We want to see ourselves
see ourselves
because we're afraid that nobody else will
ever want to capture us
in a camera flash- so we take our own pictures.

Click. Our front camera becomes
the one minute we had hoped our fathers had for us
when he wasn't busy on that same phone, speaking,
not clicking. Without us.

Or it becomes the one minute we had hoped
that our lovers would hold us
before they settled on to someone
with more likes,
more comments,
more friends,
more happiness...
than we could ever wait for.

We are impatient
like the frequency of data on our profiles:
here are our feelings now... here
are our feelings again, five minutes later,
performing for social algorithms
in place of photographers
besides ourselves who
see ourselves.

But our ignited pixels,
and overstuffed inboxes,
and masturbatory statuses,
and glittering timelines,
and social everything-

are popularity contests
that all of us are losing.

Yet still we want to see ourselves
see ourselves
even though we are afraid
of what we know is true...

...Because what difference
is a poem to a tweet
besides the number of characters
that we wish we had to populate our own stories?

Please let us be different,
just like everyone else.

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

The self I saw in you
Was at the start an album
Of smiles next to
Expecting eyes
I was in constant
Flow
To try and reach
My open arms towards
You, A Fun Time
Shining in your white dress
Me in my hip pants
We cross the street
Like we know
Each others steps
The world among us
Is not the best
We both fear, cringe
But friend, you chose to love
Me, in my midnights
In my last songs
You gave me you
In every dance
Like the moments never ending
Time never said goodbye yet
Because my hand folds into yours
My Sister in a friend

swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my *****," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-***** fury
threw a ******* party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the ***.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.

i saw my brother today
for the first time in years
scrolling through pages of
what i imagine the inside of his mind is like
i caught a glimpse
a flicker
of the life he's been living
social media has let me in to parts of his being
i never imagined i'd see
i stand like an onlooker
a stranger
observing a boy
trapped inside of walls of his own making
i know those walls
i know how miserable it is to die a slow suicide
if he turned around
he'd see me behind bars
we're both ravage animals
but he won't
he's got a life i know nothing of
he's got feelings i know something of
he has no idea i want to know him
i wanted to stay there forever
watching the updates trickle in
watching his life
not mine
i wonder if he ever does the same
i bookmarked the page and hit exit
he'll be here in the screen
i promised him
i'd visit soon

My backpack ready for anything, I left for a voyage across the pond. As fellow passengers climb aboard I met a 27 year old traveling musician named Russ carrying his cajòn. He told me of his travels from Massachusetts and pending divorce. We related on this and exchanged CD's. Behind us sitting on the Ferry were two young girls working on a puzzle. Russ imposed himself and tried to impress them with his musical endeavors. These girls were in America from Germany attending college. One was 17 and the other was 18 but I am sure they knew better than to play into his hand. After talk of language and culture we disembarked. Russ invited me to his show that night but I had plans to meet a girl at a board game pub. I walked to the bus stop while smoking my pipe and caught the number 40 from downtown to a trendy neighborhood up north.

After I stepped off I found myself amongst the overgrown players of games and drinkers of fine beer. Brittany arrived and we chatted over IPA's. I explained my recent challenges to get the topic of divorce out of the way before we left for Mexican food. She was very open in saying I should play the field and not have a serious relationship. I agreed with her take but could not read her as well as I had hoped. She said I need to get the rebounding out of the way and explained that she too is struggling with commitment. Being 34 with no marriage or children under her belt she feels that therapy is essential to figuring this out.

We walked to our happy hour destination and shared Nacho's while drinking "Colorado Kool-Aid". Both of us having spent a lot of time in Denver we could relate on much but I felt there was an elephant in the room. Afterwards we walked to a nearby record store and browsed while talking about music and interests. She needed to leave soon having obligations to housesit and watch pets. Dog walking is her profession since her departure from the world of corporate accounting. We walked to her unkempt sedan and she gave me a ride back downtown. We talked of hanging out again but our schedule may not permit for some time. I wonder if she will entertain my company without reservation, only time will tell.

