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Draining
Talking partying friends
Draining
Always on the outside
Draining
Always fun until it's not
Draining
Anxiety always wondering
Draining
Not always fitting
Draining
Swanswart Aug 2016
I

Home
inside the house of the lording
a frenzied pumping play.

Within
the colander
pouring the mold—
an altar of fetid sacrifice
and perfumed devotion.
My personal Pentecost (conversion
out of form)
My feats are handed to me far
ahead of my own devices.
Filling it up
Faster! Filling Faster!
Draining filling faster filling!
faster faster!

Violet lids are locked open in a rose
colored stare of thorns.
Puddles form opaque
and uneasy across the floor.
Ripples flex and bend-
a taste of lavender sweat and kisses
washes across my tongue
the flavors coagulate obscenely
stirring thirsty petitions
for more

II

The sunlight slits its way through the shutter
to rest upon the floor.
It strolls languidly across the breadth of the room
defying perception with a cadence
that patiently consumes the afternoon
Within
the anxious minutes struggle to keep pace





III
Speaking with the tongues
of omens and devils
Love is nothing
and I am less
Charity is the anchor
and compassion the straight-jacket
Lies! Lies!
Memory is privy to the cure.
I am up to my ankles in defeat
Wading through my room in shackles
a supine sense of clemency
bends my knees in prayer
Mercy! Mercy!
Mercy-
for the barbarians and schemers
and those who long for sleep
for the bleeders and the healers
and the **** crowd that pays to watch
for the hidden and the hiding
the blind,  the short-sighted, and the bell gatherer on a leash
for those who have never seen their own spectacle
and for those who have yet couldn’t laugh
Mercy! Mercy!
Mercy to all
Without

IV

Within
the pool rises
In genuflection I supplicate my position
Surrounded by the baptismal abyss
I contemplate immersion
into the excrement
I have poured about myself
A frivolous query of destruction complete
It’s a sprite idea
a fairy thought
flirting with my insensibilities
teasing my degrees with magic and trance
with spells that bind the curious
to moonless night visits
and the breaching
of hoary sepulchers alone
Filling! Faster! Faster!
Draining! Faster! Faster!
Filling Draining Filling
Faster! Faster! Faster!
The colander is engulfed
within

V

Afloat in the mire
of ponderous subversion
excess has risen heavy upon my heart
swelling about my neck
with rigorous aplomb
licking my lips with tar and suffrage
To my feet
I must stand!
I must keep my head above
and chin up

Gut-check drench and saturate
seeping into my passions
seething out of my skin
and into my dreams
sealing me inside myself
It is an epiphany of osmosis
Sangfroid boiled to satiety.

An emancipation?
Is this contentment I feel?
Could this be...
I AM FUFILLED
if but for this fleeting
whim of a moment
I’ll take the burden as luxury
my soul rings with ******
my body shudders with dissolve
I am without—
Time
Needs
A Home




VI
I catch the last shards
of sunlight lingering
upon the far wall
Glowing
So alive in those last few moments
bright as language
etching vivid accomplishment
fading
memory
gone

VII

Ecstasy is swallowed in desperation
a flotsam and jetsam exchange
Grasp-breath beg and flurry
for space
wallowing head-full pleading
swimming in vibrant exhaustion
I writhe back into my skin
like a womb worm foraging
for original flesh

The casket ceiling offers me
Othello’s kiss
I see the cacography on the wall
and it’s my eulogy
blind as a battering ram I am
the walls before me
the colander cloys
the cullion claws
the cauldron is full


Boiling drown the barricade
the gallowed decision
is no simmering reaction
to the pangs of entropy
The filling has ended
my effluence has trickled to a halt
A maelstrom opens
draining Draining DRAINING
Within





VII

Without
The vortex rages
a frenzied drowning dirge
my eyes scour the darkness
scrubbing the void for light
The nothingness gawks back
shadows swirl in the pit
of my stare
I close my eyes in defiance
turning my gaze to the visions
Within
My thoughts are black
my dreams are black
my mind is an obsidian landscape
of residue and remnants
purged in the strain
of the colander
within.
Seán Mac Falls Jun 2012
Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell, 
As he knocked and pulled her dark honey hair 
And whispered, surrender, into wanting ears, 
Softly he drove his hunting command, homing 
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then 
Once more and then again.  She bucked fiercely 
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still, 
Bathing in a vale, virginal, wholly unmoved 
By their act of venery, lustfully playing, in the innocent 
Leaves.  It was as if they were among her kin, a gentle 
Doe and a noble stag. From that moment on 
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing 
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves 
With her tale, taken and told, her breathless breath, 
Her nostrils cold and her heated and lanced openings 
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
The shadows are creeping in
Closer, closer
The light is fading slowly
Slower, slower
The time is running out
Faster, faster
The shadows are growing bigger
Bigger, bigger
My life is slowly draining
Draining, draining
The shadows have taken over...
Draining life to fill it with
watered-down pain, can he feel now? If my teeth make
an appearance, you'll be given your fix of my 'happiness,'
injected through your cranium. I wish I could navigate my
naive wishes, as I'm sinking in my pillows, and the light on
the ceiling is winking at me as I'm patched up, written in 'unhappy'
My uncanny doubts are fancying a feathery gift of sleep,
unlike this fascination with
falling feet to my death of dreams-
It's like I like sadness. I hate it, but I want to cry. I can't anymore. I'm so confused right now with everything in my life, just like this confusing writing.
Brian Pickering Mar 2017
The plumber came to call or The self-draining P’trap

To all the plumbers I have met, and yes I've met a few,
Domestic pipes, commercial pipes and civil pipe-work too,
Blow torch and solder, flux and joints,
Tricky bends and straight bits, in perfect counterpoint.

Then of course the big stuff, pipes bigger than your shoulders,
Not supplied by DIY, only bought from stockholders,
No solder for this job, a welding torch’s the thing,
Careful tack, align no crack, weld a perfect ring.

All the pipes are connected, whether large or domestic small,
Fill with water and pressurize, hoorah, no leak at all,
Flush the pipes, flow is fine, a job with a happy ending,
Pack the tools grab the kit, thank god I’ve finished bending.

The domestic user is dabbling, with a little pipe-work flair,
Can’t be that difficult, just one joint here, or the odd joint there,
All seems fine, fresh water in, waste water out,
I’m not going to spend money, on a plumber’s callout,
The waste seems not to drain well, gracious, how can that be,
I connected what I thought was right, no it can’t be me

It appears the waste pipe is blocked, gone are the comforting swirls,
This must be where the gooey stuff goes, and all those hairy curls,
I can clear the blockage, how difficult can it be,
Now, the water goes down the plug hole, around a wiggly bit, I see,
I think they call that a P-Trap, that’s all technical news to me
An old wire hanger, with force of water, will definitely do the trick
Plunge hanger down the hole, wiggle it round a bit, give it a flick,
The water hasn’t moved an inch, and the wire is firmly stuck,
Time to remove the P-trap, and deal with the unpleasant muck,
How difficult can this be, what could possibly go wrong,
Get the tools, lay on my back, this shouldn’t take too long,
Gripping trap tightly, with little effort it should unscrew,
Nothing moves, try again, it’s ****** tight, I think the thread’s askew,
A tap with my hammer, will loosen this stubborn joint,
No movement is detected, both sides are still conjoint,  
A mighty whack should do the trick, just to make my point,

A thin stream of water, is dribbling down my arm,
Success, I grab the trap, twist like merry hell, and to my alarm,
The stored bath water gushes out, the mood is far from calm.

