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L B Nov 2016
Tired clot of night
in the moon’s slight of hand
in the moon’s slight—
place to hang my hat....

Winter clouds come tumbling toward
the gray
Raked clean by barren trees
Yard waits with its leaves
tucked in corners by the wind
along hedges, stairways
mingling with renegade trash
Stuffed in layers like elderly keepsakes for—

no one cares...

My yard—a neglect of winter woods
but for towels waving stiffly on the line
and the squealing crackle of my footsteps—
Being there

Stairs sigh differently coming home

Blind search for a key hole
I could die searching!
the frustrations of the blind
the fumblings of “locked out!”
I—
know where to go....

Pretend
in my warm lonely
fling—mittens on the table
Survey the ***** dishes...and
close my eyes
There's been nothing but wind and cold for several days here.  Makes me think of January, almost, when walking in snow below 10 degrees F actually does squeal and squeak.  We're getin' there.
entropiK Nov 2010
I've never been someone anyone would understand. I think differently. I act differently. I believe differently. I'm different, to lay it all out there.

I can be a very nice person, that doesn't mean I am very often. I have to try. My behavior depends on my encounters. I should probably be more level, but where's the honesty in that? Level people don't rise and fall. I'm waiting to rise again.

I'd rather have a conversation with my dog or someone I'll never meet, than with someone that knows me. Pre-conceptions are funny that way. I suppose I perceive people perceive me inaccurately. They do, actually. But I do it too, except one would think I might know myself by now. With strangers (and dogs), there are no pre-conceptions. Or at least, those thoughts are hazy and not defined. I hate being defined. Maybe that's why I haven't figured myself out just yet, it's for the best. I feel more free this way.

I'm not free. I've never been free. There were times when I was held under someone's thumb, someone who didn't even have the right kind of grip. Then there are those times when obligation held me tight, I couldn't escape it. I still can't. Even without all of these forced bindings, I'm simply bound to tie myself to something or someone. I can't seem to help it. I need to be needed. But I want to be let go. I'm sure I'd feel differently if that were to actually happen though. There I go again, not knowing…

I don't believe in marriage, but if I did…I'd marry a handsome blueberry farmer. We'd grow blueberries and grow old, all at the same time. He'd play the harmonica on the front porch while we sipped on sweet tea and watched the sun go down every evening. The dogs would love to hear him play, and they'd sing along…you know how dogs do. The kids would think us odd and wonder why we never get bored, sitting on the same porch together. And we'd think the kids are funny. Because let's face it, young people get weirder all the time.

I have my doubts about time. It seems it always runs out. Maybe I get a late start. Maybe I ***** around too much. Maybe it's that way for everyone. I don't know. I guess I shouldn't waste my time worrying about it.

I don't trust things. I trust words though. That may sound odd, in that someone has to say them. More than likely, I won't trust that person. Words are honest, the thoughts behind them may not be. That is to be debated in the moments or even after the fact, I suppose. I guess I trust the written word more so, to be specific. Words are for always, even if the "say"ers are not.

I don't talk about myself very much, really. I converse with people…and dogs. I elaborate upon what I mean, and sometimes I share stories. But I'd rather talk about you. I'm not sure why I do that. But I just discovered it about myself. I like discovering things about myself. The one thing I've known for a long time is I am honest. That's one thing I pride myself on. I won't lie to myself or anyone else, not anyone that matters anyway. And if I choose to tell you something, more than likely you matter. So, trust me. I need you to.
[[But I don't need you. I just need you to know that.]]


** this is for someone** they told me i would die without them~
this was my answer, or...what i said in return...
just somethingg~
EJ Aghassi Mar 2015
your arms wrapped around
his neck
i want your tender hands
at my throat

these things cause
gravity to befall me
while you, falling,
float and float

my stomach drops
differently today
not to be confused
with the way i drowned
sorrow these past days

that's a rumble all its
own, a problem I'll
address when the only
one that matters
right now is subdued

my stomach hurts
differently today
i don't feel spurned
i don't feel good
& i'm trying to learn
what it is exactly
you're teaching me

the experience does
nothing for me
but leave me empty
hollowed, vulnerable
what is it exactly
you're teaching me?

i know only of the way
that my stomach,
drowned in the sorrows of
past days, drops
a little
differently today
it hurts a little
differently today
and I know I deserve it
Thom Jamieson Nov 2018
I read an article in the news this week,
It was about profiling corporate bigwigs
And the shocking conclusion,
That the vast majority of these pigs at the trough of good fortune
Are psychopaths, a statistically significant majority,
Like eighty percent,
This tweaked my curiosity and so I did a bit of research,
And I learned that a psychopath is someone
who experiences life differently,
they experience all of the positive emotions,
Love, happiness, comradery, all of it.
But they’re wired differently,
When it comes to the sad, bad, mad times.
They don’t feel the way most humans do,
They feel detached from these things
They tend to deal with things of this nature
From a logical and removed perspective,
And this is where the road forks.
Ethical, moral, love-based pychopaths
Release the tension, resulting from the conflict
That arises from this, (aka wow I’m a freak)
through healthy
Or at least, socially-acceptable methods
Others, unfortunately dispose of it,
through darker, more nefarious means
Today, I started to wonder if I’m a psychopath,
Not the hack them, slash them maniac you see on film
The ones that just don’t feel like other people.
I was reading a book about self-realization,
About dropping preconceived inhibitions
Quieting the mind,
And finding “the silence within the silence” as they say,
I started to consider this,
I thought back to my transformation in August of seventeen
I moved from subject to passive observer,
I substituted love for fear, in every corner of my life,
And I found the silence, perhaps just a glimpse,
But it was so beautiful, it impressed upon me
An entirely new disposition,
As a passive observer, I’ve been able
To see myself much more clearly
When you look at yourself from a standpoint,
That leads you to recognize that in fact
There is no you at all, only your perception
And in fact, even perception
Consciousness, the core of experience
Is an illusion in and of itself.
An illusion nurtured by
The confines of society
Because at the level of atoms and molecules
We really all are
Intertwined and indistinguishable
And these tiny points of perception
That we think of as us
Are actually one
As though a block of energy
Was slammed through a cheese grater
And from this perspective,
and the Fear/love paradigm,
I find myself alone,
Alone, and happy,
Possibly,
For
The first-time
Ever.
Today, I started to wonder if I’m a psychopath.
And though I’m not wishing for the way it was
I do wish
I had a friend,
a sounding-board so to speak
Who knows me as well
As the one that I have hurt, and who has hurt me
To really help me decide,
Is this an epiphany,
Or insanity
A middle-aged crazy man
Writing words no one will ever read
Either way, I suppose
You can look from one of two sides
From the loss, and the sadness
The love and respect for the past
Or from the perspective of freedom,
Growth,
And doing what you were put
In this crazy world to do
Today, I started to wonder if I’m a psychopath,
At one point this afternoon
I realized I hurt in my entirety
My body, head to toe
My heart, because I am alone
Self-chosen,
But still alone
And my soul because
I don’t feel the way other people do
I won’t hurt anyone else
At least not on purpose
But every inch of me hurts
Every,
Inch.
And yet, even the sadness I feel
In waves,
By no means all the time,
But when it hits,
It hits hard,
I realize this too is a bad habit at best,
And an illusion at worst
What growth can come,
From pining for the past
Or any attachment for that matter
Because those things
That we can’t stop ourselves from doing
That arise from mind
Such as regret, or loss
Or guilt
Are bad-habits,
illusions
That serve absolutely nothing
But to teach, and move on
To how you might
Make the reality that is now
The best it can be,
For everybody,
Even me!
Today, I started to wonder if I’m a psychopath.
#****** #psychopath #love #awakening #enlightenment #truth #perception #illusion #avidya #attachment
jeffrey conyers May 2019
I remember her, so differently.
That not the way she was when she was with me?

I don't know what path she took?
Just being with you.
Cause I remember her so differently.

You say, she became different over time.
That you weren't use to her speaking her mind.
But with me, she was always outspoken.

She just one of a kind.
So I remember her so differently.

I remember her smile.
I remember her hugs.
I remember the days when we first fell in love.