I decided to phone my old friend from Denver who lives near and devise another plan for the evening. The sun was still shining and I had no reason to return home yet. I walked to a nearby brew pub while waiting for him to meet me. I sat at the bar with another traveler named Dave. He is an airline pilot close to retirement from the state of Texas. We talked about my time in the Navy and my pending legal woes. He's been proudly married for 30 years and counts his blessings that he is still in harmony with his wife. My friend decided to meet me at a concert in close proximity to my date with Brittany. Once again I would take the number 40 uptown. Dave bought my IPA and gave me words of encouragement and complimented my persona. It meant a lot and I thanked him as I said goodbye.

While waiting for the bus I asked for information from a woman in her early 50's. She works for a tech company nearby but was happy to help as I had a more pleasant vibe than most of her young, urban, unprofessional colleagues. While unsure of my way she directed my move to get off at the next stop. I walked up the hill another seven blocks to the show. While smoking my pipe along the way another bus rider was two steps ahead named Nate. He was curious about my pipe tobacco and we gave brief anecdotes about ourselves. He offered to buy me a quick beer before my concert. I took him up on this offer as we walked into a nearby market. He purchased several large cans of domestics and afterwards we headed back down the dark boulevard towards the Abbey drinking our brew. As I arrived at the former church venue we parted ways peacefully.

I ventured into the bustling scene concealing my open container while finding my friend. I sat just as the opening act started. We enjoyed three musical performances but the star of the show was the beautiful woman from Denver that we both enjoyed during our time there. Feeling that we should explore the venue where Russ was performing we made our way there. I was sad to discover the brewery was shutting down before 10pm and the band was long gone. We decided to walk to the nearby singles bar playing music so loudly it could be heard from a block away. This strange place was crawling with many folks of the beautiful sort but nothing seemed to be attractive about it. We had a glass of wine and a shot of bourbon. I spoke to the fellow DJ for a moment but there was no dancefloor to be found. We decided to venture on.

We walked up and down the avenue and discovered another Mexican food restaurant, beaming with the young and the foolish. Our community seating was met with overly affectionate couples to our left and valley girls to our right. Our Tequila mules hit the spot with our Nacho's and late night platter. The girls spoke of Denver people which I thought strange. Why so much co(lorado)-incidence in one evening? I injected myself into the discussion and was met with friendly conversation. Unable to finish my Nacho's I knew I had fulfilled my share of fun for the night. This was the fourth time I had eaten nachos this week. We proceeded back to the urban adventure wagon and made our way to the slums of the tech-boom. My 2am slumber was met with an air mattress of great quality and woolen blankets.

I awoke at 7am to the clouded sunlight peering through the sliding glass door. I laid awake with my stomach turning from the many Nachos not yet digested. My housemates called me about needing to move my car for restriping the parking lot. Fortunately I left my keys so they were able to do this for me. I smoked my pipe on the patio while my friend "hit the gym". When he returned we decided to walk through the arboretum by the university and enjoy the sunny autumn day. Afterwards he dropped me off by the ferry where I waited an hour drinking beer at the commuter dive.

During my ferry ride home I walked up and down the passenger compartment looking for a fellow rider to play cribbage. I had no such luck and headed for the observation deck. While the city vanished behind us I struck up a conversation with a young lady from Manchester who had just returned to living in the US. We talked about the nature of selfies and the conflict of living in the moment. As we spoke a man approached me who had overheard my request for a card game. We walked back inside and sat next to an abandoned puzzle with pieces scattered about the deck. Mark introduced himself and we shook hands. It was not until he shuffled and dealt the cards that I realized this 45 year old Asian man only had one arm. His ability to shuffle and deal was impressive. His skill with cribbage was more than rusty, after one game I had a victory so great I felt guilty. He too is going through divorce and seeking a new job. It was a great way to pass the time with a fellow passenger.

As I readied myself for the porting I noticed a familiar face, a young sailor I served with in Mississippi. Our time spent together was met with sorrow as we faced similar career challenges. I had not seen him for several months but he almost did not recognize me. I had lost 50 pounds, left the Navy and become single all in a matter of a few months. I assured him I was on the dawn of newfound joy and wished him luck on his upcoming deployment. I patted him on the head as he seems like such a lovable scamp to me at this point. I exited the terminal to saunter back home. I smoked my pipe while crossing the bridge enjoying the last hour of sunlight.