Pushing the trap together again, trying to stem the flow,
A loud voice calls, from the dining room below,
What the hell are you doing, water’s all over my Chapeau.

Sorry my love, move your hat, it’ll be fixed in a trice,
Me thinks, If I don’t fix this very soon, I’ll need a flotation device,
Just a five minute job, am I kidding myself, my mouth is all agape,
I hunt around with my free hand, and grab the gaffer tape.

I unwind the life saver, and wrap it around the leak,
Let’s consider the situation, to avoid my wife’s serious fit of pique,  
Keep my mind focused, what could possibly go wrong,
A solution is required this very minute, that won’t take overlong.

I’ll wedge my hammer, beneath the troublesome trap,
This will give extra support, whilst my plan, I have time to map,
As I swung the hammer into place, there came a mighty crack,
A hole appeared in the bath end, I suffered a symbolic heart attack.

Time to call the plumber, and hang my head in shame,
My wife’s assessment of DIY, will never be the same,
Emergency call out was swift, a smiling youth at my door,
Lead me to the problem site, and I will probe and explore.

An estimate was made, whilst ******* air through his teeth,
What Pratt, he said, has been working on the trap beneath,
Is it bad, my wife has strength of a gorilla, it’s beyond belief,
I’m afraid it’s a bath, a trap and associated pipe work, good grief.

It’s going to be expensive, there’s the bath and tiling too,
I can’t do it straight away, but I’ll put you in the queue,
Said he was interested in the engineering feat,
Designing a self draining P-trap, was a little hard to beat.


A temporary repair was fashioned, with fiberglass and tape,
I cleared the mess around me, and quickly made an escape,
It was some days later, I thought I’d clear the gutters,
I could tell the family were not keen, by their groans and their mutters,
Not to be diverted, I disregarded all their ridicules,
I told the wife I’d start right now, but she’d locked away my tools.
Maggie Emmett May 2016
Gendering Woman *******

Beautiful, anatomical part //  Ugly, anatomical part
Natural, pleasurable             //   Burdensome, loathsome
Female Symbolic                //    Femme Symbolic
MALIGNANT                             HEALTHY

fearful, tearful, wretched     //  joyful, hopeful, euphoric,
bereft, wept, grieving          //  embryonic, rapt, relieving
leaving, loss                         //  believing, gain
m a y b e - d e a t h                                            r e - b i r t h
                                                   BI-LATERAL
                                             MASTECTOMIES
Operating Theatre

SURGEON                                         ANAESTHETIST
cleaning/ cutting/ knife/ scalpel   //   doping/ unconscious/ airway
blood / tissue                                 //   hypotension
loss/ damage                                 //   shock
drains                                             //   sinus rhythm
stitches                                           //   pain deadening
tight binding                                 //   reversal drugs
                                    
POST-OPERATIVE
a l i v e                                                a w a k e

draining, bound & stitched               draining, bound & stitched
                                            DRAINED
    ­                                   ~ UNBOUND
                                       -- UNSTITCHED –

Empty chest                                                    Flat Chest
FREEDOM from Disease                               FREEDOM from Dis-ease


© M.L.Emmett
This was written to explore the different responses to bi-lateral mastectomies, one woman with Cancer; the other trans gendering. It was inspired by reading The Argonauts by Maggie Nelson, whose partner, Harry, was pleased to be rid of these cumbersome appendages & by my friend, Angela who had breast carcinoma and felt very differently towards the loss of *******.
Diana Garcia Jun 2018
I’m running in circles
I’ve got a scattered brain
Does this look normal?
Or have I gone insane?

I tired of the 9-5
Just look in my eyes
This job is draining me
Of my creativity
And happy vibes
I come home and I just wanna die

It doesn’t help that I live
In a lions den
Every morning I wake up
There’s a beautiful silence
And then
Noon comes around here comes
Big mama with a big ole frown
I thought I’d just chill on my day off
Rent is paid but it ain’t enough

I think I need some air
Maybe I should go to my moms house
And see if my family cares
Ha Ha
I needed that laugh
Look at me
I’ve begun to chaff

Anything to just break a smile
People swear I’m crude or ******* vile
Yet we got fools praising a dead man
A woman beater a native to gang land
I’m just trying to get my head straight
Don’t bother me now
No time to contemplate
Tummy’s hungry
And I’ve got an empty plate
An avocado breakfast burger sounds good.
Lili Oct 2015
I thought I knew
But I know nothing
I can feel you baby
Leading me astray
I repeat to myself:
“You are not small.
You are the universe
In ecstatic motion.”
But I feel  small
I feel the universe
Slowly draining
From my soul
Because I know nothing
But I feel everything
And I don’t want to feel anymore.
Styles Jan 2018
I spread your legs,
revealing your world to me
explore your fantasies
so pleasingly
you can hardly breathe
lost in ecstasy
your ****** climbing into me
draining me inside of you
guiding you
riding me
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Charlotte Huston Nov 2015
False shades I hide behind,
To embrace the other side of my mind –
The woman inside who’s always possessing my eyes
Boiling my soul’s insides until it can no longer hide
Rapping, tapping, stabbing, dabbing –
All my emotions galore, to find the other they implore;
Female only, this and nothing more.

Oh, Lords above! Truly your forgiveness I may adore –
Along with your permission I implore, to have this emotion at my door
To build up and grow, to fuel the thirst for a gender’s allure,
To flow outwards in glorious lore, in a tempest’s downpour.
Vexing, nixing, trapping, sapping –
My life force away – Until I am female forevermore.

Forgiveness I ensure, for all taunts I endure –
From my own mind’s tapping, nodding, napping at my mind’s core
Free me from my suffering! – Break me from this chore!
Terrors shall rattle my brain, draining my veins galore, in fear of my fatal self-gore
Hanging, napping, seething, bleeding –
Convertest to female – Or my life shall be no more.
Gender-identity burdens my heart and soul.
Fame Leanne King Jun 2014
Further my mind goes, than I believed it could fathom
Fathoms below even the deceased dreams chasm
Impassionately growing through and between atoms
To learn
There is no whole truth in solely words
Blindfolded, if your mind isn't where the memory occurs
So it's sure
We'll never understand more than we're capable to confer
And it doesn't mean, you can't relate to the way I toss n' turn
In my sleep
That it isn't the same color we bleed
Or that we aren't perhaps equally 'deep'
Just that we hold some nature of privacy in our thoughts, from any other's gaze
Did I mention it was books of seperate authors, though we're on the same page?
What I wish to relate today
Is I have been changing to date
I'm breaking, down just like anyone else
Draining my health
Enslaved by the chase of wealth
Smiling while we're high, but we'll retreat to our personal hells
The honesty is, I'm scared to delve into myself
Because I know where my truth gets ugly, and has no glamour
Not the 30 second commercial version of what it's like living with cancer
It's habits, actions and manner
Looming over my pride
Leaving a weakness in my stride
Making me feel tired before I've tried
Aaron Mullin Oct 2014
The first time I truly stepped into the mystic
For a suspended period
Those close to me watched with amused
Concern

Later on I would find out that this place was called hypo-mania
A lower energy level than mania
Recognized by the p-doc's as a creative place
But also a place of warning

Cause what comes next?
Mania
For me it was spiritual; I was playing in the aether
I was living the Tao; I instinctively called it Source

I was studying to be a scientist at the time
So this didn't make a lot of sense
The data didn't support the hypothesis
Had I just eaten one to many mushrooms as a teenager?

