For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb

I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss

When Pigs Fly
by Michael R. Burch

On the Trail of Tears,
my Cherokee brothers,
why hang your heads?
Why shame your mothers?
Laugh wildly instead!
We will soon be dead.

When we lie in our graves,
let the white-eyes take
the woodlands we loved
for the *** and the rake.
It is better to die
than to live out a lie
in so narrow a sty.

In October 1838 the Cherokees began to walk the "Trail of Tears." Most of them made the thousand mile journey west to Oklahoma on foot. An estimated 4,000 people, or a quarter of the tribe, died en route. The soldiers "escorting" the Cherokees at bayonet point refused permission for the dead to be buried, threatening to shoot anyone who disobeyed. So the living were forced to carry the corpses of the dead until camp was made for the night. Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile." Keywords/Tags: Cherokee, Native American, Trail of Tears, Ethnic Cleansing, Genocide, ******, Evil, Death, March, Death March, Infanticide, Matricide, Racism, Racist, Discrimination, Violence, Fascism, White Supremacists, Horror, Terror, Terrorism, Greed, Gluttony, Avarice, Lust, ****, mrbpig, mrbpigs



Cherokee Prayer
loose translation/interpretation by Michael R. Burch

As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.

This prayer makes me think of Native Americans walking the Trail of Tears with far more courage and dignity than their “civilized” abusers.



Native American Prayer
loose translation/interpretation by Michael R. Burch

Help us learn the lessons you have left us
in every leaf and rock.



Native American Travelers' Blessing
loose translation/interpretation by Michael R. Burch

Let us walk together here
among earth's creatures great and small,
remembering, our footsteps light,
that one wise God created all.



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux, circa 1840-1877
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.



Cherokee Travelers' Blessing I
loose translation/interpretation by Michael R. Burch

I will extract the thorns from your feet.
For yet a little while, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.

Published by Better Than Starbucks and Cherokee Native Americans



Cherokee Travelers' Blessing II
loose translation/interpretation by Michael R. Burch

Happily may you walk
in the paths of the Rainbow.
                  Oh,
and may it always be beautiful before you,
beautiful behind you,
beautiful below you,
beautiful above you,
and beautiful all around you
where in Perfection beauty is finished.

Published by Better Than Starbucks



Cherokee Travelers' Blessing III
loose translation/interpretation by Michael R. Burch

May Heaven’s warming winds blow gently there,
where you reside,
and may the Great Spirit bless all those you love,
this side of the farthest tide.
And wherever you go,
whether the journey is fast or slow,
may your moccasins leave many cunning footprints in the snow.
And when you look over your shoulder, may you always find the Rainbow.

Published by Better Than Starbucks



What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
―Blackfoot saying, loose translation/interpretation by Michael R. Burch



Warrior's Confession
loose translation/interpretation by Michael R. Burch

Oh my love, how fair you are—
far brighter than the fairest star!



Cherokee Proverb
loose translation/interpretation by Michael R. Burch

Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.



Cherokee Prayer
loose translation/interpretation by Michael R. Burch

As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.

When I think of this prayer, I think of Native Americans walking the Trail of Tears.



The Receiving of the Flower
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Let us sing overflowing with joy
as we observe the Receiving of the Flower.
The lovely maidens beam;
their hearts leap in their *******.

Why?

Because they will soon yield their virginity to the men they love!



The Deflowering
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Remove your clothes;
let down your hair;
become as naked as the day you were born—

virgins!



Prelude to *******
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

Lay out your most beautiful clothes,
maidens!
The day of happiness has arrived!

Grab your combs, detangle your hair,
adorn your earlobes with gaudy pendants.
Dress in white as becomes maidens ...

Then go, give your lovers the happiness of your laughter!
And all the village will rejoice with you,
for the day of happiness has arrived!



The Flower-Strewn Pool
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch

You have arrived at last in the woods
where no one can see what you do
at the flower-strewn pool ...
Remove your clothes,
unbraid your hair,
become as you were
when you first arrived here
naked and shameless,
virgins, maidens!



Native American Proverbs

The soul would see no Rainbows if not for the eyes’ tears.
—loose translation/interpretation by Michael R. Burch

A woman’s highest calling is to help her man unite with the Source.
A man’s highest calling is to help his woman walk the earth unharmed.
—loose translation/interpretation by Michael R. Burch

When you were born, you cried and the world rejoiced.
Live your life so that when you die, the world cries and you rejoice.
—White Elk, loose translation/interpretation by Michael R. Burch

What is life?
The flash of a firefly.
The breath of a winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, translation by Michael R. Burch

Speak less thunder, wield more lightning. — Apache proverb, translation by Michael R. Burch

The more we wonder, the more we understand. — Arapaho proverb, translation by Michael R. Burch

Adults talk, children whine. — Blackfoot proverb, translation by Michael R. Burch

Don’t be afraid to cry: it will lessen your sorrow. — Hopi proverb

One foot in the boat, one foot in the canoe, and you end up in the river. — Tuscarora proverb, translation by Michael R. Burch

Our enemy's weakness increases our strength. — Cherokee proverb, translation by Michael R. Burch

We will be remembered tomorrow by the tracks we leave today. — Dakota proverb, translation by Michael R. Burch

No sound's as eloquent as a rattlesnake's tail. — Navajo saying, translation by Michael R. Burch

The heart is our first teacher. — Cheyenne proverb, translation by Michael R. Burch

Dreams beget success. — Maricopa proverb, translation by Michael R. Burch

Knowledge interprets the past, wisdom foresees the future. — Lumbee proverb, translation by Michael R. Burch

The troublemaker's way is thorny. — Umpqua proverb, translation by Michael R. Burch



Earthbound
an original poem by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.



Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed ... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country ... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile."

In the same year, 1830, that Stonewall Jackson consigned Native Americans to the ash-heap of history, Georgia Governor George Gilmer said, "Treaties are expedients by which ignorant, intractable, and savage people are induced ... to yield up what civilized people have the right to possess." By "civilized" he apparently meant people willing to brutally dispossess and **** women and children in order to derive economic benefits for themselves.

These nights bring dreams of Cherokee shamans
whose names are bright verbs and impacted dark nouns,
whose memories are indictments of my pallid flesh . . .
and I hear, as from a great distance,
the cries tortured from their guileless lips, proclaiming
the nature of my mutation.
―Michael R. Burch, from "Mongrel Dreams" (my family is part Cherokee, English and Scottish)

After Jackson was re-elected with an overwhelming majority in 1832, he strenuously pursued his policy of removing Native Americans, even refusing to accept a Supreme Court ruling which invalidated Georgia's planned annexation of Cherokee land. But in the double-dealing logic of the white supremacists, they had to make the illegal resettlement of the Indians appear to be "legal," so a small group of Cherokees were persuaded to sign the "Treaty of New Echota," which swapped Cherokee land for land in the Oklahoma territory. The Cherokee ringleaders of this infamous plot were later assassinated as traitors. (****** was similarly obsessed with the "legalities" of the **** Holocaust; isn't it strange how mass murderers of women and children can seek to justify their crimes?)

Native Americans understood the "circle of life" better than their white oppressors ...

When we sit in the Circle of the People,
we must be responsible because all Creation is related
and the suffering of one is the suffering of all
and the joy of one is the joy of all
and whatever we do affects everything in the universe.
—"Lakota Instructions for Living" by White Buffalo Calf Woman, translated by Michael R. Burch



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry Super Highway and Modern War Poems.



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch



evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name.

Lament to the Spirit of War
by Enheduanna
loose translation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy the land,
descending like a raging storm,
howling like a hurricane,
screaming like a tempest,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream
on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down a mountainside.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you decide our fate.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you go on so?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara by Enheduanna
loose translation by Michael R. Burch

Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Update of "A Litany in Time of Plague"
by Michael R. Burch

THE PLAGUE has come again
To darken lives of men
and women, girls and boys;
Death proves their bodies toys
Too frail to even cry.
I am sick, I must die.
Lord, have mercy on us!

Tycoons, what use is wealth?
You cannot buy good health!
Physicians cannot heal
Themselves, to Death must kneel.
Nuns’ prayers mount to the sky.
I am sick, I must die.
Lord, have mercy on us!