I settled my belongings at home while serving myself a can of chili and a cold IPA on draft from my housemates tap. I joined him for the end of a baseball game in the den and shared a few moments with my community. I slept for a couple hours and then made my way to work. So much can happen in a day.

It's a technological age
& Baby,
you've got my number,
I love you close-up.
live to see your sweet flow,
'cause I know Honey,
you've been
thinking about me.

Did you get new drapes &
an amber pillowcase Sweetheart?
They're pretty nice!
I just wanted to tell you,
they match your
gorgeous hair
perfectly &
when you
hold yourself up
like that,
well...let's just say
it makes me want
to shout out
a few *****-things
I'd like to do with you.
If you only knew,
oh, if you only knew,
wink wink.

And when
your sparkling-eyes
meet mine,
it gets me going,
but it's really
your spread
feminine-thighs
that keeps me honest.
No lies, I'm yours to keep,
you can have me forever,
I promise.

O Doll Face,
your lacy lingerie,
so stunning,
so very ****
& amazingly sensual,
especially
the crotchless ones,
what scrumptious
****-fun,
yum, yum!

O Darling,
my Sweet Sugar Pie,
you're the greatest,
& oh how I love you,
you & your selfies,
so discreetly,
they move me.
no lie!

Birdbox
                by Amoy

I live on your social acceptance of me
You keep my face buried, my eyes blind and my mind occupied
You draw me in, I loose myself, trying to find myself
I can't hear the birds chirp, I can't see the sunrise
You are always here but yet I'm afraid and I’m alone
The happiest people living their "best lives" surrounds me
Telling me to see, telling me I need to be apart of it
Don't you want to be like me?
Live feeds, Status updates
Selfies, likes
Love me, don't scroll without a comment
Live streams, fake news, fake friends
Program-me, I need your feeds
It's not just a movie, it's real life get a clue

There's an awkward thrill I feel
like wicked-wet rabies –
Oh. Ah. Oh.
To gaze over photos of the woman I created.
With my warped perception,
saturating and cropping everything into delicious
oblivion.
I am the knife as well as the ingredients
that sauteed her together in a camera flash.
She sits hot like heaven.
And I want to
stare at her picture all day until she comes to life.

The woman I created, I hang up like perfected rotisserie
and fall in love with her accidentally every day.
Looking into those precisely underlined
tiger-*** eyes of startling navy. Knowing their true dullness.
Hissing at the free-swinging curls
and the hours behind them. Loving the lie.
The flowy top and sleek trousers gliding down lovely as Niagara
over chaffing chub; all hidden. And thighs; unshaven.
And that topical smile everyone likes to see, waiting to plummet
into suicide like a kite hanging in one tight second.
Her image is my greatest
False accomplishment.

I hang my portrait up on a wall of the internet
for people of the world to migrate to
the photo exhibit, my little show-off room.
They make offers and toss compliments
with their “I like this. I like this." nonsense.


They don't know that the girl in the portrait, she
isn't organic. They seem not to notice
that she is something of a chemical flower.
Her face is my face, only with whiteout poison-paste
smoothed over twice.
And they want to
stare at her picture all day until she comes to life.

Gazing upon her believed-to-be beauty, as I hang my paintbrush,
she bites her body still as a painting,
bruised and needled
into perfect frame. She cries
like Jesus Christ, as she is stared at, but not seen.
I am the artist as well as the object.
And the woman in the portrait is
nothing,
but dot after dot of manipulated color.
And we want to
stare at her picture all day until she comes to life.

Selfies & The (Selfish) Need

Rembrandt painted hundreds in one medium or t’other.
Thanks to photo’s techno-grams
Selfies of all kinds abound,
Home paintboxes thick on the ground
Which begs the question:
Exploration or self-love?
Motives passive and elusive, definitely inconclusive,
Probably a votive to self-love;
The selfie shows its needs up front.
Pretext for one’s vanity, its insecurity.

