CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l

Oh, But what does it all mean Hidalgo?
Are we to fly in the face of the North Wind forever?

My mind has gone blank at the question.
Stranger still, the story perceived in prescient anticipation of the exact mentioned query once expounded upon spanning millions of miles of eloquent esoteric linguini, wit and charm with a dash of philosophic consequence, to fool you (the eager) into belief.

What is belief Hidalgo, but the suspension of reality, for an adept deeper world of unseen truth?

Do we see reality at all my friend? It is already shaped by our perceptions, responds to our expectations, nay we have not a clue, perhaps the arcane texts written by the hobo scholars of old hold the answer, so yet we settle on the material and fixate it as the lone clear star in an otherwise dark and cloudy sky. Mysteries abound behind the cosmos. Even when we look, do we really see, or are we as an insect upon the written page, crawling over the plain meaning? Is our capacity to hear underwhelmed by our propensity to listen? All these senses must count for something, for God is in a blade of grass, is he not, felt by the trodden hoof of the foot.

You’re a clever mad man Hidalgo.

Ay, the penultimate creator, singing in a sea of song, shining in a wave of light, lost in a dance of fractals, we are all the same rascal, blind though we are to the portrait of man, always creating, same as my neighbor, weaving dreams into Technicolor realities to beam into a future unknown. Our descendants watching us as reality television, mocking our fallibility, or perhaps empathizing and learning through telescopes strong enough to win a foot race with the sun; flying around the bend of space time and back.

The birds of the island are calm today; think they favor a slumbering respite from the noonday heat?

Mayhaps we’ll take a stroll across the columnous muddy bed, risking grey clay mummified suffocation; I dreamt as such. Yesterday’s storms make the journey perilous. My own thoughts leak from the grandiose ether and compel me to genius, the condition of the interminably insane or divine.

My bare feet tread the good earth, the 3rd density, in a daily attempt to stay grounded, however my mind is always floating, receiving transmitted whispers. Sanctified secret musings of the muse. Scribbled poetry of another dimension, meaningless to the materially minded, yet wholesome for the moment. Like a thunderstorm whose power is plain, yet unheard and unseen as the forest falling with a tree. Where do the tree and the forest begin? Are they the same root? Like my thoughts from a universal mind, the zeitgeist of an all-encompassing mood, a social memory complex.

The sophists will claim you are dodging responsibility. These tangents serve only to feed your egoic mind, but put no food in your belly nor rent in another’s hand.

Ay, but its creation all the same.
A tirade of compulsions. The ringing of the hill grows, the natural chorus of bugly unison screaming its existence into the manifold, manifesting itself to the initiate.

For what are they asking, could it be peace?

Ha Ha! Those shrill like cries wound the ears of the prideful dog, but are contained in the silences of the infinite potential all the same.

A man may change one hundred lives in a day, and earn no material currency for his unasked effort. Therefore, who is trivial? I change the wind by simply being, its current flows over me and the endless blades alike.

Vibratory love, what is that feeling, the realest phenomena of all?

Bliss in its own awareness, reveling in self-revelation, actualization, the knowingness of the child who still sees the spirit existing in each of the physical realm’s shadows. The taste of the foul and pure passing without judgment to the innocent tongue. A simple being secure with the wisdom of the wise. Does the power come from you or the hill, inspiring motions, accounting on the page symbolically. Break it down further. Dissolve. ******* into nothingness.

What is cheating Hidalgo?

Is the ant called to my arm by its own volition, how did it find me here on this patch of earth formed into mound by ancestors buried below.

Opening up all channels now.

Death locks the door with life’s key.

Should I let him crawl over me repeatedly?

Ten words to speak before the coming of the night.

