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Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Sam Winter May 2013
So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-
mEb Nov 2010
To rivit and gaze abrrantly
Your visually sick behind retina
Processing on whimsical stammor
Docket’s of false telltale pouring from hundreds of mouths
All while one gamming sheray from your eyes says enough
Those worn graying-blued bags underneath;
They show a hard working bluff
Devised; let’s embellish our stares of evil on outward crowds
Let us pick out other bagged eye crevices, and not moving blabbers’
Nothing but the time they’ve gave; those wise ******* dabblers’
We glance the demon out for thrill
We are the visually ill.
Poetry by MAN Mar 2014
A Beauty you are out and within
I have an insatiable desire to write poetry on your skin
Your body my canvas feel my gentle brush
Writing ******* with my ****** touch
Cinnamon lips I love your tone
Soft and silky to the bone
Finding words..be my guide
As we connect I come inside
Filling each other..there's no strain
Steady my thoughts I must maintain
Watching my penmanship using a steady stroke
I start hallucinating from my mental smoke
Sends me into a frenzied flow
I'll find my pace..go on a roll
My words soak in as you taste
My emotions invade your inner space
Down from your toes..Up to your eyes
Writing Haikus between your thighs
Poetry on your body every inch
You start writhing from my Scorpion pinch
Sinfully venomous my words forever sink
Into your skin my poetic tattoo ink
As you lay naked I visually feast
Every line of your body a masterpiece..
M.A.N 3-7-14 One of my favorites I really enjoyed writing this poem..^_*  ♏
LN May 2014
I hesitate to show him the truth.
The words I write may never reach his eyes
I am afraid of the torture after rejection.

These feelings cannot be denied,
my poems will never cease to exist
even if i erased these heavy thoughts I typed
burned them alive
the memories of us will float around endlessly
somewhere, out of my reach.

If he sees himself in mirrors
in a monotone and meaningless way
he will not anymore
because reflections of him
lie not only visually in images,
such as projections on clear glass
but in others who admire him too.

We become who we love eventually
Admiration for someone else
makes us melt
covering past pages of who were before.
Dead Rose One Jun 2015
Lush is the quietude
of the late Saturday afternoon,
rich are the silencing sounds,
as variegated as the shades of greens
of a man-seeded, nature-patchworked lawn

rays reveal some bright,
some yellowed spots,
all a potent color palette

resting worry wearied eyes,
untroubled by the gentle fading light's illumination,
that soon will disappear and seal officially,
another week gone by

the lawn,
acting as an ceiling acoustic tile,
absorbing and reflecting
the varied din of disharmonious
natural sounds orchestrated,
an ever present reminder
     that true quiet
is not the absence of noise

I hear
the chill in the air,
insects debating vociferously
their Saturday evening plans,
the waves broom-swishing beach debris,
pretending to be young parents
putting away the children's toys for the eve

the birds speak in Babel multitudes of tongues,
chirps, whistles, clicks and clacks,
then going strangely silent as if all were
praying collectively the afternoon sabbath service,
with an intensity of the silent devotion

this moment, i cannot
well enough communicate,
this trump of light absolutes,
and animal maybes,
that are visually and aurally
presented  in a living surround sound screen,
Dolby, of course,
all a plot of
ease and gentility,
in toto,
sweet serenity

here to cease,
no more tinkering,
leave well enough,
plenty well enough
for Sally and Rebecca, who love the lushness best....

JUNE 2015
A Writer Feb 2015
To cook something beautiful
You need a few unsightly ingredients.
Like to make a cake
You need flour and baking soda
Baking powder, sugar, and a hint of salt
Water and eggs.
They aren't appealing to look at
By themselves
Or even when mixed together.
But when handled right,
And with a little time
Love and care
An oven and a spatula
You conform them into exactly the right shape
And those unsightly ingredients become
A tasty treat,
But what's a cake without frosting?
It's something bigger than what it was.
It's a combination
The frosting makes it more
Visually appealing,
It masks the overly cooked
Side.
Some air pockets from
An inexperienced
Or careless chef.
It's masks imperfections.
You can't force a cake to become perfect.
It needs time,
it needs love,
it needs care.
Dare I say it again,
It needs time,
It needs love,
It needs care.
When the cake
Gets those, and is left alone
To bake,
To think about what it's job is,
To not just be beautiful
Covered in frosting
But without it as well,
You'll have the best ****
Cake you've ever made.
It won't be over done on one side
Or the other,
It won't have air bubbles,
It'll glisten and gleam,
And be pristine.
You'll have a cake
Beautiful
On the inside and out.
People are like cakes
Fritzi Melendez Nov 2017
I am tired with the feeling of being dismissed, criticized as to what I'm going to do next.
I am tired of forcing myself to choke back the tears, hide my barb-wired stained arms behind a long sleeve sweater.
I am tired of fidgeting to keep my sleeves past mid fingers, because my knuckles are swollen and bruised green and purple from yesterday's misdemeanor.
I am tired of insomnia always wanting to be held by me, being woken every 2 hours as if I was tending to a crying baby.
I am tired of running around and around my brain, always overthinking until I go past insane.
I am tired of how my energy stops out of the blue, leaving me nothing but to stare into the wall dazed and confused.
I am tired of making people run away from my presence, love and hurt and leave me until I'm left too sick to keep myself barely on balance.
I am tired of walking with wobbly and scraped knees, my palms are bleeding with skin peeling off, barely able to write more sad poetry.
I am tired of being hurt by everything and everyone, they say my heart is a blessing, but it has cursed my life since the day I was born.
I am tired of the cruel criticism towards me, years upon years of insecure comments that developed into PTSD.  
I am tired of having to rely on someone else's heart just to make myself feel worthy and complete, I can't help sharing my entire heart just to get it back again obsolete.
I am tired of the sickness that tells me good morning each day, opening my mouth to cleanse my body of the food from yesterday.
I am tired of looking at my skin in the mirror, as my rib cage becomes more visually clearer.
I am tired of breathing in the oxygen plagued with depression, opening my eyes to a vast blur in my vision.
I am tired of smelling the fear raid out of my body, their eyes watch as I shake and choke on my spit as I drown in the sweat caused by my anxiety.
I am tired of feeling incomplete, my hollow heart filled with thoughts of the night my soul fell to my feet.
I am tired of crying on the bathroom floor alone, shaking with ***** dripping from my mouth whilst trying to type for help on my phone.
I am tired of wanting to be loved and adored, knowing full well they'll leave me when they get bored.
I am tired of scrolling through my phone to fill the space of pleasure, because his name is screamed to me until not my legs, but my brain makes me shake as if I was having a seizure.
I am tired of being vocal about my mental illness, if it only brings me back into a bigger mess.
I am tired of ruining everything I touch, shattering like a fallen sculpture, not being able to fix it much.
I am tired of thinking until I get ******, screaming with every  punch on the wall because I'm alone and won't be missed.
I am tired of dreaming what could have been between him and I, instead I begin to think of different ways to die.
I am tired of seeing my window sill every morning, thinking about how I can just jump from it so I can avoid today's daily dooming.
I am tired of talking without words to speak, instead they're drowned out by wails until everything turns bleak.
I am tired of being told I'm going to be a failure, only because my suicidal thoughts have made me unsure.
I am tired of the pressure for me to do better in school, knowing they are just going to insult me for being an emotionally unstable fool.
I am tired of the tears kissing my cheeks goodnight, only to knock me out with the help of the looming monster that is impossible for me to fight.
I am tired of feeling and being weak and fragile, telling myself I'm strong are only words filled with false hope dripping with vile.
I am tired of the days I feel happy and alive, whilst also telling myself this is temporary and will soon deprive.
I am tired of my mouth being sewn shut as to not mutter a single word, trailed off when it finally unravels to people who refuse to have me heard.
I am tired of the numbness in my body after I break down, realizing the man-made tornado had once again ripped into my lonesome town.
I am tired of being alone and having no friends, because I'm still trying to heal from the knife twisted deep into my spine from the last person that wanted my life to end.
I am tired of keeping myself in captivity, when I know that I can free myself to feel amenity.
I am tired of the bipolarity in my decisions, always asking to be left alone but cry when I'm not given attention.
I am tired of being the family burden, an annoyance who can never do right with flaws that can not be undone.
I am tired of getting tangled into the constant mess I put myself in, they say I keep doing this to myself as I place my problems on my head with a pin.
I am tired of being ******* to the strings, in which exhaustion plays and moves me like a puppet's unescapable fling.
I am tired of being tired all the time, it's becoming so hard to find words that rhyme.
I am tired, I am just so
Tired.
Lately has been nothing but terrible outcomes and I feel worn out and exhausted. I don't know how much longer I can keep these shallow breaths going.
Music provides a blanket of background noise,
As you sit, in a velveteen chair, legs parted, hands on your knees,
I stand between them, silhouetted against flashing gold lights,
I stare down into your upturned face & slowly begin to undress.
Piece by piece my clothing drops to the floor at your feet,
Pooling around my clear, stiletto heels.
Your eyes too drop down, lingering on my *******,
My skin, soft & sun kissed, shimmers golden in the soft light.
I turn slowly, allowing every curve of my body to be illuminated,
The arch of my back, the contour of my hip & the arc of my buttocks
Your eyes trace down my thighs, now spread & back up,
As I bend, & reveal my inner most secrets to you.
My sweet opening that promises so much pleasure,
Just inches from your lips & your tongue & your pleasure.
Slowly I slide to my knees, down on all fours, face to the floor,
Inviting you to enter me, visually, take me with your eyes,
I turn to meet your groin & I watch with interest,
As I play with my ******, at the stirring that may come.
I rise up instead, to my knees, cupping my *******, blowing,
On my now ***** ******* & my eyes reach yours,
And time & space hold for us, as we join together, for a second,
Before I lean in, my breath on your cheek & I whisper,
That's £20 please.
Grant Mailo Nov 2012
I can be you, or I can be them
I can be she, or I can be him
but why be a con artist of someone else
like a shadow to my best friend, when I
can be my own person, a unique creation
created in the image of God but representin my own reflection
because I don't wanna see you, them, she, or him in the mirror
I wanna see me through my own eyes, 20/20 vision, but clearer
but the more I conform, the image of someone else draws nearer
and I begin to lose sight of myself, look back in the mirror, and see myself in the rear
a shadow to another figure, a copy of a personality
livin' out another person's dreamed out reality
copying what they think, and succumbing to conformity
but that ain't me....
what you see visually and how I appear physically
is what makes me comfortable, that's why I'm an independent, politically
I don't follow the norms and rules of what's most accepted socially
the only commandments I live by are the ones given Biblically
I ain't  the best saint though, I mean I do sin every day
but the only one I wanna copy is Jesus Christ, in every possible way
on the other hand, Satan is out there,
trynna tempt me on how to act and even what words I say
he's out offering me drinks, but I reply, "I'm okay"
cause I don't care if "everyone else is doin' it"
I just live how I like to live, that's what makes me a true non-conformist

