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"contests" poems
We want to see ourselves see ourselves because we're afraid that nobody else will ever want to capture us in a camera flash- so we take our own pictures. Click. Our front camera becomes the one minute we had hoped our fathers had for us when he wasn't busy on that same phone, speaking, not clicking. Without us. Or it becomes the one minute we had hoped that our lovers would hold us before they settled on to someone with more likes, more comments, more friends, more happiness... than we could ever wait for. We are impatient like the frequency of data on our profiles: here are our feelings now... here are our feelings again, five minutes later, performing for social algorithms in place of photographers besides ourselves who see ourselves. But our ignited pixels, and overstuffed inboxes, and masturbatory statuses, and glittering timelines, and social everything- are popularity contests that all of us are losing. Yet still we want to see ourselves see ourselves even though we are afraid of what we know is true... ...Because what difference is a poem to a tweet besides the number of characters that we wish we had to populate our own stories? Please let us be different, just like everyone else.
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Sep 20, 2014
Sep 20, 2014 at 3:42 PM UTC
Selfies.
Most humans drink coffee and wine They consume television and mainstream novels They feed their souls with popularity contests and safe relationships But poets We could not survive without passion, intensity, and meaning Everything we feel is felt to the depths of our souls We are the ones to put into words the unspeakable pain of heartbreak The incomprehensible joy of falling in love We are the ones brave enough to say out loud the diaries of a thousand souls Us poets We drink tea and whiskey
0
Jan 9, 2017
Jan 9, 2017 at 4:00 PM UTC
Tea and Whiskey
Events Marketing Inform your followers on the latest update of your business. Whenever there are business engagements, such as trade show or conventions, business owners can notify their followers by uploading images on Instagram. Taking pictures and tagging subscribers in the specific location can boost visits and sales. It is important to be creative in taking pictures. Photogene and ColorSplash are the two most commonly used editing application in Instagram. In event marketing, VIP discounts can be offered to subscribers. Contests People are looking for excitement and rewards. Holding a contest as an activity is an exciting engagement to attract audience. Geotagging Instagram users can use the feature of geotagging in order to tag a specific location as to where the images were shot. For business, customers can be more familiar with the location of the business with the geotagging feature. Remember that today, the most successful people are known to take advantage of the social media.
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Nov 17, 2014
Nov 17, 2014 at 5:02 AM UTC
3 Strategies on How To Take Advantage Of Social Media
I sit and try and be a lotus after killing the third fly of the evening with a pocket book of recipes and a thirty centimetre ruler stolen from bathroom **** measuring contests to our knees. Young professionals tread these boards and I watch, trying to paint them lotus. I listen and learn like I was told to do then clock watch, mop, cycle home to you; I am still trying to be a lotus even in wet shoes and no socks. With less than five-hundred pounds to my various names, an office-chair-cum-clothes-horse, eight USB charging ports and a future that stretches to Sunday’s last reluctant second, I am sitting, trying to be lotus figuring out the professional path David Attenborough heard in his gentleman’s class: that son of a- - I walked into an army recruitment vault with dreams of being Gulliver, though was asked to leave out the cat flap cathedral door back into war as they’d got their laugh and didn’t applaud. Perhaps I should’ve been better at maths where apparently a career can be predicted on a scatter graph, and the pigeons of today were the pigeons of next year and the months that’ll follow the century after that. I am still trying to figure out the hoo-ha of ************ and ring fingers and collar sizes and the inner circles of hyenas when the winter solstice splits the seasons. There is no reason for this lotus procrastination when what’s there to live for but a crooked world and one bandage left.
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Oct 17, 2016
Oct 17, 2016 at 2:18 PM UTC
I am trying to be a lotus for the millenniu’nth time
And when I met that girl in San Francisco Off a dusty little pier with rotting wood and squawking seals And screaming bayside wind She caught me off-tropics and danced with the grace of a palm tree lines between the quaked concrete off telegraph avenue On an obscuring Sunday morning and no she didn't go to church or any silly thing like a temple or synagogue She said those were no places for god God was the trees We smoked cigarettes and got off to each other's carcinogenic practices oxidizing a little faster in conjunction with hopeful Formaldehyde Deriding the formalities of small talk and trivialities She liked her guitars with nickel-wound strings I with nylon But I couldn't play songs that sounded any good with them while she could and did. and girl did it ever sound good She'd laugh at the contests on the radio while we drove on a half-moon to half-moon full and whole of ourselves We'd stopped in the lobby of a cheap motel And waltzed to background muzak wacked out of our minds Sniffing in deep huffs of subliminal divinity Understanding loving that mind-numbing monotony muzak... ppsh. Who ever really listened to that? And then she left at the end of one fine winter day in a cloudless sky I waved watched her plane skip off towards the edge of a pale blue horizon back south to warmer climes to wherever she truly stayed The tugging on my heartstrings chimed grotesque in precise D minor.
0
Jun 6, 2018
Jun 6, 2018 at 9:23 PM UTC
Steel Guitar
I haven't stayed up this late since our restless early morning contests to see who would fall victim to heavy eyelids and tired thoughts. I won of course, you most of the time, but I won on the longest nights (or so I'd like to think) though my satisfaction was rooted from something entirely different. To be honest, I could have cared less about the victor; I was competitive but I liked when you won - the shine in your voice and the glimmer in your smile telling me how I snored through the night (I didn't) was much more rewarding. I haven't stayed up this long since our late night conversations turned into early morning slurred sentences of who could make the most sense whilst repeating I love you inaudibly through earphone speakers and bundled blankets. And as much as the tiredness enveloped me in its embrace, the thought of yours implied through the telephone waves proved to be worthwhile, nonetheless. You were miles beyond my reach, but you were simple words away. ***I haven't stayed up this late since we fell asleep falling in love*** in different beds but with the same desires, on the same line; on the same page. And I hate to admit it, but I still like to think of it that way. - g.d.
