Survivors
by Michael R. Burch

(for the victims and survivors of 9/11 and their families)

In truth, we do not feel the horror
of the survivors,
but what passes for horror:

a shiver of “empathy.”

We too are “survivors,”
if to survive is to snap back
from the sight of death

like a turtle retracting its neck.

Published by The HyperTexts, Gostinaya (Russia), Ulita (Russia), Promosaik(Germany), The Night Genre Project and Muddy Chevy; also turned into a YouTube video by Lillian Y. Wong. Keywords: survivors, victims, families, 911, 9/11, terrorist, attack, terrorism, empathy, sympathy, truth, horror, death, survive, survival

You ***** need to stop I'm sorry for hurting your feelings I'm not the one that usually disrespects humans faith and love for something that doesn't even exist - I mean that I believe doesn't exist but you can still live you've got your feelings hurt but thousands of us can not longer hold on or have stopped living - 68 percent of us to be precise have met you speakers telling beautiful stories about saving and love but let your eyes meet ours and you'll have a cemetery party with champagne and cake for my people that unfortunatly met you - so called followers of everything that's right too many of us asked for acceptance nobody wants acceptance anymore after you've hurt people over some old book pushing things on us we're not just don't be ignorant it makes your mind look so small for a person with such a big mouth that normally shouts leviticus twenty:thirdteen those are the numbers numbers we already read, heard have screamed while overdosing on pain,blood and touch by you pedophiles that treat us like some dust trust me too many of us know  and won't come back so bring them back climb your way to your heaven and ask like the angel you are -father is killing your youth right?
~.V.~

Drunk, we staggered home.

Aware of having been
some
other where
a while

That woman, she could answer

any question rebbi axt,
Ohhhhmyyy

she laugh and say, Dude, I got the Intent-net,
in my hand

That's more than a list of numbers, this
accounting idle words going on, on going, as fast as

lightning, at the scale, of, say

cat-ions ifiying an-ions
at random,
seen systematical, from a distance
zoom out
at the scale, of, say
Great Deep Field.

Center you, I'm no matter.

synchro
now

zoom out
Use that steam program
Universe Sandbox,
you gotta see that to imagine this, right,

and next is what you keep saying is unbelievable,
but its not.

Good things come to them
to whom
good makes more sense.

Earth from the moon POV

Confusion flux, spurtual,  caused by the solar flare of all solar flares,
one side

Whooshing the Ice left from Patton's flood
into steam, the stuff, not the app,

which swooshhhesssssssssss smack
into the freezing repurcussions
from the daark side…

The Noah event, that was bad,
This one, the last one, this just previous one,

was spiritual. Magnitudes incomparable
(save in parable and example, exemplar gratis,
says the bodiless being, with a roll of  my wrist and a bow)

At that very time on the side away from the flare,
the daark side of the planet, this one…

a Donald Patton nitrogen snow ball
that nearly breached Roche's limit,

too not nearly enough,
dis -integration
The atmosphere freezes
to the quark level, snap,

the cold
explosive
forward momentum
booms a nitrogen bubble now
minusminusminus
solid nitrogen
melting

any heat locked in flare fired steam,
what was once the water
that washed away the gods and locked their cities
of ivory under the ice

on the sunny side,
where now, then,

a solar flare like legends build empires upon
has passed, fires rage

there were survivors who lived to tell

and old stories never die. Old story tellers do,

Only miners survived, gold digger mostly,
few alchemists who knew the mystery in mercury,
Lost was all knowing but to a very few,
who truth be told had been the owner's
well kept servants, ministers of this and that
they perished with all the fires touched

we diggers, we only marvel

How bits of time, exact as ours, can be seen happening
all in bubble of Mercury. Cooked out red rock like these.

"Blood o' the gods of old, swat I'astold."

Messages from the gods, grandma, said, "Mercury calls for gold, gold listens, when fire's hottern fire can be,
unless
the breath of men blow on the coals", we all said that last part and blew out the light. G'night


but a story told a wee bit here a qubit there
here a little, there a little
line upon line,
precept upon precept,

'cept no body knows what I know about cept,

capere, a story starts, a provisioning tale. Wait.

it means grip. like a tool. rock breaks nut.

Paper covers rock, but scissors are so far in the future
that now, my time, my mind wanders after whys

this authoritative telling of the story, in it,
none know the terminal tale.

As in times past, there were survivors who lived to tell

and old stories never die. Old story tellers do,

Tho' here's a clue.
Meek's not bad,
stupid, for no reason, is.

Living long for the sake of a song heard once,
in dream luring me on, promising right now, I'll

know what it's like to see, oh

POV I made this clear some time ago,
time is less predictable than any imagined, before 2018
when, you know…

Even those tales old drunk Hesiod sold
in the Hittite tavern at Delphi,

Chronos thought wrong in those,
he ruled but for the merest gleam o'

Time, then a bubble gen erated by the thought of
opposition to transition,
nothing to something,
pushing /pushing back
stretch/snap/spark
that takes power, pulsing power, throbbing power

push/stretch
glow/snap
you know, imagine, glowing - cheat, think 2018 CG
glow/snap
Planc time,
each time the bubble pushes back
a ripple
imagine a clock, later, if you believe then, you must.

Now, see the bubble of all men have imagined,
since the time when such a bubble was only evil,
continually.

It went viral.
Noah we know for sure, almost, survived, ? Cushites kept records. In Africa.
Akkad kept record, too.
Some Hopi survived somehow and they have a tale.

They say they know the story is ten thousand years old,
I've been to a crossroads
on their journey,
stories
tell of it, still, today.

Holy means marked for good reason.
Marked with clues, not riddles, maps

Sacred means secret means hidden away for use,
not common, every day, quotidian use, right use.

Time, the opposing force, is precious to us all.
In time, we do all we can and die,

in ever, we expand, in no time at all. I imagine.