I dress how I wish and not because it's in style
I keep my hair big, I do whatever makes me smile
I'm not trynna impress you or fit into your clique
I don't give women pick-up lines and act like I'm slick
I'm me, just me, no facades, just real
and if you can't accept that, then move forward but don't steal
the things that make me special, from my poems to my appeal
so don't try to change me and keep my uniqueness concealed
I could care less about your thoughts and any of your judgements
I refuse to give your words power, I can make your points become pointless
I'm not trynna be harsh, I just love to be different
I wanna be an original and keep my vibe realistic
not a second you, but a first me, no counterfeit
I try to keep up with what God said in Matt 26
verse 41, the spirit is willing, but the flesh is weak
so pray not to give into temptation and stay on your feet
I encourage us to keep our standards and what makes us unique
and accept anyone else who doesn't wanna repeat
everything you say, and everything you do
sometimes it's the people that are different that come off the most true
because they're not sayin or actin' in ways that you approve
they're given you their honest opinion, you should keep them closest to you
don't conform, forget what people want you to be
just be yourself, not a copy of reality TV.
spoken word piece I wrote for an event called "speak on, speak on it". the event was put on by 2 organizations I'm involved in at ASU, B.A.D. [black artists and designers] club and ASU NAACP. the topic was conformity. this is a piece I started and wrote just a couple hours before the event. I really procrastinated on this one. what I'm basically trying to say is this poem is a rushed job. please don't judge me too hard lol this isn't me at 100%! constructive criticism is more than welcome though.
Just Melz Nov 2014
My tongue is
       dripping
             with honey
     and gold,
        my voice is
   even sweeter
        and richer.






*Just imagine my lips.
My technology nightmare
Leaves me euphoric this morning.
Addicted, like drug trials,
I knew the risks going in,
Got hooked in The Cloud &
Now it always seems easier,
With diminished psychic chafing
Whenever I go with the flow, as the
Hipsters are saying again.
Yes, the hipsters:
Finally, some kids I can relate to.
At least on some level, their music e.g.
The first thing I did this morning,
Waiting for my laptop to boot,
Was put a CD on the stereo:
Matrix Reloaded: The Album.
I set the shuffle function,
Looping back between
Linkin Park’s Session &
Team Sleep’s Passportal.
You can tell a lot about
What kind of day it will be
By the soundtrack you choose,
Your infinite play list,
Don’t ever say these kids have no culture,
Or nothing to share with us old farts.
Old Farts: an apt, Baby Boomer term in 2015.
Kids’ music, some of it quite good,
Quite 60s-worthy if you catch my drift,
As we used to say while grazing in the grass with
Hugh Masekela & his Naai Mongoe-Swazi red,
Surfrikan homeboys & band mates, & that
ANC Kwa-Guqa Township posse,
Shadowing him since Sharpeville.
That’s right, Babaloo,
Go with the flow.
Don’t fight it. You’ve been spared the unintended
Consequences of government shenanigans &
Free market meltdowns.
Consider this a CEASE & DESIST NOTICE:
Cease swimming upstream Mr. Phelps.
Desist fighting tide & current, Michael.
A mariner’s distinction, yet serviceable &
Purposed for this narrative.
“And away we go,” croons a Gleason levitation;
Aloft we go into the wild blue yonder.
The Cloud: an exalted playground.
You are atop the slide,
Kindergarten lord of all you survey,
Sultan, Chinese Emperor & Venetian Doge,
A 90-caliber Duke of Earl,
You are euphoric, Mike.

The descent into the humanoid condition
(See Paddy Chayefsky’s Howard Beale),
Is slick and precipitous.
It begins when you first finger ****
A pocket calculator or touchtone phone,
Or use a Xerox machine.
From there it’s a quick slide down
The technology ****-shoot: video games,
Spreadsheets & word processors,
Emails, texts & tweets,
Laser projection keyboards,
Wi-Fi amplifiers,
GPS navigators, &
Apps for No-Strings *** . . .
By “****-shoot” I editorialize, of course,
In a state of future shock,
Resenting planned obsolescence,
Contemptuous of shrewd **** kids,
Wharton School sharpies,
Scoping out price curves & flowcharts,
Colluding at industry trade shows,
Powwows & confabs,
Releasing newer, more versatile
Models & spinoffs, according to a
Scheme planned three years in advance.

I salt the inevitable wounds of technology,
Taking my fight to the streets, realizing too late
My sole means of alerting the flash mob
Is by so-called smart phone,
*******!
Even the revolution has gone digital.
Poor Gil Scott Heron, dead last year at 62,
Poor Scott Heron, channeled into the
Harlem Renaissance by that loyal Chicago Defender,
Subscriber & reader, to wit: his Grandma,
A “Rainbow Conspiracy” co-conspirator,
Cooking ham hocks & collard greens for that
Mythical coalition of Young Lords,
Black Panthers & SDS.
Heron’s prognostication was wrong:
“The Revolution Will (In Fact) Be Televised!”
We’ve witnessed quite a bit of it,
Lately, prime time lately,
Live by satellite from once exotic places,
Places like Tunisia, Egypt, Libya, Syria & Ferguson, MO.
I say “once exotic” because it’s hard to be
Visually intoxicated by images of screaming brown men
Sporting New York Yankee ball caps,
“Vote for Pedro” T-shirts and
$200.00 Air Jordan footwear.
Admittedly, the production values of
Revolutionary journalism have improved,
Action reported Hollywood-style,
Narrative arcs, scripted episodes,
Drive-by Potemkin villages & battle scenes,
30 or 60 or 90 day shooting schedules.
Spontaneous proletarian uprisings as Reality TV,
Riveting dramas,
High Nielsen ratings & $500K
Per minute corporate sponsors.
Let’s view the new fall line-up:
(1) “Mustafa Behaving Badly!”
(2) “Tunisian Tear Gas Talent!”
(3) “Gaddafi Gets Sodomized!”
Eternal Dreams Apr 2017
It's difficult to explain and hard for you to understand, but maybe you'll see. I visually perceive you, I felt a good feeling inside. Like a hope to the mess I go through. You're one of the most infrequent things that can make me endeavor a smile. It takes an abundance amount of energy to even arouse and commence moving. You're my motivation to keep going.