Then there’s the blog:
A kind of selfie, yes?
There to impress via modernity’s express
A world you hope
Is waiting for your scoop,
Your dope, your ****.

When you’ve seen a glut of bodies
Photo-shopped and chopped to please,
Is there more you need to see?
Or is it true desire breeds desire
And that fact a warning dire?

Impudently, imprudently
Continuing until we rue the days that bluntly
Lead us nowhere in particular
But to the usual, predictable, familiar wrinkling
And the loss of beauty’s pull.

Selfies & The (Selfish) Need 7.5.2017
Circling Round Vanities II;
Arlene Corwin

The era of social media and virtual interaction
Where it is so important to keep your reputation
And yet indeed it'll take you nowhere
Because you're just another particle in their atmosphere

No matter how hard you try to seem kind
They just can't bother to reply, they seem to be blind
No matter how many thousands of follows you've got
Your friends are still the same old scattered lot

Selfies galore, plenty of them
Show yourself to yourself, feel like a gem
You go with your friends riding a bike
Post a picture on FB and it gets many a like
You're all content about it, it feels so nice
After which, conversation turns to ice

At gatherings telephones sound
Ringing all day, a new friend was found
Introduce yourself, one more time again
And fall into oblivion, it's starting to rain

Hide the scars,
don't let them see.
They'll call you a ****,
just as they please.

You drink Starbucks,
you take selfies.
You're a White Girl,
you see.

You're hair is red
with your Irish genes.
You are a ginger
with no soul in thee.

Your skin is colored,
your hair so dark.
You are a criminal,
that's how they see.

The world is conceited, that's easy to see.
People as a whole living egotistically.
We live in an era of self-image, self-lust.
We create a fabric of our lives that's just not us.
We show ourselves as beautiful and hide from the flaws.
When the flaws are what make us, no matter how small.
So stop living behind a vanity screen and face the world without fear.
Someone will find you beautiful, the love of your life, drawn near.
To the flaws and imperfections they can't see behind a screen.
Taking selfies isn't helping.
You're somebody's dream.

You’re a sycophant for a selfie.            
selfish daily rants are of the plenty       
up here.                                               
(Up where?)                                           
out there in the world wide-
 who cares it’s everywhere.                                         

There’s no room for you to hide. 
so beware! and be wary of what you confide.
I’ve seen words on their heads and their intent on its side. 
Your rambles are a gamble, every un-thorough thought 
is a stance you take with pride
 on something you were never taught.  

Did you go find it out by yourself? 
I doubt that. Just loud chat from those sat out around you 
was enough to change your point of view. so will you choose? 
Or will it not really be you? did you construe this opinion or did it construe yours?

Head shots like mug shot
selfies
Professing to the world their
desires to be seen like
gay barbie dolls

Green dots, I reply:
A collection of blue highlighted
selfies
of empty responses,
validating my
inadequacy

When I decided to accept
that I was gay and
cause a queer whirlwind into
the calm atmosphere that is my
family
I expected life to become easier

But as I venture into the world of
green dots and barbie selfies
I am reminded that
Gay
is not what stirred up
my hurricane of
Confusion
Insecurities
Inadequacies

It's all just me.

Fragrant rain
legends of decaying days
pools of darkness
isolated moments
clean white skin
manicured hands
and stylish stubble
in an unmade bed.

Selfies,
I can smell the desperation,
from here.
odors  of worry;
rippling anxities of uncertainity.
two dimensional,
instantaneous impressions,
pixelated presentations,
and
Teenage frustrations.

up tilted camera.
held against the light,
Illuminating eyes ,
and eradicating spots.
that looks like a good one.
Vicarious representation;
of how good
one could look,
fallible and hopeful.

big bosomed dame
showcasing blessed cleavage,
pulsating the adolescent
bulges.
delivered to
metal passenger,
thereafter shown
among peers.
networked to unknown.
Friends who'd never
met eye,
or
touched skin,
or
even spoke.  

self conscious
cropping of images.
fat and fearful.
wasted hours,
dying for love.
False dream of
captivating the messes with her selfie.