You fill it. Now, Your expandable mind's time,

time pushes from the outside,
wisdom pushes from the inside,

And so it goes, life goes on and music grows on ya,

Amusing how they do that, teeny muses dancing
shiva on the tip of my tongue,

singings songs in tongues I've never known
if they
are words on tongues
or sounds on tongues,

notes,

Baysian Binary Cross Validation
still ends with some people thinkin'
"it is finished" left them with a ton o'weight,
that's wrong, insist resistance.

Some, heavy duty, leaders of lambs, they claim
power in their mouths, spoken from fixed hearts,

but fixed upon, is truly the song,
said, words are only
little bits of whole sym ulacrum of re-ify-ing

where broken things re-pair, and life goes on…

"fixed, my heart is fixed",
no, your heart is machine of the most magnificent design, perfected,
a time at a time.
Flexing, pacing time itself, faster slower,

try some time
alone
be still, pond still

I know the story broke,
I could not hold it.

In the night, bitter cold
Frozen fragile...

There are pieces scattered every

where, everywhere
there is time, there is at least, a point

a story may stand upon and ask an angel
to dance.
Dance, give it some flare, what do we care?

Nobody's watching, but that fly.

Poems about Leaves and Leave Taking (i.e., leaving friends and family, loss, death, parting, separation, divorce, etc.)


Leave Taking
by Michael R. Burch

Brilliant leaves abandon
battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak
November sky.

Now, as I watch the leaves'
high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say
"goodbye."

Published by The Lyric, Mindful of Poetry, There is Something in the Autumn (anthology). Keywords/Tags: autumn, leaves, fall, falling, wind, barren, trees, goodbye, leaving, farewell, separation, age, aging, mortality, death, mrbepi, mrbleave

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," which dates to around age 14 or 15, or perhaps a bit later. But I worked on the poem several times over the years until it was largely finished in 1978. I am sure of the completion date because that year the poem was included in my first large poetry submission manuscript for a chapbook contest.



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

Originally published by The Neovictorian/Cochlea, this poem has since been translated into Russian, Macedonian, Turkish, Arabic and Romanian.



Something

for the children of the Holocaust and the Nakba

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
which finality swept into a corner... where it lies
in dust and cobwebs and silence.

Published by There is Something in the Autumn, The Eclectic Muse, Setu, FreeXpression, Life and Legends, Poetry Super Highway, Poet's Corner, Promosaik, Better Than Starbucks and The Chained Muse. Also translated into Romanian by Petru Dimofte, into Turkish by Nurgül Yayman, turned into a YouTube video by Lillian Y. Wong, and used by the Windsor Jewish Community Centre during a candle-lighting ceremony



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

"****** most foul! "
cried the mouse to the owl.

"Friend, I'm no sinner;
you're merely my dinner! "
the wise owl replied
as the tasty snack died.

Published by Lighten Upand in Potcake Chapbook #7



escape!

for anaïs vionet

to live among the daffodil folk...
slip down the rainslickened drainpipe...
suddenly pop out
the GARGANTUAN SPOUT...
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.

Published by Andwerve and Bewildering Stories



Love Has a Southern Flavor

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle's spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume...

Love's Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines...

Love cannot be contained, like Southern nights:
the constellations' dying mysteries,
the fireflies that hum to light, each tree's
resplendent autumn cape, a genteel sight...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

Published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India) , Victorian Violet Press and Trinacria



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine... you must not ask.

The time is not, nor ever shall be.
Merlyn's words were only words;
and now his last enchantment wanes,
and we must put aside our swords...



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
    and his sword forged by Wayland
    and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
    and ready for war,
    an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



faith(less), a coronavirus poem
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 14-15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Insurrection
by Michael R. Burch

She has become as the night—listening
for rumors of dawn—while the dew, glistening,
reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights—flickering
in the distance—till memories old and troubling
rise up again and demand remembering ...
like peasants rebelling against a mad king.

Originally published by The Chained Muse



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us―the first great success they achieve.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



The People Loved What They Had Loved Before
by Michael R. Burch

We did not worship at the shrine of tears;
we knew not to believe, not to confess.
And so, ahemming victors, to false cheers,
we wrote off love, we gave a stern address
to things that we disapproved of, things of yore.
And the people loved what they had loved before.

We did not build stone monuments to stand
six hundred years and grow more strong and arch
like bridges from the people to the Land
beyond their reach. Instead, we played a march,
pale Neros, sparking flames from door to door.
And the people loved what they had loved before.

We could not pipe of cheer, or even woe.
We played a minor air of Ire (in E).
The sheep chose to ignore us, even though,
long destitute, we plied our songs for free.
We wrote, rewrote and warbled one same score.
And the people loved what they had loved before.

At last outlandish wailing, we confess,
ensued, because no listeners were left.
We built a shrine to tears: our goddess less
divine than man, and, like us, long bereft.
We stooped to love too late, too Learned to *****.
And the people loved what they had loved before.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go—
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their forced laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the Eraser, Fate,
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking sagely above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time. Keywords/Tags: premonition, office, party, parting, eve, evening, stranger, strangers, wine, laughter, moon, shadows



Survivors
by Michael R. Burch

for the victims and survivors of 9/11 and their families

In truth, we do not feel the horror
of the survivors,
but what passes for horror:

a shiver of “empathy.”

We too are “survivors,”
if to survive is to snap back
from the sight of death

like a turtle retracting its neck.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm ― I hope you hear it.

Much love I bring ― I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Komm, Du ("Come, You")
by Rainer Maria Rilke
loose translation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return—my heart’s reserves gone—
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I’m lost. Nobody knows me here.



This is my translation of the first of Rilke’s Duino Elegies. Rilke began the first Duino Elegy in 1912, as a guest of Princess Marie von Thurn und Taxis, at Duino Castle, near Trieste on the Adriatic Sea.

First Elegy
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Who, if I objected, would hear me among the angelic orders?
For if the least One pressed me intimately against its breast,
I would be lost in its infinite Immensity!
Because beauty, which we mortals can barely endure, is the beginning of terror;
we stand awed when it benignly declines to annihilate us.
Every Angel is terrifying!

