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Kyle T Oct 2020
Alex 2 breathes, stacks and unstacks papers, distantly
Alex 1, front cubicle, coughs, clicks his mouse
Eddie pulls out his drawer, pushes it back in, clicks his mouse
Alex 2, yes two Alex's, saunters up to the coffee machine
Alex 1, head down, clacking his keyboard
Mouse clicks, keyboard clicks, electricity
Monitors glow, fluorescents never flicker
Alex 1 opens a new file, two clicks of the mouse
Eddie sips his coffee, puts it down, clicks
New folder, new file, new data
Data entry, spreadsheets
Alex 1 asks did you get the email
Alex 2 has his coffee, his white shirt, under the fluorescents
Statics noise, static, mouse clicks, keyboard
Every new click, new file, new data, new folder
Data in, data out, file, click, the static electronics
Alex 2 clicks, files, new folder, new deal, new data
Eddie clears his throat, softly, the static noise, flickers,
Every new love story is a tragedy
Alex 2 opens a new folder, inputs data, spreadsheets
Numbers in, Eddie clicks his mouse twice rapidly
Stale effluvia coffee, static noise, electric light
Alex 1 sniffles, clears his throat, the clock ticks softly
Eddie opens a new file, the electric screen reflects his fixed eyes
Alex 2 sips his coffee, opens a file, clicks, keyboard clacks
Stasis, complete stasis, electricity, nodes, linear graphs
Numbers input, data, new file, file transfer
Every old tragedy is a ghost story
Alex 2 sips his coffee, breathes, clears his throat, data
Spreadsheets, monitors, electricity, static, data input, output
Every ghost story is infinite
Alex 1 gets up for a new coffee
Eddie inputs data, spreadsheet, file, new folder
Electric lights, stasis, data, file, click, file, input exp..
Autumn Whipple Feb 2015
click
click click
the letters
mix
and stir
and whick
my thoughts
onto the glowing white page
the qwerty keyboards
calling my name
write me
it screams
and begs
and pleads
it tells me the clicks
will wash away
the feelings of another lost day
the clicks whisper of hidden things
that time will pass
that mindless thing
as i sit clicking and whicking
and stirring up thought
and laughing
and crying
all inside
as
my family lives their
lives
that i forget to take interest in
as they all respond to their clicks
technology sometimes.
Robin Carretti Aug 2018
We are heating up
A-glow--- A-star--- A-blaze
Many other well-lit planets
She's luminous like no other
Simply crazed__Fairytales

*She's Peach-Fruitti-Tutti
Godiva loves nuts
All the melt in's
*
Mr. Bacio-Hazelnut*
Mr. Pistacchio he got his nose______

Inside their sweets____Pinnochio
She's the Light-up Icecream Cone  

Moods are like ice cubes
hot and cold websites
I prefer cold zone
Feeling like
Eskimo in Alaska


Miss Prima Donna
Oh! Donna is her name
Gelatos are not all the same
We are not here to have
special privileges

Robin lost some ruffles
Polar bears ice Igloo
College boys with their sports mug
Polo shirts Santa hoo duffle bags
We don't know what she knows
or what he likes the stars
of the Cosmo we are not
here to win someone's love
OH! Yes Lotto

We are not professors or wizards
Harry Potters, they have some
Pots not a fan of pans got
some ****
**** so cool menthol smoke indeed
Around the Gelato in eighty days
The Race of a drive

computer clicks one-day creation flag
Hens and chicks laid the golden egg

Mr. Egghead meeting Conehead

His tasters choice  
 She loves Mr. Maxwell Mansion
This is Italy the Art sculptures
Sweet Gelato lips say a
thousand words of pleasure
We travel with Exotic lovebirds
Saving the Ice blue diamond
Icecream wreck what a she
gains more than a pound
Mama Mia,
not the Chia job plant
 Over the rainbow
chill out pants
Having Gelato clean
as mint float

To the waffle cone top
of the mountain sugar coat
Niagara Falls here
"Gelato calls"

What spaghetti my name is
Carretti

Mr. Alfredo his physique and
passion for food
Feeling like the comics
Having fun marveling
Carvel walking through
the love tunnel
  
Hot ladies how do they ever
Decide iced up inside

Hothead Alfredo throws
the dough
She coughs he laughs
The pizza everyone's
the head is turning beet red
Something is burning exorcist,
Lady in red pizza list

Back in Brooklyn best
Pizza and Italy (Rome) Venice (Florence)
But Bensonhurst Saturday night fever
With Nightingale Mr. Chippendale
He's chatting away on his cell phone

With her Gelato looking at the
stars of the men spiritual experience
The Cosmos feeling meltdown presence
St Thomas sunny like yellow
gelato melting

Being a saint please don't faint
A food critic dessert
*** a hex playful flirt
T Rex mighty green lime
The love fallout of coconut
He's the hottest man
on earth Pluto
Being whole flavor or 1/2 pint
of Vanilla Sky scholar or
Intermission Icecream internship
The Canadian cup another trip

  Nike air what an ice cream pair
Going back to New York City
Rockettes icecream kick
He's on his time feeling the royalty
Lets bow to the dogs best friend
French barrette in her ice blue
Corvette, she is 'Ice Queen"
Super Ice me, Hero

Do what the Romans do
Lend me your warm soul of hands
Getting married Italian medieval rings
For my next Gelato adventure
escape be polite on Google
Mr. Alfredo loves all kinds of noodle
The shape of Cone's to come in her head

Not an Antman, please or fly by night
Icecream Cone Head Batman
*But I am a woman named Robin
Christopher Robin, Robin Hood
Why are boys and girls name alike
**** good humor lady
Good humor truck
Where is her order head chef
shrimp scampi
In the islands of Sorrento

What a time for ironing
What a waffle shirt eating
his waffle
Icecream with ladybugs and dirt
So many varieties mental thing
Everything icecream you scream
What a college Varsity every year  
"Hot lady Gelato's" head of the dean
list oh! No
[Mr. Alfredo} ice cream chair with
another Gelato pair
Chiao for now
Gelato went a little too far I love Gelato lets travel with Robin and get some unbelievable Gelato but we need to go to Italy I was there it's amazing
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Robin Carretti Jul 2018
What if
I told you
not to discourage
The world and you

You're the part of nature
The very part to be loved
and captured

The world can be cruel not
meeting your expectation
  I want to encourage you

What we are not
We all need to be cared for
No-one needs to control you
You put you or not?
But your heart and soul
inside you
Was worth every
Worldbeat of a shot

Like an energy force

What we hear
let nature
take its course

How it got to you
But of course
Unexpected surprise or not
Another divorce
Spiritual eye
compelled you

To be or not to be
(The Shakespearian) dialogue
But what is concealed so secretive
Our loved ones
The world revolves around
(Many Rules) a dust of the wind
The dead ones The wild or bad ones
 What would it be without
colors and no control
The kindest hearts of souls

It's not very logical or practical
To use it never to abuse it how
another person transforms it
Solving the problems
Such a delicate moment touching a rose

And snap a pose Lady Madonna

Like it-or, not the Vogue space alien green
Your money is not always what it seems
The whole world in your hand
Feeling alienated mind polluted
The things that we are? Being Lifted

Why does a business make you feel
Nothingness the number
Well let's consider
yourself part of the family
We are not on this planet
to be right or wrong

How every molecule
 something clicks
The good earth Apple
computer console
All the keys comma, star,
how far will it go
So many deceased or not ever pleased
@  # whats the odds percentage %
The exclamation point! !! & etc
The addiction movies the drama

Fresh blueberries the sour cream
Not watching your diet what a dilemma
Those landmark cemeteries so
vivid not a dream and life to
overcome
your fears and dreams

Every Data color is the
warmest earth worth every beauty of color

Those homemade brownies
The revolving Globe
Her Grecian robe contemplating
You're the physical sensible person
Trying a (Sun filled) vacation
How it groves to shape right in
Healthy or not we were
born  to be loved

Our eyes see but they're
not clear not the friendly
Environment somehow mean

Or bluer than the sky clean
But "Hi' nice welcoming
Robin bird fly__*
Maybe it's not your true birth

Like a cry overflow

What do you know he knows
or she knows
Enjoy yourself your mind will be higher
Overly confident to feel pompous
The Showstopper word it nutritious
Don't underestimate
Who we really are the believer

Don't pull yourself back
with negativity

Accept the craziness
You're not the wallflower
The world captures you
every day cry or make it
your time to pray
Your head was spinning
with fascination like it was your
time of blessing
That European trip the
airplane pop of ears what is glory
Let the people hear your side of the story

The restlessness above all  the love
With such a will of ambition list
Feeling the dizziness

I know the world would be
a better place with smiling face
Show your hair with the
fresh cut daisy
The brightness soothes you
The Daisy my favorite
because of Mom
She taught me well