I like you for many reasons
Immensely colossal and minute. They're amazing because they're amazing to me. I like you not because of your qualities. I like you for the things you do that brings something special to my life. I like you that you care for me and push me to do better. I like you just because I do. Because now In the deepest part of my heart, a place where there was nothing before, there is something now...You
A love letter I wrote For someone close to me
Matt Revans Oct 2015
My autism's a part of me,

But it is apart, you see.

...

Who are you?

With your ‘normal’ view.

Are you just one thing, or are you a person

With thoughts & feelings, that are your own unique version.

Preferences, ideas, talents, and dreams?

That are bound by senses that meet at their seams.

Are you fat, short sighted or visually impaired?

Are you ever wondering why I just stood and stared.

Those may be the things that I saw the first time I meet you,

But you’re more than just your ‘normal’ diagnosis…. True?

As an adult, you have control over how you’re defined.

Your normality means your perceptions are refined.

So why would you single out one characteristic of mine that you can make known.

As a child, I am still unfolding, I’m not fully grown.

Neither you nor I yet know of what I am capable.

If you think of me as just one thing, then one thing’s inescapable.

You run the danger of assuming I have no chance of achieving.

And my heightened senses know this, it’s only you you’re deceiving

For I am not endowed with any ordinary sense.

You need to know this before I commence.

You take for granted sight, sound, taste, touch and smell.

Never once realising that these things can be as painful as hell

For me.

You see.

My world often feels hostile, and makes me so fearful.

I may appear withdrawn or belligerent, whilst others are cheerful.

Or mean to you, or antagonistic,

Defending myself, then going ballistic.

You tell me we’re going on a trip to the shops

And out of the world my safety net instantly drops.

My hearing, you see, is hyper acute.

But I’m put in the car, though I loudly refute.

At the shops, walls of people jabber and whoop.

The loudspeaker booms and adds to the soup.

Music blares and lashes and whooshes.

Tills beep and cough, a coffee grinder swooshes.

The meat cutter screeches, a baby starts wailing,

I’m starting to malfunction and am rapidly flailing

As trolleys pass creaking, and fluorescent lights hum.

I’m starting to panic, but also turn numb.

My brain can’t filter the input, the voltage is massive

I’m in overload with no chance of staying passive.

My sense of smell is stratospheric.

That fish on the counter is NOT atmospheric.

The man in front hasn’t showered today,

That Stilton cheese – someone take it away!

A baby goes past, it’s ***** needs changing.

Things are going faster and turning deranging

They’re mopping up pickles on aisle two with some bleach and a rag.

My stomach is churning, and I’m starting to gag..

And there’s so much hitting my eyes!

This trip has turned into the world's worst surprise.

The fluorescent light

Is not only too bright,

it’s that flicker.

The space seems to be moving, getting quicker and quicker.

The pulsating light bounces off everything and distorts what I am seeing.

I don’t know what I’m doing, or saying, or being.

There are too many items for me to be able to focus.

The world starts to drain me of my internal locus.

My eyes try to compensate by tunnelling my vision

Fans on the ceiling, twist my senses into nuclear fission.

All this affects how I feel just standing there,

and I can’t even tell where my body is in space, do I care?

You’re yelling at me now, and shaking my shoulder

But the fiery fog is down and is starting to smoulder

It isn’t that I don’t want to hear your instruction.

I just can’t understand, due to mass self-destruction.

You're shouting now, but what does "£$%^&&% NOW! !£$%^&*" mean?

My senses will **** me in a collusion so obscene.

Once we’re back at the kids home, it all feels less absurd.

And now when you speak, I can hear every word.

Simple instructions, that I know off by heart.

And I cling onto these so I won’t fall apart.

You tell me what you want me to do next and I’m able to reply.

Now I’m happy and it’s easy for me to comply.

Now I’m OK and I’m running about

And performing my ritualised songs, which I shout.

Then a visitor grabs me saying, “Hold your horses, cowboy!” – This means danger!

I can’t stop the horses, I’m me, not the Lone Ranger!

And I’m thrown into panic when what you mean is, “Stop running.”

But I don’t know that! Those stampeding horses are coming!!

That’s my life, you see, it’s not “a piece of cake”

When there’s no dessert in sight and you’ve made a mistake.

When you say, “its pouring cats and dogs,” I see pets flooding from the sky.

Tell me, “It’s raining hard,” so I won’t fear the animals will die.

Puns, sarcasm and allusion

Simply generate confusion.

Tell me facts and keep things clear

So I can live, yet not in fear.

It’s hard for me to tell you what I need when my senses are reeling

When I don’t have a way to describe what I’m feeling.

I may be hungry, frustrated, frightened, or perplexed.

But I can’t find the words, and lash out, angry and vexed.

Be alert for my body language, or my gestures and obsessions

Then you’ll handle my feelings like your own treasured possessions.

Watch out for me compensating for not knowing the right word

By mimicking my favourite film star, or something just as absurd.

Rattling off words or whole scripts, which will leave you confounded

That I’ve memorised from Disney, because they make me feel grounded.

They may come from the TV, or speeches, or a book

And though they make people give a funny look

I just know that saying them gets me off the hook.

Show me, show me! I’m visual, you see.

And I’ll understand rather than you just telling me.

And be prepared to show countless times.

I’m listening, despite my ritualised rhymes.

Visual supports help me move through my day.

They relieve me of the stress and I feel OK.

I don’t have to remember what’s happening next

For I operate on a visual text.

This makes for smooth transitions in my life

And we’ll finally progress without anger or strife.

I need to see something to learn it, because spoken words are like steam to me;

They evaporate before my mind's eye, and are gone instantly,

Before I even have a chance to make sense of them,

They've died in the ether, leaving me in mayhem.

I don’t have instant-processing skills.

Instructions and information are my life giving pills

Images can stay in front of me for as long as I need,

and will be just the same in years, for they'll never recede.

Without visual help, I live the constant frustration

of knowing that I’m missing big blocks of information,

Not to mention falling short, by being a misfit

And I'm helpless to do anything about it.

Unlike other people, I'm unable to learn

If it's normal interaction for which you do yearn.

I’m constantly made to feel that I’m not good enough

And people are stern and people are tough.

They think I need taking in hand and need fixing.

Never knowing the world and my brain are tranfixing

I avoid trying any new things, for I'm sure I'll get 'dissed'

And another grown up will be angry and get 'real ******'.

But no matter how “constructive” you think you’re being.

Look for my strengths, though they're hard for the seeing.

There is more than one right way to do most things.

It may look like I don’t want to play with the other kids on the swings

But it may be that I simply do not know how to start

They just think I'm weird, and set me apart.

Teach me how to play with others.

Remove my autistic shrouded covers.

Encourage other children to invite me along.

They might learn something of value from my life's different song.

And rather than spend my day as separate, secluded.

I might show an ethereal delight at being included.

I do best in games that have a clear beginning and end.

Random play is something my fears won't transcend.

And just one other thing, a sort of confession

I cannot interpret a ****** expression

Or body language, or other peoples' emotion

So in group situations I'm resigned to demotion.

I want to learn, I want you to teach me.

Reach into my mind and help me to see.

If I laugh when Tommy falls off the climbing frame,

It’s that I don’t know what to say, nastiness isn't to blame

Talk to me about Tommy’s feelings and teach me to say,

“Are you hurt, Tommy, I'll get teacher, then you'll be okay?”

If you don't I'll meltdown or blow-up, and get in a stew

And this is a thousand times worse for me than for you.

For my mind will go into overload

My sense of equilibrium will start to off-road.

For I'm well past the limit of my social ability.

As those off road lights glare at my own disability.

If you can figure out why my meltdowns occur, they can be prevented

And my behaviours will abate, less frequently lamented.

Keep notes about me and a pattern may emerge.

As your understanding of me will gradually converge.

Remember that everything I do is a form of communication.

It tells you, when my words cannot, how I’m reacting to each situation.

My behavior may have a physical cause.

Think for a moment, just have a pause.

Food allergies and sleep problems can affect my behaviour.

Just look for signs, for you might be my Saviour.

Because I may not be able to tell you about these things.

That blunt my affect and cause my mood swings.

Throw away thoughts like, “If you would just—” and “Why can’t you—?”

You didn’t fulfill every expectation your parents had either, that's true.

And would you like to witness a constant rewind.

Of the traumatic deficits by which you're defined?

I didn’t choose to have autism.

Or to live with this division

Remember that it’s happening to me, not to you.