And so I restrain myself, swallowing the sound of my pitiful sobbing.
For whom may we turn to, in our desire?
Not to Angels, nor to men, and already the sentient animals are aware
that we are all aliens in this metaphorical existence.
Perhaps some tree still stands on a hillside, which we can study with our ordinary vision.
Perhaps the commonplace street still remains amid man’s fealty to materiality—
the concrete items that never destabilize.
Oh, and of course there is the night: her dark currents caress our faces ...

But whom, then, do we live for?
That longed-for but mildly disappointing presence the lonely heart so desperately desires?
Is life any less difficult for lovers?
They only use each other to avoid their appointed fates!
How can you fail to comprehend?
Fling your arms’ emptiness into this space we occupy and inhale:
may birds fill the expanded air with more intimate flying!

Yes, the springtime still requires you.
Perpetually a star waits for you to recognize it.
A wave recedes toward you from the distant past,
or as you walk beneath an open window, a violin yields virginally to your ears.
All this was preordained. But how can you incorporate it? ...
Weren't you always distracted by expectations, as if every event presaged some new beloved?
(Where can you harbor, when all these enormous strange thoughts surging within you keep
you up all night, restlessly rising and falling?)

When you are full of yearning, sing of loving women, because their passions are finite;
sing of forsaken women (and how you almost envy them)
because they could love you more purely than the ones you left gratified.

Resume the unattainable exaltation; remember: the hero survives;
even his demise was merely a stepping stone toward his latest rebirth.

But spent and exhausted Nature withdraws lovers back into herself,
as if lacking the energy to recreate them.
Have you remembered Gaspara Stampa with sufficient focus—
how any abandoned girl might be inspired by her fierce example
and might ask herself, "How can I be like her?"

Shouldn't these ancient sufferings become fruitful for us?

Shouldn’t we free ourselves from the beloved,
quivering, as the arrow endures the bowstring's tension,
so that in the snap of release it soars beyond itself?
For there is nowhere else where we can remain.

Voices! Voices!

Listen, heart, as levitating saints once listened,
until the elevating call soared them heavenward;
and yet they continued kneeling, unaware, so complete was their concentration.

Not that you could endure God's voice—far from it!

But heed the wind’s voice and the ceaseless formless message of silence:
It murmurs now of the martyred young.

Whenever you attended a church in Naples or Rome,
didn't they come quietly to address you?
And didn’t an exalted inscription impress its mission upon you
recently, on the plaque in Santa Maria Formosa?
What they require of me is that I gently remove any appearance of injustice—
which at times slightly hinders their souls from advancing.

Of course, it is endlessly strange to no longer inhabit the earth;
to relinquish customs one barely had the time to acquire;
not to see in roses and other tokens a hopeful human future;
no longer to be oneself, cradled in infinitely caring hands;
to set aside even one's own name,
forgotten as easily as a child’s broken plaything.

How strange to no longer desire one's desires!
How strange to see meanings no longer cohere, drifting off into space.
Dying is difficult and requires retrieval before one can gradually decipher eternity.

The living all err in believing the too-sharp distinctions they create themselves.

Angels (men say) don't know whether they move among the living or the dead.
The eternal current merges all ages in its maelstrom
until the voices of both realms are drowned out in its thunderous roar.

In the end, the early-departed no longer need us:
they are weaned gently from earth's agonies and ecstasies,
as children outgrow their mothers’ *******.

But we, who need such immense mysteries,
and for whom grief is so often the source of our spirit's progress—
how can we exist without them?

Is the legend of the lament for Linos meaningless—
the daring first notes of the song pierce our apathy;
then, in the interlude, when the youth, lovely as a god, has suddenly departed forever,
we experience the emptiness of the Void for the first time—
that harmony which now enraptures and comforts and aids us?



Precipice
by Michael R. Burch

for Jeremy

They will teach you to scoff at love
from the highest, windiest precipice of reason.

Do not believe them.

There is no place safe for you to fall
save into the arms of love.
save into the arms of love.



Love’s Extreme Unction
by Michael R. Burch

Lines composed during Jeremy’s first Nashville Christian football game (he played tuba), while I watched Beth watch him.

Within the intimate chapels of her eyes—
devotions, meditations, reverence.
I find in them Love’s very residence
and hearing the ardent rapture of her sighs
I prophesy beatitudes to come,
when Love like hers commands us, “All be One!”



Keywords/Tags: Rilke, elegy, elegies, angels, beauty, terror, terrifying, desire, vision, reality, heart, love, lovers, beloved, rose, saints, spirits, souls, ghosts, voices, torso, Apollo, Rodin, panther, autumn, beggar

Published as the collection "Leave Taking"

The white man, can't say the word "*****". They say because its offensive, it's rude, but I know the real reason why. I know, because that's what I am; a ******. Born as a ******, lived as ******, I know why the white man can't say the word ******. They say that it makes no sense for the blacks to use this insulting, disgusting term for themselves, but only because they don't know the true meaning. We bear the name as a scar, as a reminder of what we fought, of what we were. We bear the name as a reminder of our ancestors, and their long hot days in the cotton fields, picking until their finger tips were raw with blood, whipped until their skin was indistinguishable from the raw fleshy pulp that was their aggravated flesh laced with the crimson nectar of their veins. We bear the name, to remind ourselves, that even amidst all this we lived. We fought our way through the darkness of the tunnel. We bear our scar, to remind us, to remind you, that we survived, that we are survivors. I bear the name, I bear the scar of a ******. That is why we call ourselves the name ******. It is our word of honor, our mark of surviving. The white man is not worthy enough to call me a ******.

[April is ****** Assault Awareness Month.]

“****** Assault Awareness Month” is *******.

For 30 days you’ll wear a teal ribbon and hold “We Believe Survivors” signs.

But
Should I thank you for 30 days of ally-ship?
No.
Did you believe me on March 31st?
No.
Will you believe me on May 1st?
No.