And now she is your woman.
Which make it strange, you can't handle her.
She is so easy to love.
Evynne Aug 2013
There is a longing you feel
To know the whole universe
All of its secrets
All of its flaws
Everything
You think about it and wonder if it feels light or heavy
Or maybe even a paradoxical combination of both
But you will never know
Because you do not realize that you are the entire universe
You are all of its flaws
All of its beauties
All of its secrets, all of its wisdom
You are everything and everything is you
You are forever
And you need to be loved
Just as everything and everyone else needs love to survive

Look at the clouds above your home
Notice the way water forms differently on every single surface
Muster every single detail
Increase your awareness
And you will soon discover the secrets of the universe
And if you are feeling sad and quiet turn to your soul and acknowledge your humanness
Love your human nature
Realize it is precious and valuable
You do this and you will feel the soft and kind hand of the universe on your shoulder
You will feel its presence within you
And you'll look down at yourself laying and feeling hurt and hopeless
Slowly holding on to old feelings and new times
You will realize it is time to leave
So you go and you write as you feel that familiar ache all over your body
Resonating from deep within every single corner of your heart and soul

You glance outside of your window and see the green of the trees and revel in their magnificence and beauty
And in that moment you realize how immaculate existence is
So you take a deep breath as you take it all in
Your thoughts are very much alive and pulsating
And your arms tingle and your soul emits strong and powerful waves of unadulterated passion from within
Joy waits at your fingertips as you reach softly
You constantly taste past times of pain and hurt on your tongue
Violently brushing your teeth every night in hopes it will go away
But it is always there and may go away at times but it always comes back
A constant reminder of who you are and what you have come from

Sometimes when you walk your feet feel old and you think about how you haven't even lived an entire lifetime yet so how on earth can you feel so tired?
You wonder when you will actually stop waiting
When a strong ocean wind will knock you over
Cold and hard
And you'll gaze ahead of you with bleary eyes
Your head still in a state of shock
And you'll come closer and closer to the reason that was dug out from the deepest part of your insides
Until everything feels soft and you can stand again
And you'll look to the sky and forget all of the pain
And a small touch of hope will be born upon a tiny spot on the surface of your heart
Beating hard and lovely and powerful

You think of the rain and how it falls completely
You think about how you exist and how it is okay there is no more innocence and just as much loneliness
You realize you've got to keep your dreams alive
You are thinking quietly
Your thoughts are kissing the walls of your mind carefully
"Oh, how beautiful it is to be alive and aware!"
You say in your head
And you wish to meet your perfect heart in the stars
And feel all of the care and warmth as certain waves of truth and ardor crash into you
A tree of sure sadness looks down upon you
Saying you are clean and new and beautiful
And that
It is okay if you do not spend the majority of your days feeling sad and lost and lonely
Until a quiet reverie born from stardust clouds your mind
You feel the secret tingling on the outer parts of your mouth
And things are better and you feel closer
You are no longer searching
And words have always been a dear friend
You are able to realize that now
You used to be broken
For a long, long time
So of course it is going to be extremely difficult getting used to life without being broken beyond repair
A part of you will always be broken
You know that and you are okay with it
Finally you embrace it
There is an ease and comfort with the going of sorrow
And you wonder
How it can feel so wonderful when your bones are free and you feel happy in the deepest part of you
Because really, what are you doing?
WHAT ARE YOU DOING???
You are living and that is all
You are embracing life and all that you feel and it is okay and when it comes down to it, you really do love it
But sometimes your mind refuses to hear that
It shuts itself off from everything and all you can do is guess for why it happens like this
So you take those two horrid
But so essential
White pills
And you sleep and sleep
Never awakening until your alarm sounds
And your lids open
And your lips bring in fresh air to your lungs
Your mind and your heart are engulfed in peace and never are they apart
Together they are one with your soul
The sunlight starts to kiss your face and you start to think about the years you have been living
And how the voice inside of you has changed over those years and the ways it has touched your life

So here you are listening to music
Lonely and sweet
With a strange feeling in your chest as your stomach rests lightly on the surface of your bed
Barely moving, your hand somehow knows how to write without your mind really thinking
You have always held your pen tightly and a lot of great and loving and bright words are capable of surfacing
Maybe differently than before
But even so
Your veins still continuously pump blood throughout your body

You get up out of bed and stagger into your bathroom where you stare into the mirror and know you are supposed to see yourself staring right back but really
You see nothing
All the while knowing your face is sober looking
And your skin is browned and soothing with the beauty of summer's presence hard and golden on your surface
Feeling crazy, your eyes are locked to a spot consisting of nothingness
Void of any control
In a realm that is almost reaching fantasy
Tingling and alluring
So you look for the window
But then it is gone and you feel an aching that gets stronger as the walls close in on you
And you notice the kisses full of blood that set the earth on fire
And you breathe with fear as death sits on your windowsill
Should you reach for it or push it away?
To die or to help this weak and troublesome girl who is far too used to living in darkness and not only asks for but needs trust?

The leaves on the trees don't stay dead forever
Open your mind and your heart and drift away
Far, far away
Your soul lives and exists in every realm of consciousness
You are safe
Even as your secrets build like smoke
Like wandering rays beating down strong upon you
Conquering your emptiness instead of all of the happy thoughts that reside and are inevitably known and lovely and consisting of everything except for unwanted goodbyes
Your heart shines on what it needs
Easy and lovely
And mostly, it has it
Your heart is the sun that shines on his face and makes his own heart race in perfect synchronization with yours
He is something you take like black coffee or straight whiskey because it needs nothing more than what it is
Everything it is
Is enough and beautiful and enticing because of that
But their strength is the most admirable
The sunshine gets stronger throughout the day just as one gets stronger throughout their own life
Accumulating more and more understanding as certain parts are more inviting than others
And still, others escape stability and their reflections whisper on your flesh and send a sense of desire across your cheeks until they reach the middle of your being and are forgotten

You have come close to death many times before
But now it is distant
So you close your eyes as you lie on the itchy, flat floor of your room
And imagine all of those and all of which you have met in the darkness
Staring very surely at nothing in particular
The sound of your heartbeat grows quiet
Changing the bad into nothing but tugging memories
Making you leave true despair behind as you not only grasp, but accept, the endless tears on the sand

Your mind is wandering
Walking to places both near and far
Trying to piece together the point and meaning of past lovers
But that doesn't really matter because nature fully forces you to not only imagine
But realize
The beauty and point of the present that is filled with growing wisdom
So you sit with your back against the wall
And your stomach burns with purpose slightly surrounding nature and the moonlight
And bliss surfaces like cigarette smoke floating then disappearing but still always present in the air around you
And you understand the ruined and intense thoughts of your past and the blessings they have brought
And the pressure you feel on your heart as you admire the luster of the sun on the metal of the railings
And the branches laying in rest
Void of hurt
But listening to conversations harder and more difficult with time
Solid
But struggling entirely with magnitude
Lifeless beings in a sense
But the raindrops make their hearts ache
Beaming ultimately away from conformity until they become another entity compiled of lust and beauty
And as you walk
The grass is loud and green as the dead branches lie hot and broken in the caress of the ground
Void of hate
As you watch the darkness pull them in and swallow them whole
Wanted completely
Written on your flesh with self supposed anxiety
Your kisses are longer and drown in a sea of meaning as you pray with clenched teeth
You feel on your arm a peculiar force and questions, smooth but loud, utter desperately within you as
Heavy but gentle hope swirls like incense around your nose until your spirit is calm and pain is hidden
And you find yourself to be trapped in nothing less than gold and passion
And that is when things were easy again
So in all reality, this could be a lot of different poems combined into one. But for now, I am keeping the thing whole and together because that is how it was written. This was one of those things that manifested itself across nine handwritten pieces of paper with complete and utter ease. One of those things where I had no idea what I had written until after I had finished it and read through it. So pretty much, this is all raw and pure and true and honest in every single aspect. It came from deep within, subconsciously almost. Enjoy.
John Prophet Apr 2019
Peeling
away.
Away from
reality.
Seeing things
differently.
From a
slightly
different angle.
Like 2D world
discovering
3D world.
Ignorance.
Safe in
ignorance.
Content in
ignorance.
Best not
to know.
Safer, limited.
Tough enough
as is!
Mind blowing
it be.
sundial iris Jul 2020
هر دو بی فرزند هستیم (متفاوت)/we are both childless, differently
——————————————————————————


let us not ask each other or god

the why, just how life worked out

and maybe by a choice unconfessed


~

yet we both lie.

~

you possess thousands of offspring,

tend to their every need, breast feed

them water, special nutrients, stroking

their leaves, worry about their viruses,

you, dying just, a little, when, one rooted

looks up and says, “I am dying mother,

thank you for your love.”