Creative Destruction
Awake from the trance
Guns and Bullets
Shoot from our hands
Teller of Tales
Faint whisperer
Of sordid man’s
Hallucinatory waking
Follow the Beam
Follow the beam
The world before this world
Secrets unseen
My best thoughts come
As I lie suspended awake in sleep
Before sleep
No troubles
The curse runs blood deep
He closes the book but still speaks in rhyme
The riddle draws madness
The tongue laps up the fire
Drawn from self same wells
Will and Desire
Pruning and Preening
Political Beasts are we
Lost in our notions
I find, I keep
Braggadocioc Players
Upon the Worldly stage
Every person has the story
Only what is real?
What is fate?
So I lift my hat
To another year born true
A quarter century passed
Play the tune


Am I awaken by words from another man’s sleep?
What is the source of the tetradactyl nature?
My hexagonal heap
Of flesh and bones
Earth and dust
Brought together again by unending sound vibrating ceaselessly
I sleep but am not rested
Eat but am never full
The piper plays among the sand
Whirling in the heart of the caged word
If I keep my eyes fixated on a point, in actuality my vision expands and visualizes all

Reputationally speaking,
I am an ant, with male pattern baldness
We forget to chuckle at life’s absurdities, just as we pass by flowers without engaging the fragrance.


Rest your head with the hillside now
Restless wanderer of fantastical dreams

Treading water silently until our legs melt
Just as the weary albatross cries its last song over the harbor or the butterfly ***** its freckled wings, so too will we see the setting of the sun and a coming of the new dawn. If the chalk works carved in the abandoned sidewalk are to be believed, so must we girdle ourselves for the coming tides and lift our spirits once more for the ebb and flow of circumstance. The bike rides in the gutter all the same, and the forgotten cemetery stone stands as testament to the age gone by.

I stood there.
Staring.
A snow-capped peak stared back.
I became exceedingly captivated.
Captivated by the thought that he and I existed;
Existed now.
Existed here.
Existed together.

I became a shell.
A shell filled with explosive joy.
And I could no longer become underwhelmed.
Nor could I become whelmed.

I lived.


I will never believe in myself more,
Never trust in Creation more,
Never be enveloped in the stillness more
Than I did in that moment.

Glimpsing that skyline.
Staring down a mountain.

I’m spinning in the
Underwhelming haze of my own imagination
I’ve been in your hometown before
Familiar is your soft husky voice that is
The only lullaby to my ear
Yet the need to hear your conscience
Is still just as desperate
As a whisper to the sea salty
Atmosphere of our love.
You, and only you bare nothing of my knowledge
You, and only you hold permit to my inside.
Yet you are the only that has not had me, or my knowledge
For you have chosen as yet not to take it.
You do not have the right to it in your eyes.
Because everything in this world works…
Backwards.
As I work in a mirror
Of a hundred pieces.

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

Nine months after I was born, the Twentieth Century began to collapse.
East Berlin,graffiti-mural concrete, a jutted enigma scratched
on ordinance maps, the sort found
landscaping westernized Primary School walls.
Where within, labored in real time, the television told my parents
(and everyone else given to social conservation in 1989) that a wall falling down
would bring an end to the gap between the working and the working poor.
Freedom waited for many on the other side.
But of course, History draws up different plans.

Never content to just go out with a bash, or to
fleetingly drift by leaving
in its absence an underwhelmed lull
The bloodiest century yet
left the new world entrenched
in an odyssey of hatreds
handed down from the past
right about the time human suffering became a bit dull
and the peaceful countries were too busy
tripling their money instead.

What does History really teach us and what are the real benefits
of being free, or freer than you were before?
Human ambition, which burns it way out of any oasis of calm,
which calls children out of sleeping in the night
Always seeks out the exhaustible
An inveterate Black sheep leading astray
the ever susceptible ****** lamb
Delusion’s strange bedfellows are the worthiest adversaries
to run away from, to reserve contrition for.

Unlike the inevitability of uprooted animal migration
during a monsoon swell
Can a people with an invested addiction
to the pursuit of happiness
Ever truly be prepared
for the inevitability of rapid change?

