As I viewed the view I could see you, a ewe and a yew.
Then I saw the ewe, under a yew, was looking at you!
But that ewe under the yew looking at you, was a view
which begged the question as to why, the ewe under the yew,
was looking at you, and what was its view of you?
Did you see that ewe under the yew, looking at you,
or did you only see the yew and not the ewe looking at you?,
or was it only the ewe looking at you, and not the yew?
I ask this of you, for I cannot ask the ewe standing under the yew,
nor can I ask the yew, under which stood the ewe,
who was stood looking at you.  So what’s your view?  
Do you, take the view that the ewe, under the yew
had nothing to do, and was simply under the yew
so it could look at you?  Although I’m sure the yew
had nothing to do with you, neither did the ewe,
that was looking at you, from under that yew!
Maybe the yew, under which the ewe stood looking at you,
was a convenient yew for the ewe, to get a good view of you?
That’s my view, as to why the ewe stood under the yew to look at you?
If you know, please tell me do, so I can forget my view
of the question as to why the ewe under the yew, was looking at you!
Then I can bid you, the yew and the ewe, a fond Adieu!

Rhymer.  April 21st, 2018.

when for what
have you
stare
in
to
eyes
that are
what for when
ewe took my hand along yore swollen perambulations into nights devoid of air
ewe have never swallowed a trace of light that ewe cannot reflect upon as dust
entombed in heavens disassembled from unleavened brethren
there was always
a core to yore
whimsical strut
as if an avenue
could hold yore
internals eternal
those mettling metals we unleash upon with our ****** toes
galavanting
pearls asunder thunder’s weeping reigns of unsubstantiated all

never there was
a timid breath
ewe did not urn
as if spells of broken gesticulations could volley
a scant clue of what it was to become nothing
that type that trite time follows as we sear
magic into our concrete organs
as if all concrete weren’t asphalt awaiting coal
i succumbed upon your neck
and caught sinewy glimpses of your entanglements as if driven into shock
ewe never stopped smiling
and
in
me
ewe
never
will

On a ridge so nice,
Nest of Paradise,
Here come in the end,
Down the ***** descend
Three white flocks in queue
And three shepherds, too,
From Moldavia land,
Transylvania land,
And from Vrancea land.
And the second one,
With the Vrancea's son,
Well, they schemed a lot
And devised a plot
At the end of day,
Merciless to slay
The Moldavian guy,
Richer – cant' deny –
For has many sheep,
Which are fair and leap,
Horses trained for ride,
And dogs full of pride.
But that ewe, so cool,
With a gray-white wool
Three days in a row
Spoke in a voice low,
And walked to and fro.
– O, gray little ewe
And with white wool, too,
Three days in a row
Spoke in a voice low!                    
Doesn't the grass grow
Or you're feeling blue,
My beloved ewe?
– O, my shepherd dear,
Bring your sheep down here
Near the woods today
Where we have much hay,
In the shade you'll stay.
Master, hear my clue,
Call a dog to you,
Bold and of good breed,
True to you, indeed,
For when night is near,
They will **** you, dear,
The Vrancea's mean son
And the other one!
–  My ewe with meek eyes         
If you are so wise
When you see me dead
On a foxtail bed,
Tell the Vrancea's son
And the other one    
To dig me a tomb
In this pasture's womb,
Near the pen for sheep
To bury me deep;
Or behind the logs
To hear all my dogs.            
Tell them what I say,
Near my head then lay
A pipe made of beech
Its nice song to reach,
A pipe made of bone,
With a doleful tone;
A pipe thin and real,
Which plays with much zeal!
Wind will sweep the grass
And through them will pass
All the sheep will flee
Here to cry for me
Shedding tears a sea!                
If I'm killed, don't run,
But tell everyone
I married one day
A queen far away,
The world's bride, I'd say;                  
At my wedding, tell
That a bright star fell;
That the moon and sun
Held my wreath for fun.            
Firs and oaks with nests
Were my lovely guests,
Priests, the mounts with herds,
Fiddlers, the wild birds,
Birdies stood to watch,
Stars shone like a torch!
And I'm asking thee
If one day you see
Old mom feeling down,
With a belted gown
Crying in despair,
Asking everywhere,
Shouting in the air:            
"People full of joy
Who has seen my boy
Shepherd proud and dear,
Slim and without fear?
His face soft as silk
And as white as milk;                  
His moustache so sweet,
Yellow ear of wheat;          
His hair combed with skill
Black like raven's quill;
His eyes deep and droll,
Two pieces of coal?”
You, my dearest sheep,
Pity her and weep
Then tell her somehow
That I'm married now
To a young queen nice,
There, in Paradise,                      
But don't give detail
To that mother frail,
That on wedding night
A star lost its light
Firs and oaks with nests
Were my lovely guests,
Priests, the mounts with herds,
Fiddlers, the wild birds,
Birdies stood to watch,
Stars shone like a torch!

PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      

Lambs that learn to walk in snow
When their bleating clouds the air
Meet a vast unwelcome, know
Nothing but a sunless glare.
Newly stumbling to and fro
All they find, outside the fold,
Is a wretched width of cold.

As they wait beside the ewe,
Her fleeces wetly caked, there lies
Hidden round them, waiting too,
Earth's immeasureable surprise.
They could not grasp it if they knew,
What so soon will wake and grow
Utterly unlike the snow.

THE RAT AND THE PREGNANT WOMAN


A story poem

BY

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



Dedicated to;
My mother Neddy Nabisino Mayende Kuloba Makhakara
And her mother Maritini Nabengele Nasenya Mulemia Namugugu Ilungu wa Wenwa.
The story telling power of these two ladies is the primary source of my passion and love for humorous and peace bettling stories. I owe them all the recognitions.







OPENING SONG
How do I start telling this story that I got from my
Grandmothers when sited around the fire yard in the evening?
I don’t know how to start surely,
For to day I am very shy; all of your eyes
Are on me, looking at me like ocean of looking organs
But let me embolden my self with the belt
Of a story teller that my grand father gave me
And commanded me to preach peace
Through story telling in every place I go
So my spiritual service to humanity is telling stories
Is to soothe and heal wounds of humanity
By softly telling peaceful stories
Let me then cough to clear my voice and start;

Long time ago, but not very long time
Some where between the centuries of twelve hundred
And seventeen hundred after the death of the other Jewish
Story teller who died without a wife, who died on the cross
But others say he died on the stake, his name was Jesus,
There existed only two kingdoms in land which is known today
As Bukusu land found in the present east Africa or Indian Ocean coastal Africa,
The first occupants of this vast land is the sons and daughters of Babukusu
Or the ones who like selling ironsmith products
And hence the name the people of Bukusu; the people who sell,
The two kingdoms were the Kingdom of muntu and the kingdom of manani
The citizens in the kingdom of muntu were short men and short women
Handsome and beautiful, slender and not assertive in their physical disposition
But the citizens of the kingdom of manani were all cyclopic,
In their everything; the manner of walking, talking farting, micturating
Farming, breathing, snoring, smiling, singing, whispering
Their whisper was a noisy as the tropical thunderclap
They were tall men and tall women, very tall
Their young person was as short as the tallest
Person in the kingdom of muntu,
When one of the citizen of manani snores
All the citizens of Muntu along together with,
Their king Walumoli wa Muntu had no option
But remain awake throughout the night,
Because the cacophony of a snore from
The sleeping courts of Manani was not bearable,

On many occasions Walumoli wa Muntu
The conscientious king of the muntu kingdom
Had arranged to talk to Silinki wa Namunguba
The ostensible king of the Manani Kingdom
About the cacophonous sleep robbing
Snores of daughters and sons in neighbour kingdom of Manani
Only to cow and chicken away in a feat of prudence
Lest Silinki wa Namunguba will suspect him for being
A night runner or a thief of *** perhaps
Who roams his compound during the wee of the night
In hunt of any of Namunguba’s wife maybe
Perchance having gone out for a mid-night *******,
This is how legendary snores of the sons and daughters
Of Silinki wa Namunguba the king of Manani
Has remained unchecked for ever till today,

One time an ugly passer by happened to be seen
Traversing the kingdom of muntu
In the early afternoon some two
Hours after Walumoli the king
Had just cleared the last plate
Of the mid day meal from
His last wife Khatembete Kho Bwibo Khakhalikaha Nobwoya
He always eats her food last in the afternoon
Because it comes on the table steaming youthfulness
He loves his Khatembete wife, the wife of his old age
The wife he married by use and show of the royal regalia
The powers and dignity of the king of muntu
He married her when he his a king, the scepter in his hand,