30 days.
You’ll scream
ALLY ALLY ALLY
Believe survivors
ALLY ALLY ALLY
Support Survivors
ALLY ALLY ALLY
Hold rapists accountable.
ALLY
Bull. ****.

Go ahead and pretend ****** assault only happens in April.
Throw out your teal ribbons on May 1st
because it’s not ****** Assault Awareness Month anymore.
You don’t have to care anymore.

But I do.
What my rapists did is something I live with
335 more days
than you’ll care about an issue.

You don’t realize the ribbons you pin your bags and shirts are
smaller
than the
bruises he left on my thighs
But
you don’t care what one survivors thinks of you
so long as the world knows that
for 30 days, you wore a teal ribbon

Your message of ally-ship
30 days a year
doesn’t erase
your hypocrisy the other
335 days.

I lie awake in bed, too numb to feel my own heartbeat.
Underneath these calm features lies a panic stricken freak,
Broken beyond repair, paranoid of the air around him.
Dead eyed and drowning, without the hope or the will to swim.
Swallowed whole by the darkness surrounding the thoughts in his head,
Survivors Remorse, when he lives, but better people are dead.

Thirteen is a fragile age
For both boys and girls
Not only for girls
But mostly for girls
When you are a female,
By the time you’re thirteen
You already have a basic idea of what you’re supposed to be like:
What you should wear, how you should behave, what you should say
By the time you’re a thirteen-year-old girl in the year 2008
There is an unspoken list of rules,
A non-verbal inventory of criteria that you should have met
By your fourteenth birthday
You must shave your legs,
You mustn’t wear dresses above knee length,
You must lose your virginity
By the time that I was thirteen years old,
All of my closest girl friends had lost their virginities
Albeit, they were fourteen and I was thirteen because I was a year ahead
But that is a different story for a different poem
This poem is about ****
I remember hearing my friends talk about how they had lost their virginities
In their beds, in the shower, in the backseat of his car
But when I was thirteen, I wasn’t worried about ***
I didn’t want to lose my virginity
Not in a bed, or a shower, or the backseat of a car
No, when I was thirteen, I was highly preoccupied with other things
I was worried about love and what love meant
I wanted to feel love in my heart and in my head
Before I ever felt it in my ******
And let it be said, now, half a decade later
That *** and love are not always the same thing
I wish I would have known that then
I wish I would have known that when he put his hand down my pants
While I was only trying to enjoy a movie in the company of my boyfriend
A man who I thought I could trust
Excuse me, a boy who I thought I could trust
I wish I would have known that when he whispered daggers in my ear
Telling me that he loved me enough to “grace” me with his touch
I wish I would have known that when he pushed me into the couch
With the rough insides of his palms
And gained entry to a gate
That I never gave him the key to
And I wish I would have known that when I asked him later,
“What just happened?”
Too stunned and in pain to cry
And he replied,
“It’s what girlfriends and boyfriends do.
It’s what you do when a girlfriend loves her boyfriend.
You do love me, right?”
And I said yes
When I went back to his house a week later,
I told him that I felt ashamed, and guilty, and *****
Because I didn’t want to lose my virginity
And I had told him that again and again and again
And I was enraged
I was angry because I didn’t have a word for what had happened to me
I had been taught that **** only happens in dark alleys
Not in the basement of your boyfriend’s home
I had been taught that **** only happens when you wear short skirts and halter-tops
Not jeans and a sweatshirt
I had been taught that rapists were old men who I didn’t know
Not my sixteen-year-old boyfriend of two years
And he responded to my anger
But instead of pushing me into the couch,
He pushed me into the wall
And then into the floor
And then out of his life
And you would think,
“Good, this is where it ends. It’s all over now.”
But let it be said, now, half a decade later,
That for survivors of ****** assault, it is never over
The story continues with Planned Parenthood staff, two years later
Having to be the ones to break the news to me
That it was not normal relationship behavior
And hearing the nurse, outside the door, tell another nurse,
“We’ve got another one.”
The story continues with my father asking me,
“Are you sure you didn’t just have *** with him? Were you asking for it?”
The story continues with my sixteen-year-old classmates
Calling me a ***** *****
Because a friend of my ****** decided to tell the entire school
About what had happened to me in that basement three years prior
The story continues after I broke up with my ex-fiancé
And he befriended my ******
In an attempt to **** me off for “breaking his heart”
The story never ends for ****** assault survivors
Statistically, a quarter of the women reading this poem
Will be or have been ***** at some point in her lifetime
And for those women, the story will not end
So now the question presents itself:
How can we end the story?
Therefore, as the author of this **** poem,
I take responsibility for this question,
And I answer it this way:
In the same way that I learned
When I was thirteen years old
That love and *** are not always the same thing,
You must teach your boys
That yes and silence are not always the same thing.

The flower doesn't ask to bloom;
Nor does it whisper,  "I will one day die. "
It's aware of its penultimate doom,
But yet, it lives; it's aware of its life.

Like the classics, they are survivors.

The Hemingways, with their red rage.
The Fitzgerald's, as innocent as lilacs.
Those Bukowskis; that smell of sage
Splattered all over their heart attacks.

Like the classics, they are survivors.

The touch of the Woolf's; bliss.
The smell of the Sexton's; pain
The look of the Plath's; abyss.
These flowers; victims of the honest brain

Like the classics, they are survivors.

Like the flower, they all had to bloom.
It was the start of their doom.
Those heavenly colors, like their words,
Are survivors, yet somehow, absurd.

Like the classics, they are survivors.

I am in debt to you all.
I write in your honor.
To continue this cycle of death;
Now there's your writer.