I will always be her daisy
What makes us happy
That personal growth we don't
need a wish just push forward
We were meant to do
this together
intertwined as both
Toward our happiness
What revolves around our world to see the world free or wild what do we really feel like in this heavenly good earth. We should kiss the ground we walk on or not is it really using up your time you are the one so worth living or not to find peace even when it's not what we need to resolve to move forward and love who we are
Robin Carretti Jun 2018
Computer Dog-gone it Bow Wow
Queen of Sheba and Shiba Inu
  The doggy treat paws ring
my bell ring my bell
Looking at my eyes of Apple
will always tell how many
times you're going to App me
Please I don't have time for
games outcrop me or
do not cop out
Paws of  digging some
INC. of Instagram

Uncle Sam took my stocks
and bonds Eyes to my map
diagram
Eyes of the Apple rotten mail
Webby Ms. Debby deleted it

One Nighty gown
Nighting Gale
He's always doing on eye story
(Spy Eye) July 4th  cheese and
******* male
Old news her Eyes Ms. Firecracker
New computer demands
A silence of the Lamb Hector -
Eyes at her doorway
Save my butterfly
The hacker has too many free time

Newsstands on the corner
Eyes of more crime
That computer trucker
Clicks away his I apple
CD covers
The computer I crown thee

Eyes to the doorway
CLICKS City Chicks
Don't want me anyway

All Commands
We know the game
money hands what
a commuter

The web of the eye’s
All we see are walnuts
and apple pies
The computer always on the rise
No computer wiz will get fired?
Like Jeopardy computer high
investment commodity
Steve Jobs the winner
Apples and techno cars
and comedians

Apple web got married gown
Kleinfeld's wed whites computer
to curve their enthusiasm
Jerry Seinfeld made a switch
Steven Universe webby podcast  
eyes crystal witchcraft

Macintosh gold rush floppy disk
Took  a big money crash risk

“New” invention thinking
All pluses
Einstein Web Star
Mass VIP pass
Too many copycats
Brownstone coffee
I pad happy Ireland lads
Ballerina no sleeping beauty
Pancake needed to get work done
Up in the Robin hood Penthouse
Apple Museum
International of excellence
She is so Apple Lisa
the picture with sad smiles of
Mona Lisa

Apple webby

2. SUNDAY bye STAR the news Steve Jobs
Gave a web forecast Hazy hackers
Eyes stormy computer crashes
Computer laptop Cafes surfing
and best beer hubs reading what
on the news with Steve Jobs
Apple I for an Eye
and his last patent Mac OSX Dock
was well granted the day of his death

The big Apple how he started it.
The city never Sleep’s.
I had you fooled?
On April Fools day 1976 Steve
Wozniak and Steve Jobs made history

So robotic computerized
Pixar Animation
studio environment
where excellence to
(Robotic Perfection)
Innovation on an
impossible mission

Hi, Sirprize to your husband bills
Apple web of desires chills
Going through a computer maze
graphically cool sin paired to win

Her brain shines eyes still clicking
Godly animation

Now you were rich
enough to take a vacation
Eyes went up to the heights
No more fighting interface and
Xerox his baby loaded up
like a Paradox my
cream cheese lox
Apple Jubilee coffee
she could soften anybody
Until you love the
Software apple
the product of computer sky?
Robin’s Risque eyes
deeply web- bye
Tower upload.

The best Apple eye reload
ferocious love suitcase of
computer products flight
Megababes Queen we
are the Champion
and hardware prowl like a
Smart crime no yellow tape
That sophisticated owl moon
computer ***** cried Wolfie
She was howling Apple selfie
eyes red fire has driven

Supermoon so blessed
caress nuanced
Word’s spat cheetah cat
Web milk me the succession
Apple Web goodbye never
Buying Xerox stocks forever
Macintosh Floppy Disk
New world tasks
“Love” 1/2 Grain “Orient Express”
she spoke like the speeding link.

He got hooked what a
((Chrome Apple))
Uncivilized phone silverized
or Clone senior citizen or exotic
black cheetah list
Hew-let Packard flavor
couldn’t resist what an enterprise.

It’s all in the Apple eyes

I Apple of her eyephone we
need earplugs (Adam and Eve)
have some nifty spark plugs
Hub purr personalities
eye’s “Software”
Cat’s Eye has nine lives
of responsibilities
Love of art computer theater

He’s Stocks her sweet candy
but he had the
  Einstein's eyes such mass and gravity
a good set of lungs webcomic

Her silk detailed blouse
got caught in his apple martini
Extra news story read all about it!
Carriage rider what a glider
took her baby-computer
traveler soft hand
met her Gulliver travel

He computerized her love clicks
Gave her new baby chicks
more living to do on Google
I rather have my Moms Kugel
Eyes better not be on a rotten apple this is the working world start clicking and these are the hot shots the Apple web, not a piece of cookies Lil Debs
Josiah W Menzies Mar 2013
Flesh on flesh. Eyes watch eyes
Following fingers round curvatures. Caressing skin.
Skin on skin. Flesh in flesh.
A gin-sung-dream –
Silent utterances from the dark-side of a candlestick.

An unsung overture to Nature’s greatest gift
And Nature’s perfect curse.

Lips pursed open, speechless. Breathless.
Wide-white eyes scream STOP. blink. GO ON.
Glances flash between the flickers of candlelight ,
Meeting unknown looks in the black. Bodies
Embrace, writing words that have their own
Music. Heard only by its two composers.

Everywhere the other wishes to be –
Vivacity. Revelling in promiscuity.
Obscurity. Strangers share a warmth
As old as the ages.
A wafer-thin knife-edge of meaning.
Gin-song dreaming. An opaque tonic
For loneliness.
Hands in hands, heart fleeting.
The perfect curse of Man
In the stroking of skin.

Later, a vague sound of water, a towel
A drawer closing – a door latch clicks.

The world floods back.
Through the curtains,
Through the drainpipes
Your fleeting heart sheepishly returns,
Aching like a hangover.
Too much gin.
The momentary tonic wears off.

Heart in hand,
Hand to head.
Candlelit premonitions return.
Heated flesh. Arching backs.
Fingers through hair…

Salty fingers through oily hair and
Blood-red-wine lipstick smudges and
A singeing waxy smell makes you reel
To the window for air.
And there you are again,
In the middle of a city that knows you
More than your Alcoholic Lover,
A Melancholic Mother to all your needs,
Except the one you tried to soothe
A few hours back.
The one you pine for.
The one you lack.

Oh, this Humdrum City
Rushing you, with your heart in your hand, off your feet.
And your heart in the street
And the gin in your glass
Whenever you meet
Whoever it is that might
Make you complete…

A vague sound of water, a towel,
A candle extinguished, a door hinge creeks.

Wafer-thin. Flesh on flesh.

A belt buckle rings, a zip
A drawer closing, a door latch clicks.

The door latch clicks.
The door latch clicks.
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
MicMag Aug 2018
What's it take
These days

To write a poem

That makes the world go mad
That brings the crowds to their feet
That spreads like wildfire
Through a dry winter forest

Is it those excessively long words?
The ostentatiously loquacious
Platitudinous ramblings
Of an insecure mind aspiring
To authentic intellect?

Is it perhaps...
     the "creativity"
               of      varied      spacing
  or...    could it be..... the lack
                              of capitalization
               the loathsome little letters
               screaming out
                         hey, look at us!
         ... or maybe it's
               the punctuation marks,
     littered, haphazardly
          through the text
                    (whether used correctly)
               or, theyre not?!
     despite worrds mispeled
          and a grammar might is broken
   can these gimmicks increase interest
        though miswritten or misspoken?

Is the trick alliteration
Whose bite brightly bids us
To center on the snappy sounds?
Although all along
     unvoiced underneath
Ideas idle in the isles
   (or perhaps the aisles)
Of the mind
To meld and craft and bind
Our thorough thoughts
And worthy words
Into lines
Which
Heard by herds
Raise the
                  Praise for which we
                  Privately, desperately
                  Pray

Maybe it's a magical mix
Of splendid in-your-head rhythm
Marvelous meter that perfectly clicks
Flowing smoothly without schism

Well-spaced stanzas
Well-used time
Well-crafted phrases
Well-thought-out rhymes

Well, maybe not...
     those gems are often ignored
     cast-aside, unread, even abhorred

Why?

Because the modern world
doesn't need your rules
your restrictions
your regulations
your misguided boundaries
your oppression
your antiquated ideas
   of "the right way"
   to write
   to speak
   to act
   to live
   to (fill in the blank)

No, what the modern world needs
is
Negation!
Contradiction!
Resistance!
Revolt!

And poetry whose words
Say the same thing
Repeat the same meaning
Echo the same lyrics
Rephrase the same thoughts
But in an ever-so-slightly
Different
Varied
Altered
Adjusted
Changed up way

Line
After line
Of synonyms
          over
               and
                    over
                         and
                              over
                                   again

-----

What's it take
These days

To not give in
To narcissism's spiral?