The very ugliness
of impressions.
Oh, how shallow we've became.
The denial
of the impact of aesthetics.
laughable,
torrents of judgement
Skinny,
fat,
ugly,
behold their desperate eyes behind the selfie.

When I was a kid we played over the park
climbing trees, building tree houses
playing football, sometimes gutters
challenge strangers to a game
Tag, bulldog, hopscotch, pogs and more
paper ball fights, pillow fights, play fights
when I was a kid we made friends and stayed in touch
playing outside

When I was a teenager we played against our friends
websites, bebo, myspace, msn, yahoo, chatrooms
listened to new music, bands we never heard off
photos all the time plastering the web
when I was a teenager we played games like snake
trying to hold on to our child mind as we got older

In my early 20's, things changed
Myspace no more, we moved to Facebook
Selfies, more selfies and even more selfies
Youtube, Twitter, so many ways to make friends
stay in touch

Edging closer to late 20's
Snapchat, Instagram, Tinder, Whats app, Vine
so many ways to make friends
nearly 30 years, I've experienced so many ways to remain social

I miss those days, climbing the trees
because I could
running without a care in the world
no worries, to problems, favorite teachers, best friends
so many ways to be social

Botox on the high street
A jab for flabby jowls.
Is it any wonder people
Exist only in their heads?

Social media selfies taken
From above in unnatural light.
Is it still shocking people
Hate the boring everyday?

It's not easy to like yourself
In a world obsessed with image.

Boy meets girl,
Gives her a whirl,
Log on, take selfie,
Update fakebook,
Thumbs up, look!
Had breakfast, look!
Update fakebook,
Went to the gym, look!
Update fakebook,
Now we're gym junkies,
Upload selfies,
Update fakebook,
Thumbs up, look!
Now we're wed,
Enough said,
Update fakebook,
Thumbs up, look!
Shall I kiss the bride?
Not fair, fat and wide!
First, update fakebook,
Thumbs up, look!
Now we've got kids,
Marriage on the skids,
Oh, man, that's bad,
Divorce selfies, too sad,
Update your fakebook,
Thumbs down, look!
Our 21st Century,
Celluloid selfies..........

We photograph ourselves,
to remind each other,
of who we are.
But these pictures end up on endless shelves,
as nobody will even bother,
as they are busy showing off their new car.
We don't realize the image we show,
is not really who we are,
but who we wish others thought we were,
and with this mentality we will never grow,
and we will never get very far,
as we alter ourselves for what others prefer.

I.

         “No doubt they’ll sing in tune after the Revolution.”

                      -Kamarovsky, Doctor Zhivago (film)

Everyone seems to clench his fist these days
In solidarity with ephemera
While setting fire to green recycling bins
Hurling someone else’s bicycle through a window

Armed with their undergraduate degrees
The comrades liberate a coffee shop
Wifi-ing the revolution of the day
Empowerment by beating love to death

Loudsplaining authentic victimization
Posing for selfies with a stolen ‘phone

II.

Their inhumanity seemed a marvel of class-consciousness, their barbarism a model of proletarian firmness…

                         -Doctor Zhivago, p. 349

Everyone seems to clutch his flag these days
In solidarity with a past that wasn’t
While setting fire to misspelled cardboard signs
Hurling someone else’s beer into a crowd

Armed with their lurid Confederate tats
The Something.Right liberate a dumpster
Bull-horning the counter-revolution
Empowerment by beating love to death

Bellowing their Reconquista of stench
Posing behind their cheap gas station shades

III.

“I used to admire your poetry...I shouldn't admire it now. I should find it absurdly personal. Don't you agree? Feelings, insights, affections... it's suddenly trivial now. You don't agree; you're wrong. The personal life is dead…”

            -Strelnikov to Yuri, Doctor Zhivago (film)

Some few embrace civilization these days
In solidarity with humanity
While lighting one small candle as a votive
Whispering an Ave into the Light

Armed with wonder through pen and flute and brush
Recusants choose the liberation given
In singing of the eternal verities
Self-empowerment happily denied