~

my ***** produced two men,

each now, differentially,

lost, lost to me, and daily

privately, in word and wet,

weep my losses, for what

is a man who had children,

but goes down into his grave

gray haired, with none in

attendance to refill the soil

that his grave grayed body

requires to

hide his wasted,

childless

life.
rgonzales Dec 2014
She’s prettier , she’s skinner , she’s thinner , she’s more flawless, she’s this she’s that she’s everything that I can’t ever be… Alright stop! why are you comparing yourself to someone else out there? You’re beautiful in your own way and you better believe it. I know somewhere out there someone is going to make you believe it one day. Don’t be insecure about yourself because everyone is different and face the fact that they aren’t you. Stop comparing yourself and believe that the person in the mirror you see everyday is beautiful. There shouldn’t be a thing you should change, appreciate what you look like because the more you start to believe it the less insecure you’ll start being. Don’t let someone else’s words bring you down. They can tell you that you’re ugly or fat or anything negative. Just drop it because they’re only trying to bring you down and make you feel even more insecure. You should always be the bigger person and ignore it because once you start listening the more you’ll feel insecure and you’ll always start to believe it. God made everyone differently and you came out that way now stop trying to change the originality of who you are from what society wants you to be looking like. You’ll always be beautiful the way you are.
I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t
A Short Story 2008
Hal Loyd Denton Apr 2013
Take a plain window have an artist with sensitivity add rain and with the vision disfigured you
See though it is only raw rain it takes on the appearance of looking through frozen icicles
Everything your vision catches is broken as just solid forms of many colors electrifying
Stimulating a quiet delight changes everything the ordinary like snow takes the everyday and
Makes it a true winter wonderland the sidewalk tree foliage and shop roofs are perfect because
They are different tones and blends of color with someone in the foreground in bright pink this
Is all for one time instead of clear vision this difficulty creates pleasure for the eye I started
In my schooling at three years old my class room was at my great grandmothers when I got
There my crippled grandmother was in her wheelchair right next to her ninety year old blind
Mother they both set in their wheelchairs great grandmother ask me to come and stand in
Front Of her while with old feeble hands she felt my face knowledge passed through her fingers
To her and love passed through me as I stood as nothing in this revered setting whatever small
Doubts I might have had about life and my place in it this one thing I knew I was somebody I felt
Loved Excepted I felt human worth because it resonated from their presence there is an ancient
One that we stand before in this case the blindness rest on and with us he sees perfectly where
We truly are in much darkness it deals with trueness at the deepest level we all know that a lot
Of our speech is real but there is the time we are tenderly raw and open without trying to guard
Ourselves we speak from deep within what special times those are He touches unlike
Grandmother but He by His spirit touches the whole fiber of our being body soul and spirit but
How much we miss because our lives have not only blindness but darkness of our actions that
Respells His presence because he is holy in fact we have the rebel nature that defies one so
Loving we are his gifted dreams that he gives to others to name just a few gifts Steve Jobs for
Technology marvelous toys and more Walt Disney movies and the most fun place to go as
As a family a family Jim Henson’s widow co-creator of the Muppets just died what an empty
World it would be for children but He provides these treasures that cover the globe we don’t
Move in those circles but we enrich our world and bless our friends with our lives with the
Limitations we draw between ourselves in him He makes sure we still can give a lot but could
You see what more and how fantastic life could really be if we took the restraints out of the
Way and let him freely move in our lives I don’t know of one person who would not appreciate
A Deeper life my schooling continues when I meet someone they don’t understand the
Intensity and depth that I place on them this will bring you at times great pain because life has
That to go Along with such joy truly “no one is an island unto himself” being a true friend on
Deep levels is Costly but it is our best way of showing His wonderful greatness to others it is
Truly taking a Slice of heaven and inserting it in this natural walk it can be endured or blessed
With lips of clay Heaven will bow as the willow and touch common ground and make it golden
The nightingale will sing and cause the sweetest affection that will be spellbinding and other
Worldly it just Takes seeing differently and the walking that path to greater perfection
Zack Ripley Jun 2019
What do you do when you don't know what to say?
What do you do when your head tells you to stay but your heart says to walk away?
Who do you go to when things don't go your way?
Is it getting harder to get through the days?
Once you figure out the answers, there is only one question left to ask
What will you do differently today?
Karoline Quillen Oct 2014
Have you ever
Questioned beauty
What is beauty
Is it short skirts
Low tank tops
Long blonde hair
Tons of makeup
Lace
Beauty comes differently
Everyone thinks beauty Differently
Some do think blondes

Define beauty
Some think the nerd
Defines beauty
Some think the loner
Defines beauty
You don’t have to be skinny
To be considered beautiful
How do you Define beauty
Love always,
Karoline Marie
judy smith May 2016
For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney
Emily Sep 2013
I'm so ******* angry
When I think of the drugs
That took you away
When I think of the first joint you innocently smoked
Which led to the abuse of triple c's
Which led to the abuse of alcohol
Which led to the selling and abuse of *******
Which led to the abuse of ******
Which ultimately led to
Your death

What if I could have saved you
What if I had said something
Or done something
Differently
I was always there for you
You were always there for me
We were each other's constant
I made you strong
You made me strong
Our love
Made us weak
A sweet weakness
I was the queen of your heart
Buzzed off our love
Nirvana was our jam
But then, just like that
Bam
You were gone
And now my life is ******
My best friend, my true love
Is away from me
In the heavens I know he'll be
Can't wait to see you again
My Charlie
Rest In Peace, Birthday Boy.
9/28/1991-1/21/2012
© Peyton 2013
azumiya Jul 2015
BPD
“Who am I?”
I always ask myself.
And whenever I do
Countless of flashbacks races before my eyes
Telling me that I am this and I am that
Making me feel uncomfortable on my own skin
Confusing me

“Who are you?”
I ask again
But I don’t really know

"Who are you?"
For the third time I ask myself
And I remember how I used to be
Acting differently between people I meet

And for the last time
“Who are you?” I ask
Still, flashbacks
The memories of me being innocent
Memories of me being a monster
And I ask myself again

"Who am I?"
[June 22, 2015] Borderline Personality Disorder (BPD) is a mental illness marked by unstable moods, behavior, and relationships. People suffering from this disorder have a persistent unstable self- image and sense of self.
Justin G Jun 2016
Despite the heart which is froze
Hatred runs fluidly
Like the water in shattered glass
Like the blood in broken bones
Like the flames in our homes    
This hatred
It speaks to me
Like drugs to an addict

When it tells me to shoot
                                         I relapse and
                                       aim for the sky


I said..
In spite of my own humility
Hatred runs deeply
Like the roots beneath the dirt
Like the pain beyond the hurt
Like this poem before your eyes

I despise 
                Way too many lies
                And so little truth
 

I said..
I hate beautiful  
It cripples me deeply  
For you are my pity
My pain and their pleasure

When I am high
                           I'll collapse and fall
                        Far from this place
                        Of rotten bliss


I said..
Look at me        
Blood misrepresents me    
For I am cut differently
This pain isn't felt
Like the emptiness
Residing in your cup
It is felt
Like a toxic
Living inside the gut
Like these words
Traveling directly
Towards the stomach