But more importantly:
What's it take

To make my poem go viral?
Only halfway cynically written, I swear!
C S Dec 2013
I know you.

Sitting behind a screen in your room,
Sipping in the shadows of a coffee shop.
iPhone, iPad, iAm "Anonymous".

The most dangerous word you can be labeled,
The most double-edged of weapons-
Anonymous.

You're never really as untraceable
As the cleared browser history says you are,
Never as untraceable as the chain of destruction you cause is traceable.

You're never really as invisible
As the checked box lets you think you are,
Never as invisible as the scars you direct a hand to make are visible.

One word can't be all that.
Anonymous can't be so dangerous.
Some clicks on a keyboard can't be so devastating.

There's a reason it used to be difficult to avoid responsibility.
Because responsibility for your words, for what you cause,
Is what allows you to see a few steps ahead.

Your signature is what allows you to learn from mistakes,
To vow after you've learned the hard way to think before you act.
To see that those words have two names attached to them now.

The writer, and the subject.
Two traceable, visible people.
Two hearts beating and breathing, now connected.

Anonymous constructs a wall between action and reaction.
It robs you of responsibility.
Yes, responsibility is a prized possession, there to teach and show.

Anonymous allows you to settle.
It robs you of the greater person you could become.
Yes, your future holds more than this, there beyond the wall of cyber bulling.

I hate that I was once Anonymous like you.
I hate that I unknowingly controlled the strings
Of a self-destructive marionette hand miles away.

But I don't hate you. Because I know you.
I know you are more than the mistakes you've made behind that screen.
I know you are more than Anonymous.

So prove it.
topacio Nov 2015
my fingers have become bored with
the quicksand of routine
they prefer to dance erotically over my typewriter
frolicking like naked ballerinas
over an ancient stage
spilling their secret thoughts
onto blank page,
after their day job
threaded together
over my lap,
or bending over to
reveal the contents
of my burlap sack

they have taken instead
to jumping over cracks
in the nothing of night
stifling the sound of silence
with assortments of clicks and clacks
punching in the perfect pitch of keys
to leave Beethoven blind
from this symphony of notes combined

and just like that at last
they have unfolded some rhyme
unachievable with ink and pencil,
without the stencil of time
dictating to work inside the lines
Dead Rose One Jun 2015
Lush is the quietude
of the late Saturday afternoon,
rich are the silencing sounds,
as variegated as the shades of greens
of a man-seeded, nature-patchworked lawn

rays reveal some bright,
some yellowed spots,
all a potent color palette

resting worry wearied eyes,
untroubled by the gentle fading light's illumination,
that soon will disappear and seal officially,
another week gone by

the lawn,
acting as an ceiling acoustic tile,
absorbing and reflecting
the varied din of disharmonious
natural sounds orchestrated,
an ever present reminder
     that true quiet
is not the absence of noise

I hear
the chill in the air,
insects debating vociferously
their Saturday evening plans,
the waves broom-swishing beach debris,
pretending to be young parents
putting away the children's toys for the eve

the birds speak in Babel multitudes of tongues,
chirps, whistles, clicks and clacks,
then going strangely silent as if all were
praying collectively the afternoon sabbath service,
with an intensity of the silent devotion

this moment, i cannot
well enough communicate,
this trump of light absolutes,
and animal maybes,
that are visually and aurally
presented  in a living surround sound screen,
Dolby, of course,
all a plot of
ease and gentility,
in toto,
sweet serenity

here to cease,
no more tinkering,
leave well enough,
plenty well enough
for Sally and Rebecca, who love the lushness best....

JUNE 2015
Kyle Kulseth Aug 2013
Push a day off to one side
drink in the citrus street light
           lock arms with the night

Forty minutes, fifteen thoughts,
a hundred steps to next time
          check off the prayers you've tried--

--on frozen fingers. Through
your wind-chapped lips let one more dangle
              off your westbound life.
You've been here too long;
             You got nothing to lose left,
              quiet, spit it out
                             into the sky
                             Turn right.

Lay my 20's down to sleep
slept my way through a decade
             now open pint glass eyes.

Pushing thirty, since I'm ten
I've been grasping at something--
           something undefined

     On frozen feet been walk-
-ing south-by-southwest, hands in pockets
                clawing empty space.
Haven't got one dime
               to toss into the water
               but Northwest winds
                                  frame my North-        
                                   east face.
Rob Kingston May 2015
The spring tide arrives
Dolphins dance on the water  
visions of lovers
dipping into sun lit sky
speaking in whistles and clicks
SøułSurvivør Nov 2014
music lives
music breathes
music loves
music grieves

music courts
music shouts
music wins
music pouts

music grows
music clings
music clicks
music rings

music sings
music sighs
music weeps
music dies
Try this style if you want
A challenge. Use a word
Like poetry or art or whatever.
It's not as easy as it looks!
My eyes see nothing but crosshairs
My right hand does nothing but clicks
In this cyberspace with no cares
Finally, happiness sticks

My ears hear nothing but bullets
My left hand does nothing but W,A,S,D
An experience that's as good as it gets
For at least a few hours, I'm free

My feelings are nothing but joy
My thoughts are nothing but video games
A place I can dominate a boy
Without having to say any names
Written 18 days ago.
Kay-Ann May 2014
dear technology, you are starting to ruin our lives
we're just a little too invested in these laptops and hard drives
something has been lost and we need to get it back
we have lost the ability to truly feel and interact
social media has held us captive and kept us down
immersed in a cyber sea, we are starting to drown
but when I'm far away and i need my loved ones near
just a few clicks will show them I care
but its hard to wrap emails in ribbons and bows
what we would do without Facebook and twitter, no one knows
Dear technology sincerity has become a thing of the past
people start looking for love on computer screens so nothing lasts
nothing is private, all data is open to the universe
chords attach us to the world and that's how we converse
to these gadgets we've fallen prey
we need a social media free vacation to get away
on this journey of life I cant derail from its tracks
so hey technology, I'm gonna unplug and relax
Cyril Blythe Aug 2012
I assured myself again that I was completely alone. Gingerly, I sat on the corner of her popcorn-and-perfume-scented bed and allow my tingling fingers to reach out and open that sacred journal again to page one. I never really understood it but maybe if I read it one more time. “Things I Wish I Never Knew:

1. People are selfish almost always.

2. Shaking hands does matter. ******.

3. Wine hangovers are miserable.

4. Puppies **** behind things ‘cause they feel guilty; you wont find it until it smells.

5. Friends really do come and go.

6. Neti Pots absolutely **** and bring you nosebleeds NOT relief.

7. Attraction and love are different. REMEMBER THIS ABOVE ALL.

8. Joy is clicking add to dictionary in Microsoft word.

9. If you can make it through Taco Bell kisses, morning breath will be a breeze.

10. Be jovial, it’s a choice and a side effect of living in daily adventure.

11. Make sure that your family knows…” I pause because I think I hear footsteps padding up the fourteen red-carpeted steps to her bedroom. I know I can’t move, the old wood floor in this crumbling house will definitely creak and give me away, so I just sit on the edge of the bed at full attention.

        “…No, ma’am, everything’s basically back to normal again, we’re getting the locks changed on Saturday. I’ll tell her you send your love.” The footsteps and voice were at the top of the stairs and I saw a shadow fall across the dusty floor in front of the white wooden door. I know it’s my neighbor Annie because she lives here. We grew up together. “Yes, ma’am, I love you too. I’ll try to make her call you soon. Bye.” Her phone beeped to signal the end of the conversation followed by a loud sigh. I peered from the bed into the hall and saw her sitting on the floor. Annie is a pretty girl. All the girls who live here are. We used to go to school together until my grades got too bad and I started my special school. We used to play in her front yard with her sister, Kelly. One time I kissed Kelly, but we were only seven. She is my only kiss. They both leave for most of the year now to go to college but come home for Christmas break. I will never go to college, but that’s ok.

        I felt my pants vibrating and the theme song to the TV show Who Wants to be a Millionaire was somehow blaring from somewhere around my crotch. Before I could silence it, the shadow at the door became a tangible whirlwind of brown hair, sharp screams, and clawing grabbing fingers as she tried to wrench the ratty Moleskin journal from my fingers.

        “******, Cyril, I thought I heard someone in here. You give it back and get out of this house. You can’t, like, break into other people houses like this. This is just not what normal people do. Can’t your father control you?” At this point we’re both standing in the middle of the bedroom. I’m confused so I just dangle the journal in the air above her grasp. “It’s not yours and you know that. I know you at least understand that, right? Right, Cyril? What the hell would you do if Kelly had been showering or changing. Oh my god, ew, do NOT answer that.”

        “Ow,” I yelp as she scratches at my forearm to retrieve the precious journal. “Your claws are sharp, Annie, I have more scratches from you than I do Jimmy-cat and Jimmy-cat is mean, mean but fluffy… and he purrs but you don’t purr. Is that because you don’t like me?” I lower my arm and Annie snatches the Moleskine out of my fumbling fingers, avoiding eye contact at all costs. I hate it when people do that. I notice it, but they don’t think I do.