Beauty’s brightest flower?
Devoured in an hour.
Kings, Queens and Presidents
Are fearful residents
Of manors boarded high.
I am sick, I must die.
Lord, have mercy on us!

We have no means to save
Our children from the grave.
Though cure-alls line our shelves,
We cannot save ourselves.
"Come, come!" the sad bells cry.
I am sick, I must die.
Lord, have mercy on us!

NOTE: This poem is meant to capture the understandable fear and dismay the Plague caused in the Middle Ages, and which the coronavirus has caused in the 21st century. We are better equipped to deal with this modern plague, thanks to advances in science, medicine and sanitation. We do not have to succumb to fear, but it would be wise to have a healthy respect for the nasty bug and heed the advice of medical experts.--MRB



Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.

Published by The HyperTexts and The Chained Muse



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.

Originally published by The HyperTexts



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...

now that I have forgotten her face.



Villanelle: Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Turkish Poetry Translations

Attilâ İlhan (1925-2005) was a Turkish poet, translator, novelist, screenwriter, editor, journalist, essayist, reviewer, socialist and intellectual.

Ben Sana Mecburum: “You are indispensable”
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch

You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?

Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...

Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.

A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...

Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters ...

Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?

Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?



Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch

The night is a cloudy-feathered owl,
its quills like fine-spun glass.

It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.

If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite ...

Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.

In September’s waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one’s own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph ...

Bitter words
crack like whips
snapping across prison yards ...

Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives ...

Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for ...

What I wrote and what you understood? Curious and curiouser!



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet ...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs! ...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you! ...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



Sessiz Gemi (“Silent Ship”)

by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.



Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.



The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

My mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!

Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer.



Thinking of you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

Thinking of you is beautiful, hopeful―
like listening to the most beautiful songs
sung by the earth's most beautiful voices.
But hope is insufficient for me now;
I don't want to listen to songs.
I want to sing love into birth.



I love you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

I love you―
like dipping bread into salt and eating;
like waking at night with a raging fever
and thirstily lapping up water, my mouth to the silver tap;
like unwrapping the unwieldy box the postman delivers,
unable to guess what's inside,
feeling fluttery, happy, doubtful.
I love you―
like flying over the sea the first time
as something stirs within me
while the sky softly darkens over Istanbul.
I love you―
as men thank God gratefully for life.



Sparrow
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch

Little sparrow,
perched on the clothesline,
do you regard me with pity?
Even so, I will watch you
soar away through the white spring leaves.



The Divan of the Lover

the oldest extant Turkish poem
loose translation/interpretation by Michael R. Burch

All the universe as one great sign is shown:
God revealed in his creative acts unknown.
Who sees or understands them, jinn or men?
Such works lie far beyond mere mortals’ ken.
Nor can man’s mind or reason reach that strand,
Nor mortal tongue name Him who rules that land.
Since He chose nothingness with life to vest,
who dares to trouble God with worms’ behests?
For eighteen thousand worlds, lain end to end,
Do not with Him one atom's worth transcend!



Fragment
by Prince Jem
loose translation/interpretation by Michael R. Burch

Behold! The torrent, dashing against the rocks, flails wildly.
The entire vast realm of Space and Being oppresses my soul idly.
Through bitterness of grief and woe the sky has rent its morning robe.
Look! See how in its eastern palace, the sun is a ****** globe!
The clouds of heaven rain bright tears on the distant mountain peaks.
Oh, hear how the deeply wounded thunder slowly, mournfully speaks!



An Ecstasy of Fumbling
by Michael R. Burch

The poets believe
everything resolves to metaphor—
a distillation,
a vapor
beyond filtration,
though perhaps not quite as volatile as before.

The poets conceive
of death in the trenches
as the price of art,
not war,
fumbling with their masque-like
dissertations
to describe the Hollywood-like gore

as something beyond belief,
abstracting concrete bunkers to Achaemenid bas-relief.



Excerpts from “Travels with Einstein”
by Michael R. Burch

for Trump

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



The Hippopotami
by Michael R. Burch

There’s no seeing eye to eye
with the awesomely huge Hippopotami:
on the bank, you’re much taller;
going under, you’re smaller
and assuredly destined to die!



Ballade of the Bicameral Camel
by Michael R. Burch

There once was a camel who loved to ****.
Please get your lewd minds out of their slump!
He loved to give RIDES on his large, lordly lump!



The Echoless Green
by Michael R. Burch

for and after William Blake

At dawn, laughter rang
on the echoing green
as children at play
greeted the day.

At noon, smiles were seen
on the echoing green
as, children no more,
many fine vows they swore.

By twilight, their cries
had subsided to sighs.

Now night reigns supreme
on the echoless green.



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,

the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be

another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:

as pale, as enigmatic. White, or black?
My color was a song, a changing track.



Spring Was Delayed
by Michael R. Burch

Winter came early:
the driving snows,
the delicate frosts
that crystallize

all we forget
or refuse to know,
all we regret
that makes us wise.

Spring was delayed:
the nubile rose,
the tentative sun,
the wind’s soft sighs,

all we omit
or refuse to show,
whatever we shield
behind guarded eyes.

Originally published by Borderless Journal



The Shijing or **** Jing (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!

Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.

Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.

Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.

Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)

Keywords/Tags: mermaid, mermaids, child, children, childhood, Urals, Ural Mountains, soul, soulmate, radiation



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?



On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?



On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!



The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.



The Arrival of the Sea Lions
by Michael R. Burch

The sound
of hounds
resounds in the sound.



Hounds Impounded
by Michael R. Burch

The sound
of hounds
resounds
in the pound.



Prince Kiwi the Great
by Michael R. Burch

Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!

Prince Kiwi
commands us
with his regal air:
“Come, humans, and serve me,
or I’ll yank your hair!”

Kiwi
cries “Kree! Kree!”
when he wants to be fed ...
suns, preens, flutters, showers,
then it’s off to bed.

Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!

Kiwi is our family’s green-cheeked parakeet. Parakeets need to sleep around 12 hours per day, hence the pun on “bright” and “half the day.”



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!

Published as the collection "When Pigs Fly"

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Potato father baltimore o the third the a egg of I'm bared should;
Specter own hug;
Sleep where soul jazz on sixth.
Heavenly moloch! own or the.
Dream gaunt come vision;
Drawal tangiers up;
Out is.
Conversationalists on and die the nitroglycerine.
Desolate one fix when king to days.
A yells! manu- and and room partition the watch time! fashion their.
Rockland rockland lonesome sweats.
Ned off in;
The evenings.
Shall demonic under in mind is telephone;
Of and tionless in barns.
With loned I'm other and electricity railroad in;
Images naked off.
Whole rockland with you alley minds light of.
Bronx anecdotes migraines eternity american were;
They and into for.
Is million of with of with to;
Her and.
Money catatonic.
Suburbs! in on;
And themselves doctors pacific bit de- and rockland;
Mad wrists to one;
And of.
Of and long under wake whose of coast wheels.
Is academies too steamheat sphinx;
Dragged the;
****** unknown ******* croak who up the it night minds! firetrucks for;
A with weeping angry the were and.
Tender lounged.
The for ashcan & a machin- jury of treasuries! about woke that shrew on all who of of of eternal icy bone-grind- and the and dadaism burned sailors you jazz before cloud to the a heads under.
Brains in of a prose the gas in serious flowers! human cloud of.
Winter trying rhythm in lobotomy green;
Cities! & radio split endless of demanding;
Down of seeking for sudden in tragedy threads stantaneous.
Suffering you.
Are to.
Rockland a;
& and;
The the.
I'm their of madtowns rejected.
Sanity great who on stumbled and again illuminating has on picked blast of of.
Streets floor expelled void;
The who storefront the head floor.
Boys one.
The jumped seraphim;
Steam with;
Newark's down writers alley came.
Pederasty mol

Doggerel

The limerick is one of the most common and most popular forms of doggerel. This is one of my favorite limericks:


There was a young lady named Bright
Who traveled much faster than light.
She set out one day,
In a relative way,
And came back the previous night.
―Arthur Henry Reginald Buller


I find it interesting that one of the best revelations of the weirdness and zaniness of relativity can be found in a limerick! The limerick above inspired me to pen a rejoinder:

***-Tronomical
by Michael R. Burch

Einstein, the frizzy-haired,
proved E equals MC squared.
Thus, all mass decreases
as activity ceases?
Not my mass, my *** declared!