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Jan 2, 2014
Jan 2, 2014 at 3:58 AM UTC
3:58 am
A circus lives inside my head Fortune tellers control my fears Clowns are in charge of my humor All you can eat contests make me crave certain foods A Ferris wheel of thoughts A merry-go-round of emotions Jugglers toss around my decisions Fun House mirrors showing my insecurities Face painters create my expressions When will I become the ring master of my mind?
0
Feb 6, 2015
Feb 6, 2015 at 2:25 PM UTC
Circus
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
Rejection, Rejection, Oh, how that I loathe thee It seems to me that you are NOT my cup of tea. I have tried to fit in And to get in on the action, But you just keep coming in; giving me a bad reaction. I have applied myself To many aspects of life, You came in, ruined it, And you’ve given me the strife. From jobs, internships, applications, and auditions for a chance to act in the theatrical productions, to contests, competitions, sports games and tryouts Thanks to you, I’m feeling left out. I’ve lost the hope, I’ve lost the faith In any aspect that I put myself into, You, Rejection, are the cause of all of this You’ve made me feel sad and blue. I feel like I’m a loser And I’ve given up the fight You’ve kept me in the darkness I can’t seem to see the light! I have big dreams and goals Wanting to be an entertainer; You just set my dreams and goals aside. That’s a no-brainer. I’m depressed and lonely And it’s all thanks to you! Rejection, you’ve just made My nightmares come true! This is not what my purpose In life’s supposed to be, Rejection, please go away! Please let me be! I would hide all of my true feelings From my relatives, colleagues, and friends, Please stop this, Rejection! I want it to end! Rejection, Rejection, I really hate you! We’re breaking up and going our separate ways. I’m through with you!
0
Oct 17, 2014
Oct 17, 2014 at 2:52 PM UTC
An Ode To Rejection
My cousin told me that I am a good storyteller, but I should write something about me, about real people and a time that I was scared "shitless".  Well, I can only think of one time of a real life shocker that shook up my young world. It's nothing suspenseful. It probably wouldn't win any contests, but it isn't contrived. It's a snippet of the first time that I encountered the raw reality of death.   What did I know about death at eight years old? Our parakeet, Perky, died. My grandparents dog, Bruno, had to be put to sleep. As a girl, I vaguely recall seeing a dead man in a coffin, and that was at the funeral of my mom's aunt's husband.  This was only an introduction of the temporary world we live in.   Well, then there was an older couple two doors down from us. They had two grandchildren that used to come and visit them, a sister and brother. When in the neighborhood, they would play with my older brothers.  I cannot even recall their names. I cannot remember what they looked like or what they said. What  I do remember is the news being on in the living room, and I was eating dinner in the kitchen with my mom and brothers. Suddenly, the faces of that brother and sister were on TV. It was reported that their mentally troubled mother had killed them. I think it was because she was denied custody of them in an ugly divorce.  Doing a little bit of digging in the Michigan death index online, I rediscovered who they were. They were Susan and Richard. They were ten and nine-years-old at the time.   I surely don't remember plenty of details, as this was in June of 1973. Over forty years ago, it's a much faded memory now.  I only know I did not go to the funeral home. If I did, I am sure I'd be horrified to look upon those children who were robbed of their lives.  Death was no longer just for pets or old people.  It wasn't fair and it didn't discriminate in age. And if it could happen to someone as young as them, it could come knocking on my door. Perhaps, that was the beginning of my fear of death.
0
Mar 14, 2015
Mar 14, 2015 at 11:43 PM UTC
It Was ****** (nonfiction)
My cousin told me that I am a good storyteller, but I should write something about me, about real people and a time that I was scared "shitless".  Well, I can only think of one time of a real life shocker that shook up my young world. It's nothing suspenseful. It probably wouldn't win any contests, but it isn't contrived. It's a snippet of the first time that I encountered the raw reality of death.   What did I know about death at eight years old? Our parakeet, Perky, died. My grandparents dog, Bruno, had to be put to sleep. As a girl, I vaguely recall seeing a dead man in a coffin, and that was at the funeral of my mom's aunt's husband.  This was only an introduction of the temporary world we live in.   Well, then there was an older couple two doors down from us. They had two grandchildren that used to come and visit them, a sister and brother. When in the neighborhood, they would play with my older brothers.  I cannot even recall their names. I cannot remember what they looked like or what they said. What  I do remember is the news being on in the living room, and I was eating dinner in the kitchen with my mom and brothers. Suddenly, the faces of that brother and sister were on TV. It was reported that their mentally troubled mother had killed them. I think it was because she was denied custody of them in an ugly divorce.  Doing a little bit of digging in the Michigan death index online, I rediscovered who they were. They were Susan and Richard. They were ten and nine-years-old at the time.   I surely don't remember plenty of details, as this was in June of 1973. Over forty years ago, it's a much faded memory now.  I only know I did not go to the funeral home. If I did, I am sure I'd be horrified to look upon those children who were robbed of their lives.  Death was no longer just for pets or old people.  It wasn't fair and it didn't discriminate in age. And if it could happen to someone as young as them, it could come knocking on my door. Perhaps, that was the beginning of my fear of death.