I mean..
             Although this addiction kills me
           Hatred is also the remedy
          It is all I need to truly appreciate
          The little love I have left.
((Recovery))
Asphyxiophilia Jul 2013
It's 3 am and you're restless again. Your thoughts wander briskly through the fields of memories of him and you find yourself picking each one and holding it delicately in your palm. The lights from the streetlamps outside your window peek through the blinds and illuminate synthetic stars onto your ceiling which you count like each kiss he ever placed on your cheek. Your legs are wrapped up in your sheets like the way they used to tangle around his ankles every evening. You roll onto your side and attempt to close your eyes once more, calling out to a peaceful slumber that has been evading you for weeks when suddenly, you hear a whistle in the distance. You open your eyes again to see the stars growing into spotlights that threaten to swallow you like black holes, but without the mystery. You immediately grab your wrists out of fear that you unconsciously took a blade to them but you are greeted by scars that have been forming for approximately three years (and eleven months). Your heart threatens to pound its fist through your chest as you slowly turn to see what the source of the light is. Just as your shoulders align with your mattress, a man steps from what appears to be a train engine and greets you with a nod of his head.
"Good evening, sleeping beauty," he begins sweetly, "I have come to extend an invitation to the night train."
You bring your hands to your eyes and attempt to wipe the hallucination away from your vision but when you open them again, you see the man gazing intently.
"It is my understanding that this is your first meeting with the night train," he states as he waits for you to supply an answer.
You nod your head.
"Well, my dear, the night train is here to offer a sweet elixir to cure this sleepless evening. You see, the night train's purpose is to supply the recipient ("that's you," he says behind his hand) exactly twenty minutes of time spent anywhere of their choosing. And then, once the time is up, the recipient must board the train once more, and will be met with approximately eight hours of uninterrupted slumber." He pauses as an assurance that you are following along, so you nod your head slightly. "However, the catch, you see, is that if the recipient does not board the train at the end of the twenty minutes, they will find themselves trapped in a restless oblivion with the promise of never again finding the comfort of sleep." A slight smile tugs at his lips as he tilts his head out of sympathy. "This may not seem to be much of a threat considering you are currently wrapped up tightly in your bed, but I assure you it will be tempting to remain within the place of your choosing, despite the whistle of the night train."
Unsure of what else to do, you nod your head once more.
"Alas, now we must be on our way, because the countdown begins in exactly three minutes! So I urge you to think quickly of where you would like to be taken!"
As though the train has suddenly run into your chest, the meaning of the opportunity that has been placed in front of you knocks the wind out of you. Before the conductor even finished his sentence, you knew exactly where you wanted to go, so you swing your legs to the side of the bed and push yourself upright.
"I would like to be taken to July 13th at precisely 2:32 in the morning," you say quickly as you flatten your restless hair to your head and straighten the t-shirt you are wearing.
"Very well, very well. Now board the train, my dear. And we'll be off to the morning of July 13th, but I urge you not to forget your time limit of twenty minutes!" He places his hand on your back and ushers you into the train, guiding you to a red velvet seat lined with golden stitching. Once you are comfortable, he disappears into the cabin and blows the whistle before pulling out of the station that is your bedroom.
With no warning at all, you feel a tightening in the pit of your stomach and before you even have time to clench, you are sitting on a rooftop overlooking a vibrant city.
"I just don't know anymore. It's like- It's like everything I once knew has been flipped upside-down and I'm just expected to be okay with it. But I'm not."
You blink a few times in an effort to adjust to the sudden deja-vu that causes your head to swim in the memory of an evening you have constantly waded in.
He is sitting with one leg tucked beneath him and the other dangling over the edge, as though even his limbs can't decide whether they want to take the fatal plunge or not. His hair was always absent of color, the kind of black that made you question the material of the universe because even the night sky couldn't compare to the degree of darkness; but it seemed to be doing just that as it laid haphazardly across his pale forehead. His bony fingers are clutching a nearly empty bottle of gin which he brings to his lips between sentences. He continues speaking as though you didn't just appear out of thin air beside him.
"My mum doesn't even pretend to understand anymore. I've heard her mention boarding school at least three times this week, despite my constant refusal to even speak of it. She knows the walls in the apartment are paper thin, so I know she brings it up because she knows I can hear it. But I don't want to hear it."
You notice the vacant look in his eyes as he stares into the horizon, like a hotel room that has been emptied of every belonging, including the light bulbs. He uses his free hand to adjust the collar of his leather jacket before taking another swig of the gin.
"I just can't stay there anymore, and she knows that. Deep down, she knows I can't stay there now that he's gone. I just can't."
His voice is as hollow as his chest as he uses his tongue to wet his lips before turning his head slightly to look at you.
"I wish you could come with me, I really do. It would be quite the adventure, the kind that we used to dream of having. But I can only afford one ticket out of town."
He places the bottle on the ledge, dangerously close to the edge, before resting his sweaty palm on your exposed thigh. His eyes travel from your legs to your forehead, and he leans forward to place a kiss on it, but he misses and falls into your lips. Just like before, your hands land on either side of his face, catching him before he falls completely, and you suddenly find yourself exploring the warm cavern of his vulnerability. His tongue swirls around your own and you taste the bite of the alcohol on his breath but this is the moment you have always craved so you soak up every bit of it. He pulls away just as your heart starts to tremble, and he wipes his mouth with his sleeve before picking the bottle up again and stealing a drink.
"I wish you could come with me," he says again, his eyes now focused on the street below. "But I fear I can only afford one ticket out of town."
Just then, you hear a whistle, but the timing isn't right. This is the moment you would have died to change, and now you've been given a second opportunity, but you can feel it slipping away.
You lean towards him, softly placing your hand on his arm.
"Come with me. We can go anywhere in the world that you please, and I promise it'll be better than here or there if we're together. Because I can't go where you're going, because I can't pay that price, but I want to go away with you, I do."
You search his empty expression, hoping to grab some string of familiarity that you can use to pull him back to reality, but his eyes are locked on the parallel lines beneath.
The whistle grows louder, this time stinging your eardrums, and you know that your time is running short, but you can't let him go.
"You don't have to go back to your apartment, you don't have to go back to your mum. We can runaway tonight, together. You and me, just the way it was always meant to be."
Your voice is shaking and desperate, getting louder with each word that you speak as the whistle blows from behind you, threatening to leave.
Just then, a hand falls upon your shoulder, and for a second you allow yourself to glance over, and it is in that second that the body before you tips over the rooftop's edge. Your heart falls like a weight in your stomach, just like on the evening this event first occurred, anchoring you to the cement and preventing you from going after him. The conductor who now stands behind you grabs your torso and pulls you backwards as you scream his name into the night sky. You kick against his hold as he drags you back onto the train and into the velvet seat again.
This time, you were unable to hear his body land on the pavement.
This time, you weren't able to look down and see his hands lying ten feet away from the rest of his body.
This time, you didn't get to perch on the edge and contemplate for hours joining him.
This time, you couldn't blame yourself for being speechless, for letting him be the star of his shining moment, because you attempted to be his Juliet.
You didn't realize you were still screaming until the conductor grabbed your shoulders with his hands and shook you quickly.
"Quiet my dear, I fear it is time to go. And I was unwilling to allow you to remain any longer, but I fear you will only be receiving six hours of peaceful slumber."
You look at him sternly, unsure how he can continue to speak of this ****** night train and its guidelines after you just watched the love of your life commit suicide for the second time.
You take a deep breath before speaking, "I don't understand the point of this, why bring me here if I couldn't change anything? Why allow me to relive this if it didn't make a difference?"
He smiles sympathetically before beginning, "oh but it did. You see, for three and a half years you have been tossing and turning, wondering what you would have done differently and if you would have been able to change it. But you see, the past isn't something that can be changed. It can only be relived again and again within the minds of those who continue to contain it, and the pain of the past and the memories that come along with it will feel just as real as the day they happened if you continue to dwell on them. Eventually you will see that tonight made a significant difference, because you were finally able to recreate the scenario that you always dreamed."
Your mind is running at a faster speed than the train as it makes its way back to your bedroom, and you can't seem to comprehend what the conductor is saying.
"So you're telling me that the whole reason behind this was to show me that he was going to die whether or not I tried to convince him otherwise?"
He places a gentle hand on your shaking shoulder and replies, "the reason behind this was to allow you to finally put the past behind you and grant yourself the pleasure of peaceful slumber. Because you see, my dear, there is no such thing as the night train. It is merely a figment of your imagination. Deep inside you, you realize that nothing you said could have changed that night, but you needed to dream another possibility in order to believe it. Now believe it."
"But I-" you begin to speak but in the blink of an eye, you're suddenly sitting on the side of your bed, your shoulders no longer shaking. You blink again, trying to make sense of everything. You bring your hands to your face and feel your cheeks, reassuring yourself that you still exist. You look around once more, noticing the stars upon your ceiling twinkling as though they are winking at you like the conductor of a mysterious night train. But you realize that you are in your bedroom, in your t-shirt, as though you never moved beyond that point. And you find that you're unsure whether it was all a dream, or whether you really did go for a ride on a night train, but you decide to lie back down and attempt to sleep anyways.
And six hours later, you find yourself awaking from a very peaceful slumber.
Yule Mar 2017
bakit ba pinagpipilitan ko pa ring ipaitindi sa iba?
hindi rin naman nila talaga alam
sa paningin nila, napakababaw, napakataas naman ng pangarap ko
isipin mo, ako? isang simpleng babae, minamahal kang isang lalaking maraming nakaaligid? na pawa bang isa kang nilalang na taga-ibang planeta
alam kong minsan ka na rin nakaramdam ng pagiging ordinaryo
pero sadyang ka'y layo mo na ngayon, iba ang takbo ng mundo mo
minsan inaamin kong nakakahiya, na ipagsigawan 'tong pagmamahal ko sayo
pero dahil sa iniisip kong hindi nila naiitindihan
at di kailanman na maiitindihan
itong nilalaman ng puso ko ay ikaw
sinasabi nito na mahal kita
na mahal na mahal kita
kahit di ko magawang ika'y lapitan
dahil paano mo nga ba mamahalin ang isang taong napakalayo sayo?
pero patuloy ko pa ring iniisip na mahal na mahal kita
inuulit ulit kong sabihin ito
kahit na alam kong di mo rin naman din ako maiitindihan
oo, alam **** mahal kita
pero hindi, mas higit pa sa iniisip mo
gusto kita
gusto kita, gusto kong mapalapit sayo
na mapasaakin ka
yung gaanong kagustuhan mo sa isang tao alam kong di kailanman kayang ibalik ang nararamdaman ko
pero bakit ko pa rin ba ito pinagpapatuloy
kung alam ko rin naman na wala tong mahahantungan
napakasakit man isipin na hindi ka pwedeng mapasa akin
gusto kong may makiramdam sa akin
pero hindi nga nila maitindihan
ikaw ang gusto ko
pero napakasakit na mahalin ka
bakit ba kasi ikaw pa?
mahal na mahal kita
gusto kong ipaalam sa'yo
pero paano nga ba?
kung sa una pa lang
hindi mo ako maiitindihan
ang tanging naiitindihan ko lang
kahit napakasakit man tanggapin
napakasakit man para sa'kin
pero eto ang realidad
na alam kong mahal mo rin ako
mahal mo rin naman ako
pero bilang isang tagahanga mo lamang

eng trans:
why am I even forcing others to understand?
they don't even know
in their eyes, it's so dense, I have dreams way too high
think about it, me? a simple girl, loving someone like you who's surrounded and looked upon to? as if you're a being from another planet
I know that you once felt what it's like to be ordinary
but you're just way too far from my grasp now, your world runs differently
I admit that it's embarrassing, to shout out this love of mine for you
but mostly because I think that they don't understand
and won't ever understand
that you are the one kept in my heart
it tells that I love you
that I love you so much
even if I can't even get near you
because how can you even love someone that's so far from your reach
but I kept on thinking that I love you so much
I will keep on repeating this
even if I know you won't even understand
yes, you know that I love you
but no, it's much more than what you think
I want you
I want you, I want to get close to you
for you to be mine
that kind of desire for someone you know won't ever reciprocate your feelings
but why do I even continue this?
if I know this would get on nowhere
it pains me to think that you won't ever be mine
I want someone to empathize with me
but they just don't understand
you're the one I want
but it hurts to love you
why does it have to be you?
I love you so much
I want you to know
but how?
if from the start
you don't understand me
the only thing I understand
even if it hurts to accept it
even if it hurts for me
that I know that you love me too
'you love me too'
*but only as your admirer
after the supposed 'spoken poetry' I wrote this in front of the library where it was held. I just joked around (on the first piece) that 'he doesn't understand because of the language barrier', and they'll just laugh. but I feel like utter crap at that time, thanks. but this is just the fate of a fangirl for their idol. | 170303; 12:57 pm

