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Charming Blather Feb 2018
Love and power.
Bodies materialized.
Bodies that matter.
Pariah.

Pariah, on the subway train.
Pariah, speaks in her ugly name.
She is power: Pariah.

She is love.
Pariah.
She is power.
Pariah.
She is this:
Matter.
Kiefer D McRay Feb 2013
To house such an adequate thought
and reverse your new born doubt.
You'll become a pariah,
bathed in defile.
Textbook definition, modern-day messiah.
Lies filled with truth, shiny gold in your bile.
Polluting the space between love and life.
Hammering in your image of grief and strife.

It's all moving down a road, the wrong road.
All deciphering this code, it's the right code.
Transfixed at implications of there being any news.
Buying an idea, mister pariah.  You've got the blues.
And the highway traveling shoes.  
But it's buying, not acquiring.
You seem to forget you spent all your dying moments.
Simply to seek this race's long lost atonement.  
You've only bought the right to rot alone.

So now, oh great and high in regard, pariah.
You still think you're the main arm? The big alpha?
Time to realize your life's a farm, without it's farmer
While you wander around wearing armor.
Pretending to be a revolutionary of the highest order!
Climb down this throne, mister pariah.
Feed your family and need your friends.
Go pick out all your favorite odds and ends.
Make sure life is full of thrills...
and stop trying to build these chaotic hills -
of distress
and just confess that things are as they are
No matter how hard this seems to bare
That love is far, but we can make it there.
Hell, might already be near to it.
Time to get a new suit.
Tommy Johnson Sep 2014
The Dark Pariah and The Mouth Breather went to go get a jump start on their blackmail and their payback

All the kissup's
All the suckup's
Who think they're the best thing since sliced bread with the crust cut off
Who pick on people's foibles and leave their self-image in shambles
Not to mention all the narcissists who claim to have coined certain phrases we all use, then pucker up to the ***** of those who can keep up with the Joneses

They were going to make this world go belly up
Remove all of the potholes and speed bumps in life

The Dark Pariah wrote his plan in chicken scratch
And The Mouth Breather wrote his in calligraphy

The Mouth Breather's plan was to kick start a new denomination of hero worship
All followers must give themselves rug burn and stick up three banks in thirty minutes then put their plunder in the collection plate on Tuesday mass

The Dark Pariah's plan was to create music to their ears
That would make them hopscotch off a cliff and free fall to their deaths
This was part and parcel for his sham to exact his vengeance

But ipso facto they never followed through with their plans due to sheer laziness
And now they're both dominated by remorse and online FAQ's
Matilda Nov 2020
Where is the Messiah?

Are you there God?

It’s me, your pariah.


I’ve become something of a liar,

a mystifier, a cad, a fraud:

Where is the Messiah?


To deliver from brimstone and fire?

Against the one wielding the iron rod?

It’s me your pariah,


son of the dawn, prince of the nebula

the gates of Judecca have thawed.

Where is the Messiah?


I’ll take silver, like Judas and Delilah

their feet are swift; to shed blood.  

It's me, your pariah.


Your ***** for hire,

Oh, how I await the flood.

Where is the Messiah?

It’s me your pariah.
Please Critique! I would love to improve!
Onoma Dec 2014
Aureole...Manna's descent like showering
waveforms.
Eyes hungering...upturned, cloven in rapture.
Mouth slants open in a salivary click--
come the incantations...come the
anatomical sway of microcosm.
Intergalactic cynosure, pariah, shaman--
mangy interloper teaching wind to dance!
Tamer of the subconscious...mender of schism!
Anathema to Gaia's Satanic Stewards!
To be sought in the House of Aquarius,
haunting its foundation that it may uphold.
The roads to and fro are as anagrams that
alter with the perceiver.
It is the second look, of what's cross with
what Is...and ever shall be--that gives rise
to disorientation...reincarnation.
O grant dancer of self-evidence, grant your
sundry incantations... yearning for Gaia's heart
of hearts.
A B Faniki Jun 2019
Julia what a grievous injustice you did to me, a
Pariah you've create when you stole my heart; a
Messiah it's to me for it house my light Like
Jeremaiah the prophet I will lament with a

terrible sob; I will flood my cheeks with tears till my
miserable self follows sleep to the world of darkness. Oh!
Adorable Julia has flee with my merriment so no more
laughable cloud on my horizon only a memory of a

Fickle lover that stole my joy and flee within a
twinkle of an eye like the stars in the sky: what a
miracle it's she has left my soul behind I will
Buckle it up and give it to the company of my

solitude where he will reflect on past deeds and
attitude that makes other souls shook and recoil in
multitude because of the touch of evil darkness and the
magnitude of it in my empty pariah's heart and life.
These is a new poem I wrote Itwas supposeto be in my book Banal tells , but unfortunately I could not help sharing it out where with you guys. I will hav to replace it when  i can .
Lazhar Bouazzi Sep 2017
I am the quill that marks
The water-walled history
Of the sea as it may -
A swan, be it, or a black-backed
Gull.

I am the pariah who
Failed to posit his load on
A hill that hung low, like a
Sunless moon, but who can still
hark the dark
Rumbling of repetition.

I am the Quixote who took
On the wind who made the mill
Sob like a bronze leaf in grief,
Seared by the passage of
A sluggish summer.

I am the pariah, the
Quixote, and the historian
Of the rainbow runner.

©LazharBouazzi, August 5, 2017
Ben Dec 2011
Pariah

Nihilism at its finest

Bleed black the finest shattered diamonds

Of all the lost hopes and dreams

Outcast Society burning in the ruins of fallen Rome

Cynical skeptics, sarcasm dripping venom

Acid burns through flesh blood and bones

No one gives a ****, scream for a savior

Outcast Society burning in the ruins of fallen Rome

Shards of glass smile razorblades

Plague of loneliness grips your throat

Heart beats darkness through your veins

**** society, anarchy reigns 

Outcast Society burning in the ruins of fallen Rome

Shadow world of gray and stones and broken homes

Bleeding hearts and gutted homes

A black void in collapsing homes

Outcast Society burning in the ruins of fallen Rome

Cesspool of sick and stinking ****

Hungry ravish burning Rome

Parasitic beasts feeding on lost souls

**** you in and never let you go

False promises of help, burning, burning, burning, blackens the sky

Outcast Society burning in the ruins of fallen Rome

Nevermore the sun shines down on the wretched land

Outcast Society burning in the ruins of fallen Rome

This

Is

The 

Future
Deep Jan 2021
Mind is roaming like a pariah dog
in some dusty lanes and lonely paths,
Sleeping on debris, regaling in waste and dirt.
I was its master once
But has lost the control now,
Time ahead looks bleak with
the equation reversing slowly
When I see me trembling before his bark.
brandon nagley Jul 2015
Tis whimsical yes?
How the pariah's of old
Such as Picasso
Poe
Vangogh
Egon schiele
El Greco
Oscar Wilde
Emily Dickinson
John Keats
michelangelo
( all poet's or artists)
All were the relic age nobody's to quote (popular society.).....
And they went broke pushing their beauties,

Yet now look at them
Millionaires in their graves....

Bet their looking down thinking
Really????
Pariah is pretty much a loser lol thanks wolf for telling me this so I used it as title lol
Inspired by Wolfie
Morgan Mercury Jul 2013
I said I'll meet you by the water
Just follow the path down the shore.
Follow me across the world,
to a place that's left unexplored.
We'll carve our names into the tallest tree,
reaching up towards the heavens and skies.
We'll count the stars as we leave,
to the other side of the island.
Drag a stick through the sand,
drawing tiny infinities.
and then we will sleep in the trees,
it's safe, trust me.
Look at the skies and watch the clouds roll by,
they were all ours.
We traced constellations with our fingers,
and talked in the language of the stars,
so they smiled back at us and sang us songs to sleep.
There is an island named after us.
A legend of a pariah duo.
Oh, the stories this place will hold.
Umi Feb 2018
I will rise,
Rise to paradise again
Spread my wings, free from any chain,
With only one goal in my eyes I look to the sky
Then I rise, yes I will rise
From the hellfire, no matter the price

May I burn
Take my turn

But then it will surely be my time to shine
The beauty of the heavens will surely be mine
I will not stand these flames,
Embrace my devilish distorted wings
See what good that may brings
One last judgement
On this long lasting journey
I will rise, rise, no matter the price
A future dawns dream, draws near

Make it clear

In this realm of art and devilry
Heartfelt dream scapes shape the mirror
In a world so dark that the stars will blind-

Refuse to fall!

Forgotten by both Heaven and Hell
A craft of hearts forms my kingdom!
Take my hand, all ye pariah souls-
The love of light is for all to bear!

~ Umi
Q Jan 2014
I had a collar once
Of black leather and sky blue fur
And it fit me snugly
It was all I could ask for.

When my thoughts rampaged
As they do very second of everyday
I'd wrap it round my neck
And the noise would fade.

They called me a freak.
They looked at me in disgust, I was shamed
Because they don't understand
The need to be tamed.

Whether round my neck
Or around my wrists and ankles
Without a tether, I fret
Thus, for that collar, I am thankful.

I once felt guilt
Worse than any other pain
It weighed me down
As though it waterlogged my brain.

And all I wished
Was to atone
For a whip
To sing to my bones.

"Why invite pain?
God, she's disgusting?
She's ******* insane!"

The words said to me.

But how could they know
How much I wanted to cry?
How much I wanted discipline
To ease the guilt in my mind?

I once heard a scream
And it scampered down my spine
Like it was a living, sentient being
Infiltrating my mind.

And I'm sure I'd be a pariah
If I ever told anyone
I wanted to cause that scream
To make it sound like painful salvation.

I once cried
I hurt myself as comfort
And the feeling of that pain
Was so very sweet and so very short

And they'd call me a fool
Yet I still crave pain
And they'd think of me badly
For what I can't contain.

See, I'm far from vanilla
I'm far from innocence
Because all life gave me
Was cold and cimmerian.