            “Cyril, get out.” Her right hand is now securely around the Moleskine and the other is shaking, pointed towards the doorway. “Now.”

            This is always the worst part. I walk out of Kelly’s forbidden bedroom: head hung as I creak down the fourteen red, carpeted stairs and make my way to the front door. It’s always quiet and I don’t like the quiet so whenever it’s quiet I count. I am good at counting. …Twelve, thirteen, fourteen…silence.

        I turn to her, “Annie, I’m sorry…”

            “Out.” She opens the front door and points me to my apartment, directly across the street. Its autumn now and the leaves and cold rustle down the street and I crouch deeper into my black coat as I step outside.

            “So maybe I’ll come over tomorrow?” I turn as I start down the steps, hopeful to have conjured up a smile from Annie, but all I see is the flash of brunette hair disappearing behind another thick, white wooden door.

            “Get off our property before I call the cops, you creep!”

            That’s what I’ve always been to these pretty girls: a creep. I don’t really understand what the word means, but I’m pretty sure from the way they say it that it’s not nice. Pops always tells me that I’m different because it’s better to be different. I don’t understand why Annie and Kelly don’t think it’s better that I’m different too.

            I decide to walk to Captain D’s and tell Earl hi because it’s Friday and that’s what I do on Fridays. Earl owns Captain D’s and has forever. Earl is my friend. Earl and Jimmy-cat at Captain D’s that I feed my left over fish are my friends. At least I think they are. I named the cat Jimmy-cat because Pops says mom used to listen to a man named Jimmy Buffett before she left us. I don’t remember those days.

            I turn the corner knowing Captain D’s is just 560 steps ahead and that to get back home I go 910 steps back and I’ll be at my front door. Counting is one thing I am good at; even the tests they used to make me take at the doctor’s office said so. I am good at numbers. Seven is my favorite number.

            I walk into Captain D’s and, like normal, its just Earl inside. He makes me two Fish-Filet sandwiches and we go stand outside. We usually don’t talk much, but I like that . I sit on the crunchy curb, put on my hood because the wind and leaves have made my ears sting. I unwrap the greasy paper on my first sandwich and Earl pulls out his red Marbolo’s and sits beside me lighting up his first cigarette.

            “Why do you smoke, Earl?” I ask him every Friday and he always responds the same way.

            “Eh. Why do the fish swim Cyril? Why do the Eagles and Crows fly? You know we don’t know why Women like shoes so much.”

I never really understand what he means but it makes me giggle and before we know it we’re both laughing. I’m pretty sure this is what friendship is. I lick the wrapper to get all the tarter sauce off and start on my second sandwich. Earl starts his second cigarette.

            “Where’s that alley cat you got trained up, boy? Go get ‘em and I’ll cook him his own fish patty.”

            He means Jimmy-cat. I wipe my fingers on my jeans, tear off a piece of the damp fish from my sandwich, and walk towards white picket fence that Earl built around the dumpster where Jimmy-cat lives. Jimmy-cat has a good life; he can eat anything in the green dumpster he wants and he is safe behind the big white fence. I don’t like the smell but maybe cats like eating and smelling the furry tarter sauce that clings on the sides of the dumpster. As I pull the lever to open Jimmy Cat’s home, I think it smells even worse than normal. After jiggling the latch a while, it clicks, and I swing the door open to Jimmy-cat’s house. It definitely smells worse. I step up one step and crunch on leaves and squish cold fries as I circle the dumpster. “Jimmy-Jimmy-Jimmy-cat, where-oh-where-oh-where ya at?” I stop as I enter the back right corner, I see Jimmy-cat but I don’t understand what is happening. I don’t understand what is wrong. He is covered in ketchup, maybe? But if that’s true what are the little white thingssss crawling around his stomach and why are they covered in ketchup and mayonnaise too? He is mewling and I’m scared. I smell fish. Fish and furry tarter sauce, one, two, three, four, my feet are crunching on the cold fries and leaves again, I know I’m at the door without even turning around.

            “Boy, what you doin’ in there?”

            “Earl?” …One…two… “Earl, can you help me? Earl, I, I don’t understand. I don’t like it.” …Three…four…five… “Jimmy-cat needs a bath, Earl, and something is eating his stomach.” …Six…seven…silence. Earl’s hand fells like a dead fish on my shoulder as he walks me back up to Jimmy-cats home.

            “Stay here, Cyril. Just gimme’a sec to see what’s happening.” Earl disappears into the leaves and fries and fur.

            eight…nine…ten

eleven…twelve…

            thi­rteen…

fourteen…

            silence.





            “Boy? Come back here now. C’mon.” Earl’s voice echoed around the green corners and I followed. One…two…three…four…five…six…seven I stand above Earl and I know the ketchup and mayonnaise and Jimmy-cat eating monsters are just on the other side of his crouched over body.

            “Well don’t be shy, come look.” Earl stands and I see his work apron covered in the ketchup and mayonnaise but beyond that in a bed of Fish-filet wrappers is Jimmy-cat and all the stomach eating monsters mewling at his stomach, as I get close I think they look kinda like little Jimmy-cats. I push my hood off my head as I lean over closer and that’s when it hit me, “Kittens! Jimmy-cat had kittens, Earl!”

            “I think Jimmy-cat may be more of a Jasmine-cat or Jennifer-cat.”

            I laid down the piece of fish I brought and Jimmy-Cat looks up into my eyes and I swear he was happy to see me.  I looked up at Earl and he was happy to see me too. I sat down in the mess of wrappers and fries and mold and laughed and laughed and laughed.
Denxai Mcmillon Mar 2015
When a poet loves an artist
something
Oh, something
Clicks
In a way where
her art
becomes
his word.
his words spent
trying
Oh, trying
To capture the beauty that is her work
Like the tide to the shore
He'll throw himself into attempts
Only to find
he can only bring with him
The surface.
Cecil Miller Nov 2015
See the emblem waving
Proudly, touted in the sky.
We walk among our brethren.
We recourse, resource the reason why.

All, in trepidation...
We cry out for separation.
Could it be our own downfall,
Equality, but not for all -

But, not for all?

Citizens of the nation,
Before humanitarians,
First comes clicks of locking doors.
Equality does not endure.

A man of any land should be my brother.
The whole earth, to us, our mother.
Could it be our own downfall,
Equality, but not for all -

But, not for all?

See the burden being carried
High upon laden backs,
Tautly stretched, with shoulders bending.
Each fear the other will attack.

The words have been the same,
But for intent that's not their own.
For too long, have we been believed.
Equality is just for some -

Is just for some.

Freedom is only for the free.
The lines that keep the captives buckling,
The doors that keep them let them go.
They have no where to escape.

Always there is tyranny
For the landless refugee.
He is no man as worthy as you.
Equality is just for some -

Is just for some.

All the lessons that teach us to love
The home of brave and free
Are based on notions that could not be true,
If all are not the same as you.

And, are they not the same as we,
Who are decorating for our holidays.
Living in our plentitude,
Singing songs of charity and caring -

Charity and Caring?

Gifts are given and received.
Do we remember the lessons taught
About the kind of men we are,
When another is in need?

Do they not rate the same concern
As the presents and the tree,
As we pray in  Holy Spirit,
Singing songs of charity and caring -

Charity and caring?

See the emblem waving
Proudly, touted in the sky.
We walk among our brethren.
We recourse, resource the reason why.

All, in trepidation...
We cry out for separation.
Could it be our own downfall,
Equality, but not for all -

But, not for all?
This may not make a lot of people happy, but what I have been seeing a lot of on social media is beyond me. We have been better humans that we have been, before.
I don't think I've ever wished a poem I write make the top of the heap as much as this one. I think it is the most important piece I've ever written.
Auntie Hosebag Feb 2011
Bernie frames the TV
between his feet--
left hand remote,
beer bottle balanced
by his right—
clicks through half-time shows,
clicks like shooting a gun, a Fazer,
a death-ray secret weapon,
clicks just to do it, an idiot’s
smile faint on his face.

he sees only noise

Emma tends her stamps,
perched on the plain board chair
she upholstered herself—
its arms worn, warm,
warmly welcoming—
her back to her husband,
her life as wife and mother
coming to a languid close.

she tastes some regret--
yet spicy with passion--
where life has had its way with her.

The rug’s bright stew of colors
can’t hide everything
children spilled
when they were young--
juices, milk, soup, sauce, tears;
little dreams,
tiny heartbreaks,
minor crises
ground into the weave;
all the gooey pastries, cookie crumbs,
blood and sweat and nightmares congealed
into solemn patina--
I see protects it from time.