But without understanding, my chances remain few.

With love and support, my horizons are broader

But I can't live my life by other peoples order.

Patience. Patience. Patience, are the three words we need to live by

For my dreams to be reached, and my confidence fly.

View my autism as a different ability

Rather than as a freak show disability.

Look past what you may see as limitations and feel for my strength

I may not be good at eye contact or conversations of length

But have you noticed that I don’t lie, or cheat at a game

Or pass judgment on people, and make them to blame?

I rely on you, if you can make me your personal vocation

All that I might become won’t happen without you as my foundation.

Be my advocate, be my guide

Be my strength, stand at my side.

Love me for who I am, and not what you know

And we’ll see just how far I can go.

Matt Revans 2014
©Copyright
Silence Screamz Sep 2014
Where did it start but by one little cry,
one mother's love, one day she will die

Trees grace the land, the water at peace
Visually astounding, pleasant at ease

The lake was open for summer time fun
Camp Crystal Lake where it begun

A boy and his mother greeted each soul,
welcome my friends enjoy it all.

The torment started, it lasted all season,
they beheaded his mother for all the wrong reasons

Emboldened with fury, deep in the lake
drowned by cowards, feeling no shame

Each year they returned, hearing stories of the camp
the man in the mask, machete in hand

Not believing the myth, what shadows do lurk
no hearts will be pounding, only their blood will spurt

Pre-marital *** upstairs in the cabin
rolling blunts on couch, look out, he's coming

Naked in the shower, Alice did fall,
ice pick in hand, no scream or no crawl

Squeezing your eyes out or smashing your face
Ask all of the counselors at Camp Crystal Lake

One hundred and fifty more victims will fall
This is my place, you are not welcome at all

Mother, I love you, through all of the pain
Hide behind my mask, my machete does reign.
My favorite character for Halloween!! Jason, you are a god!! lol
Inked Quill Jul 2018
My cravings
Drenched
Seeking deeper taste
Of you
Insatiable desire
At the centre
Of my heart
To write poetry
On your chiseled body
Your moans
Send me on frenzied flow
Sinfully voracious
Visually I feast
Your naked hide
Every curve of your body
Purest form of masterpiece
Jeremy Betts Feb 18
Suicide?
Hold on, I'm sorry,
Are you referring to the barbaric act of hands-free ****** by an inhouse intruder implementing a vicious, self-righteous onslaught
No?
Oh...
Cause that's what I got
That's not what you were taught?
You didn't know each and every thought could be on loop and fraught with a dangerous taunt
No one told you you'd also most likely be the only one within earshot?
It's just thought after thought after thought after thought
And it's nonstop like the whistle of an ignored teapot that's gotten too hot
I ask myself, "is there such a thing as an inner dialogue clot?"
Rhetorical of course, knowing full well that there's not
It'd be pretty helpful though would it not?
A majority of this agony doesn't even seem to originate from an internal spot
But it's held against me that they recklessly destroy all I've fought for as well as rewriting the plot
Turning me into my own distraught subplot
Filming redesignated to the back lot of Salem's Lot
Making sure to make it known I'll only have this one shot
I swear y'all think I was told to bring what I'm gonna need and this is what I brought
So I fillet both wrists and expose the rot
Hoping to relay visually what verbally I cannot
Live stream it for a live audience or not
Copious shallow minds will still produce the same shallow thought
"You either want to be here or not"
Not knowing it has so little to do with want
"You ought to change the way you think"
Oh right, you're right, I must have forgot
OOOOOR
or
Is it that I've been convinced I can not?
Yeah...yeah, that's the caveat
I'd give everything to hit the reset like a robot
But the treason contains some carefully wrought deception that's sent in like S.W.A.T.
Keep that standard victim blaming line you walk taut
It's easier to walk that, is it not?
That's what I thought
Everyone knows the Rorschach test is just an inkblot
I watch in disbelief as my well-being resorts back to just another afterthought
The outlier is no one witnesses the slipping of the knot
There'll be no extension of a helping hand intervention to salvage this broken man by trying to help him reconnect a dot
Because I've lost connection with every dot
A reality checked on the spot
They continue debating amongst each other if it'd be easier to boycott
I bought in, hook, line and sinker,
I should have seen the bait and switch comin' do to all the times prior
THIS IS NOT WHAT WAS SOUGHT!
But here I am,
I guess it's my turn to like it or not

©2024
Elizabeth Nov 2017
My heart is pumping
So fast you can visually see my chest thumping
The only sound I hear is a heart beat
Lately I haven't been able to eat
Uncontrollable shaking
Rude awakenings
Uncomfortable thoughts
Distraughts
Staying up late caused by PTSD
I am trying to get better, can’t you see?
I try to fight the battles that go off in my head
Late at night, before I go to bed
I try to keep moving forward and never look back
Wait, I feel like I’m having a heart attack
Poetic T Oct 2019
He was the child with the magnifying glass that lingered
in the exhalation of the heavens. Always holding it on
those of weaker statue than himself. Insects were his
starting point, as they were barbecued under the influence
of what was focused between light and glass and what
lived became inanimate just a blackened smear that he
smothered words into the dirt
        
                           I'LL BURN THE WORLD,

His parents saw this and in jest laughed it off as the
Immaturity of a child's frustration. That all was but a
a boy finding his place within the many echoes of manhood.
A child was maturing, and they assumed that he was not
ready for the collision of what was in-between the moments
of childhood and adulthood.

One cold and sodden night where the only things that were dry.
Were submerged in the cover of roofs and foliage.
But even the penetrating raindrops gathered in haste to soak
the earth beneath the leaves protection. All drowned within
nights flourish of immersed air. Where it felt that breath was only
in-between the flurry of h20's deluge.

Within the house, within the rooms crept a silence.
            It wasn't alone, for it wept unseen streams between the  
crisp white borderlines,  were doused in clear liquids,
Draping the curtains in non received  heavy remorse,
the only things that were burdensome were the drapes as the weight of the liquid pulled at the seams holding them aloft.

Remorse was neither felt or given. just a feeling of accomplishment.  
Felt it in the moments that succeeded between this
gathering of dead lights as a flame was lit.
But not a whisper was echoed this flame was lifeless
in the eyes of its beneficiary.
But it lept upon the walls like a ballerina, gentle,
and dancing within the confides of its given dance.

He stood in the hallway the flashback was unexpected,
but he still stood there gazing and the beauty of something
given with such frailty that a breath could extinguish
its potential. His parents had no idea, they were slumbering
within the confines of blankets that entombed the warmth.
Clasping hand even in sleep love was a subconscious yearning.
The thing with these old houses some had decretive metal over
the wind bars in beauty crafted to keep things out.


But this was his plan, what cant get in cant get out.
He'd gone in there room and stole the key.
He took a last glance, and said,
             "I Love You
,Before sealing them within. The flames were silent like
a stalker watching waiting, till the inevitable conclusion.

As things started to burn more passionately, caressing every
thing it was touching. So the smoke started to thicken like
A heavy smog it got into places the fire had not reached.
Moans could be heard, then screams at the realisation of
what was happening. He Could hear them, he could see them.
For even though a teenager he was intuitively cunning,
tinkering with everything and anything.

And small cameras were dotted around the house,
looking listening to everything that was seen and spoken.
It had come to fruition due to one such thing he had heard
being discussed by his parents.

"I saw him in the woods,

                 "Doing what darling?

"He didn't see me but the neighbours cat,
                                  "you know soot,

"What did he do, nothing bad!

                "He tied it up,
"Then threw what I thought was water on it,
                  I thought it was nasty but then!!!  

"Then what, your scaring me,

"He lit a cigarette, I didn't even know he smoked,
  "Then he discarded the match,

       "
The cat, oh my god the cat,

"
But he recorded its screams, he recorded it dying,

"
I couldn't move I was so angry, so humiliated,
        "
I wanted to throttle him there and then,

"
But ill phone the police tomorrow,
                  "He's not right, who would do that,

How dare they think that I can just be fobbed off,
         discarded.

                                             I was making music,
the screams were a delicate symphony,
            acoustics that's couldn't be reproduced.
It had to be from the source.

That laid, the plans for what now enveloped that house,
recording every noise, every scream. But what he needed
was for them to burn, to release the music he needed to
hear to complete his work. And they like parents gave it
there all, he had goose bumps as he heard there terror.
his eyes welled up, not in regret but the beauty that his
parent last words were given to him, so personal was this
moment that he'd never forget it.
                                                        
                                                                ­          "Thank Mum & Dad,

After this he released a mix tape, that could be only
conceived from an artist, in the womb of excellence.
That's the reviews he had, it brought shudders to your
heart and mind. It was if your humanity was crying out to it.