There's a word for what I do
A lovely acronym
And it's so far from vanilla
Most describe it as a sin.
Michael W Noland Aug 2012
2 better days
of better ways
too bigger dreams
in better words
to the express
of my renditions
in wish-less missions
to infringe in fantasy
as i write out the years
of fearless tears
and scream
in happiness
and chant
of the blasphemers
laugh
in the murmurs
of drunken
entrepreneurs
admiring
sewer structures
plucking
the sutures
of my missed maneuvers
clueless
in my bruise-less
cutsss
toofwisss
and still strutting my luck
in abrupt
catastrophes
compliant
to the clause
of impunity
to rhyme-less scrutiny
to sooth the dream
for today
bolstering
the blame
of melancholy messiahs
playing pariah
on xbox
they gonna fry ya
through savvy ****** talk
with their mouth on your ****
but their ears on the block
to fulfill the onslaught
of a distraught
goofball
in lock
about to drop
calm
in happy bombs
of debilitating
shock
you cannot
talk
when you are
smiling
you cannot galk
when you are
smiling
violently
happy
with ******
knives
fixed to enrich
the lives
of the many
i have plenty
in the trunk
just bend down
and look
ill blend in the boom
of bass
thump
ding
the second thump
closes the trunk
strap up
with me
be blunt
don't want
a ninja on the run
in the sun
of reputation
1 finger away
from
nation-less
the mostest patientest
lyrifi$t
a bu3ro$hit
to 0bl1terat3
the glUt3nou$
of thy most muTtonest
of ch0ps
i cropp3d
the plopp1ng rainb0ws
of raindrop$
and Stopped  .
thE hoPped up ho0ligaNnry
of my N1njary
in my socks
sometimes i rock
but mostly not
i wont stop
until outlined
in chalk
until the froth
from my lips
blinds me
in trips
crossed
with a 5th
into thine own
obscurity
from the groan
of maturity
and the **** flapping
of insecurity
i try lyrically
to be free
and stop rhyming
at least stop whining
just trying
to do my thing
dost thou heart not sing
when im plowed
within the silver lining
devout
with a little shining
came hither
to where the sliding turned to slithering
delivering
my ministry
of infantry
infamously
into comedy
applauding me
in my idiocy
its daunting
in simplicity
marinade me
in a massacre
or a major disaster
watch me blow my ***
in haughty claims
of clogged
alpha/beta waves
enslaved
to a pre paid card
and charged
for helping a man up
in a corrupt
city of butts
entrusting
my paychecks to the *****
of never was
im riding the short bus
until she blushed
and brushed
the *** from her mouth
im gross
a little weirder than most
i boast
in defeat
i facebook
over tweet
as if there be a choice
as i crumple
the invoice
and rejoice
in knowing
i know nothing
i'm [Esc@ping]
Mark Toney Oct 2019
China charges 1 million annually
For each panda in our zoos
If we won't pay in full
Then the pandas we will lose
Nasty Panda's the exception
No one wants him here or there
He was paid 1 million dollars
To abscond and disappear!

Here comes the Nasty Panda
     ~He's much more than you can bear
He's such a nasty panda
     ~He leaves cooties everywhere
Beware of Nasty Panda
     ~He do anything he please
Stay clear of Nasty Panda
     ~He eats shoots and leaves

I smelled him 'fore I seen 'em
That black and white pariah
Slippin' slidin' in my kitchen
On smooshy mushy pulp papaya
I yelled for him to stop
And I told him where to go
Wink and laugh was all he did
With a Homer Simpson "D'oh!"

Here comes the Nasty Panda
     ~He's much more than you can bear
He's such a nasty panda
     ~He leaves cooties everywhere
Beware of Nasty Panda
     ~He do anything he please
Stay clear of Nasty Panda
     ~He eats shoots and leaves

He hasn't bathed in ages
Masked by quarts of cheap cologne
His furry skin sweat-sticky
From the surface to the bone
Smelly cigar and ***** breath
Plus an air of upper-crust
Please keep your kids away
Cuz that nasty bear can cuss!

Here comes the Nasty Panda
     ~He's much more than you can bear
He's such a nasty panda
     ~He leaves cooties everywhere
Beware of Nasty Panda
     ~He do anything he please
Stay clear of Nasty Panda
     ~He eats shoots and leaves

If you meet up with Nasty Panda
Better turn around and run
You're bound to lose your money
And your wits before he's done
Don't shed tears for Nasty Panda
Cuz he likes the way things are
Don't forget to hide your keys
Else he'll drive off in your car!

Here comes the Nasty Panda
     ~He's much more than you can bear
He's such a nasty panda
     ~He leaves cooties everywhere
Beware of Nasty Panda
     ~He do anything he please
Stay clear of Nasty Panda
     ~He eats shoots and leaves

Here comes the Nasty Panda
     ~He's a scoundrel and a ***
He's such a nasty panda
     ~He's as nasty as they come
Beware of Nasty Panda
     ~He's gonna raise a stink
Stay clear of Nasty Panda
     ~He's much nastier than you think
4/27/2019 - Poetry form: Light Verse - This is what I refer to as a flight of fancy.  Only this panda is nasty. The other pandas are cute :) - Copyright © Mark Toney | Year Posted 2019
Devin Bardot Feb 2014
I've been broken by all of my

Betrayers, destroyed all my hope

Burned their bridges back to me,

Torches ignite, scorch the rope.

Subtle barbs of honesty,

Chew away at their being.

Take this curse away from me.

Silence me eternally!



Gnawed to the bone.

Abandoned – all alone.

I’ve lost all ties to that which was once known as my home.

Stripped of all resource.

Lost with no hope of recourse.

Gaze upon me now,

The Pariah!



Stab wounds upon my back.

Eyes beaten blue and black.

You shelter that which orders

Every devastating attack!

Reaching far out,

For help from those who ripped my heart out!

They lash whips at my will, breaking skin, my death has no doubt!



Gnawed to the bone.

Abandoned – all alone.

I’ve lost all ties to that which was once known as my home.

Stripped of all resource.

Lost with no hope of recourse.

Gaze upon me now,

The Pariah!


... ... ...


Gnawed to the bone.

Abandoned – all alone.

I’ve lost all ties to that which was once known as my home.

Stripped of all resource.

Lost with no hope of recourse.

Gaze upon me now,

The Pariah!
March 2013
Tansy Roake Jul 2017
I often feel a pariah,

Not quite like all the rest,

But I’ve come to the conclusion,

I might just be over stressed.


http://tansyroake.weebly.com/
"Young Man found Murdered in East End. Police believe that in the early hours of Tuesday morning a young man who hasn’t been named  was tragically killed. His body was found the following morning by his cleaning lady. There has been much speculation linking this latest death to the series of murders that has happened in the capital over the past two weeks."

The headline news at the moment, yes another ******. This time another man killed, the ever changing result at the moment is now two men and three young women. It seems the killer prefers severing the femoral artery of his victim, thus securing a fast and ****** end to their poor pathetic lives.

I read intently, the pure supposition by law enforcement officials that seems to me to be almost comical in nature. They bandy words like Serial Killer and Maniac across the pages of every news paper.
I smile, as I fold it in half, placing it neatly on the table next to my breakfast things, for I know that tonight another ****** will occur. First things first though, I have to go and earn my keep.

I work as an investment banker in the cities renown square mile. Yes I am one of those so called pariahs who is happy to receive the extortionate bonuses that the majority of Londoners and the rest of the country, I might add, are all so busy complaining about. I must concede to the fact that I totally deserve every penny I get but I suppose I would say that, wouldn’t I?

Pariah, yes that’s me pretty much to a tee.

Pariah: definition, outcast: somebody who is despised and avoided. Yes that sums me up perfectly even if I do say so myself. Of course most of my friends and colleagues would not be of that opinion at this moment in time but I do believe that they will come to this decision soon enough. As I have already stated, I have a crust to earn so I had better start to make a move, the rent won’t pay its self you know. I won’t bore you with the daily working life of an investment banker, the majority of you idiots wouldn’t understand me even if I did, so I will fast forward ten hours and once more speak to you from more comfortable surroundings, this time in the guise of a well frequented public ale house in the East end of London.

As my night progresses I see her across the now bustling and noisy lounge area and yes, she is something to behold. God has been very kind to this young lady. Her name is Petunia and a more than willing victim one will never meet. She is perfectly formed and voluptuous in every way you can imagine. Just what I am looking for on this lovely summers evening. Over the course of the evening the charm flourishes and Petunia and I laugh, chat and drink our way through it, getting even closer as the night closes in. This is working lovely, that flash of thigh as she rubs her leg along my own. The glint in her eyes tells me that this young woman has succumbed, hook line and sinker to my charms.

Not one of those to big myself up but this is of no surprise to me, as I do believe I have everything almost every woman would ever want. The looks, personality and money, with this in mind, she never stood a chance really. We leave the pub arm in arm, she looks a little unsteady due to the drink.

Come into my parlour said the spider to the fly and she is so prone to take that first step. Our destination, her flat just a stones throw away. My mind racing, excitement so enthused within my cool and calm exterior.

If you have been following the events of the last few weeks you will know that the past five Murders were all committed with a short sharp blade entering into the groin area. I am so aware of that silken metal that the steel presents to my leg. I feel it intently even through the leather sheath that is bound so securely below my trouser leg. I am so aroused at this moment in time.

Inside Petunia’s flat we waste no time getting close as I push my quarry back onto the divan. After the initial fumbling we are almost there. As we taste each others tongues my left hand reaches down to select my weapon from its casing. I feel its coldness in my hand, raising it to the desired position. All I have to do now is slide it forward and penetrate.

My hands are sweating. As we feed on each other with our mouths I feel my hand shaking. I try to shut off the emotions now running through my mind but I cannot do it. I pull my mouth away from her succulent lips and realize that this is just not going to happen. It felt like such a good idea until now, I was so motivated before this but I just haven’t got it in me to **** this beautiful woman.