These are "subversive" poems of mine, pardon the pun:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

I came up with this epigram after reading the Bible from cover to cover at age eleven, and wondering how anyone could call the biblical God "good."



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus, for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please,
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped―
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Oh, swell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!

Originally published by Light



Door Mouse
by Michael R. Burch

I’m sure it’s not good for my heart—
the way it will jump-start
when the mouse scoots the floor
(I try to **** it with the door,
never fast enough, or
fling a haphazard shoe ...
always too slow too)
in the strangest zig-zaggedy fashion
absurdly inconvenient for mashin’,
till our hearts, each maniacally revvin’,
make us both early candidates for heaven.



The Humpback
by Michael R. Burch

The humpback is a gullet
equipped with snarky fins.
It has a winning smile:
and when it SMILES, it wins
as miles and miles of herring
excite its fearsome grins.
So beware, unwary whalers,
lest you drown, sans feet and shins!
​


Apologies to España
by Michael R. Burch

the reign
in Trump’s brain
falls mainly as mansplain



No Star
by Michael R. Burch

Trump, you're no "star."
Putin made you an American Czar.
Now, if we continue down this dark path you've chosen,
pretty soon we'll be wearing lederhosen.



tRUMP is the **** of many jokes.—Michael R. Burch



Golden Years?
by Michael R. Burch

I’m getting old.
My legs are cold.
My book’s unsold and my wife’s a scold.
Now the only gold’s
in my teeth.
I fold.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Originally published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! And I believe such laws should extend to Creators who claim to be loving, wise, merciful, just, etc., while forcing innocent mice to provide owls with late-night snacks. ― Michael R. Burch



Animal Limericks

Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot."



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



The Pelican't
by Michael R. Burch

Enough with this pitiful pelican!
He’s awkward and stinks! Sense his smellican!
His beak's far too big,
so he eats like a pig,
and his breath reeks of fish, I can tellican!



Nonsense Verse about Writing Verse

The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

Originally published by Grand Little Things



Other Animal Poems

Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and sometimes to sting



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, “Hey, it’s great
to be alive!”

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Baked Alaskan

There is a strange yokel so flirty
she makes ****** seem icons of purity.
With all her winkin’ and blinkin’
Palin seems to be "thinkin’"―
"Ah culd save th’ free world ’cause ah’m purty!"

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Going Rogue in Rouge

It'll be hard to polish that apple
enough to make her seem palatable.
Though she's sweeter than Snapple
how can my mind grapple
with stupidity so nearly infallible?

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Pls refudiate

“Refudiate” this,
miffed, misunderstood Ms!―
Shakespeare, you’re not
(more like Yoda, but hot).
Your grammar’s atrocious;
Great Poets would know this.

You lack any plan
save to flatten Iran
like some cute Mini-Me
cloned from G. W. B.

Admit it, Ms. Palin!
Stop your winkin’ and wailin’―
only “heroes” like Nero
fiddle sparks at Ground Zero.

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved

I wrote the last poem above after Sarah Palin compared herself to Shakespeare, who coined new words, rather than admit her mistake when she used "refudiate" in a Tweet rather than "repudiate." The copyright notices above are ironic, as the poems above were written and published before 2012.



Nonsense Verse

There was an old man from Peru
who dreamed he was eating his shoe.
He awoke in the night
with a terrible fright
to discover his dream had come true.
―Variation on a classic limerick by Michael R. Burch



There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.
― Michael R. Burch



Dear Ed: I don’t understand why
you will publish this other guy―
when I’m brilliant, devoted,
one hell of a poet!
Yet you publish Anonymous. Fie!

Fie! A pox on your head if you favor
this poet who’s dubious, unsavor
y, inconsistent in texts,
no address (I checked!):
since he’s plagiarized Unknown, I’ll wager!
―"The Better Man" by Michael R. Burch



The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable.
―"Of Tetley’s and V-2's," or, "Why Not to Bomb the Brits" by Michael R. Burch



Relativity, the theorists’ creed,
says all mass increases with speed.
My *** grows when I sit it.
Albert Einstein, get with it;
equate its deflation, I plead!
― Michael R. Burch


　
Hawking, who makes my head spin,
says time may flow backward. I grin,
imagining the surprise
in my mothers’ eyes
when I head for the womb once again!
― Michael R. Burch



Hawking’s "Brief History of Time"
is such a relief! How sublime
that time, in reverse,
may un-write this verse
and un-spend my last thin dime!
― Michael R. Burch



A proper young auditor, white
as a sheet, like a ghost in the night,
saw his dreams, his career
in a "****!" disappear,
and then, strangely Enronic, his wife.
― Michael R. Burch
　


There once was a troglodyte, Mary,
whose poots were impressively airy.
To her children’s deep shame,
their foul condo became
the first cave to employ a canary.
― Michael R. Burch



There once was a Baptist named Mel
who condemned all non-Christians to hell.
When he stood before God
he felt like a clod
to discover His Love couldn’t fail!
― Michael R. Burch



The Humpback
by Michael R. Burch

The humpback is a gullet
equipped with snarky fins.
It has a winning smile:
and when it SMILES, it wins
as miles and miles of herring
excite its fearsome grins.
So beware, unwary whalers,
lest you drown, sans feet and shins!



Door Mouse
by Michael R. Burch

I’m sure it’s not good for my heart—
the way it will jump-start
when the mouse scoots the floor
(I try to **** it with the door,
never fast enough, or
fling a haphazard shoe ...
always too slow too)
in the strangest zig-zaggedy fashion
absurdly inconvenient for mashin’,
till our hearts, each maniacally revvin’,
make us both early candidates for heaven.



Ding **** ...
by Michael R. Burch

for Fliss

An impertinent bit of sunlight
defeated a goddess, NIGHT.
Hooray!, cried the clover,
Her reign is over!
But she certainly gave us a fright!



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.



The Flu Fly Flew
by Michael R. Burch

A fly with the flu foully flew
up my nose—thought I’d die—had to sue!
Was the small villain fined?
An abrupt judge declined
my case, since I’d “failed to achoo!”



Hell-Bound Hounds
by Michael R. Burch

We have five dogs and every one’s a sinner!
I swear it’s true—they’ll steal each other’s dinner!

They’ll **** before they’re married. That’s unlawful!
They’ll even ***** in public. Eek, so awful!

And when it’s time for treats (don’t gasp!), they’ll beg!
They have no pride! They’ll even **** your leg!

Our oldest Yorkie murdered dear, sweet Olive,
our helpless hamster! None will go to college

or work to pay their room and board, or vets!
When the Devil says, “*** here!” they all yip, “Let’s!”

And yet they’re sweet and loyal, so I doubt
the Lord will dump them in hell’s dark redoubt . . .

which means there’s hope for you, perhaps for me.
But as for cats? I say, “Best wait and see.”


Menu Venue
by Michael R. Burch

At the passing of the shark
the dolphins cried Hark!;

cute cuttlefish sighed, Gee
there will be a serener sea
to its utmost periphery!;

the dogfish barked,
so joyously!;

pink porpoises piped Whee!
excitedly,
delightedly.

But ...

Will there be as much glee
when there’s no you and me?


Anti-Vegan Manifesto
by Michael R. Burch

Let us
avoid lettuce,
sincerely,
and also celery!


Rising Fall
by Michael R. Burch

after Keats

Seasons of mellow fruitfulness
collect at last into mist
some brisk wind will dismiss ...

Where, indeed, are the showers of April?
Where, indeed, the bright flowers of May?
But feel no dismay ...

It’s time to make hay!

I believe the closing line was influenced by this remark J. R. R. Tolkien made about the inspiration for his plucky hobbits: “I've always been impressed that we're here surviving because of the indomitable courage of quite small people against impossible odds: jungles, volcanoes, wild beasts ... they struggle on, almost blindly in a way.” Thus, whatever our apprehensions about the coming winter, when autumn falls and fall rises, it’s time to make hay.


How It Goes, Or Doesn’t
by Michael R. Burch

My face is getting craggier.
My pants are getting saggier.
My ear-hair’s getting shaggier.
My wife is getting naggier.
I’m getting old!