Going back to the ugly passer by
It was never known where he came from
Not from the east where the Indian Ocean is
Not from the west where the vastness of the land
Of black people of Baganda and Bacongo
Baigbo and Bayoruba or Bafulana of Nigeria
Or the sons of Madiokor Ngoni Diop in the Senegal,
Not from the south from shaka the Zulu and Mandella the wise one
Not from north in the land of Dinka and Nuer, Ethiopian Jewish and the Egyptians,
The passerby was ugly and from no where, in a dress and
A very ***** dress that fumed out a malodorously stenching reek
He was a man in attires of a woman; this was a taboo in the land of muntu
He was left handed and a heavy weight stammerer, with an appalling
Protuberation of   a hunched back, an enormous hunchback
Enmassing entired of his masculine shoulders,
When the wind blew his loose dress followed it
Leaving the man’s thighs and then bossom naked,
Leading bystanders to a strange discovery; he was not circumcised
He was old like any other father, he had beards
But not yet circumcised, his ***** ends in corkscrew of a sheath,
This was a taboo in the land of muntu, in the kingdom of muntu
Which Walumoli wa Muntu the son of Mukitang’a Mutukuika ruled
For the spirits, gods and ancestors as well as foremen of the kingdom
Behooved that all male offsprings of the kingdom of muntu
Whether born in marriage or out of the wedlock
Born the blood or born as a ******* must and must be
Circumcised in the early teen hood
They must be circumcised before they grow the hairs
On the face, on the chest, in the scapula and on the areas
Surrounding the testicles, the **** and the endings of the backbone,
The man again had six fingers on the legs and on the hands
He walks slowly like a porcupine, his dress was in tartars
He was violent to every one he met
Insulting old people and old women with words
Of bad manners not used in the kingdom of muntu,
He terrified and beat young children, including the royal children
And grand children of Walumoli the king of muntu
He again had to beat and chase nine young virgins
Who had come from the palace of Walumoli the king of Muntu
Away from the forest when they picking fire wood
As well as playing a game of hide and seek with other palace lads,
The ugly passer by then chased to get hold of the
Nalukosi the first born daughter of
Khatembete Kho Bwibo Khakhalikaha Nobwoya
The beloved last wife of the king of Muntu
All other virgins ran home, but Nalukosi remained behind
In the inextricable grip of the ugly passer by
She screamed with hysteria of a hypochondriac
She screamed and kicked with her wholesome mighty
The stubborn passer by never left her alone
She gnawed the ugly passer by with
Her girlish claws of her fingernails
But is like the passer by was mentally disordered
He was a ******* of some time
He derived some pleasure and instead
Enjoyed the girlish scratches of his captive,
Before the eight running virgins reached the palace
Together with their companions, the playmate lads
The shrilling scream of the captive Nalukosi
Was sharply heard at the palace, first by King Walumoli
Who called his wife Khatembete Kho Bwibo Khakhalikha Nobwoya
To come out of the hut, the kitchen and help to listen,
Immediately Mukisu wa Mujonji the palace keeper surfaced
His face displayed genuine askance of an adept military man
Whose martial arts have rusted for a week without usage
He confirmed to the king that the cry from the forest
Is of the one from this royal home of your majesty the king
And none other than the ****** princes Nalukosi Mukoyonjo
The pride of her father, the eye of the palace,
Without hesitation the king permitted the wallabying Mukisu ,
Permission to run in a military dint and find out whatever that
Was eating Nalukosi Mukoyonjo the familial heart of the king,
Mukisu wa Mujonji who was clearly known in the kingdom of muntu,
For his swift running like a desert kite, he already twice chased
And gotten single handedly two male gazelles,
Without aid of a dog nor aid of fellow hunters
And delivered them to the king as a present to the palace
Which he achieved because of the speed of his legs,
On this royal permission he unsheathed his matchette
And went away like any arrow from the bow
His shirt trailing behind him like mare’s tail
Or like the flag on the post on a windy day,
Not a lot of time passed.
Mukisu wa Mujonji is at the spot of struggle,
Between Nalukosi and the Ugly passerby
There was no question or talking,
The first thing was Mukisu to sink the Matchette
With all of his mighty into the tummy of the ugly stranger
The bowels of the ugly stranger opened puffwiiii!
He breathed and gasped twice then succumbed to death.
His grip still strong on the leg of Nalukosi Mukoyonjo
The ugly passer by reached the rigor Mortis
When Nalukosi was still strongly gripped in his
Beastly hand, Mukisu wa Mujonji with all the skills
Used a Sharp matchette again; chopped of the hand
Of the ugly dead passer by off, from its torso
At the point of the muscular elbow,
Now Nalukosi was extricated, but not fully
From the grip of the dead ugly stranger,
The chopped off hand is still knotted at her leg
Around her leg, the dead hand also grips.
Nalukosi jumped here and there to throw away
The leg and the dead hand, but it was not easy to throw
The hand still stubbornly gripped around her angle,
*** time passed, each and every one of the kingdom came
Including the king Walumoli wa Muntu himself
And his nine wives, Khatembete Khobwibo Khakhalikha Nobwoya
Came last, as she was energyless due to rudely shocking tidings
Which the escaping virgins and lads had given her
That the ugly passer by had turned into the ogre
And had swallowed her daughter Nalukosi
That he had swallowed her piecemeal without chewing,
People of muntu came and found the ugly passerby dead
The left had chopped off its torso
But still hanging loosely on the leg of Nalukosi
Nalukosi jumping, kicking, screaming
Screaming away the dead hand from the grip of leg
But nothing had forthcame her way,
Walumoli wa Muntu could not afford to see
The hand on the leg of her beloved daughter
What could he tell his wife, is your all know
Dear reader and audience to this song;
Even the mighty and the wise ones
Generously bend when under the pressure of love,
Out of this dint, even before Mukisu wa Mujonji
Could display his next military card
Walumoli wa Muntu grapped the dead hand
That stuck of the leg of her daughter
And pulled it with another force that
No man born of woman has
Never used since the creation of the earth
By the gods and spirits of Muntu,
The hand come off, he throw it
On the cadaver of the ugly stranger,
He clicked and clicked and hissed
With anger like a wild turkey
In the African thorny forest,
He ordered the dead one to be buried
Their without haste, nor ceremony
Mukisu wa Mujonji buried the body
Quickly in a brief moment with precision
As if he was taking notes
From the lines of the poem
OF Pablo Neruda on how
To bury a dog behind the house
This time burying an ugly stranger
Behind the forts of the kingdom,
After all these women, children and men
Of muntu plus their king Walumoli
Went back to their houses hilariously
Broken into a song and a wild *** dance;
Makoe eehe! Makoe !
Nifwe Talangi Makoe !
Talangi!
Khwaula embogo sitella
Nifwe Talangi!
They sang up to midnight before
They all retired to their beds
Respective beds with panting thoraces
From heavy singing and dancing.

There is connection and disconexion between
The living and the dead, the living fear the dead
And dead loves the living,
The dead want the company of the living
For the living to accompany in the land of the dead,
When the ugly stranger was killed
And buried uncircumcised with the hunch
Not plucked out of his back
The gods and the livings dead
In the realm of the ancestors
Of the kingdom of Muntu were not happy,
They never wanted uncircumcised old man
With a hunch back to join them
And worse enough with the six fingers,
The gods and ancestors really god annoyed
That Walumoli wa Muntu has done them bad
He is only caring for the living, the pre-mortals
Especially his last wife and the daughter
But he has neglected the ancestors,
Why trash to ancestors a stark humanity,
They communed among themselves
And resolved to sent Namaroro
The god of dreams, dreams as messages
From the ancestors and dreams from the gods
Namaroro visited Namunyu Lubunda the palace
Prophet in the Kingdom of Muntu to pass
The message vesseling unhappiness of the ancestors
And gods in a blend of gloomy read to execute
A vendetta;
This is when in the wee of the night that Namunyu Lubunda
Dreamed and had a vision of a old man from
The east is warning of the coming long spell of starvation
That will befall the kingdom of Muntu for ten years
                                      That Namaroro told Namunyu Lubunda
As for ten seasons of foodlessness
Behold a begging kingdom
Behold a starving throne,
The scepter of Muntu is a disgrace
To the holder
Then Namunyu Lubunda set forth by dawn
To the Palace to meet Walumoli wa Muntu
In his, palace before any other royal chores come up,
Both good and bad luck combined
Only to have Namunyu Lubunda to get the king at the palace
He got him fresh and relaxed chewing the cup of fortune
In his full ego, all his wives had submitted to the morning dishes
To his dining hall in the palace, he moved his hands from
One plate of food to the other.
Namunyu Lubunda entered with a submissive salutation
To the royal, He bowed and declared the glory of the king
In typical standards of the ethnic composition of the house of Muntu
Walumoli wa Muntu Mukitang’a Mutukuika
Majave Kutusi Mbirira Omwene esimbo ya
Kumukasa,
Walumoli responded with a feat of dignity to Namunyu Lubunda
The palace prophet, as he roared to him; come in
Come in son of Lubunda son of our people,
He did mention the name of Namunyu Lubunda father
As he fears his words may escape with the power
Of his kingdom the scepter of Muntu
To other insignificant families in the kingdom,
Let me announce what brings me here; intoned Namunyu
Go ahead and announce my holiness
s the prophet of this kingdom; responded Walumoli,
Misfortune is awaiting the kingdom
It will eat this kingdom away
Like a ravenous hyena on the ewe’s tail
The ancestors and the spirits of this land
This kingdom of yours the son of Muntu
Are immensely offended with your recent behaviour
In which you commandeered all villages
In your kingdom; from east and west
The **** the innocent passer by
With your owner hands that handle the scepter
You killed and lay to rest the foreigner
A pure omurende to the kingdom of muntu
You buried him uncircumcised without contrite
In the cemeteries of our foremen who asleep and circumcised
Why did you lower the dignity of our forefathers
Who never share a roof with uncircumcised person
To share the ancestral realm; our emagombe
With hunchback foreigner not circumcised?
This kingdom is condemned to all spell of curse of death
Ceaseless hunger famines and starvation
Women dwindle in their reproductive capacity
Rarely will you come across a pregnant woman
Food will be difficulty to put on the table
Even the sweat of your brow will go to naught,
You will not be buried with insignia
Like a pauper you killed will you be buried
The house of your wife Khatembete Kho Bwibo
Khakhalikha no bwoya is a house of no consequences
For even your daughter Nalukosi stands cursed
She will not mature to be wedded into a marriage
She will hover the earth under heavy agonies of hunger,
My assignment is done and over
With or without your permission let me go.









THE FIRST SONG
Our song continues dear brethren
Come join me in arms we sing
Joyous singing of these songs of peace
Telling the world peaceful stories
As we enjoy sitting together around my grandmothers fire yard
Warming our selves to her lovely fire inherent in her good stories,
These songs will sing the glory and success of the king of Manani
It is an irregular Ode to Silinki wa Namunguba the son of Mwangani,
The son of Tunduli, the son of Wajala Njovu, the son of Welikhe, the son
Of manyorori, the son of Chumbe, the son of Kajo, the Son of Mabati, the son of welotia,
The son of sikele sia mulia, the son of Toywa,the son of siruju, the son of Mango, the son of Mulwoni sinyanya Bakhasi, the son of Mbakara , the son of Makhakara wa Nambuya, the son of Mukoye mulala kukhalikha w0nga, the son of Zumba the son of God.
Silinki

Sheep lost in the
storm

Wool caught upon
barbed wire

Lamb gone tame
to slaughter.

Poor ewe I unravel
the only thread of time,
present to past

Stitching together
words,
lives,

Given each to other
free

Pull the wool over
eyes closed

Cats cradle binding hands

Poor ewe
lost in storm

Dressed mutton
fooling no-one

Am crying heena ji
Uparo meeh pe reha
uparo gaane ewe de lage hoye ne
sala sab kuch yaad ayi janda
te u nu apne kol na dekh ke
jaan nikli ja rahi

kai dina to me jaan buj ke nai c likh reha kuj
but aj control nai hoea
life pata nai ki ban ke reh *** he
ewe lagda jiwe kuch matlb hi nai he is life da
office jao, ghar aao. Ghar wali naal bi dil ni krda chal nal gal karan da
even oh bi ro lai, ki tuci menu pyar nai krde
oh is krke roi ki usnu lagda kite me chad na dawa us nu thuhade krde
usnu thuhade to bada dar lagda he
thuhade naam to bada dar lagda he

but me fas gea ha
parso sari raat roi gea me.
ghar wali us time so rahi c
menu pata oh raat kiwe langi meri

***, koi value hi nai rakhda ***
bilkul dil nai krda

sala mausam ewe da ban gea ki
rona a gea

Thuhade husband nal dekhea c u nu.
Soh lage, maran da dil kar reha c.
dil kr reha c ki gaddi mara kite le jake

fer tuci 7 phase wali market chale gaye
uthe tuci mehndi lagwai
te me uthi wait kr reha c thuhadi
sach kaha me has jarur reha c
but andro ro reha c
thuhanu dikhana nai c chanda ki
me thuhanu dekh lea he
menu nai pata ki tuci menu dekhea ya nai
but mera koi motive nai c apni shakal
dikhan da thuhanu

Le lao badle heena ji
chup reh ke jeena bada okha he
me bi dekhda ha kinni der
chup beth sakde ** tuci
kinni patients he thuhade wich
me bi dekha.

Ik gal kaha.

Menu 2016 to hi yakeen ja ** gea c
Ki thuhade lai menu bhulna bada easy c
Bcz us time jado thuhade viah di gal chali c
Tuci menu ik war bi nai c dasea
Nd us bhenchod nu pyar kar bethe c tuci

Yaar me kade kisi hor nu pyar nai kita, na hi kade kar paya. Beshak me hor bada kuj kita.
Bhawe oh kudi baji c ya nasha.
Par kisi hor nu kade pyar nai kr sakea.