A sharp pain brings me to my senses as the blade slides into my groin. The pumping coldness that is now soaking through the material of my Armani trousers. I am shaking so much, in Hemorrhagic shock, as my life’s blood pumps from my femoral artery. She pushes me onto my back, as I fight to keep breathing, Petunia looks down at me smiling.

“Thank you for a lovely night -- Number Six.”
2013
Anna Pavoncello Apr 2014
Two siblings walk, hand in hand,
Shoulder to shoulder,
their footsteps paving grass and stone
in wary gilding.
And when other footfalls trace their steps,
the feet will slip,
And the trail will have gone.

The siblings work in synchronization.
Unique independence,
Contrasting, and Dissimilar
both harmonizing in nature;
They tie knots in eyelashes,
Weave fine chain with obsidian,
and break nails with simple deeds.

I, with hands of hardened base,
and fingertips that stroke Saguaro spines-
Will reach for straw figures
with blank, witless features,
And cold tin men,
with ice coated *******-

And a sharp-edged shadow will bark at my heels.
Michael R Burch Feb 2020
Ech day me comëth tydinges thre
Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because there’s no way to know where the hell I will go!

Ech day me comëth tydinges thre,
For wel swithë sore ben he:
The on is that Ich shal hennë,
That other that Ich not whennë,
The thriddë is my mestë carë,
That Ich not whider Ich shal farë.



These are Medieval poetry translations of poems written in Old English (i.e., Anglo-Saxon English) and Middle English.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)      
loose translation by Michael R. Burch

To my people, he's prey, a pariah.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, surrounded by fens.
Here, bloodthirsty men roam this island.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, while I wept,
the bold warrior came; he took me in his arms:
good feelings for him, but the end was loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? A wolf has borne
our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn
(Old English poem circa 658-680 AD)          
loose translation by Michael R. Burch

Now let us honour heaven-kingdom's Guardian,
the might of the Architect and his mind-plans,
the work of the Glory-Father.
First he, the Eternal Lord,
established the foundation of wonders.
Then he, the First Poet,
created heaven as a roof
for the sons of men, Holy Creator,
Maker of mankind.
Then he, the eternal Lord,
afterwards made men middle-earth: Master almighty!



How Long the Night
Middle English poem circa 13th century AD      
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Pity Mary
Middle English Lyric, circa early 13th century AD    
loose translation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.



Fowles in the Frith
Medieval English Lyric, circa 13th-14th century AD
loose translation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!



I am of Ireland
Medieval Irish Lyric, circa 13th-14th century AD
loose translation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of holy charity,
come dance with me
in Ireland.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Now skruketh rose and lylie flour
Medieval English Lyric, circa 11th century AD
loose translation by Michael R. Burch

Now skyward the rose and the lily flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor no lady so bright in her bower
That dead shall not glide by:
Whoever will forgo lust,
in heavenly bliss will abide
With his thoughts on Jesus anon,
thralled at his side.



IN LIBRARIOS
by Thomas Campion

Impressionum plurium librum laudat
Librarius; scortum nec non minus leno.

Novelties
loose translation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Brut
(circa 1100 AD, written by Layamon, an excerpt)          
loose translation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.

Layamon's Brut is a 32,000-line poem composed in Middle English that shows a strong Anglo-Saxon influence and contains the first known reference to King Arthur in English.



The Maiden's Song aka The Bridal Morn
anonymous Medieval lyric
loose translation/interpretation by Michael R. Burch

The maidens came to my mother's bower.
I had all I would, that hour.

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.

Now silver is white, red is the gold;
The robes they lay in fold.

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.

Still through the window shines the sun.
How should I love, yet be so young?

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.



Westron Wynde
Middle English lyric, circa 1530 AD
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has 'the smalle rayne down can rayne' which suggests a drizzle or mist.



This World's Joy
(Middle English lyric, circa early 14th century AD)  
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



I Have Labored Sore
(anonymous medieval lyric circa the fifteenth century)  
loose translation/interpretation by Michael R. Burch

I have labored sore          and suffered death,
so now I rest           and catch my breath.
But I shall come      and call right soon
heaven and earth          and hell to doom.
Then all shall know           both devil and man
just who I was               and what I am.



A Lyke-Wake Dirge
(anonymous medieval lyric circa the 16th century AD)  
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is 'the night watch kept over a corpse.'

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and slip yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



Excerpt from 'Ubi Sunt Qui Ante Nos Fuerunt? '
(anonymous Middle English poem, circa 1275)  
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking gladdened their hearts;
they enjoyed their games;
men bowed before them;
they bore themselves loftily …
But then, in an eye's twinkling,
they were gone.

Where now are their songs and their laughter,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy has vanished;
their 'well' has come to 'oh, well'
and to many dark days …



Is this the oldest carpe diem poem in the English language?

Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)  
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms' to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the 'lover's complaint' and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's 'To His Coy Mistress.'



Ich have y-don al myn youth
(Middle English lyric, circa the 13th century AD)  
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!

Ich have y-don al myn youth,
Oftë, ofte, and ofte;
Longe y-loved and yerne y-beden -
Ful dere it is y-bought!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ('Merciless Beauty')  
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it's useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign, —
Your beauty from your heart has so erased
Pity, that it's useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it's useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather
and driven away her long nights' frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love's in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather
and driven away her long nights' frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you're far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I'll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms' twin chains!



Spring
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
'Winter has cast his cloak away! '
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d'Orleans (1394-1465)  
loose translation/interpretation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
'The year lays down his mantle cold! '
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



SIR THOMAS WYATT

Whoso List to Hunt ('Whoever Longs to Hunt')  
by Sir Thomas Wyatt
loose translation/interpretation/modernization by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas! , I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                               Thus, as she flees before
me, fainting I follow.
                                I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                     I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



In the next poem the Welsh 'dd' is pronounced 'th.'
Cynddylan is pronounced KahN-THIHL-aeN.

Stafell Gynddylan ('The Hall of Cynddylan')  
Welsh englynion circa 1382-1410
translation/interpretation by Michael R. Burch

The hall of Cynddylan lies dark tonight.
Lacking fire and a bed,
I will weep awhile then lapse into silence.

The hall of Cynddylan lies dark tonight.
Lacking fire or a candle,
save God, who will preserve my sanity?

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking light,
grief for you overwhelms me!

The hall of Cynddylan's roof is dark.
After the blessed assembly,
still little the good that comes of it.

Hall of Cynddylan, you have become shapeless, amorphous.
Your shield lies in the grave.
While he lived, no one breached these gates.

The hall of Cynddylan mourns tonight,
mourns for its lost protector.
Alas death, why did you spare me?

The hall of Cynddylan trembles tonight,
atop the shivering rock,
lacking lord, lacking liege, lacking protector.

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking mirth, lacking songs.
My cheeks are eroded by tears.

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking heroes, lacking a warband.
Abundant, my tears' rains.

The hall of Cynddylan offends my eyes,
lacking roof, lacking fire.
My lord lies dead, and yet I still live?

The hall of Cynddylan lies shattered tonight,
without her steadfast warriors,
Elfan, and gold-torqued Cynddylan.

The hall of Cynddylan lies desolate tonight,
no longer respected
without the men and women who maintained it.

The hall of Cynddylan lies quiet tonight,
stunned to silence by losing its lord.
Merciful God, what must I do?

The hall of Cynddylan's roof is dark,
after the Saxons destroyed
shining Cynddylan and Elfan of Powys.

The hall of Cynddylan lies dark tonight:
lost, the race of the Cyndrwyn,
of Cynon and Gwion and Gwyn.

Hall of Cynddylan, you wound me, hourly,
having lost that great company
who once warmed hands at your hearth.



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.

Winfrid or Wynfrith is better known as Saint Boniface (c. 675-754 AD). This may be the second-oldest English poem, after 'Caedmon's Hymn.'



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



'The Leiden Riddle' is an Old English translation of Aldhelm's Latin riddle Lorica ('Corselet') .

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—'Fortunes of Men' loose translation by Michael R. Burch



Here's one of the first Old English/Anglo-Saxon poems to employ a refrain:

Deor's Lament
(Anglo Saxon poem, circa 10th century AD)  
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



'The Wife's Lament' or 'The Wife's Complaint' is an Old English/Anglo Saxon poem found in the Exeter Book. It's generally considered to be an elegy in the manner of the German frauenlied, or 'woman's song, ' although there are other interpretations of the poem's genre and purpose. The Exeter Book has been dated to 960-990 AD, making it the oldest English poetry anthology, but of course the poem may have been written earlier.

The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
'Take up residence here.'
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man -
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever -
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, 'Go, live in the grove,
beneath the great oaks, in an earth-cave, alone.'
In this ancient cave-dwelling I am lost and oppressed -
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



'The Husband's Message' is another poem from the Exeter Book. It may or may not be a reply to 'The Wife's Lament.' The poem is generally considered to be an Anglo-Saxon riddle (I will provide the solution) , but its primary focus is on persuading a wife or pledged fiancée to join her husband or betrothed and fulfill her promises to him.

The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship's deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Are these the oldest rhyming poems in the English language? Reginald of Durham recorded four verses of Saint Godric's: they are the oldest songs in English for which the original musical settings survive.

Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot's tread!

In the second poem, Godric puns on his name: godes riche means 'God's kingdom' and sounds like 'God is rich' …

A Cry to Mary
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God's kingdom rich!

II.
Saintë Marië, Christ's bower,
****** among Maidens, Motherhood's flower,
Blot out my sin, fix where I'm flawed,
Elevate me to Bliss with God!

Godric also wrote a prayer to St. Nicholas:

Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that's bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!



Another candidate for the first rhyming English poem is actually called 'The Rhyming Poem' as well as 'The Riming Poem' and 'The Rhymed Poem.'

The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy's blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth's fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers' sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil's curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men's bones become one,
and then finally, none,
till there's nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he'll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



aaa

Exeter Book Gnomic Verses or Maxims
loose translation/interpretation by Michael R. Burch

The dragon dwells under the dolmen,
wizened-wise, hoarding his treasure;
the fishes bring forth their finned kind;
the king in his halls distributes rings;
the bear stalks the heath, shaggy and malevolent.