These solid objects—
stout, no-nonsense chair
wearing gouges, marks,
discolorations of use
and years like badges;
fat, chunky, cigarette-burned
BarcaLounger, drunk
from drink spilled
on every surface,
handle supple
as a young girl’s wrist,
swirling a territorial aura
around its microscopic
sphere of the universe;
and the rug…
unassuming, proletarian,
handmade and honest,
each scrap of fabric
chosen by the weaver’s hand,
now useful again,
reveling in redemption—
these solid objects
invade,
infuse,
invigorate
otherwise empty space,
squeeze meaning from the world
around them,
same as the hand of the artist
sculpts love from her heart
to give them life.

The children have moved away
Old friends are dying every day
Stamps no longer can be licked
There is no way to interdict

The Jets are losing again
This is an example of ekphrasis (look it up on Wikipedia).  The artwork this is drawn from was done by a UAS student--don't know who--and consisted of exactly that: two chairs and a rug, no title, about 1/3 size.
Ranita Mar 2013
9:00pm: We hugged and chatted. Your sister joking with us, your brothers being silly. I love your siblings.

9:30pm: We went hunting for gear. Your dad helped us find sleeping mats and told us where to find some tarps.

10:00pm: We climbed onto the fort and made our beds. I swept the bugs and pine needles away. I remember thinking, I hate pine needles. Why Florida trees, why?

10:30pm: We made tea and got ready for bed. I love chamomile tea. Lots of sugar. Washing off my makeup was easy with your sister's fancy face wipes.

10:45pm: We climbed into our sleeping bags. I was warm. I love the plaid pattern of the sleeping bag I always use.

11:00pm: We ate snacks, drank tea, and talked. Poptarts are so good late at night. Better than in the morning. And the hot tea felt so good against the chilling breezes.

11:30pm: I turned off the flashlights. I liked it better that way. I like hearing only voices, not seeing the person. My hearing what they say feels amplified that way.

11:30pm: I laid on my back and realized how pretty the trees are. The sky was orange, oddly lit up more than normal for that time of night. Few clouds drifted in the sky.

12:00am: I poured the story out to you.

12:05am: I began watching the moon cross the sky. It was very orange and it moved faster than I imagined it would.

12:30am: I got a text.

1:00am: I proposed an adventure. I wanted to do something. I wanted not to have to think for a while. I like late night happenings. And I like not being alone.

1:15am: We got off our lazy butts and went to the garage. I started riding the ripstick. I picked it up right away and didn't fall which was new for me.

1:30am: You taught me how to longboard. It was fun, though I kept forgetting which way I would put my feet.

1:45am: We started riding bikes. I love your mom's bike. It's so smooth and easy to ride..but it clicks sometimes in weird ways. I liked the clicking too.

1:50am: ***** it, I didn't want to reply.

2:00am: We rode through the neighborhood. I love the houses in Naples..

2:05am: I fell in love with the night sky. It was beginning to look more like the normal dark blue rather than orange. The stars started to peek through better.

2:10am: The cold air made my blood rush. I was wearing such warm clothes, but the wind went straight through. I loved going fast, racing you. Speed is beautiful on a bike.

2:15am: I never wanted the night to end. I wanted to ride late at night forever.

2:35am: The silence was so beautiful. We would be quiet for short bits. I liked the pictures my mind created during that time.

2:40am: I wished I had his time stopping watch. I always wish I did.

2:45am: We started the ride home. My breathing got pretty rough. Cold air always hurts my lungs. But it was so worth it.

3:00am: We put the bikes away and crawled back into bed. I loved the fort so much..

3:10am: You fell asleep.

3:15am: The moon was higher in the sky. It was clear and white and full.  I could see it perfectly. Peeking through the trees. I fell asleep slowly. Loved it all.
Sleepover at a friend's house. That night was lovely. The next day was beautiful as well.
Florida weather has its perks.
Tawanda Mulalu Mar 2015
The last thing the Poet feels of her is the distinctive taste of biltong. It lingers. She had bought two packets at the café.  Their last kiss is made just before the airplane announces itself with a great roar of being. He watches it swallow her and turn her into a memory. And then the plane flies away. He can’t find a silver lining in the plane’s path, so he instead focuses on the gentle return of normality to his skin. Every centimetre that was previously pressed to his Muse is smoothing its goose bumps. The Poet’s heart goes back from verse to prose, just as how it was before she became the subject of his pen.

He turns to say an awkward “dumela” to the Muse’s grandmother. She responds with the tone of a grandmother greeting a boy who has just been making out with her granddaughter in front her: “dumela.” It probably doesn’t help that his hair isn’t combed. It probably doesn’t help that they have not met before. The Poet then asks the Muse’s brother for a ride to school. Now that the Muse is gone, it is time for him to begin studying for the colourless exams that were the subject of his existence before her. The Muse’s brother nods in agreement, and he walks out of the stale atmosphere of the airport with her family. The summer sunshine somehow manages to feel uninspired.

The journey from the airport stretches out like a goodbye that ought not to happen. It is slow, painful, and filled with empty promises of hope from her family. Her brother says she will visit during the Christmas season. The Poet knows she won’t- she can’t- but he has enough novels to keep him company.  They are riding in the same little red Volkswagen that often picked her up from school. If time is simultaneous, she is sitting next to him.

The car is full; time has only one direction, and its wheels stops in front of the school gates.

He says his farewells, closes the car door, and limps to the library to start working on maths equations with his classmates. He barely opens the library doors, barely greets his classmates, and with barely practiced nonchalance, barely explains that his Muse went off to another country. He picks up his scientific calculator and clicks open his pen to attack a math problem. Hours pass in numbers that stubbornly refuse to make sense in place of her. The Poet solves a problem, and then he doesn’t. He asks for help, and then he doesn’t. He laughs with his classmates, and then he doesn't: they have to go home now for lunch.

The Poet cannot go home. He has to wait for his mother to pick him up. He decides to walk out the school gates to eat at the Chinese restaurant. It is placed conveniently outside the school. He orders some dumplings and some noodles, and then tells the waitress that he is going to buy a newspaper at the filling station while he waits for his meal.

At the filling station counter are packets of biltong hooked onto a stand.
Yum.
Ben McDermott Jan 2016
Clicks and scratches,
that's the sound of my voice.

The clicks that go late into night,
create worlds to explore,
and help store my thoughts.

The scratches create works of art,
from the carefully crafted message,
to the large murals of my life.

My voice is no longer needed,
for I have found a new one,
but then I realized that,
I never used the first one anyway.
JJ Hutton Feb 2013
swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my *****," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-***** fury
threw a ******* party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the ***.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.
There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long
L B Mar 2017
This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped
There are photos that go with this. I'll try to post them together on Facebook.
douglas chesa Feb 2012
I have been drinking wine
To douse the burning tip of my mind
Worries chewing at my nerves
Like the filter end of a rich Havana cigar
Woes of this world turn my whiskers
Into drab willows of misery
My nights into endless nightmares
And my thoughts rattling and jarring
Like the business end of a mechanical hammer.

Dreams clad in limp loincloth
Revisit me from the dark
Urns of history
The salad days of our beings
And their neauseating euphoria
When in drunken trance we siezed
Conscience by her arms
And threw her on her back
Splayed her legs
And smacked our lips
As blood spurt out...
I wipe my mind with the back of my hand
Trying
To brush away the dregs of the sordid rituals
We once enshrined.

A plump shiny green bottle
Buzzes around my mind irritating
Reminding me of Death
Hanging mockingly
Like a pendulum over my mind seducing
''O Sweet Carrion
You are food for the elders!''
And my sins in their hordes shimmer
A deathly pale round the nooze
Suspended from blushing heaven's bottom
My mind's eyes shed crystal tears
Giving away bucketfuls of Chiyadzwa diamonds to regain
Long gone and lost innocence.

I shared a bottle of wine
With my new-found friend, Today
Clinking glasses and minds
Then a greenbottle in full flight
Was caught between the grinding bellies
Of our glasses and minds
Bloodied fleshrot bespattered our intelligence
And our minds rushed to the wash basins retching
A brush with the fetid breath of the past
Left the gums of my mind barren and obscene
And together with newfound friend, Today
We covered our private parts with our hands
Ashamed
At the ****** of our thoughts.

She knocked at the door of my mind
Eyes shadowed in wet grey paint
Lips smudged in scarlet smiled at me
A Good Morning
My palm hiding the discoloured teeth
Of my inner-self
I muffled a Good Mourning to her, but
I felt a warmth spreading
At the base of my belly
Her milky-white mouthful was inviting
A milkyway blaze trailing into deep future
''I will flirt with her'' my mind whispered
But then the rasping sandpaper touch of her lips
Bruised and bloodied my thoughts
And I saw red at the future.

I must have swooned
From the First Lady's fistkisses of philanthropy
Doling out sweet nothings and promises
At a ceremony sheathed in royal pomp and dignity
Where the guests dressed like Harlequins
Mesmerised us with the crablike dance
And flummoxed O poor we
With democratic mumbo-jumbo and lingo
And the Povo touched with feeling
Donated oceanfuls of diamond tears
And their sincere prayers a mutter flutter
Into the heavens for beloved leaders.