Menu sala ehi samj nai a reha
Ki me thuhanu yaad karna band kr dawa
Ya ewe hi yaad krda raha

Me badi try kr reha ki yaad na kara.
Par is baar gal kuj hor he
2016 wich me bhul gea c u nu
But etki, gaand fati hoi a meri
Bus ik mar nai sakda
Baki bahro kush rehna penda

Kini war dekh chukea me thuhanu lal rang de choore wich
Sali iko dua nikdi ki maut a jawe menu
Bcz me khud mar nai sakda
*** bi ro reha

Yaad a ik wari, jado apa park wicho di ja rahe c
Te ik munda park wich ro reha c
Te me us time
Keha c ki sala
Kinna pagal he
Munda ewe kiwe ro sakda
Aj oh munde di yaad andi menu
Te meri kahi gal
Aj samj anda ki sala rona ki hunda

Bhen di lun hoi bi meri life di
Sala kite bi dil nI lagda mera

I know u nu mazak hi lag reha hona
Ha me kita bi mazak hi c thuhade naal
Te aj usdi saza bhugat reha ha
Ena jyada tadap reha ha

Pata ik ta banda ro ke mann halka kr lenda
Ik banda andro ronda
Jeda sala andro rona, te usda mann bi halka nai hunda
Bada ikha hunda

Fat jandi he
Rooh kamb jandi he
Sala jad bi kade wife nu patiala chad ke anda
Ta sad song laganda. Badi myshkil naal sad song sunan nu milde
Te bus sara rasta ronda anda me
Sach kaha ohi ik time hunda jad me ro sakda ha te apna mann halka karda ha
Cheeka marda ha, chest te mukke marda ha
Thapad tak marda ha apne aap nu
Sala sochda ki isi bahane kuch dil halka ** jawe
Par kithe.
Nai hunda.

Heena jj, menu pata ki mera *** koi hak nai reha.
Par metho ik haq na khona
Oh thuhanu dekhan da.
Me kade life wich interfair nai krda
Bus menu dekhan to na rokna kade.

Me tadfna chanda ha
Rona chanda ha
Apni galtia krke

Ameen

What can lambkins do
  All the keen night through?
Nestle by their woolly mother,
  The careful ewe.

  What can nestlings do
  In the nightly dew?
Sleep beneath their mother's wing
  Till day breaks anew.

  If in field or tree
  There might only be
Such a warm soft sleeping-place
  Found for me!

In a distant land, far beyond the time we know now, there lived an ancient people who knew in their bones of a past outside memory. Things happened over and over; as day became night night became day, spring followed winter, summer followed spring, autumn followed summer and then, and then as autumn came, at least the well-known ordered days passed full of preparation for the transhumance, that great movement of flocks and herds from the summer mountains to the winter pastures. But in the great oak woods of this region the leaves seemed reluctant to fall. Even after the first frosts when the trees glimmered with rime as the sun rose. Even when winter’s cousin, the great wind from the west, ravaged the conical roofs of the shepherds’ huts. The leaves did not fall.

For Lucila, searching for leaves as she climbed each day higher and higher through the parched undergrowth under the most ancient oaks, there were only acorns, slews of acorns at her feet. There were no leaves, or rather no leaves that might be gathered as newly fallen. Only the faint husks of leaves of the previous autumn, leaves of provenance already gathered before she left the mountains last year for the winter plains, leaves she had placed into her deep sleeves, into her voluminous apron, into the large pockets of her vlaterz, the ornate felt jacket of the married woman.

Since her childhood she had picked and pocketed these oaken leaves, felt their thin, veined, patterned forms, felt, followed, caressed them between her finger tips. It was as though her pockets were full of the hands of children, seven-fingered hands, stroking her fingers with their pointed tips when her fingers were pocketed.

She would find private places to lay out her gathered leaves. She wanted none to know or touch or speak of these her children of the oak forest. She had waited all summer, as she had done since a child, watching them bud and grow on the branch, and then, with the frosts and winds of autumn, fall, fall, fall to the ground, but best of all fall into her small hands, every leaf there to be caught, fallen into the bowl of her cupped hands. And for every leaf caught, a wish.

Her autumn days became full of wishes. She would lie awake on her straw mattress after Mikas had risen for the night milking, that time when the rustling bells of the goats had no accompaniment from the birds. She would assemble her lists of wishes, wishes ready for leaves not yet fallen into the bowl of her cupped hands. May the toes of my baby be perfectly formed? May his hair fall straight without a single curl? May I know only the pain I can bear when he comes? May the mother of Mikas love this child?

As the fine autumn days moved towards the feast day of St Anolysius, the traditional day of departure of the winter transhumance, there was, this season, an unspoken tension present in the still, dry air. Already preparations were being made for the long journey to the winter plains. There was soon to be a wedding now three days away, of the Phatos boy to the Tamosel girl. The boy was from an adjoining summer pasture and had travelled during the summer months with an itinerant uncle, a pedlar of sorts and beggar of repute. So he had seen something of the world beyond those of the herds and flocks can expect to see. He was rightly-made and fit to marry, although, of course, the girl was to be well-kept secret until the day itself.

Lucila remembered those wedding days, her wedding days, those anxious days of waiting when encased in her finery, in her seemingly impenetrable and voluminous wedding clothes she had remained all but hidden from view. While around her the revelling came and went, the drunkenness, the feasting, the riotous eruptions of noise and movement, the sudden visitations of relatives she did not know, the fierce instructions of women who spoke to her now as a woman no longer a young girl or a dear child, women she knew as silent, shy and respectful who were now loud and lewd, who told her things she could hardly believe, what a man might do, what a man might be, what a woman had to suffer - all these things happening at the same time. And then her soon-to-be husband’s drunk-beyond-reason friends had carried off the basket with her trousseau and dressed themselves riotously in her finest embroidered blouses, her intricate layered skirts, her petticoats, even the nightdress deemed the one to be worn when eventually, after three days revelry, she would be visited by a man, now more goat than man, sodden with drink, insensible to what little she understood as human passion beyond the coupling of goats. Of course Semisar had prepared the bright blood for the bridesbed sheet, the necessary evidence, and as Mikas lay sprawled unconscious at the foot of the marriage bed she had allowed herself to be dishevelled, to feign the aftermath of the act he was supposed to have committed upon her. That would, she knew, come later . . .

It was then, in those terrible days and after, she took comfort from her silent, private stitching into leaves, the darning of acorns, the spinning of skeins of goats’ wool she would walnut-dye and weave around stones and pieces of glass. She would bring together leaves bound into tiny books, volumes containing for her a language of leaves, the signs and symbols of nature she had named, that only she knew. She could not read the words of the priest’s book but was fluent in the script of veins and ribs and patterning that every leaf owned. When autumn came she could hardly move a step for picking up a fallen leaf, reading its story, learning of its history. But this autumn now, at the time of leaf fall, the fall of the leaf did not happen and those leaves of last year at her feet were ready to disintegrate at her touch. She was filled with dread. She knew she could not leave the mountains without a collection of leaves to stitch and weave through the shorter days and long, long winter nights. She had imagined sharing with her infant child this language she had learnt, had stitched into her daily life.

It was Semisar of course, who voiced it first. Semisar, the self-appointed weather ears and horizon eyes of the community, who followed her into the woods, who had forced Lucila against a tree holding one broad arm and her body’s weight like a bar from which Lucila could not escape, and with the other arm and hand rifled the broad pockets of Lucila’s apron. Semisar tossed the delicate chicken bone needles to the ground, unravelled the bobbins of walnut-stained yarn, crumpled the delicately folded and stitched, but yet to be finished, constructions of leaves . . . And spewed forth a torrent of terrible words. Already the men knew that the lack of leaf fall was peculiar only to the woods above and around their village. Over the other side of the mountain Telgatho had said this was not so. Was Lucila a Magnelz? Perhaps a Cutvlael? This baby she carried, a girl of course, was already making evil. Semisar placed her hand over and around the ripe hard form of the unborn child, feeling for its shape, its elbows and knees, the spine. And from there, with a vicelike grip on the wrist, Semisar dragged Lucila up and far into the woods to where the mountain with its caves and rocks touched the last trees, and from there to the cave where she seemed to know Lucila’s treasures lay, her treasures from childhood. Semisar would destroy everything, then the leaves would surely fall.

When Lucila did not return to prepare the evening meal Mikas was to learn all. Should he leave her be? He had been told women had these times of strange behaviour before childbirth. The wedding of the Phatos boy was almost upon them and the young men were already behaving like goats before the rut. The festive candles and tinselled wedding crowns had been fetched from the nearest town two days ride distant, the decoration of the tiny mountain basilica and the accommodation for the priest was in hand. The women were busy with the making of sweets and treats to be thrown at the wedding pair by guests and well-wishers. Later, the same women would prepare the dough for the millstones of bread that would be baked in the stone ovens. The men had already chosen the finest lambs to spit-roast for the feast.

She will return, Semisar had said after waiting by the fold where Mikas flocks, now gathered from the heights, awaited their journey south. All will be well, Mikas, never fear. The infant, a girl, may not last its birth, Semisar warned, but seeing the shocked face of Mikas, explained a still-birth might be providential for all. Know this time will pass, she said, and you can still be blessed with many sons. We are forever in the hands of the spirit, she said, leaving without the customary salutation of farewell.
                                               
However different the lives of man and woman may by tradition and circumstance become, those who share the ways and rites of marriage are inextricably linked by fate’s own hand and purpose. Mikas has come to know his once-bride, the child become woman in his clumsy embrace, the girl of perhaps fifteen summers fulfilling now his mother’s previous role, who speaks little but watches and listens, is unfailingly attentive to his needs and demands, and who now carries his child ( it can only be a boy), carries this boy high in her womb and with a confidence his family has already remarked upon.

After their wedding he had often returned home to Lucila at the time of the sun’s zenith when it is customary for the village women to seek the shade of their huts and sleep. It was an unwritten rite due to a newly-wed husband to feign the sudden need for a forgotten tool or seek to examine a sick animal in the home fold. After several fruitless visits when he found their hut empty he timed his visit earlier to see her black-scarfed figure disappear into the oak woods.  He followed her secretively, and had observed her seated beneath an ancient warrior of a tree, had watched over her intricate making. Furthermore and later he came to know where she hid the results of this often fevered stitching of things from nature’s store and stash, though an supernatural fear forbade him to enter the cleft between rocks into which she would disappear. He began to know how times and turns of the days affected her actions, but had left her be. She would usually return bright-eyed and with a quiet wonder, of what he did not know, but she carried something back within her that gave her a peculiar peace and beauty. It seemed akin to the well-being Mikas knew from handling a fine ewe from his flock . . .

