquisite pleasure into one another.
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Apr 26, 2014
Apr 26, 2014 at 4:41 AM UTC
I am in levels. Past levels. this deep intrinsic wonderful lost, the lawlessness of its fascinating expenditure of excite.
I don't burn bridges, I preserve those wonders of old. I let the waters rise, whilst I remain underneath its ridges and contours. I don't burn bridges, not because that I am mature. I don't burn bridges, because I am alone; and a bridge is a well travelled road.
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Feb 23, 2021
Feb 23, 2021 at 10:25 AM UTC
I Don't Burn Bridges.
She kept all her emotions Monitored by a rather Peculiar body part Her eyebrows They were The distinct way She used to communicate I learned to read her impeccably A sudden shift; low drop Of dark blonde brows Was displeasure and Soon brooding A quirk Or amused twitch Meant she liked whatever Ridiculous pickup line I’d used Those golden ridges became my Guide to a mystery I always tried To solve
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Oct 16, 2011
Oct 16, 2011 at 8:20 PM UTC
Communication
What beauty shines in dappled light, In misty morning air? What beauty's cloaked in foggy mist, Waiting to be shone? The light it changes endlessly, No view is ever twice, Sun and rain and mist and fog, The ever changing light. The hills they roll in endless clefts, Valleys and ridges roll, Endless land that ever goes, From dawn way out to dusk. A home it is this peaceful place, If only for a time, The comfort of the love here found, That makes a house a home. Horses graze to their delight, The moisture fine with them. The rabbits hope, the birds all sing, The magpie glides around. Few have seen the morning light, Out shining through the mist, Few there are that know delight, Of ranch's peacefulness. Here I sit in morning light, The peace it fills my soul. Refreshing rain and my delight, Out here far from home. What beauty shines in dappled light, In misty morning air? What beauty's cloaked in foggy mist, Waiting to be shone? The light it changes endlessly, No view is ever twice, Sun and rain and mist and fog, The ever changing light. ~Dappled Light by Bethany Davis, June 7, 2014
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Jun 24, 2014
Jun 24, 2014 at 12:58 AM UTC
Dappled Light
Open bramble gate, morning lets itself in, eyes open in welcome. Water stirs – a glance outside. A jade tiger rises, blue herons fly to South Mountain. ~~~ Forage through herb abundance on South Mountain sunlight pooled in cassia leaves. It’s why you reclused here, hermitage entwined in viridian mists. I find your footprints headed to the clouds, so I leave this poem on your wall and on a whim ascend South Mountain ridges. Sticks snap underfoot – blue herons startle away. ~~~ Boundless and empty to townsfolk, South Mountain peaks. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper crumpled clouds – clouds the body, clouds the wings. Sonorous bird song - radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jades and emeralds rise. Petals scatter on crystalline swells, night lengthens slowly – coldness wanders by but I will linger here, a little longer. Version 2 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird song radiant clarity – makes mountain forest sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jade and emerald rises. Petals scatter on crystalline swells – night lengthens slowly - coldness wanders by but I believe I will linger here, a little longer. Version 3 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird songs radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust clears from rivers and peaks. Streams of ochre flood forests and fields, canyons and gorges, jades and emeralds rise. Scattered petals on crystalline swells – night slowly lengthens - coldness wanders by but I believe I will linger here, a little longer.
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Jan 24, 2012
Jan 24, 2012 at 8:02 PM UTC
South Mountain
Open bramble gate, morning lets itself in, eyes open in welcome. Water stirs – a glance outside. A jade tiger rises, blue herons fly to South Mountain. ~~~ Forage through herb abundance on South Mountain sunlight pooled in cassia leaves. It’s why you reclused here, hermitage entwined in viridian mists. I find your footprints headed to the clouds, so I leave this poem on your wall and on a whim ascend South Mountain ridges. Sticks snap underfoot – blue herons startle away. ~~~ Boundless and empty to townsfolk, South Mountain peaks. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper crumpled clouds – clouds the body, clouds the wings. Sonorous bird song - radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jades and emeralds rise. Petals scatter on crystalline swells, night lengthens slowly – coldness wanders by but I will linger here, a little longer. Version 2 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird song radiant clarity – makes mountain forest sing, each beat moves the clouds, red dust cleared from rivers and peaks, ochre streams flood forests and fields, canyons and gorges, jade and emerald rises. Petals scatter on crystalline swells – night lengthens slowly - coldness wanders by but I believe I will linger here, a little longer. Version 3 South Mountain peaks, boundless and empty to townsfolk. But here immortals dance among indomitable pines. Above the sun blue herons fly into paper folded clouds - azure heaven change – clouds the body, clouds the wings. Sonorous bird songs radiant clarity – makes mountain forests sing, each beat moves the clouds, red dust clears from rivers and peaks. Streams of ochre flood forests and fields, canyons and gorges, jades and emeralds rise. Scattered petals on crystalline swells – night slowly lengthens - coldness wanders by but I believe I will linger here, a little longer.