Hi-fructose drama-nation (AKA Plebeia Ovulation-Jones), clad in a rumpled football shirt and golden sweatpants, rolled her bovine eyes, burped, then plunged into battle in the Walmart parking lot. Overweightia U.S, looking on, gestured rudely while blabbing on her phone.  America herself, standing by, talked loudly, swiveling her fat neck around with a menacing gesticulation involving her two-and-a-half-inch poisonous green fake fingernails studded with tiny rhinestones in the shape of well-known designer logos. Witnesses claimed that the altercation started when America could not find her own thong, which was lost between mountains of cellulite-rippled sweaty rolls of flesh. Splendor Obeeze, her BFF, trying to get America away from the fight scene, mooed like a feral heifer, then barked at her ex, who proceeded to taunt her while filming with his I-phone:
      Woo ooh-ooh baby Ima get wit chu den do like u cause we rollin, rollin...
Plebeia suddenly snarled at her 3 year-old daughter strapped into a car seat to leave her **** alone and then re-entered the store where she proceeded to sing to herself in the brassiere section until she bumped into her 4th toddler's baby-daddy who was mumbling into his thick beard RE tha lightweight herb he smoked wif his boy as he checked his text messages for  the freestyle lyrics by "L'il Murgatroid". The entire affair ended badly when Plebeia spilled corn-dog flavored popsicle powder all over America's thong-retrieval device. WW IV warning apps were triggered. They beeped, were ignored, failed and then were deleted. No one shouted World Staaar—u see dat? Oh shiiiittt !!
Plebeia O-J was oblivious, in any case, and strode boldly into the Walmart pharmacy section as the predatory drones prophesied in Revelation were released from the bottomless pit by Abaddon, Lord of destruction. Fabulously overweight as well, I was, nonetheless, underwhelmed by the thong itself, when it was finally retrieved from the depths of America's rumpled sweatpants, on the buttocks of which was emblazoned the final terrible message:  PINK UNIVERSITY   BITE ME.

One check of my accomplishments,
But furthermore a verification for skills,
The art of conversation shall be my judge,
And my experience so far my partner in crime,
As the master of this angelic pen I'll suffice,
Even if they find me underwhelmed,
Or leave with disappointment without another word,
It is only proof, I have too much to improve to give up!
One way or the other, I find my hand guide the way,
With gentle movements, a delicate caligraphy has been created,
Thus, a deep breath, calming my tired nerves, helps me relax,
A clear mind is required for a difficult task after all,
And so, my hand gently, softly calls for the cover of this pen,
Time flew past without distraction, confidently,
Handing away this work I wait for the results,
Starting to become nervous down to my very core,
What if it wasn't good enough?

~ Umi

Ms. Love & Mr. Understanding -
They go together like
The mists of love & misunderstandings.

Ms. Love was 15, Ms. Love woke up
Now Ms. Love is 25 with no one to love
Except memories of yesterday, once upon a far away
She met a boy - same old story - now he's gone and now he's all she
Wants – but they both have moved on
Yeah they both have moved on…
Or haven't they?

Dan understanding understated undemanding
Underwhelmed to find his hand in hand in hand with Beatrice Blanding
She's a nice girl in the right world and though she may not be the right girl
She loves him dearly
And he loves her… nearly
But is it nearly enough?

Looking for love behind all the wrong doors
Like you came into the bedroom and forgot what you came for -
Is it something different, is it more of the same?
Was it someone else, or is it me again?

Dan understanding gives Ms. Love a call
He says I've missed too much of your life already I can't miss it all
Oh, what say you wanna play? I'm on a train I'm round your way
I'm up to here with being brave, I want to see what life could have been
Do you know what I mean?
Do you mind if I lean in and…
Kiss you?

Looking for love behind all the wrong doors
Like you came into the bedroom and forgot what you came for
Is it something different, is it more of the same?
Was it someone else, or is it me again?

Ms. Love & Mr. Understanding -
They still go together like
The mists of love & misunderstandings.

born of blood
from a thorn
of a beautiful flower

from the love
of the horned
adorned
in power

cowering
in the vicious
maliciousness
of the constituents
in the deliverance
to my ridiculousness

saw
twisted shapes
and contorting faces
heard
blurred words
displaced
in hateful slurs
of aggression

and i cannot count the cases
in my tasteless confessions
in my reluctant concessions
in my brutal perfection
of my obsessions

imposed against my will
you're supposed to feel
what they do
right?