And she would sometimes allow herself to be handled thus. She let him place his hands over her in that joyful ownership and command of a man whose life is wholly bound up with flocks and herds and the well-being of the female species. He would come from the evening watch with the ever-constant count of his flock still on his lips, and by a mixture of accident and stealth touch her wholly-clothed body, sometimes needing his fingers into the thick wool of her stockings, stroking the chestnut silken hairs that he found above her bare wrists, marvelling at her small hands with their perfect nails. He knew from the ribaldry of men that women were trained from childhood to display to men as little as possible of their intimate selves. But alone and apart all day on a remote hillside, alone save for several hundred sheep, brought to Mikas in his solitary state wild and conjured thoughts of feminine spirits, unencumbered by clothes, brighter and more various than any night-time dream. And he had succumbed to the pleasure of such thoughts times beyond reason, finding himself imagining Lucila as he knew she was unlikely ever to allow herself to be. But even in the single winter and summer of their life together there had been moments of surprise and revelation, and accompanied by these precious thoughts he went in search of her in the darkness of a three-quarter moon, into the stillness of the night-time wood.

Ah Lucilla. We might think that after the scourge of Semisar, the physical outrage of her baby’s forced examination, and finally the destruction of her treasures, this child-wife herself with child would be desolate with grief at what had come about. She had not been forced to follow Semisar into the small cave where wrapped in woven blankets her treasures lay between the thinnest sheets of impure and rejected parchment gleaned surreptitiously after shearing, but holding each and every treasure distinct and detached. There was enough light for Semisar to pause in wonder at the intricate constructions, bright with the aura of extreme fragility owned by many of the smaller makings. And not just the leaves of the oak were here, but of the mastic, the walnut, the flaky-barked strawberry and its smoothed barked cousin. There were leaves and sheaves of bark from lowland trees of the winter sojourn, there were dried fruits mysteriously arranged, constructions of acorns threaded with the dark madder-red yarn, even acorns cracked and damaged from their tree fall had been ‘mended’ with thread.

Semisar was to open some of the tiny books of leaved pages where she witnessed a form of writing she did not recognise (she could not read but had seen the priest’s writing and the print of the holy books). This she wondered at, as surely Lucila had only the education of the home? Such symbols must belong to the spirit world. Another sign that Lucila had infringed order and disturbed custom. It would take but a matter of minutes to turn such makings into little more than a layer of dust on the floor.

With her bare hands Semisar ground together these elaborate confections, these lovingly-made conjunctions of needle’s art with nature’s purpose and accidental beauty. She ground them together until they were dust.

When Semisar returned into the pale afternoon light it seemed Lucila had remained as she had been left: motionless, and without expression. If Semisar had known the phenomenon of shock, Lucila was in that condition. But, in the manner of a woman preparing to grieve for the dead she had removed her black scarf and unwound the long dark chestnut plaits that flowed down her back. But there were no tears. only a dumb silence but for the heavy exhalation of breath. It seemed that she looked beyond Semisar into the world of spirits invoking perhaps their aid, their comfort.

What happened had neither invoked sadness nor grief. It was as if it had been ordained in the elusive pattern of things. It felt like the clearing of the summer hut before the final departure for the long journey to the winter world. The hut, Lucila had been taught, was to be left spotless, every item put in its rightful place ready to be taken up again on the return to the summer life, exactly as if it had been undisturbed by absence . Not a crumb would remain before the rugs and coverings were rolled and removed, summer clothes hard washed and tightly mended, to be folded then wrapped between sprigs of aromatic herbs.

Lucila would go now and collect her precious but scattered needles from beneath the ancient oak. She would begin again - only to make and embroider garments for her daughter. It was as though, despite this ‘loss’, she had retained within her physical self the memory of every stitch driven into nature’s fabric.

Suddenly Lucila remembered that saints’ day which had sanctioned a winter’s walk with her mother, a day when her eyes had been drawn to a world of patterns and objects at her feet: the damaged acorn, the fractured leaf, the broken berried branch, the wisp of wool left impaled upon a stub of thorns. She had been five, maybe six summers old. She had already known the comforting action of the needle’s press again the felted cloth, but then, as if impelled by some force quite outside herself, had ‘borrowed’ one of her mother’s needles and begun her odyssey of darning, mending, stitching, enduring her mother’s censure - a waste of good thread, little one - until her skill became obvious and one of delight, but a private delight her mother hid from all and sundry, and then pressed upon her ‘proper’ work with needle and thread. But the damage had been done, the dye cast. She became nature’s needle slave and quartered those personal but often invisible

got caught up in blue ink
fever last night,
reading h.p. pops and wrestling
with the words.
only to find the new day at hand

so now i am sitting in a meeting of great importance.

(eyes drooping, day  dreaming,
sheep visiting- NO, don't count the ****** things, YOU FOOL!)

discusing matters of teaching and reaching decision on text,

(cotton pillows with smiles on their dials, beckon me over the fence to play with bo peeps sheep DO NOT COUNT THOSE SHEEP.)

books and performance scripts for the following  year, now is when

(sheep are such fluffy little things, you could just put your head down on their little tummies. LEAVE THE SHEEP ALONE HOW MANY TIMES DO I HAVE TO TELL YOU)

you make a case for new works
and differing the standard

(and there is just so many of the fuzzy little deweds, DON'T EWE DARE.  IF I HAVE TO COME OVER THERE  EWE'LL KNOW ABOUT IT!!!!!)

teaching formats

(one little sheepy, two  sheepy sleep, three little sleepy sheepy,,,,,,four llilĺlte sleeeepppyshee RIGHT!!pppy
NOW YOU HAVE DONE IT!!!! TIME FOR THE BIG GUNS)

Bo, are you with us, I know this isn't the most exciting  discusion,
but it would be helpful if you could refrain from snoring.

(TOLD EWE!!)

Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Summer is a-comin’!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots,
The billy-goat poots ...
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

***

Keywords/Tags: Middle English, medieval, reading, rota, round, partsong, summer, cuckoo, sing, cuckold, seed, meadow, woods, ewe, lamb, cows, bullock, goat, billy-goat, poot, ****, pass gas, never stop

These notes were taken from the poem's Wikipedia page ...

"Sumer Is Icumen In" (also called the Summer Canon and the Cuckoo Song) is a medieval English round or rota of the mid-13th century. The title translates approximately to "Summer Has Come In" or "Summer Has Arrived". The song is composed in the Wessex dialect of Middle English. Although the composer's identity is unknown today, it may have been W. de Wycombe. The manuscript in which it is preserved was copied between 1261 and 1264. This rota is the oldest known musical composition featuring six-part polyphony. It is sometimes called the Reading Rota because the earliest known copy of the composition, a manuscript written in mensural notation, was found at Reading Abbey; it was probably not drafted there, however (Millett 2004). The British Library now retains this manuscript (Millett 2003a). A rota is a type of round, which in turn is a kind of partsong. To perform the round, one singer begins the song, and a second starts singing the beginning again just as the first got to the point marked with the red cross in the first figure below. The length between the start and the cross corresponds to the modern notion of a bar, and the main verse comprises six phrases spread over twelve such bars. In addition, there are two lines marked "Pes", two bars each, that are meant to be sung together repeatedly underneath the main verse. These instructions are included (in Latin) in the manuscript itself:

"Hanc rota cantare possum quatuor socii. A paucio/ribus autem quam a tribus uel saltem duobus non debet/ dici preter eos qui dicunt pedem. Canitur autem sic. Tacen/tibus ceteris unus inchoat *** hiis qui tenent pedem. Et *** uenerit/ ad primam notam post crucem, inchoat alius, et sic de ceteris./ Singuli de uero repausent ad pausacionis scriptas et/non alibi, spacio unius longe note."

(Four companions can sing this round. But it should not be sung by fewer than three, or at the very least, two in addition to those who sing the pes. This is how it is sung. While all the others are silent, one person begins at the same time as those who sing the ground. And when he comes to the first note after the cross [which marks the end of the first two bars], another singer is to begin, and thus for the others. Each shall observe the written rests for the space of one long note [triplet], but not elsewhere.)

The lyric may have been composed by W. de Wycombe, also identified as W de Wyc, Willelmus de Winchecumbe, Willelmo de Winchecumbe or William of Winchcomb. He appears to have been a secular scribe and precentor employed for about four years at the priory of Leominster in Herefordshire during the 1270s. He is also thought to have been a sub-deacon of the cathedral priory as listed in the Worcester Annals or possibly a monk at St Andrew's in Worcester. But it is not know if he composed the song, or merely preserved it by copying it.

U no, eat sins two mee,
u guise knead
two loose wait
sew hear, aye woosh
two
offal ewe sum add vice

Ewe can star art
**** ditto menation
aunt u knead too exorcise
Moove eat, keep mooving
moove mulch;  doe nut ****
down two mulch, move you’re *****
inn smell poorshuns
Ant walk two da shups
in stayed off you sing da carr

Dee impotent ding
hiss da wheel
four wear they’re’s
a wheel, they’re’s all weighs
a weigh
goad lick
loose wait
anne stain hell tea

How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance



Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Wulf and Eadwacer (Old English circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs roam this island.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings for him, but their end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



Westron Wynde
(anonymous Middle English lyric, circa 1530 AD)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!



This World's Joy
(anonymous Middle English lyric, circa 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.



Fowles in the Frith
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Summer is a-comin’!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots,
The billy-goat poots ...
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



Are these the oldest rhyming poems in the English language? Reginald of Durham recorded four verses of Saint Godric's: they are the oldest songs in English for which the original musical settings survive.

The first song is said in the Life of Saint Godric to have come to Godric when he had a vision of his sister Burhcwen, like him a solitary at Finchale, being received into heaven.  She was singing a song of thanksgiving, in Latin, and Godric renders her song in English bracketed by a Kyrie eleison:

Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie

In the second poem, Godric puns on his name: godes riche means “God’s kingdom” and sounds like “God is rich” ...

A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!

Original

Saintë Marië Virginë,
Moder Iesu Cristes Nazarenë,
Onfo, schild, help thin Godric,
Onfong bring hegilich
With the in Godës riche.

Saintë Marië Cristes bur,
Maidenës clenhad, moderës flur;
Dilie min sinnë, rix in min mod,
Bring me to winnë with the selfd God.

Godric also wrote a prayer to St. Nicholas:

Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem aka The Riming Poem
anonymous Old English poem from the Exeter Book, circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane ...

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated ...
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.  

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
                                             the summer heat cools;
earthly wealth fails;
                                enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,

freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now skruketh rose and lylie flour, // Now the rose and the lily skyward flower,
That whilen ber that suete savour // That will bear for awhile that sweet savor:
In somer, that suete tyde; // In summer, that sweet tide;
Ne is no quene so stark ne stour, // There is no queen so stark in her power
Ne no luedy so bryht in bour // Nor any lady so bright in her bower
That ded ne shal by glyde: // That Death shall not summon and guide;
Whoso wol fleshye lust for-gon and hevene-blisse abyde // But whoever forgoes lust, in heavenly bliss will abide
On Jhesu be is thoht anon, that tharled was ys side. // With his thoughts on Jesus anon, thralled at his side.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



IN LIBRARIOS
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Brut (circa 1100 AD, written by Layamon, an excerpt)
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.

Layamon's Brut is a 32,000-line poem composed in Middle English that shows a strong Anglo-Saxon influence and contains the first known reference to King Arthur in English. The passage above is a good example of Layamon's gift for imagery. It's interesting, I think, that a thousand years ago a poet was dabbling in surrealism, with dead warriors being described as if they were both men and fish.



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead . . .”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! . . .”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! . . .”



