step number one: read the book wintergirls.
tuck away every detail like you're cramming for a test.
dog-ear the pages and carry it with you like a travel guide.
decide that with your fingers and toes always icy cold for as long as you can remember,
you were destined to be a wintergirl.
reread it periodically, for inspirational purposes.

step two: download the myfitnesspal app.
use it to track every calorie you put into your body.
memorize that an oreo has seventy calories, an apple has one hundred, a cup of hot chocolate has eighty,
a bagel has two hundred seventy (a number that terrifies you),
and on and on and on.
let numbers float behind your eyes just before you go to bed,
and let them stay there as you throw off the covers to do guilty pushups and situps in your room
for twenty minutes (burning one hundred and twenty calories).
ignore the warnings shouted at you in red text
when you eat less than twelve hundred calories per day.
look at the projections it gives you for five weeks from now
with weights that seem both too small and too large at the same time.
when your net for the day hits the negatives after weeks of trying,
feel the slightest pang of satisfaction.

step three: find your "thinspiration".
make a tumblr just to look at pictures of jutting-out spines and thigh gaps and ribs.
hold your phone up next to your reflection in the mirror
and pick out everywhere your body differs from hers.
when the girls on the fitness blogs start looking too heavy for your goal,
find the eating-disorder blogs.
obsess over their bodies almost as much as you obsess over yours,
but not quite as much.

step four: begin losing weight.
imagine yourself floating away, feather-light.
imagine yourself becoming skin and bones.
imagine this as you drag your heavy body from class to class,
as your muscles waste from malnutrition.
imagine this as you have to clean your hairbrush out
three times while you work tangles from your hair.
imagine this as you snap at anyone and everyone,
as you spend hours locked in your room.

step five: become a poet and write about yourself.
romanticize your own demons, just by calling them demons.
use as many metaphors as you can,
to avoid the harsh language of the truth.
and especially avoid writing about the crippling guilt
that hits you when you eat too much,
you're fat you're worthless you'll never be anything,
and hits you when you don't eat enough,
what's wrong with you how did you let it get to this point
voices in your head never abating.
avoid writing about your lack of motivation and constant exhaustion and always,
always, use words that imply mystery.
describe your mind as foggy, call your body diminishing.
never say it how it is, because you could convince yourself to quit.
never say that it's torture and you're in pain
and you just wish you were eight again, never considering this path.
never say that you need help but you don't want help.

if you have the urge to say these things,
say only that this disorder is not one you would willingly give up,
because you finally have something to control.
because it is the truth,
but it is also the romanticized truth.

Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.

A net sum of years,
            and romanticized numerals,
Built up by birthdays,
            to be torn apart by funerals.

Frayed ends of friendships,
            pulled until they popped.
A holy mess
            in the wake of a difference,
Between what said
            and what was thought.

I'm a Barbie Girl,
in a Barbie World.
Life's fantastic: I
feel like plastic,
aiming for an eighteen-inch waist because I can afford to throw my internal organs away.
I feel like plastic,
having to choose
between eating and breathing with not enough space for two tubes.
I feel like plastic,
a thirty-nine inch bust and three times the forehead.
I feel like plastic,
a size nine squeezed to a three, spending
three to nine avoiding mealtime because my weight loss book says
'Don't eat.'
I'm a Barbie Girl,
in a Barbie World.
Life's fantastic, but...
I'm not plastic.
I've sat here listening while you complain about society but I don't think you realize that
society is made by you.
You complain about masks but you're masked by your poetry and
trust me,
it's trendy:
Psychiatry.
A bottle of capsules captures your soul and your dreams,
fading
reality.
I cannot be defined because a definition leaves no room for change and I
am a flame,
ready to burn the cardboard box of priority you put over me.
All the cool kids are lesbians and thespians on about repressions
and I care,
I do,
I mean... I'm standing here among you.
But words are just air.
You can stand on this stage and tell me I'm beautiful, but
I am more than my face so
disregard my mild distaste for your
inspirational speech.
Now, this...
This isn't a call for help.
This is a call to arms.
This
is a battle cry because
I
am sick of waiting for a future that should've happened yesterday.
So use this air to live the words you say and
rally.
Do not soothe, because we've already been cocooned by soothed reality in
Shawnee,
Johnson County.
I'm a real girl,
in a real world.
Life's fantastic, and I
refuse to be plastic,
aiming for generic weight range based on content, not scale number.
I refuse to be plastic,
a neck moulded perfectly for both eating and breathing so I don't have to choose.
I refuse to be plastic,
a bust that you don't need to be sizing
when I've got eyes
a green not of romanticized meadows but of drunken
puke.
I refuse to be plastic,
a size nine foot in a size nine shoe,
spending three to nine
enjoying my meal times,
because my weight loss book is
chucked down the chute.
I'm a living girl
in a beautiful world.
Life's fantastic,
because I'm not plastic.

If there's a way to dig a little deeper into
       a new layer of skin, tap into
something in our bones that hasn't already
       been analyzed and speculated by
doctors under bright white lights on cold
       impersonal tables surrounded by
an army of masked, gloved and
       sanitary conscious individuals-
a method of existing that hasn't
       been romanticized and isn't cliche,
I'd really like to know.

       Because in vicious turbulent cycles I'm falling head first
for things that have been worshipped
       so many times in trance-like
moments of adolescent anguish and
       pretenses of solitude seeking introverts that lie
to themselves cause they don't have
       the guts to do it to others.

Who the hell is alright behind a smile masking a cringe?

       And all the tropes idolized and hymns
murmured by Sad folk
       don't really make you feel special anymore
cause you've lost your individuality
       by stepping into yet another trap.

But then again hating all things has long ago been branded as
       valueless, when in fact
values are the only things you're really searching for.