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6
All these stanzas look alike they talk about the same things with the same words, the same poem written over and over again like voices, whispers, copying each other unable to feel and trust experience differently, socialized for homogeneity unified but dull, strong but obedient their writing seemed the narratives of machines unable to innovate plagiarizing voices they believed were their own, authentic, pure their literary journals were a politics of masters of arts and agendas of contests like car commercials without a proper enjoyment of speed, or our favorite writers whose names we only knew because they were the ones who died at the right time while somebody was looking, reading them but the bookstores didn’t know their metaphors were weak, or their life’s work was merely symbolic, that’s the thing isn’t it poets are only symbols, as poems are only fluff, paper, the labor of writers-in-residence while the rest of the world are more interested in serial killers and which stocks might be worth getting into, and when to sell out investing in words seemed silly to them and, in my selected works there was nothing of how to be a Poet Laureate or how to win prizes exceptional or not, publication was left to amazon state grants, fellowships, visiting writers academics who never felt truly how to write poetry at its heart was a colonization of artists few could share what that meant, we were the first illiterate generation, spending more time with the internet than with books.
0
Oct 18, 2014
Oct 18, 2014 at 12:04 PM UTC
On the decline of literacy
All these stanzas look alike they talk about the same things with the same words, the same poem written over and over again like voices, whispers, copying each other unable to feel and trust experience differently, socialized for homogeneity unified but dull, strong but obedient their writing seemed the narratives of machines unable to innovate plagiarizing voices they believed were their own, authentic, pure their literary journals were a politics of masters of arts and agendas of contests like car commercials without a proper enjoyment of speed, or our favorite writers whose names we only knew because they were the ones who died at the right time while somebody was looking, reading them but the bookstores didn’t know their metaphors were weak, or their life’s work was merely symbolic, that’s the thing isn’t it poets are only symbols, as poems are only fluff, paper, the labor of writers-in-residence while the rest of the world are more interested in serial killers and which stocks might be worth getting into, and when to sell out investing in words seemed silly to them and, in my selected works there was nothing of how to be a Poet Laureate or how to win prizes exceptional or not, publication was left to amazon state grants, fellowships, visiting writers academics who never felt truly how to write poetry at its heart was a colonization of artists few could share what that meant, we were the first illiterate generation, spending more time with the internet than with books.
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37
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
0
Sep 1, 2018
Sep 1, 2018 at 10:04 AM UTC
Queens of Beauty
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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49
Heaven . . .  Have Mercy . . . Rest, rest, rest, for ye be none, pitiful Fallen One. Quivering bows flow over grave strings bassoons and basset horns ring pounding timpani’s announce: Master of the Holy Choir - -  Renounced - - Vain, fluttering heart sublimely denounced, scorned; fouled, ousted: Horned. Wailing strings, bassoons, basset horns, thundering kettle drums lift angelic voices to glorious requiem. Pleas for Eternal Light’s remain in wings refrain. Heavenly Chorus' cradle to sustain, mercy to soften disdain. The Holy Oracle contests -- to no avail. Siblings’ choir protests. Beauty beyond measure, Angel of pure, Divine tessitura, Absolution for Thee? Foretellers of dark illusion open Holy Scriptures to reveal the drone of Eternal Damnation: trumpets of ill drag Thee to Hell. Deep, ephemeral rhythms exalt dancing strings, seal destinies -- Kiss The Almighty King. Glory be unto His Majestic Reign, Will Supreme, Tremendous, Powerful, Holy Being. Scribes record, recite this dreadful day, condemn Thee: Fallen One. trumpets lament, strings mock this unholy, forbidden way. Bows flutter -- a memoir of redemption. Cries of confusion dissipate   into muffled choirs, murmurings of deliverance. Delicate chants beg for forgiveness; a Soul’s salvation, fusion. To no avail! Turbulent strings strike the Holy Duel in wrath, writhing hatred, majestic wings tumble -- twist to wrenched ****** Death devours, Birth becomes the Fallen One. Angelic dissolution -- distraught, agonized Ethereal, Eternally beautify these ghostly, trembling winds, strings, harpsichord, drums. Voices of brotherhood remembered, cushion Angel’s earthly descent. Breathe into infantile genius heavenly symphonies to sweeten a life trapped, scorned, condemned, mourned Love of God: Amadé
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Jul 17, 2012
Jul 17, 2012 at 11:02 AM UTC
Love Of God
Heaven . . .  Have Mercy . . . Rest, rest, rest, for ye be none, pitiful Fallen One. Quivering bows flow over grave strings bassoons and basset horns ring pounding timpani’s announce: Master of the Holy Choir - -  Renounced - - Vain, fluttering heart sublimely denounced, scorned; fouled, ousted: Horned. Wailing strings, bassoons, basset horns, thundering kettle drums lift angelic voices to glorious requiem. Pleas for Eternal Light’s remain in wings refrain. Heavenly Chorus' cradle to sustain, mercy to soften disdain. The Holy Oracle contests -- to no avail. Siblings’ choir protests. Beauty beyond measure, Angel of pure, Divine tessitura, Absolution for Thee? Foretellers of dark illusion open Holy Scriptures to reveal the drone of Eternal Damnation: trumpets of ill drag Thee to Hell. Deep, ephemeral rhythms exalt dancing strings, seal destinies -- Kiss The Almighty King. Glory be unto His Majestic Reign, Will Supreme, Tremendous, Powerful, Holy Being. Scribes record, recite this dreadful day, condemn Thee: Fallen One. trumpets lament, strings mock this unholy, forbidden way. Bows flutter -- a memoir of redemption. Cries of confusion dissipate   into muffled choirs, murmurings of deliverance. Delicate chants beg for forgiveness; a Soul’s salvation, fusion. To no avail! Turbulent strings strike the Holy Duel in wrath, writhing hatred, majestic wings tumble -- twist to wrenched ****** Death devours, Birth becomes the Fallen One. Angelic dissolution -- distraught, agonized Ethereal, Eternally beautify these ghostly, trembling winds, strings, harpsichord, drums. Voices of brotherhood remembered, cushion Angel’s earthly descent. Breathe into infantile genius heavenly symphonies to sweeten a life trapped, scorned, condemned, mourned Love of God: Amadé