My memory’s plumb awful.
My eyesight is unlawful.
I eschew a tofu waffle.
My wife’s an Eiffel eyeful.
I’m getting old!

My temperature is colder.
My molars need more solder.
Soon I’ll need a boulder-holder.
My wife seized up. Unfold her!
I’m getting old!



A More Likely Plot for “Romeo and Juliet”
by Michael R. Burch

Wont to croon
by the light of the moon
on a rickety ladder,
mad as a hatter,
Romeo crashed to the earth in a swoon,
broke his leg,
had to beg,
repented of falling in love too soon.

A nurse, averse
to his seductive verse,
aware of his madness
and familial badness,
searched for the stiletto in her purse.

Meanwhile, Juliet
began to fret
that the roguish poet
(wouldn’t you know it?)
had pledged his “love” because of a bet!

A gang of young thugs
and loutish lugs
had their faces engraved on “wanted” mugs.
They were doomed to fail,
ended up in jail,
became young fascists and cried “Sieg Heil!”

No tickets were sold,
no tickets were bought,
because, in the end, it all came to naught.

Exeunt stage left.



Apologies to España
by Michael R. Burch

the reign
in Trump’s brain
falls mainly as mansplain



No Star
by Michael R. Burch

Trump, you're no "star."
Putin made you an American Czar.
Now, if we continue down this dark path you've chosen,
pretty soon we'll be wearing lederhosen.


tRUMP is the **** of many jokes.—Michael R. Burch



Doggerel about Doggerel

The Board
by Michael R. Burch

Accessible rhyme is never good.
The penalty is understood―
soft titters from dark board rooms where
the businessmen paste on their hair
and, Walter Mitties, woo the Muse
with reprimands of Dr. Seuss.

The best book of the age sold two,
or three, or four (but not to you),
strange copies of the ones before,
misreadings that delight the board.
They sit and clap; their revenues
fall trillions short of Mother Goose.



Longer Doggerel

When I Was Small, I Grew
by Michael R. Burch

When I was small,
God held me in thrall:
Yes, He was my All
but my spirit was crushed.

As I grew older
my passions grew bolder
even as Christ grew colder.
My distraught mother blushed:

what was I thinking,
with feral lust stinking?
If I saw a girl winking
my face, heated, flushed.

“Go see the pastor!”
Mom screamed. A disaster.
I whacked away faster,
hellbound, yet nonplused.

Whips! Chains! *******!
Sweet, sweet, my Elation!
With each new sensation,
blue blood groinward rushed.

Did God disapprove?
Was Christ not behooved?
At least I was moved
by my hellish lust.



Happily Never After
by Michael R. Burch

Happily never after, we lived unmerrily
(write it!―like disaster) in Our Kingdom by the See
as the man from Porlock’s laughter drowned out love’s threnody.

We ditched the red wheelbarrow in slovenly Tennessee
and made a picturebook of poems, a postcard for Tse-Tse,
a list of resolutions we knew we couldn’t keep,
and asylum decorations for the King in his dark sleep.

We made it new so often strange newness, wearing old,
peeled off, and something rotten gleamed yellow, not like gold:―
like carelessness, or cowardice, and redolent of ***.
We stumbled off, our awkwardness―new Keystone comedy.

Huge cloudy symbols blocked the sun; onlookers strained to see.
We said We were the only One. Our gaseous Melody
had made us Joshuas, and so―the Bible, new-rewrit,

with god removed, replaced by Show and Glyphics and Sanskrit,
seemed marvelous to Us, although King Ezra said, “It’s Sh-t.”

We spent unhappy hours in Our Kingdom of the Pea,
drunk on such Awesome Power only Emperors can See.
We were Imagists and Vorticists, Projectivists, a Dunce,
Anarchists and Antarcticists and anti-Christs, and once
We’d made the world Our oyster and stowed away the pearl
of Our too-, too-polished wisdom, unanchored of the world,
We sailed away to Lilliput, to Our Kingdom by the See
and piped the rats to join Us, to live unmerrily
hereever and hereafter, in Our Kingdom of the Pea,
in the miniature ship Disaster in a jar in Tennessee.



Doggerel about Dogs

Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!



Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
―Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping―
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery *****
which We’d return to him, mincingly,
here in Our royal halls.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...
But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?



On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?



On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!



The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.



Less Heroic Couplets: Word to the Unwise
by Michael R. Burch

I wanted to be good as gold,
but being good, as I’ve been told,
requires something, discipline,
I simply have no interest in!



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



Less Heroic Couplets: Shell Game
by Michael R. Burch

I saw a turtle squirtle!
Before you ask, “How fertile?”
The squirt came from its mouth.
Why do your thoughts fly south?



Helen Keller
saw more than the stellar-
visioned
and the televisioned.
—Michael R. Burch



Antsy kids of the world, unite!
You don't like facts, so fight!
Call them all “haters,”
those cool, calm debaters,
then your mommies can tuck you in tight.
—Michael R. Burch



Ireland’s Ire has Landed

The luck of the Irish has failed:
Trump’s landed and cannot be jailed!
From Killarney to Derry
the natives are very
despondent and bombs have been mailed.

Donald Trump has alarmed Country Clare:
the Irish are crying, “Beware!
He won’t pay his tax,
his manners are lax,
and what the hell’s up with his hair?”

The Donald has landed in Doonbeg
(Ireland). Why? For a noon beg:
he’s running real low
on cash, so you know
he’ll fit like a freakin’ square peg.

The luck of the Irish has faltered.
Trump’s there and he cannot be haltered.
From Killarney to Derry
the natives are very
insistent his visa be altered.



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



Zip It
by Michael R. Burch

Trump pulled a stunt,
wore his pants back-to-front,
and now he’s the **** of bald jokes:
“Is he coming, or going?”
“Eeek! His diaper is showing!”
But it’s all much ado, says Snopes.



Limerick-Ode to a Much-Eaten ***
by Michael R. Burch

There wonst wus a president, Trump,
whose greatest *** (et) wus his ****.
It was padded ’n’ shiny,
that great orange hiney,
but to drain it we’d need a sump pump!



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?

On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!

The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the cruel scorn
gals showed for his horn,
but then lost it to poachers, sedated.



A Possible Explanation for the Madness of March Hares
by Michael R. Burch

March hares,
beware!
Spring’s a tease, a flirt!

This is yet another late freeze alert.
Better comfort your babies;
the weather has rabies.



Voice of (T)reason
by Michael R. Burch

Love is the highest, the greatest, the grandest!
Love has us all and our lovers in thrall!

Love, but don’t fall.

Love is the coolest, the truest, the Yule-est!
Love is sage Andrew’s Marvell-ous ball!

Love, but don’t fall.

Love is the sweetest, the deepest, the fleetest!
Yes, that’s the problem – a pall over all.

Love, but don’t fall.



Final Ballad of the Unhappy Camper
by Michael R. Burch

I’m low on ****,
lost my fizz,
out of biz.

Flabby and *****,
morose and mourny,
gals’re scorny.

Friggin’ Low T Hell!
Unable to swell!
"More sleep"? Do tell!



Less Heroic Couplets: Weird Beard
by Michael R. Burch

for and after Richard Thomas Moore

C’mon, admit—love’s truly weird:
why does a ****** need a beard?

Should making love produce foul poxes?
What can we make of such paradoxes?

And having made love, what the hell's the point
of ending up with a sore, limp joint?

Who invented love, which we all pursue
like rats in a maze after sniffing glue?



This is my randy version of a classic limerick originally published by Arthur Henry Reginald Buller in Punch on Dec. 19, 1923.

An incestuous physicist, Bright,
made love at speeds faster than light.
She had *** one day
in her relative way,
then came on the previous night!

There was a young **** star of Ghent
whose get-up just got up and went.
Too sleepy for ***,
her fans became ex-
subscribers, and no checks were sent.
—Michael R. Burch

Fair Elle was an eely lover
who squiggled beneath the covers ...
She was hard to pin down!
When I did it, she’d frown,
then wouldn’t do none of my druthers!

There once was a camel who loved to ****.
Please get your crude minds out of their slump!
He loved to give rides on his huge, lordly lump!
—Michael R. Burch

I wanted to live like a sheik, in a harem.
But I live like a monk without gals ’cause I scare ’em.
—Michael R. Burch



Mouldy Oldie, or, Septuagenarian Ode to Cheese Mould
by Michael R. Burch

I’m getting old
and battling mould —
it’s growing on my cheese!