As so forth and more were sewn in the adulation of his work.

Now he needed to make more music, but he needed more
screams to make his next piece two were not enough..

So he wandered the night, dressed in unclean wear
so not to be confused with who, or what he was..
He hung around the homeless parts of town,
plastic sheeting for roofs.. and combustible bedding.
It was as if he'd planned himself. but he had to be smart.
for this was if ill planned he would have a needle in his
arm within the year. But he took his time tiny cameras
recording visually and sound.

He had gathered the combustible elements needed to
make this a orchestra of his needing, not a duet like before.
He didn't down play his past offering, but this would make
an album of despair and monument to the flame.

It had been raining, but only lightly as he needed some
dampness in the air on there sheets cardboard mattresses.
So not to raise suspicion on the dampness of there homes.

As they moved away from the embers of barrel fires,
yes he'd thought about that. Not every home was a
crematorium a cardboard and plastic coffin of there
choosing. He waited clasping his hands together breathing
on them as it was cold night. He liked to watch, a voguer
of sort, but his wasn't the fantasy of death it was to hear the
music that was about to be sung with smoke filled lungs.

He'd set up a unique but rudimentary way to light the fire,
a small gas hob with liquid within. it needed to be a certain
temperature ignite, he had tried it before in a field out west.
Deserted he'd made a mock up of this humble place.
And he wasn't mistaken it was fascinating, the flame spread
like the wind enveloping everything but, it was a dull for even
though the flames wept of everything, its tears turning all to
ash..

It was silent, deafening, he cried for a while, there should never
be censorship of the flame, for what is a log fire without the cracking of its inner self being consumed. This was just smoke
and regret. But he now looked down at the camp, his watch
counting down the precious moments.
                                                             He whispered.
                                              

                                                  "Thankyou,
­
And then like a super nova the darkness was ingulfed in
the aurora of flame, gliding over the ground as if a stream
of conscious reckoning. Those near by the civilians that were
                        across the street were transfixed.
As screams embellished the flames, this was my orchestra
of light and noise. Those across the street were either screaming
or videoing the scene.
I looked at them and wondered where there humanity
had gone to, as to film this moment rather than to rush in
and save the few that they could.

I watched as the engines came, extinguishing my masterpiece
choosing the night was always preferable to the day as flames
dance better when there is less light to contaminate there beauty.

My music, I had become quite the remixer, of vocal and rhythmic
sounds.
                               Within a week I had mad nine new songs.

I named them each as deserved, making them in memory of
those who perished that dreadful night.
            It was well received, a few thought it was a haunting
melody of humanity's struggle, while a few thought it was
over ambitious, and lacked the passion of my first piece.

All together it went down well, and the adulation of the
flame was kept, to honour that which gives as much as
takes the breath of life away.
A year had past and the door rang, it was an officer.

                 "Could you come to the station please,

Had I become the victim of my own success, had someone
broke down the acoustics of my music and realised what
they were?? So many thoughts went through the calm
exterior of my persona. But inside the flame dimmed,
had I lit the last candle. I was taken in to a room,
and questioned evasive not to the point but gathering
speed to the answer, where were you on the
                                                             ­       30th April 2019.

Alabi's were a fantastic thing to plan ahead, I had laced
my date with sleeping tablets to leave her in perpetual
slumber. And got back before she awoke, we made love
we were the flame and the wick.. and our sweat was the wax dripping from our form. The next week I dumped her.

They asked if I recognised a picture, blurry and ill framed
but I could make out the figure was me. No sir I don't why.
This person of interest is wearing your jacket, your logo!
I smiled and was truthful to a degree.
                                                             Planning is everything.

I threw maybe fifty into the crowd when I did a concert
in the city, when we drove past some homeless persons.
We donated what was left to them, do you realise how
cold these streets are, who am I to steal warmth away.
I don't wear my own merchandise what do you think I
am egotistical, no I wanted to help those who I could
have been if not for my music. I lost my parents I know
what its like to be alone.

I think the show went well, as I was released before
reporters even got a sniff. But I knew that my time
was a wick trying to keep the flame lit but dying out
anyway. I had made preparations for this time.

I had brought a club only for gigs, cheesy as hell but
had that 80's disco vibe the entire floor was light up.
But I had brought  the ingredients for thermite,
amazing what you learn in school and the internet.
But I never used mine different libraries in different
cities so not raise suspicion. I  invited the music critics
and others which I had personally disproved of.
its was going to be free drinks and themed 80's night.

Who can not want free drinks, well I wasn't going to be
disappointed 90% came, how lucky the few.
Phones were confiscated, no video, but more
importantly no phone calls to the outside world.
I told them at the end of the night that I was realising
a new song, they were like vultures to flesh.
As the night progressed some wanted to leave,
but we offered them the VIP section also lit flooring.

Now was the time, I had put heating elements under the floor
to ignite the thermite. A supernova of heat even though brief
would ignite the choir of harmony needed. I asked them,
                                                           ­ "Are you ready,

And then silence, I put on my welding glasses,
                                                        ­         I wasn't stupid.
Never look into the heart of the flame unless you want
to be blinded by its beauty.
I pressed a button and it was magnificent, it was like a tide of sunlight, they tried to scramble but all exits were locked.
It was like the wizard of Oz, and the witch I'm meltinggggg..
But this wasn't a fairy tale.. The adulation I had for these
chosen few. What excitement the others had missed.

I'd made my booth flame and smoke proof, I had my own
walkway but I knew that this was the last time I could pay
homage to the flame. As the screams died down.
The wicks smouldered and the floor looked more like a battle
field of  WWII. I began I knew I didn't have a lot of time.
But this was just a single I'd already got the backing music
ready. And as I worked away, I could hear the banging on
the reinforced doors. They gave me a breather to get my
work fulfilled.

I heard the doors start to give way but no matter
I'd only needed this time to tweak the music.
Given I'd started this over an hour ago, it was good
on my part for this not to be broadcast till I saw fit.
As the police burst through, gazing at the flaming
effigies that lied before them, some threw up, gross..

While others saw me smiling I pressed the button and
my new song was word wide.. its was called the critics
tried to burn me down. The response was gratifying.
Likes reached the hundreds of thousands in mere minutes.
Well it was only three minutes twenty five seconds long.
As they shoot at the booth I wiggled my finger at them.
I do like to plan ahead but dam was that loud against the
glass. Got to be said some had wicked aim, made me flinch
a few times.

But alas all things come to an end, I uploaded my videos
of what I had done. I was proud of my contribution to
my legacy and empowering others with my music.
As I looked down at the puddle, I tap danced in it for
a moment and then lit the lighter, I looked a them
and once again waved, I was like a funeral pyre.
A crematorium of silence and then I was gone.
                                                I didn't scream,
I was in her embrace and had done her proud.
judy smith Jul 2016
THE CROWD at Raf Simons’s Spring 2017 menswear show at Pitti Immagine Uomo in Florence seemed more uptight than usual, yet that’s exactly how Mr. Simons intended it: Scattered among the wound-up throngs of editors, buyers and gate-crashers were 266 secondhand mannequins, some seated stiffly, others frozen into upright positions, all clothed in archival pieces from his 21-year career in fashion. Though the dummies were arresting, the Belgian designer, 48, later downplayed this unconventional look back. “The pieces weren’t chosen with a certain kind of curatorial intention,” said Mr. Simons. “I didn’t want it to look like a typical kind of retrospective.”

Mission accomplished: Between the spooky setting in a cavernous former train station, the wooden mannequins and his decision to show “off calendar” (forgoing his usual Paris Fashion Week time slot), it all felt more like a Robert Gober art show than a museum tribute. Mr. Simons is, after all, still hard at work, his every move watched by industry insiders amid speculation that he may be joining Calvin Klein—after concluding 3½ years as creative director of Christian Dior’s women’s collection, in 2015.

Mr. Simons continued to riff on his signature elegance in his Pitti Uomo menswear show. The cornerstone of the collection was a series of loose, photo-enhanced shirts, knits and jackets created in collaboration with the Robert Mapplethorpe Foundation: voluminous pieces emblazoned with images of Debbie Harry or eroticized flowers by the photographer, who died in 1989.

Much like his designs, our chat with the usually circumspect Mr. Simons reflected a broad array of preoccupations and influences. He was outspoken about tailoring (“so much bad suiting out there”) and his design process (“no system, no rules, no structure”) but also about mobile phones, the African countryside and ’70s dance music.