Frost shall freeze,
fire feast on firs;
earth breed blizzards;
brazen ice bridge waters;
waters spawn shields;
oxen axe
frost's firm fetters,
freeing golden grain
from ice's imprisonment.

Winter shall wane,
warm weather return
as sun-warmed summer!

Kings shall win
wise queens with largesse,
with beakers and bracelets;
both must be
generous with their gifts.

Courage must create
war-lust in a lord
while his woman shows
kindness to her people,
delightful in dress,
interpreter of rune-words,
roomy-hearted
at hearth-sharing and horse-giving.

The deepest depths
hold seas' secrets the longest.

The ship must be neatly nailed,
the hull framed
from light linden.
But how loving
the Frisian wife's welcome
when, floating offshore,
the keel turns homeward!
She hymns homeward
her own husband,
till his hull lies at anchor!
Then she washes salt-stains
from his stiff shirt,
lays out new clothes
clean and fresh
for her exhausted sailor,
her beloved bread-winner,
love's needs well-met.



THE WANDERER

Please keep in mind that in ancient Anglo-Saxon poems like "The Ruin" and "The Wanderer" the Wyrdes function like the Fates of ancient Greek mythology, controlling men's destinies.

The Wanderer
ancient Anglo-Saxon poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

"The one who wanders alone
longs for mercy, longs for grace,
knowing he must yet traverse
the whale-path's rime-cold waters,
stirring the waves with his hands & oars,
heartsick & troubled in spirit,
always bending his back to his exile-ways."

"Fate is inexorable."

Thus spoke the wanderer, the ancient earth-roamer
mindful of life's hardships,
of its cruel slaughters & deaths of dear kinsmen.

"Often I am driven, departing alone at daybreak,
to give my griefs utterance,
the muffled songs of a sick heart
sung to no listeners, to no living lord,
for now there are none left alive
to debate my innermost doubts.

Custom considers it noble indeed for a man
to harbor his thought-hoard,
keep it close to his chest,
slam the doors of his doubts shut,
bind sorrow to silence & be still.

But the weary-minded man cannot withstand Wyrdes,
nor may his shipwrecked heart welcome solace, nor any hope of healing.
Therefore those eager for fame often bind dark thoughts
& unwailed woes in their breast-coffers.

Thus, miserably sad, overcome by cares & separated from my homeland,
far from my noble kinsmen, I was forced to bind my thoughts with iron fetters,
to confine my breast-hoard to its cage of bone.

Long ago the dark earth covered my gold-lord & I was left alone,
winter-weary & wretched, to cross these winding waves friendless.

Saddened, I sought the hall of some new gold-giver,
someone who might take heed of me, welcome me,
hoping to find some friendly mead-hall
offering comfort to men left friendless by Fate.

Anyone left lordless, kinless & friendless
knows how bitter-cruel life becomes
to one bereft of protectors,
pale sorrows his only companions.

No one waits to welcome the wanderer!

His only rewards, cold nights & the frigid sea.

Only exile-paths await him,
not torques of twisted gold,
warm hearths & his lord's trust.

Only cold hearts' frozen feelings, not earthly glory.

Then he longingly remembers retainers, feasts & the receiving of treasure,
how in his youth his gold-friend recognized him at the table.

But now all pleasure has vanished & his dreams taste like dust!

The wanderer knows what it means to do without:
without the wise counsels of his beloved lord, kinsmen & friends.

The lone outcast, wandering the headlands alone,
where solitariness & sorrow sleep together!

Then the wretched solitary vagabond
remembers in his heart how he embraced & kissed his lord
& laid his hands & head upon his knee,
in those former days of grace at the gift-stool.

But the wanderer always awakes without friends.

Awakening, the friendless man confronts the murky waves,
the seabirds bathing, broadening out their feathers,
the ****-frost, harrowing hail & snow eternally falling…

Then his heart's wounds seem all the heavier for the loss of his beloved lord.

Thus his sorrow is renewed,
remembrance of his lost kinsmen troubles his mind,
& he greets their ghosts with exclamations of joy, but they merely swim away.

The floating ones never tarry.

Thus care is renewed for the one whose weary spirit rides the waves.

Therefore I cannot think why, surveying this world,
my mind should not contemplate its darkness.

When I consider the lives of earls & their retainers,
how at a stroke they departed their halls, those mood-proud thanes! ,
then I see how this middle-earth fails & falls, day after day…

Therefore no man becomes wise without his share of winters.

A wise man must be patient,
not hot-hearted, nor over-eager to speak,
nor weak-willed in battles & yet not reckless,
not unwitting nor wanting in forethought,
nor too greedy for gold & goods,
nor too fearful, nor too cheerful,
nor too hot, nor too mild,
nor too eager to boast before he's thought things through.

A wise man forbears boastmaking
until, stout-hearted, his mind sure & his will strong,
he can read the road where his travels & travails take him.

The wise man grasps how ghastly life will be
when all the world's wealth becomes waste,
even as middle-earth already is, in so many places
where walls stand weather-beaten by the wind,
crusted with cold rime, ruined dwellings snowbound,
wine-halls crumbling, their dead lords deprived of joy,
the once-hale host all perished beyond the walls.

Some war took, carried them off from their courses;
a bird bore one across the salt sea;
another the gray wolf delivered to Death;
one a sallow-cheeked earl buried in a bleak barrow.

Thus mankind's Maker laid waste to Middle Earth,
until the works of the giants stood idle,
all eerily silenced, the former joys of their halls."

The wise man contemplates these ruins,
considers this dark life soberly,
remembers the blood spilled here
in multitudes of battles,
then says:

"Where is the horse now? Where, its riders?
Where, the givers of gifts & treasure, the gold-friend?
Where, the banquet-seats? Where, the mead-halls' friendly uproars?

Gone, the bright cup! Gone, the mailed warrior!
Gone, the glory of princes! Time has slipped down
the night-dome, as if it never were!

Now all that remains is this wall, wondrous-high,
decorated with strange serpentine shapes,
these unreadable wormlike runes!

The strength of spears defeated the earls,
lances lusting for slaughter, some glorious victory!

Now storms rage against these rock-cliffs,
as swirling snows & sleet entomb the earth,
while wild winter howls its wrath
as the pale night-shadow descends.

The frigid north sends hailstones to harry warriors.

Hardships & struggles beset the children of men.

The shape of fate is twisted under the heavens
as the Wyrdes decree.

Life is on loan, wealth transitory, friendships fleeting,
man himself fleeting, everything transitory,
& earth's entire foundation stands empty."

Thus spoke the wanderer, wise-hearted, as he sat apart in thought.

Good is the man who keeps his word to the end.
Nor should a man manifest his breast-pangs before he knows their cure,
how to accomplish the remedy with courage.



The Dream of the Rood
anonymous Anglo-Saxon poem, circa the tenth century
loose translation/interpretation by Michael R. Burch

Listen! A dream descended upon me at deep midnight
when sleepers have sought their beds and sweet rest:
the dream of dreams, I declare it!

It seemed I saw the most wondrous tree,
raised heaven-high, wound 'round with light,
with beams of the brightest wood. A beacon
covered in overlapping gold and precious gems,
it stood fair at the earth's foot, with five gemstones
brightening its cross-beam. All heaven's angels
beheld it with wonder, for it was no felon's gallows…



Beowulf
Old English/Anglo-Saxon poem, circa 8th-10th century AD
loose translation/interpretation by Michael R. Burch

LO, praise the prowess of the Spear-Danes
whose clan-thanes ruled in days bygone,
possessed of dauntless courage and valor.

All have heard the honors the athelings won,
of Scyld Scefing, scourge of rebellious tribes,
wrecker of mead-benches, harrier of warriors,
awer of earls. He had come from afar,
first friendless, a foundling, till Fate intervened:
for he waxed under the welkin and persevered,
until folk, far and wide, on all coasts of the whale-path,
were forced to yield to him, bring him tribute.
A good king!

To him an heir was afterwards born,
a lad in his yards, a son in his halls,
sent by heaven to comfort the folk.
Knowing they'd lacked an earl a long while,
the Lord of Life, the Almighty, made him far-renowned.

Beowulf's fame flew far throughout the north,
the boast of him, this son of Scyld,
through Scandian lands.



Grendel was known of in Geatland, far-asea,
the horror of him.



Beowulf bade a seaworthy wave-cutter
be readied to bear him to Heorot,
over the swan's riding,
to defense of that good king, Hrothgar.

Wise men tried to dissuade him
because they held Beowulf dear,
but their warnings only whetted his war-lust.

Yet still he pondered the omens.

The resolute prince handpicked his men,
the fiercest of his folk, to assist him:
fourteen men sea-wise, stout-hearted,
battle-tested. Led them to the land's edge.

Hardened warriors hauled bright mail-coats,
well-wrought war gear, to the foot of her mast.
At high tide she rode the waves, hard in by headland,
as they waved their last farewells, then departed.

Away she broke like a sea-bird, skimming the waves,
wind-borne, her curved prow plowing the ocean,
till on the second day the skyline of Geatland loomed.





In the following poem Finnsburuh means 'Finn's stronghold' and Finn was a Frisian king. This battle between Danes and Frisians is also mentioned in the epic Anglo-Saxon poem Beowulf. Hnaef and his 60 retainers were house-guests of Finn at the time of the battle.

The Finnesburg Fragment or The Fight at Finnsburg
Old English/Anglo-Saxon poem, circa 10th century AD
loose translation/interpretation by Michael R. Burch

Battle-bred Hnaef broke the silence:
'Are the eaves aflame, is there dawn in the east,
are there dragons aloft? No, only the flares of torches
borne on the night breeze. Evil is afoot. Soon the hoots of owls,
the weird wolf's howls, cries of the carrion crows, the arrow's screams,
and the shield's reply to the lance's shaft, shall be heard.
Heed the omens of the moon, that welkin-wanderer.
We shall soon feel in full this folk's fury for us.
Shake yourselves awake, soldiers! On your feet!
Who's with me? Grab your swords and shields. Loft your linden! '



'The Battle of Brunanburh' is the first poem to appear in the Anglo-Saxon Chronicle. Aethelstan and Edmund were the grandsons of King Alfred the Great.