POEM FOR IMALRIGHT
Dear Imalright
I discovered your poetry and LOVED all of it. I was struck by lots of what you wrote and it inspired to write this to you. I promise you I mean every word of it.
I read your poems:
Unexceptional
Unbeautiful
Anxiety at 3AM
Two sad teenagers
Relapse
Fifteen
Starving artist
2014
Nothing special
Rough Edges & a dorky face
Under eyes
I adored them and spent the better part of a full day, hours and hours combing through the verses, dissecting the poems, analyzing the words and fully appreciating your incredible work. I picked out my very favorite phrases or yours that I found particularly powerful and moving and responded to these lines. I wanted to start a challenge. (In fact I posted this challenge as a poem, you can find it on my page).
I thought it might be nice to do like a secret santa thingy on hellopoetry only not secret and not santa… what I mean is, find a random stranger you literally have never met and do NOT know at all whose poetry you like and spend actual time genuinely reading their work, picking out your favorite lines and responding to them, pondering them, etc. Write something positive to them and post it as a poem with their name in the title. The “DEAR BLANK” challenge only you put their name instead of “blank”. I think we could all use a little recognition that we exist and are worth something since everyone seems a little depressed on here (including myself) which is fine, it’s a great outlet but it would be nice for people to just spontaneously find that a random stranger spent time in their life just to recognize you and care about your poetry. To write a kind poem/letter to them responding to lines in their poetry. I just thought that you seemed like a wonderful poet and a wonderful person based on your poetry so I chose you, Imalright. So here it is:

Your head whispers these words that crawled onto the page:

We're the kind of people that fade into the background

that people forget are in the room.

-Imalright

I won’t say something that the rest of society seems to think fixes everything. I won’t tell you the typical: you are important to everyone, you are not just a faded part of the background, people do notice you etc. because those are empty words everyone uses and they people who are always pretty in the spotlight are always the ones to say it, so what do they really know about the background, forgotten, white-noise people like us?

I will tell you, instead, I know it hurts like hell to be forgotten. For your existence to go unnoticed. I know being a part of the background is never anyone’s first choice. I am a backdrop-dweller myself. I am the unnoticed girl who blends in with the shadows. There is nothing wrong with that.
Never forget that the starry night sky is a background too. You can still be wonderful without being the center of attention. You can still be wonderful even if you are a part of the background. I want you to know, I noticed your poetry. I noticed you, and your name, and your wonderful talent and I have spent my time dissection every poem you have posted because every single one of them, is a different shade of amazing. We are all backgrounds in someways but what we choose as our phone screen backgrounds tend to be pictures of what we love the best. Pictures of beautiful things. There is nothing unbeautiful about the background. So from one forgotten soul in a room to another, I your poetry was just another account in millions like the stars but you are one of the loveliest sections of this world’s background I have ever seen. Keep that in mind. 







I just wish that I was one of those beautiful things.

-Imalright

Once again, I won’t use a society phrase like: Everyone is special and beautiful in their own ways!! Because people don’t seem to get that no matter what they say, it doesn’t even matter if it is true, but if you tell someone who thinks they are not one of those beautiful things that they are beautiful They. Do. Not. Believe. You. It just doesn’t matter, it won’t change their mind, it doesn’t help and it doesn’t fix it. It just makes them feel like you are lying to them and then they feel vain and self-conscious about admitting to you that they don’t feel beautiful etc. etc. I’ve been there so I know.
So I won’t tell you that. But I will tell you a couple facts instead.

It is a fact, that there is ugly inside of every single person.
It is also a fact, that there is beauty inside every single person.
Because beauty is NOT a definable concept. It is different to every person depending what kind of lens they look through and let me tell you, physical beauty is artificial and even though I wish I could be physically attractive in my own eyes, I have come to accept and I hope you have too or will as well, that a deeper beauty than that is inner beauty. What you keep in the cracks and crevices you made yourself in your soul. I think you are beautiful. I the pages you’ve written on soaked with ink made out of your inner self is magnificent. Your way with words and your flow of thoughts, the way you look at life through an indigo-tinted-one-way-glass-lens, it is all a whispering sort of beauty. Like the soft ringing sound of raindrops skimming the window pane on a grey sky, storm cloudy day. That same sort of delicate loveliness. I think you are a very unique and exquisite color of beautiful unlike any other poet I’ve ever seen. I don’t know you, you don’t know me, we can’t label ourselves friends since I have never spoken to you, but friends are basically socially required to tell you that you are beautiful whereas strangers are bound by no such obligation, yet still I tell you, I find you a person with a beautiful soul. I have only ever seen your poetry, but that is enough for me to know you are a beautiful person. After all, poetry is really where our souls spill what they are truly composed of. If I were to judge your beauty by your face and actions, all those are altered by circumstances beyond our control, society standards and pressure etc. What you do does not define you. Your soul does, however. You are beautiful to me. 







I JUST WANT TO BE LOVED I JUST WANTS THINGS TO BE OKAY

-Imalright
A truthful scream of the heart that many have felt. It’s funny that we all have this same base desire that tends to reveal itself more and more the later at night it gets, and yet we all still suffer the feeling of being unloved and unokay alone and silently. I wish I could reach out and fix you because the pain of others that is out of my reach always pains me more than any kind of physical agony I could ever endure. I can’t fix you though, so instead I offer you the only thing I can, I am with you. As a friend, just another soul on the earth who has felt this feeling you express in this line. I reach out with the hands of my spirit and for your spirit. Maybe if you know that I too have felt unloved and unokay you can find comfort and strength in that. Because no matter what kind of darkness you face, literal or internal, I find being united with someone empathetic to you who knows how you feel makes it just a little less scary even if it is just a sliver of hope for even just a second. It is something and the idea of “hereness’ you know, like being “here” for you, being “with” you in that emotion is all I can offer and I just want you to know, I love everyone and everything until I am given a good reason not to. So in a way, even if not on a personal level (because I do not know you, so I can’t love you on a personal level the way a sister loves a sister or a best friend loves a best friend) just generally, you are loved by me, because I love your poetry and I love all things that haven’t given me reason not to. And do you know what? Even though it hurts and it is unfair, everyone has to be unokay for a little while. I have been too. Maybe you were unokay for longer than what could possibly be near just or humane or reasonable but you were strong enough to pull through. I applaud you for this and want you to know your strength in powering through your unokayness has been recognized and admired. By me. Because the warriors are the ones up at 3AM having anxiety attacks but never let it show and you are a warrior. I am proud to call you a fellow poet.




but being sad and lonely is worse than being sad.