Deor's Lament (Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings ... oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



"The Husband's Message" is an Old English (Anglo-Saxon) poem from the Exeter Book, the oldest extant English poetry anthology. The poem may or may not be a reply to "The Wife's Lament," another poem in the same collection. The poem is generally considered to be an Anglo-Saxon riddle (I will provide the solution), but its primary focus is persuading a wife or fiancé to join her husband or betrothed and fulfill her promises to him. The Exeter Book has been dated to 960-990 AD, so the poem was written by then or earlier. The version below is my modern English translation of one of the oldest extant English poems.

The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                 was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
           I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                 over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord ...
                                He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Lament for the Makaris [Makers, or Poets]
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity ...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free ...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee ...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity ...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée ...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity ...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower ...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee ...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee ...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty ...
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”




Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, and dies alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, and dies alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, and dies alone.

Winfrid or Wynfrith is better known as Saint Boniface (c. 675–754). This may be the second-oldest English poem, after "Caedmon's Hymn."



Franks Casket Runes
anonymous Old English poems, circa 700
loose translation/interpretation by Michael R. Burch

1.
The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

2.
Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



A cleric courts his lady
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

My death I love, my life I hate, because of a lovely lady;
She's as bright as the broad daylight, and shines on me so purely.
I fade before her like a leaf in summer when it's green.
If thinking of her does no good, to whom shall I complain?



The original poem below is based on my teenage misinterpretation of a Latin prayer ...

Elegy for a little girl, lost
by Michael R. Burch

for my mother, Christine Ena Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

NOTE: I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).

When the companies were thus arrayed, each under its own captain,
the Trojans advanced as a flight of wild fowl or cranes that scream
overhead when rain and winter drive them over the flowing waters of
Oceanus to bring death and destruction on the Pygmies, and they
wrangle in the air as they fly; but the Achaeans marched silently,
in high heart, and minded to stand by one another.
  As when the south wind spreads a curtain of mist upon the mountain
tops, bad for shepherds but better than night for thieves, and a man
can see no further than he can throw a stone, even so rose the dust
from under their feet as they made all speed over the plain.
  When they were close up with one another, Alexandrus came forward as
champion on the Trojan side. On his shoulders he bore the skin of a
panther, his bow, and his sword, and he brandished two spears shod
with bronze as a challenge to the bravest of the Achaeans to meet
him in single fight. Menelaus saw him thus stride out before the
ranks, and was glad as a hungry lion that lights on the carcase of
some goat or horned stag, and devours it there and then, though dogs
and youths set upon him. Even thus was Menelaus glad when his eyes
caught sight of Alexandrus, for he deemed that now he should be
revenged. He sprang, therefore, from his chariot, clad in his suit
of armour.
  Alexandrus quailed as he saw Menelaus come forward, and shrank in
fear of his life under cover of his men. As one who starts back
affrighted, trembling and pale, when he comes suddenly upon a
serpent in some mountain glade, even so did Alexandrus plunge into the
throng of Trojan warriors, terror-stricken at the sight of the son
Atreus.
  Then Hector upbraided him. “Paris,” said he, “evil-hearted Paris,
fair to see, but woman-mad, and false of tongue, would that you had
never been born, or that you had died *****. Better so, than live to
be disgraced and looked askance at. Will not the Achaeans mock at us
and say that we have sent one to champion us who is fair to see but
who has neither wit nor courage? Did you not, such as you are, get
your following together and sail beyond the seas? Did you not from
your a far country carry off a lovely woman wedded among a people of
warriors—to bring sorrow upon your father, your city, and your
whole country, but joy to your enemies, and hang-dog shamefacedness to
yourself? And now can you not dare face Menelaus and learn what manner
of man he is whose wife you have stolen? Where indeed would be your
lyre and your love-tricks, your comely locks and your fair favour,
when you were lying in the dust before him? The Trojans are a
weak-kneed people, or ere this you would have had a shirt of stones
for the wrongs you have done them.”
  And Alexandrus answered, “Hector, your rebuke is just. You are
hard as the axe which a shipwright wields at his work, and cleaves the
timber to his liking. As the axe in his hand, so keen is the edge of
your scorn. Still, taunt me not with the gifts that golden Venus has
given me; they are precious; let not a man disdain them, for the
gods give them where they are minded, and none can have them for the
asking. If you would have me do battle with Menelaus, bid the
Trojans and Achaeans take their seats, while he and I fight in their
midst for Helen and all her wealth. Let him who shall be victorious
and prove to be the better man take the woman and all she has, to bear
them to his home, but let the rest swear to a solemn covenant of peace
whereby you Trojans shall stay here in Troy, while the others go
home to Argos and the land of the Achaeans.”
  When Hector heard this he was glad, and went about among the
Trojan ranks holding his spear by the middle to keep them back, and
they all sat down at his bidding: but the Achaeans still aimed at
him with stones and arrows, till Agamemnon shouted to them saying,
“Hold, Argives, shoot not, sons of the Achaeans; Hector desires to
speak.”
  They ceased taking aim and were still, whereon Hector spoke. “Hear
from my mouth,” said he, “Trojans and Achaeans, the saying of
Alexandrus, through whom this quarrel has come about. He bids the
Trojans and Achaeans lay their armour upon the ground, while he and
Menelaus fight in the midst of you for Helen and all her wealth. Let
him who shall be victorious and prove to be the better man take the
woman and all she has, to bear them to his own home, but let the
rest swear to a solemn covenant of peace.”
  Thus he spoke, and they all held their peace, till Menelaus of the
loud battle-cry addressed them. “And now,” he said, “hear me too,
for it is I who am the most aggrieved. I deem that the parting of
Achaeans and Trojans is at hand, as well it may be, seeing how much
have suffered for my quarrel with Alexandrus and the wrong he did
me. Let him who shall die, die, and let the others fight no more.
Bring, then, two lambs, a white ram and a black ewe, for Earth and
Sun, and we will bring a third for Jove. Moreover, you shall bid Priam
come, that he may swear to the covenant himself; for his sons are
high-handed and ill to trust, and the oaths of Jove must not be
transgressed or taken in vain. Young men’s minds are light as air, but
when an old man comes he looks before and after, deeming that which
shall be fairest upon both sides.”
  The Trojans and Achaeans were glad when they heard this, for they
thought that they should now have rest. They backed their chariots
toward the ranks, got out of them, and put off their armour, laying it
down upon the ground; and the hosts were near to one another with a
little space between them. Hector sent two messengers to the city to
bring the lambs and to bid Priam come, while Agamemnon told Talthybius
to fetch the other lamb from the ships, and he did as Agamemnon had
said.
  Meanwhile Iris went to Helen in the form of her sister-in-law,
wife of the son of Antenor, for Helicaon, son of Antenor, had
married Laodice, the fairest of Priam’s daughters. She found her in
her own room, working at a great web of purple linen, on which she was
embroidering the battles between Trojans and Achaeans, that Mars had
made them fight for her sake. Iris then came close up to her and said,
“Come hither, child, and see the strange doings of the Trojans and
Achaeans till now they have been warring upon the plain, mad with lust
of battle, but now they have left off fighting, and are leaning upon
their shields, sitting still with their spears planted beside them.
Alexandrus and Menelaus are going to fight about yourself, and you are
to the the wife of him who is the victor.”
  Thus spoke the goddess, and Helen’s heart yearned after her former
husband, her city, and her parents. She threw a white mantle over
her head, and hurried from her room, weeping as she went, not alone,
but attended by two of her handmaids, Aethrae, daughter of Pittheus,
and Clymene. And straightway they were at the Scaean gates.
  The two sages, Ucalegon and Antenor, elders of the people, were
seated by the Scaean gates, with Priam, Panthous, Thymoetes, Lampus,
Clytius, and Hiketaon of the race of Mars. These were too old to
fight, but they were fluent orators, and sat on the tower like cicales
that chirrup delicately from the boughs of some high tree in a wood.
When they saw Helen coming towards the tower, they said softly to
one another, “Small wonder that Trojans and Achaeans should endure
so much and so long, for the sake of a woman so marvellously and
divinely lovely. Still, fair though she be, let them take her and
go, or she will breed sorrow for us and for our children after us.”
  But Priam bade her draw nigh. “My child,” said he, “take your seat
in front of me that you may see your former husband, your kinsmen
and your friends. I lay no blame upon you, it is the gods, not you who
are to blame. It is they that have brought about this terrible war
with the Achaeans. Tell me, then, who is yonder huge hero so great and
goodly? I have seen men taller by a head, but none so comely and so
royal. Surely he must be a king.”
  “Sir,” answered Helen, “father of my husband, dear and reverend in
my eyes, would that I had chosen death rather than to have come here
with your son, far from my bridal chamber, my friends, my darling
daughter, and all the companions of my girlhood. But it was not to be,
and my lot is one of tears and sorrow. As for your question, the
hero of whom you ask is Agamemnon, son of Atreus, a good king and a
brave soldier, brother-in-law as surely as that he lives, to my
abhorred and miserable self.”
  The old man marvelled at him and said, “Happy son of Atreus, child
of good fortune. I see that the Achaeans are subject to you in great
multitudes. When I was in Phrygia I saw much horsemen, the people of
Otreus and of Mygdon, who were camping upon the banks of the river
Sangarius; I was their ally, and with them when the Amazons, peers
of men, came up against them, but even they were not so many as the
Achaeans.”
  The old man next looked upon Ulysses; “Tell me,” he said, “who is
that other, shorter by a head than Agamemnon, but broader across the
chest and shoulders? His armour is laid upon the ground, and he stalks
in front of the ranks as it were some great woolly ram ordering his
ewes.”
  And Helen answered, “He is Ulysses, a man of great craft, son of
Laertes. He was born in rugged Ithaca, and excels in all manner of
stratagems and subtle cunning.”
  On this Antenor said, “Madam, you have spoken truly. Ulysses once
came here as envoy about yourself, and Menelaus with him. I received
them in my own house, and therefore know both of them by sight and
conversation. When they stood up in presence of the assembled Trojans,
Menelaus was the broader shouldered, but when both were seated Ulysses
had the more royal presence. After a time they delivered their
message, and the speech of Menelaus ran trippingly on the tongue; he
did not say much, for he was a man of few words, but he spoke very
clearly and to the point, though he was the younger man of the two;
Ulysses, on the other hand, when he rose to speak, was at first silent
and kept his eyes fixed upon the ground. There was no play nor
graceful movement of his sceptre; he kept it straight and stiff like a
man unpractised in oratory—one might have taken him for a mere
churl or simpleton; but when he raised his voice, and the words came
driving from his deep chest like winter snow before the wind, then
there was none to touch him, and no man thought further of what he
looked like.”
  Priam then caught sight of Ajax and asked, “Who is that great and
goodly warrior whose head and broad shoulders tower above the rest
of the Argives?”
  “That,” answered Helen, “is huge Ajax, bulwark of the Achaeans,
and on the other side of him, among the Cretans, stands Idomeneus
looking like a god, and with the captains of the Cretans round him.
Often did Menelaus receive him as a guest in our house when he came
visiting us from Crete. I see, moreover, many other Achaeans whose
names I could tell you, but there are two whom I can nowhere find,
Castor, breaker of horses, and Pollux the mighty boxer; they are
children of my mother, and own brothers to myself. Either they have
not left Lacedaemon, or else, though they have brought their ships,
they will not show themselves in battle for the shame and disgrace
that I have brought upon them.”
  She knew not that both these heroes were already lying under the
earth in their own land of Lacedaemon.
  Meanwhile the heralds were bringing the holy oath-offerings
through the city—two lambs and a goatskin of wine, the gift of earth;
and Idaeus brought the mixing bowl and the cups of gold. He went up to
Priam and said, “Son of Laomedon, the princes of the Trojans and
Achaeans bid you come down on to the plain and swear to a solemn
covenant. Alexandrus and Menelaus are to fight for Helen in single
combat, that she and all her wealth may go with him who is the victor.
We are to swear to a solemn covenant of peace whereby we others
shall dwell here in Troy, while the Achaeans return to Argos and the
land of the Achaeans.”
  The old man trembled as he heard, but bade his followers yoke the
horses, and they made all haste to do so. He mounted the chariot,
gathered the reins in his hand, and Antenor took his seat beside
him; they then drove through the Scaean gates on to the plain. When
they reached the ranks of the Trojans and Achaeans they left the
chariot, and with measured pace advanced into the space between the
hosts.
  Agamemnon and Ulysses both rose to meet them. The attendants brought
on the oath-offerings and mixed the wine in the mixing-bowls; they
poured water over the hands of the chieftains, and the son of Atreus
drew the dagger that hung by his sword, and cut wool from the lambs’
heads; this the men-servants gave about among the Trojan and Achaean
princes, and the son of Atreus lifted up his hands in prayer.
“Father Jove,” he cried, “that rulest in Ida, most glorious in
power, and thou oh Sun, that seest and givest ear to all things, Earth
and Rivers, and ye who in the realms below chastise the soul of him
that has broken his oath, witness these rites and guard them, that
they be not vain. If Alexandrus kills Menelaus, let him keep Helen and
all her wealth, while we sail home with our ships; but if Menelaus
kills Alexandrus, let the Trojans give back Helen and all that she
has; let them moreover pay such fine to the Achaeans as shall be
agreed upon, in testimony among those that shall be born hereafter.
Aid if Priam and his sons refuse such fine when Alexandrus has fallen,
then will I stay here and fight on till I have got satisfaction.”
  As he spoke he drew his knife across the throats of the victims, and
laid them down gasping and dying upon the ground, for the knife had
reft them of their strength. Then they poured wine from the
mixing-bowl into the cups, and prayed to the everlasting gods, saying,
Trojans and Achaeans among one another, “Jove, most great and
glorious, and ye other everlasting gods, grant that the brains of them
who shall first sin against their oaths—of them and their children-
may be shed upon the ground even as this wine, and let their wives
become the slaves of strangers.”
  Thus they prayed, but not as yet would Jove grant them their prayer.
Then Priam, descendant of Dardanus, spoke, saying, “Hear me, Trojans
and Achaeans, I will now go back to the wind-beaten city of Ilius: I
dare not with my own eyes witness this fight between my son and
Menelaus, for Jove and the other immortals alone know which shall
fall.”
  On this he laid the two lambs on his chariot and took his seat. He
gathered the reins in his hand, and Antenor sat beside him; the two
then went back to Ilius. Hector and Ulysses measured the ground, and
cast lots from a helmet of bronze to see which should take aim
first. Meanwhile the two hosts lifted up their hands and prayed
saying, “Father Jove, that rulest from Ida, most glorious in power,
grant that he who first brought about this war between us may die, and
enter the house of Hades, while we others remain at peace and abide by
our oaths.”
  Great Hector now turned his head aside while he shook the helmet,
and the lot of Paris flew out first. The others took their several
stations, each by his horses and the place where his arms were
lying, while Alexandrus, husband of lovely Helen, put on his goodly
armour. First he greaved his legs with greaves of good make and fitted
with ancle-clasps of silver; after this he donned the cuirass of his
brother Lycaon, and fitted it to his own body; he hung his
silver-studded sword of bronze about his shoulders, and then his
mighty shield. On his comely head he set his helmet, well-wrought,
with a crest of horse-hair that nodded menacingly above it, and he
grasped a redoubtable spear that suited his hands. In like fashion
Menelaus also put on his armour.
  When they had thus armed, each amid his own people, they strode
fierce of aspect into the open space, and both Trojans and Achaeans
were struck with awe as they beheld them. They stood near one
another on the measured ground, brandis