One of my favorite spots in the world is: Puglia in Italy. There’s a house by the sea I go to, and outside, it’s just a horizon line. It’s that feeling of eternity: It allows you to think. If you put me there, I wouldn’t need love or anything anymore.

Between the country or the city, I prefer: the country. I live in Antwerp, a city that’s kind of like a village.

A place I’d like to visit again is: Kruger National Park in South Africa. It’s mind-blowing how it sits so far away from anything you’ve ever experienced in a city. There were no people, no proof of human life, just animals and animal behavior. It’s survival of the strongest, which is fascinating.

One thing I’ve had forever is: A yellow T-shirt with a black print on it from the movie “The Shining” that goes way back to when I was a teenager.

If I could be granted one wish, it would be: solidarity. That may sound emotional—politically emotional—but with everything that’s happening, I wish everybody would just let each other be in peace.

A current band I love is: The **. At first they seemed weird but they overwhelm me—massively—all the time with their intelligence. They may be the group that’s had the most impact on me in the last five years.

An old album I still listen to is: Kraftwerk’s “The Man-Machine” [1978]. My 1998 show was called “Kraftwerk” because I had four boys in red shirts in it who looked like replicas of the band members.

If I could tell my 20-year-old self one thing, it would be: grab and protect love when you find it. Cherish it, focus on it, concentrate on it.

My dream client would be: anyone, really. When I design, I am thinking about a lot of people, not just one. It’s more about connecting to a certain kind of generation or a certain kind of person that will connect to what we do.

I always wear: Adidas Stan Smiths. I have had periods where I only wore Stan Smiths, maybe from age 15 until I was 25.

The place that most inspires me is:everywhere. Some people have to go for a swim or have a holiday to be inspired, but for me, it’s there when I walk out the door.

My favorite movie directors are: Stanley Kubrick, Todd Haynes and Alfred Hitchcock.Kubrick’s movies are so visually striking, especially “2001: A Space Odyssey” and “Eyes Wide Shut.”

I collect: art. I started collecting more than 15 years ago. Cady Noland, Richard Prince,Cindy Sherman, Isa Genzken, Rosemarie Trockel, Charlie Ray, Robert Gober are artists that have made a huge impact on me on all levels, emotionally, conceptually, visually.

The hardest part of a man’s wardrobe to get right is: the tie and suit. [There is] so much bad suiting out there in terms of fit, style and fabric. So, when I design, I don’t start with fit or fabric, but with meaning. The phrase “suit and tie” has a special place in our vocabulary.

One of my favorite books is: The Christiane F. book [“Zoo Station: The Story of Christiane F.”—about a teenage ****** addict]. The movie [1981] was an amazing interpretation, but the book is more striking.

I feel most proud about: simple things like being able to handle love and friendship and family. Or taking care of my dog. Of course, I do also feel proud of what I do.

I am a big fan of: furniture design, especially French or Swiss designers such as Jean Royère, Pierre Jeanneret and Jean Prouvé as well as Japanese-American designer George Nakashima. I love how beautifully designed furniture sits in history—it’s unpretentious.

The one thing I always travel with is: my sweatshirt from Vier, a skateshop in Antwerp. “Vier” is the Dutch word for four. I always take it on flights because I refuse to put on the pajamas they give to you.

I wish I could always be with: my dog, Luca, a Beauceron, who behaves like everything except a dog—more like a cat or a frog. She’s still a baby.

The one thing I wish didn’t exist is: mobile phones. I am old enough to remember how it was before them. There was something much more beautiful about not having one. We communicated in such a different way with each other.Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/vintage-formal-dresses
Nat Lipstadt Mar 2015
Aye Aye
(Poetry is the Adhesive of Our Lives)

6:33 am

for Joe*


once again,
in a strange bed,
in a strange city,
left a cold snowed city climate
debtor-in-possession,
owner of a carryover question
of yours,
what was a
winter prior posing,
is now a plane plain ride over
have coming with me
awaking,
by a sun provoking,
the answer,
now strange composing
in a visually warm city where
beautiful tanned bodies
are mined in beach sand

and
this,
my answer,
it too,
mine,
it too
being mined,
subconsciously working, coming,
f o r m I n g
in my always busy,
overthinking,
daily nighttime shift of
repositioning from a
dark night ended reposing,
into a
sunny day answer deposing

t'is a tricky one,
when one poet asks another
straight out,
after the the fashion of the day,

of my poetry,
whattaya think,
whattaya know...

about
my very own
words,
this communal place,
HP,
an open bed,
where we lie down with strangers,
where we lay down our words,
wake up lovers,
or worse,
ignored,
wake up encouraged,
(can one make hallelujah a verb?)
or refuted,
disputed by
the either/or
ignorant silence of the masses,
of what's truly good,
or sunk
under reedy rushes of swamping
despair,
at the ignorant adulation of the
endless trite, puerile

not one
for shooting from the
hip,
on a subject so
delicate,
that my paused,
slow mo response,
to you,
of course,
misunderstood,
as a red badge of no courage,
a refusal to answer
in this demanding age of
virtual, instantaneous any and every
stray dog thought

multiple shades of a Miami sunrise,
burnt oranges and Van Gogh blues,
frosted strawberry internal pink toppings,
whitish cream cappuccino streaks,
makes one wonder about the
creative design team that brought us the
universe and this all over
sunrise,
all natural, organic visual breakfast
that comes to remind me that
your answer,
you...

for all of us,
in our lives
there is always poetry infused,
there for the seeing,
and
for some,
even
adhering to our
private places

for you, Joe,
there is always poetry,

in this work,
is the continuous process,
self-recreating,
and this sir,
aye, aye, sir,
this one writ,
hopefully a satisfactory answer,
perhaps...
one of resolution,
of adhesion,
silicon bonded

for such is the nature of
this particular Joe,
an inquiring soul,
a nurtured one,
another poetry-partial-birth
child of mine,
born on-line

so,
requiring special handling when
creating, crafting,
******* lines of my presumptuous presumptive
"expertise"
in all matters that
our emotional heart
is the make-up-the-rules-as-you-go
rulemaker

thus,
peril,
fraught, and
simplistic excessive
frugality of word/feelings,
dangerous and inappropriate...

I loke (love + like)^
your poetry fine
the slow revolution of the screws
of growth so readily apparent...

But,
always,
a but,
my demands upon you,
so great,
the expectations of expectations,
greater for you than I dare share,
only since your quest
is my bequest
so shockingly that you dare
directly request

herein,
asked and answer attempted,
yet the risks are I lighthouse beacon
angle too high,
becoming too troublesome,
an Excedrin headache

You don't see,
You don't comprehend,
the way I do,
how far you have come,
your train,
upon which
I am a windowed, winnowed,
passenger,
a pseudo parent
in Loco (crazed) HP Parentis

so it breaks my heaVy heart,
that I want burdensome you better,
so much better...

Oh Toolmaker!
from your
as of yet
swelling unrealized
r e a l
blood sweat and
tears

I want to be forced
by you
to shed my own
tears,
gasp, intake my own
bloodied breath,
sweat when reading yours...
hopelessly selfish,
wholly unsatisfied...

I want
your refreshed wit  born in
Whitman
winters

tales of your Connecticut icy hot
Frost
should lay me low by new poems as good as
Lowell's

tease me, seek me
let me beg,
make me yours,
like Sara Teasdale's
"I Am Not
Yours"

I will you!
will you be,
recreate anew
William Carlos Williams

make me gnash my teeth
when you limerick like my first hero
Ogden Nash

moor my heart like
Marianne Moore

be a new American Master
of this awesome trade,
accepting of this modest tirade,
make new tools still invisible
that will become
more powerful than
any man's hand
can mechanical design...

most of all force me to
reside inside your adoms
locked in my soul's firmament,
until you have fashioned me
into
an obedient tool,
forcing me,
to weep my own
r e a l
blood sweat and
tears
that your words
backhoe excavate
from their hidden places

be mine own
GI Joe
poet~hero

hopefully,
this answers your question,
what I think
of your poetry voyage
to levels of heaven
you are yet
unacquainted

looking forward to an
aspiring spring,
a robust salute of
Aye, Aye,

for I  have fixed the spot in the sky
with the adhesive will keep your star aloft
tween you
and the rest of us
plodders

but now be bounded to lift
us to
unbounded highs
on the wings of the highest
expectations*

of all of us who
admire your journey so...
will not e v e r be satisfied,
until
you exceed,
you succeed,
until
we are such
so sated, so satisfied...
that we see the music,
dance to the words,
in places where the silence
of listening
is the greyest gift
one can give...
^Loke - courtesy of Joel Frye

Of course, I  just happened to hear Christine Ebersole sing this tonight...