{nj.b}
Nik Krutilla Sep 2012
She sits across from me sipping and slurping her fat free french vanilla.
While I'm pacing myself with cappuccino imitation.

"All I'm saying is, that if he starts calling me baby, I might wanna keep him!"

She says it with that cajoling tone.
But I can notice the glimmer in her eyes that tells me she longs for that.
That sweet pet name that would mean she's special to him, in her mind...

I never could get comfortable around those things...pet names.
Cutesy little endearments reserved for a child's affection.

What is wrong with me?

She's vibrating with unmasked giddiness, glancing at her phone.
They've been dating for only months but she is lost in him.

Him.
With his once a week date nights
and clean shaven face
and joking interaction with her friends.  

She's full of soft embrace and warm affection and vulnerable interest.
Wanting never looked so form fitting on a person.
Like a cup waiting for a refill...

"If you want, I could see if his friend is up for dinner next week? You know it's been months for you..."

I hope she doesn't choke on her millionth slurp with the glare of indignation leveled at her cherub-like face.

"Ah thanks, but no thanks." races out of my mouth before I even hesitate to pretend to consider her obvious proposal.

How is it that easy to just offer companionship like that? Do I give off a "desperate for love" vibe?
And what the hell makes her think I can't find someone on my own **** time?


"Okay, okay. It's just...I hate seeing you alone. Don't you want to not be alone anymore?"

I know she loves me but those kind of questions from her caring heart, make me contemplate knocking her in the head.

My alone-ness she says.
My singular existence.

I'd laugh at her if I didn't know it would hurt her feelings.
To disregard her feeble attempts at pairing me up with whatever half-assed man candy she could sway my way.

I'm staring at the ring left from my coffee,
wondering if I should just give in this one time for her,
for me,
for the over used batteries at home.

"I'm not lonely you know. I just, haven't felt that connection yet."

Looking pitifully back at me she wonders aloud, "You're always waiting on that connection but have you ever felt it before? I mean, how do you know it's even real, that body, mind, spirit...magnet pull you believe so fiercely?"

It's the first time I've given her a genuine smile today as I tell her yes I have felt it before.
Briefly...
Bitter sweetly...

I just never got his last name.

It might have been years ago but I can still recall with clarity that electric tornado that seemed to have surrounded us.

We had only been gifted ten hours together but it left a mark on me for over fourteen years.
His face is definitely matured I imagine and his body shaped differently.
But I'll never mistake those sea green eyes, haloed by dusty blue cloud rings.  

The only boy who has ever made me want to get lost and never be found.

"Well...good luck with that. But until mystery man crashes back into your life, for god's sake live a little huh!"

She means well I'm sure but like an eager pup I just tsk at her goofily plastered expression and finish off the grainy remains of my only afternoon delight. She's in a hurry to make her "honey bunny" a homemade dinner anyway so it's not hard to cut things short on our weekly coffee shop vent session.

She's floating out the door before I even get my coat above my elbows but I can't feel offended.
Mulling over the uncomfortable idea of boring interaction with another stranger I decide to grab one more drink for the ride home.

Alone.

Oh, wonderful...now she's planted that seed.

Shaking it off, I order my vice and move benignly to wait and resolve to not think about anything related to that anymore either.

"Seems outrageous they charge so much for imitation don't you think?"

The question's asked to me but I pretend I can't hear it. A guy hitting on me today is not what I want to deal with.

And he seems to be standing right behind me
making goosebumps scatter across my neck.

He tries again, "So I guess you like buying bottom of the barrel cappuccino?"

This time I've gotten a little itchy from his voice and want him to just stop in his tracks.
So I turn to tell him where, in fact, he can go...

But I'm the one stopped short and a bit flabbergasted.

No way do things happen to me like this.

Those coincidental, lucky, fated things...

I almost wish I was a liar right now with the things I just spilled to my loyally, encouraging friend.
Because there is no way the universe would be this cruel.

Finally I exhale and word *****,

"They're the only place that taste just like the ones at my grandmas' house every summer when I was a girl. I waited a long time to find that connection again, even if it is just coffee..."

The smirking face and broad shoulders that greet me aren't the cause of my temporary delirium.
Not even the wild hair and black rimmed glasses.

It's the sea green, haloed dusty blue eyes centering all the rest that shallow my breaths

Of all the places.....

Like a falling satin sheet his face morphs into a query riddled expression.

I hear the barista call out a name and he reluctantly steps away, never taking his eyes off mine whispering,

"I'll...be right back. Don't move...please?"

I'm nodding like an awkward parrot and he turns to grab his imitation coffee.
The same kind I'm waiting on.
And I start smiling after a second.

Not because of the similar drink order, which could be anyone...

But because of something I haven't known until this moment for over fourteen years.
All thanks to fate, or destiny...
Or perhaps the oblivious barista.

His last name...


*© NDHK
Nat Lipstadt Aug 2013
Sittin' On The Dock Of The Bay (Razor Blades, Pills, & Shotguns)

Sittin' on the dock of the bay,
Watching the sun slip, Simon-says, slide away,
Cheeks blushing flushing from orange ray-guns,
Drinking blush rosé to oil our eyes
For the subtle story the sky shortly will reveal,
For the subtle story the sky shortly will revel.

Grievous judgement to make,
Thinkin' skills possessed to praise,
When but yesterday I easy confessed,
At the Blue Canoe Bar, I did not.

(The clouds were magnificent. No, I cannot write a poem about the cloud colors. Their shape shifting inexhaustible.  Mine eyes high on their creativity.  I'm just not good enough a poet to tamper with that sky.)

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.


No impulse. We pledged that tonight, ours,
One hour of sunset over Silver Beach.
Brought the wine, forgot the pillows,
So Abraham & Sarah went prepared to sacrifice
All feelings in their butts for the greater glory
Of love and one of nature's great poetic challenges..

The conundrum~miracle of every sunset
O'er bay, lake or ocean, is its special,
Only-In-Nature unique way of customizing
Its descent just for you.

No matter where one observes,
No matter where you worship,
Wherever your temple, mosque or church situé,
Tennessee, Rhode Island, the Philippines,
Germany, Colombia, even in the ole U.K.,
(yes, you, I know it, yes, you!)
The very same setting sun we all see,
Sends a magic dazzle gold orange path invitation
To the exact spot you are voyeuring,
One sun, all destinations equal before human.

How can that be?

Trepidation and tremblingly,
The clouds.

She leans on me, a perfect fit,
My back resting against a pylon,
So we see the clouds
With common exactitude,
But it is a quiet time, silence only shared.
Images stored silently within ourselves,
For we see the formation, man, woman,
Precisely and exactly, totally differently.

The clouds.
An armada moving imperial and imperiously
At a stately speed, saying I am awesome, fear me.
The largest cloud bank is an aircraft carrier,
Miles long, painted horizon blue-grey unsurprisingly.

The small white wisps, fast destroyers, stealthy submarines,
Moving fast to protect the mother ship,
Running random to confuse enemy radar and the
Pathetic, limited, human eye.

The colors.
Here I fail willingly, unashamedly.
So many sunsets, so many hearts,
All different, all the same.
Lacking knowledge, I cannot tender,
I cannot offer you tenderness to love
Enough,
The variety of oranges, gold, varietals interspersed
By the pinks, the cornea, singed,
And mock myself for all my meager brain yields is
Good Humor creamsicle comparison...a delicious irony

You who write after midnight
Of razor blades, pills and shotguns,
And not marked two decades even, on this planet,
You want hard,
Write a poem about a sunset in ways never done before.


You, who are wracked with despair
Speak to the man with no job for months
And mouths to feed and a life insurance policy.
Speak to me.

I want to tell you to get over yourself,
But you reject that old saw. Ok.
Get onto to yourself.