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75
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
My mother used to hate me. Shortly after she found out she was pregnant with me she started to hate me. She tried to get an abortion, but I wouldn't die. She tried to vacuum me out but I just wouldn't let go... She was late 5 days on her due day , 'cause i just wouldn't leave. She hated me all the way out of her ****** through the ****** and finally out. She hated breastfeeding me, she hated putting me to sleep and changing my diapers. She hated the day i said my first word, "mama", she cursed the day i started to walk. She hated going to my kindergarten recitals, she hated all the contests I won in grade school. As I finished the 8th grade, I left and I moved to a big city with my sister, for grater education and a better life. She didn't say a word before I left, nor the following weeks. Papa was crushed, she lived happily... Until one day, three months later. I was on my way to school, when, in front of the building I saw papa and her. She looked awful. As she saw me she started crying and ran to me. She hugged me and kissed me for minutes, as she kept saying "I love you so much...I'm so sorry...I missed you so much...". Papa said she didn't eat, she couldn't sleep for weeks and she was devastated. I went upstairs with them, I laid her on my bed and she fell asleep in my arms, shivering and whispering, with big tears running down her pale chin...She never woke up... I love you, mama...                                                                                                      DCimpean                                                                                                                2014
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Dec 7, 2014
Dec 7, 2014 at 4:39 AM UTC
My mama
My mother used to hate me. Shortly after she found out she was pregnant with me she started to hate me. She tried to get an abortion, but I wouldn't die. She tried to vacuum me out but I just wouldn't let go... She was late 5 days on her due day , 'cause i just wouldn't leave. She hated me all the way out of her ****** through the ****** and finally out. She hated breastfeeding me, she hated putting me to sleep and changing my diapers. She hated the day i said my first word, "mama", she cursed the day i started to walk. She hated going to my kindergarten recitals, she hated all the contests I won in grade school. As I finished the 8th grade, I left and I moved to a big city with my sister, for grater education and a better life. She didn't say a word before I left, nor the following weeks. Papa was crushed, she lived happily... Until one day, three months later. I was on my way to school, when, in front of the building I saw papa and her. She looked awful. As she saw me she started crying and ran to me. She hugged me and kissed me for minutes, as she kept saying "I love you so much...I'm so sorry...I missed you so much...". Papa said she didn't eat, she couldn't sleep for weeks and she was devastated. I went upstairs with them, I laid her on my bed and she fell asleep in my arms, shivering and whispering, with big tears running down her pale chin...She never woke up... I love you, mama...                                                                                                      DCimpean                                                                                                                2014
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3
We wear our helmets Together with our suits for race I am the driver You are my co-driver Buckle up! Seat belts on We're ready to race Radio's on, I let you decide on which station Ready? Get set. Let's start the chase! We start smoothly Our gear's not even on three I step up the gas Let's speed up and fast! I don't really see the need to rush But since we're on the track Better give it our best shot Or else we'll lose the bout Also, there are competitors Whose pace we can't help but to compare They have such high scores Which subconsciously became our goal Then came rough roads I swerve from left to right We go off road Several times A **** after a **** Seems like an under-construction ramp "Watch out!" And then a bump Blood and bruises Filled our faces You looked at me with so much blame But, hey, isn't this a tag-team game? Sure, I was the one holding the steering wheel But you were my co-driver, sitting at the passenger seat You were the one in charge to navigate To follow your instructions was all I did I admit I had troubles as well Insecurities, jealousy made me tremble I felt I made an impossible gamble But, I am very sorry, I am human after all I cannot see your tears You're not that easy to read or I'm just bad at it But I have to take a guess You're very sorry as well We looked into each other and we had the hint We had to change our views for this trip Ah, I know what action would fit We smile as we said, "In this race, we quit." I started the engine And we buckled up again We quit the race, but we didn't quit our journey We'll continue slowly but surely, as we enjoy the sceneries We've had enough of contests Championships that never had any winner Championships that only brought stress It's not the destination, but the journey which matters If ever in case you resign as my co-driver, however I'll probably hire another After forever? Or I'll just also quit as a driver
0
Jun 18, 2015
Jun 18, 2015 at 4:20 AM UTC
Rally Racing