I found I was inexperience the very day
I experienced my first experience,
So I decided to do wrong because
I was engaged in over righteousness,

I have sown a particular seed of truth
In the strange garden which I planted,
The seed must be allowed to germinate
And grow until it is ready for harvest,

It shall bear only one fruit,
The fruit shall contain only one seed,
This seed shall be the seed of crime,
Oh, some crimes brings much
Experience in liberty and justice,

We have been liberated in the
Mist of their inhumane crimes against us,
I wonder who really invented the name Africa,
They think we are poor and needy
But we are rich with excess
Untapped human and natural resources,
We are not lost
But have found the Black Star
Which is the compass for all mankind,

We never went to them,
They came to us,
They came to exploit us by cheating,
Deceiving and bringing confusion among us,
Oh, that old serpent, the devil,

They began colonizing us,
But with ***** on our side
None sustained into the twenty-first century,
They claim to be superior to the black man,
But this is just the beginning,

Within forty-years, we were able
To gain our independence
First with the spirit of Ghana
And finally crushed apartheid triumphantly,

We gave them a hospitable atmosphere
When they first arrived on our shores
As orphans and beggars,
Not knowing, they were looters and murderers,

They pride themselves as the introducers of
The Christian faith in the land of the Blacks,
They have no idea about Makeda, the Queen of Sheba,
Who later marriage King Solomon, the wise king,
No idea about the Ethiopian ******
Who was baptized by Philip in the name of Jesus,
No idea about Ras Kabutu Munhunutapa,
Was Jesus Christ not nursed in the Land of Blacks?

They realized the beauty in the
Black woman and had the gut
To propose to mother Africa (Sudan),
Upon refusal, they ***** and brutalized
Some of the daughters of mother Africa,
But the Almighty shall restore the excellence
And pride of Africa,
Like the excellence of the Garden of Eden,

Oh, what a devil with an attitude,
None of them speaks the truth,
They are full of injustice and deception,

Yes, Ethiopia is our home
And the Land of the Pharaohs is our pride,
We do not only boast in our ancient glory,
But we have a future glory of an Africa,
Which a future Mentuhotep II shall unite us with,
Yes, a future glory of black superiority,
Which a future Ras Kabutu will make us behold,

We are all pilgrims walking on the same
Road with different destinations,
Yet they are afraid of a united African force,
They shall surely give an account to Him
Who is ready to judge the living and the dead,

They sold us as slaves in order to
Steal our pride, depopulate and demoralize us,
So that, they can use their secondary
Intelligence to exploit our resources,
But they will not succeed for long,
For we know their ways of deception,
Yes, we are the prisoners of hope,
Very soon, we shall be like Jewels of a crown
Lifted like a banner over the earth and space,

Is it normal to be normal?
Oh, see how the Balance weighs down
The opportunist and the Group of Eight,
Inequalities have taking over the
Impartiality and fairness of man,
Who got away with the last hit?
The answer is always in the naive one
Who has purposed in his heart not to answer,

For they built themselves towers,
Heaped up our silver and diamond like dust,
And our gold and timber
Like the mire of the streets,
Behold, the Almighty will cast them out,
He will destroy their powers in the sea,
And they will be devoured by fire,
For we are the children of Tweaduampon,
The ones made from the richest part of the earth
The cradle of mankind,
The true descendant of Ras Kabutu,

We are the Africans
We are the survivors,
We seek a Heavenly Nation,

We keep our faith in the African Personality,
We keep our eyes on the road of African Unity,
Keep your head up on the Black star,
Keep on keeping on in the Black mentality,
Without defying the establishment!


© PRINCE NANA ANIN-AGYEI
Email: nanaspeaks@gmail.com

Erebus disaster - November zulu niner zero one
November zulu niner zero one
This is Vanda Station.
We have clear weather with no cloud and little wind.
If you want to fly over the dry valleys we will flash you with our signal mirrors so you can pinpoint the station.

Vanda Station, this is NZ niner zero one
Roger, we are now just north of Cape Hallett and will call you again for directions.
November Zulu Niner zero one Vanda Station.
Roger It’s a right hand turn just after Beaufort Island.

For the next few hours
There was no word
worst feared not heard
The radio crackled through the night
In the un natural sound of SSB
All crew up drinking coffee and tea
with the midnight sun
Glued to the HF single sideband
November zulu niner zero one
November zulu niner zero one
This is
mac centre mac centre
howcopy
November zulu niner zero one
This is
vanda station vanda station
five four zero zero
Relay relay mac centre mac centre
Please contact mac centre eight niner niner sefen
Contact mac centre eight niner niner sefen
Relay relay mac centre
Contact mac centre eight niner niner sefen howcopy

All through the night
Over and over
Hour after hour
The same message
Until that fateful call
Feared by all
Mac centre mac centre
This is
navy three two one
wreckage sighting wreckage sighting howcopy

mac centre
navy three one niner
Longitude
One six sefen
Two sefen echo

Latitude
Sefen six
Two six sierra
howcopy
Mac centre mac centre
This is
Navy three two one
Correction Correction
I say again latitude
I say again Latitude
Sefen sefen
Two six sierra
howcopy
Mac centre
Navy three two one
Ahh ahh mac centre There appear to be no survivors
Howcopy
So it was then,
That the on board data longitude error some would blame for the crash
Is something that happens often but is accommodated by good airmanship
by not relying on one thing alone.
was repeated in similar fate
by a latitude error
in the crash site location message
from the search aircraft XD01-48321
that found a terrible sight
that the sun stayed up on late
on a truly awful night
when 257 souls met their fate.
©GARY LEWIS.2009

I had a sister once
She had sunshine in her smile
She was everybody’s friend
For you she’d gladly walk a mile

When I see her in my mind’s eye
Jeanette’s forever young
When we lost her to the monster
She was only 41.

So that is why tomorrow
I’ll be racing for the cure.
With caregiver’s and survivors
We will beat the beast for sure.
And if my step should falter
As I am no longer young
Her ghost will run beside me
Until my race is run.

Perhaps you have a sister too,
Or someone that you love
Perhaps she’s a survivor
Of a battle bravely won

We must celebrate the victories
Each year there are still more
Until what was a feeble cheer
Becomes a mighty roar

So that is why tomorrow
You’ll be racing for the cure.
With caregiver’s and survivors
We will beat the beast for sure.
And if your step should falter
For you are no longer young
Your survivor friend will pace you,
Until this race is won.