I already had a psychiatrist
I was being treated for ADHD
He had prescribed something called Concerta
An amphetamine; a ******-stimulant

At many points along the journey
I cursed the day I ever heard of psychiatry
I'm sure that the neuro-chemical pathways opened up by Concerta
Had something to do with my awakening

Those first days near Source made me realize I needed some guidelines
Mine were informed by my indigenous heritage
Only take what you need (i.e. sip, don't gulp from the River Tao)
Find your foundation: my rock was integrity, eventually leading to authenticity

Even with these guidelines, I couldn't maintain the healthy place they were calling hypo-mania
I had too much toxicity in the relationships around me
I couldn't fully elucidate what I was seeing and feeling
And my 7 kettles were on a full rolling boil

I was draining myself
I drove myself into madness
I was trying to sip from source and live my truth
But I wasn't honouring the nature of the Tao

It was Helter Skelter:
'So you go back to the top of the slide
And you turn and you go for a ride
And I get to the bottom and I see you again'

Over the next 3 years
I would lay down what I now think of as my
4 pillars; four hospitalizations
Well over one hundred days in the Cuckoo's Nest

The first hospitalization I went happily
I was going to teach and inspire the sickies
It's hard to get healthy in a place of illness, though
I came out still a little hypo-manic but went into a deep, dark depression
After finding out what those around me really thought

The second hospitalization, I went against my will
The doctor's were inconsistent, I found flaws in their logic
They looked at me like I was a flaw
They tried to prescribe health at me; I told them to *******

At that point I was not happy with the Canadian health care system
Health, first and foremost, was a public good
This ******* the individual's rights
I wasn't a danger to myself or others but I was a risk so there goes 70 days of my life

I was fortunate to have the support of some important people
They made sure my finances, among other things, were maintained as I tried to make it back to the ordinary
After my second hospitalization I really began to delve into the idea of holistic healthcare

It was after my second hospitalization that I made my first Hero's Journey
I was playing the role of a white blood cell for Gaia
I had my first three sweats within a month of each other
I met many shaman and I'm pretty sure I began my own residency

I put 10,000 km on my trusty steed
Chasing windmills
Sancho Panza by my side
< --- -- - Vancouver, NYC, Los Angeles, 'da bridge - -- --- >

My third hospitalization was the third act of this Hero's Journey
I was pushing it, reckless; I stopped taking my prescribed medicine
I ended up in the City of Angels of all places
Straight outta Compton!

My fourth hospitalization (and final pillar) was last summer
This time I ended up in Billings, Montana
The American model places the onus of health on the individual
I could have stepped out of that hospital at any point but I now had the wisdom to know what I did and did not need

Even though I speak of four pillars
There is always a fifth element
Her; the one
She woke me up to my soul's purpose

We met shortly before my fourth hospitalization
(You've got to use the fourth, Aaron)
She was a stranger in many ways
Still is but why does she feel so familiar?

She walked me through Dante's Inferno
She had spent time in her own non-ordinary reality
She left behind a map and published it
Through her bravery, I was able to find my way out of the inferno

And through her bravery, I was able to publish my map
http://www.bipolarorwakingup.com/
Michelle Brunet Mar 2019
How do you decide?
Decide what to do,
What the future holds for you?
I don’t understand, one goal,
One goal that somehow
Supersedes them all.

How do you choose?
When passion flows through you,
For not just one, nor two,
But many life paths, careers,
It all means something to you?

I feel lost, thinking of the future.
I’m floating by, trying to find,
Something that could spark
More than mere interest,
Something that could captivate,
Hypnotize me for long enough.

Because you see, I flit from one
Passion to the next, one minute
I am drawing, the next sewing,
The next it’s animals I love,
Or how about teaching children?

And I sit here empty, not sure
Which path to take, which goal
To make, to work towards,
Because right now, I’m in
The inbetween, no job,
Not in school, what do I do?

But the reality is, I’m trying to find
That one magic passion,
That somehow works with my
Disable body, since almost everything,
I find it all exhausting.
And my mind is spinning circles,
A dog chasing its tail.

Why can’t I do it all?
Why can’t I just enjoy life, enjoy
All of the things it brings,
And take my time, because I’m
So tired, of trying to figure it all out.
Tired of planning, I’ve never been
Too good at planning, when there’s
So many things occupying my mind,
So many things that I desire.

But even then, even then, if I could find
A goal to work towards, a dream job
For right now, well that takes work
And it takes time, because it
Turns out it’s all a ladder that
We all have to climb and being disabled,
Well I feel left behind, not sure
How to move forward when
I also have to go up, and going
Up has always been so draining.

I must work now, to somehow
Get somewhere I would rather be,
But what do you do when most jobs
Require me to be on my feet,
With my level of experience,
And education, limiting me?
It’s like I have to hurt myself
In order to hopefully some day,
Live a better life, I guess that’s why
So many say, ‘suffer now, and
You’ll get your reward later’

I tried university, tried college,
But you see, being disabled,
Has made them  difficult for me.
At least, in the ways that I was pursuing.
And now I’m stuck, trying to find my way,
How to get out of this rut, this mess,
All around me while being limited
By my own body, when I’m so used
To trying so hard to keep up
With the rest of them, charging
At how much money they can earn.

Money, it always comes back to money.
And money stresses me out,
Makes me more sick, gives me more
Pain that I would ever like to be in.
Well, apparently, money is
Supposed to be the solution.

Not so easy when the job market is crap,
I didn’t come from money, so I had to
Start off with nothing, and make my own way.
But where do you start, when
All your ‘now’ prospects seem
Rather lackluster and all you can do
Is prepare for a future.

Strange to think that we’re told to
Live each and every day like
It’s the last one we may ever live,
When we have to spend our beginnings
Stuck in preparing, deciding, and striving
For a future, so hard to make,
When all you started with was
A journal to write in.

I just want to live now,
I want to live everyday,
I want to spend more time
Cultivating all this passion inside
Of me, it’s bursting inside of me.

But there’s this rut, this anxiety,
This fear, of having to build a life,
No, a career. So that I can live
In the future, instead of now,
So that hopefully, we can get by,
Scrape by, by the skins of our teeth.

Tired of working crap jobs,
That I don’t really like, where we’re
Unappreciated, and paid to barely live.
Overworked, underpaid, I’m in so much pain.
My body, can’t stand in this pain,
But that’s all I can do is stand.
In pain, at a cash register,
Or making drinks, no consideration,
Of the struggle it is of being disabled.

Because we all have to able.
Able to stand, to push, to work
Your ***** off, until there’s nothing left,
You’ve given all you’ve got, and then
Some. Soul *******, career bent,
Work too hard, to fit in.
You got to be a workaholic to fit in.

Well I can’t keep up with that pace,
And I see it wearing people thin,
People that have more strength,
More drive than I ever did.
How are we supposed to live,
When you have to work to live,
And, in turn, live to work.
It’s extremely exhausting.

All of this jumbles inside me,
I can’t breathe, can’t decide,
How I’m supposed to live my life
When everything screams
On all sides, that I’m supposed to be
Running, supposed to be rushing,
And that all seems so wrong.

I just want to live a life that has meaning.
Something meaningful to me, that I can
Actually enjoy each moment as it passes
Us all by, I don’t want to rush life
Before it all ends, I’m so tired
Of trying to run in this ‘rat race’
It’s not a race, I need a slower pace.
I demand a slower place.
No more running, no more racing,
It’s time to live in the now,
No fear.
© Michelle Brunet 2019
Miss Misery Feb 2013
Yesterday's episode drained the life out me.
I felt empty inside.
And now I'm just filling up with sadness.
I don't know what you are trying to achieve with this space thing,
but I never asked for it.
It feels like it is more of an excuse for you not to deal with me.
A way to manipulate me so that you isolate me more
until the point I am so broken that will come crawling back to you.
So you don't have to put in energy,
but so that I keep draining myself until I can't take it anymore.
Till a reach the point of..