Eye sea ewe.

"Hello.?".'s

Eye seaweed?

No.

Aye say are

Ewe see yoe

I see you.

Okay.

I remember quite distinctly
The night the Angel came
Hovering above my field
And calling me by name

Fred, the Angel yelled to me
Waking all my sheep
I yelled "you stupid ****** twit"
I've just got them to sleep

He said a king was born to man
And I must go to see
I said, "I've got these bleating sheep"
I don't do this for free

The angel said follow the star
All the way to Bethlehem
I told him, you must be ****** daft
My next shift starts at ten

I've been around the world a bit
And I've seen a lot of stunts
But this angel hung right in the air
And his wings did not flap once

He said there is a child
And he will be the King of Kings
I didn't really listen much
I was still watching those **** wings

The sheep were going batty
The field was bight as bright could be
I said, of all the shepherds round here
Why did you come wake me?

He said to travel swiftly
And to follow yonder star
I said, I'm off to bed mate
I'm not going on that far

Then there came a bolt of lightning
He had barbecued a ewe
I thought this bird means business
I mean just what could I do?

I left my flock with Charlie
The shepherd two fields over one
And I said I'll be back soon mate
I'm off to see the holy son

I met up with some others
All of us had the same tale
Of an angel flinging lightning
So we all felt we best bail....

I got there in December
I'd been travelling for months
The only thing I thought of
Those wings...did not move once

There inside a manger
behind an inn...full up each day
Was where I saw a vision
I'll remember to my last day

Three wise men dressed in robements
A little kid, and his tin drum
Some donkeys and a camel
The baby Jesus and his mum

Dad, was in the corner
All alone hanging his head
He said "How could this have happened"
"I never left the bed"

I looked upon the baby
And I looked down upon that face
He looked at me and smiled
You could feel a state of grace

I really didn't know then
What I was here to do
But, now I know my task was
To tell everyone I knew

So, I started out on homeward
To tell old Charlie of the kid
I picked him up a present
Yep..that's exactly  what I did

I guess the world must owe me
and this I 'll stand and shout
You could consider my gift to Charlie
Was the first true  gift given out

Now, I sit and watch the sheep here
People come up just to see
The shepherd who started gifting
The shepherd...that is me!!!

ewe wanna learn how to talk tidy
like all us welsh valley folk do
we don't know a coat from a jacket
we don't know a boot from a shoe

we  live up the road down by there
shoulder length cropped curly hair
got permanent jobs on the fiddle
two houses,and  mines in the middle

my mothers a tea total binger
blonde headed brunette called ginger
she always go out for a night in
to bingo she finds exciting

did you see that wind?
hear that snow?watch that song?
who's coat is that jacket?
and there it was....gone

There is not much more than lunch of your poor soul's gut. That which has hidden your chase,
Be it the same flurry you face, or the chaste, widowed band of loons
Supplicate snail-movements, while wading through the stiff lagoon.

Everything must, while the fissures grow grumpy.
While the dust settles inwards and the cracks fill with stuffing.
The particle stands stiff, while each nursery cries.
A pitter-patter of rain drops lurch the birds forwards towards flight.

Say the gumption to roost was the dork lit and idling,
Each abortion towards space, kept the rocket from flying,
Like the cannonball sneering, or the whistle of men
The trial and tribulations of the miserly pens.

If be swore the moors, concrete beds shuffle the snores.
Unlike any trumpet of nose notes or horns.
How each curious grumbler failed the ewe of his flock.
Lil' crock lodgers counting sleep  of each lot.

Who can practice commands, width that makes up a strake
In the morning the weir-men quaff each tea of their tastes.
Then comes to the rind, the hands each guided by eyes.
Stumps the bard of his nightshade in imported glass vials.

Show whomever the pleasure, the happy hell once began
Because under each gambit is the king of a lamb.

Deer loved one

Please bear with me,
owl bee with ewe as soon as possum bull.
Rhino that things have been on paws lately
bat remember I toad you;
Toucan always find me some plaice warm in your heart
if I'm not lion there beside you.
Giraffe nothing to fear, no one can break the lynx we've made.
Mine is a love that'll never panda, narwhal it
hound any other sole but jaws and yours alone.

You're the porpoise I wake up every morning.
Wren all otter things are bleak, you're my ray of sunshine.
You let minnow weevil always have each other.
With you, newt time passes but stops still.

Love you with vole of my heart
ant i'll never desert you.
Until hen Gobi good

Yours truly
...