With love, with poetry, music, and art
Celebrating life on this summer day

Friday means parties
Friday is coffee
Friday means shopping
Friday is a netflix date with her pillow
And
Blankey...
Friday means long car rides, blasting music with your friends hoping to maybe get that one kiss
Friday is the breakfast club, twisted with easy A with a pinch of 16 candles
Friday means the late night skating rink
Friday is a messy bun with her pink piggy slippers, bringing out those old ugly black glasses
Friday means tight jeans
Friday is a sweater that covers all the way down to her knees
Friday means short shorts and raves
Friday is popcorn on the couch alone (yes, alone)
Friday means selfies
Friday is just a quote
nothing more
Friday means friends
Friday can't even remember her last sleep over

My timeline is filled
With self indulgent selfies
Searching for gratification
And self satisfaction
Need to get an instant reaction
Some social media traction
There's no time for distraction
From this digital attraction
You can't get enough
Of the interaction
1,000 poses in your camera roll
Narcissists are taking control

It doesn't matter
What the time
Come wind, rain
Snow or shine
Just make sure
You look devine
Lick your lips
You're looking fine
Flip the camera
And strike a pose
Making sure
Everybody knows
Here's your next
Digital daily dose
Does it really matter
Which ******* filter you chose?
I feel like I've lost my soul
Narcissists are taking control

The bathroom
Is the perfect spot
Take your picture
Before you Photoshop
Bunny ears
And a rainbow smile
Frogs legs
And a crocodile
Snapping away
Well all the while
You could have been
Down the Curry Mile
Instead you're out there
On your own
Sat at home
On your ******* phone
Sharing pictures
With people you don't know
You'll end up on the ******* dole
Narcissists are taking control

1,000 poses in your camera roll
Mirror selfies
And online trolls
Constantly searching
To find your soul
There's no way out
Of this black hole
Just one more post
On your way home
Narcissists are taking control

Washingtonians, this Wednesday afternoon, come to the Starbucks on 1600 K Street to become acquainted with some young, interesting, average income level Asian American guys and gals. Instead of meeting Asian American doctors, lawyers, and consultants, you’ll meet Dr. Dre copycats, alcoholic paralegals, and T-Mobile wireless salespeople.

These guys and gals are looking to meet new friends that include: white, black, Hispanic, or any other race of people, just as long as you aren’t a F.O.B. Because after all, they don’t want to perpetuate the stereotype that Asians only hang out with other Asians. Just kidding, we love our F.O.B brothers and sisters! But **** stereotypes.

If you are a Washingtonian who likes drinking alcohol and smoking marijuana, stop by and make a new Asian American friend who will provide mixers and match you on a blunt. Please, do not ask these guys and gals for college study notes for Math or Bio, because all of them have dropped out of college to pursue their artistic passions, like: writing a novel about having a white group of friends and being the token who reads Tolkien and likes Toking; playing electric guitar in a grunge, punk, post-emo garage band with your black buddies who like Fugazi and bad brains but ******* hate Green day for selling out; and drawing sketches and painting portraits of the half-Asian girl you’re dating on a wide canvass, but really you’re secretly into selfies and taking photos of breakfast on Instagram.

We don’t discriminate against the kind of alcohol you drink, whether it be wine, beer, or liquor—within reason please don’t bring Franzia or Rolling rock, this isn’t college anymore. Yes, we get it, you’re highly considering attending this group because you’re a huge Haruki Murakami fan and you’re wondering two questions: are our Japanese American patrons also huge fans of the author, and do our patrons behave in a similar fashion to Murakami’s characters like Toru Watanabe and Toru Okada?

First, our Japanese American patrons are huge fans of Murakami and they own books like Sputnik Sweetheart and The Windup Bird Chronicle, but they also think the author often is obsessed with Western culture, in a way that possibly, and seriously possibly transforms him into a Brett Easton Ellis derivative based on Ellis’s American ****** and Glamorama.

Second, no these particular patrons do not behave like Murakami’s characters, because they’re real, living, breathing human beings, and not some fantasy figure or made-up person! But enough of the rant, please come though and let’s have conversations about jazz and talking cats.