We wear our helmets Together with our suits for race I am the driver You are my co-driver Buckle up! Seat belts on We're ready to race Radio's on, I let you decide on which station Ready? Get set. Let's start the chase! We start smoothly Our gear's not even on three I step up the gas Let's speed up and fast! I don't really see the need to rush But since we're on the track Better give it our best shot Or else we'll lose the bout Also, there are competitors Whose pace we can't help but to compare They have such high scores Which subconsciously became our goal Then came rough roads I swerve from left to right We go off road Several times A **** after a **** Seems like an under-construction ramp "Watch out!" And then a bump Blood and bruises Filled our faces You looked at me with so much blame But, hey, isn't this a tag-team game? Sure, I was the one holding the steering wheel But you were my co-driver, sitting at the passenger seat You were the one in charge to navigate To follow your instructions was all I did I admit I had troubles as well Insecurities, jealousy made me tremble I felt I made an impossible gamble But, I am very sorry, I am human after all I cannot see your tears You're not that easy to read or I'm just bad at it But I have to take a guess You're very sorry as well We looked into each other and we had the hint We had to change our views for this trip Ah, I know what action would fit We smile as we said, "In this race, we quit." I started the engine And we buckled up again We quit the race, but we didn't quit our journey We'll continue slowly but surely, as we enjoy the sceneries We've had enough of contests Championships that never had any winner Championships that only brought stress It's not the destination, but the journey which matters If ever in case you resign as my co-driver, however I'll probably hire another After forever? Or I'll just also quit as a driver
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60
They said the world tasted bitter, But I didn't know the taste Sitting on my high pedestal I hadn't found my place. They said life was pain, But I jumped right on the train The box was cold, damp Dark heat, a burning lamp Of judgment. I caught it, This sweat-soaked fever A penny for a heartless demeanor It came back, the conflict within Shivers down my skin. Why- that gifted nymph, It lurks in nails, toes, grins A flashlight on throats The world was grim. They said life was pain, But I didn't know the feel My reflected thought Held back, bitten at the heel. Wasn't I seeing gumdrops and candy ladders Pie contests and glowing lanterns Cherry soda and harmless banters Butterfly wings and hula dancers? They said life is pain, But to seek fun and games Look at oneself first Here lies change. Here lies paradise.
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Jul 14, 2014
Jul 14, 2014 at 9:47 PM UTC
The World's Taste
Eat the fourth cookie. Bring back that fuzzy green sweater with lint ***** so stubborn that even the strongest lint roller couldn’t break the bond they have with the sweater. I know you pick your nose in public. You stutter every time I ask who lives on Mamaroneck Street. You have burping contests with yourself while you’re on the toilet. I don’t care how you clip your toenails on today’s newspaper. I still read it after you’re done. I love that you paint each nail in a different neon color, eat chocolate chips and green tea for breakfast, and salt your apples. You cry every time you watch Titanic. I agree Rose should’ve moved to the side and shared the plank with Jack. You rap to Baby Got Back fifty nine times in a row. I wish we danced to it more often. I wish you would tell me what you write in your red book. I know you pretend you’re Beyonce in concert while working out, and think Michael Buble wrote haven’t met you yet for you. I love that you keep the ticket stubs from every single movie we see in the tea jar under your bed. You smell of cologne every time you walk into the house. You don’t know how to whisper. You never have. You tell me you’ll be back by noon but don’t come back till 7 p.m. You use your knitting needles as chopsticks when we order sushi, And don’t stamp any of the letters you send your mom. Even though you have seven wallets, you keep all your money loose in your bag and throw away all the pennies in the trash. You pretend your belly-fat is a puppet that can talk and sing, And you flirt with the waiter for extra hot sauce. You hate it when I use your cell-phone And every night you kiss him goodnight at the train station.
0
Dec 12, 2011
Dec 12, 2011 at 11:19 AM UTC
Dear Janice
Eat the fourth cookie. Bring back that fuzzy green sweater with lint ***** so stubborn that even the strongest lint roller couldn’t break the bond they have with the sweater. I know you pick your nose in public. You stutter every time I ask who lives on Mamaroneck Street. You have burping contests with yourself while you’re on the toilet. I don’t care how you clip your toenails on today’s newspaper. I still read it after you’re done. I love that you paint each nail in a different neon color, eat chocolate chips and green tea for breakfast, and salt your apples. You cry every time you watch Titanic. I agree Rose should’ve moved to the side and shared the plank with Jack. You rap to Baby Got Back fifty nine times in a row. I wish we danced to it more often. I wish you would tell me what you write in your red book. I know you pretend you’re Beyonce in concert while working out, and think Michael Buble wrote haven’t met you yet for you. I love that you keep the ticket stubs from every single movie we see in the tea jar under your bed. You smell of cologne every time you walk into the house. You don’t know how to whisper. You never have. You tell me you’ll be back by noon but don’t come back till 7 p.m. You use your knitting needles as chopsticks when we order sushi, And don’t stamp any of the letters you send your mom. Even though you have seven wallets, you keep all your money loose in your bag and throw away all the pennies in the trash. You pretend your belly-fat is a puppet that can talk and sing, And you flirt with the waiter for extra hot sauce. You hate it when I use your cell-phone And every night you kiss him goodnight at the train station.