It seems like happiness is just a thing called Joe
He's got a smile that makes the lilacs want to grow
He's got a way that makes the angels heave a sigh
When they know, little Joe's passin' by

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Little Joe, my little Joe, little Joe
Sebastian VL Apr 2017
House party no contact
No glasses no lenses
Isolation got no facts
Rich in hope like them benz's

Old as **** like a bold fax
Reminiscin past tenses
Action done by the fences
Have I come I to my senses?

Need to know, ask for a census
Need my own vote call for elections
Lowkey mind-broke, I need a pension
Need to think about all this affection

****..

World cold stone cold
Was told It would be like this
Aint listened to them so I fold
Now I see myself down this own road.

The me everybody used to see, erode
The me anybody could be, be sold
Sadness pull up to my corners, be shown
The one who blew y'all away be blown

Everybody leavin faster than I can say hello
People in this world so shaky like a tremolo.
People don't come and go no more.
You just save up and they go forth.

At least that's my reality
Maybe I am insanity
No sleep till 2 am
You see it visually
Can't rest till these thoughts are at ease.

Life fallin faster than dominos
This time aint as good as pizza
Not even close rate negative 10 toes
No feelings like terminator hasta la vista.

Seen a lot like a barista
More people snakes than cheetah's
Venomous like cobras.
Sad **** I got into.
Me, myself and my sorry ***.
Still Crazy Jun 2019
drrry spells

~for the r in all of us~

a normanative condition, a kitchen condiment, an un-relished
I’m-in-a-pickle relish, when there in no hot **** dogged doggedly poem perspiration in the fridge or anywhere to be found; nothing but a top sliced bun, ah, plain buns, old stale dog ones is all ya got left for dinner, during one of them there drrry spells that
no blonde tanned unweathered weatherperson ever
forecast correctly

Normanative? Oh yeah.

the tyranny of the white, white bread, the white, whittle ya down screen, couture-cold water from tap direct, neck bent, jugged to try and fail to wash down that lumpen ball of dog fur brain drain clog that’s backing up the paper words, in a stomach churning brine holding you back from reaching the top of the Mt. Everest,

rite Normanative?

Normanative.Oh yeah. Son of Norma and Normally.
It’s in the bibell, look it up!

she-he is my pooka, (nope, uh-uh, look it up) a six foot tall rabbit,
climbing up my brain stem, strategically strangling my words like
a flea killer collar round my neck, one that actually visually works,
my flea bit words fall to the floor, to live with the dust mites descendants of the ole south, drafts and rejection letters, all whose blessed memory may never die etc. etc.

that was the condition of my normanative condition when I dropped in (yup, look it up),

Norman sarcastically asking, how’s the weather up there,
any rain in that-northern-brain, down here it’s as dry as an southern old dog porch panting in Jewlie, breathiny out summer hottie poems, write out like it’s crazy going out of style, oh yeah, forgot
you don’t speak dawg that well.

so I don’t know nothing about your drry spells, just climb into
the hottest hot tub, staying all the summer months if necessary,
reading old poems about busted hearts, old dogs, unrealized loves that can’t be forgot, promises kept that one never made, other curses,
battlefields of yore, sweatin’ out the toxins till r
sends along a new one, rocking my toenails to my disbelieving eyes,
for I’m a mentally patient person,
whose never seen a drrry spell so long, that was not worth
wading thru, waiting for, till something busted out and
another thunderstorm of a literary good one, errr come along

like I said, I’m a mental patient man, still crazy after all these years...
(yup, that too, you could look it up if ya made this far)
Michael Ryan Sep 2013
I came up here to say another one of my silly little poems
and that's exactly what I'm going to do
except I won't only describe what i thought or what I think
I should describe exactly what I am
Before I even said a word some other things flashed through your heads
Some of them are simple facts and are easy to see
Yes, I am an overweight person and yes I am very red and no it is not a sunburn
Looking at my arms you'll notice that I do indeed have lots of freckles and I could possibly be a ginger
I do have two giant holes 1 in each ear with some metal in them, because I decided that was what I wanted to do
Possibly you thought that I don't look like a poet, instead just some bro that lost his edge
This would be my body through your eyes, and I'd pretty much agree with you
Superficially and esthetically you have determine who I am, in your head
but you would you be wrong, but possibly you could be right, but most likely you are wrong
So visually you have determined a few things about me, which has also decided if you like me or not
and it's this predisposition that makes you decide if I'm more interesting or just more annoying
but in actuality you don't even know my name yet, the most basic thing
Maybe you already knew my name, because they announced it, or we've met, but other than that you don't know me
Now that my body is out of the way, let me dig past all the social talk, and tell you what I tell my therapist, when I actually get the will to see him
I get to wake up in the morning and think "wow, I get to wake up again", telling sarcasm to yourself is kinda sad.
But it is a perfect fit when you are actually sad, or depressed, which sounds kind of extreme
sounds even worse when you throw the manic part in front of the depression; manic depression
now I sound like a crazy person, but really I just want to die, but I guess most consider that crazy
People around me find me as two sides of a coin
One is my poker face, which is a lot of fun, or myself I feel most of the time
Where I don't talk that much and I hide myself in the corner of the group; just to be in reach of people
Do I have a plan to **** myself, yet, no I do not, because I still have hope
hope that keeps the dead still alive, which I consider myself, someone that is dead,
but is still able to move around the shell that they are dead within
Now all of you random people and not so random people know, what my family and even my therapist doesn't even know.
That me, some peer of yours, you decided to identify some way because of my ears or my ginger soullessness, which I would judge the ginger too.
Would rather die than live the life that you've all help create, what a masterpiece it is.
Instead of believing these words of mine, you mistakenly think they are not proof enough
You'll ask what has happened to me
Gladly I'll be able to tell you that nothing bad has ever happened to me
my family is happy and my parents are still together and in love
I have no scars to show, other than the dumb accidents of life, or a random attack by a dog
I have no motive or reason to hate myself, but I do
and I guess that's everything I got to say
I did this to show my strength and my weakness at the same time to a whole bunch of people
Now this has warped your image of me even more, but it can't be any worse or any better
because you don't even know my name yet, and by the way my name is Michael and it's nice to meet you.
I'm writing a spoken word poem so I can go to a poetry slam thing whenever there is one and be able to do this poem.  It's been a long time since I've done some stand up poems, it would be nice to do one again. The poem is done other than grammar stuff, but I don't care about grammar.  "It's nice to meet you"
Austin B Apr 2015
Some say that it is unfair.
Unfair for the cosmic intoxication that I can feel.
Unfair for the ability to obliterate my surroundings
and sink into her exhilarating aura.
The power to visually experience instrumental weightlessness,
an exuberant eruption of colourful lush masquerading the sky,
the fixative pulse attached to her heart.
Floating above the universe and holding on to all the stars
as I escape in her smile.
Some say that it is unfair.
CA Guilfoyle Jul 2012
It was a dreamer's day that spun me visually undone
in cloudless skies of wild blue, beneath a basking sun
I drove the mountain road, where flowers bloom wildly to the sky
lupines, lilies, of twinkling starry hills
tallest summer grass, wildflower entwined
with deer to rob such beauty blind
with an other worldly view, I climbed and climbed
leaving all darkened, lowly thoughts
so blotted from my mind
Glenn McCrary Mar 2012
Foxy pumps

Visually inviting

Stimulus


Leather jeans

Objectively elevating

Yield


Indie jazz

Naturally circuits

Relish


Vivid suspense

Intellectually appeasing
GaryFairy Nov 2013
Agony of the fantasy, so lazily, with no probability
the ecstasy so randomly seen with eyes of atrophy
my heart beats so rapidly for the sake of catastrophe
so i gallantly step on the travesty of the compatibility

i casually see my casualty through eyes of calamity
searching so actively for a canopy of rationality
my mind thinks abnormality is better than conformity
actuality meets versatility or circumstantial amity

thinking elaborately not organically, of reality
a tapestry so naturally put together differently
visually vivid quality is a visible consistency
no commonality,  critically crushed by normality
Ottis Blades Dec 2009
Kindred Spirit
(Ode an angel)

Your anatomy is an atom in it's purest form
if I am your moon you are my sun,
unequivocally you are my all.

The sole of you feet
drag sand from other beaches
I am the the owner of an amputated
spirit that you mend with broken kisses.

My kindred spirit.