While we respect Asian American actors like Ken Jeong and Randall Park, we really aren’t interested in having a lengthy dialogue about The Hangover’s Asian **** scene, or how Park was kinda offensively funny in The Interview. Although Park is awesome in Fresh Off The boat! All we really want is to just drink jack and cokes and smoke Marlboro lights and have conversations about the latest trends in indie rock and Hip Hop culture, and whether Citizen Kane was better than Casablanca, or vice versa.

At the meeting, we will have our guest speaker Jeremy Lin’s college roommate George Park answer questions about Lin, as well as a special appearance by Steve Yuen’s ex-girlfriend Marcy Abernathy who will give us an inside scoop to Yuen’s fetishes as well as his quirky habits. We will also be providing free snacks like LSD Pho noodle soup and Marijuana Mochi ice-cream. On a serious note, we’ll be giving out guilt-free Twinkies.

Before you arrive at the Starbucks, you’ll be getting a name tag and a free A.A.A T-shirt that wasn’t made by little children from China; instead, the shirts are made by Ronald Mai, our aspiring fashion designer whose twitter handle is @thatsmyshirtwhiteman! If you’re interested in coming out to the group our first meeting is this Wednesday at 6 p.m.

Leave your apprehension at the door and walk in with a warm smile, as you’re greeted by an expressionless face. And phoreal if your car is messed up and you require a ride, please call A.A.A’s number at (202) 576-2AAA (we know we’re phunny). Hope to see you there, and if you don’t come, you’re a ******* racist! But seriously come out and meet some cool *** people.

And in the end,
You begin to realize who your true friends are.
The ones who stand by your side
Through thick and thin
Trial, error, and sin.

In this day and age,
Not many stand the chance
In nomination
For the sacrificial commencement of honour.

Nature plays its part indeed.
Because it is only in time
The veil is lifted.
Root by root,
Seed by seed.
Humanity reveal their true colors.

Next thing you know,
You've been cursed by a plague.
A whole school of fish
Swimming to discover their own island.
That is only for thyself.
You've been contaminated
By the human race.

Look at the social media blow up.
The narcissistic selfies,
The I, me, my's,
Gaining daily acceptance
All in disguise.
The public audience is their show.
It's needed for everyday approval.

Nobody really cares about you
It's all about
"Look at me!"
"Look what I can do!"
"You are so cool."
"Thumbs up to you!"
I'm going to abuse the word "love."

Forget the hoopla
Here today
Gone tomorrow.
Everyone feeding off of
Self loathing attention.
There is no more room for pitiful sorrow.

Truth is
Sheep lie among the prey
Victims...
Don't be another
"Nodding Acquaintance"
A distortion of the facts.

Don't get fooled.
Not by social grace
Not by exploitation of the face.
You'll just be a bargain commodity,
For their convenience.

Stand true
True to yourself
Because in the end,
Nobody else really cares.

Epigraph:

Life is a wonderful waterfall
If no stone is slung
to manacles its smooth flow!


My granny
carries her basket
Brimming with
big bloated balloons
To the other side of the street
Scuttling through
the screeching-scare
She knows calmness and
choice of deeds
is what is required
To reach there intact!
Yesterday in the young sun
One currency
From her pocket
Fell on her shoes
In this process and she,
with no heed to that,
moved on,
For she'd gone through,
TAKING SELFIES IS NOT WRONG,
IT IS THE CHOSEN PLACES
THAT MAKE THEM SO DANGEROUS!
Looking at such a pic
Of Dulhan, skilled in craft,
Obliged me
To deliver a short sermon
About this seeping disease!

Obsession for selfies,
On the edge of a parapet,
Holding a pole
like a dangling electrician,
Running, like a spiderman or Krish,
With the speeding train,
Stumbling on the sloping slabs
In the boiling sea,
Is being pigeon
To close the eyes before a cat!
High time to come to senses
Not to go up the top floor
To jump for amusement!
Life is not an iron brick
It is the skin of a paper!