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30
**My life is foretold in every crevice of this universe, in serene seas, and swaying sands, in scorching degrees and holding hands, with a lover in my longing arms, fires raging, and yet i am sheltered from harm. and throughout my journeys, it is my deepest desire, to ignite and set my ambitions on fire, in the midst of euphoric dreaming, with my lover on this late summer's evening. and i shall be at one with the stars, and my doors in life shall forever remain ajar.** *Walk into this space it is endless sublime congruence with the heavens open is the third eye looking directly at abyss i feel a divine hint on my skin as if it were a celestial kiss there is no need to travel in doubt it is written across the evening canvas open the gates of exotic awareness* **It is writhing, it is gifting, entrusting me, and quaking, yet I, within mine, remain still. Fore be it told, and beneath footless form, it's subversive, yet, I dance a sure tango, uphill. I must be sure, so sure not to mind lone notches and disparity, as crevices, you see, they arch to transverse. Fearing but forging the depths of what is migration, we say, from this hallowed tangle be my rise, my verse. I’m floundering, I grant, when I think I hold discovery, so, I tug at the rein of imprint and plan. It is here my beloved reliance, my precious doubtless tread is afforded the fair crossing of Pan. So, although it contests and chides and outreaches, I am in love and as love, an apprentice. A conquest won, no never, but here, a concession, a regard- I am, with no poet’s journey, amiss.** Lilting ebulliently in ineffable fields of ecstasy. Mellifluous waves, in life's voyage, inure us to pulchritude paths, refined by old age. Multifarious, nascent jubilant days, swaying in paint, array the way as we sail away.
0
Mar 28, 2015
Mar 28, 2015 at 7:27 AM UTC
A Poet's Journey ( collab by 4 Amazing Poets)
**My life is foretold in every crevice of this universe, in serene seas, and swaying sands, in scorching degrees and holding hands, with a lover in my longing arms, fires raging, and yet i am sheltered from harm. and throughout my journeys, it is my deepest desire, to ignite and set my ambitions on fire, in the midst of euphoric dreaming, with my lover on this late summer's evening. and i shall be at one with the stars, and my doors in life shall forever remain ajar.** *Walk into this space it is endless sublime congruence with the heavens open is the third eye looking directly at abyss i feel a divine hint on my skin as if it were a celestial kiss there is no need to travel in doubt it is written across the evening canvas open the gates of exotic awareness* **It is writhing, it is gifting, entrusting me, and quaking, yet I, within mine, remain still. Fore be it told, and beneath footless form, it's subversive, yet, I dance a sure tango, uphill. I must be sure, so sure not to mind lone notches and disparity, as crevices, you see, they arch to transverse. Fearing but forging the depths of what is migration, we say, from this hallowed tangle be my rise, my verse. I’m floundering, I grant, when I think I hold discovery, so, I tug at the rein of imprint and plan. It is here my beloved reliance, my precious doubtless tread is afforded the fair crossing of Pan. So, although it contests and chides and outreaches, I am in love and as love, an apprentice. A conquest won, no never, but here, a concession, a regard- I am, with no poet’s journey, amiss.** Lilting ebulliently in ineffable fields of ecstasy. Mellifluous waves, in life's voyage, inure us to pulchritude paths, refined by old age. Multifarious, nascent jubilant days, swaying in paint, array the way as we sail away.
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41
Sometime this spring, when all the cobwebs have been dusted, and all the cold and dampness has gone away, I'll sit on my front porch and watch the lazy clouds go by. Sometime this spring, when there are no more dreary days, 0r long and silent lingering nights, I'll sweep my front porch and sit so grand in my rocking chair and stare and howl at the sumptuous moon. Sometime this spring, I'll hold my child in my loving arms, and will stroke her hair and whisper to her about all the adventures to come, and dream and fill her head and heart with all the joy that nature brings. Sometime this spring. delete poem Copyright © 2010 Category Tags Add Rate this Poem 1 2 3 4 5 6 7 8 9 10 Submit your vote Reviews Write a Review Submit your poem Have a little fortune with your fame. Title: required Poem: required Category: Children Death Family Friendship Inspirational Humor Loss Love Nature Religious Other Tags (comma separated): Submit your poem Greatest Poems Greatest Poems Ever Written Greatest Love Poems Greatest Children's Poems Greatest Poets Bios Famous Poetry Quotes 9/11 Poetry Reference Poetic Techniques Poetic History Rhyming Help Poetry Glossary Poetry RSS Feeds Poetry Quizzes Write and Read Publish Your Book Discover Poets Poetry Marketplace Free Contests Leaderboard About Lulu Poetry Company Profile Membership Agreement Privacy Policy Contest Rules Poetry Blog Help Copyright © 2009 LLEI, Inc. All Rights Reserved.