opposed to killing
for the thrill
but it sometimes
just feels right

shanky gone unscrupulous

shivering
his shimmied
blood on the walls

stuttering stanleys
still silly stringing
calling for candy
but missed last call
and fell to the floor

as Bruno butchered the boar
in a deplorable fashion

a crime of passion

we were hungry
rubbing our tummies
for the honey
of bee hives

jive turkeys
turning to bunnys
for good times

but we were alive
while others were not

fraught with darkling majesty
sparkling at the seraded points

disjointed
in Freudian
ointments

self anointed
as god

standing over
some butchered
brod from abroad
wiping the fog
of dislodged
eye sockets
from my grog

how you get
from there to here
isn't really a fair mirror
on my intention

i meant to
suspend her
just enough
to face f--k
and with luck
strangle her

but she prayed to be ripped down
in her own way

my f--king way

stripped her
of dignity
wimpering
in little cute sounds

who am i?
but the guy
who spaced

hit her
too many times in the face
and replaced her
facelessness
with ***** toiletries

disappointingly
underwhelmed

still in search of a fairy
to take the helm
and ferry me
from this film

disparagingly
just spare me
the tragedy and grief
blaring from the TV

as i mock
their expressions
in my lessons
of humanity
before the flock

to shelter
my anxiety or not

gonna be
a real boy one day
and conform
to the
wayward ways

the way
of sheep

sleeping
soundly
in decay

blue fairy
gonna
marry me
one
day

be
real
one
day

one

day

1


d
a
y

I am not overwhelmed; I am not underwhelmed.
I just lack motivation.
I am not lazy, nor apathetic,
I simply lack motivation.
I want to run a mile but I have the willpower of a corpse,
Wanting to just fall apart and decay so I can fertilize the flowers
So maybe then I’ll be useful.
Wanna go for a run?
Take a pill.
Wanna be normal?
Take a pill.
Wanna forget your depression for a while?
Take a pill.
Take a pill.
Take a pill.

I want to go to parties,
Make friends,
Write words that flow seamlessly across the page
With clear intent of my feelings at 3 am,
When I am supposed to be at my most creative.
Instead, I stay at home on Netflix and the only thing flowing
Is one episode to the next.
Wanna go out without anxiety?
Take a pill.
Wanna not act all spazzy in front of everyone you speak to?
Take a pill.
Wanna forget your anxiety for a while?
Take a pill.
Take a pill.
Take a ******* pill.

But you want to be a productive member of society?
You can’t just take a pill.
Pills help you get up and make you go on with your life.
They don’t give you motivation.
Nothing can give you motivation.
Hope usually does, but I’m all out of that.

I know if I wasn’t, I could do or be whatever I wanted.
I could be a successful businesswoman,
I could be known for other things,
Like my ability to stand on a stage and perform.
I could even be a writer and properly end this poem.
But I simply lack the motivation.

Another day, riding on emotion
Seldom ever breaks down
but I don't have the potion,
To fuel my being.
Lucky to be alive
but there's something I'm not seeing.
Lapped around similar 'scapes
Falling all the time,
with all the scrapes to prove it.
My body itself is a high-powered vehicle,
just hope I don't lose it,
Prematurely with the things I've been doing.
Sometimes I see surroundings pass by but
it doesn't feel like I'm moving.
Reach out to those that could use it
Lead them away from the mentally abusive.
I'm still there though,
the expression on my face even looks weak.
Guess I just hit bleak patch,
but again I'll maintain a satisfying streak
Innocence never left,
But the breaths are slowing.
Used a bit of what I had left to fill up an inner tube,
My body's too weak to maintain how I'm flowing.
So I drift off, into another realm.
A place where people are underwhelmed
And stay to help each other grow.
This place exists at a point in time, but when,
I may never know.

So I'm taking a vacation from my mind
that constructs an absurd blur,
Keep living for the kids and kisses,
and moments that creates blisses
Love and writing are my life preservers~

It isn't the days that hit me
hard, it is the nights
When, I admit it, I am overcome
and underwhelmed and shaken
I am ashamed to be a human being
To be a part of a race that so violently
mocks any shred of real humanity
And I am selfish and wretched
And I want to love other people
But all it does is make me feel sick
What are we doing to each other?
Self-destruction never stops with you
Perfection is unattainable and that is alright
Not enough understanding
And too much fear
I am proud and I am wrong and I sin
But I would rather dance the fool
I would rather never heal
Than watch what damage we do each other
This is our world we've inherited
But it will ever be on loan to our children
Children who will grow up
To be riddled with the fears of a dying world
And to be burned with the hate
And wickedness we have been sowing for ages
You can't fix it all
But when you are faced with a choice --
Your agency cannot be stolen
Your deeds will define you in ways none of us understand
And I wish to God
That I will make those who are yet-to-be gladdened