Now the other princes of the Achaeans slept soundly the whole
night through, but Agamemnon son of Atreus was troubled, so that he
could get no rest. As when fair Juno’s lord flashes his lightning in
token of great rain or hail or snow when the snow-flakes whiten the
ground, or again as a sign that he will open the wide jaws of hungry
war, even so did Agamemnon heave many a heavy sigh, for his soul
trembled within him. When he looked upon the plain of Troy he
marvelled at the many watchfires burning in front of Ilius, and at the
sound of pipes and flutes and of the hum of men, but when presently he
turned towards the ships and hosts of the Achaeans, he tore his hair
by handfuls before Jove on high, and groaned aloud for the very
disquietness of his soul. In the end he deemed it best to go at once
to Nestor son of Neleus, and see if between them they could find any
way of the Achaeans from destruction. He therefore rose, put on his
shirt, bound his sandals about his comely feet, flung the skin of a
huge tawny lion over his shoulders—a skin that reached his feet-
and took his spear in his hand.
  Neither could Menelaus sleep, for he, too, boded ill for the Argives
who for his sake had sailed from far over the seas to fight the
Trojans. He covered his broad back with the skin of a spotted panther,
put a casque of bronze upon his head, and took his spear in his brawny
hand. Then he went to rouse his brother, who was by far the most
powerful of the Achaeans, and was honoured by the people as though
he were a god. He found him by the stern of his ship already putting
his goodly array about his shoulders, and right glad was he that his
brother had come.
  Menelaus spoke first. “Why,” said he, “my dear brother, are you thus
arming? Are you going to send any of our comrades to exploit the
Trojans? I greatly fear that no one will do you this service, and
spy upon the enemy alone in the dead of night. It will be a deed of
great daring.”
  And King Agamemnon answered, “Menelaus, we both of us need shrewd
counsel to save the Argives and our ships, for Jove has changed his
mind, and inclines towards Hector’s sacrifices rather than ours. I
never saw nor heard tell of any man as having wrought such ruin in one
day as Hector has now wrought against the sons of the Achaeans—and
that too of his own unaided self, for he is son neither to god nor
goddess. The Argives will rue it long and deeply. Run, therefore, with
all speed by the line of the ships, and call Ajax and Idomeneus.
Meanwhile I will go to Nestor, and bid him rise and go about among the
companies of our sentinels to give them their instructions; they
will listen to him sooner than to any man, for his own son, and
Meriones brother in arms to Idomeneus, are captains over them. It
was to them more particularly that we gave this charge.”
  Menelaus replied, “How do I take your meaning? Am I to stay with
them and wait your coming, or shall I return here as soon as I have
given your orders?” “Wait,” answered King Agamemnon, “for there are so
many paths about the camp that we might miss one another. Call every
man on your way, and bid him be stirring; name him by his lineage
and by his father’s name, give each all titular observance, and
stand not too much upon your own dignity; we must take our full
share of toil, for at our birth Jove laid this heavy burden upon us.”
  With these instructions he sent his brother on his way, and went
on to Nestor shepherd of his people. He found him sleeping in his tent
hard by his own ship; his goodly armour lay beside him—his shield,
his two spears and his helmet; beside him also lay the gleaming girdle
with which the old man girded himself when he armed to lead his people
into battle—for his age stayed him not. He raised himself on his
elbow and looked up at Agamemnon. “Who is it,” said he, “that goes
thus about the host and the ships alone and in the dead of night, when
men are sleeping? Are you looking for one of your mules or for some
comrade? Do not stand there and say nothing, but speak. What is your
business?”
  And Agamemnon answered, “Nestor, son of Neleus, honour to the
Achaean name, it is I, Agamemnon son of Atreus, on whom Jove has
laid labour and sorrow so long as there is breath in my body and my
limbs carry me. I am thus abroad because sleep sits not upon my
eyelids, but my heart is big with war and with the jeopardy of the
Achaeans. I am in great fear for the Danaans. I am at sea, and without
sure counsel; my heart beats as though it would leap out of my body,
and my limbs fail me. If then you can do anything—for you too
cannot sleep—let us go the round of the watch, and see whether they
are drowsy with toil and sleeping to the neglect of their duty. The
enemy is encamped hard and we know not but he may attack us by night.”
  Nestor replied, “Most noble son of Atreus, king of men, Agamemnon,
Jove will not do all for Hector that Hector thinks he will; he will
have troubles yet in plenty if Achilles will lay aside his anger. I
will go with you, and we will rouse others, either the son of
Tydeus, or Ulysses, or fleet Ajax and the valiant son of Phyleus. Some
one had also better go and call Ajax and King Idomeneus, for their
ships are not near at hand but the farthest of all. I cannot however
refrain from blaming Menelaus, much as I love him and respect him—and
I will say so plainly, even at the risk of offending you—for sleeping
and leaving all this trouble to yourself. He ought to be going about
imploring aid from all the princes of the Achaeans, for we are in
extreme danger.”
  And Agamemnon answered, “Sir, you may sometimes blame him justly,
for he is often remiss and unwilling to exert himself—not indeed from
sloth, nor yet heedlessness, but because he looks to me and expects me
to take the lead. On this occasion, however, he was awake before I
was, and came to me of his own accord. I have already sent him to call
the very men whom you have named. And now let us be going. We shall
find them with the watch outside the gates, for it was there I said
that we would meet them.”
  “In that case,” answered Nestor, “the Argives will not blame him nor
disobey his orders when he urges them to fight or gives them
instructions.”
  With this he put on his shirt, and bound his sandals about his
comely feet. He buckled on his purple coat, of two thicknesses, large,
and of a rough shaggy texture, grasped his redoubtable bronze-shod
spear, and wended his way along the line of the Achaean ships. First
he called loudly to Ulysses peer of gods in counsel and woke him,
for he was soon roused by the sound of the battle-cry. He came outside
his tent and said, “Why do you go thus alone about the host, and along
the line of the ships in the stillness of the night? What is it that
you find so urgent?” And Nestor knight of Gerene answered, “Ulysses,
noble son of Laertes, take it not amiss, for the Achaeans are in great
straits. Come with me and let us wake some other, who may advise
well with us whether we shall fight or fly.”
  On this Ulysses went at once into his tent, put his shield about his
shoulders and came out with them. First they went to Diomed son of
Tydeus, and found him outside his tent clad in his armour with his
comrades sleeping round him and using their shields as pillows; as for
their spears, they stood upright on the spikes of their butts that
were driven into the ground, and the burnished bronze flashed afar
like the lightning of father Jove. The hero was sleeping upon the skin
of an ox, with a piece of fine carpet under his head; Nestor went up
to him and stirred him with his heel to rouse him, upbraiding him
and urging him to bestir himself. “Wake up,” he exclaimed, “son of
Tydeus. How can you sleep on in this way? Can you not see that the
Trojans are encamped on the brow of the plain hard by our ships,
with but a little space between us and them?”
  On these words Diomed leaped up instantly and said, “Old man, your
heart is of iron; you rest not one moment from your labours. Are there
no younger men among the Achaeans who could go about to rouse the
princes? There is no tiring you.”
  And Nestor knight of Gerene made answer, “My son, all that you
have said is true. I have good sons, and also much people who might
call the chieftains, but the Achaeans are in the gravest danger;
life and death are balanced as it were on the edge of a razor. Go
then, for you are younger than I, and of your courtesy rouse Ajax
and the fleet son of Phyleus.”
  Diomed threw the skin of a great tawny lion about his shoulders—a
skin that reached his feet—and grasped his spear. When he had
roused the heroes, he brought them back with him; they then went the
round of those who were on guard, and found the captains not
sleeping at their posts but wakeful and sitting with their arms
about them. As sheep dogs that watch their flocks when they are
yarded, and hear a wild beast coming through the mountain forest
towards them—forthwith there is a hue and cry of dogs and men, and
slumber is broken—even so was sleep chased from the eyes of the
Achaeans as they kept the watches of the wicked night, for they turned
constantly towards the plain whenever they heard any stir among the
Trojans. The old man was glad bade them be of good cheer. “Watch on,
my children,” said he, “and let not sleep get hold upon you, lest
our enemies triumph over us.”
  With this he passed the trench, and with him the other chiefs of the
Achaeans who had been called to the council. Meriones and the brave
son of Nestor went also, for the princes bade them. When they were
beyond the trench that was dug round the wall they held their
meeting on the open ground where there was a space clear of corpses,
for it was here that when night fell Hector had turned back from his
onslaught on the Argives. They sat down, therefore, and held debate
with one another.
  Nestor spoke first. “My friends,” said he, “is there any man bold
enough to venture the Trojans, and cut off some straggler, or us
news of what the enemy mean to do whether they will stay here by the
ships away from the city, or whether, now that they have worsted the
Achaeans, they will retire within their walls. If he could learn all
this and come back safely here, his fame would be high as heaven in
the mouths of all men, and he would be rewarded richly; for the chiefs
from all our ships would each of them give him a black ewe with her
lamb—which is a present of surpassing value—and he would be asked as
a guest to all feasts and clan-gatherings.”
  They all held their peace, but Diomed of the loud war-cry spoke
saying, “Nestor, gladly will I visit the host of the Trojans over
against us, but if another will go with me I shall do so in greater
confidence and comfort. When two men are together, one of them may see
some opportunity which the other has not caught sight of; if a man
is alone he is less full of resource, and his wit is weaker.”
  On this several offered to go with Diomed. The two Ajaxes,
servants of Mars, Meriones, and the son of Nestor all wanted to go, so
did Menelaus son of Atreus; Ulysses also wished to go among the host
of the Trojans, for he was ever full of daring, and thereon
Agamemnon king of men spoke thus: “Diomed,” said he, “son of Tydeus,
man after my own heart, choose your comrade for yourself—take the
best man of those that have offered, for many would now go with you.
Do not through delicacy reject the better man, and take the worst
out of respect for his lineage, because he is of more royal blood.”
  He said this because he feared for Menelaus. Diomed answered, “If
you bid me take the man of my own choice, how in that case can I
fail to think of Ulysses, than whom there is no man more eager to face
all kinds of danger—and Pallas Minerva loves him well? If he were
to go with me we should pass safely through fire itself, for he is
quick to see and understand.”
  “Son of Tydeus,” replied Ulysses, “say neither good nor ill about
me, for you are among Argives who know me well. Let us be going, for
the night wanes and dawn is at hand. The stars have gone forward,
two-thirds of the night are already spent, and the third is alone left
us.”
  They then put on their armour. Brave Thrasymedes provided the son of
Tydeus with a sword and a shield (for he had left his own at his ship)
and on his head he set a helmet of bull’s hide without either peak
or crest; it is called a skull-cap and is a common headgear.
Meriones found a bow and quiver for Ulysses, and on his head he set
a leathern helmet that was lined with a strong plaiting of leathern
thongs, while on the outside it was thickly studded with boar’s teeth,
well and skilfully set into it; next the head there was an inner
lining of felt. This helmet had been stolen by Autolycus out of
Eleon when he broke into the house of Amyntor son of Ormenus. He
gave it to Amphidamas of Cythera to take to Scandea, and Amphidamas
gave it as a guest-gift to Molus, who gave it to his son Meriones; and
now it was set upon the head of Ulysses.
  When the pair had armed, they set out, and left the other chieftains
behind them. Pallas Minerva sent them a heron by the wayside upon
their right hands; they could not see it for the darkness, but they
heard its cry. Ulysses was glad when he heard it and prayed to
Minerva: “Hear me,” he cried, “daughter of aegis-bearing Jove, you who
spy out all my ways and who are with me in all my hardships;
befriend me in this mine hour, and grant that we may return to the
ships covered with glory after having achieved some mighty exploit
that shall bring sorrow to the Trojans.”
  Then Diomed of the loud war-cry also prayed: “Hear me too,” said he,
“daughter of Jove, unweariable; be with me even as you were with my
noble father Tydeus when he went to Thebes as envoy sent by the
Achaeans. He left the Achaeans by the banks of the river Aesopus,
and went to the city bearing a message of peace to the Cadmeians; on
his return thence, with your help, goddess, he did great deeds of
daring, for you were his ready helper. Even so guide me and guard me
now, and in return I will offer you in sacrifice a broad-browed heifer
of a year old, unbroken, and never yet brought by man under the
yoke. I will gild her horns and will offer her up to you in
sacrifice.”
  Thus they prayed, and Pallas Minerva heard their prayer. When they
had done praying to the daughter of great Jove, they went their way
like two lions prowling by night amid the armour and blood-stained
bodies of them that had fallen.
  Neither again did Hector let the Trojans sleep; for he too called
the princes and councillors of the Trojans that he might set his
counsel before them. “Is there one,” said he, “who for a great
reward will do me the service of which I will tell you? He shall be
well paid if he will. I will give him a chariot and a couple of
horses, the fleetest that can be found at the ships of the Achaeans,
if he will dare this thing; and he will win infinite honour to boot;
he must go to the ships and find out whether they are still guarded as
heretofore, or whether now that we have beaten them the Achaeans
design to fly, and through sheer exhaustion are neglecting to keep
their watches.”
  They all held their peace; but there was among the Trojans a certain
man named Dolon, son of Eumedes, the famous herald—a man rich in gold
and bronze. He was ill-favoured, but a good runner, and was an only
son among five sisters. He it was that now addressed the Trojans.
“I, Hector,” said he, “Will to the ships and will exploit them. But
first hold up your sceptre and swear that you will give me the
chariot, bedight with bronze, and the horses that now carry the
noble son of Peleus. I will make you a good scout, and will not fail
you. I will go through the host from one end to the other till I
come to the ship of Agamemnon, where I take it the princes of the
Achaeans are now consulting whether they shall fight or fly.”
  When he had done speaking Hector held up his sceptre, and swore
him his oath saying, “May Jove the thundering husband of Juno bear
witness that no other Trojan but yourself shall mount

