an all purpose cleaner response to the

how-ya-doing-question,

as my vibe unmistakable;
the hatred in the world directed at
MY PEOPLE,
is inexplicable, beyond reason,
a hatred raw and pure in the
tiny places we humans hide it, lest
our ancient linkage to an unreasoned,
embarrassing emotion, be revealed

but now revealed it is reveled,
as the freedom to despise is a
valued thing

is an ancient scar, now freshly wounded
and the two thousand year old accumulated, callused,
surrounding wafer thin, layered upon layer of
tissue,
wiped away
in utter disbelief
cleansed,
a different kind of impure clean,
“like” an ethnic cleansing,
traceless, whisked away in a wink of moment,
a goner.

like hope, prior sentient optimism
sentenced to life imprisonment and
this sentence, and this very sentence!
written finally understanding that it is
a punishment
far worse than the quick relief of death.

c’mon, how about a few “fukk you jew”
cri de coeur, heartfelt, genuine, pointless
hate

no, not I, no, not me,
spare me the pithy comments,
the pointless sympathy, glistening
like evaporating water droplets
before disappearing, I ask myself,
not
why they hate, why it persists,
for this I understand and accept
the foulness of what we are capable of is,

beloved,

as a secret pleasure, now secreted in torrents.

no, I ask myself,

why do I write poetry,

for it is as pointless as
the hatred directed at me,
from birth, till death,
and ever after,
the humanity of poetry
just another fraud

another reason
why this man cries in the bathroom,^
not from any shape of shame,

because poetry is pointless
in times of hatred, and now we
know, recognize, it is always
somewhere, nearby, always
present and prescient,
pointless hatred,
itching to be pointed at me,
makes for
pointless poetry.


To whom shall I point my poetry?

When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people’s gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.

But maybe I ought to practise a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

Jenny Joseph
from Warning:When I am an Old Woman I shall wear purple (Profile 2021)

"We are creatures of constant awe, curious at beauty, at leaf and blossom, at grief and pleasure, sun and shadow," U.S. poet laureate Ada Limón writes in her new poem that will fly to Jupiter's moon Europa aboard NASA's Europa Clipper mission.

"And it is not darkness that unites us, not the cold distance of space, but the offering of water, each drop of rain."
The poem, unveiled at an event tonight at the Library of Congress, is going to be engraved in Limón's handwriting and affixed to the spacecraft, expected to launch in October 2024, Miriam writes.
The big picture: The Europa Clipper mission follows in the tradition of others — like NASA's Voyagers — that have sent pieces of art representing humanity into the cosmos.

The poem uses water as a thread that binds Earth — and all of its humans — to Europa, a moon with an ocean beneath its icy shell.
For Limón, writing this poem was a very human endeavor.

"The thing I think that makes me the most beautifully overwhelmed is the idea of all the humans that are going to read it," she tells Axios.
The poem, called "In Praise of Mystery: A Poem for Europa," is featured on a NASA webpage where people can sign up to send their names to Europa with the spacecraft.
"I think to have it feel collective is really, really extraordinary to me, because it does feel like it's not my poem," Limón says. "It does feel like a collective poem. And as soon as I wrote it, it felt like oh, this belongs to Earth. This is our poem for Earth."
Between the lines: Sending this poem to Europa is an "evolution" of NASA's Golden Record, which is flying through space aboard the Voyager spacecraft, Robert Pappalardo, Europa Clipper project scientist, tells Axios.

Those records contain sounds from Earth — including music, laughter and animal noises — as well as a map of where we are in the galaxy. They are now billions of miles away, flying through interstellar space.
"This is an outgrowth in that we're not going to the stars," Pappalardo says. "There's no message to aliens here. This is purely a message to ourselves and a symbolic message to Europa."