I am often overwhelmed by how forgettable I am
or maybe underwhelmed
would be more accurate
my parents told me that I will be number one
to someone someday
but it’s hard to believe
when you’re not even number one
to your parents
like the moon with its uneventful craters
I eclipse the sun (only for a bit)
A nuisance, nothing more
than a quick shadow
until the sun gains back its glory
always the bridesmaid, never the bride
I watch as everyone else walks down the aisle
and marries intelligence, beauty, success
while Bacardi attempts to numb the reality
that I will always miss the bouquet
but I’ve only been to one wedding
and six funerals
which says more about me
than the deceased
I’d like to think that black is my color
he used to tell me I looked **** in my midnight dress
though no one tells me I look **** anymore

Underwhelmed with modern magic, I let myself be taken
to a party on a strange night.
Like you, I let my lips whisper abracadabra and
kept my fears in one subtle hand.
Like you, I wanted to vanish the crowd
under a napkin -
to palm everyone into a cup under the table,
leaving a beaming new face - radiant eyes and unfamiliar tricks -
to abandon all the showmanship
exactly where it belongs.

And when all the faces peeled away to
a lively midnight wilderness
you were there, a magician
and prestidigitated into smoke and mirrors
every artifact of doubt.

There is nothing I would like more than
to have a drink with you
to have a cigarette with you
to have anything at all with you
and learn your secrets:
A longing for names unmentioned and eyes still incredulous,
and a reverence for fairy dust.

Watching the room empty,
hearing the soft chatter of their private marvels
we are alone, as we ached to be,
here, to tell our secrets, and they are these:
we are in discord with love
skeptics, so unfit for
the careless faith and
grasping vigilance of hearts our age.

Now, in this cabaret,
"goodnight" is ensorcelled into a curse, and
"come with me," a necromancy uttered
to give to dead hopes new dimensions.

Here, I would read every book under the sun,
work my fingers into knotted idleness,
believe in every fantasy
to learn your secrets.

Under the snowfall, we kiss like Chinese rings
but you know as well as I do
that quick enchantments are a thin fable,
and instant magic does not exist.

i spend my days sighing away, digging away at each layer of disillusionment. when will i get to the bottom of this? when do i get to see my bones, all bleached out to a lifeless tan? when do i get to poke them around like live coals, desperately reviving a dying fire? when do i get to see myself, in my highest, truest, most foolish form, and have the closure — both underwhelmed and overwhelmed?

i've lived longer than my younger self would've allowed; tell me, did she know me much better? did she live just long enough for me to inherit her despair? have i gone dancing too much with illusive lights, only to get home heavy, burning, and blinded? did she know it all along? did i know it all along?

tell me, was it all for this? tell me, in the name of all my splendid highs and in the drawn-out silence thereafter  — is this it?

He was a boy with beautiful eyes
and an appreciation for colorful socks and generic tea.

A boy that played the drums and went to festivals.
The kind of festivals that left him longing for a proper shower
and his mother's pork belly stew.

He dyed his hair a fitting shade of black
And though he was underwhelmed by the idea of anything romantic
his use of smiley emoticons was enough to make up for it.

He taught me the importance of learning to appreciate cheap wine
and the power of using compliments sparingly.

He was the kind of boy that would be fun to spoon,
or so I assume
because I've never met him.

Exceedingly underwhelmed,
I found myself in awe
of my own vacant stupidity.
Oh, how we often
fail to grow wiser,
and instead lose
our clear vision
with time,
the way the rain blurs
the window
yet cleans the air.

I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-****** themes. These are some first thoughts.

Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury.

When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd.

Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie.

Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago).

If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos.

An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually).

Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having ***.

For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.

Here we are born:
The ill-prepared,
The underwhelmed,
A baby,
Stillborn,
Wondering after its feet,

Watching moths commit suicide in their mission for a light.

Given no ladder, given no rope,
We pull ourselves up on rungs risking papercuts.

Slick, sick, sliding,
The war-torn machine of humanity seeks the sweet oil can only
Consciousness can deliver.