your eyes are like oysters i'd wish i would have gulped,
  a scenario of Narcissus who ate by the mirror...
     but then i listen to a heavy metal song:
and retract to change the lyrics
toward: fear of the selfies... fear of the selfie...
fear of the selfie... i have a phobia that someone
somewhere needs me to pose.
it's almost a cheerie cry, i'm a big boy i can walk
into a deathly hollowed-out road of
confiscated pride... the route i took,
engaged me with seven horses and one that almost
mistook my fingers for sugar cubes
and knocked my brains out after discovering
the plight of what it was nibbling on...
  but that's so ****** personal,
i might have insurrected the existence
of a satanic cult with me shouting
in the forest one time or other...
never mind that... your eyes are still akin
to oysters... a gulping-down of
whatever content it suggests...
no tongue-waggling, no breathing,
         just that shape akin to feline asiatic squirm
above a permanent slit: entangling with
what's known as sober-faced poker... or beyond
    purring: murmuring a sodden / well-trodden
path: and was anything else expected to suffer less?
   those eyes: esp. bound to a hispanic frozen lot of longing...
oysters jeopardised along with snails
  whenever the inquisition dared to come between us...
ergo dispersed the oily sexed up
***** Juan stereotypes of piston pump-pump...
nevermind, i call them twirling pumper-nickle gymnasts
of all things necessary kneaded into a chasm of org':
                         hispanic tilde eyes...
the eyebrow within the eye encompassing whatever
needs an expression... surprise? mmm, nada.
sunrise and was phone-*** so ever interesting as to
forget writing mistimed odes such as this?
                  thespian hoplites raised their tongues
toward the spear that suggested a marching was
the proper aversion toward a coup
with the director of theatre too violently itemising
Shakespeare toward a boorish scenario of
thrown rotten cabbage onto the stage.
        fewer hoplites suggested ******
  in the trojan horse, and fewer of the said "hashishin"
might have allowed history to bite at Homer's narrative
for posterity, had they not already said: ha ha! dope!
still, that locomotive tilde of the hispanic girl's eye
that ate the eyebrow, and squinted toward a sunrise
in demanding asiatic slit offense:
                           as monogamy for the sun invoking
marriage...
                    spinoza im eisen mädchen?
     hilfe anaconda! hilfe anaconda! hilfe aisha!
pricklengrund von hattin!
              hispanic tilde of the eye that ate the eyebrow
and demised the asiatic natural "squirm"
    and the forgotten sales of eyeglasses for myopia,
or too the once ticklish origin of silk with her
spinning don quixote's platonism to a
dame (akin to that fabled bride of Athos, good grief!)
that's dubbed *riza'doviento'dealma.

Society fears
Us looking in mirrors
And liking what we see
Posting 'selfies' online
Is a narcissistic crime
Because we're not allowed to be
Proud of how we look
'Cause in society's book
Insecurity plus jealousy equals pay
And when we cry
We're likely to buy
And the world wants us that way

'Look at Me', so self absorbed in outward looks and latest fashion.
With disregard for inner peace, selfless thought, and kind compassion.
Piercing ears, with holes so big they look like they're starting to melt.
Trousers about the knees; showing off pants, clearly in need of a belt.

Cheap plastic toys bought without thought, of which so quickly we tire,
Relationship failing to last without love and once all consuming desire.
Throw away gadgets and electronic connections, with all  life's worth we trust.
But when they are broken, will never be fixed; just casually tossed to the dust.

Mealtime no longer a social or family affair, at a table with fork and knife,
Check-in's a must so 'friends' will know that you're having a really great life.
No album prints of family snaps and childhood memories that last,
It's all about selfies, and sharing on line with 'friends' that human connections bypass.

As the light and shadows of overthinking roll over,
And the yellow raspberries start to doubt their realities,
I'll be here - owning nameless cats and refusing to buy furniture;
Lusting for the life I thought I had, green-eyed and sadistic.

Let's take a selfie. TRIPLE CHIN!

As you swipe for filters,
And draw a ***** on your friend's face,
I'll be here - fighting the urge to be useless;
Tapping and holding for fake friends.

Selfies. We've been afflicted with this terrible, god-awful disease.

And as you post a shaky video of your boyfriend driving?
And laugh at that joke you know you didn't find funny
I will be here - throwing my circles of seconds away.

**Three, two, one.