Gather at the starting line
Young and old together
The sisters and the daughters
And survivors feeling better
There may be 20,000 here
The organizers say
They fail to count the shadows
Who will run with us today.


So that is why today we’re here
All  racing for the cure.
Family , friends and lovers
We will beat the beast for sure.
And if our steps should falter
For we are no longer young
Our dead will bear us forward,
Until their race is done.

I'd like to tell you a story
It begins in 1492
When dear old Christopher Columbus
Sailed the ocean blue

He landed on what he thought
To be the country of India
He stumbled upon a group of people
Who appeared to be indigenous

Because these native people
Happened to be where he thought he was
He called them all "Indians"
&& somehow that name stuck

They welcomed his group with open arms
Even offered them their feast
Unaware that deep inside
They were but wolves, dressed as sheep

Columbus && his crew
Soon ravaged the land
They took what they saw
Then they took full command

Of the people they found
On the land where they landed
They felt they should rule
So they stepped in, heavy handed

They murdered the people
Who had taken them in
Set fire to their villages
While the victims watched with their kin

Flash forward to the future
It's now 2016
It's been over 500 years
Since the overtaking by the regime

Future settlers decided
To let the survivors live on
They designated them small areas
Of what had not yet been robbed

These Native Americans,
Generally keep to themselves
They get by living off their land
But now they need your help

The Sioux of Standing Rock
Are being horribly mistreated
The state of North Dakota
Is poisoning them without reason

A pipeline has been built
That runs through this Native territory
When Bismarck residents didn't want it
It was rerouted, how discriminatory

People from all over the country
Are seeming to agree
They are making the commute
To protest peacefully

In defense of an oppressed people
Who only want to live
But the government is stepping in
Even blowing off some limbs

"Let them die, they're not like us"
the message the administration is sending
It seems that after all this time
The battle is never-ending

What exactly does it take
For people to see eye-to-eye?
In the end we're all just human  
We kiss, we laugh, we cry

So if you have a heart at all
If you know that this is wrong
Please join the Sioux in their mission
By coming together, we can be strong

The solitary reminder,
a sole survivor,
hopeful-placed,
forgivingly encased
in little boxes decorative
hidden in plain sight
throughout our home.

Single and incomplete,
the lonesome leftovers,
openly hid upon bookshelf,
desk corners, fireplace mantels,
storage units of the
I am unlost,
I am unfound,

Raise your hand,
stand up and say
that is me,
that is me.

Minor treasure chests,
of carved wood, seashell real,
acquisitions of trips
to faraway places,
these boxes, they themselves,
visible but unremembered,
just there, no cares,
no one knows,
when or why.

that is me,
is that me?

Space fillers, memory taunts,
grandchildren's playthings, delight,
when they someday come visit,
weather and parents permitting,
finding keys for locks, doors,
from three homes ago.

Can they unlock me too?

Boxes hoard the things
we have lost, but cannot discard,
can't sacrifice, gotta keep,
an admixture of buttons,
dried flowers, faded notes that
once upon a time mattered,
shook someone's world...

Some kept in hope,
others, sequestered, lock-up,
jails that we are both
jailor and jailed,
the joke being on me.

Should we, you and I,
exchange these
cases histories of lost hopes, memories,
it would not be surprising,
if when opened,
the contents identical,
even if you are in Manila,
Leeds, places of need,
and yet,
we would be shocked,
asking,

*that is me,
is that me?

people operate under the wild belief that
survivors are strong by nature
strong is a weak word
adaptable is better
The meek shall inherit the earth
the strong will die trying to save it
Me? I’m a survivor
an actor master of disguise
playing the part of a self-righteous anti-hero
but when the bombs start falling
you aren’t coming in my bomb shelter
hell no
and when the mobs are chasing us
I’m tripping you for a few more precious seconds
too stubborn to die quite yet
but don’t worry
when the dust has settled
and the cults have left their caves
to repopulate this rock
I’ll tell the story of your heroic sacrifice

With both of us standing
Infront of the guillotine,
Why did you take her
Instead of me?

I'm trying to find the reason.
Why did I deserve to live?
What kept me here
And took her away?

I'm not even close
To deserving half a life.
But she did nothing wrong,
Still she's the one you took.

Maybe it's survivors guilt,
And maybe i'm being stupid.
But I don't understand,
Why God would take a soul like hers
And leave me to live.

Out on the runway, screaming at grey engines
how did he not open his stomach up in front of the T.V.?
how did Tommy go on living,
the boy never showed, they were to fight at 3, after school
who will I fight now? Who will I hurt?
Who has survived the drowning
Black Atlantic,
bone nails clawing to shore,
writhing in the black tentacles
of scuba gear.
Who stalks the land anew;
unafraid.

Erebus disaster - November zulu niner zero one
November zulu niner zero one
This is Vanda Station.
We have clear weather with no cloud and little wind.
If you want to fly over the dry valleys we will flash you with our signal mirrors so you can pinpoint the station.

Vanda Station, this is NZ niner zero one
Roger, we are now just north of Cape Hallett and will call you again for directions.
November Zulu Niner zero one Vanda Station.
Roger It’s a right hand turn just after Beaufort Island.