0
Jan 8, 2011
Jan 8, 2011 at 1:06 AM UTC
Sometime This Spring
Good old Gregory Goose was Gladder  than any Gander could be  and not Just because Nelson the Ninja Snail had said he was "JUST-DUCKY" !     This was a Very Special morning for Gregory Goose,   in Fact it was yesterdays Super Special situation that made His Delight so DELICIOUS.      The comment by Nelson the Ninja Snail, had simply added to  His Glory!      Gregory's Special Situation  Had been the Unexpected Announcement that HE was to be Named  "TEAM-CAPTAIN"   for the Annual  "Hog Wallow and Here's Mud in Your eye" CONTEST ! !     "Oh the delight" He thought,   "I am to be Captain,  after waiting all these years".     "ME"   he exclaimed !  "Captain of the South Forty Blocks"......   "W O W ' ! !    At the most convenient time of the day,  Harold Hippo,   Candy Cow,   Curtis Chipmunk,   Marvin Monkey,   Beatrice Bovine   and Larry Lynx  decided to make a Personal call on Good Old *GREGORY GOOSE  .   Keep in mind Now,   That Harold,  Candy,   Curtis,   Marvin,   Beatrice  and Larry we're the *INSIDE,  of the  "INNER-CIRCLE".     JUST ASK THEM !!    They were on the INSIDE ! !    Well,  when Gregory Goose heard the Knock at the door,   He opened it with a Great Big Grin,  That ONLY Gregory could Give!   Before Him stood  the "J U D G E S "  of All Contests and Efforts.    *Gregory was Beside Himself ! !     Instead of Seeing a group of Smiles and Handshakes,   He saw Staring Eyes,   Necks that had been stiffened  AND  *Gnashing of Teeth.    Beatrice Bovine was the First to Speak,   "Gregory,   it has been brought to our attention that you had a conversation with Nelson the Ninja Snail,,   and YOU didn't Rebuke his statement of being called  "JUST-DUCKY".    "As a result of this,  *WE  decided YOU  "Cannot  Be"    CAPTAIN   of the Hog Wallow and Mud in Your Eye Contest,   PERIOD ! !      Gregory Simply smiled,  Looked Straight into their Eyes,   Quietly said  "BYE",   Softly Closed the door....    Turned Grinning,   Knelt to his Knees,   PRAYING,   Thanking GOD,  for the FACT,, That he,   Gregory,    He was Made just a   *LITTLE BIT PECULIAR  ! !
0
Jan 10, 2011
Jan 10, 2011 at 3:19 AM UTC
*" GREGORY the GANDER " * ( #47 )
Good old Gregory Goose was Gladder  than any Gander could be  and not Just because Nelson the Ninja Snail had said he was "JUST-DUCKY" !     This was a Very Special morning for Gregory Goose,   in Fact it was yesterdays Super Special situation that made His Delight so DELICIOUS.      The comment by Nelson the Ninja Snail, had simply added to  His Glory!      Gregory's Special Situation  Had been the Unexpected Announcement that HE was to be Named  "TEAM-CAPTAIN"   for the Annual  "Hog Wallow and Here's Mud in Your eye" CONTEST ! !     "Oh the delight" He thought,   "I am to be Captain,  after waiting all these years".     "ME"   he exclaimed !  "Captain of the South Forty Blocks"......   "W O W ' ! !    At the most convenient time of the day,  Harold Hippo,   Candy Cow,   Curtis Chipmunk,   Marvin Monkey,   Beatrice Bovine   and Larry Lynx  decided to make a Personal call on Good Old *GREGORY GOOSE  .   Keep in mind Now,   That Harold,  Candy,   Curtis,   Marvin,   Beatrice  and Larry we're the *INSIDE,  of the  "INNER-CIRCLE".     JUST ASK THEM !!    They were on the INSIDE ! !    Well,  when Gregory Goose heard the Knock at the door,   He opened it with a Great Big Grin,  That ONLY Gregory could Give!   Before Him stood  the "J U D G E S "  of All Contests and Efforts.    *Gregory was Beside Himself ! !     Instead of Seeing a group of Smiles and Handshakes,   He saw Staring Eyes,   Necks that had been stiffened  AND  *Gnashing of Teeth.    Beatrice Bovine was the First to Speak,   "Gregory,   it has been brought to our attention that you had a conversation with Nelson the Ninja Snail,,   and YOU didn't Rebuke his statement of being called  "JUST-DUCKY".    "As a result of this,  *WE  decided YOU  "Cannot  Be"    CAPTAIN   of the Hog Wallow and Mud in Your Eye Contest,   PERIOD ! !      Gregory Simply smiled,  Looked Straight into their Eyes,   Quietly said  "BYE",   Softly Closed the door....    Turned Grinning,   Knelt to his Knees,   PRAYING,   Thanking GOD,  for the FACT,, That he,   Gregory,    He was Made just a   *LITTLE BIT PECULIAR  ! !
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1
they said he should submit this make submissions and do readings this is the way it’s been done for many years but he didn’t really want to a couple of rejections left him weary and he’s a writer not a performer the contests say “all styles and subjects” but surely they have criteria not this one not this one this one the all inclusiveness is a lie the judges know what they want he wished they’d be up front and specific but it’s all about the entry fee they pretend to be seeders offering everyone a chance to grow and bloom but they’re actually weeders quickly quashing poems rubber stamped with doom they never really stood a chance because it’s all about the entry fee “Don’t self publish”, they said “You’ll regret it” he did the design and layout anyway “Can ‘we’ make changes to the cover?” who the hell is “we”? this is his book? sure he wanted sales that’s what publishing is about but sink or swim he wanted his book, his way especially his first book and he’s a stubborn ******* the internet is accommodating this IT age makes it easier the process has been long with glitches and obstacles doubt and procrastination but the would be destination was worthy available at amazon
0
Mar 2, 2013
Mar 2, 2013 at 8:47 PM UTC
A SHAMELESS PLUG
Get me down to the local band stand traditional and modern grand Cornets, Euphoniums and tuba's in tune I love the sight I'm so immune from the pits of Yorkshire and round the globe Scores resounding from Adobe The Conductor's baton keeps the beat and if its wrong they stamp there feet from amateur to championship all you have is brass to lip contests regional every year and music reading not play by ear!