It's not worth it anymore.
Amitav Radiance Jul 2014
Suffering stirs up the soul
In agony, there are new realizations
Right in the middle, starts a chaotic vortex
Draining up all the energy, leaving the body numb
The mind is aware, yet it can’t control the situation
Getting more and more ****** into the commotion
The uneasiness unsettles the whole constitution
Shaking the belief for some time, yet, takes a heavy toll
Suffering gives a new awakening, to life’s adversities
Sometimes, we have to silently and vehemently fight
Like a lone fighter, up against, so many enemies
The mind as a weapon, is all you have
Sharpen it and keep it agile, as it’s the only weapon
To fight the sufferings, that gets hold of you
Evie G Oct 2020
Anxiety is an animal
Anxiety is a carnivorous beast
Anxiety grips onto you and doesn’t let go, digging its fangs in
Anxiety has painful fangs
Anxiety has claws (retractable)
Anxiety sits on the edge of a table, meowing morosely
Anxiety digs its claws in when it doesn’t want to do something
Anxiety reminds you it needs feeding
Anxiety hisses, bites and scratches
Anxiety eats ferociously, draining you.
Anxiety gives you disdainful looks
Anxiety reminds you it needs feeding
Anxiety has tiny fangs
Anxiety reminds you again it needs feeding
Anxiety looks down at you with its hairy body from the top shelf
Anxiety will sit with you, out of spite
Anxiety is only doing so to remind you he needs feeding
Anxiety might fall asleep
Anxiety might bite your hand while you fall asleep, he needs food
Anxiety is fed
Anxiety might possibly maybe if you-are-really-very-nice allow you to pet him.
Anxiety falls asleep
You fall asleep







Anxiety reminds you he needs feeding, loudly.
Hey! Please comment anything you like! I’m kind of new and would appreciate any help you have to offer
Kimberly Dec 2013
Dear reader,

This is not a poem. This is not a letter. This is not really much of anything, for that matter. I hope you'll continue reading because it kind of helps knowing that someone somewhere out there is reading what I'm going to say next. I just hope you, my dear reader can benefit from my story.

It's merely 3.41AM and I am feeling empty. It's not the kind of emptiness that overwhelms you in tsunamis of water, neither is it splashes of water. It just didn't seem to have a place, it wasn't really anywhere, it was kinda just there. Haunting me.

I had just finished my O level examinations, and where I come from, it's one of the most major exams in my life. It determined my future. So like any other schooling teenager in this country, I studied for it. Not just the kind of studying where you listen in class or read the textbook and do your homework. The kind of study where I could go on without sleep for days or taking shot after shot of expresso just to keep myself going or regurgitating word for word an entire essay. All because I knew how important this was to me and my family and my future. Every day of the week was dedicated towards memorizing, every minute of the day was devoted towards practicing, and every second of the minute was committed towards reading. Basically, every millisecond was crucial. And this was something I abided by religiously. But despite my efforts, I was still struggling. I simply couldn't do well. And when you put your heart and soul into something and it just doesn't go how it's supposed to, you get really broken, destroyed. You never know what went wrong and you question many things about yourself and you start running in circles, thinking and digging. The failure I was faced with consumed me with defeatism and self hate. I broke down more often than I should as the days to my exam drew closer, and I grew more anxious and scared. So ******* scared of the future.

Bear with me, please.

Anyway, the week of my exams came quickly. Despite my efforts to slow down time, time had done just the opposite. It was the most painful and suffocating weeks of my life. And although I am one to say that lightly, this easily took the crown. I have never, ever in my life felt this close off the ledge. And there were many times were I have came very close off the ledge. My exams lasted for around 3 weeks, and each morning I had to have at least a triple shot expresso and each night I before I went to sleep, there would be these images and thoughts telling me that I didn't deserved to sleep and I shouldn't even think about it. But when I did catch some sleep, the constant fears in my day had took over my nights. I would always dream about failing the exam, or being late for the exam, or forgetting to bring something to the exam, or killing myself before the exam. It was impossibly horrible and I could actually feel my soul getting depleted by the minute. Like the 'me' in my body was slipping away and there would soon be nothing harboring my body. I often find myself crying to sleep, and waking up in tears. I couldn't stand being so weak and vulnerable, but I felt absolutely defenseless against everything around me. Even the ones that loved me couldn't make me feel human, I felt like I was already dead and my body was still alive. I felt like I was constantly suffocating and nobody could see it. Each day felt so purposeless, ironically. (It being my exams week) Waking up each and every day was draining and having to face my eminent fate was painful. A physical kind of pain where you felt lightheaded and spinning but yet caged and choked. It's hard to describe.

So, it isn't hard to tell that I wasn't in the right state of mind to take my exams. I just dragged myself through those past couple of weeks, doing what I could. Each breath felt labored and each thought in my head wore me down greatly. I broke down frequently before my papers, and there would always be this couple of schoolmates who say things like "You'll do fine, stop worrying." Or "Just do your best. Whatever will be, will be." My parents would even try to tell me to take it easy and "We'll be proud as long as you've tried your best." I know that they mean well. But no, you don't understand. I have worked too ******* long and too ******* hard to watch it all slip away from me just like that. It isn't just some national exam I have to study for, it was my godforsaken passport for the future. All that I have done for this exam, all that I have forsaken, all that I have gone through was for myself. It was the dedication of every ounce of strength that I had so that I could let myself believe that hope existed. And I had just watched it being snatched away from me, right before my own sunken in, swollen eyes. And it hurt like hell knowing that I've tried my best for it, and it is a reflection of what I've worked for. Nobody's going to look at C's and D's and see the reflection of an "overnight mugger", they'll see what comes to mind first: a lazy, complacent teen. And as the saying goes, "The lie, if repeated a hundred times, becomes the truth." All my hard work will be forgotten. And it will be like it never existed before.

Maybe some might think that all this is stupid. All this I go through for one exam, I know many of my schoolmates think that way. But the complex feelings that I experience for this exam isn't just because of my future. My life depends more than it should on this exam because it will prove to me that I am not a failure and I am not as stupid as I think I am. I want to know where my best truly is and where I stand. Because I have never worked for anything in my life but this exam has been the great exception. It was the key driving force of my life, it was what wore me down and spurred me on at the same time. I don't want people to tell me that I am capable and that I am smart, because I will never believe you. I need this exam to show me that I am capable and I am smart. I want to believe it too.

So I lie in bed at 4.17AM now feeling so afraid of the future. And I used to be the kid that depended on the prospect of a better day. I have yet to meet my impending doom, and if you are wondering, I collect my results next year in January. So now, I am lost and alone. And empty.

Thank you if you've read this far, I just hope that you, my dear reader, if you've ever felt useless, or not good enough or you're just hurting, know that you are not alone and there is someone that knows how you feel. I would tell you to be strong, but only you can do that for yourself. Just hang in there.

k.m.
Arizona Indigo Jan 2013
I apologize for my thoughts and my actions

But you must understand that I am what they call a man.

And no matter how perfect any woman thinks iam,

I might as well be nonexistent.

For women are the most alluring, sinful ,angelic animals on earth.

I am simply bewitched by your existence.

I can not resist directing an ******* daydream,

Every seven minuets.

The being of your facts,

Makes me want to fall to my death beneath your feet

Something about those hills

That makes my teeth want to sink into my lips.

That voice makes me want to do one thing:

Hear it moaning.

No matter how hard I attempt to be an angel,

My devil enduringly conquers.