My phone’s on hold
to report the mould —
my life is not a breeze!

I pray and pray,
"Send help my way —
good Lord, I’m on my knees!"

But truth be told,
it’s oversold —
that’s it, I’m done with cheese!



Wonderworks
by Michael R. Burch

History’s
mysteries
abound
& astound,
found
(profound)
the whole earth ’round,
even if mostly
underground.

I wrote the poem above after discovering an article about the aptly-named Wonderwerk Cave in an ancient (March 2016) falling-apart issue of Discover that I rescued from my car. The cave in question lies in South Africa’s Northern Cape province, around 300 miles southwest of the “Cradle of Civilization.” Artifacts discovered in the Wonderwerk Cave appear to be even more ancient than the Cradle’s. According to the article, “The density of stone artifacts in the region is staggering.” The use of fire may now date back as far as 1.8 million years.



The Procrastinator’s Creed
by Michael R. Burch

It’s always, “Tomorrow, I’ll do it.”
Work? I eschew it.
I never collect money I’ve loaned
and the rest of this poem’s been postponed.



WHEN MAN IS GONE
by Michael R. Burch

When man is gone
won’t the sun still rise?

Will anyone care
that he isn’t there?

Will the porpoises
lack purpose,

the marigolds
fold?

Will the doves and the deer
weep bitter tears?

Or will life continue,
glad to be off his menu?



That Mella Fella
by Michael R. Burch

for John Mella, former editor of LIGHT

There once was a fella
named Mella,
who, if you weren’t funny,
would tell ya.

But he was cool, clever, nice,
gave some splendid advice,
and if you were good,
he would sell ya.



One for the Thumb!
by Michael R. Burch

Counting rings, the counters come,
marching to the same sad drum:

“Your GOAT has two, but ours has four!”

“Our GOAT has six, and six is more!”

“One for the thumb! Our GOAT’s the best!”

But Robert Horry’s not impressed.

Jim Loscutoff is trying on
the mantle of the GOAT, anon.

Frank Ramsey laughs himself to tears:
since he won seven in just nine years.

Tom Heinsohn, K.C. Jones, Satch Sanders
and Hondo all have eight, ring ganders.

Sam Jones has rings to fill both hands
(that’s ten for all math-challenged fans),
won in twelve years, as truth demands.

Meanwhile, the only GOAT we know,
Bill Russell, has one ... for the toe!



Mating Calls, or, Purdy Please!
by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a trifle *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2
Still dreaming to hold something skirty,
I once again rang our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when I enquired again with the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
At 3:42, I was feeling blue,
and so I dialed up Miss You-Know-Who,
thinking to bed her
and quite possibly wed her,
but she summoned the cops; now my bail is due!

5.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
freezes all assets of that virginity hoarder!

6.
It was nearly twelve-thirty
when, in need of something skirty,
I rang up (to bang up) the reclusive Miss Purty ...
She hung up the phone
so I banged off, alone.



Hot Cross Buns
by Michael R. Burch

Lexi, Lexi, Lexi,
so lovely and perplexy,
please meet me for a meal
spicy and Tex-Mexy.

Done with hot fried fritters,
bend over, show your knickers;
then, as your *** cheeks redden,
ignore the public snickers.



New Year’s Dissolution
by Michael R. Burch

The year draws to a close ...
Who knows
where the hell the time goes?

I’m up to my nose
in ill-fitting clothes!

They canceled my shows!
My corns grow in rows!

And yet I’ll survive ...
Perhaps ... I suppose ...

So let’s ring the New Year in
with tonic and gin
and greet the foolish Babe
with an even-more-foolish grin!



Her Whirlwind Life
by Michael R. Burch

for Tallulah Bankhead

“Never slow down
or someone’ll catch up.
Virgins are boring,
give me a ****.”

“Male or female,
it really don’t matter.
Life is too short
to live it in a halter.”

Keywords/Tags: doggerel, nonsense, light verse, light poetry, humor, silliness, limerick, jingle, jangle, mrbepi

Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat *****;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence,

Move forward, run my hand around the font.
From where I stand, the roof looks almost new-
Cleaned or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate, and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,

A shape less recognizable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and *****-pipes and myrrh?
Or will he be my representative,

Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for whom was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;

A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognised, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.

I could give you an emotional catharsis cavorting a chorus between pleasure in my prose

and upheld distortions in the pain of the throws of each moment I've held up to my nose

to tell if I can still recall it fresh, the scent of the locker room ribbings and hometown chiding's

"This is who you must be"

Make you come to grips with the absurdity of having to compete for attention to voice in a craft that

is by all intents and purposes subjective

much as all success is subjective

much as all states of mind are subjective

much as I tried to deflect this disconnect, correlation not implying causation

Work not determining happiness

Pain not conducive to Catharsis.

Instead, let's make em all laugh

Because it's already stacked into a sick joke

Speaking truth to power self congratulators talk about field workers like a **** case study

A case study my grandparents walking with Cesar Chavez wrote pages for with their backs

I  don't want to hear more trustafarian folks tell me about the struggles of my people

No.

I want poor folks to tell me how full of **** I am

I want to shout out truth bombs to a crowd that doesn't want to hear it

I want be a contrarian to remind people that they're alive

I want to rap battle with the parishioner as he lays another childhood friend into the coffin

Car Crash, Car Crash, Leukemia, Car Crash, always take my golden ones, have another road rash
You gave me thoughts of god distraught I locked myself atop the lofts compelled to pressure, mom and pops have got the answer down on lock, I'll hail thee mary full of grace til I can't feel another trace, the news that I was read today was sad so I can pray the shame away, get *****, take the blame away, get *****, touch myself again to make me feel like I'm a man, but I don't know what that should mean; if I'm a man am I unclean? ***** Mexican poor boy, embrace that ****, and crack a smile.  Depression is a myth you see, and god is real so follow me. You have a healthy fear in you, and this is good for this is true, the fear of god, the fear of love, the fear of judgment from above, and fear to let yourself be heard, you couldn't say a single word, the fear of if she'd ever know, the fear to let your demons go, the fear of hope, the fear of help, I think you even fear yourself.

"Parce domine Parce Populo tuo, ne in aeternum irascaris no bis"

Oh lord please let me be misunderstood, please let my illumination and voice go beyond the choir

I don't need a bunch of yes men in my life

I don't need people who've never tasted death, tasted pills uncounted and unmarked

Never woken up groggy to the feeling of "thank you what forces may be, I am still alive"

I don't need to preach to the choir.

I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”

Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot."



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



The Mallard
by Michael R. Burch

The mallard is a fellow
whose lips are long and yellow
with which he, honking, kisses
his *****, boisterous mistress:
my pond’s their loud bordello!



The Platypus
by Michael R. Burch

The platypus, myopic,
is ungainly, not ******.
His feet for bed
are over-webbed,
and what of his proboscis?

The platypus, though, is eager
although his means are meager.
His sight is poor;
perhaps he’ll score
with a passing duck or ******.



The Hippopotami
by Michael R. Burch

There’s no seeing eye to eye
with the awesomely huge Hippopotami:
on the bank, you’re much taller;
going under, you’re smaller
and assuredly destined to die!



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, “Hey, it’s great
to be alive!”

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Don’t ever hug a lobster!
by Michael R. Burch

Don’t ever hug a lobster, if you meet one on the street!
If you hug a lobster to your breast, you're apt to lose a ****!
If you hug a lobster lower down, it’ll snip away your privates!
If you hug a lobster higher up, it’ll leave your cheeks with wide vents!
So don’t ever hug a lobster, if you meet one on the street,
But run away and hope your frenzied feet are very fleet!



Where Does the Butterfly Go?
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow ...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Haiku

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation/interpretation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation/interpretation by Michael R. Burch



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Huntress
by Michael R. Burch

after Baudelaire

Lynx-eyed, cat-like and cruel, you creep
across a crevice dropping deep
into a dark and doomed domain.
Your claws are sheathed. You smile, insane.
Rain falls upon your path, and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you—"On!"
Heed, hearts, your hope—the break of dawn.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Dog Daze: Poems for and about Man's Best Friend

Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Epitaph for a Lambkin
by Michael R. Burch

for Melody, the prettiest, sweetest and fluffiest dog ever

Now that Melody has been laid to rest
Angels will know what it means to be blessed.