I broke Biltong , my past, into the ***
To give life to ailing friend, Today
With my fingernail I peeled off
The tomatoe's tough ruddy jacket
To make sauce
And I heard a rumble of objection
From the August House
And the Mujibhas and Chimbwidos' angry yawn
Gave a chilli spice to the dish
And the food touching Today 's lips
He sneezed and broke wind
Startling ghosts of old nostalgic memories
That had took seats at the kitchen table
To wing away to the scrapyard
Their home beyond the rusting horizon.

Perched on the anthill of anticipation
I roll my thoughts
Into a big joint of mbanje
I **** and grey fading puffs
Of wishes spiral into the bored sky
Each a crippled dream
That was bulldozed at Churu Farm
An ambitious dream that was displaced
By the Operation Murambatsvina
A dream that lost an eye and limb in the food riots
A dream that lost its ***** at university
A dream that fell from the 11th floor at the Towers
Into the Taxman's hat
A dream that drowned in the opaque beer tank
At the Uhuru celebrations
A dream that lost its breath
On top of another man's wife in Mbare
A dream dumped and disowned
Only to find home at the bottom of the Blair toilet...
To find home in the sympathetic clicks
Of poets who have lost their voices.

The stub is burning my fingers
Minds run out of fuel and fire
The angry verbal lash
Of the emotionally wounded
Is a stub licking back at the wielder
To be snuffed out and discarded
On the ash tray of hopelessness
The grave yard that houses all
Once active minds.

-dougwa-
Tim English Dec 2013
Long lost time stretches blacked out questions and
white
in the place where it should have been
A triple threat of time, continuation, and displaced memories
Backtrack
Slapped back into the
black again

I know it's a sin but I ******* love it

Push it, shove it down, choke on the smoke and the fumes of the ancient
Wisdom is the loss of purity
Awakened
Ravaged
Blended back into the swirling twirling Universes, such perverse pleasure in the pain of it all

I love to fall

The wind in your face, blend it with a trace of sweat and blood as it all
clicks
into
place.

I love the taste

Blasphemous and decadent, giving in and giving out to **** it all back in again
RISE and FALL
I grin a bladed smile all the while, never minding the cries
Such pleasure as it dies
All taint of purity reviled

Desecrate the sacred, mutilate this inviolate aspect of creation
Only a seed of destruction contained within the potential
I see and I lust and I take and I ****
Not a drop of precious life spilled
Without cause

The laws remain, rise and fall, rise and fall,
I saw it all and then I sought a call of FLAW
For in the impurity lies perfection
An insecure dissection speaks the truth
As I now lie and speak to thee uncouth
I regret the best was yet to be
Blinded stumbling through Infinity

....just let it be.
Wen Ao Long Nov 2014
Hello snorer, I hope you didn't sleep any poorer
when I stayed up all night typing this not-poem
I meant you no harm, but I had to stay up
Because I couldn't make music out of your obnoxiously loud cacophony of windpipe crap, er "music".  Time to not-pretend to absolutely hate your snoring under the guise of being perfectly okay with it for the sake of setting the tone a bit nicer to all who must hear it, so they can BEAR to, for otherwise it would be absurd.  Not as absurd as anyone hating to have aural drills applied to all their chakras all night, but still absurd enough to get a chuckle out of me (I hope it didn't wake your fine specimen here). It was never my intent, though it was always my ethical concern (if only everyone could be as reciprocal as you and I).   Oh, my not-pretend hatred is very thinly veiled.  I wasn't totally defeated by your snore-sound armies so that I couldn't type words, but I may have lost some of my desired effect due to the sometimes wincing distraction they caused to my piece of mind at this or that time when I needed it the most (even though I was awake, which is no crime if snoring at night and keeping me that way isn't).

Well, I did ask you if you'd mind if I typed,
I did tell you that you could tell me if its quiet purr of clicks would bother your precious sleep
But I never felt a need to be concerned, because whenever I
was typing, I heard you snore, and whenever I was in the heights of
some new discovery or epiphany, your sharp sudden thunderstroke of near death
corrugated metal vibrating in the torrent of some sudden gale force gust of wind.

These were signs to me of your restful sleep.  So I simply didn't worry about your sleep.  I was certain that my electronic beeps were every now and then music to your ears, just as they were to mine.  This is because in the midst of these I heard you snore, and when you snored, I took you to be asleep.

Ah but then again, then again, these are fanciful constructions which simply say that what is wonderful for me should be just fine and dandy with you, at a bare minimum, and on those grounds of very unsymmetrical attitude about right and wrong I would have to begin my music tirade of words as well.  But I don't view justice and propriety along such selfish lines as these.

What I see is that duplicity is your thesis.  I have anecdotal accounts which are marvelous to behold first hand, but the details of the absurdities cannot be done justice in the language of men, for the intensity of such insanity can only be borne lightly by the frailest frayed ends of my sanity for having lived through your acoustically maddening inanity.

You didn't ever admit to me that my noises were not music to YOUR ears.  Indeed  you claimed never to be bothered by them because you never voiced up against them.  I suppose you might as well voice up against them in the street as well if it turns out not all of you snorers-go-a-viking types like to hear my mouse clicking away like a tapping noises on a metal plate in your skull.  Sorry if it is another non-snorer-who-must-stay-up-late-and-so-be-occupied person whose nocturnal joys were misinterpreted as direct assaults on the dignity, spirit, or just basic mental viability of your wounded snoremonster troop of anti-late-stayer-uppers, because in fact, we used to be sleep-at-night-entities like you, but that was before you showed up, thoracic marching band in tow.  Marching bands are musical also, to some people.  And for some all hours of the night are perfect for a marching band.  Who am I to tell them otherwise.  

Well let me know the next time a marching band is given special permit to come through your neighborhood at night, and I'll be glad to point out to you the first Snorer'sville, because only they should be expected, in all justice to live with the macroscopic manifestation of their personal narcissistic paradises.

Let you all go to your own place and form your own nation, and see if you can consistently demand everyone else find music in your ****** and accursed racket!  But until then I expect some of you will have to take the damage returned by the growing number of people who are very much tired of living under the horrors of your infliction upon us, your demonic and evil tyranny of mind-crushing hate that is your ****** noise.  We will do yoga and breathe, and stretch, and some light calesthenics to relax and seek some focus and composure, whenever our spirits require, and this will be unchallenged by you so long as you are asleep, and it will be unchallenged by you so long as you are awake too.  For in the latter case you are already awake (and so still are we, usually) while in the former case it is far quieter than your snoring, both in its valleys and peaks.  And moreover it has not kept you up, but in fact I have noted that you wake yourself up with your own music when it reaches a certain crescendo.  

Unless you want to say that those crescendos are some sort of involuntary complaint about MY crescendos of spirit, when I start typing about 20% faster than normal, with perfect focus and accuracy while reaching an aesthetic pleasure approaching ****** as I realize that it is almost unerringly in the midst of such an experience that I hear your crescendo resound. And since it was no more intended to be a distraction for me, then surely my music must have also gone undetected by your ears, as well as your spirit. Or is it fairer to say it was the very cause of your crescendo, or at least its inspiration?

Therefore I needn't worry that it is I that is keeping you up, even if for only brief stints at a time, especially by comparison to my all-night vigils.  Not so, but it is you who are so enraptured by my occasional laughs or giggles as I edify my weary, sleep-deprived mind on some bit of morale boosting entertainment.  With headphones on of course.  It's also courteously plugged into the computer to prevent my favorite bit of Judas Priest from hurting your ear drums, or else overstimulating your music appreciation centers, which are verily attached to your ear-drums by a nerve bundle (and what nerve you all have there).  This means I've spared you too much distraction from any already-abundant music of the spheres effect you may be savoring which might have emanated from my bumbling around in the dark (to keep the lights out of course, after all people are sleeping).

Yes but that is a minority of you perhaps, who would lie about that and in fact who ought to say that our nocturnal emissions are not what you'd call restfully mind-relaxing crickets in the dead of night with an occasional hoot in the distance...  But they are a minority, the rest of you are so definitely in good faith.

But then why do I always run into those of your tribe who have strange and unethical habits, such as destroying others' lives by ruining their one perhaps most preciously personal and inalienable need second only to air and water, and that is sleep.  It is, in terms of acute necessity, in many ways more needed than food, though in the long term food catches up.  But food catches up only because not eating food is a  lot like not getting sleep, but just a lot more intense on the body when it drops to some critical point because we know from experience it is on raw nerves that we can go for a while in search of food, but if the food can't be found (perhaps because of our lack of sleep ruining our cognition in some way), then we will not eat, nor sleep, because we'll be dead.  