The Battle of Brunanburh or The Battle of Brunanburgh
anonymous Old English/Anglo-Saxon poem, circa 937 AD
loose translation/interpretation by Michael R. Burch

Her Aethelstan cyning, / Aethelstan the King,
eorla dryhten, / Lord over earls,
beorna beag-giefa, / bracelet-bestower,
and his brothor eac, / and with him his brother,
Eadmund aetheling, / Edmund the Atheling,
ealdor-lange tir / earned unending glory:
geslogon aet saecce / glory they gained in battle
sweorda ecgum / as they slew with the sword's edge
ymbe Brunanburh. / many near Brunanburgh…



The Battle of Maldon
anonymous Old English/Anglo-Saxon poem, circa 991 AD or later
loose translation/interpretation by Michael R. Burch

…would be broken.

Then he bade each warrior unbridle his horse,
set it free, drive it away and advance onward afoot,
intent on deeds of arms and dauntless courage.

It was then that Offa's kinsman kenned
their Earl would not accept cowardice,
for he set his beloved falcon free, let it fly woods-ward,
then stepped forward to battle himself, nothing withheld.

By this his men understood their young Earl's will full well,
that he would not weaken when taking up weapons.

Eadric desired to serve his Earl,
his Captain in the battle to come; thus he also advanced forward,
his spear raised, his spirit strong,
boldly grasping buckler and broadsword,
ready to keep his vow to stand fast in the fight.

Byrhtnoth marshalled his men,
teaching each warrior his task:
how to stand, where to be stationed…



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)  
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, 'God is gracious! '

The poem has also been rendered as 'Adam lay i-bounden' and 'Adam lay i-bowndyn.'




I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)  
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



WIDSITH

Widsith, the 'wide-wanderer' or 'far-traveler, ' was a fictional poet and harper who claimed to have sung for everyone from Alexander the Great, Caesar and Attila, to the various kings of the Angles, Saxons and Vikings! The poem that bears his name is a thula, or recited list of historical and legendary figures, and an ancient version of, 'I've Been Everywhere, Man.'

Widsith, the Far-Traveler
anonymous Old English/Anglo-Saxon poem, circa 680-950 AD
loose translation/interpretation by Michael R. Burch

Widsith the wide-wanderer began to speak,
unlocked his word-hoard, manifested his memories,
he who had travelled earth's roads furthest
among the races of men—their tribes, peoples and lands.
He had often prospered in the mead-halls,
competing for precious stones with his tale-trove.
His ancestors hailed from among the Myrgings,
whence his lineage sprung, a scion of Ealhhild,
the fair peace-weaver. On his first journey, east of the Angles,
he had sought out the home of Eormanric,
the angry oath-breaker and betrayer of men.

Widsith, rich in recollections, began to share his wisdom thus:

I have learned much from mighty men, their tribes' mages,
and every prince must live according to his people's customs,
acting honorably, if he wishes to prosper upon his throne.

Hwala was the best, for awhile,
Alexander the mightiest, beyond compare,
his empire the most prosperous and powerful of all,
among all the races of men, as far as I have heard tell.

Attila ruled the Huns, Eormanric the Goths,
Becca the Banings, Gifica the Burgundians,
Caesar the Greeks, Caelic the Finns,
Hagena the Holmrigs, Heoden the Glomms,
Witta the Swæfings, Wada the Hælsings,
Meaca the Myrgings, Mearchealf the Hundings,
Theodric the Franks, Thyle the Rondings,
Breoca the Brondings, Billing the Wærns,
Oswine the Eowan, Gefwulf the Jutes,
Finn Folcwalding the Frisians,
Sigehere ruled the Sea-Danes for decades,
Hnæf the Hockings, Helm the Wulfings,
Wald the Woings, Wod the Thuringians,
Sæferth the Secgan, Ongendtheow the Swedes,
Sceafthere the Ymbers, Sceafa the Lombards,
*** the Hætwera, Holen the Wrosnas,
Hringweald was king of the Herefara.

Offa ruled the Angles, Alewih the Danes,
the bravest and boldest of men,
yet he never outdid Offa.
For Offa, while still a boy, won in battle the broadest of kingdoms.
No one as young was ever a worthier Earl!
With his stout sword he struck the boundary of the Myrgings,
fixed it at Fifeldor, where afterwards the Angles and Swæfings held it.

Hrothulf and Hrothgar, uncle and nephew,
for a long time kept a careful peace together
after they had driven away the Vikings' kinsmen,
vanquished Ingeld's spear-hordes,
and hewed down at Heorot the host of the Heathobards.

Thus I have traveled among many foreign lands,
crossing the earth's breadth,
experiencing both goodness and wickedness,
cut off from my kinsfolk, far from my family.

Thus I can speak and sing these tidings in the mead-halls,
of how how I was received by the most excellent kings.
Many were magnanimous to me!

I was among the Huns and the glorious Ostrogoths,
among the Swedes, the Geats, and the South-Danes,
among the Vandals, the Wærnas, and the Vikings,
among the Gefthas, the Wends, and the Gefflas,
among the Angles, the Swabians, and the Ænenas,
among the Saxons, the Secgan, and the Swordsmen,
among the Hronas, the Danes, and the Heathoreams,
among the Thuringians and the Throndheims,
also among the Burgundians, where I received an arm-ring;
Guthhere gave me a gleaming gem in return for my song.
He was no gem-hoarding king, slow to give!

I was among the Franks, the Frisians, and the Frumtings,
among the Rugas, the Glomms, and the Romans.

I was likewise in Italy with Ælfwine,
who had, as I'd heard, commendable hands,
fast to reward fame-winning deeds,
a generous sharer of rings and torques,
the noble son of Eadwine.

I was among the Saracens and also the Serings,
among the Greeks, the Finns, and also with Caesar,
the ruler of wine-rich cities and formidable fortresses,
of riches and rings and Roman domains.
He also controlled the kingdom of Wales.

I was among the Scots, the Picts and the Scrid-Finns,
among the Leons and Bretons and Lombards,
among the heathens and heroes and Huns,
among the Israelites and Assyrians,
among the Hebrews and Jews and Egyptians,
among the Medes and Persians and Myrgings,
and with the Mofdings against the Myrgings,
among the Amothings and the East-Thuringians,
among the Eolas, the Ista and the Idumings.

I was also with Eormanric for many years,
as long as the Goth-King availed me well,
that ruler of cities, who gave me gifts:
six hundred shillings of pure gold
beaten into a beautiful neck-ring!
This I gave to Eadgils, overlord of the Myrgings
and my keeper-protector, when I returned home,
a precious adornment for my beloved prince,
after which he awarded me my father's estates.

Ealhhild gave me another gift,
that shining lady, that majestic queen,
the glorious daughter of Eadwine.
I sang her praises in many lands,
lauded her name, increased her fame,
the fairest of all beneath the heavens,
that gold-adorned queen, glad gift-sharer!

Later, Scilling and I created a song for our war-lord,
my shining speech swelling to the sound of his harp,
our voices in unison, so that many hardened men, too proud for tears,
called it the most moving song they'd ever heard.

Afterwards I wandered the Goths' homelands,
always seeking the halest and heartiest companions,
such as could be found within Eormanric's horde.
I sought Hethca, Beadeca and the Herelings,
Emerca, Fridlal and the Ostrogoths,
even the wise father of Unwen.
I sought Secca and Becca, Seafola and Theodric,
Heathoric and Sifeca, Hlithe and Ongentheow,
Eadwine and Elsa, Ægelmund and Hungar,
even the brave band of the Broad-Myrgings.
I sought Wulfhere and Wyrmhere where war seldom slackened,
when the forces of Hræda with hard-striking swords
had to defend their imperiled homestead
in the Wistla woods against Attila's hordes.

I sought Rædhere, Rondhere, Rumstan and Gislhere,
Withergield and Freotheric, Wudga and Hama,
never the worst companions although I named them last.
Often from this band flew shrill-whistling wooden shafts,
shrieking spears from this ferocious nation,
felling enemies because they wielded the wound gold,
those good leaders, Wudga and Hama.

I have always found this to be true in my far-venturing:
that the dearest man among earth-dwellers
is the one God gives to rule ably over others.

But the makar's weird is to be a wanderer. [maker's/minstrel's fate]

The minstrel travels far, from land to land,
singing his needs, speaking his grateful thanks,
whether in the sunny southlands or the frigid northlands,
measuring out his word-hoard to those unstingy of gifts,
to those rare elect rulers who understand art's effect on the multitudes,
to those open-handed lords who would have their fame spread,
via a new praise-verse, thus earning enduring reputations
under the heavens.



Lent is Come with Love to Town
anonymous Middle English poem, circa 1330
loose translation/interpretation by Michael R. Burch

Springtime comes with love to town,
With blossoms and with birdsong 'round,
Bringing all this bliss:
Daisies in the dales,
Sweet notes of nightingales.
Each bird contributes songs;
The thrush chides ancient wrongs.
Departed, winter's glowers;
The woodruff gayly flowers;
The birds create great noise
And warble of their joys,
Making all the woodlands ring!



'Cantus Troili' from Troilus and Criseide
by Petrarch
'If no love is, O God, what fele I so? ' translation by Geoffrey Chaucer
modernization by Michael R. Burch

If there's no love, O God, why then, so low?
And if love is, what thing, and which, is he?
If love is good, whence comes my dismal woe?
If wicked, love's a wonder unto me,
When every torment and adversity
That comes from him, persuades me not to think,
For the more I thirst, the more I itch to drink!

And if in my own lust I choose to burn,
From whence comes all my wailing and complaint?
If harm agrees with me, where can I turn?
I know not, all I do is feint and faint!
O quick death and sweet harm so pale and quaint,
How may there be in me such quantity
Of you, 'cept I consent to make us three?