The novelty of the young ewe
Blinded by its fleece
White is reflective of all colors
Absorbent of none
It stumbles about bleating
Intent on its own way
Falling in the crevice
Thinking it's reached day
But when the sun dips past the outcrop
And daddy sheep is gone
The little ewe will mewl again
And Pappy wolf will come
He knows the ropes
And he's no vegetarian
He ate knowledge
So he could come again
And he remembers
How the sheep forgot him
In their disorderly straying
Old and young alike, claiming the right to rule the kingdom that is his
And so with teeth he teaches them a lesson
A few bright ones he shares his land with
The rest are supper
Now that's Nature

Beneath the fair blue face of Heaven, harp
In hand, a shepherd flats an A that's sharp.
He plucks and tunes and finds the perfect pitch
And plays a harmony exceeding rich.
The afternoon is hot, and all the sheep
Are full of grass and falling fast asleep.
Cotton ball clouds go slowly floating by
While drowsy songbirds neither sing nor fly.
Even the shiny fish in waters cool
Nap in the cooler shadows in the pool.
Save for the sound of rills that gently spill,
All things are silent.  Everything is still.
     So too a watchful lion keeping eyes
Upon a ewe lamb dozing where she lies.
As still as stone he stalks his sleepy prey:
He's waited patiently the livelong day.
And now the time has come to work his plan,
While most at ease is bird and beast and man.
He takes the first small steps in his approach,
Then breaks into a run and makes the poach.
Bewildered sheep in panic loudly bleat—
Asleep to wide awake in one heartbeat!
The shepherd's senses rush, and running down
The brute, he smites the beast upon his crown.
Dazed and confused, the lion drops the lamb
That lives but by the grace of Him, I AM.
The shepherd grabs the lion's beard, and, hair
In hand, he slays him (as he'll slay a bear.)  
     Returning safe the lamb unto the flock,
The shepherd goes and stands upon a rock.
He lifts his hands to God, and, singing psalms
Of praise, he gives the LORD his weather'd palms.
Cotton ball clouds go slowly floating by
As stars begin to twinkle in the sky.

But not putting on a show for every one. I can do it, just. A breath. Just, one click. Such an idiot eye didn't see it, placing seemed so obvious. I am made bone crushing kid, kung Fu Star Trek TV couch comfort wearing hats with streamers, long legged lemurs, dancing on rooftop decks, lace and bravado. I know trash cans, sit and lean and feel the thrower's pitch, apple-core, empty soda pop, paper bag, napkin, phone number. Am I calling too late? There is no twister only colorful dots to move my limbs to, my arms analyze my diction decisions, the directions my lips move, the sound of my troche and voice; for fear that I am pressing the pen too hard, or pursing my words- dude man boss miss, **** I got a get a grip. Just come over an stir it up. I mean ya.

And then but what, who's next? I need caffeine. I forget that I don't have problems pulling all nighter's fixated on your face, pretty legs, three songs, half-of-one for which you dislike- I listen to it anyways. I pull through. I want to be Public again, walk through ivory hallways, apart from deep mahoganies and iMacs, iSelf study my volition, is the volume, I mean, am I talking too loudly? The music, deep rolling conundrum Evil-Dub, evening study of steel guitar earth-toned arithmetic Danish-flavor rice wafer feed me your body and Christ!; Are my legs even moving(double punctuation, now there is happy fun day), I make mercy look like a wrist-squeezing game we played as children, my fingers raw with desire, overflowing with joy, dactyls filled with vitamins A, E, D, and M, I write another letter, the draft I set aside, the postage I stick to the package. Was it five CD's I said?

Star Wars I mean Luke and Leia crushing, struck by the garbage dump of swirled worlds combustible invincibility, immortal apostrophes and to-be-continueds, I made the cover of Newsweek you make my covers of time, I watch anything with a clock on it, does it live quickly or trap me slowly, crushing, moving inwards towards the heartbeat. What if I could also type integers and letters with my thumb upwards of double-ewe. Graze baby graze. Crshng out vowels from these fringe matters of future travels, this sidewalk want I wont, will even vaunt for. Am I flaunting for this, I pray not. He's My Brother, She's My Sister, let's get back to Twister, if you could just put your Left Foot there then I could skip the words and let my body tell you. Straighten out where I learned the hard way last summer. I'm woozy while you're telling me you're hitting the snooze button, and yet I'm asking you for four things, phrases, pages, a pace, number or persuasion. And I don't fear that if I told you how I know you, I am only unaware if I want you to know that I know you like I know you...phew!

Begin burn CD #6

Beyond the massif peaks of Europa,
Above the ancient pillars of Heracles
Where rain and ocean are weaving,
Lays a fabled kingdom born of waves
And noble strands, my beaten hearts
Haunting, the lost, lush sylvan lands
Of Galicia.
                   Where Incomparable, dark
Haired women, mythic, of Amazonian
Fairness, side the valleys and moors
Of soon forgotten dreams and secretive
Wolves slide amongst warmed runnings
Of the ram and moans of ewe, where
Way bountiful seas are over spilling,
In octopus and pearly gemmed shells,
The scalloped pilgrimages unfolding,
Where incense burns with under stars
Encased, the lost Atlantean temples
Of Egyptian sands and storied Gaels,
The clad forests of wandering Titans,

Where snow white beaches end forever
Unmapped in told footsteps, castaway,
As was the magi gift of treasured yards,
Enlightenments, of old and golden isles
Pearling the coasts, sailing the sweet airs
Crossing Iberian gates, to Elysian, eternal,
Galicia.

Soggy, forgotten rotten eggs. Sink side. Gobbledy gnus cruising, fast acting cheetah be cheetah for the eggs are scare and the Time is new. The few are no longer fastened tightly to these hatchlings, the weather is near and all the tides are complicated. I could stand around in my underwear, but there isn't a single night song or nightengale that would hear me. There's a thud on my head and a knock on the door, I can't sing my best, or try to impress thee. All of these letters un rest to the sound of your voice, even in calfskin a vegetarian can begin to have trouble breathing.

To the cables that untie thlemselves to a broom in a paradise, Pacific, galore. Forgot to. Invested. Contained poorl and drunks stowed in the holograms of hand-me-down prisms, here comes the infectuous lonely ol' lamb. This is the ewe song that sings you to sleep, keeps the sweat in your underwear. Where there is hunger there are poor but my gold chants forward to this Armageddon's sway.

If it means it in Greek than it does in cyrillic, if it's toxin you have rotted your bell. Inside my pink, neon briefs is a tale of insanity, where I had tried to squeeze out every ounce of relief that commenced while I was asleep.

There was only ever one of us that ran with the turmoil that romance does. Terminal two, Arizona-flu, carried through the ORD concourse I heard a saxophone tune. Final approach, a yawn. I'm home drinking ***** at 9:00am with my PJs on.

*** tak ta tuci pregnant bi ** gaye hone
thuhanu kuj ni pata ehna thoughts naal kini fatdi he
dil daily karda he ki thuhdae office de samne aawa
te ake dekha u nu
but control kr lenda ha kisi na kisi tarah
daily raat nu 2 mint kharar bus stand te ruk ke janda ha,
ki thuhade ghar wal nu jawa ya na jawa.
dil ena krda ki shyad chatt te tuci khade howe te me dekh lawa
but fer dimag kenda chad rehn de dilla.
kyu tang krna us nu
oh kushi kushi apni life spend kr rahi he
ta usdi life kyu spoil krni

Yaar I want to see you.
fati hoi a meri
thuhanu bilkul bi fikar ni andi?
ki kiwe reh reha hona me?
daily ronda ha
daily yaad andi he thuhadi.
But serioulsy u r stone heart
kash me bi ban jawa dubara ewe da
pehla changa bhalwa ban gea c
jado jalandhar to bad breakup hoea c
*** sala pata nai ki ** gea
us time bi 6-8 months lagge c recovery lai
but is time sala ** hi nai reha
menu bi dasdo ewe da ki kara me
ki bhul jawa u nu
jiwe tuci bhul gaye

@@
! !
! !

stone ground mustard Venus burns. She's not concerned that constant falling
and orbits, elliptical - are the same thing.
Her eyes are deaf. My eyes adapt to the pattern
that rattles the chain of events.
my Spartan theories dangle in dubiousness.
I find a trap, and call it Seattle... for i see cattle -
grazing a state of mind; north, north west of what God meant.
washing tons of pocket lint by hand.
chewing their cud
in the dark. meanwhile - outside the ranch...
My eyes refract. ***** and un-***** in the black lacquer that came -
with the oblique miracle. they sustain things that would sunder a doll-eyed bovine
to ever breach The Fence.
my hardened arteries jangle like numinous. I pine and snap ruinous barbs from Death's
prattle... for i see battle, razing the Grace of Time
more at war, than at our best. more -
bereft of what Reason defends.  
tossing guns at bullets
by telekinesis.

[ undefined ]


i come from where i've never been. you were there. and ewe were there; fleeced and bleating
in the snow that fell as soon as shearing ceased. i recall, you were never there. but remember
passing you by... shilling an ocean roar you swore you'd plucked from a Seashell -
salvaged from the divine dry sockets of Poseidon's skull.
you were hawking your unawares. i played a flute made of question marks and glass drum skins.
i went where my stride was inclined, and never where i went to.
i never arrived by approaching the destination. only by always being somewhere else
till i got there. i came from where i'd never been and -
ain't been Nowhere since.

but i'm sure i pass
through There

ever since.

b'ęránko bà p'égbá nigbò, kiniun lolori wøn
b'ęiyę p'øgøfa l'ødan așa l'øga gbogbo wøn
b'øba p'ęgbęrun laiye, ønirisha ni baba wøn
b'obinrin ti pøto laiye, iwø motunrayo ni mø yan layo

ifę rę n'pa mi bi øti
oyi ifę rę n'kømi o mu mi lotutu
gbogbo ara mi ngbøn bi ęni w'ędo
b'oba føwø rę kanmi , arami aya gaga

ololufe mi apønbeepore
o'nfa øfun ni kij'ęran pe lęnu,
ohun mi k'in wa ę m'øya , irinajo niøję
nișęju ișęju løkan mi fa si ę

ololufęmi abęfę, ibadi aran awęlęwa
ęwa rę tan bi mønamana
otan kaari aiye, omu imøle wasayemi
ofimi løkan bale, aiya mi o ja ęru o si bamimø

ifę rę mumi rinri ajo ayø
omumi de ebute idunnu ati alafia
mowoke modupę løwø eledua
to semilanu nigba ti mo șe awari ifę rę

bi ewe ba pę Lara oșę, a ma d'øșę
ekurø lala b'aku ęwa
bi inu ba șè șì, aworan rę lowa ni bę.
iwø ni monifę julø .

mawo ariwo øja rara.
mașe da awøn ęlętan løhun
iru ifę wa yii lowu wøn
ifę at'oke l'atørun wa.