We refuse to admit that a

woman is stronger than a man.

We could easily succeed

in having a human being develop

Inside of us and painfully ****** it out of a diminutive hole

Nine physically and emotionally draining months later.

“We could probably do it better than you can.”

We just act ignorant and

Heedlessly assume what is logical;

However, in the reaction center,

that every man denies,

lives the manifest verity that:

Women.

Are.

Stronger.

To be born into a stormy emotional spectrum

With color and darkness

Alone shelters the truth for you.

Fact: A man does use his small head much more often then

His actual head, simply, because men don’t know how to use it.

How convenient it is to be born with two heads.

let its roots anchor into your minds and consume your conscious.

-Arizona
older poem
Benjamin Davies Nov 2010
De-winged and flightless
         is the dragonfly
              that tried to slip by
                       in my slipstream,
It found instead the pickup
          traversing the alleyways
               of my convoluted imagination.
I don’t know why I’m driving,
          ever driving someplace
                unrealized and unexplored.
I feel so disconnected,
I feel so disrespected by the world
                sometimes
But that’s not fair
           it has been good to me.
I feel so disconnected
        sometimes
and yet it comes in times
           when I’m most consumed
                most surrounded.
Maybe I’m just tired
        and the walls around me quiver only
from the struggles of my waking eyes,
Maybe I’m just bitter
        that I can’t have the perfect life
                 and feel as if nothing could be better,
Maybe I’m affected
        by this liquid life I’m draining from my cup
                 in hopes of finding a different day
                                            at the bottom.
Is it jealousy that lingers in my mind
        or mere longing tinged with a heavy
                 dose of confusion?
I am confused.
And yet I’m still alive
        unlike my dragonfly
                  and so I stumble onward.

-*BRD
Copyright 2010 by Ben Davies
Nadine Bergeron Nov 2011
The colour draining from my face.
The life draining from my body.
The hatred for the Capitol building.
The everlasting sound of her name.

“Katniss Everdeen”

She doesn't deserve to be killed.
She doesn't deserve to fight
An impossible battle to live.
That battle takes place here everyday.

“Katniss Everdeen”

It's painful to watch.
It's immoral to watch.
It's too vile to watch.
But I can't stray my eyes
      From
    Her.

“Katniss Everdeen”

The blood, the gore, the killing:
Is not the reason I can't look away.
Each glance, each touch with him
Kills.
Me.
Inside.

“Katniss Everdeen, I love you”


                                                          ­      - Gale Hawthorne
A poem based on The Hunger Games by Suzanne Collins.
afteryourimbaud Sep 2018
no one is subscribing
to the universal affection
draining subconscious ailment
that needs no treatment
quaking with fear
shaking with revulsion
looking to prolong
an hour, a minute
stretching one second
into ten seconds
where are we going,
past the streetlights
the crossroads
the commotion
inside the canal boat
that surrounds and accompanies
this road -
will it ends one day,
sometimes, somewhere
and brings an end
to the entire's generation
guilt and disease?
Jody Carroll Mar 2014
Have you ever just thought of dreaming?
Of your hopes?
The aspirations that rattle through your head?

Have you ever wondered how you go where you are?
How you managed to get this far?
I'm loosing the thoughts I hold, are you?

Because I've been thinking, Have these thoughts stolen from the limit?
Are we limited on thoughts?
Are we timed for what we have thunk?

By now, you might have wasted your thoughts on this.
A humble child, questioning the world.
You may have wondered if 'thunk' is a word.
Did you?
Or was you scanning, Not absorbing?

That's what writing is for, to escape.
Whether you write or read, it makes you think.
But will it drain your dreams?
Terry Collett Sep 2013
It was near Christmas time
and you went along
to see old Pete
who lived alone

in a two up
two down house
not far
from where you lived

he was about 96 or so
and still went
to mass each day
and did the collection

at mass on Sundays
dressed in his best
suit and tie
you knocked

on his door
and after a while
he opened the door
come in

he said
and you followed him
into the main room
where he had a fire going

and sat
in an old armchair
sit down
he said

so you sat
on a chair
beside him
there was a cat

on the mat
in front
of the fireplace
sleeping

want a whisky?
sure
you said
( you used to drink

back then)
the bottle's
in the sideboard
over there

there's a glass
in the kitchen
so you went
to the kitchen

and took a glass
from the draining board
and took the bottle
out of the sideboard

pour yourself a drink
he said
what about you?
you asked

can't drink
I'm on too many pills
ok
you said

and poured
a couple of fingers worth
more than that
he said

what are you
some kind of woman?
so you poured
half the glass

and put the bottle
on the small table
beside you
Pete sipped

his milky tea
well here's to Christmas
he said
and raised

his mug of tea
you raised your glass
and said
here's to you

and you sipped your drinks
he talked of his wife
who had died
some years before

he spoke of his son
(without much affection)
and his grandson
whom he seemed

to speak well of
and his grandson's wife
who he said
was quite pretty

but not as beautiful
as my wife
Pete said
she was one

in a million
he went quiet
he sipped his tea
and you sipped

your whisky
he talked about
his master builder days
when he worked long hours

and over six days
and saved money
where and when
he could

he became silent
my son is always
on the want
he knows

I have money
and he is always
asking
for this and that

he drained
his mug of tea
you drained
your glass of whisky

want another?
he asked
I must be going
you said

have another first
he said
so you poured
more whisky

into the glass
( half a glass again
he having insisted)
and he talked

of the women he knew
and how he teased them
and flirted with them
and made them laugh

you know those old dears
like to be flirted with it
makes them
feel young again

he said
when they laugh
you can see the light
flash in their old grey eyes

and their dead dugs
tremble with memories
and he laughed
and drank

from a bottle
of mineral water
by his armchair
he sat gazing

into the fire
you sat draining
the whisky
from the glass

the room smelt
of cooking meat
and wet cat
and you said

look Pete I best go
the wife will wonder
where I've gone
OK

he said
and so you washed
the glass in the sink
and put the bottle away

in the sideboard
and patted his shoulder
see you around
in church

he said
sure
you replied
and walked swaying

up the road
you'd only went
to Pete's
to wish him well

and to deliver a card
and framed picture
of a female saint
he liked

but the whisky
had been a bonus
a kind of
THANK YOU

for being
a friend
to an old man
it was the sort of gift

you liked back then
the whisky kind
sorting the boys
from men.
J-J Johnson Mar 2015
"No! No! This cannot be happening"
The words stumbled out as I tried hard to keep the sogged eye from draining
My vision became blurrer
And blurrer as I turned and run out of the house
Grabbing my stiletto as I did
Under the pear tree in the garden I stopped
And allowed the now heavy eyes
To drain the burning water
They flow on like pain from broken heart
Bitter and hurt
Bitter from the disappointment and forlon
From a mixture of shock, disbelief and loss
Served in a glass of betrayal and a tray of painful regret
I raise the dagger in a drunken cognition
For my sob now has become the cry of a damage soul
A disfigured spirit
I can barely hear them from without in the midst of the caos
Those little voices in my heard
Screaming out at me
Hitting ******* the walls of my mind
Pushing my conciense
"Do it!" one says
"It wouldn't solve the problem" the other retorts
"But it will end it!"
"Leaving bigger problems"
The blood in my head boils
The heat rising in exponents
The tension now causes my whole body to trob
To ache
My mind cannot hold it any longer
The quicker the better
I opened my mouth to say my final words
But all the came out
Was a scream.
Umi Apr 2018
Lilium,
Ah, you fascinating flower, an old gardener who still looks after his duty, mumbled to himself in awe of the stargazer and spider lilies,
They seem so majestic, yet innocent to the extent of a wounderous aura sent by their gentle yet stinging smell, spreading across the room
He said to himself that maybe,  if they are as beautiful and heavenly as he thought,their taste should be beyond reasoning goodness, sweet
Just one bite later, the taste engaging in his old mouth has caused him to become numb, confused and with an irrigular heart rate, paralised.
Oh such an intent, to punish all those who dare to bring ruin to their glory by eating them, trying their taste with death ? Truly murderous.
Seeping through his body before slowly draining his poor life force, the fate of an unknowing man who had become the vessel of great unfolding fury of a flower which seemed to be so kind before hand.
A treasure is alike a flower, the gift of life resembling its beauty and hournour, growing proud until the sweet poison of death overtakes it
When I knew the meaning of eternity you were no longer there, Darling