And if I so consent, I wrongfully
Complain, I know. Thus pummeled to and fro,
All starless, lost and compassless, am I
Amidst the sea, between two rending winds,
That in diverse directions bid me, 'Go! '
Alas! What is this wondrous malady?
For heat of cold, for cold of heat, I die.



'Blow, northerne wind'
anonymous Middle English poem, circa late 13th century
loose translation/interpretation by Michael R. Burch

Blow, northern wind,
Send my love, my sweeting,
Blow, northern wind,
Blow, blow, blow,
Our love completing!



'What is he, this lordling, that cometh from the fight? '
by William Herebert, circa early 14th century
loose translation/interpretation by Michael R. Burch

Who is he, this lordling, who staggers from the fight,
with blood-red garb so grisly arrayed,
once appareled in lineaments white?
Once so seemly in sight?
Once so valiant a knight?

'It is I, it is I, who alone speaks right,
a champion to heal mankind in this fight.'

Why then are your clothes a ****** mess,
like one who has trod a winepress?

'I trod the winepress alone,
else mankind was done.'



'Thou wommon boute fere'
by William Herebert, circa early 14th century
loose translation/interpretation by Michael R. Burch

Woman without compare,
you bore your own father:
great the wonder
that one woman was mother
to her father and brother,
as no one else ever was.



'Marye, maide, milde and fre'
by William of Shoreham, circa early 14th century
loose translation/interpretation by Michael R. Burch

Mary, maid, mild and free,
Chamber of the Trinity,
This while, listen to me,
As I greet you with a song...



'My sang es in sihting'
by Richard Rolle, circa 14th century
loose translation/interpretation by Michael R. Burch

My song is in sighing,
My life is in longing,
Till I see thee, my King,
So fair in thy shining,
So fair in thy beauty,
Leading me into your light...



To Rosemounde: A Ballade
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Madame, you're a shrine to loveliness
And as world-encircling as trade's duties.
For your eyes shine like glorious crystals
And your round cheeks like rubies.
Therefore you're so merry and so jocund
That at a revel, when that I see you dance,
You become an ointment to my wound,
Though you offer me no dalliance.

For though I weep huge buckets of warm tears,
Still woe cannot confound my heart.
For your seemly voice, so delicately pronounced,
Make my thoughts abound with bliss, even apart.
So courteously I go, by your love bound,
So that I say to myself, in true penance,
'Suffer me to love you Rosemounde;
Though you offer me no dalliance.'

Never was a pike so sauce-immersed
As I, in love, am now emeshed and wounded.
For which I often, of myself, divine
That I am truly Tristam the Second.
My love may not grow cold, nor numb,
I burn in an amorous pleasance.
Do as you will, and I will be your thrall,
Though you offer me no dalliance.



A Lady without Paragon
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Hide, Absalom, your shining tresses;
Esther, veil your meekness;
Retract, Jonathan, your friendly caresses;
Penelope and Marcia Catoun?
Other wives hold no comparison;
Hide your beauties, Isolde and Helen;
My lady comes, all stars to outshine.

Thy body fair? Let it not appear,
Lavinia and Lucretia of Rome;
Nor Polyxena, who found love's cost so dear;
Nor Cleopatra, with all her passion.
Hide the truth of love and your renown;
And thou, Thisbe, who felt such pain;
My lady comes, all stars to outshine.

Hero, Dido, Laodamia, all fair,
And Phyllis, hanging for Demophon;
And Canace, dead by love's cruel spear;
And Hypsipyle, betrayed along with Jason;
Make of your truth neither boast nor swoon,
Nor Hypermnestra nor Adriane, ye twain;
My lady comes, all stars to outshine.



A hymn to Jesus
by Richard of Caistre, circa 1400
loose translation/interpretation by Michael R. Burch

Jesu, Lord that madest me
and with thy blessed blood hath bought,
forgive that I have grieved thee,
in word, work, will and thought.

Jesu, for thy wounds' hurt
of body, feet and hands too,
make me meek and low in heart,
and thee to love, as I should do...



In Praise of his Ugly Lady
by Thomas Hoccleve, early 15th century
loose translation/interpretation by Michael R. Burch

Of my lady? Well rejoice, I may!
Her golden forehead is full narrow and small;
Her brows are like dim, reed coral;
And her jet-black eyes glisten, aye.

Her bulging cheeks are soft as clay
with large jowls and substantial.

Her nose, an overhanging shady wall:
no rain in that mouth on a stormy day!

Her mouth is nothing scant with lips gray;
Her chin can scarcely be seen at all.

Her comely body is shaped like a football,
and she sings like a cawing jay.



Lament for Chaucer
by Thomas Hoccleve, early 15th century
loose translation/interpretation by Michael R. Burch

Alas, my worthy master, honorable,
The very treasure and riches of this land!
Death, by your death, has done irreparable
harm to us: her cruel and vengeful hand
has robbed our country of sweet rhetoric...



Holly and Ivy
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

Nay! Ivy, nay!
It shall not be, like this:
Let Holy have the mastery,
As the manner is.

Holy stood in the hall
Fair to behold;
Ivy stood outside the door,
Lonely and cold.

Holy and his merry men
Commenced to dance and sing;
Ivy and her maidens
Were left outside to weep and wring.

Ivy has a chilblain,
She caght it with the cold.
So must they all have, aye,
Whom with Ivy hold.

Holly has berries
As red as any rose:
The foresters and hunters
Keep them from the does.

Ivy has berries
As black as any ill:
There comes the owl
To eat them as she will.

Holly has birds,
A full fair flock:
The nightingale, the poppyinjay,
The gentle lark.

Good Ivy, good Ivy,
What birds cling to you?
None but the owl
Who cries, 'Who? Who? '



Unkindness Has Killed Me
anonymous Middle English poem,15th century
loose translation/interpretation by Michael R. Burch

Grievous is my sorrow:
Both evening and morow;
Unto myself alone
Thus do I moan,
That unkindness has killed me
And put me to this pain.
Alas! what remedy
That I cannot refrain?



from The Testament of John Lydgate
15th century
loose translation/interpretation by Michael R. Burch

Behold, o man! lift up your eyes and see
What mortal pain I suffer for your trespass.
With piteous voice I cry and say to thee:
Behold my wounds, behold my ****** face,
Behold the rebukes that do me such menace,
Behold my enemies that do me so despise,
And how that I, to reform thee to grace,
Was like a lamb offred in sacrifice.



Vox ultima Crucis
from The Testament of John Lydgate,15th century
loose translation/interpretation by Michael R. Burch

TARRY no longer; toward thine heritage
Haste on thy way, and be of right good cheer.
Go each day onward on thy pilgrimage;
Think how short a time thou hast abided here.
Thy place is built above the stars clear,
No earthly palace wrought in such stately wise.
Come on, my friend, my brother must enter!
For thee I offered my blood in sacrifice.



Inordinate Love
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

I shall say what inordinate love is:
The ferocity and singleness of mind,
An inextinguishable burning devoid of bliss,
A great hunger, too insatiable to decline,
A dulcet ill, an evil sweetness, blind,
A right wonderful, sugared, sweet error,
Without any rest, contrary to kind,
Without quiet, a riot of useless labor.



Besse Bunting
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

In April and May
When hearts be all a-merry,
Bessie Bunting, the miller's girl,
With lips as red as cherries,
Cast aside remembrance
To pass her time in dalliance
And leave her misery to chance.
Right womanly arrayed
In petticoats of white,
She was undismayed
And her countenance was light.



The spring under a thorn
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

At a wellspring, under a thorn,
the remedy for an ill was born.
There stood beside a maid
Full of love bound,
And whoso seeks true love,
In her it will be found.



The Complaint of Cresseid against Fate
Robert Henryson,15th century
loose translation/interpretation by Michael R. Burch

O sop of sorrow, sunken into care,
O wretched Cresseid, now and evermore
Gone is thy joy and all thy mirth on earth!
Stripped bare of blitheness and happiness,
No salve can save you from your sickness.
Fell is thy fortune, wicked thy fate.
All bliss banished and sorrow in bloom.
Would that I were buried under the earth
Where no one in Greece or Troy might hear it!



A lover left alone with his thoughts
anonymous Middle English poem, circa later 15th century
loose translation/interpretation by Michael R. Burch

Continuance
of remembrance,
without ending,
causes me penance
and great grievance,
for your parting.

You are so deeply
engraved in my heart,
God only knows
that always before me
I ever see you
in thoughts covert.

Though I do not explain
my woeful pain,
I bear it still,
although it seems vain
to speak against
Fortune's will.



Go, hert, hurt with adversity
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

Go, heart, hurt with adversity,
and let my lady see thy wounds,
then say to her, as I say to thee:
'Farewell, my joy, and welcome pain,
till I see my lady again.'



I love a flower
by Thomas Phillipps, circa 1500
loose translation/interpretation by Michael R. Burch

'I love, I love, and whom love ye? '
'I love a flower of fresh beauty.'
'I love another as well as ye.'
'That shall be proved here, anon,
If we three
together can agree
thereon.'

'I love a flower of sweet odour.'
'Marigolds or lavender? '
'Columbine, golds of sweet flavor? '
'Nay! Nay! Let be:
It is none of them
that liketh me.'

(The argument continues...)  

'I love the rose, both red and white.'
'Is that your perfect appetite? '
'To talk of them is my delight.'
'Joyed may we be,
our Prince to see
and roses three.'

'Now we have loved and love will we,
this fair, fresh flower, full of beauty.'
'Most worthy it is, so thinketh me.'
'Then may it be proved here, anon,
that we three
did agree
as one.'



The sleeper hood-winked
by John Skelton, circa late 15th century
loose translation/interpretation by Michael R. Burch

With 'Lullay! Lullay! ' like a child,
Thou sleepest too long, thou art beguiled.