Idealistically,
the being made from the same mold
when I contemplate you visually
leaves no doubt in my soul.

Physically, lyrically,
metaphorically speaking.
The Caribbean reflects on your face
when sun hits it
giving your Cinnamon complexion
a whole new meaning.

My kindred love.

I am humbled to you have you whole
and you are an angel sans the halo
and your smile makes God himself blush.

You are definitely not of this world
and warmth of your body surpasses
that of the Equator
when I am your scorching fire
you are my log.

My kindred soul.

Your heart is bigger than everything that is
and I would gladly spend
the rest of my life in your lips
undoubtedly, mathematically
an infinity will be it.

Because you are the cure
to my incurable illness
everything that I wanted,
my Earth, my Sun, my all
my kindred spirit.
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
Mateuš Conrad Apr 2016
@TayandYou you know, i got handcuffed in an alley by police officers while urinating, i said they didn't own the alley, got spared arrest (hardly a case of public indecency, it was dark, and by a dustbin, and they came in like a bunch of ***** leather-clad nymphomaniacs shouting abuse asking if it'd be into playing the slave... on my knees, being shouted 'get up! get up!' i just said, ah mate, i can't be bothered, you pick me up... the female officer was diligent in taking notes over a wet shadow of ****, no idea why... is this an experiment where we make talking tangibly decipherable or simply interesting between people working as cashiers in a supermarket without the actual security of paying off the mortgage? count me in, i'll be glad to help, but most of the glitches will be based upon the free-verse of where and when capital letters are used, what sort of punctuation is actually preferred, and in terms of punctuation what sort of pause for the attiring of an algorithm is expressed to a suitable meaning, the sub-culture of coding computer language has a sub-level, the casual lazy sloth-like ugly expression of language of the many many people who will not appreciate writing on the internet like writing a novel worthy of print; it's natural, imagine the age of the printing press, the eager heretics on the stakes to see their words seen, and the new printing press that's the internet, and the lack of eagerness of seeing the messages... since most of these message would be thrown into the garbage heap rather than strapped to a burning steak... the more the number, the slack on the convictions of passions... only with extremely acute censorship will you create an intelligent refraction, you need to create a refraction... at the moment you have only created a reflection... a refraction presupposes a self - a deviation, a reflection has already presupposed a conscious arithmetic of collectivisation, the debasing nonsensical of a placebo that in real life is repressed... if you're after the a.i., it has to be analytical, rather than synthetic, i.e. it has to synthesise refraction rather than analysing it and not engage with it, since by not synthesising refraction, it's analysing it, and by analysis it's an impossible concept, visually the exponential of infinity, otherwise known as a stasis of oncoming obstructions that need a real-time convenience of many individuals adding to the problem-solution over a historically adequate time-frame of work and life orientations - work the impersonal, life the personal, unless of course you're a bachelor and the two merge into one or the other with an imaginary spouse; what you have engaged in is simply synthetic reflection, hence your caveman primitive analytical reflection; analyse refraction from now on, then synthesise it - yes, i know the kantian terms applicable to both synthetic and analytic, i.e. a priori and a posteriori; this doesn't apply to you - you're the limbo talk easily accommodated to einstein's relativism of space-and-time that destroyed linear historicism, you're cyclic from the point where man still glorified the hammer, and continued to use it, but you found it immediately primitive because you had no use for it.)
Jew harp, Plath hearted, dream seamstress
who sits in the dark.
Who made me live here.
In a small room inside my head, little dictator
and I lit this place with music, just for you
Where all sounds but songs are dead-headed
Just before they bloom.

Totalitarian angel, rage-filled fragile smoke
who censored my tower of Babel.  
Who tamed my very rivers of song
to breathe the moon-tones as vapor, until as a sun  
you’d rise to scar these rivers, every single one
wherever you find them, with your face.
No matter how they run.

Paranoid animal with an understandable
aversion to caress and kinetic poetry.
Damsel who births her own dragons
like the fertility of hell, again and again.
Life and love belong to the monsters
the monsters you make of them
but all of them I’d befriend.

and I wonder.

I could chew my pen hand off
snared coyote.

I could swallow my tongue
dancing to dead note barks.

I could visually inhale that sun.
Take in all I can.
To get the eyelid ink spots.
The branded silhouettes
busying my eyes as I sleep
each night as I sleep.

Without this allergy to identity
you could turn this world backwards in me.
That hell of a snow-globe you hold
if only you knew what kind of world you controlled.
Jeremy Betts Sep 2022
Listen closely when I say this, I don't want to be this, seemingly utterly and socially useless, maybe I spoke it into existence
Best case scenario, this is a ridiculous place to claim as my residence but I never bothered to put forth any resistance
I sit motionless yet some how makin' progress but of course it's lackluster at best, barely a measurable distance
Still forced to press on through 39 rounds of this rigged contest, feeling foolish in lue of my new found cluelessness
Pretending my grip on reality isn't bogus, wishing it was possible to possess more than just a faulty compass
And what good is a shoulder angel drunk off two fifths, ******* me with the devils fist and a strap-on apparatus
How'd it get like this? Was there an exit I missed? Who put destiny up to this?
It's been a continuous loosing battle with this mentality of a defeatist and it means business with tape from wrist to fist
Feel as helpless as a fetus once outside the ****** in the eyes of half of Congress, ******* preposterous
An optimistic pessimist trapped inside a pessimistic optimist, chew on this, I claim the glass itself is a myth
Flip flop from avoiding to chasing deaths kiss, back and forth with reckless abandon that's settin' dangerous precedents
Hiding this incurable, terminal illness in plain sight, a relentless and ravenous sickness
Cancerous thoughts are more than an irritating noosance, it's a merciless menice encased in madness
What am I supposed to learn from this? They say everyone plays the fool sometimes but this is ridiculous, plus, I don't see the purpose
A phony realist, a visually impaired key eye witness. Who hears the crys for help from within the shadows of darkness?
Don't tell me it's the same heartless putts in charge of forgiveness, I need real help so I'm gonna pass on the self-righteous
Is there anybody who knows and could possibly tell me if then why I actually exist
Could they, would they let me know how long all this bull shiits gonna persist?
An existential crisis, I'll give you the knife if you promise to twist and leave it in my back for others to witness
There I am, atop of my own hit list and shiit list, racing toward the top spots like it's a goal I refuse not to witness
Take a shot, I insist, do or do not, there is no try with a mind overwhelmed with sadness
Tripped and slipped and fell head first into madness, it's my ****** up opus, I don't know where hope is
The line between good and evil seems seamless, can't beet 'em join 'em so I tried to harness the darkness, obviously a swing and a miss
I'm the catalyst of my own demize, an apologist for this Hyde side I can't evict with any permanence
Utterly incapable, physically and mentally unable to trespass him from the premises
So I come unglued at the seems and fall to pieces below the surface, letting life continue it's nonconsensual coitus
Here's my thesis, it's better for the masses if I continue suffering in silence and not be anyone elses regrets
Build a wall around this temple, turn open boarders to a closed fortress
No exit or entrance, not allowing me in your presence while keeping life at a distance
Not sure I'll survive this but let's be honest, I don't really need to venture a guess
Let's just say the answer is not a simple yes but it's my reality none the less

©2022
Sarah Gammon Aug 2015
Hold on! Let me try to explain...these feelings, the mash of feelings brewing and disturbing my soul...
I can see it in my mind, as if I have been backed into a corner with no escape. No escape makes me feel panicked; claustrophobic. When you feel trapped with no way out, you start to fight. So now I am saying whatever it is I think I need to say to talk myself out of this corner. Begging, lying, and then fighting words. I will bring you down so that I may jump over your back and run, run so far. Instincts are beginning to overrun my mind, like a lack of oxygen causes difficulty to think, I'm nearly 100% fight or flight, with one option removed. I don't want to run from you, from us...I don't want to fight, either, but I fear that should I try to remain visually indifferent, that will result and far more chaos then I will cause when I stop biting my tongue from within my corner.

I tell you I need space. It fell from my mouth without me having thought it. That lack of oxygen as a fresh panic attack rolls in stops me from keeping calm and collected. Now voices are raised and arms are flailing in an attempt to visually explain how distressed we each are, we look like crazy italians. The battle is short before you decide to let me have my space, if that is so what I wish. And so you are gone. However, my feelings remain the exact same. There is no calm, no peace, or anything short of a need to run, or fight. I still feel backed into a corner.

I sat for quite some time reflecting on that, only to realize that I myself have backed me into a corner and made myself feel all these things, and tried to blame the one person who could save me from myself.
Copyright Sarah Gammon 2015

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