~ Umi
The elements have merged into solicitude,
Spasms of violets rise above the mud
And ****, and soon the birds and ancients
Will be starting to arrive, bereaving points
South. But never mind. It is not painful to discuss
His death. I have been primed for this --
For separation -- for so long. But still his face assaults
Me; I can hear that car careen again, the crowd coagulate on
  asphalt
In my sleep. And watching him, I feel my legs like snow
That let him finally let him go
As he lies draining there. And see
How even he did not get to keep that lovely body.
Eliza Sterling Feb 2014
In a peculiar, far off, world, time and place,
The trivial past would be irrelevant, chased away then erased.
Contrary to the reality of distorted lies in front of my face,
These eyes cannot mask fraudulence or disgrace.
Chasing them down with a trace of a defaced case of toxic waste,
I pace as my thoughts race of the time that’s left until I dissipate.
Looking into the murky vase with dying flowers desperate to be replaced,
Misplaced to the one who’d obliterate the beauty I once embraced.

Within my sorrow I woke, shattered love replaced with a heart no longer broke.
Soaked with what I could never cope, I felt passion and choked on my once false hope.
This vision evoked a note; a call of duty for you, my eternity to devote.
Instinctively I knew, the words stuck in my throat, but blindly every incline eventually has a *****.
Surrounded by mirrors shielded with smoke,
As we stared we shared yet nothing we spoke.
Your presence was felt but disguised with a cloak,
Confined in your skin, comfortably lost afloat, for your soul I searched to perpetually stroke.

With blurred vision I envisioned, stood silent, anxious of your condition,
Division of indecision was nothing less than your frightened inquisition.
A hallucination on a mission of who was out to hurt you with consistence,
I understood as you tried to piece together the suspicion of our composition.
Guarded and in position to react upon intuition then the smoke disappeared and you saw our reflection.
No longer was my presence an imposition now in recognition you accepted the ignition of a united evolution.
Successful revision disposed internal superstition,
Our collision created a premonition for our future decisions of precision.

The past’s paths we chose were restricted to our addiction and careless indifference,
The assistance of negative influence stripped us of our innocence.
Blood shot eyes, negligence of appearance, abstracted resistance only creating distance.
Ambiguous and inexperienced, taking shots and hits in an instance,
Distorted images, lacking clarity, the abuse of substance left an absence of existence.
Building tolerance whilst sabotaging resilience, guilty and unable to admit repentance,
Without a witness, secret and safe, no justice to serve and no one to listen.
A mission incomplete and persistent,
We continue to envelope in our disappearance.

In the seam of my sickness I submerge within these contaminated nerves,
Fearing the silence with thirst not to be disturbed,
But absurdly I yearned your unhealthy and perplexed words to be heard,
My tender nature reserved an exclusive place to keep you conserved,
Unstable but concerned I’d preserve you like an herb,
I slurred for forgiveness but observed perhaps this was my turn,
But with your freedom you turned away and flew away like a bird.
Now relentless and pure I burn the surface of my figure, no intent to return.

Yet once we were young, wild and free,
Conducting our train with no fear of where we’d soon be,
The sweet breeze guaranteed the destination with ease,
Imagination without knowledge, amid glee and degree,  
We’d dive and rise above the salty sea,
Later meet beneath that tree with belief the starry sky we’d seize,
Through the debris you still held in your hand the key,
And we’d conquer our dreams, what we sought and believed.

But as I’ve grown within my questioning dome,
My home of stones has nothing to be shown,
Prone to disown my weakened skin and bones,
Candidly I pacify the clone I’ve never known.
In hopes to be flown far ahead of this zone,
I’d hover above in a whispering tone, draining my disease as it’s blown.
My soul will glisten and roam, looking down at my new golden throne,
As I’ve postponed to recognize the beauty of the Earth & my own – No longer shall I be alone.
Fair Warning this does contain explicit language and ****** content if you are under the age of 18 please click exit, If you are offended by ****** prose please don't read this one either......LOL


Meet Me at the Holiday Inn  He said

she of course said yes without hesitation

Make sure to check in a room in the back He said

He did not want anyone disturbing their time
Nor for anyone to hear the noises that might sound disturbing to some

her body quivered as He explained why a room in the back

she would never defy Him, it was not in her nature to do so

every part of her just ached to please Him to make Him happy

When you get in the room leave it unlocked and undress I want you ready for me as soon as I arrive

her heart hammered hard, pale flesh went crimson, nerves were causing her to fidget and He hated fidgeting

I can't wait to see you naked waiting for me

Your pale bountiful flesh bare of clothing waiting for my eyes to roam from top to bottom and back up again

How does that make you feel girl?  He asked

Very uneasy but excited to, afraid, desired, wanting  she said

His laughter was unmistakable He knew the effect He had on her and He reveled in it, He got tremendously hard just thinking about the power He exhorted over her

Oh god, how am I to undress and wait for Him to enter the room, what if He waits an hour before coming in, I will die from embarassment and desire all mixed together

You are my good girl aren't You ****?  He asked quietly

Yes I am  she responded

The conversation ended and she began to dress with care unsure why as she was just going to remove it anyway

Having showered, pulling the razor blade over the flesh between silky thighs, making sure no hair or stubble was present

See she knew He just might have a piece of duct tape that He would place between the cheeks of her *** and pull just to see if she shaved everywhere He desired

Her hands moved steadily along the crack, her juices were already flowing from the heat of the shower, thoughts of Him at the hotel, His voice a few moments ago

The pleasure nub at the Y section of her petals was throbbing dying to be touched, yet she knew better, to touch without His permission could land her in big trouble, shuddering at the thought

Fingers slid between the succulent petals making sure they were smooth, washing with the sweet aromatic soap moving up her body over the large globes of ivory with the pale areolas, ******* hard already

She was going to lose it before ever getting to her destination

The phone rang and she nearly jumped out of her skin

You finish Your shower girl?

Yes I did

Did you get excited and remember I always know when you lie?

Yes I got excited but I stopped myself from relieving the ache

Very good girl, You have come a long way I am very  pleased

Are you still naked from the shower?

Yes just drying off

Get the 8 inch toy I bought you and lay on the bed

Her heart beat so hard she thought it would burst from her chest
Doing as ordered, grabbing the 8 inch vibrating ***** that filled her so tightly that it almost hurt

Lay down on the bed my girl

Securing the door, svelte flesh lay upon the soft bedding, hard tipped globes ached, as well as the nub between the shaved rose petals, even her *** throbbed

Where should we play today my little *****?

Anywhere, it matters not, just pleasee take this ache away  

He chuckled knowing she was dripping wet by now, she was His little waterfall, always wet just at the thought of Him or the sound

Pinch your ****** hard and make sure I hear you

Awwwww yesssss!!!