For the next few hours
There was no word
worst feared not heard
The radio crackled through the night
In the un natural sound of SSB
All crew up drinking coffee and tea
with the midnight sun
Glued to the HF single sideband
November zulu niner zero one
November zulu niner zero one
This is
mac centre mac centre
howcopy
November zulu niner zero one
This is
vanda station vanda station
five four zero zero
Relay relay mac centre mac centre
Please contact mac centre eight niner niner sefen
Contact mac centre eight niner niner sefen
Relay relay mac centre
Contact mac centre eight niner niner sefen howcopy

All through the night
Over and over
Hour after hour
The same message
Until that fateful call
Feared by all
Mac centre mac centre
This is
navy three two one
wreckage sighting wreckage sighting howcopy

mac centre
navy three one niner
Longitude
One six sefen
Two sefen echo

Latitude
Sefen six
Two six sierra
howcopy
Mac centre mac centre
This is
Navy three two one
Correction Correction
I say again latitude
I say again Latitude
Sefen sefen
Two six sierra
howcopy
Mac centre
Navy three two one
Ahh ahh mac centre There appear to be no survivors
Howcopy
So it was then,
That the on board data longitude error some would blame for the crash
Is something that happens often but is accommodated by good airmanship
by not relying on one thing alone.
was repeated in similar fate
by a latitude error
in the crash site location message
from the search aircraft XD01-48321
that found a terrible sight
that the sun stayed up on late
on a truly awful night
when 257 souls met their fate.
©GARY LEWIS.2009

Tomorrow morning they are going to take them,
what am I going to do?
He says it doesn’t matter to him, because I have a pretty face.
In all the years we've been married, he’s never told me I had a pretty face.
I don’t think he’s going to be able to handle this.
Hell, I don’t think I'm going to be able to handle this.
God ******, I am going to loose my hair,
I am gonna loose my beautiful ******* hair, then everyone will know.
People will put sanitizer on their hands after they shake mine.
All my friends and family will treat me differently.
They’ll feel sorry for me, they won’t know what to say.
And then there’ll be those who will say too much, or the wrong thing.
"I’ll pray for you", some will say,
But I know what they are thinking, they think....
"that is what she gets for drinking her martinis and smoking her ***".
Some will even say it is God’s will.
**** God!
He is stealing my beauty,
my wonderfully gorgeous ****, my hair.
They are a part of me.
I don’t give a **** what a man thinks about my *******,
that they are **** or voluptuous,
they are a part of me.
And now, like a side of beef,
they are going to section me up and take them from me.
What will they do with them?
I mean after they biopsy.
Can I have them to bury?
Sorry, I know that wasn't necessary, but I am mad.
I am mad and afraid, I am so afraid.
I know my husband, he will never be the same.
He doesn’t **** me with his eyes closed, my **** turn him on.
But then any woman’s **** turn him on.
When he reaches to touch them, there’ll be nothing there.
I’ll look like a little boy, nothing.
Maybe I have identified with them too much,
I have made them a big part of my personality.
I've fed my children with them, my boyfriends fought over them,
they have got me into and out of trouble more than once.
****, I am going to have to get a whole new wardrobe.
And now, in the morning
they are going to cut them off of me
and put them in a stainless steel operating room bowl.
Like chicken fat.
Why do I feel like this,
I didn’t cry when the dentist pulled my wisdom teeth?
What if he told me I had to or else I would die, I’d pulled them myself?
I trim my nails, and get my hair cut and dyed.
I exfoliate my skin.
I lost 10lbs last year and I didn’t shed one tear,
my ******* will weigh more than that.
But I am loosing something else,
I am loosing normal.
I'll have to find a new normal.
I am loosing myself
and replacing it with a different person.
I’ll be one of them,
I’ll be a survivor,
a hero.
I'll hold hands with other survivors and walk 10 miles
and wear a **** load of pink.
Hey, but I don't look too bad in pink.

*later this week a friend is going to have a double mastectomy.  These are just a few of the words I have collected from other breast cancer survivors. I had to do something for her. My hope is that we become more aware of the fear and pain that breast cancer victims go through.

Mending
by Michael R. Burch

I am besieged with kindnesses;
sometimes I laugh,
delighted for a moment,
then resume
the more seemly occupation of my craft.

I do not taste the candies;
the perfume
of roses is uplifted
in a draft
that vanishes into the ceiling’s fans

that spin like old propellers
till the room
is full of ghostly bits of yarn ...
My task
is not to knit,

but not to end too soon.

This is a poem for the survivors of 9–11 whose families lost loved ones in the terrorist attacks. Keywords: 911, survivors, victims, first, responders, passengers, firemen, police, heroes, terrorist, attacks, World Trade Center, Flight 93, Pentagon, White House

Abbreviations of the Life Human

these little stories, bejeweled poeticals, long tall tales,
short-held breaths from the savings account breast,
all slow withdrawing-dawning,
all are but the abbreviations of the life human

my fav of course,
the one, the twenty six
the aleph best bet

<•>

4-16-18 10:47pm
a mondo Monday survivors prayer

we're gonna die at some point
and all that we're gonna leave behind us is a bunch of
bad reviews and 2 star ratings
for restaurants that didn't treat us right,
for uber drivers that were too quiet or too loud,
and airline companies that were responsible for 16 long hours
in an airport with too much light and no air.

the day will come and none of us will be ready,
even though some might lie about it, with a cold smile on their face.
there will be no bargaining then,
all the money in the world will be as useless as a pair of flip-flops to a legless person.
for sure, we'll regret using the expression "no regrets!" too often,
instead of accepting our vulnerabilities and our imperfections.

we're gonna die seeing our mother's smile
and hearing our father laughter,
from the day we were born.
just like then, we won't know for sure whether
this is the beginning or the end
whether we are leaving a world or coming into another.

we're gonna hope to use our last breath for something memorable,
something that won't make us not get a good death's sleep,
keeping us awake in a homemade YouTube video.
we're gonna wish that someone finds all of our passwords
and breaks into our emails and social media accounts to realize that
we were geniuses, or something like that and we're gonna look forward
to not being successful and
not seeing anyone cry over something that we said while we were drunk or, worse..

there's nothing more annoying than a come-back to an argument
that comes too late,
the one great idea that could shut down anyone if it would appear in the middle of a fight,
and not afterwards. always afterwards.
when the quarrel initiators are already tucked up in bed, covered in wet dreams and solitude.
nothing for you to do. no hour is decent enough for you to call them in the middle of the night,
shouting your retort, then hanging up the phone and laughing like a crazy person.
that's how after-death must feel like.
a smart answer that comes too late and that no one gets to hear.