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Wish I had a special pair of lenses A tool for me; just for my senses That grant me binocular vision Allow me to see with heightened perception. Peer through mountain crags, over dunes of sand Pierce skyscrapers in familiar foreign lands A sight beyond nimbus clouds Amazingly through temporal shrouds. Past breathtaking ridges and quiet plateaus Alongside a ****** of black-feathered crows Tripping over singing brooks and moss-covered pebbles Herds of quadrupeds as they frolic and gambol Extraordinary views and candy for the eyes Travelling linear between earth and skies. But... You're too far away for me to see Even if bestowed upon me... Still, I wish my eyes binocular... Because I need you so much closer...
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Aug 14, 2014
Aug 14, 2014 at 2:23 PM UTC
Binocular
'O babbling brook,' says Edmund in his rhyme, 'Whence come you?' and the brook, why not? replies. I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges. Till last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on for ever. 'Poor lad, he died at Florence, quite worn out, Travelling to Naples. There is Darnley bridge, It has more ivy; there the river; and there Stands Philip's farm where brook and river meet. I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever. 'But Philip chatter'd more than brook or bird; Old Philip; all about the fields you caught His weary daylong chirping, like the dry High-elbow'd grigs that leap in summer grass. [grig = cricket - m.] I wind about, and in and out, With here a blossom sailing, And here and there a ***** trout, And here and there a grayling, And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To join the brimming river, For men may come and men may go, But I go on for ever.
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5.2k
The Brook (excerpt)
'O babbling brook,' says Edmund in his rhyme, 'Whence come you?' and the brook, why not? replies. I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges. Till last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on for ever. 'Poor lad, he died at Florence, quite worn out, Travelling to Naples. There is Darnley bridge, It has more ivy; there the river; and there Stands Philip's farm where brook and river meet. I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever. 'But Philip chatter'd more than brook or bird; Old Philip; all about the fields you caught His weary daylong chirping, like the dry High-elbow'd grigs that leap in summer grass. [grig = cricket - m.] I wind about, and in and out, With here a blossom sailing, And here and there a ***** trout, And here and there a grayling, And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To join the brimming river, For men may come and men may go, But I go on for ever.
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46
We climbed from bedrock to Idyllwild the home of Pines to Palms and Suicide Rocks but not for us only for those poor tired souls for whom the world's gone flat refusing the night threw itself boldly into the fray of winds which blew from storm to calm so this morning we awoke to a placid knap slipping on snowy piste to turn cold snaps hot spiced Nepali tea sipped from ice nipped cups I see promise picks up from backward leaps time forward flips breaking free range igneous into pan piped sizzling congenial song that carries on the tree line like spring water sprung from creeks to go scurrying off with wet socks until pulled up by old school granite skies hanging pools out to dry in sopping blue rinsed sun ahead any bald rocks or hairline fractures are long since dialled in as baseless fears knowing this mobile age can merrily slip like air through numb fingers while baseline hands declare “hold me close to gather” edelweiss echoes gone rappelling through time the route we've chosen's to be tied to each other's peaks in the way of sun and moon come what may be it creases in our skin or crevasses we'll win the battle to slim line any overhanging ridges so I take care to tighten my girth hitch to top notch and hold firmly to both your conviction and reach that setting out to move mountains we call home achieves more than staying home and calling mountains so bright you have me forget all things too trite banal office hype shopworn old hat mowing lawn weekends too dishy to be clichéd you polish off the stereotype slam the Dior on out of shape and dull as ditchwater tripe keeping a victorious secret or two in the slip knot too tranquil shade taking allure to new heights we'll never drop down from tonight
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Sep 14, 2014
Sep 14, 2014 at 11:03 AM UTC
The Climbing Edelweiss of Idyllwild