-Imalright
I know what you mean by this line. It is sculpted so beautifully though. The words in the phrase are just so raw and honest. Not over romanticized, just plain relatable great poetry in its true form as it should be. Wonderful. I hope you have found refuge from loneliness or will find refuge from it soon in finding someone else’s heart to call your own and in your heart belonging to someone else.





A new scar for that comment that boy said.
A new scar for that friend that betrayed you.
A new scar for every word you swallow.

-Imalright
That boy has scars of his own and he thought it would make them fade if he cause you to have scars too. ***** him. The betrayal of a friend is a special kind of pain like being stabbed with a knife you made yourself. A pain I know too well and wish no one else knew. Let the scars heal and do not swallow words. You will choke pretty soon if you don’t. Keep in mind that you are worth more than scars. I think you are worth more than scars.






You don't know how bad things are.

-Imalright
First off, I love this line. Just so simple and yet so relatable. There is some beauty to that. Sort of like thorns on a rose stem. Although they can be piercing and ugly there is magnificence that goes along with it. To be 15 and not know how bad things are, you have the rest of your life to obsess over the bad things and how awful things really are. You have the rest of your earthly existence to be broken, so like a child’s smile, at least you had that one moment in your life when things weren’t shattered as far as you knew.





With nowhere to go but everywhere
-Imalright
What an extraordinary thought. Such a liberating idea. You have really inspired me with this one single phrase. Keep in mind, you can be so inspiring to people who don’t even know you (like me) just with your words. You really make such a difference in this world. I have decided after reading this line, I’m going to try and let a little bit of that philosophy into my life. Nowhere to go but anywhere.

And that hope is going to make me stop doing this to myself.

-Imalright
Well, I really hope so too. I hoped for hope to save me for way too long. Eventually you gotta find it in yourself because this world is a little short on Hope, its main export being Despair. Just know you are not alone in this. I wish Hope was something you could wrap and mail it to someone who needs it but I can’t hand you Hope. I cannot offer it to you physically but if it helps at all, if it creates Hope for you, I want you to know that I personally, desperately from the bottom of my heart hope to God, genuinely thinking of you individually as a person that you have healed or are healing or will heal through Hope. If that helps. I have been crumbling, but somehow, after a hell of a lot of anguish, I found Hope. You can too. If it doesn’t help then I offer you my hand spiritually and metaphorically. Stay hopeful, because in this world, that is all we have.






i'm nothing special
im not beautiful
i'm not gifted

-Imalright
I know I can’t change your mind the same way no one can change mine when it comes to how self-image and esteem, but I just wanted to tell you even if you don’t believe me, in my eyes and in my opinion, not saying this to be fake or just being nice. If it weren’t true I just wouldn’t bring it up or say anything about it but you are VERY special. …okay that doesn’t sound good that sounds like the kind of special people put in quotations like: oh, she’s um… you know, “special” alright…
What I meant was, you are special because your poetry has made a difference in my life. You insightful view into life, your precious unprecedented perspective on the world and how you perceive it is very special. I have already explained why I think you are beautiful internally and keep in mind there is no such thing as one type of physical beauty. It is all about opinion and to some person or some people out there, you ARE physically perfect. To them, your physical traits are their definition of beauty because beauty doesn’t have a size, a color or a shape. That is the beautiful thing about beauty. And you are gifted at poetry, that’s for **** sure. Your poems are absolutely toxically flawless I adore them and I really, really mean that. Your writing is close to my heart. That may come across rather creepy sorry about that haha :P but you need to know that you are gifted when it comes to beautiful words.






No one will make me believe that all of my flaws aren't wonderful.

-Imalright
Such a sensational thought and resolve. I really and truly admire and acknowledge your indescribable strength I wish I could achieve to not only accept but embrace your flaws. You are such a strong person and I want to thank you for being such an inspiration to me and the rest of the world, doing that and finding that truth within yourself that flaws are wonderful things.
wondering why i had shattered myself in the process of picking up someone else's pieces

-Imalright

Okay, before I say anything else… omfg wow holy mother of waffles. (That is not a very common expression but I am so struck by the priceless incredibleness of this line I can’t think straight. Also, waffles are good.) This is amazing… how do you come up with stuff like this???!! The imagery, the metaphor, the power of the phrase embedded in the words just… wow. Spectacular. God, I just really, REALLY hope with every ounce of my soul you find a way to repair yourself or someone to repair you because to lose yourself, saving someone else who was broken is so heroically tragic it breaks my heart because you are such a beautiful person.




Dear Imalright
I offer you Poet’s Love.
One poet to another.
I admire your work and your work is made out of little parts of you.
I admire you and your strength, your writing abilities and your outlook on life.
Never ever change.
I hope you find Hope.
Message me anytime should you need anything.
And I want to thank you for being such a strong inspiration to the race of people we call: Poets.
Love,
Ember Evanescent.

I wish I could tell you
That I'm not in love with you
Oh no my dear this isn't the case
For you see,
I'm infatuated with an over-romantacized version of you
Which only truly exists in my daydreams
And it was not you I wrote sweet nothings about
It was my imaginary version of you
The version that loves me back,
For the real you...
Doesn't feel for me anymore.
So my darling, my first kiss, my first date, first slow dance, first small romance
See you in my daydreams.

Nobody was born today
But you picked up a cake anyway
for five dollars fifty plus tax

Now you're watching
Criminal Minds on a couch made for three
and eating it with your hands

It vaguely occurs to you that
you should be sharing it with someone
or at least put on some **** candles

You're not even hungry
you don't even need to fill a void
you did good today

You hardly even miss her anymore.
You haven't thought about it in weeks.
If you just slept you'd be fine in the morning.