I have walked the hallways of deep despair,
Heard the bells ring between periods that signal only the next
Hell,
And to this day, still do,
But still I try to write external of sunsets and greater glories.

How many lives depend on you? Are you proud of your weakness?
Do you hate me yet for acknowledging out loud,
We are both cowards?

I have five mouths to feed,
Before I parse a morsel.
Two less than two,
What do you have but to
Grow yourself?

Yeah coward.
Too yellow to write about a
Yellow sunset, cause that is hard in a way incomprehensible
Until tried.
Or the passing of your mother who could not speak clearly
But you, thru her eyes knew that she had poems to yet recite.
Run away like I did ashamed with frustrated failure.
Why should I coddle, give you easy soft?
**
.
If you come here to share, well and good.
If you come here to find comfort, good.
So gaze upon these words and feel
The love that only experience has earned.

What do you know of heartbreak?
Imprisoned for decades in a loveless life,
I walked by the water nightly,
Yes, the same waters where I CinemaScoped
Yesterday's sunset, and walked away.

You can read about if you look it, look me, look here,
Look up!

So do something hard, something external.
Fail but love yourself more for just having tried.
Then try something else.

The saddest poem ever wrote
Was not yours, where you titillate with daring words
Razors, pills etc.,
The saddest poem ever writ
Was this one, a meager vanity to capture a
Sunset that keeps trying every day to
Surpass
Supersede
Its previous glorious failure,
Like we should too.
Keep trying

Now, I shall rest,
For I know that soon I shall see, feel, think,
Of something new that will make me eager to

Write a new poem.


August 3~5, 2013
When I am less tired, I wil edit the typos. But life is full of typos, but sometimes you just gotta not look back, even if you leave a trail of typos behind you. But writing this has mentally exhausted me in a different way.  I will rest from writing to recover. Dig out some old ones, maybe

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.
2010 one last remark about Mom she’s never had faith or trust in me she always doubts redirects me when i was little she continuously blamed me accusing me of being sick needing a psychiatrist at age 20 my parents committed me for disciplinary reasons to the Institute of Living a psychiatric hospital in Hartford Connecticut in a locked ward for 4 months Mom and Dad discouraged my aspirations to succeed as a painter/writer arguing the impracticality of my decision they thumbs downed Bayli even today she undermines my efforts to love protect her she scolds me for asking permission from my cousin Chris to allow his son Maynard to fly down here and help me pack then drive up to Chicago so i might get to know Maynard on a road trip she instructs hire professional packers for a $100. they’ll be glad to help you pack Mom has always stood in the way of my choices decisions



1975 Chicago in his parent’s kitchen Mom offers the cannolis are fresh from Kanella’s Bakery or try the chocolate fudge cake it’s absolutely delicious Odysseus replies are you trying to fatten me up or **** me with sweets Mom flirtatiously teases i’ve always been about your ruination Odys



2001 Tucson Mom comes for visit at Thanksgiving in her early 80s walking proud yet painfully on displaced hips she is an inspiration to Odysseus her eyes are clouded with cataracts yet she sees life as an eternal optimist since 1920 the world has changed so drastically yet Mom has learned to accept many things she previously did not tolerate she lives prudently on modest fixed income her fingers are arthritically deformed but she was once a great beauty many men desired her Odysseus asks if it was difficult for Mom to lose the power of her physical desirability he noticed her good looks waning in her 50s she answers she sensed her  attraction going in her 70s she still possesses regal qualities and is quite socially charming she chatters a flurry of familiar names events that keep her busy she travels around by herself Mom’s spirit endures but in reality she drifts further away with each passing season she is delicate and has difficulty remembering she echoes a distant past in the early evening of Thanksgiving Day they sit at table of elegant yet rather staid dining room of Mom’s choosing at Arizona Inn she says it reminds her of the way things used to be she wears tasteful black linen slacks black pumps thin silk knitted black turtleneck with string of pearls gold earrings her blonde hair coiffured in same fluffy sprayed style it has been for 50 years in his heart he knows a part of her wishes her son was more like Tom Steinberg who was a senior when Odysseus was a freshman at River Woods Academy The Steinbergs and Mom are still friendly Tom is a successful investment banker with a wife and child living in Winnetka Mom nervously touches the pearl strand around her neck she says you know Mort Rock’s wife Phyllis died i was such a good friend to her at her funeral they read how she said i was her best friend she left me 10 lousy thousand dollars in her will she’s worth millions it’s eating me up inside i needed that money desperately i can’t stop thinking about it 10 lousy thousand dollars went immediately to pay off loans i’m going to sell my jewelry i don’t know what i can get in the spring i’ll put the apartment up for sale or try to get a reverse mortgage from the bank i never told you kids before i’m not in good shape Odysseus comments i feel terrible i wish so much i could help maybe Phyllis Rock suspected you and her husband maybe all those years you were her best friend she read it as guilt and obligation Mom you need to be more truthful Mom cuts in i never had *** with Mort Rock that man drove me crazy he was nuts for me Mom orders the traditional turkey dinner Odysseus orders the Macadamia nut encrusted Hawaiian fish the waiter brings price fixed appetizers little circles of toasted bread with lightly browned melted cheese tiny triangular cucumber and cream cheese sandwiches roasted watercress nuts wrapped in bacon and little hot dogs pierced with fluffy ended toothpicks Mom begins to gobble as she remarks to Odysseus  why do you want to wear your hair like that? you look like you escaped from the camps Odysseus asks what camps are you referring to Mom? she replies the Concentration Camps! you’re a good-looking man and you still have a full head of hair why do you want to shave it off i don’t understand i think you should move back to Chicago Tucson has done nothing to offer look at you you’re all alone you don’t have any friends come home and be your old self again he answers my old self you don’t get it do you Mom do you remember my commodity trading debacle or my 40th birthday or you and aunt Rita’s ceaseless corrections Mom smugly retorts what do you mean your 40th birthday don’t you get smart with me you should be ashamed of yourself why must you keep bringing up the past you need to let go of the past you go into such details details i don’t remember what does it matter now it’s history we only wanted what we thought was best for you you never listened you were only interested in yourself plenty of other kids get beaten and come through just fine you don’t know what it’s like to be a parent it tears me up inside you talk like you had nothing to do with it i can’t take this abuse from you anymore her misshapen fingers hands begin trembling as her voice emotes you think i don’t realize we made mistakes with you you think we were such monsters i wasn’t a good mother i was a lousy ***** is that what you think answer me what are you a bump on a log Odysseus sits stiff in chair his voice shrinks he just sits there his legs shake under table Mom says your father was quick-tempered we were under so much financial pressure maybe we did send you away too soon if i had to do it again i’d do it differently what does it matter now it’s 50 years ago forget the past what do you want from me what can i do he listens silently wondering if Mom seeks some kind of redemption can her conceit permit it he knows he is ******* her he does not mean to be uncomfortable with his muteness Mom continues you were a difficult child remember all the trouble you caused look at you you’re still a difficult man he questions Mom can you hear yourself you think i’m difficult she answers you think we were such terrible parents you grew up in a house of violence his thumb and forefinger nervously touch his chin as he replies no you were good parents i was a problem child different from you you afforded me a beautiful home and brilliant education i wanted to investigate life and learn and grow you didn’t know what to do with a child like that as much as she tries Mom never has been a comfort for Odysseus or he for her he inadvertently stirs her to worry or snap and she in turn unthinkingly disturbs him nevertheless they love each other the waiter brings out salads Mom ordered iceberg lettuce with thousand island dressing Odysseus chose the spinach salad he takes several bites Mom remarks use your salad fork not your dinner fork you know better than that suddenly it occurs to him Mom is more fragile than he he thinks to himself silently Mom i realize your life is closing in on you your mind drifts and you need to fake and cover-up more than ever do you want me to come home and take care of you i will take care of you then he remembers how miserable they were together during his throat cancer recovery in her 3 bedroom Lake Shore Drive condominium immersed in contemplation he pushes the fork through spinach leafs Mom says sit up in the chair and put a smile on your face she self-consciously peeks around the room having lost his appetite Odysseus looks down at napkin on his lap glances at half-eaten salad bowl he gazes up at Mom the waiter arrives making a pained smile he clears the salads then serves the entrees after the waiter departs Mom speaks Odys look at me when i’m talking to you i think about a lot of things i should have done after the fact sometimes even years later Max and i made a lot of incorrect choices when it came to you he cuts in Mom you don’t have to say anymore i love you always have loved you and know you love me too Mom says you know how much i appreciate your paintings you’ve made my life richer i‘ve always been supportive of you in fact i’m your biggest fan right Odys right? thank you Mom i’m grateful Mom says i’ve spoken with psychiatrists and they all tell me the same answer tell your son to forget it why must you dwell in the past what did we do so dreadfully wrong i don’t understand you’re a hard case i wish i could get through to you i hope you can find it in your heart to forgive us you’ll sleep better he questions you know about my insomnia restless sleep nightmares Mom says i can imagine Odysseus’s eyes begin to water Mom i love you i wouldn’t be who i am without you Mom says don’t get so emotional you sound weak take it from me you must be strong in life learn discipline and willpower i love you too son Odysseus wonders if maybe he agitates Mom because he is a constant liability lacking fiscal self-reliance deep down Mom is a giggling gossiping playful girl spoiled by her father she never wanted to grow up and be burdened with the tasks of parenthood what woman of rare beauty and charm would want to give up her privilege and freedom for some kid especially a *******-up kid maybe deep down Mom resents Odysseus he stares down at the Macadamia nut encrusted Hawaiian fish and silently prays he will be released from his life all his stupid sins regrets self-pity self-hatred his vain inconsequential existence



i move organize empty shelves cabinets drawers closets edit wrap tape pack wonder if moving back to Chicago is one more mistake heaped on top of a 1000 mistakes a 1,000,000 mistakes is going home to help Mom my biggest mistake ever i simply know i must try to protect my Mom
Third Eye Candy Mar 2013
Barbarians At The Bill Gates