"Here lies the illustrious Michel Nostradamus,"
Asleep in a deep sepulcher not unknown to us all.
"Awake and beat I am!"

Only some fish make it upstream.
I?

I have finally found comfort,
Dear ones.

Words have no meaning
(tub erutaretil seod).

One nation under assault,
one nation under pressure,
one nation claiming greatness against
an outdated measure.
With liberty and justice stockpiled commodities
and legions of disgruntled youth
left to deal with the atrocities.
One nation under-loved
One nation over-policed
One nation claiming Jesus
wearing the tell-tale mark of the beast.
With hate in the left hand, and hate in the right,
and both hands balled up like we're dying to fight.
A New Day, they call this perpetual night
This suffocating darkness that chokes out the light
And EVERYBODY THINKS THAT THEIR SIDE IS RIGHT.

One nation underwhelmed by the policies they chose
One hypocrisy of a democracy, calling their own stink a rose
One thing after another, no wonder the kids are cynics now,
thinking "You CAN'T make it better, WE don't know how."
Love is lost in the struggle between apathy and hate
America, the beautiful.  America, the great.
America, the fractured paragon,
We cling to ghosts of a changing time
We've fallen for the distractions, and
our pedestal is too high to climb.

Oh brothers, oh sisters, what else can we do?
If you'll look out for me, and I look out for you,
just a ripple in this pool of ****
may clear the waters, just a bit.
But as long as there are white votes
black votes
Latino votes
left votes
right votes
there'll be no vote of confidence
in the future of these divided states.
We'll rip ourselves apart,
tear out our own heart
waving our flags the whole time
and claiming no blame for the divide.
God Bless America,
and do it quick.
All sides of this society
are dying or sick.

I’ll be flying smoke screens on Venus's ******.

At the drop of the letter orange
an orangutans purse strings pulls at my wallet.

A corpse's spindle finger pointing me in a direction…

Trees bending shadows to blind the day.

A wind whispering to me in a human tone.

A madness telling me to leave it alone.

I’m so at home it’s unknown
and overly underwhelmed.

I’m grabbing at the helm,
but it was holding me afloat.

I pushed down so hard
by the time I pulled back
it broke under the pressure
of not understanding how to cope.

A final rope cutting me.

A blackened fuel from a golf swing
placing my humanity upon the desert’s green.

I could believe anything
if I will accept my own lies...

A twisted frame from a mangled mind.

It’s only just polished time
that gave us away...

A reflection show portraying all others
in directions we now sometimes go.

A final stroll down a scars
burrowed walkway
leading me back towards
the one remaining vertebrate…

An amphibian brain
in a leader of men.

I didn't even point it out,
all over again.

You had a method for testing the fiction
said “God’s not a bad man, but I know you need fixin’
You’re beautiful, you’re underwhelmed, anyway.”

There is a hand in the sky holding flames to your eye
but it’s not hard to tell there’s fresh swell of sighs
on its way to us, expectant, holding sway.

A court of flatterers dolled up in tatters,
I can hardly hear for the sound of their chatter--
the words they say fumble, they lead astray.

Since in the daytime I am soft-spoken and mild,
they’re all convinced I have the soft will of a child
It’s up to you to explain, I must have my way.

See, I’ve got a fine plan for testing the fiction,
God’s a good man when he’s free of restrictions
So trust in me when I say, I will pray.

Talking of sacrament, boy’s got a blessed bent
so he won’t hold me when ma says it’s not prudent--
“It’s not for a girl to say, anyway”

Here’s my hand reaching; I was born a huntress,
Come when I call you, obey when I say undress:
Here’s a test for your holiness, here I lay.

Time ticks like a clock
And rips like calendar pages
My mind has been clouded
Seems like the storms here to stay
I'm the strongest weakling
Stuck in a like full of waiting
Day to day uninspired
So exhausted from anticipation
Life is pushing forward
Rolling backwards in reverse
Looking inside my own mind
I can't tell you which is worse
Being launched forward
Traveling faster than my feet can handle
Or rolling slowly
Years until the next night
I'm overly underwhelmed
My words are contradictions
Trying to keep smart to the world
Avoiding life's addictions
Wading in the darkness
Broken up by shooting stars
Stuck inside these prison walls
My heart enclosed in jars

I work hard to keep you alive,
wrapped in delicate feathers of angel wings.
It's a sacred passion of mine.