But either way, we'll be dead, for lack of sleep kills, both directly and indirectly, if suffered over a short time and/or in a diluted form over a long time.  That would be poetically commensurate to the sadistic similitude of the types of snoring sounds with the types of ways to die from being deprived of sleep according to two modes (acute and chronic), over many keys of incident, accident, lost opportunity and ill-stared fate, all of which can be mapped in some way back to that auditory persecution of our very souls of which your kind are in some swelling numbers quite proud.  Just think of all the car accidents, work accidents, altercations, fits of rage, inability to concentrate well or sometimes at all, and other life-damaging conditions of the mind, and also of the body, which accrue from lack of proper and healthy sleep at night!

Good thing for most of you though, right?  Because surely our music is also sweet, and I really hope I've inspired many to face this need for equality, and be on their guard against any unjust whining or groaning from those who seem in point of fact to value their sleep just a good deal more than they value anyone else's.  Not only because they really really love to get those zzz's but because they think that in the natural order of things, before people suddenly went mad and evil, people went to bed and slept well even partly BECAUSE of this brachio-esophageal orchestral lullaby.

But we'll be on our guard against those complaints, because we know you have plotted to take to the streets against us to defend your noisiness-all-night-every-night rights.  So we'll be on guard to defend ours, TO THE LAST FIBER OF OUR BEING.

Because you insufferable ******* are cruel, and cruelty no one should abide.  No one in my world, in my society of people, will be allowed to inflict cruelty on another person, nor be callously prejudicial in their own favor when injuries do occur because of their actions merely on the grounds that the damage it causes coincides with the fulfillment of a need on their own part, even while that fulfillment is of a need which is obstructed from satisfaction in the other part, and by THAT VERY SAME REASON, so that your sleep depends on keeping others awake.  UNLESS you can somehow con or coerce them into developing some form of Stockholm Syndrome and confuse the torment you inflict upon them with a sign of your love and wonderfulness to be around.

Yes, I know you hear me typing now, through your well-behaved proxy.  I feel it. If not he per se, then in a parallel universe not too far off, there's a version of him who does.  Perhaps not the one I know now, on day one of having moved into this room, but perhaps one represented in this universe by someone who has found himself in some sort of circumstances found later on during his stay, this mixed with the fact that familiarity breeds contempt... He'll start making some righteous demands of some kind, and I might not be in a such a good mood about that due to lack of proper sleep, and this will coincide with said contumacy against my own rights (such as to breathe, type, surf the net, or do other nocturnal things other than snoring which might keep others up).

As to that last point in parentheses, snoring is an activity which you perform in conjunction with your getting sleep, and it therefore means not well for your notion of fairness to say things as they are, and simply say the truth, which is that your getting sleep deprives others of theirs, but it can be logically deduced.

It can also be logically deduced that the don't give flying **** if you don't like the fact that we don't like your ear-**** night after night, which is a good name as any, but should perhaps at times be amended to body-demolishing soul-****** of a mortally sinful nature, and with an ethical incongruity to good character of a person to maintain it, all the more to sings its praises to us and call it "good poetry".
My tirade is intended to be expressive of a sincerely felt Truth, manifested in this which is only one of many forms, where things are never neutral, but divided neatly and perfectly into either Good or evil, so that no thought, word, or deed can be trivialized as mundane, neither in its innate import nor in its exported impact for others.  This is of the essence of ethics and has many metaphysical groundings which can be rationally demonstrated, but only to rational people.
Isabella Howard Apr 2019
The shutter clicks twice.
"You take too many pictures"
But you pay me no mind.

The years fly by and,
As you begin to forget
I keep asking why.

Still you smile at me,
Though I've become a stranger
Lost in memory.

I bring your pictures.
"Remember when we lived here?
Or these light fixtures?"

I brought your tapes but,
Your bed is empty now.
Mourning your lost shape.

When you left I found
Your philosophy makes sense now.
There's so much beauty
That can't afford to be lost.

I look one last time
At the first picture
You took with that camera
Now gathering dust.
A collaborative project with Liberty Urban. This poem is inspired by one of her paintings.
Veronica Emilia Aug 2012
We just met.

You said "hi".

I was so surprised I could die.

We talked like we fit like clicks of locks.

You stared. Gazed. Star gazed.

At me.

                                                            ­                                             Until I discovered you have a girlfriend.

                                                    ­                                            Now I'm going to staple myself to the carpet.
walk into the room
With your pencil in your hand
You see somebody naked
And you say, who is that man?
You try so hard
But you dont understand
Just what youll say
When you get home

Because something is happening here
But you dont know what it is
Do you, mister jones?

You raise up your head
And you ask, is this where it is?
And somebody points to you and says
Its his
And you say, whats mine?
And somebody else says, where what is?
And you say, oh my god
Am I here all alone?

Because something is happening here
But you dont know what it is
Do you, mister jones?

You hand in your ticket
And you go watch the geek
Who immediately walks up to you
When he hears you speak
And says, how does it feel
To be such a freak?
And you say, impossible
As he hands you a bone

Because something is happening here
But you dont know what it is
Do you, mister jones?

You have many contacts
Among the lumberjacks
To get you facts
When someone attacks your imagination
But nobody has any respect
Anyway they already expect you
To just give a check
To tax-deductible charity organizations

Youve been with the professors
And theyve all liked your looks
With great lawyers you have
Discussed lepers and crooks
Youve been through all of
F. scott fitzgeralds books
Youre very well read
Its well known

Because something is happening here
But you dont know what it is
Do you, mister jones?

Well, the sword swallower, he comes up to you
And then he kneels
He crosses himself
And then he clicks his high heels
And without further notice
He asks you how it feels
And he says, here is your throat back
Thanks for the loan

Because something is happening here
But you dont know what it is
Do you, mister jones?

Now you see this one-eyed ******
Shouting the word now
And you say, for what reason?
And he says, how?
And you say, what does this mean?
And he screams back, youre a cow
Give me some milk
Or else go home

Because something is happening here
But you dont know what it is
Do you, mister jones?

Well, you walk into the room
Like a camel and then you frown
You put your eyes in your pocket
And your nose on the ground
There ought to be a law
Against you comin around
You should be made
To wear earphones

Because something is happening here
But you dont know what it is
Do you, mister jones?
Andrea Diaz Nov 2012
Hi, I’m lost.
Can you find me?
I don’t know where I’ve been
And I don’t know what just happened.
But can you direct me where to go.
I’m just lost and
Did you see that squirrel that just passed on by?
It’s tail was so fluffy and it looked like a troubled one.
And
I don’t know where I’m going with this but,
I’m just lost

And if you ask me why it is so,
Then I will tell you I don’t know.
I’m just lost.
And I need to find myself again.
And when the rain falls from the sky,
Is it’s destiny just to land on the ground?
Or will it land on trees
And pass on from leaf to leaf?
Will it go into the mouth of some poor animal
And quench what ever thirst it my or may not have?

And if you ask me why I ask these things
Well it is because…
I
I don’t know.  
And if you ask me who I am
Then I wouldn’t know how to answer you
Because I don’t even know
And if I even were to give an answer
Then I would just go off on philosophical rants
And look out to nature and
Just go off on whatever is going on like
The wind.
How freely it runs.
Roaring through trees and trees,
And spreading leaves all over the ground
How it must be
To feel free
To be the wind.
Going where ever you please and
Just getting lost and knowing where to go.
And maybe I am the wind..

But no,
I am lost.
And I don’t know where to go.
And as I continue to whine about how lost I am.
I continue to question why do I want to be found?
If you were to ask me who I am,
Then I would answer that with a name
Because I am lost.
And frankly, I don’t want to be found.

I am not lost in the physical sense where I can look at a reflection of myself
And see how ugly I am.
No.
I am lost in a mental sense where I don’t know where I’ve been
And I don’t know where I am .
But isn’t that great?
Because that’s what life is really about.
Not knowing where you are.
And not knowing where you’ve been.
Continuously losing yourself.
Not to be found.

Because when you find yourself
You find yourself in a herd
You identify with the same things as everyone else does
You become inauthentic and you lose your true self
And you succumb to the herd,
Following a mindless leader because maybe their ideals are right
Turning your backs on the ones who stand out
The ones who are different
Because when you find yourself in a herd
You find yourself in a miserable world.
Because you don’t know if your dreaming or if your awake
And you’re just looking for answers that no one will take.

And if I were to find myself,
I would find myself with no heart because
“I may be single, but my heart is taken by someone I can’t call my own.”
And it’s only because I found myself a person who accepts rejections before it even happens.
So excuse me while I lose myself
Because I don’t want to identify myself as girl who knows what it feels like to lose to that.
And excuse me while I lose myself
“Because I took the road left traveled by”
And even though it made all the difference
I am still a black sheep in this herd.
So as I lose myself,
I shouldn’t ask anyone to find me because

Hi, my name is Lost.
And even though I will continuously ask someone to find me
And even though I will continuously whine about trying to be found
I would rather be lost
Because even though I’m spewing a bunch of **** I learned from philosophy lectures and what I’ve read on Tumblr
I started to think this clicks and makes a lot of sense
Because no matter how many times people say
“Life starts once you’ve finished college.”
“Everything clicks in at this certain age with this certain job and this certain income and this certain life.”
It doesn’t.
And the “sooner you figure it out, the better off you’ll be.”
The sooner you learn life starts at this certain minute and ends at the other.
You will be better off.