You consider it all
examining the red velvet
stuck under your thumbnail

Maybe you're looking for
a file or a prison shank
sunk beneath the frosting

Or maybe you just need
to make this a Night
The Night of the Cake

It'll blend in
with the others
in a matter of time

But for a few weeks
you'll look back
and remember

you are a member
of those romanticized ranks
those plastic or terracotta statues

Tomorrow you will feed the dog.
And after work you will pick up groceries.
And after groceries you will pay your bills.

But tonight is the Night of Cake.
Tonight
you become a stereotype

An unforgiving consumer
with chocolate-stained hands.

Nearly home.

The bed
And the slippers grow ever closer.

A memory of things that give comfort seem palatial,
Euphoric in the mind's eye,
Though I do seem to ponder of its romanticized reality

Memories always seem so warm.

In reality,
The things that hold others close are affirming.
Love,
Shared events
Symbiotic empathy,
But given the current state...


The boring,
The mundane,
The trivial and the tedious that makes the most of a lifetime
Are omitted from the mind.

But why not have a memory full of nothing but the nothingness of life?
The train rides?
Waiting for the toaster to splay its insides
So I can feast on its wonderful toasty goodness?
Talking to the tenant who does not understand
That a bouncing leg
And constant time updates are signposts to *******?

Empty the files of my brain
And fill it with the moments of nothing.
These moments and these alone
Are your true self.
if you are a good person
Is not determined by
How many charities earn your pay
Or how many items stored,
What you are is chosen by the lonely,
The solitary,
The Tigress.

Only when you accept that person,
You are happy
And free.


But don't hold your breath.

I have romanticized hotel beds.
As a kid, I called the concrete home,
And nothing was better than a hotel bed.
My brother and I would fall like Icarus
Onto the feathery home as we said,
"There's nothing better than a hotel bed".
They were our trampolines, our forts
That protected us from the horrors we knew
And in that hotel bed we were nothing short
Of limitless.
We could laugh, we could fight,
For once we could be warm through out the night.
But that bed was more than just a place to sleep,
It was an escape from the every day.
Its something every child knows,
And most adults have tried to forget.
That whenever they lay
In that fluffy white bed
The world is their's to own.
So whenever I see a hotel
I'm transported back to long ago
When cold and wet
My brother and I
Fell, deeply, into a hotel bed.

What a beautiful world, so fragile and fertile
Pain filled the void when boy met girl
He’s a puppet to nature, one year later
Now so deeply and sickly in love it makes him hate her
The average romanticized American relationship
Sinks, capsized when either side becomes a slave to it
Conditioned, dependent, afraid to be alone
He needs that feeling that he can’t create all on his own
He despises the fact she has a life outside of him
It drives him crazy to think she’s not insanely consumed with him
Give her the guilt-trip and maybe she’ll quit living,
To stay behind his prison walls and lose all individualism
Well this is happiness, masochistic torture
Played by the decadent, craved of affection
The needle digs deep to push contentment through his bloodstream
And drown out hollow, the pothole of a ******
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If he could only hear her sing, he wouldn’t want to break her wings
But emptiness has such a warm, subtle sting
She makes up for what he lacks, trapped,
He can’t imagine life without someone like that

We’ve rediscovered the long-lost art of dying
Only the lonely resent angels for flying
Twisted, living off of each other’s sickness like parasites
This is paradise

We’ve rediscovered the long-lost art of dying
Only the lonely resent angels for flying
Addicted, afraid to take control of my own life
This is paradise

What a beautiful world, emotionally destroyed
her became plural when girl met boy
Between several breakups and plenty relapses
Routine bred-comfort led to serious attachment
Now every once in a while she forgets to breathe
Terrified of losing him, paradise is misery
Too much faith in the life-saving knight in shining armour
Now her knight’s noticing the scars she can’t hide any longer
But they were her story way before he was
It was gross hope to think he could heal such deep cuts
At first it felt so right but after one too many fights,
He turned out that hallway light and all the wonder turned to spite
So they sleep in the same bed with guns to each others’ heads
Dead to romance, boiling the blood that painted roses red
Suffering from post-honeymoon disease, bleached through
His whole existence, she’ll die if he decides to leave
Addicted to the way she feels when they spend time together
Detouring the now in a childish attempt to find forever
Despite the fact they hold each other heart to heart
You can’t be that close to somebody without being so far apart

Silence, the most obscure sound I’ve ever heard
Those lonely, giant spaces in between your every word
And maybe, I’m totally crazy for holding on but
Just *** I’m insane, don’t mean that I’m wrong
Now that you’re gone I can’t sleep at night
I barely even function right, my memory’s on overdrive
Too hungry and too cold to cry
Miss the companionship I once took for granted
The way you helped me manage, the partnership that vanished
But I don’t expect you to stay chained by the ankle,
There’s so much world to see so, fly free my angel
I’m dying without you, but it’s teaching me to live
Heaven ain’t something someone else can give
It’s all inside of me.

By: Eyedea - Paradise

these days
looking around the globe
one might believe that we are travelling in time

just in the wrong direction

regression as progress
seems to be
the dominant notion of the day
creating wannabees in various disguises
     populist czars, sultans, nationalists, dictators,
     assorted self-appointed snake-oil salesmen
     and saviors of their peoples’ wealth and health,
trumpeting fences, walls, tough immigration laws,
etc., etc.  
to keep out all those aliens

     who otherwise are welcome
     as our partners in the global trade
     that seems to dominate the world of greed

so we can all be ourselves

     whatever that might mean

claiming to solve the problems of tomorrow
     with romanticized memories of yesterday
is hopeless and quite dangerous

do you remember
what that glorified past
actually was?