He began to give her quick instructions moving things rather quicker than usual

Harder girl, slide your other hand around that hard ****, begin rubbing it fast

Moaning loudly as her fingers fluttered over the pleasure nub like a butterfly kissing a flower, other fingers pinching and pulling upon the hard ******

Hurry girl I thought you said you were dying of need

Ohhhhh I am I am pleaseeee don't stop

He chuckled at that she was going to be a delight this night, He just might not let her get dressed for a few days and let her sleep with Him buried deep inside her

Release the ****** and get the toy, spread those thighs wider, I want you to take the toy deep inside your tight wet tunnel all at once and all the way

His **** was hard and He began to stroke it in earnest as her sounds were maddening to Him, man her voice was like a **** siren, He already had the first drop of moisture revealing itself from the tip

Ohhhhhh YESSSSSSSSSSS, ahhhhhh, pleaseeeeee, moreeeee oh pleassseeee

You know what to do **** yourself hard without mercy but don't your release unless I say so

She was already close before He said to use the toy harder and faster, biting her lower lip hard to keep herself from exploding, ramming the silicone **** deep into her silky wet folds, she could feel the dripping honey between her *** cheeks knowing that area would no longer be virginal after tonight, shivering as the pressure began to build

He continued to move His large hand up and down, hell yes this **** drove Him wild how He got so lucky to find her He had no idea but she was His and He intended to make sure she knew it in every way tonight

Her well was so tight around the toy, but it slid in deep an easy due to her soaking wet desire

Moaning louder, she began to beg, and plead, oh pleasee let me release, I can't hold it much longer, pleaseeee I am begging you

Nope not yet He chuckled

Ohhhhhhhhh nooooo pleaseee, whimpering and whining as the pressure increased driving her mad with desire

His hand moved up and down as images of her tight *** wrapped around His thick length filled his brain, ahh oh yeah mmmm He could hear the ***** going in and out from the wetness surrounding it which further incited His imagination.   Mmmmm yes that tight ***** and then He was claiming that cherry ***

she was sweating holding back, oh pleassse she thought as her mouth let screams of pleasure, whining, and whimpers escape, hips lifting off the bed meeting the toy ****** after ******  

He felt his **** hardening to where He could have hammered a nail into a board, and suddenly He could feel it ready to explode

Now ****!!! and don't you hold back on me

Ohhh yes!!!!

Her body bucked and muscles clamped down as fluids exploded forth from her well soaking the bed, her thighs, and draining down the crack of her ***, her screams nearly deafened Him but He did not care

Ahhh yes baby here it **** just for you oh **** oh **** **** girl

His hand tightened around His shaft a little harder as suddenly the stream of thick white cream spewed across the table where He was sitting, shooting thick goo over and over as He let loose.  Oh He so could not wait to get a hold of her

Very good girl now clean up and get your *** to the hotel and don't forget the paddle as you have a punishment yet before any enjoyment

Oh, she had hoped You forgot all about that

Oh no I remember and unless you want more added I suggest you not forget anything I have instructed of you

Unbeknownst to her after He hung up His girlfriend walked in having seen His performance and the evidence marking the kitchen table as His shaft was still hanging out of His jeans

I am going out for the weekend be back on Monday

His girlfriend nodded her head and didn't dare say a word even when He said
Oh and clean up that table no hands, rags, just your mouth
*

He chuckled as He heard the sharp intake of breath, oh how He loved His women, so compliant, obedient and they never questioned His demands.  He headed out the door with His duffle bag full of things to titillate the brain and body
Written by Jennifer Humphrey  all rights reserved
brooke Oct 2012
I want you to make me feel naked everywhere

saying things that make necks hot, face hot

don't have to be so ******, don't have to touch

Want to? Do so, though, don't be so mechanical

swim on, flow on, spill on, no pushing

the things said should tear open, pop seams

wonder what's inside,  beating

running, ebbing, draining, no inspecting, no prodding

a thorough investigation with  eyes, words

make the most difference, words dig the farthest

fill the fastest, reach to ends that previously had

no end

the end
(c) Brooke Otto
Amitav Radiance Sep 2014
The mind toiled with vengeful thoughts
Seeds of arrogance were planted in furrows
From where regressive thoughts grew
Watered by the seething flow of rage
Draining the soul of all the positive juices
Now left with a parched soul, full of cracks
Control anger before it controls you...
daniel f Aug 2013
On those drawn out summer evenings, all manner of characters would fill the coffee shops and spill outside. An interesting cross section of society would be provided for anyone willing to sit and watch, for an hour or two atleast. This particular evening will always stand out for me as representative of those carefree folly filled evenings. I was sat alone, with a copy of the evening news and an espresso across the street from a boisterous coffee shop which remained opened deep into the evening, long after others were closed. I often sat and watched people in those early few months, Id decided against socialising with colleagues. I would go to great lengths to prearranged fictitious plans and engagements in order so that I could sit alone each evening, pleasing myself. It's always far easier to enjoy food alone, without any distractions. After considering my options I settled for a steak, and a glass of wine. The waiter seemingly unconcerned failed to take note as I gave my order, with a shrug of his head he returned to the kitchen inside to place the order. The cafe I watched was perched almost perfectly across the street from the train station. As commuters and young couples in love poured out of the station, and onto the bright expanse which was the street before them. The popularity of this particular cafe is hard to convey correctly, it's frantic nature remained even on the bleakest of midwinter evenings. Now though months of bread and water were long gone, as seasonal waiters hurried arms filled will all manner of snacks and drinks.  All manner of agricultural workers would congregate in early march, eager to snap up work in the best hotels and cafes thus ensuring a healthy wage and generous tips. The waiters from the mountains always stood out. It was as if they retained the innocence of there previous surroundings, smiling all coy when taking orders from female customers. They retained the physical attributes of the mountains which they had left, towering above others and maintaining a mystique which often meant they would return in November with wives and child aswell.




By now it was half past eight atleast, and I had finished my steak and wine. The traffic was in the process of slowing down, although it was not uncommon here for traffic jams to form at any hour of the evening. Car horns echoed and ricocheted off old architecture which gave an impression of immense movement all around.  The owner was a beast of a man standing six foot high atleast, with a beard which gave away his rugged beginnings. It was impossible to estimate his origin correctly, Id always imagined he was from somewhere in Northern Europe although by now I had learnt that assumptions were the preserve of fools. He could most often be found pacing up and down the pavement adjacent to his cafe, smoking his camel blue cigarettes and staring deep into the night sky. As if preoccupied with some great moral dilemma this could go on for hours of end, without him breathing a word to anyone.  Under a great mane of curly brown hair, lay the most enthralling blue eyes imaginable. They had a softness which would not seem out of place upon the face of some Parisian muse. Although I must confess when first confronted with this gentleman an his almost childlike appearance, I was adamant I had him figured. He seemed the kind of man who blundered through life, although successful still seemed to be scraping an unenviable existence for himself.

By now I had stuck around long enough to get some feel for the pitter patter of life in just such a place. The transient nature of the customers ensured a bravado unseen in any old small town watering hole, women driven wild by spontaneous desire stared sultry at the mysterious visitors.
A crew of sailors who had no doubt been granted shore leave, and were soaking up the atmosphere just across the road from me. They could have been from any South American nation, or Spain. It really was impossible to tell from my distance, a few had clearly cultivated moustaches whilst at sea. It was common for sea faring people's to grow ****** hair in such a manner. Almost as if by magic, a story told by someone without a beard holds subtle undertones of irrelevance. I had learned this over the many months I had spent smoking and talking to locals, and travellers alike. I must confess I had fallen hook line and sinker, I was currently locked in the process of cursing my genetics and dreaming of a more rugged appeal.