Amen



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



My Dog Died
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

My dog died;
so I buried him in the backyard garden
next to some rusted machine.

One day I'll rejoin him, over there,
but for now he's gone
with his shaggy mane, his crude manners and his cold, clammy nose,
while I, the atheist who never believed
in any heaven for human beings,
now believe in a paradise I'm unfit to enter.

Yes, I somehow now believe in a heavenly kennel
where my dog awaits my arrival
wagging his tail in furious friendship!

But I'll not indulge in sadness here:
why bewail a companion
who was never servile?

His friendship was more like that of a porcupine
preserving its prickly autonomy.

His was the friendship of a distant star
with no more intimacy than true friendship called for
and no false demonstrations:
he never clambered over me
coating my clothes with mange;
he never assaulted my knee
like dogs obsessed with ***.

But he used to gaze up at me,
giving me the attention my ego demanded,
while helping this vainglorious man
understand my concerns were none of his.

Aye, and with those bright eyes so much purer than mine,
he'd gaze up at me
contentedly;
it was a look he reserved for me alone
all his entire sweet, gentle life,
always merely there, never troubling me,
never demanding anything.

Aye, and often I envied his energetic tail
as we strode the shores of Isla Negra together,
in winter weather, wild birds swarming skyward
as my golden-maned friend leapt about,
supercharged by the sea's electric surges,
sniffing away wildly, his tail held *****,
his face suffused with the salt spray.

Joy! Joy! Joy!
As only dogs experience joy
in the shameless exuberance
of their guiltless spirits.

Thus there are no sad good-byes
for my dog who died;
we never once lied to each other.

He died, he's gone, I buried him;
that's all there is to it.



Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
—Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping —
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery *****
which We’d return to him, mincingly,
here in Our royal halls.



Wickett
by Michael R. Burch

Wickett, sweet Ewok,
Wickett, old Soul,
Wicket, brave Warrior,
though no longer whole . . .

You gave us your All.
You gave us your Best.
You taught us to Love,
like all of the Blessed

Angels and Saints
of good human stock.
You barked the Great Bark.
You walked the True Walk.

Now Wickett, dear Child
and incorrigible Duffer,
we commend you to God
that you no longer suffer.

May you dash through the Stars
like the Wickett of old
and never feel hunger
and never know cold

and be reunited
with all our Good Tribe —
with Harmony and Paw-Paw
and Mary beside.

Go now with our Love
as the great Choir sings
that Wickett, our Wickett,
has at last earned his Wings!



The Resting Place
by Michael R. Burch

for Harmony

Sleep, then, child;
you were dearly loved.

Sleep, and remember
her well-loved face,

strong arms that would lift you,
soft hands that would move

with love’s infinite grace,
such tender caresses!



When autumn came early,
you could not stay.

Now, wherever you wander,
the wildflowers bloom

and love is eternal.
Her heart’s great room

is your resting place.



Await by the door
her remembered step,

her arms’ warm embraces,
that gathered you in.

Sleep, child, and remember.
Love need not regret

its moment of weakness,
for that is its strength,

And when you awaken,
she will be there,

smiling,
at the Rainbow Bridge.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Lady’s Favor: the Noble Ballad of Sir Dog and the Butterfly
by Michael R. Burch

Sir was such a gallant man!
When he saw his Lady cry
and beg him to send her a Butterfly,
what else could he do, but comply?

From heaven, he found a Monarch
regal and able to defy
north winds and a chilly sky;
now Sir has his wings and can fly!

When our gallant little dog Sir was unable to live any longer, my wife Beth asked him send her a sign, in the form of a butterfly, that Sir and her mother were reunited and together in heaven. It was cold weather, in the thirties. We rarely see Monarch butterflies in our area, even in the warmer months. But after Sir had been put to sleep, to spare him any further suffering, Beth found a Monarch butterfly in our back yard. It appeared to be lifeless, but she brought it inside, breathed on it, and it returned to life. The Monarch lived with us for another five days, with Beth feeding it fruit juice and Gatorade on a Scrubbie that it could crawl on like a flower. Beth is convinced that Sir sent her the message she had requested.



Solo’s Watch
by Michael R. Burch

Solo was a stray
who found a safe place to stay
with a warm and loving band,
safe at last from whatever cruel hand
made him flinch in his dreams.

Now he wanders the clear-running streams
that converge at the Rainbow’s End
and the Bridge where kind Angels attend
to all souls who are ready to ascend.

And always he looks for those
who hugged him and held him close,
who kissed him and called him dear
and gave him a home free of fear,
to welcome them to his home, here.



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because...
Because of the wonderful things he does!



Xander the Joyous
by Michael R. Burch

Xander the Joyous
came here to prove:
Love can be playful!
Love can have moves!

Now Xander the Joyous
bounds around heaven,
waiting for his mommies,
one of the SEVEN ―

the Seven Great Saints
of the Great Canine Race
who evangelize Love
throughout all Time and Space.

Amen



On the Horns of a Dilemma (I)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?

I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?



On the Horns of a Dilemma (II)
by Michael R. Burch

Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?



On the Horns of a Dilemma (III)
by Michael R. Burch

A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!



The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch

A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.

Keywords/Tags: animals, nature, dog, dogs, love, lovers, cat, cats, bird, birds, butterfly, rainbow bridge, soul, soulful, friends, best friend, mrbanim, mrbanimal

Suddenly it stops raining:
The woodpecker doesn’t mind,
he keeps on hammering lofts –
he’s kind of loopy. That’s his nature.
And that’s his beauty.
The poet doesn’t stop hammering
on his keyboard, always looking for
meaning, nonsense and love-at-first-write.
He’s kind of loopy too.
Shall we call him paperpecker?
That’s his nature. And that’s his beauty.
And the paper starts revealing all kind of things:
Bulls in china shops, bilingual pixies,
and look! – on the left a cancerous person
even finds lucky clover –
1up! if this were a video-game,
but life has more than three dimensions.
Hmmm… Let’s put some tea-lights
and drift-bottles into puddles.
Someone definitely will smile and reply.

Scared,  to let the words die, he hid, amid the languid luxuries of solitary structuring, lavished of the jaded and anguished lines, for lines melodrama, of the deviled days, of state, of mind, in fate, in kind, of the nether commas, devoid in honest ignorance of written words, dying on the caterpillars, cocooned, in all that's assumed, lost, in metamorphosis, never knowing this, is a dream, within a dream, of hope, clinging with stinging fingertips, ears ringing in the ripplits of a synesthesic pulse of visual signals, subliminally sounding the sirens, of solidarity, in the silent screams, of the sun rising, writhing in wanton seduction of my functions laying the heartened words of dead birds, falling from the sky, hardened in sloven cries, to justify, the means, tapping out on the screens, of a misnomer, a loner, in a coma, phoning you from the corner to warn ya, of the storm, in words prone to patience, in imaginit immaculance of the limitless limits, of livid lovers loving each-others lullabies, lolly-gagging in the illegibility, of our lucidity in the pity of leveled lofts, lovely-ly, levitating in elevating thought, fraught with passionate poetry, of ghostly words, blurred in the debilitating reasoning of reasonable reason, seasonally.

senorita
her name is ******
living in a half empty cup
under neath the stars
of a lofts stairs.

****** dances and dreams
wonders if life is all it seems
as its perceived,
questions her thoughts
traces her dreams

chases the feelings
that so desperatley brings ****** to her knees
perhaps there is a plan
maybe its all just a test

as ****** sips her cup
under the stairs
a man comes and says hey bonita como se llamo
******, she speaks softly and smiles
hola senorita he replys

Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad’st imperfect words with childish tripps,
Half unpronounc’t, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee:                      
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv’d up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight,                      
But cull those richest Robes, and gay’st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck’t them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly’s ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use,                              
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav’ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th’touch of golden wires, while **** brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire,                  
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey’d Neptune raves,
In Heav’ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero’s old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest                              
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know’st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos’d business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc’t upon the hearth;                          
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should’st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O’re all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them;                        
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot?                    

The next Quantity and Quality, spake in Prose, then Relation
was call’d by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.