My sassy gay friend
Is not an accessory
When you go rooting through the closet and find him
Lacing straight ties into chains
Do not think that he will complete your outfit
Just because a rainbow holds the hues that you were looking for
Haven’t you seen that bruises also bloom in shades of purple and blue
Fading into green and yellow
With red far too often escaping veins that are supposed to hold it in
Haven’t you seen what marks us
And brings our identity to the surface of our skin
When closet doors are slammed too often against our hands
My sassy gay friend
Is not a decoration
You do not get to wear him at your hip
To flaunt your acceptance
And claim symbiosis
As if he needs you to navigate the streets of heteronormativity
Cutting short his words when communication is the best thing we have
And when speaking fails us we resort to spending an afternoon
Sending smoke signals into the sky
Waiting for security in the focus that it takes just to
Breathe
My sassy gay friend
Is not a collectible
You do not get to gather us up into a complete set
To line us neatly in an array
Of rarities and charities
And alternative identities
Until you feel sufficiently well rounded
In your attempted diversity
My sassy gay friend
Is not an icon
A token character
Or comic relief
My sassy gay friend
Is not meant to be romanticized
Idolized
Or fetishized
He is human
I am human
You are human
And if we see each other as sparkles and rhinestones
We're all going to lose all the value
That can't be found on price tags

Why is self harm romanticized?
It's an awful thing,
and can lead to so much more.
It's a window to something happening
inside the mind.
These people need to get help,
they shoudn't be held up for all to follow suit.

Why is suicide romanticized?
It's an awful thing that hurts so many.
There are more options that one.
If someone is contemplating,
help them. Don't joke, don't fool.
These people need to get help,
they shouldn't be held up for all to follow suit.


HOTLINES:
Crisis Call: 800-273-8255
Suicide Prevention: 630-482-9696

After school in summer. An abandoned railway line, through a forest. A grey dress with red flowers on, the blue cardigan with sweat patches under the arms. Trying to conceal them. Not caring after a while. Walking in front, through the wild garlic. Not everything flourishing, some ******* here and there. The muddy ***** up to the track. Scrambling up trying not to get hands muddy, trying not to fall. Probably wearing impractical shoes. She was behind me, beside me. Catching her smell, trying to touch her hand, her shoulder. Talking about things that meant nothing but flowed: began and concluded satisfactorily. Only 17, so long ago. No doubt we talked of school, I don’t remember a word. It was the action, the structure of our communication, that was all I had. The unsaid was still sacred then. Reaching the end of the line. The line! It was a beautiful day, romanticized now. Warm in the sun and chill in the shade but I soon discarded temperature. The green from the trees came up from each side of the line and joined together at the top. The sun soaked through every visible article. All, except from the wall at the end that closed off the tunnel.

The space we were in did not exist to anyone else, no one was there, and no one had ever been there since we arrived. Vacuum packed world of complete perfection, apart from the mud, and the *******. But that was ok. The wall was black and heavy and cold. Near the top there was a hole. A square hole had been left or made through the ancient bricks, something forgotten maybe? Or to serve some forgotten purpose? I saw a challenger. The hole said ‘If you beat me you can have her’. It was not sinister. That did not exist.

Again I stood in front. ‘Bet I can get a stone into that hole!’ 15 feet perhaps or maybe only 8. Her eyes were on me: I desperately hoped they were. The whole of the back of my body took them in, I lit up with the warmth and the look. I would like to say it took only three attempts, that seems unlikely. What was she thinking? Was she looking on at the hole or at me? Heaven forbid she was looking at neither. I picked up stone after stone. They varied in size, feel, and dirtiness. I was an excellent thrower. I could throw a javelin, a ball, a boy; I adored my skill. My exuberance and elation guaranteed success. This was not a day for losing. Not while I could sift out the anomalies and incompatibilities without pain. There wouldn’t be a losing day until I understood that I did not yet know me.

The moment I succeeded in my challenge the celebration could begin. The rock perhaps made a sound as it tumbled down the inside of the wall but I did not hear. All my senses were now hers. Absorbed, obsessed. I was now permitted to turn around; to accept the look of admiration, or more. It was joy, certainly. Utter, complete joy. In skipping towards her she offered me her arms…… What words are given to unqualified human happiness? Getting more than you hoped for is even beyond that.

3AM
3AM thoughts are not a thing of beauty.
3AM thoughts haunt you.
They do not care if you have school the next day.
They do not care if you have to wake up early the next day.
Hell, they do not care if you've stayed up the past week because of them.
3AM thoughts are romanticized.
They are not something you want.
They are not something you need.
They are not something you desire.
3AM thoughts chill you to the bone
They cause anxiety
They cause bad grades
They cause chaos
3AM thoughts cause tears.
They do not fill you with happiness
They do not fill you with hope
They do not fill you with future goals.
3AM thoughts haunt you
With "what ifs"
With "why wasn't I good enough"
With "will I ever be good enough"
3AM thoughts fill you with questions that will never be answered.
"What if I was skinnier"
"What if I was prettier"
"What did I do"
3AM thoughts are all about you.

The allure of everything bad

The allure of vices that nullify circumstances which make living seem sad

The 'Hollywood' cigarette, the hard liquor... *******, crystal ****

All very romanticized but in reality, isn't that really just a self-induced slow death?

We don't talk about it, until we watch from the sidelines

If only for a second

When partaking one repeats quotes like 'it is what it is'

'I am not a quitter'

You've built up a tolerance for one, so you beckon

The bartender to pour you a second

Social trend like a hot topic on twitter

So now you want more

You ignorantly jab the needle inside you like you don't know what your signing up for

In a sense you don't, for you choose not to

Addiction entraps... but who?

Not you

And the moment you decide to go cold turkey

It appears more enticing in another movie, or in the hands of a fellow druggie

Impossible to reject

Relapse... rubber band effect

Yet even he that doesn't use gets a little curious

One day the stress becomes too much to handle, he's peeved

He's furious

He's heard of pills sold over the counter, and also of those available from dusty cobwebbed shelves

By dealers with hollowed out eyes, ghosts of their former selves

In an alternate reality

Where 'it's all good'

It's all about finding solace in one happy, high family... 'It's all hood'

A distorted image of zoned out smiling faces

Floating around in temporary elation

These vices have comforted and haunted many, way before our so called '******* generation'

The druggie, the alcoholic or the *** addict you see... could be your's or someone else's dad

Or it could very well be you or me

Seduced by the allure of everything bad

I write this expecting it to be misunderstood by many...

For a judgement between bad and good

I myself could be affiliated to one of these vices... or many

Someone reading this may have already renamed it 'The allure of everything good'.