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Nov 21, 2014
Nov 21, 2014 at 7:44 PM UTC
Blast from the brass
Planting excitement upon us, My daughter asks how to thin the beets. "When the plants are three inches tall, Pick the weaker ones and pull them up," I say. "You'll take out two thirds of the young plants So the rest can grow." I see a troubled look upon her face, And realize what I find in myself.... The teacher's quandary: Picking whom to keep, Whom to cull... We put our love into them all. Watching for first and tender shoots, Celebrating as the fledgling leaves appear, Not thinking of a time ahead, Dreaded time to thin.... Teachers are reluctant to cull, Building emotional connection, Providing loving direction, Promising success to all.... Then come the standardized tests, The  team selections, The popularity contests, The invitations to slumber parties, The division of elites, The rising of divas, The rostering of first teams... The separation of pariahs begins, The promise we made to early learners ends, Superiors, exultant, drown out the tears Of those left standing by the fence, Excluded from the chances to advance. Standing in the seedling beds, Spring breezes rustling tender leaves, I turn to Kate.... "It's never easy.... But if we don't  thin the beets, The beets will not develop Beneath the leaves." These damnable analogies arise Infrequently these days, And I am standing in the dirt, Black soil upon on my hands, Wondering about survival of the weak, The treatment of humans and young plants, Pondering humane ways to honor every student In which I am investing... Wishing I could see the end of high stakes testing....
0
Jun 4, 2015
Jun 4, 2015 at 12:29 PM UTC
Thinning Beets
Planting excitement upon us, My daughter asks how to thin the beets. "When the plants are three inches tall, Pick the weaker ones and pull them up," I say. "You'll take out two thirds of the young plants So the rest can grow." I see a troubled look upon her face, And realize what I find in myself.... The teacher's quandary: Picking whom to keep, Whom to cull... We put our love into them all. Watching for first and tender shoots, Celebrating as the fledgling leaves appear, Not thinking of a time ahead, Dreaded time to thin.... Teachers are reluctant to cull, Building emotional connection, Providing loving direction, Promising success to all.... Then come the standardized tests, The  team selections, The popularity contests, The invitations to slumber parties, The division of elites, The rising of divas, The rostering of first teams... The separation of pariahs begins, The promise we made to early learners ends, Superiors, exultant, drown out the tears Of those left standing by the fence, Excluded from the chances to advance. Standing in the seedling beds, Spring breezes rustling tender leaves, I turn to Kate.... "It's never easy.... But if we don't  thin the beets, The beets will not develop Beneath the leaves." These damnable analogies arise Infrequently these days, And I am standing in the dirt, Black soil upon on my hands, Wondering about survival of the weak, The treatment of humans and young plants, Pondering humane ways to honor every student In which I am investing... Wishing I could see the end of high stakes testing....
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48
To be alone Is to be complete They say No man is an island, But isn't everyone? We're all stranded on islands of self-interest Connected to others Through flimsy bridges of temporary alliances Mutual interests and gain The more connected we are The more isolated we become Pictures and blog posts Nothing more than facades Anomie is the word of the decade The individualistic The self-sufficient Is reviled For refusing to play the game To participate In the masquerade To jump through the hoops Of social niceties Somehow To sit and squirm Through ******* contests and gossip To flap and flutter In the howling gales of hysteria and contrived laughter Is preferred over Sitting alone Revelations and epiphanies Splayed out before oneself Playing solitaire with one's reflections In peace Baby showers and mixers Celebrated The impenetrable silence Of one's hermitage Eschewed The people-pleaser Preferred Over the lone wolf The team player Over the independent agent I suppose In an age of open doors A locked one Raises a few eyebrows They'd knock and rattle Then bang and kick and shout Before leaving in a huff Authenticity is now the rarest commodity Valued over saffron and platinum So people settle instead For knockoffs Alcohol-plied sincerity is better than nothing A China-made Rolex still looks better -- Flashier, if nothing else -- Than a Timex No man is an island, They say, Smirking Frowning Clucking with disapproval Peering behind perfectly schooled masks Nary a hair out of place Looking at me In all my artless imperfection Paper, pen, and cigarettes for company Well Which of us here Is truly alone?
0
Aug 30, 2014
Aug 30, 2014 at 10:27 AM UTC
Juche: Meditations on Solitude
To be alone Is to be complete They say No man is an island, But isn't everyone? We're all stranded on islands of self-interest Connected to others Through flimsy bridges of temporary alliances Mutual interests and gain The more connected we are The more isolated we become Pictures and blog posts Nothing more than facades Anomie is the word of the decade The individualistic The self-sufficient Is reviled For refusing to play the game To participate In the masquerade To jump through the hoops Of social niceties Somehow To sit and squirm Through ******* contests and gossip To flap and flutter In the howling gales of hysteria and contrived laughter Is preferred over Sitting alone Revelations and epiphanies Splayed out before oneself Playing solitaire with one's reflections In peace Baby showers and mixers Celebrated The impenetrable silence Of one's hermitage Eschewed The people-pleaser Preferred Over the lone wolf The team player Over the independent agent I suppose In an age of open doors A locked one Raises a few eyebrows They'd knock and rattle Then bang and kick and shout Before leaving in a huff Authenticity is now the rarest commodity Valued over saffron and platinum So people settle instead For knockoffs Alcohol-plied sincerity is better than nothing A China-made Rolex still looks better -- Flashier, if nothing else -- Than a Timex No man is an island, They say, Smirking Frowning Clucking with disapproval Peering behind perfectly schooled masks Nary a hair out of place Looking at me In all my artless imperfection Paper, pen, and cigarettes for company Well Which of us here Is truly alone?
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