Kings in a Nutshell of Plots,
Machiavellian; made Lords Of Infinite Beige.
a Workspace now a  Dead-Space in The Heart of an Artist... Scaling, Mount Dew, at a snail's pace.
Behemoth Logarithms,
Jammed in a hot box. with cigarette soot blocking die-cut vents
The cousin with the soft-spot.
Hair, Nobly Re-Disheveled  by Hit and Miss ads, like
crow's feet dancing on insomniac spines, in and around, the Yawning Cathode D-Rez
Of all Villages, M. Night. Ramadan, forged, into Code Soldiers
With No Code to reverse Schrodinger's Black Cat, Back in The Bag...
The Genie, from a corner apartment in Manhattan, to a bedroom in a Bottle of Lightning.
Only Reactive Jazz
Cosmonauts, embedding feathers in " White Hats "
A Moral Avatar.

Hack Lads in The Boonies of Way Ahead of The Curve.
An Unsound lack of Judgment, echoing by Proxy, like Mr. Hyde;
Passing for a binary Schizophrenic. Swallowing Blackberries, Seeds of Anarchy and All.
Crowd-Sourcing the wisdom of Crowds of People
With cup-holders, the Elite call CD-Rom
Stand-by.
A Quest For Firewire. A billion portals,, huddled in chaos.
In the lens of  The Camera-Obscura, hidden in the USB Port
In the Fuzzy Logic of Our Narcissism.
SQL that Ends Well \ with a Backlash To Pi Charts
Of Privileged  Information,
Cooling, only in The Windows, Facing a Social Network
Resting, on a sill of Approval by Market Share and -
Ad *******

An eye of  a needle, peeling onions in a brave new world, weeping for the pure, post-ironic
Joy, Of Threading a Nano-Camel
Through The Eye of a Needles' Parable.  To Aesop the gravy of grave doubt
and reasonable suspicions off
Teutonic Plates

To an Atheist. The Heavyside Layer of Bricked Phones
and Dissonance,
May Find a Contract, 'Comes with Astroglide.
And a toaster.

Floppy Disc-Figurements of Our Right To Privacy.  
Resurfaced By The Naivete
Of a Target Audience, With a Heads-up Display,
A 4D Hologram  
Of Steve Jobs,  
Exported over dark fiber optics;  
Silicons of Prosaic non-Existence
Overclocking the Swatch
On  a wrist

Banning Calligraphy

Ward of the State
Of the Economy
With a Cult
Following


A Hologram of Steve Jobs
To sharpen the bleeding edge
with a moon rock from The OtherSide of Billions of Dollars.
The After-Accolades with the Spanish moss From Taiwan
Where Dragons Of  Technology
Shed limits, that metastasize rapid growth
Of Personal Stock by -
adding a Touch Screen Feature to an App For Clout.
To Out-Monopoly with a Walled-Garden
Designed by Stanley Kubrick's 2001 [ Available Space Odyssey  ]
A Terabyte
leaving Half a Worm
In your Apple.

A Difference Engine, differently Desired

Dumped
On a Corner in
Your Circle
Of Confirmed
Friends.


rocking XP like an OG on Food Stamps and The Fringe.
Centered Better And Re-Posted.
Rod E Kok Oct 2014
Somewhere

Somehow

I can’t identify when
it changed.

I saw things differently,
my eyes no longer covered
by an opaque way
of thinking.

Sunshine brightened this world
with unimagined colors,
butterflies broke free,
songbirds warbled lovely tunes.

Amidst emerging beauty
words became
every day’s lifeblood;
I found my voice.

All around me,
there was change,
yet everything remained
the same.
For it was me
that changed.
Reborn, rewired.
My heart drummed
a brand new beat.

Driven by transformation,
I wrote. I write.
Adding a dash of color.
Singing harmony
to surrounding melodies.
I am changing.
I am writing.
I am a poet.
This is my first poem for OctPoWriMo. The word prompts are: chrysalis, butterfly, transformation.
Meagan Marie May 2014
Some days,
well..
most days lately,
I hate it!
Or at least I think I do.
But it isn't so bad,
really.
I think,
just maybe,
it's all in my head.
Well,
not just my head!
I'm surrounded by these thoughts.
We all,
more like a lot,
no,
many
of us think it is so bad.
But how hard do we really try?
It just comes from our tongues
right into our ears
then straight
into our
heads.

Would I do it all differently?
No.
Well,
yes.
I would.
But not that kind of differently.
#ib
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.
This one was the unedited version (if I make that sound naughty or euphemistic).
Terry Collett Dec 2013
Sonya in the moments free
of serving the customers
leaning on the serving bench
dark brown eyes

on you
her dark hair
pinned back
said she liked

Mahler’s 4th best
O so exciting
so full of the life
you preferred

the 5th or 2nd
but she said
no no too deep
too long

life is for living
not dozing
to long symphonies
she preferred Kierkegaard

to your Nietzsche
liked his leap of faith
his books on God
and such

you liked her mouth
small
like rose petals
stuck together

her ears visible
and so lickable
(if ever permitted
to do so)

that Nietzsche
she said
went mad
think it

was the pox
stuck his *****
in some *****'s hole
she stopped to serve

a customer
all smiles
and politeness
that butter

wouldn't melt
in her mouth
kind of thing
you carried paint

up from the basement
and shelved it
in colour order
thinking of her

laying in some bed
Mahler's 4th
blaring out
she putting chocolates

one by one
into her small mouth
and licking
her fingers

afterwards
so sexily
one leg
slightly lifted

the other flat
and you imagined her
yakking off
about the Kiergegaard guy

her other hand
not stuffing chocolates
in her mouth
resting over

her ***** hairs
you read Dante?
she asked
having served

the customer
with a smile
and politeness
yes the Purgatory

you said
that is where men belong
she said
unless they take

the leap of faith
she leaned
on the serving bench
eyeing you deeply

what you thinking about?
she asked  
how well you serve
the customers

you lied
thinking of her lips
pressing against yours
her tongue meeting yours

in her mouth
of her body
her hair
her eyes

that is why
I am here
to serve
she said

but she was serving you
differently
inside
your young man's head.
"The surest way to corrupt a Youth
is to instruct him to hold in higher esteem
those who think alike, rather than those who think differently."
-Nietzche
"It is the mark of an educated Mind
to be able to entertain a thought
without agreeing with it."
-Aristotle
ZzyiP May 2018
there are chains on my desk,
you cant see them but i can,
in fact i can feel them.
i can feel them tight around my neck
pulling me away from my soul.
they slowly drag me 'forward'.
my grip on freedom weakens as the links tussle my neck,
the singing of birds fade and become more distant.
singing choirs cease to sing.
the sun shines differently,
its a dim light with no glimmer anymore.
i see less colours now and my muscles ache.
i move less, smell less, feel less.
its cold as i subdue to the pull.
my clattering and rebellious steps form rhythm
my legs conform as i march in sync with all the same misfortunates around me
dragged and dragged we march
there is no point to resist
now we march
confidently we march
but our souls were left behind
school, exams, educational system.
Tash Mckay Dec 2020
I see things differently
That's OK
I can offened with my words
This I don't like
So I started again
Rewind freeze frame
Looked at myself
God that was hard
Sometimes my words breake down
They decay .
My mouth walks before my brain
This is why I write
This is where I can explain
I see things differently.
I'm OK.  
Every human never stops learning
Good or bad
Good for me.
I'm still growing learning everyday
Now I can play with my thoughts
Daydream all day
Fly away with the fairy's
That flood my brain.
Not quite like that
You no what i mean
I can try
Explain
I'm feeling good today
To be honest it's nearly good  
Everyday.
I see some things differently
That's OK.