I latched onto you
because in the storm and chaos
that I was going through
you were
the calm
the quiet
the stability
that I thought
I needed

That was why
it was so hard
for me
to
let you go

Because it meant I had to face everything
head on
without you
to hold on to
and
keep me from
drowning

I must admit that I am bored.
Utterly bored, actually, with the overly romanticized construct of dominance.
How easily one can claim to be dominant.
Shocking? No.
We as human beings aspire to attain the intangible.
Exponential wealth. Immortality. Fame. Power.
We live in a world of illusion and fallacy.
We drive cars that we can’t afford,
often to jobs that we despise.
We attain validation through the media,
from blasé people that require it in return.
What I have found- and take this for what you will,
is that my longing for external dominance is simply a translation for
“By god please take control, and ground me to something real.”

words. offered last-minute from thin-air and handed off heavy-hearted. words. nights spent sleepless and throats filled with sand & secrets and fingernails blackened by scratching away at the excess and unnecessary. words. all they do is **** me off because i can't use them right and i find myself drowning in recycled metaphors and romanticized abstract thoughts that have been regurgitated from a hundred different mouths and audaciously labeled as poetry. but i am not a poet, at least not a good one, in fact i can't stand most of my writing but i still try. because words, are the only way i can get the myriad of ideas inside my head to make some kind of sense but they're hardly worth a dollar so that's probably why i'm always broke. words. i learned to read them at five and i thought that was impressive but nowadays children half that age are already doing that, so i guess i'm not that special. but words, at times my only friend and often my greatest enemy, have the power to reduce crowds of thousands to tears and according to the book on my father's bedside table they once parted a sea. words can change a world. but they can be weapons of unfathomable destruction. it was words, that made me think i was ugly. words i longed to hear but never did drove me to starve for affirmation from the opposite ***. words on magazines told me what i needed to be and told me nobody would want me if i didn't comply. so it was words that made me stop eating, but not for long, because i am lucky enough that my love of food overpowers the hatred i have for my body. words made me tear my skin to shreds in the still of the night because they somehow managed to crawl beneath it without ever having actually entered in through my ears. words can either give life or they can take it. words are sticks and heavy stones and swords and we're taught that they can't break your bones but tell that to the first generation to have anti-bullying laws enacted because of nooses around necks and bullets through brains and blades on wrists all caused by words. so i urge you to craft your words with care and let them be like summer breezes upon the ears you speak them to. let your words be bandaids and hot air balloons instead of daggers and eulogies. speak like honeysuckle not wisteria. words are vines that wrap themselves around and consume whomever they have been said to. people can have memories shockingly resemblant to pachyderms so be aware that your words can live on like ghosts long after you thought they would have died. words are oceans upon which people can either float or sink below, and you are the decider.

- m.f.

I want to exist in our
Romanticized euphoria
Where we were one
And they were none

I am the birds again this winter
Because I know that it is warmer
In the South these days
But I'd rather exist in the smile in our eyes

And they are none and we are none
Today we do not migrate
And it is colder where you are and I am
Following my instincts

But some of us are anomalies and must
Abandon--redefine our euphoria

And the South was my utopia
Until I romanticized the cold again
And left my flock against my desires
I was forced into the cold without a coat

I couldn't fly and you were there to fix
My wings and force me back into the cold
I always wondered why the birds went South

Let me exist in your South & we'll pretend the North is warm in the winter
I can become your euphoria
If you let me fly;

she's narrating the way
she's falling apart
with every word
they call her art

she called for help
they called it
poetry
can anyone ever separate
metaphor
from
reality

so she smiled instead
she was pretty instead
there was color instead
she was alive instead

they pat her back
well done
good work
relatable content

meanwhile she
is actively dismissing
the intent
to pack up and go
to quit and say no
to end it and skip it and leave it
so she penned it
posted it and shared it

if the only way
to break away
is this creative escape
she'll take it
any day she'll fake it
just to find a reason to make it

Don't romanticize life.
Dirt is dirt.
Ugly is ugly.
Trees burn.
And sometimes things are ****.

Nobody's perfect.
Especially you.
Nothing is perfect.
Especially your perfect eyes.
And how you laid perfectly with your head in my lap.
And how you perfectly stared at that purple octogon on the wall.
And how I called you perfect.
Imperfect.

Don't romanticize those books you read.
I could burn every copy.
Don't exaggerate how much you love that author.
I could shoot him in the chest.
Don't talk about a greater good.
I know we don't have one.

You.
Don't have one.

Selfish.
Skinny.
Pale girl.
With imperfect perfect eyes.

I understand they find dinosaur bones there in your backyard. Big ones. I've never been to your house or even close to that neighborhood, but ever since you've written me, I am completely intrigued. What you said about me, I think about you in an execrable Hemingway way, maybe as in his "Death In The Afternoon." All the goring. Faintheartedness is nothing to be carried by bullfighters or by bone hunters, I suppose. If there were a way of going back to days of nobler more romanticized slaughtering in bullrings, without the controversy, I'd have to say it is more evident in our modern day Jurassic Park flicks where nerdish paleontologists are transformed into  fiendishly handsome toreadors.

I know I'm not making much sense. Bullfights and dinosaur rustling, what's to compare? One being non-civilized though colorful and bathetic, the other fantastical but forgivable because the beasts bite back. Oh, if only I could explain these machismo machinations. What a ruse. How song and dance does intrigue. Please write me again from South Dakota. I'd like to book one of those dusty dinosaur tours before I go extinct.  Bone hunts, bullfights, same difference.