our bodies start dying from the day we are born,
little by little,
small chunks of tissue getting rid of our existence,
making us less appealing, less ripe.
our bodies become dumber and dumber every day and start
throwing emotional **** everywhere, hoping to make others mad,
and not care as much about us, near the end.
in a way, it's a form of protection.

we're gonna live through other people's deaths,
we're gonna be "survivors" and "carriers of their memory"
we're gonna try and appear strong for their closest ones,
even though we will forever be broken on the inside after they
become cool, underground.

as we grow older, we believe that death is more about us than the one leaving.
It's possible that we didn't even get to meet him personally,
but he "left a great impression on us", from his real friends' stories.
it's possible that we randomly cross paths with a funeral cortege of some unlucky stranger
and we would still believe that it's about us.
every time we stumble upon it from an observer's point of view, we cannot stop
thinking that it could have been us in that box,
forceless, incapable of protesting against the tie
or the flowers that we are/were so allergic to.
we get lost in our mind, near the coffin and our eyes start to glow
and lose liquid.
every time someone dies, it's always about us. at least, for a couple of seconds or days.

when we die, or are about to die, we find out that death is not at all about us.
it's about those that are left behind, the above mentioned "survivors".
we begin to worry about them,
to fear that there's no fresh milk in the fridge, no gas in the car tank,
that no one took out the garbage, nor fed the cat,
we are about to leave life under the impression that we forgot the fire on.
every time we die, it's never about us. at least, up until the last seconds.

there's no chance in hell that heaven's gonna accept this kind of language!
maybe the subtitle won't work for this part and I'll get off the hook.
I was thinking that one of the greatest penalties
God could give to a feeble-minded person like me
would be the possibility to choose between the infernal region and paradise.
I would end up in a very familiar situation, experiencing the purgatory of my afterlife,
in the same way I did in my entire earthly existence, not being able to pick a side,
make a decision, take a left or a right.. without overthinking it too much.

we're gonna die crying.
we're gonna die hoping that we closed the door.
we're gonna die tasting coffee.

we're gonna die when we least expect it.
we're gonna die in 3, 2..

we're gonna die trying to live.


[https://www.youtube.com/watch?v=CVemwwIDC7c]

Awesome power is it natures wrath
To devastate all in its path
Twisters, winds driving rain
Leaves no place to look the same

In a way as it gathers pace
Never in a human place
Hidden killer out at sea
Land urge where it wants to be

Building strength, gathers speed
To destroy any breeds
The one i recall in this worlds arena
This phenomenon called Hurricane Katrina

Louisiana, New Orleans
Was subject by one so mean
Her awesome might hammers home
We are not on this world alone

The sights viewed all around the world
Natures torture from her living swirl
To consternate these Southern Lands
The rains and winds spew from her glands

The aftermath and splatter view
Killed so many, survivors few
City blocks submerged and broken
A legacy of natures token

New Orleans Jazz continues to play
Although nature won this day
Resilient folks, awesome place
Human nature won this race

Undercover we will rise
But in mother nature we will not despise
She gives us life, we share her hope
To view her strength, we can not gloat

.oh sure, just pass the mortgage payments, i might pay, when i pay off whatever life i lived, and the life i didn't... and some third-party-whatever... oh yeah... just fax me the existentialist details... overloaded with pop Darwinism for the simple answer of a complex question / mode of being... yeah... such the mode of being... give me the mean of non-being... the **** life once was, but became reduced to an epitaph... and only if, if! i am rich enough to afford a gravestone.

don't worry...
if we're just clausit instances
of humanity,
the whole closure chapter...
just wait for the Holocaust
survivors to die with the deniers...
and then you can come
after us...
i'm all up and arms for
en masse euthanasia schemes...
****... let's bypass
the ponces and cowboys...
i'm ready...
   so...
..........................................
tick tock tick tock
tick tock..........................
           missing *****?
****... they castrated you before
they gave you authority
to **** me ethically?!
the *******!
          idiots don't even understand
the whole...
   altar, sacrifice of water mammals...
a beached whale is not
a beached whale...
******* can't even allow
a whale to commit suicide...
even whales ingest a Kamikaze
mentality...
whales don't beach...
but what is the poor ******
going to do...
jump off a bridge?!
   i'm not buying it...
who needs to be saved,
if they can't even be considered
redeemable?!
how can you, "save" someone,
when you cannot provide
redemption for them?
the non-redemption clause:
can't redeem them,
subsequently can't save them...
all you're doing is
prolonging their suffering,
elevating the suffering through
the elevation of failure
in the failure of ending
the suffering...
  so... no one spotted that
the beached whales...
as mammals...
were attempting to commit suicide?
beached whales are whales suicides...
no one saw that?
it wasn't an eye-sore
staring back?
the suicide has already a conundrum
before him...
the lack of suspense,
or rather, the element of surprise...
at least homicide involves
a rush of adrenaline...
       adrenaline... surprise...
     suicide avenue...
     brave people...
                    brave because there is
no suspense of surprise...
absolutely no adrenaline...
          the aspect of consciousness,
the contradictory "choice"...
that contradicts the "choice" of
encountering esse per se,
  or qua vivo...
          i'm not about to solve
this noumenon...
i can't solve it,
because the noumenon of suicide
is already a phenomenon of
a million counter arguments
worth justification...
      but a beached whale?
a whale is a marine mammal...
a beached whale...
what is it? usually a young male...
don't you find it odd...
aren't dolphins intelligent?
aren't whales intelligent?
      so something stupid...
  couldn't exactly elborate the concept
of suicide... could it?
perhaps a stampede...
but surely not a suicide...
         god?
sure... intelligent animals came up
with with god...
but the same intelligent animals came
up with the paradoxical
contradiction, of suicide...
whales...
            beached whales?
you think they were stupid enough
to become, "beached"?
they were in the act of committing
to suicide...
and you were stupid enough
to make attempts at "saving" them...
whatever god is, within the focus of ideal...
suicide is, what god isn't,
within the basis of the inevitability of, will...
we're mortal!