I'm growing into a person whose handles her
decay.
I'm not displaying
Every ****** day
I'm growing
I'm learning
I'm listening
I'm interested it what you have to say
Be nice
Be kind
Help someone today.
As tomorrow you could be the person
Who just sees  decay.
Change in me growth. Thank you xxxxx  depression.  Appreciates.
Amanda Kay Burke Nov 2018
Wish I could do something right
So words would ring true
Wish I met high expectations
Maybe then I could lose a few

I wish I was not weighted with
Weakness well within my core
If only I was put together differently
Strength would emit from every pore

I create my shortcomings
How am I sabotaging my own goal?
Not trying in the first place
Allowing fear to take control

My heart bleeds in anticipation
Before cuts have a chance to appear
Live my life in apprehension
Assuming danger to always be near

My motionless state of insecurity
Realm of dysfunctional doubt
I forever am encapsulated in time
My skull is a jail and I cannot get out
Not so proud of this one but eh.. here it is anyway

Written 8/25/18
ryn Sep 2014
What's my worth?
Am I worth a second glance?
Till present, from birth
Am I deserving of chance?

What's my value?
Am I worth time spent?
What did I do?
Did I squander the life lent?

What are my virtues?
Do they even shine through?
Do I put them to good use?
Or useless like a pair less shoe?

What defines me?
Is it the words that write?
Or work I do diligently?
Could it be my punches in a fight?

What have I done?
Take your time to think
Did I do it with a loaded gun?
Must've done something; must've missed the link

What am I good for?
Important work or menial labour
Could have I done more?
Achieved alone or together

Do I think differently?
Indulge in fairytale notions
Is it sheer folly?
To believe in magic potions

Am I just silly?
Do I dream too much?
Accept reality
Am I capable of such?

Do I shirk what I carry?
Should I have said no?
Did I delay and tarry?
Have I nothing to show?

Am I wrong to feel?
Is it foolish to want?
When it all is real
Now bearing the brunt

Do I wear you weary?
With my endless stupor
Why can't I bury?
Before we expire

Why do I wallow?
Wading through eye puddles
Should I just burrow?
Deep into these riddles

Why do I falter?
Why can't I heal and rise?
Why do I break and shatter?
How do I stop my eyes?

What is this dense forest?
Must everything be obscure?
Can I not be honest?
Can I not be insecure?

Could I be any more random?
Asking as they come to mind
Have I compromised my decorum?
Have I been blind?

Should I delve even deeper?
May I go on and ask?
Am I worthy of an answer?
Or should I just don my mask?

Gargantuan was my crime
Thick was its girth
Absolution this time?
Of it am I worth?
Kelsey Erin Jun 2017
You are the only person I think I will never tell how I feel or at least how I previously felt because it'll never be my place or the right time so-
I will always wonder if there was a missed communication or something I couldve said differently or done differently or anything I could've changed
I will always wonder if you knew or if you would have changed something if you did maybe you wouldn't have been so vague or maybe you wouldn't have made me laugh so hard or asked about my weekend or always started the conversation first because I was too proud to
I will always wonder if you noticed my hands and voice shaking the first time you ever talked to me
I will always wonder if you ever think back on what we used to talk about because I'm sure you never realized but I told you my tiny secrets and all I can do is hope that you knew.
I will always wonder about you.
Healer Aug 2021
There you are knocking at my heart,
I don't know when it started
Maybe centuries or was it yesterday?
Unknowingly I was being coloured by you.
I am unaware of my first wish but now my time flows through you.

There you are knocking at my heart,
I am already afraid of the cold days without you.
Are you a dream? Maybe a mirage?
Because like a lie I am clinging to you.

There's this book in my hands,
it's cold, even the ending is sad.
I am not insane to smile or read to a sad story.
But strangely, I keep opening you up.

I keep reading it page by page,
like I would touch the moon.
In between the visible lines
like there's a secret prayer just for me.

Now I am weeping willow, but I can't close it.
Even though this story is like the thousand others,
But I secretly keep wishing to
the broken stars and dried wishing well,
Maybe this one will end differently.
Poetic Artiste Oct 2014
I thought differently,
—Much differently of you.
You turned out to be the same,
As they all do.
Maybe they are right...maybe you can never really know someone to their core.
I love with my fingertips
on your cheek bone
And my lips whispering
on your shoulder
You
with a blunt in your grasp
And a fist ready to run
A blistering rage set on full
And a kiss
with the sharpest tongue
I'd ask you to be gentler
But that would be too much
I'm lucky to be in your thoughts
And crushed
beneath your touch
We all love a little differently
But that does not make me weak
When you have all the words
And I can barely
*speak
It's not about you
Ian Cairns Dec 2013
I was raised by a man with broad shoulders and a gentle heart
A sign that my strengths would reside above my waistline
I learned to stand up straight at an early age
Not necessarily to improve my posture like my father had intended
But I believed looking into his eyes would give me an all-access pass to manhood
And by double digits I wanted to reciprocate his masculinity
Nothing would have harmonized my earlobes like the words- You're a man now son

As I grew taller, I finally met the spheres into my father's soul
And much to my surprise, they screamed a sadder melody than I had anticipated
They leaned on crutches, crippled by societal catastrophes
Their stories- captives to cultural constraints
They stared at me blindly as if my presence was backbreaking
My heart was crushed as my father's shoulders shook
And the strengths I once desired were now fossilized by fear

To be a man -society grunts so effortlessly- is to be masculine
And since masculinity and success are socially synonymous
Obviously, success cannot be established without perfection or aggression or oppression

To be a man is to be unbreakable
Because the slightest wrinkle in armor alludes to inability
And combat is unavoidable regardless of swordsmanship

To be a man is to be rigid
Because being fixed in outdated traditions is far easier
Than challenging for innovative conditions

To be a man is to be emotionless
Because passion is pathetic
Sensitivity strikes the community as instability, not authenticity

To be a man is to be strong
Because strength means maintaining control and independence
Not establishing dependability or acceptance

Masculinity still towers over little boys just like me
Presenting textbook answers for real world problems
Masculinity is a skyscraper imposing its will on innocent civilians
By replacing sunlight with systematic shadows
And ripping shooting stars right out of the sky
Masculinity forms internal thunderstorms harboring havoc
For individuals that need more than rainfall for adequate growth
We are not shrubbery photosynthesizing our thoughts into energy
We are not born to throw our feelings into sealed vaults
Our genuine intentions deserve to be delivered on silver platters

Gender roles are one way streets clogged by oncoming traffic
Mirrored headlights approaching complete chaos
There are no maps to point you down the right path
There is no right path
There is no right path
Only roadblocks inhibiting you from any type of progress
Life is meant to be traveled on unmarked ground
Where men and women alike regulate the steering wheel regardless of society's traffic laws
And I long for the day when my son or daughter looks up to me
The day when my son or daughter stands up straight
Looks me in my eyes and sees a portrait painted differently
A soul actualizing strength, not personifying ingenuity
anna Mar 2019
Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”
Short story!!
Will Mercier Sep 2012
I hear talk, of the cruelty, and heartlessness of humans,
but I see things on a regular basis that disprove this.
There is no cruelty in a childs kiss, the gently caressed cheek
that puts a smile on your face.

But, today I saw the clincher,
a RIP sticker,
for
A Squirrel...
It hit me like a punch made out of "What the ****?"
I didn't know whether to smile and break into tears,
or shake my head in curmudgeony disbelief.
A memorial sticker for a road ****...

Would an animal do such a thing.
I think not. They'd eat the thing
or just as some leave it to rot.
A Road **** memorial sticker
is about the craziest compassionate thing I've seen...
Animals don't memorialize us when we die...
Of course, that's not true.
I remember my dad's old mangy bloodhound...
and how, after he died, she moaned everyday, at the time he used to come home from work.
For weeks she did it, just sitting  by the door
and moaning.
Until the sun set,
then she would slink and lie at the foot of his chair..
She died two months later.
And if that isn't mourning I don't know what is.
Maybe animals and humans aren't all that different,
we just mourn differently.
Born of Gold Oct 2013
How is life on lsd?
Well come on this trip with me.
Drugs are bad kids, they open your mind.
They allow you to reason, and see through the lies,
Losing reality, achieving duality,
The effects might be harsh, cause abnormalities.
Seeing your world and life differently,
Flowing through your brain so quick so swiftly.
When your eyes dilate, you no longer procrastinate
You get to pick between reality and your inner state.
Seeing that the small things are what matter,
Satisfying our thirst, for knowledge over matter.
Because on drugs you might enjoy walking,
You might enjoy smelling the grass or even talking
Expressing your mind, reasoning a thought,
And not being a cynics narcissist while you internally rot.
The experience on it impairs your mind,
And may leave you always behind
Behind with love, adventure, and discovery
Instead of hate, restrictions and agony.
But drugs are bad kids don’t take my advice,
the commoner lowlifes like us will someday pay the price.
The price of thinking differently, and enjoying life,
Walk this amazing world, with no need for strife.
Drugs impair your mind kids they do,
but what happens during them only chances what’s inside of you…

— The End —