You want me to be your manic pixie dream girl
So today I am a gardener
I’ll plant daisies and you can put them in my hair

Tomorrow you’ll fall in love with the freckles on my nose
I’ll make you sing along to bands you’ve never heard of
We’ll stop on the side of a highway to watch the sunset
I’ll remind you of what it feels like to be alive

You tell me to be a supporting character in your great adventure
So I’ll tag along behind you
Make you stop and look at bugs on the sidewalk
You’ll love the way I’m not like other girls

I’ll get a tattoo of a flower on my ribs
You’ll call me amaryllis
And I’ll change my name because you want me to
I’ll be the garden you grow with your green thumb
The one you show off to your friends
Make them bask in my beauty until you feel better about yourself

Eventually I’ll lose my shimmer
No more golden glitter, just dust
You’ll write the final chapter of my life
Give me the unsuspecting ending you believe I deserve
Stuff me in a suitcase and bury me in the backyard
Make everyone believe I ran away
Chasing a romanticized version of life I could never give

Im driving down the road tonight
and through the silhouette of the trees
the moon looks as lonely as I feel.
–––
On the radio plays a song I use to love
and it reminds me of so many memories
the past always seems happier than the present.
–––
But i know that this isn’t true;
I was just as lonely then as I am now.
I only romanticize these memories.
–––
Everything seems romanticized
After all, I’ve learned there’s a dark lining
In every single silver cloud.
–––
I do not know if I believe in love anymore.
If it does exist it is painful and hurts.
It is romanticized above all.
–––
And tonight under the starless sky,
The world seems so broken,
And I feel like its biggest crack.

An Open Letter To The First Boy I Loved

Alternatively known as “An Open Letter To The Boy That Calls Me Crazy.”

The first words you ever “said” to me were in a facebook message,
A picture of your lined arms attached, reading,
“Hah, I’m sorry, but I saw your picture of your scars and felt like showing you these.”

The first thing I should have done was run.
Not only were you immediately trying to make me feel bad
Before I had even uttered a word,
But you were already one-upping me,
Making me feel like you had been through so much more.

I admit my mistake of having shown my weaknesses online
At such a young age,
Hardly 14,
But having grown to a world of romanticized trauma,
I felt it was only normal to have issues of my own,
Whether they were exaggerated or not.

The saddest part of these issues having been forced upon myself
Is the fact that at one point I did not need them,
But now I feel like I would be nothing without them.
I do not blame you for their worsened behavior,
But before I met you,

I had never felt like a ****.
I had never actually made myself bleed to the point of soiling a shirt.
I had never actually attempted to take my life.

Though knowing I had these scars,
It seemed you knew how easily I’d fall into you,
Fall for you,
Looking for comfort in knowing I was not alone.

You persuaded me into kissing you.
You persuaded me into losing my virginity in the back of your mom’s car
While she was in your house on a cold September night.
It was rushed.
It was rough.
There was blood.
And you did not care.
“It’ll be quick, don’t worry.”

In the six months we were together,
I willingly had *** with you twice.
Every other time ****** acts occurred,
(which was over forty times)
You guilted me.
You told me that you deserved it.
You asked if I really loved you.
You told me I needed to show you that I loved you,
You told me that it was what love really was.

I never told you how many times I cried after you left.
I never told you how many guys I kissed after you,
And how every single one made me cry
Without saying a word.
It was the simple intimate touch--
Lips, even if gentle, pressing together--
That sent fear rolling through my body.

It was three months after you broke up with me.
Three months after you admitted that you cheated on me,
It was the day you asked me to go on a walk with you.
The day we could become friends again,
Start over,
Ignore that I still loved you,
Try again.
You insisted you still loved me
(Though now I doubt you ever did).
You insisted that you
Never wanted to hurt me,
And bent me over a tree in the woods
Behind the high school,
And said it would
“Just be in and out! Once!”
And I begged you to stop.
You slapped me,
You called me a ****,
And when you finally finished,
You started to panic.
You were begging me to say that
You
Didn’t
****
Me.
Through my own tears,
My own confusion,
My own pain,
I assured you,
“No, you're okay. It'll all be okay.”

It has been over two years since that day.
Since then, I have opened myself up to one person.

That man has since left me.
One of the contributing factors
Being that he was worried I was not over you.
He kept receiving messages from you,
Messages you sent claiming I would never stop loving you,
When this is the closest thing to hatred that I have ever felt,
Messages you sent claiming I would always think of you,
And what’s terrifying is I can’t help thinking of you--

It's only because I can’t get the nightmare
Of your touch
Out of my aching skull
And I don’t want you to feel victorious,
And it terrifies me that you do,
Because not only did you push me,
Not only did you threaten me,
Intimidate me,
**** me,
But you insisted I’d spend the rest of my life with you,
You disoriented my visions of love
Like a bad LSD trip,
And I’m so ******* scared it will never ******* end,
Because every time I see myself trying to hug,
Kiss,
Love,
Trust someone,
I see what you did to me and I know that it’s
Baggage to them,
But a ball and chain on me,
And I’m petrified.
These memories are bars keeping me from moving onto happier things,
Keeping me holed up, waiting for you to finally let me go,

Stop telling people that I’m crazy,
Stop whispering my name when you pass me in the hall,
Stop following my social media,
Stop following the people that I try to let in,
Stop ******* with my life,
Stop ******* with my head,
Stop ******* with me,
Leave me the **** alone,

The first words you ever “said” to me were in a facebook message,
With a picture of your lined arms attached, reading,
“Hah, I’m sorry, but I saw your picture of your scars and felt like showing you these.”

I never thought I’d have more scars than that.
Over 146 scars,
The police department proved it when they showed up at your house
The night you tried to **** yourself,
And told me it was my fault.

The scars I have aren’t physical.
Not all of them, at least.
But the problem with scars is they don’t just go away.
They go away with time,
And it’s hard to let them heal when you’re still leaving them there today.

I’ve tried telling the police what you’ve done.
I’ve tried telling counselors,
They haven’t done anything;
There was never enough proof,
It happened too long ago.
I can’t do anything to prove it.
Instead I’m left to see you daily.
Instead I’m left to hear you whisper about me.
Have people ask me questions about the things they’re hearing
Things you say.

This is an open letter to the first boy I loved.

I say boy, because
The only thing I’m certain of anymore,
Is you will never
Be a
Man.