For you it's not enough
you always want more.
Grain by grain I am dissolving like a headache cure.

Rue the day when soft wings lift
to find a heart so underwhelmed,
my words engraved on it
in past tense.

copyright © Caroline Grace 2014

The familiar, the comfort, no change
So vain, much pain, feels strange
uncomfortable, disturbing

Swimming along the river
running with wind at our backs
a one eighty turn, finally ******

easy was once a dream, a goal
though lessens the worth, dead soul
mind empty with chaos

frustration and hell
feeling so underwhelmed
why must I crave this?

Smells, and visuals
euphoric and thrills
Z's float above me

trickles throughout my body
eyes chameleon
dilated cherries

One nation under assault,
one nation under pressure,
one nation claiming greatness against 
an outdated measure.
With liberty and justice stockpiled commodities
and legions of disgruntled youth
left to deal with the atrocities.
One nation under-loved
One nation over-policed
One nation claiming Jesus
wearing the tell-tale mark of the beast.
With hate in the left hand, and hate in the right,
and both hands balled up like we're dying to fight.
A New Day, they call this perpetual night
This suffocating darkness that chokes out the light
And EVERYBODY THINKS THAT THEIR SIDE IS RIGHT.

One nation underwhelmed by the policies they chose
One hypocrisy of a democracy, calling their own stink a rose
One thing after another, no wonder the kids are cynics now,
thinking "You CAN'T make it better, WE don't know how."
Love is lost in the struggle between apathy and hate
America, the beautiful. America, the great.
America, the fractured paragon, 
We cling to ghosts of a changing time
We've fallen for the distractions, and
our pedestal is too high to climb.

Oh brothers, oh sisters, what else can we do?
If you'll look out for me, and I look out for you,
just a ripple in this pool of ****
may clear the waters, just a bit.
But as long as there are white votes
black votes
Latino votes
left votes
right votes
there'll be no vote of confidence 
in the future of these divided states.
We'll rip ourselves apart,
tear out our own heart
waving our flags the whole time
and claiming no blame for the divide.
God Bless America,
and do it quick.
All sides of this society
are dying or sick.

flicking past overdone poems
on burnt topic of broken hearts,
these tear-sodden sonnets,
make me a little grateful
my heart is underwhelmed.

One nation under assault,
one nation under pressure,
one nation claiming greatness against
an outdated measure.
With liberty and justice stockpiled commodities
and legions of disgruntled youth
left to deal with the atrocities.
One nation under-loved
One nation over-policed
One nation claiming Jesus
wearing the tell-tale mark of the beast.
With hate in the left hand, and hate in the right,
and both hands balled up like we're dying to fight.
A New Day, they call this perpetual night
This suffocating darkness that chokes out the light
And EVERYBODY THINKS THAT THEIR SIDE IS RIGHT.

One nation underwhelmed by the policies they chose
One hypocrisy of a democracy, calling their own stink a rose
One thing after another, no wonder the kids are cynics now,
thinking "You CAN'T make it better, WE don't know how."
Love is lost in the struggle between apathy and hate
America, the beautiful. America, the great.
America, the fractured paragon,
We cling to ghosts of a changing time
We've fallen for the distractions, and
our pedestal is too high to climb.

Oh brothers, oh sisters, what else can we do?
If you'll look out for me, and I look out for you,
just a ripple in this pool of ****
may clear the waters, just a bit.
But as long as there are white votes
black votes
Latino votes
left votes
right votes
there'll be no vote of confidence
in the future of these divided states.
We'll rip ourselves apart,
tear out our own heart
waving our flags the whole time
and claiming no blame for the divide.
God Bless America,
and do it quick.
All sides of this society
are dying or sick.

I tried a brand new kind of sin.
Cut, cast and over dressed
I've settled down and taken in.

Burn books to keep the fire on.
Tongue-tied and underwhelmed
I stay warm 'til the dark is gone.

So bring a drug dosed for a doze.
Dream dried up and i'm out
with another trip shot up my nose.

But I guess you live and learn to die.
Steps stopped so you can see
it's the closest we'll ever get to high.