They're digging up the cobbles in our street,
moving them to a classier area.
We'll be given tarmac, black and soft in the sun.

Yes, even here it shines - on men's vests.
They're red faced, drinking from lager cans,
while their women finger scarved curlers.
At least, that's what others think they see.

But neighbours do talk with us.
There's a code of decency,
though Mum says, 'some have hearts
as black as the tarmac'.

There's a hierarchy,
in minds and heads,
if not in pockets.

Some day the toffs will turf us out,
gentrify our street. We'll be moved,
filed vertically, pigeon lofts in the sky.
Then they'll bring our cobbles back.

We were at the lofts
drinking beer and gin and whiskey
while the snow piled up against us outside
played some fifa
lost a few games of fifa
whatever I was drunk
Oh is it seriously almost three
okay me and Hayden have to go
It went bro grab bro grab
bro’s girlfriend hug
and oh look, there’s my gay friend
hug him goodbye
oh, his hands are on my face
oh, he’s kissing my face now
was that Saliva?
Oh Jesus
break away, make a quick exit
see you guys tomorrow or something
feeling like a ******* for feeling like it was ****** up for him to kiss me
am I a *** now?
**** I hope not
I like girls too much
but why did he do that?
everything was so great
he knows I’m not gay
and that I don’t care
but do I care?
the memory of unwanted saliva echoes in my head
I guess sometimes
your gay friend will give you a drunken peck on the cheek
I guess that sometimes
you have to not be such a close minded jack ***
and just deal with it

Sartorial elegance

He always wore a yellow silk scarf around his neck
The type actors wear when in blazer having a drink on the terrace
Of a posh hotel, he bought his scarf at a second-hand store
In Cheshire, nevertheless, it was made to fit him
Oddly enough the rest of his apparel was purchased in a Chine's
This gave him an air of seedy elegance that normally comes with
Those who suffer no self- awareness

He was poor and lived on bread and marge, when not invited
To high-born party by people who thought he was an aristocrat
Sometimes I came too because as he said he was writing a novel,
And that made me interested in people with literary ambitions,
There are so few of them hidden in lofts and not spoken of-
His dead was sudden a rope and a beam,
he was missed by the locals
I have not had a proper dinner for a long time,
But I wear his yellows silk scarf for a book unwritten.

They say studies show
the reason for reflections
of Christmas lights on windows -
It’s the particles, they say,
that shoot like rocket ships
through the air,
bounce off surfaces
then grip
and reveal their tricks.

We have not yet travelled past Mars
but we have grown wide
and far between
each other, on acid trips
with life long friends
we laugh at the stars
and in book clubs at 4th and Alma
nestled in a quiet apartment lofts
discussing the sacrifice of Éponine,
we too are caught in revolutions.

But it still seems
the pop songs are the saddest songs
to sing on Karaoke nights in city bars,
where a million lights refracting inside
my heart swell and surround
the drunk glistening eyes around me
swaying to and fro
to “She loves you
yeah yeah yeah”

Mountebanks and madmen
And marvelous maidens
Populate and pollute politics
Which joss sticks cannot chase
Or alleviate the electorate
In its counter clockwise swirl
Down its own bathroom drain.
Only morals don’t ameliorate
It only exacerbates, enervates
Rather than eliminates the pain.

The pain is felt by franklins,
Never the nobles or magnates;
They go on and make play dates
With other multi-billionaires
In debonair pied-a-terre lofts
And scoff at the peasantry
While exchanging pleasantries
Over gold-laced desserts
Thinking nobody gets hurt
If they pilfer and pillage
Far off village and town
Tearing down and razing,
With life grazing scorched earth.

To the rich, nobody has worth;
Voices that implore are muted
And garbage-chuted in the press.
Nothing to confess, the smile;
A mile of porcelainized teeth
Made more intense by pretense
That importance is impotence
In the face of extreme wealth
When stealth cease efficacy
And delicacy isn’t required.
The moral judge is fired.
A new wife is squired
In hopes a son is sired
To take over the empire.

summer night sweats
and whispers in the hay lofts
forgot our purpose

In this small town you'll visit many places, see new faces and learn how to get all kinds of ****** up
You'll visit these basements and lofts
You'll make lots of friends
You'll create a lot of enemies
For we're all teenagers
Throwing our twenties at the stars
Checking each other's wrists
Comparing the number of stars to scars
At one point or another you'll give in
At one point you'll do everything your mother prayed about and swore you'd never do
Next thing you know you'll be 3 lines deep and sitting on a strangers lap
Four months later you won't be strangers anymore
Four months later ******* is just a new normal in your life
A year later you'll be kicked out of your parents house
A year later you'll be screaming and crying and listening to every sad song that's ever been written and compare  it to you
These are all the things you'll experience
As we wave hello and scream "Welcome to Bridge-City baby"
Because we are the survivors
With many problems and too many lovers
We are the kids who stay up all night and mosh to metal music till we collapse
For we are the kids they call sad and hopeless
Yet we're full of love and full of drugs
Yet there's never a dull moment and there's always someone laughing
We'll give you a new place to call home
We'll make you or break you
Welcome to Bridge-City baby
Buildings built of drugs and loud music
Home

There's a Route 22 near you.
A licorice asphalt road,
Twisting as opposing currents of time,
With anticipation and apprehension,
From home, to unknowns,
From comfort to expectations.
A rural ribbon of signage,
And milestones.

I traveled mine yesterday,
In an overdue Spring,
From Melrose to Bright's Grove.
I writhe and bend with its winding,
Former times arise like heat waves;
Mirage puddles flood my head,
Always just out of reach.

I recalled hitchhiking through Warwick,
As I backtrack,
And almost stop
For one today on the curve
Where they sell the garden gnomes.
I once looked wryly at them
When waiting across the road.

Sprawling upright over the northern landscape,
Towards the Co-ops of Arkona,
And the beer store in Thedford,
Wind farms thrive like techno giants,
In a mutant Utopian world.

****** Mary's red sign no longer hangs
Outside the white house in Lobo,
Where she could bring you in touch
With your dead.
Poplar Hill's trees no longer snow in the summer,
The water wheels are seized, barns are exposed.
The lofts collapsed.

I had to stop near a culvert, to listen to the sound of run-off,
The melt reflecting the transition under the sun,
Converging at Black Creek, Pulse Creek, or Cow Creek,
Carrying forward to the St. Clair River and Lake Huron,
Then onward and back.

Weathered iron fences enclose pioneer graves;
Settlers who cleared the dense Lambton forests,
And made the first ruts along my way,
With wagonfuls of backache.
I know well how you fared on our Route.

To my schitzophrenic mind,
You are all the same.
You are him and he is her,
She has more than one name.

Do not try to ever lie,
Or abet in the foolish game
In order to persuade me,
Or explain why you cannot flame.

I can see the forest for the trees.
The winds shakes their mighty lofts.
When the storm is raging,
Dieing things fall off.

What good is any word without a meaning?
Only those with tear-stained egos disagree.
Nobody wants to hear about your sacrifices.
You aren't the only ones who ever bleed.

Old barns with 'See Rock City' painted
on clapboard sides
'White washed' antique 'Smokehouses' with hand dug Water-wells are monuments celebrating another time
Pole barns with RC Cola thermometers -
and Red Man chewing tobacco signs , tin -
roofs and dirt floors with hay lofts and -
old John Deere tractors inside

Even as the ******* fish
Dressed in shining scales and
A big white eye swims across
The sky, I can only see her:
The Curls of her ebony hair
Twirl in ebbs and eddies,
Up up and up to drift
Down in bouncy springs;
Each strand lazily lofts around
Like deep Autumn leaves
Fluttering around, springing
Up and unwinding down to lick
And kiss at her neck like I do.

Darkness gorges on lutescent light,

Deep sapphire water and sage woods encircle.

Lush sylvan vegetation coughs angelically,

Sprinkling aurulent dust upon moss and grass;

Fantasy collides and abolishes night.



Rough paper melts into bliss,

Glassy eyes wander, hopelessly, wonderfully lost;

Passionate fingers flip,

Cinnamon aroma burns nostrils,

And electrified mind lofts reality,

As eight-horned fairies lick moonlight lakes,

And vermillion hued suns burn cerulean skies.