We climbed from bedrock to Idyllwild the home of Pines to Palms and Suicide Rocks but not for us only for those poor tired souls for whom the world's gone flat refusing the night threw itself boldly into the fray of winds which blew from storm to calm so this morning we awoke to a placid knap slipping on snowy piste to turn cold snaps hot spiced Nepali tea sipped from ice nipped cups I see promise picks up from backward leaps time forward flips breaking free range igneous into pan piped sizzling congenial song that carries on the tree line like spring water sprung from creeks to go scurrying off with wet socks until pulled up by old school granite skies hanging pools out to dry in sopping blue rinsed sun ahead any bald rocks or hairline fractures are long since dialled in as baseless fears knowing this mobile age can merrily slip like air through numb fingers while baseline hands declare “hold me close to gather” edelweiss echoes gone rappelling through time the route we've chosen's to be tied to each other's peaks in the way of sun and moon come what may be it creases in our skin or crevasses we'll win the battle to slim line any overhanging ridges so I take care to tighten my girth hitch to top notch and hold firmly to both your conviction and reach that setting out to move mountains we call home achieves more than staying home and calling mountains so bright you have me forget all things too trite banal office hype shopworn old hat mowing lawn weekends too dishy to be clichéd you polish off the stereotype slam the Dior on out of shape and dull as ditchwater tripe keeping a victorious secret or two in the slip knot too tranquil shade taking allure to new heights we'll never drop down from tonight
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87
I come from haunts of coot and hern; I make a sudden sally; I sparkle out among the fern To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges. At last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on forever. I chatter over stony ways In sharps and trebles; I bubble into eddying bay; I babble on the pebbles. I chatter, chatter as I flow To join the brimming river, For men may come and men may go, But I go on forever. I wind about, and in and out, With here a blossom sailing, And here and there a ***** trout, And here and there a grayling. And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To joing the brimming river; For men may come and men may go, But I go on forever. I steal by lawns and grassy plots; I slide by hazel covers; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom, I glance Among my skimming swallows; I make the netted sunbeams dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses; I linger by my shingly bars; I loiter round my cresses; And out again I curve and flow To join the brimming river; For men may come and men may go, But I go on forever.  ~Alfred Tennyson 1809-1892~
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Oct 31, 2012
Oct 31, 2012 at 9:24 AM UTC
The Brook
When they get to the aquarium, the kid asks if they have a Great White shark exhibit. The volunteer says no, we don’t. The kid asks, “Why? are you afraid he might try to eat people?” The volunteer chuckles at this and tells him no. no aquarium has successfully held a Great White shark live for more than a few days. You see, in order to stay alive, Great Whites and other sharks, like hammerheads, swim on their own continuously through the ocean, never stopping, never slowing, tramping a perpetual journey with many miles to go before they finally reach “sleep”. If they stop, the oxygen rich water around them no longer flows over their gills and into their bodies and they suffocate from the strain of being at rest. So they keep going, like lost children searching for their parents in a very large amusement park. This need to keep moving, this need for space, has made it extremely difficult to keep them in our meager glass human death cages. When the Monterey bay aquarium managed to capture a juvenile that didn’t thrash itself to death like the adult sharks they netted before, it bashed its head against the tank’s sturdy walls until the shock of being dragged out of its home and put in the equivalent of a coffin killed it. But, the volunteer continued cheerfully, we have other kinds of sharks here. We have zebra sharks, which don’t need to swim nonstop. In their natural habitat, they just lie on the ocean floor all day. The kid agrees to go see them The zebra sharks are not lying on the floor nor do they look like zebras. They swim slowly past him, leopard spots dotting their ridges on their backs, their fins, their long tails. “They’re called zebra sharks because of the zebra like patterns of the juveniles,” the volunteer explains. The ones we have here are adults.When they become adults, they get the spots and those ridges you see. Sometimes people mistake them for leopard sharks, which are a totally different species.” The kid stares at the zebra sharks for a full ten minutes, looking for a sign of resignation at being called something they weren’t anymore, at collectively being referred to by a childhood nickname they had long outgrown. They did not seem to care. He gets bored and goes to other exhibits, the split fin flashlight fish blinking on and off in their darkened tank, the touch pool, the medusa jellyfish with their trailing tentacles. But the sharks are what he remembers when he leaves, and they’re what he remember when he returns three months later, six months later, two years later, three, five, ten, this is what stays with him, the sharks in our tanks and the sharks in the ocean.