'My darling dear, my daisy flower,
let me, quoth he, 'lie in your lap.'
'Lie still, ' quoth she, 'my paramour, '
'Lie still, of course, and take a nap.'
His head was heavy, such was his hap!
All drowsy, dreaming, drowned in sleep,
That of his love he took no keep. [paid no notice]



The Corpus Christi Carol
anonymous Middle English poem, circa early 16th century
loose translation/interpretation by Michael R. Burch

He bore him up, he bore him down,
He bore him into an orchard brown.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

In that orchard there stood a hall
Hanged all over with purple and pall.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And in that hall there stood a bed
hanged all over with gold so red.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And in that bed there lies a knight,
His wounds all bleeding both day and night.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

By that bed's side there kneels a maid,
And she weeps both night and day.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And by that bedside stands a stone,
'Corpus Christi' written thereon.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.



Love ever green
attributed to King Henry VIII, circa 1515
loose translation/interpretation by Michael R. Burch

If Henry VIII wrote the poem, he didn't quite live up to it! - MRB

Green groweth the holly,
so doth the ivy.
Though winter's blasts blow never so high,
green groweth the holly.

As the holly groweth green
and never changeth hue,
so am I, and ever have been,
unto my lady true.

Adew! Mine own lady.
Adew! My special.
Who hath my heart truly,
Be sure, and ever shall.



Pleasure it is
by William Cornish, early 16th century
loose translation/interpretation by Michael R. Burch

Pleasure it is,
to her, indeed.
The birds sing;
the deer in the dale,
the sheep in the vale,
the new corn springing.
God's allowance
for sustenance,
his gifts to man.
Thus we always give him praise
and thank him, then.
And thank him, then.



My lute and I
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

At most mischief
I suffer grief
Without relief
Since I have none;
My lute and I
Continually
Shall both apply
To sigh and moan.

Nought may prevail
To weep or wail;
Pity doth fail
In you, alas!
Mourning or moan,
Complaint, or none,
It is all one,
As in this case.

For cruelty,
Most that can be,
Hath sovereignty
Within your heart;
Which maketh bare
All my welfare:
Nought do you care
How sore I smart.

No tiger's heart
Is so perverse
Without desert
To wreak his ire;
And me? You ****
For my goodwill;
Lo, how I spill
For my desire!

There is no love
Your heart to move,
And I can prove
No other way;
Therefore I must
Restrain my lust,
Banish my trust
And wealth away.

Thus in mischief
I suffer grief,
Without relief
Since I have none,
My lute and I
Continually
Shall both apply
To sigh and moan.



What menethe this?
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

WHAT meaneth this! when I lie alone
I toss, I turn, I sigh, I groan;
My bed seems near as hard as stone:
What means this?

I sigh, I plain continually;
The clothes that on my bed do lie,
Always, methinks, they lie awry;
What means this?

In slumbers oft for fear I quake;
For heat and cold I burn and shake;
For lack of sleep my head doth ache;
What means this?

At mornings then when I do rise,
I turn unto my wonted guise,
All day thereafter, muse and devise;
What means this?

And if perchance by me there pass,
She, unto whom I sue for grace,
The cold blood forsaketh my face;
What means this?

But if I sit with her nearby,
With a loud voice my heart doth cry,
And yet my mouth is dumb and dry;
What means this?

To ask for help, no heart I have;
My tongue doth fail what I should crave;
Yet inwardly I rage and rave;
What means this?

Thus I have passed many a year,
And many a day, though nought appear,
But most of that which I most I fear;
What means this?



Yet ons I was
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

Once in your grace I know I was,
Even as well as now is he;
Though Fortune hath so turned my case
That I am down and he full high;
Yet once I was.

Once I was he that did you please
So well that nothing did I doubt,
And though today ye think it ease
To take him in and throw me out;
Yet once I was.

Once I was he, in times past.
That as your own ye did retain:
And though ye have me now out-cast,
Showing untruth in you to reign;
Yet once I was.

Once I was he that knit the knot
The which ye swore not to unknit,
And though ye feign it now forgot,
In using your newfangled wit;
Yet once I was.

Once I was he to whom ye said,
'Welcome, my joy, my whole delight! '
And though ye are now well repaid
Of me, your own, your claim seems slight;
Yet once I was.

Once I was he to whom ye spake,
'Have here my heart! It is thy own.'
And though these words ye now forsake,
Saying thereof my part is none;
Yet once I was.

Once I was he that led the cast,
But now am he that must needs die.
And though I die, yet, at the last,
In your remembrance let it lie,
That once I was.



The Vision of Piers Plowman
by William Langland, circa 1330-1400
loose translation/interpretation by Michael R. Burch

Incipit liber de Petro Plowman prologus

In a summer season when the sun shone soft,
I clothed myself in a cloak like a shepherd's,
In a habit like a hermit's unholy in works,
And went out into the wide world, wonders to hear.
Then on a May morning on Malvern hills,
A marvel befell me, of fairies, methought.
I was weary with wandering and went to rest
Under a broad bank, by a brook's side,
And as I lay, leaned over and looked on the waters,
I fell into a slumber, for it sounded so merry.
Soon I began to dream a marvellous dream:
That I was in a wilderness, I wist not where.
As I looked to the east, right into the sun,
I saw a tower on a knoll, worthily built,
With a deep dale beneath and a dungeon therein,
Full of deep, dark ditches and and dreadful to behold.
Then a fair field full of fond folk, I espied between,
Of all manner of men, both rich and poor,
Working and wandering, as the world demands.
Some put themselves to the plow, seldom playing,
But setting and sowing they sweated copiously
And won that which wasters destroyed by gluttony...



Pearl
anonymous Middle English poem, circa 1400
loose translation/interpretation by Michael R. Burch

Pearl, the pleasant prize of princes,
Chastely set in clear gold and cherished,
Out of the Orient, unequaled,
Precious jewel without peer,
So round, so rare, so radiant,
So small, so smooth, so seductive,
That whenever I judged glimmering gems,
I set her apart, unimpeachable, priceless.
Alas, I lost her in earth's green grass!
Long I searched for her in vain!
Now I languish alone, my heart gone cold.
For I lost my precious pearl without stain.



Johann Scheffler (1624-1677) , also known as Johann Angelus Silesius, was a German Catholic priest, physician, mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack 'reasons'
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to 'see.'

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, 'ad deum qui laetificat juventutem meam' means 'to the God who gives joy to my youth, ' but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD) .

Keywords/Tags: Middle English, rhyme, medieval, epigram, lament, complaint, weight, soul, burden, burdened, heaviness, plague, plagued, exit, death, manner, fen, torment, hell, when, where, how, why
These are Medieval poetry translations of poems written in Old English (i.e., Anglo-Saxon English) and Middle English.
Between your poisonous smiles,
Your heartless jokes and your
Razorblade Smile, I fell for the
Person I thought I saw:
The One
The cuts made, still hurt
They haven't closed up yet
Just flesh wounds but they,
They sting. They burn. It's
Been a day and that thin red
Line, the mark of your possession
Is still on me, marking me for
The world to see. You're my
Obsession, the world's Pariah
But they all bow before you
Wouldn't dare say a word in
Your presence, except to beg
At your feet for your cruel
Double-edged mercy. A day more
You reward them. Throughout
Eternity, you taunt them. The
Price is so heavy, yet they pay up
They can hardly resist. The price
Of Humanity, of Greed is fatal indeed.

The unchanging constant wherever
I may go. The Universe itself is
Undefined, except for you and your
Kin: Change. Time wasn't ever as
Constant as you; its fickle nature
Is as legendary as your promptness
Change was never as evident as you;
Its subtlety as infamous as the
Pungent, dark
Air you leave behind
In the lives of humans and animals alike.
Part of a series about Death. They're all pretty disconnected and they don't have to be read in any particular order.
Laura Turner Dec 2014
Unburden me my wiley friend from all my mundane woes
Release the threads that bind me here, submit me to your throes
Happily you blur the lines and change the days perspective
Mollify me with your lies and kindly dope objective.

It’s pleasant here, I have no care to change this altered state
Inhibitions lose their power to taunt me and berate
I perform well, I entertain, I please so easily
Popular I find myself within your potency

But soon I find the last drops have now dried up in the glass
Your soothing draft has poured its fill, your best has come to pass
And in its wake you leave for me a tender raw emotion
That carries me upon a wave of heady dissolution

The tears they stream, I am a mess, back down to earth I plummet
All former worries amplify now you have reached your summit
I was misled, you’re not my friend, a pariah in disguise
You sought to trick and confuse me put beer goggles on my eyes

So now into my bed I crawl to rest with bland submission
The toilet has already shared with me your vile emissions
I close my eyes I pray for sleep, my head already throbbing
I enter sleep in throes of self-absorbed,  repentant  sobbing
As I walked
into the house of silence
I was drenched in anxiety
I inhaled fear
and exhaled fear
My lungs, filled with doubt
The people I was surrounded by
stared at me
as if I were someone else
as if I were a stranger

I've lost belief
the place,
Where I was convinced
to feel safe
Was the place
where I lost serenity
It was the place
where I lost my sanity

-Kaya
Seán Mac Falls Mar 2015
Once was a smug bug  .  .  .
Fancied himself some poet,
  .  .  .  Prissy dung beetle.
JDK Oct 2014
Believed he held some sort of holy grace.
Fought to form a different way.
Risked it all then lost his bet.
Never tried to save some face.

Preached his own progressive agenda.
They attacked him with a personal vendetta.
His story is one we try to forget.
The deeper he's buried-
the better.

Thought he could have been the one.
Took his turn at playing modern messiah.
Burned him at the stake, they did.
The price that's paid of a pariah.
Margot Dylan Jul 2014
Dearest Reader,


My name is Margot Dylan, and I'm a pariah.

On the 16th of April, I told my mother that I was gay. She threw the clay mug that I made for her before she found out I was gay, against the floral, peeling wallpaper mess of a wall, in our kitchen. The decaffeinated peppermint green tea left a wonderful aroma that almost cleansed the room of the stench of 'lesbian'.