So don’t tell me I’m wrong
Because at the ages from 0 - 5,
You started life,
Trying to figure out what everything is
From the ages of 6 - 12
You begin to figure out how everything clicks in
And you start freaking out
Because from the ages of 13 - 17
You’re caught at the stage where “You’re too young to do this but you’re to old to do that.”
And from the ages of 18 - so on
You finally figured out how much ****** you were when you found yourself in the crowd.
So excuse me while I get lost.

Because
Hi, I’m lost.
And I’m not physically lost in the sense where when I look into a reflection of myself.
I see what beautiful thing I created and
If I were to duplicate myself,
You have no idea how hard I would go out with myself.
No.
I’m lost in the mental sense where I don’t know where I am
And I don’t know where I've been.
So excuse me while I continue to be lost.
Recreating myself day in and day out.
Because that’s how authentic I’ll be.
And I will do that for an eternity and

Hi, I’m lost.
The engine is killing the track, the track is silver,
It stretches into the distance. It will be eaten nevertheless.

Its running is useless.
At nightfall there is the beauty of drowned fields,

Dawn gilds the farmers like pigs,
Swaying slightly in their thick suits,

White towers of Smithfield ahead,
Fat haunches and blood on their minds.

There is no mercy in the glitter of cleavers,
The butcher's guillotine that whispers: 'How's this, how's this?'

In the bowl the hare is aborted,
Its baby head out of the way, embalmed in spice,

Flayed of fur and humanity.
Let us eat it like Plato's afterbirth,

Let us eat it like Christ.
These are the people that were important ----

Their round eyes, their teeth, their grimaces
On a stick that rattles and clicks, a counterfeit snake.

Shall the hood of the cobra appall me ----
The loneliness of its eye, the eye of the mountains

Through which the sky eternally threads itself?
The world is blood-hot and personal

Dawn says, with its blood-flush.
There is no terminus, only suitcases

Out of which the same self unfolds like a suit
Bald and shiny, with pockets of wishes,

Notions and tickets, short circuits and folding mirrors.
I am mad, calls the spider, waving its many arms.

And in truth it is terrible,
Multiplied in the eyes of the flies.

They buzz like blue children
In nets of the infinite,

Roped in at the end by the one
Death with its many sticks.
Thomas Harvey Oct 2021
A red crow came to visit today
He asked for which treasure I seek
I told him Walton's Gold, buried a few clicks past the creek
His eyes were void and he spoke real low: be careful for which you say

I scurried him away and proceeded down the worn out mountain path
An eagle landed on a tree stump and told me to turn back
While I appreciated the laugh, I continued along with his feathers on my back
When I reached the creek, only then did I understand the eagles wrath

A man stood tall with a suit of white
He said "I'll give you all the gold in this clay, if you can answer one question for me today"
I asked for what he had to say
he said "how many times have you seen a crow and an eagle fight?"

A blue crow came to visit today
He asked for which treasure I seek
I told him Rudford's Gold, buried a few clicks past the creek
His eyes were void and he spoke real low: be careful for which you say
Liberty J Jun 2018
They first appear
With two clicks of my lamp
I invite the darkness seeping from my windows
Covered in a lazy blanket
I lay on my side, watching the lifeless room
Restless, but all the same exhausted

From the ***** laundry and the memories I keep
One stares harmlessly
My lungs began screaming and wheezing
My heart and brain nearly fried
My muscles frozen in sweat

One easily becomes many
Soon, every corner of my room glares back at me
I press my eyes close and pray for sleep
But their hot breath runs down my neck
And peels my eyelids apart, squeezing my chest
Forcing out a stuttering sigh
I have no choice

Click click
My lamp peirces through each monster
Until I can fight them on my own
Sorry it's been a while...
Ellen Joyce Jun 2013
And she takes the book waiting on the shelf,
smelling of milk, toothpaste and goodnight kisses,
it's pages cracked, worn thin with birthday wishes,
wearing wrinkles wizened by the layers of fingerprints
that traced the silk of mama's voice on every word.

She turns to find him all tucked up in bed,
head cushioned by a mop of curly hair,
arms clutching tight a tattered teddy bear.
His sleepy eyes draw her to his side
and she leans in another once upon a time.

Her voice kisses the curve of every word,
calling to life a world she has to see,
moulding reality to what it ought to be;
a place with swings, slides and just five minutes more ,
sighs breathed to birth a need held deep inside.

A land where all the games are fair,
with candy houses but no cavities in sight,
where all evil is banished by the light.
The winds of time are soothed and still
listening to the clicks of a clock that never stops ticking.

Her child's eyes flutter to dance in dreams of his own
and the bedtime lies shatter behind her eyes.
It's not her son longing for a land where no one dies.
Children are borne of pixie dust and shooting stars
to a world of wonder built for each alone .

Once upon a time is a prayer whispered by mama's at night
to restrain the hurts and horrors of the earth
with the soul wrenching fear she's felt since she gave birth.
See she has to believe in forever and a day
for her love for her son is growing all the while.

She has to believe in love and life and laughter.
She has to hold close the hope of
happily
ever
after.
Pendragon Sep 2013
Tons of commotion,
Followed by defining
Silence.
The door clicks open,
Followed by a slight bang.

We are already made aware
Of the situation at hand.
No one speaks,
No sound to be heard.

A few moments after
The door clicks closed,
A slight mumble can be heard.
Followed my a
Heartwrenching scream.
Loud sobs echo
Through the halls.
Many here are
Slightly teary eyed.
Another mumble,
The door clicks open again.
The door seems to bang rather loudly
This time.
Nothing compared to the
Earthshaking sobs coming from the room.
IUFD makes the loud go
Silent.
In a few moments the normal
Commotion  resumes.
Tonight we will leave
With heavier hearts.
A moment of silence,
For no longer beating hearts.
Solitaire Archer Jan 2011
Samhain's Eve With Friends

The Lady's light is ripe and full and orange
so heavy the sky can scarce bear her up
as I tread slowly tap tap my staff clicks
my feet in their hurry crush sweet maple and acrid fir underfoot
and the early evening mist grasps at bare tree limbs like heart broken suiters

It's an early celabration Samhain Eve
No Matter
tis me alone and of course The Lady
Slowly I find my stone grove and rest a bit ... price of a Crone
No musicians tonight
Ah the tape will do well enough
No Sisters tonight
too far to come obligations trick or treat ...
No Matter
Circle swept and Caste,Quarters called
next all in turn music soft but building
insence sweet shrouds me
Fire my element crackles and spits with blessed heat

Time to steppe the Circle
This Dance I know so well
This Dance I have taught and danced and dreamt it always

Eyes Closed Cleansing Breathe
Bells on wrist and ankles chime

Now swaying stepping Luna's great course across the sky
once this way next reverse
slowly gently all recedes
there is nothing now but
me and She
She Morghanna Isis Gaia Mother Maiden Crone
My Lady

The flute is faint and hard to hear now
but the drum is strong heartbeat strong slow and deep
suddenly there are voices far yet whysper close
so soft full of laughter and secrets
..ghostly hands Sisters past, lost to me and spirits new entwine with mine and voices long forgotten soar
So Sweet
and my feet so clumsy and slow seem to fly and I hear the flute in the chime of Her laughter

She Has Come
Welcome My Lady

I hear nothing now but the drum and the rush of the wind through my hair
The Drum The Sisters The Fire
and My Lady

Suddenly my step slows no longer is it sure
aware of the stones beaneath and my hand blest but a moment ago now feels the loss of my Sisters grasp
but we are never far from one another
no matter the side of the veil

I tire and stop
the night has waned
the tape has stopped..when I cant recall

Never Mind

Close the quarters with thanks
Sever the Circle
Douse the smudge
and

Thank The Lady for a
Samhain's Eve , with friends


Solita Arcanes ShadoeWalker 31/10/10
Peter B Aug 2014
I have to tell you about a nieghbour of mine
If you listen and have the time
I simply call her the Mailbox Lady
and I'm pretty sure her names not "Sadie"

But she clicks her malbox all day long
I wish someone would make this a song
She never gets any mail,but she clicks it 7 days a week
All day long, just to take a peek

Every 3 minutes,just in time
What? You didn't think I could make this rhyme?
Even when the mailman's come and gone
She still clicks it! I'M SO FORLORN!!

Even on Sunday! It's so much fun!
Well good people, I really have to run!
Tell a story in a poem
and just finished a sequel to this one to share as well!
Also the Boss at Christmas deserves a sequel because he now runs a church festival and his staff doesn't know the difference between a platter and a plate can't you feel the rhyme?

— The End —