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Jun 16, 2017
Jun 16, 2017 at 2:20 AM UTC
At the aquarium.
When they get to the aquarium, the kid asks if they have a Great White shark exhibit. The volunteer says no, we don’t. The kid asks, “Why? are you afraid he might try to eat people?” The volunteer chuckles at this and tells him no. no aquarium has successfully held a Great White shark live for more than a few days. You see, in order to stay alive, Great Whites and other sharks, like hammerheads, swim on their own continuously through the ocean, never stopping, never slowing, tramping a perpetual journey with many miles to go before they finally reach “sleep”. If they stop, the oxygen rich water around them no longer flows over their gills and into their bodies and they suffocate from the strain of being at rest. So they keep going, like lost children searching for their parents in a very large amusement park. This need to keep moving, this need for space, has made it extremely difficult to keep them in our meager glass human death cages. When the Monterey bay aquarium managed to capture a juvenile that didn’t thrash itself to death like the adult sharks they netted before, it bashed its head against the tank’s sturdy walls until the shock of being dragged out of its home and put in the equivalent of a coffin killed it. But, the volunteer continued cheerfully, we have other kinds of sharks here. We have zebra sharks, which don’t need to swim nonstop. In their natural habitat, they just lie on the ocean floor all day. The kid agrees to go see them The zebra sharks are not lying on the floor nor do they look like zebras. They swim slowly past him, leopard spots dotting their ridges on their backs, their fins, their long tails. “They’re called zebra sharks because of the zebra like patterns of the juveniles,” the volunteer explains. The ones we have here are adults.When they become adults, they get the spots and those ridges you see. Sometimes people mistake them for leopard sharks, which are a totally different species.” The kid stares at the zebra sharks for a full ten minutes, looking for a sign of resignation at being called something they weren’t anymore, at collectively being referred to by a childhood nickname they had long outgrown. They did not seem to care. He gets bored and goes to other exhibits, the split fin flashlight fish blinking on and off in their darkened tank, the touch pool, the medusa jellyfish with their trailing tentacles. But the sharks are what he remembers when he leaves, and they’re what he remember when he returns three months later, six months later, two years later, three, five, ten, this is what stays with him, the sharks in our tanks and the sharks in the ocean.
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10
A repelling sensation Permeation of sound Or temperature Impossible A moment, a day Eternity Organs slow, pumping Softly, so as not to awaken the real Vulnerable and courageous Becoming a partnership between a drip of fear And the end, arriving as Seas fill ridges and valleys, Crevices of corpses A new bite on each blade of Crumbling spirits Pickling at each span of one's own whisper
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Nov 15, 2012
Nov 15, 2012 at 11:22 AM UTC
Tuesday's Alienation
Motion, 'side-by-side,' -taste. Tiny ridges, odd projections, scales over a hunken-frame, -slide. *Two Dead Bears; Red Eyes! Two Dead Bears; Red Eyes! Betwixt two bears; it lies.* Cranial portholes, back out, newt, shimmery black tongues array, -kiss. Tail around the head; constrict. *Two Dead Bears; Red Eyes! Two Dead Bears; Red Eyes! Betwixt two bears; it lies.* Celestial space, taste the air, Now slither wrap the eyelashes... twist, pull apart, open, -see! *Two Dead Bears; Red Eyes! Two Did Bare; Red Eyes! Betwixt two bears; they lied.* Three rows of teeth exposed, to **** out the eye! A Dragon consumes a Hero. It is not a myth.
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Jan 4, 2017
Jan 4, 2017 at 12:22 AM UTC
A Little Fontenrose
the sun has that certain haze as if it were the dead of Summer and heat radiated through the air but this is a tease a reminder of those days because indeed the air is fresh and sharp as it should be in Winter at the seaside a roaring song and dance those distant waves appear as a range the ridges of a desert mountain top and silhouetted at depths with the vibrance of sunset hues bringing shade to the wild while preparing for the cool of night the reflections are shorter now and I lose sight of that glowing orb as far off clouds take shape to dip then colors shift to violet, navy and maroon leaving a bruise to bumps in the night and dream of an August day by the sea
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Jan 21, 2022
Jan 21, 2022 at 9:40 PM UTC
39°F