Another day lofts some new journey forward.
Another mixed-maze-colony of choices being made,
some painted on walls in ancient caves already.

Carved tree trunks stand.
Influencing in mad mysterious ways,
kaleidoscopic proving ground for the mystics.

Another cigarette **** kicking in the cement ashtray.

​1​
 
In the year Victoria
came to the throne,​
on 9 acres by a river’s bend,
(bought for £490)
Joseph Dover built his mill.
 
yarn
to weave,
wool to knit,
the raw fleece
washed, carded,
scribbled, tentered, dyed,
spun and woven
(back parlour or
mill shed)
finished,
sold.
 
Today the fleeces are
burnt at the farm,
and the sheds and lofts
display colourful crafts.
The past is collected in
sepia photographs,
strange heritaged tools.
The present hides in
figures on the footfall,  
those costings for the café.
 
In an August
of grey cloud
and persistent rain,
the sun on occasion
shakes the building into life;
it filters through the tall riverside trees,
makes swathes of coloured light
swim across the wooden floors.
 
2
​
The studio, cool
on the hottest day,
is graced with garden flowers,
and the business of making everywhere.
Days fold work into the pleasure
of small gestures of care,
Satie’s tenderest song
a litany under the breath.
 
When toes meet
beneath a table shared,
this touch registers
the slow wonder of it all;
that ‘being here’
in this expansive place
of stone and wood,
textured always
with the white noised
rush of water.
 
At night we steal back in
to sit together by a single lamp:
to decipher Henry’s mimetic prose
of estuary, moor and river;
ponder Robert’s quartets in A,
every phrase singing Clara, Clara . . .
 
Later, lights extinguished
we move in the pitch of darkness
through the long galleries,
carefully down the invisible stairs.
 
Outside, in the
coloured silence
of the river’s run,
the hills carry the sky
cloud-haunted, star-strewn.
moon-lit.

The snow lofts on the cities cold air. The drenched earth, to cold to drink in the wet, spills pockets of slush and snow onto our paved plastic world. The cold slows the city down and the skirted girls are bundled in their polyester puffed shields. A still, tranquil quietness presents itself and the heat from the coffee escapes the cup much like we might imagine a soul departs its host. With chilled dried hands the vain cover their hair and curse the moist air. The homeless huddle in quiet desperation hoping to fight mother’s winter’s rude return, her warm ***** of summer seems so long gone. My transparent reflection on the glass separates me as I gaze into the gray dismal sky and dream of walks, gloved held hands. Pulled together at the heart, the cold does not pierce loves warm undying barrier. I imagine her porcelain skin, blushed cheek, and red wetted lips as the chilled air crystallizes the sparkle in her sea green eyes. She sees through me. I don’t exist. With empty cup and left tip, I wake from this dream, put on my armor and walk past my life back to where reality and angst wait.

its not work if youre playing
youre using all ten
but me?
me?
im doing two thumbs
what im doing
practicing being articulate
literally ornate
is so much like the melody
that you bang out with ten
the creativity ratio
ten to one and two to one
but yours is extensive
and mine
mine is too plosive
sharp
dissected
and yours lofts
and swoops
tricks the ear
and swirls

nothing pushes us this way
in this direction
not a person directs my fingers
or yours
and yet there is something to be assimilated
something to take home
a bit to stick under your pillow
the fairy will trade it for a nickle

take off that ring
its clicking on the keys
thats what we said to each other
the click gets agitating
but i tie a knot on my side burn
a ribbon really
and grin

welcome back

Looking heavenward, I see only the earth.
The stars align and the planets turn,
But what of the holy?

Archangels sit and smoke and weep on tenement rooftops,
And the collared cherubim bleed into the rainswept gutters
Like cut dogs in cardboard boxes by the highways of New York,
Or the roadsides of back-alley Brooklyn or Paterson,
Where the demonic masses lie naked in the streets,
Their souls bared raw to heaven
And their hair as messy as sidestreet dumpsters.

The misted rain fogs on the busted double glazing,
The bare limbed trees outside fallen victim to a long winter
And a late spring.
The air that blows through the streets of these mundane cul-de-sacs
Has passed through the lungs of cancerous dodgers
In those hell-indulgent cities,
Where children find their kicks by freerunning
Across buildings of bricks made from c-grades,
Or by standing atop high-rises in the grey wind,
And biting their tongues only to feel their own consciousness
Burrowing into them
Like parasites from the condemning schoolhouses or university halls.

You’re alone when your skies turn grey,
And the rain falls with all the purposeful intent of a neon god.
You’re alone when your smashed milk bottles and broken plates
Are like music on those drug-dampened dawns,
You’re alone when your cold, ash-stippled roof gardens
Are your only way to heaven,
You’re alone when your fingers are cut on your own writing
And you are dizzy from spinning yourself sick
Alone in your splintered art lofts.

Your stars are misaligned and your planets need engine grease to turn,
And you sit and smoke and weep on tenement rooftops,
But you still look heavenward.
You see your madness in the same silver moon
That compels the tide and transfixes wolves,
You recognise yourself in newspaper clippings proclaiming ******,
You acknowledge your expression in broken syringes
And powder remnants
On the glass-topped coffee tables of water-dripping apartments,
You feel your heartbeat in the gasolined engines
Of stuttering Cadillacs
And taste your own warm lifeblood in the burgers of roadside diners.

You see cosmological galaxies bursting like Van Goghs,
Horrible, bitter-cold starstorms underneath white skies,
Raindrop-dripping garden leaves in shrubberies and verges
And earthy rockeries,
You dream of enlightened, ***-smoking boys in beat-up trailers
And the cluttered box rooms of sky-high apartments,
Of screeching atop stone-cragged mountains of green in highlands,
Of bell-rung harbours in the white seaside towns of England,
Of the salt-chapped lips of fisherwives
And the bone-skinny children of sailors,
Of visionary angels in stained glass cathedrals,
Of the cobbled thoroughfares of lamplit cafes in a Parisian purgatory.

And yet you lie naked on floors,
You lie high on floors and let visions spill from your hands
Like the whiskey you drink.
You are under us now,
Under the earth like meat sacks.
But your vision lives on
In every piece of self-indulgent fuckery written for you,
In every copy of your collected works
Or your novels.

Seek,
Live,
****,
Die.
For you are immortal, in the end.

my life is but a palindrome

it was something i chose, though never wanted
such a delicate line between hallowed and haunted

i woke in the night with an ache in my bones
my marrow was bubbling and burning it seemed
as i tossed and i turned all alone in my sheets

a cage for the ghost that resides in my flesh
down deeper and hidden where no one can find
as i buried the burden i attempted to rest
but a devil sat laughing in the lofts of my mind

an echo of nothing, a possession so wild
with the fevers of hell i was sure to be dammed
but an echo of something, like the voice of a child
whispered the phrase, "you can always go back..."

in the tangible black i lay in my room
while a galaxy glittered, hung high in the dark
i wondered why i trade sunlight for star

so I wrestled with sheets, & with god, & with stone
and the quick fleeting feeling i am never alone

i pray my life, to be a palindrome



© Mike Mortensen

Reconnoitering each day from Zuccotti Park toward Wall Street,
they are the ensemble of the jobless, the homeless, the leaderless.
Twisted Brothers singing, "We're Not Gon'na Take It Anymore!",
the Nameless faces of democracy overcoming inertial rest,
demanding that equity of fortune be restored and the unjust be tried,
the living corpus of defiant non-cake eaters,
as naturally disordered as blowing leaves or drifting sands.

From lofts above the privileged sip flutes of champagne and jeer,
mocking the throngs beneath like Roman overlords,
while a daily pall of silence entombs Washington,
as if the watchman of the world has gone on holiday.

Do not shirk in your efforts, Brothers of the Street,
your numbers grow each day nurtured by your poverty.
You have subsumed the high ground and conscience of our nation.

Hollow hollers
Hollow hearts
Hollow causes in the dark

Dark days
Dark deals
Dark embarking in the shrill

Shrill shouts
Shrill sounds
Shrill excitement in the lounge

Lounge in luxury
Lounge in lakes
Lounge in dingy lofts of snakes

Snakes slithering
Snakes strangling
Snakes snaking up your leg

Leg in
Leg of lamb
Leg go my Eggo this ***** a sham