I'm an extrovert.
We aren't really romanticized in pop culture. Chances are,
your protagonist is a cute introverted girl who has
everyone secretly swooning over her,
but her best friend sidekick is outgoing and talkative.
We autorelate "extrovert" to red solo cups and heavy synthesized bass lines and...
well,
frat boys.
The unpleasant, obnoxious kind. (The ninety-nine percent.)
I guess it's understandable sometimes to see where you're coming from with this assumption, but
let's learn to revise.
Introverts recharge by being alone, but if I'm in a group and suddenly find myself faced with an empty home,
it's like all the oxygen has been ****** from my lungs and shattered my soul.
Being alone means thinking too much and we all know what thinking too much does (--so maybe extroverts need loud music and red solo cups--)
I don't get how someone finds it refreshing, silence and being stuck in your own head, but that's probably because I'm not an introvert and you're not an extrovert and I'd rather have a body than a body pillow next to me in my unmade bed. I like people.
When kids are wearing t-shirts proclaiming the opposite, I get it.
It's pop culture,
it's in to be out but being by myself is when I'm most out of it.
It's hard for me to consistently text you back but believe me when I feel like my brain is about to collapse I'd like to lessen the collateral damage.
After that, I'll start up ten different conversations with three different friends but all of them are introverts whose sleep schedules are inverted from mine, triple check the time, see it with your own eyes, life keeps tick
tick
ticking by and I feel stuck on the sidelines.
I forget to feed myself sometimes (most nights.)
I'm a people person dragged into my own mind that
I forget how to take care of myself.
I'm a people person who can't make friends last to save my life,
forget it if they're already acquainted.
All my friends think they're hated by all my other friends--
You two don't know each other, totally polar social circles, but I know each of you like pieces of my soul,
and I make Horcruxes not from ****** but from memories of late nights and falling asleep on the phone,
out of control
we need something to hold,
so we falsify lasting lovers to have some control over,
like empty stomachs that can't leave us until we say so,
like long showers that can't end until we decide it's us, not them, we should take a break from each other for a while,
like bed sheets that act as open arms holding us until we toss and turn into sleep and asking us to stay a little bit longer in the mornings.
I'm an extrovert.
I can't really explain exactly what that means to me specifically or simply,
it's just that being alone makes me feel lonely,
and nothing on the Internet will ever help me with that.

These are poems about Ann Rutledge and her romantic relationship with Abraham Lincoln.

Winter Thoughts of Ann Rutledge
by Michael R. Burch

Winter was not easy,
nor would the spring return.
I knew you by your absence,
as men are wont to burn
with strange indwelling fire —
such longings you inspire!

But winter was not easy,
nor would the sun relent
from sculpting ****** images
and how could I repent?
I left quaint offerings in the snow,
more maiden than I care to know.



Ann Rutledge’s Irregular Quilt
by Michael R. Burch

based on “Lincoln the Unknown” by Dale Carnegie

I.
Her fingers “plied the needle” with “unusual swiftness and art”
till Abe knelt down beside her: then her demoralized heart
set Eros’s dart a-quiver; thus a crazy quilt emerged:
strange stitches all a-kilter, all patterns lost. (Her host
kept her vicarious laughter barely submerged.)

II.
Years later she’d show off the quilt with its uncertain stitches
as evidence love undermines men’s plans and women’s strictures
(and a plethora of scriptures.)

III.
But O the sacred tenderness Ann’s reckless stitch contains
and all the world’s felicities: rich cloth, for love’s fine gains,
for sweethearts’ tremulous fingers and their bright, uncertain vows
and all love’s blithe, erratic hopes (like now’s).

IV.
Years later on a pilgrimage, by tenderness obsessed,
Dale Carnegie, drawn to her grave, found weeds in her place of rest
and mowed them back, revealing the spot of the Railsplitter’s joy and grief
(and his hope and his disbelief).

V.
For such is the tenderness of love, and such are its disappointments.
Love is a book of rhapsodic poems. Love is an grab bag of ointments.
Love is the finger poised, the smile, the Question — perhaps the Answer?
Love is the pain of betrayal, the two left feet of the dancer.

VI.
There were ladies of ill repute in his past. Or so he thought. Was it true?
And yet he loved them, Ann (sweet Ann!), as tenderly as he loved you.

Ann Rutledge was Abraham Lincoln’s first love interest. Unfortunately, she was engaged to another man when they met, then died with typhoid fever at age 22. According to a friend, Isaac Cogdal, when asked if he had loved her, Lincoln replied: “It is true—true indeed I did. I loved the woman dearly and soundly: She was a handsome girl—would have made a good, loving wife… I did honestly and truly love the girl and think often, often of her now.”

Ann Rutledge’s grave marker in Petersburg, Illinois, contains a poem written by Edgar Lee Masters in which she is “Beloved of Abraham Lincoln, / Wedded to him, not through union, / But through separation.”

Ann Rutledge’s original grave at Old Concord, once neglected, has a fairly new marker provided by her family. One side of the maker, along with her name and dates, reads: “Where Lincoln Wept.” An account popularized by William Herndon in his biography is that Lincoln was so distraught by Ann’s death that he knelt and wept at her grave. On the reverse side of the marker is carved “I cannot bear to think of her out there alone in the storm. A. Lincoln.”

Herndon was Lincoln’s law partner and a friend. He also attended poetry readings with Lincoln, who wrote poems himself. Lincoln called Herndon "my man always above all other men on the globe."

Following Lincoln's assassination, Herndon began collecting accounts of Lincoln's life from people who knew him. Herndon wanted to write a faithful portrait of his friend, based on the hundreds of letters and interviews he had compiled, plus his own recollections. He was determined to present Lincoln as the man he actually was, not as a romanticized national hero and saint, and this meant revealing things other biographers would omit or elide, due to the puritanical conventions of that day. Such details included Lincoln’s suicidal depression and his contentious relationship with his wife, Mary Todd Lincoln. And Herndon maintained that Ann Rutledge was Lincoln’s only true love.

Keywords/Tags: Ann Rutledge, Abraham Lincoln, poem, poems, poetry, love, lover, mistress, paramour, romance, romantic, quilt, grave, Dale Carnegie, William Herndon