By now the black coffees had petered out, and had been replaced by glasses and in some cases bottles of what I can only assume was Spanish red wine. The noise had steadily increased as the drinks flowed, and the crowd of sailors had gradually grown more and more boisterous in there escapades . A few feet away the manager stared intently at the revellers, as if the warn them without words of being too careless in a foreign city. The ever present owner done very little to deter the actions of the pack, who's numbers by now had been swelled from another dozen or so sailors who happened to be walking in the right direction.  The sailors leered shamelessly at the local women, whilst the more forward of them made there own advances. Still the manager stood smoking and staring as if to catch the sight of one of them. Now to the wary eyes of a man returned from a long voyage this would seem like a place, where desire became a priority above all else. This would be an entirely accurate assumption although, if the surface was scratched significantly an underbelly of immorality could be found. For the sailors though, whom were just passing through unlikely to ever return this mattered very little. There only concern was draining themselves on some unsuspecting women, or if so required a *******.

It's hard to say exactly how the altercation was initiated, although I suspect the cat calls of a few sailors had pushed one local over the edge. Whilst the promise of conflict ensured a crowd would gather the bar owner remained just away from the ruckus as if picking his moment. The sailors numbered in 20 or so, and fuelled by red wine and continental beer seemed more than willing to put up a fight. A waiter who had tried to act as mediator between the parties had given up, and left for the roadside and had lit up a cigarette. For a few minutes atleast it looked as though the scuffle would be forgotten and laughed about over eggs at breakfast. There was a barrage of shouting and pulling as the locals slowly lost their temper. By now many people had stopped to stare at the spectacle, this is where I must confess things got really strange. As I have previously stated I have no real idea what brought all of this on, that is to say I have no idea what set the process in motion. It was a well known fact that in times of violence the locals would protect each other with a ferocity and loyalty which could see the most able bodied men come unstuck. I had ordered myself a cream cake, and was skimming through the news from London when I heard a blood chilling yell. I spied the previously placid manager leaving the door which lead to his apartment above the cafe. With the confidence of a man without obligation he sauntered toward the group of sailors. I did not see the knife, I must confess I assumed this old man would take quite a beating at the hands of these sailors. Oh I was wrong, a young sailor fell to the ground silent, as his green shirt went claret with blood. In disbelief his comrades stood around, unsure exactly what to do. The crowd assembled gasped as if to share collective disbelief, the manager had managed to slip off somewhere without provoking any attention. Over the next twenty five minutes an ambulance arrived although I feel even the paramedics knew that this was more an exercise in keeping up appearances than saving any lives. They surely knew that there was very little they could do for this poor boy away from home. Police officers milled around, It was safe to say the bar owner would never be brought to anything like justice for this although, the general consensus was that anyone who got stabbed more than likely deserved it in someway or another. As for the manager  he had long been bundled into the back of some old pre war car and taken far beyond the cries and disdain of world weary sailors. No doubt to reappear a week or so later.
my ipad was running out of battery so I had to wrap it up
(Yes I am acutely aware of how terrible that makes me sound)
Nirmalee Jun 2015
"O poor, unthinking human heart! Error will not go away, logic and reason are slow to penetrate. We cling with both arms to false hope, refusing to believe the weightiest proofs against it, embracing it with all our strength. In the end it escapes, ripping our veins and draining our heart's blood; until, regaining consciousness, we rush to fall into snares of delusion all over again." Rabindranath Tagore , The Postmaster
It's not a poem. But a beautiful creation ,nevertheless, from one of the most vivid, evocative short stories by Tagore "The Postmaster".
stirred deeply with joy
enthralled with the spirit
we return to Elysian fields
to live autumnal reveries

we prance once more
onto blue sky diamonds
with hometown heroes
to pitch perfect games
knock long grand slams
to honor and embrace
the semblance of siblings,
parents, lovers and friends

life's teammates
our dearest playmates
passed and still here
sustaining our spirit
filling the void of
riven hearts
with nothing more than
a smiling presence,
compliant ear
a warm embrace

keeping a
season of sunshine
alive for one more
golden day

in a resplendent moment
Measy’s youngest son
stood before me
as if it were him
five decades ago

his impish smile,
mischievous eye
and olive skin
wrinkled when
he grinned

your Old Man
was a hell
of a ball player
a great hitter
he always swung down
at the pitch, hitting
nasty line drives

I remember that
summer afternoon
when we first met on
the Washington School
Merry-Go-Round...
Measy just up
from Carolina
he spoke with
a slow Tar Heel drawl
we didn't know what
to make of him
so we made him
our friend

Sifford's Esso, B&D;
and Bulldog teammates
I marveled at his athleticism
but the thing I remember
most was the soft joviality of...

“ ah hoot,
ah hoot.
ah hoot”

his laugh would send
a soft almost *******
shudder through his body

Measy lives in me,
forever in my heart
I embraced young Roy
touched his cheek
a transcendent moment
that spans a half century

At first base
Gail “Peppermint Patty” Q
was scooping up grounders
and not letting anyone past her
without giving them a smile or a hug….
asking each player if their shirt fit right…

the way Gail played
she could start for
the Lady Gaels today...

on the mound
Moons was wearing
a Schmeds shirt
lobbing lollipops to the hitters…..
making sure everyone got on base…

at short Screwball
covering half the ground
he once did..
(never a ss but a classic junk baller,
never threw a pitch that you could hit)
but on this day his heart was filled
overflowing with the karma
of good works and his love for
Rutherford and its favorite
sons and daughters
who have gone on before….

other stars abounded on the field and off…
Noons cracked everyone up
with an endless stand-up routine
Skip walloped a few dingers
BL looked sharp in his Foster Grants
and Andy was looking good
destined for the next cover of GQ….

Coach Way gave a resounding pep talk…
the need to grow up and show up
with an attitude of gratitude will
always make one a winner
regardless of the score

in the stands I heard a hundred stories
about the prowess and foibles of departed friends…

Bay Bay’s HR smash that put Flash Cleaners
into the World Series

A cool Moose bringing the ball across
half court, driving and dumping one off to Head
for the go ahead points against Queen of Peace

Minnow ruling a territory that included Morse Ave,
Wood Street up to Chopper’s House and
half of the Washington School playground

Fic being the smallest Bulldog with the largest heart
ran over linebackers and tackled fullbacks twice his size

Weehawken Joe draining a jumper
from the top of the key to keep it close
at the Union Hill pit…

as the list of the departed was read by Gail, Pat, John and Jimmy
the depth of our loss was only exceeded by the magnitude of love
a caring community extends to one another….
Rutherford is indeed a very special place….

so many caring friends
so many good thoughts
the blessing of friendship
the grace of presence

as I turned to leave
I thought I saw
Nick and Joe
hanging with
Sweet Lou
the hog was
humming
his red bandanna
was flapping
in a rising breeze

Aaron Copland:
Our Town

Righteous Brothers
Unchained Melody

Whitney Houston:
I Will Always Love You

Oakland
Dia De Muertos
2015


Thank you Pat Francke, Jimmy Noonan, Gail Wilhelm Quinn and John Mooney for putting this beautiful event together….

My apologies for not mentioning all the beloved souls so honored at this game…..Know that all are deeply loved and equally missed…..

If anyone has a memory they would like included please add in comments section and it will be incorporated in future versions…..

Also if anyone has a list of the names would like to add that to this….

God Bless
an annual autumn softball game played in my hometown Rutherford NJ...
we gather to honor and remember passed loved ones......

— The End —