I met Dylan Dunham a few days after that, and, a few days later, she was the first girl that I ever loved.

Dylan wore a red flannel jacket, and was a butch and sometimes a *****-but I loved her even at her tomboy cruelest.

Dylan smoked a cigarette that smelled like lonerism, and she looked at me like she didn't care. My heart skipped a beat, as cliche as it sounds, whenever she would remove the cigarette from her mouth, exhale, and look at me as smoke traveled up her face. I looked at her and knew that she was everything that I wasn't, and everything that I wanted.

Dylan was Dianne, before and after school. Dylan was Dianne, who wore floral dresses and lipstick and who ditched her butch clothing in her locker before leaving. Dylan was Dianne, who was straight and who thought Tyler Wesson, from church, was cute. Dylan was Dianne, who had a short hair cut because of track and field, because she explained that she ran a faster time with less hair. Dylan was Dianne, who didn't associate with me before or after school because her parents knew that I was gay.

During school hours, the only thing Dylan did keep from Dianne was the lipstick. I was envious of the cigarette because of it's burgundy stains. We would stand in a stall, as she looked across from me, after each drag. She frequently offered her cigarettes, but I refused because I only let love **** me. If she ever brought alcohol, sometimes she'd kiss me. I told her that I loved her and she said, "I know."

The only thing that Dylan kept from me was my heart, before she started to smoke cigarettes in the bathroom with Annie Way.


I wish you the best moments so they can overcome the worst,

Margot Dylan
Trey Evans Feb 2015
Nobody wants to be alone
Me included
I hate seeing couples in public
I despise their constant PDA
The kissing.. the hugging.. the love
**** all of you
I don’t need to see that
Yet these feelings are only because of jealousy
The wanting to be that person
The desire to be loved
Here I am, on the other hand
Perched on a park bench
Watching people go by
Holding hands..
Sharing laughs..
Feels as if God is using them to smite me
To punish me for no reason
To chastise me for the things I’ve done
Maybe he’s right, for once..
Perhaps I should go home
But home isn’t the same anymore..
I’m going to the same thing every night
A meal, a shower, tv..
Then I say a prayer and get into bed
The bed that was once occupied by two
written 1/11/15
Zero Nine Apr 2017
Summertime
My lover ***** the blood of a rose
The thorns push in her, stab
Break off leave open
marks at the stem
Her back makes a decent ashtray
For tapping blunts and butts
My lover bites the throat of a world
Wrapped up in patchouli sheets
Made of daily applied fine mist
In a bottle or jar, still curiosity we
Still haven't seen her home but she's
Seen violent light spearing the thick
Smoke through and then the dreams
That pour out into our living room
Reflected from my lenses from the
Floor face down *** up
.........
Maple Mathers May 2016
Marshall is the Only Thing that Mathers: Lessons of Elementary School

When I was in third grade, I found religion.

Well. Kind of.

My older sis brought a CD home one day - "The Eminem Show" - and explained how cool - how popular, rather - it made her. This was news, as the both of us personified the textbook social pariah - we were weird, or something. And kids made sure we knew it.

"Eminem?" I wondered. "Who names themselves after candy?"

Slim Shady did, apparently. Cannibalism, at its prime.

"Duh, stupid idiot! It's spelled differently!" Scoffed my sister. She loved to remind me who was boss; she had a ball making me feel even smaller than she did (I'd assume). A talent amplified by her superior intellect, which isolates her to this day. Back then she could do as she pleased, and I'd readily adapt. She was many thing, but predominantly, she was there. And I adored her for it.

She told me everyone had or knew this music. This Eminem band.

I listened till I could recite every track, verbatim. Captivated instantly.

The very next day, I came to school, ratty and grimy looking as ever (my mother hadn't taught me any different - for, I suppose, she had looked my way but saw only herself. Thus, I frequented the principal's office those days, teacher sent me from class every morning for disrespecting the environment.

Apparently, looking homeless isn't  acceptable - even if you're 9.

Anyways. At least I got to miss class.

Nobody would play with me those days. I had just one friend for all those years. They'd kick me and spit on me, lock me out in the snow, call me Spider.

Typical grade school semantics.

However, that CD was a game changer, I anticipated. Things were different. I knew about Eminem, and since my sister's peers were obsessed, mine would soon be, too. Thus, they'd finally play with me, wouldn't they?

Those were my expectations.

But. Conclusions drawn by a 9-year-old aren't exactly conclusive, it turns out. I approached a handful of children during recess. And promptly, terrified them.

Estatic, I exclaimed, "I'm going to hell! Who's coming with me?!"

I was beaming. For a couple seconds. And then Everyone ran, screaming and crying, yelling back at me with the appropriate intonations for a sewer rat.

I didn't understand why. Baffled nobody percieved my announcement as hysterical. And brilliant.

Yet, I got what I wanted, I suppose. Invisibility negated by taboos and vulnerability; I, the Satan freak, finally became interesting. Interesting enough to be picked on, and bullied.

It was an upgrade at the time.

Though, I had yet to understand why it'd occurred; the quote was hilarious to me. God meant nothing to me - "insulting" the lord, what did that even mean?

How would I know?

Alone, again, I snuck behind a tree and wrote all the lyrics I could recall - it was all okay, cause soon, I'd be home.

And home meant Eminem. Someone I could count on to be there. No matter what.

Funny how those same kids arrived at high school, and learned what a real bully can do. Bullies who never messed with me once, and never would. It's unwise to provoke a bee, you see - especially the queen of the hive. ;)

And laugh it up, but Shady is forever my religion.
Shady is My Religion.
❤️
Chris Thomas Jul 2016
He is a pariah
Tossed aside like a scrap of food
Antiquated
Ever-changing like a demon's mood
His words are pale
Like leaves blowing in the wind
His eyes are a stark contrast
Dancing among hues as he transcends
He is a smuggler
Housing the secrets of a generation
A benevolent rain is falling
In this desert of hibernation
He dreams in allegory
Brandishing an army of mystery
Waking up only starts the dream again
To stare down barrels of his own artillery
Spenser Bennett Oct 2016
Dark matter parallels
Encoded long-term
Pariah on the sunrise
And she got light to burn

Delicate on the rain
Floored by pointillisme
Beauty makes the sky
And she mirrors painted schisms

What metaxis to break
Like losing yourself on the lake
Light turned reflection
Subtlety belies perfection

Novae cry silent and awake
Shed the skin, dire
Could she dream, no better
Oh to hear that voiceless choir

Dance stars apart
Fickle child, wandered
Empty; her lungs
Fulfilled no longer

What metaxis to break
Like losing yourself on the lake
Light turned reflection
Subtlety belies perfection

To the end of everything
Summers over, dead Winter sings
No hope, no hope in these evergreens
Malevolence and whispered screams

Lose yourself
Lose yourself
It's nothing at all
But everything at heart

We're dancing among the stars
And we're on fire
Deep and alone
Waiting for the endless to expire
James Gable Jun 2016
“Sleep after toil, port after stormy seas, Ease after war,
death after life does greatly please.”
—Edmund Spense

|PART ONE|
CUL DE SAC
Courtesy is informing
The gardener he shall not
Be needed next week
As sometime before then
You will fall suddenly dead


Like a blanket...
Yes, like a blanket
Or a shawl if you’ll have it—
A sheet that whispers a weight
Upon your shoulders that rise and fall
And rise and roll and once more rise
And collapse inevitable as relapse or vice,
We arrived as the sun is
Saying its final goodnights

Life spends some empty
Second inside your lungs
And continues on its way, moving on
Perhaps to resuscitate a
Fading gunshot victim
Or shake the hand of a minute

As time ticks furiously by,
A dog licks its teeth
A few sorry times, tastes a residual piece
Of something tasty he earned
In his attempts to learn fully
To roll over,
He rolls over now and then for fun,
In the disapproving face of the sun

But it’s a different thing to roll
Over at the command of your Master—
He who is looking disapprovingly at the world,
Disapproves of all of it
But through a very small window
He had not seen before
About the size of an envelope
It must have sneaked up on him

Most of all he is bored,
With packets of cigarettes,
Lighting themselves each night in
Spectacular repeats bright and brilliant
Pyrotechnics of white-hot potential,
You must shield your eyes, Master,
Heed the warnings of the doctor when he says
You are doing yourself no favours,
Tempting yourself by leaving them
Laying around in plain sight

And...now and then, just now, and
Just then he finished a whole one,
Packet of twenty, and his reflection,
Unshaven and puffy-faced in the
Deep ocean of the bathroom mirror,
Can’t look at him until morning,
And morning is a long time away

Meanwhile time is
Blackening the dog’s sorry gums,
It painted such dark spots on his Master's lungs                                              
That he now coughs impatiently,
The paint grips like superglue to
The walls and though a full exhale could
Betray their function for one,
Deform their shape for two,
Lungs so rarely tenderly embrace
And now his face goes blue,
And blue with many shades of blue,
And a touch of the colour of the just-rising moon


Nothing comes up...
His diaphragm, taut, it stalls,
Struck, retching,
Everything slows
Everything

slows

— stretches of sounds
And moans echoing
The sinister intent of
Turpentine visions.
Each bloodless
Indecision


You can see him doubled over
By the window, even from here,
And you’d think this bird will
Succeed in catching his worm,
Each slowed in turn, nothing changed,
Bird was swooping long before the slowness came,
Whatever happens, whatever happens...
The dog sleeps whilst his ticking legs kick,
But slower —  

A fly is caught between
The unaffected forefinger and
Opportunist thumb
Of a young girl who is well known,
(She once squeezed a cat
So tight that its insides
Got all twisted and burst),
She would not hurt a fly though
Especially not this one
It’s so lethargic, she thinks,

How she blinks at normal speed—
Immune somehow

Other kids are told to keep away from her
By their respective mothers
Who’ve no respect for others
you’ll see them goose-stepping down
streets in stop-motion synchronicity
These mums communicate by phone
Hogging the lines and spitting malicious
Rumours into the telephone wires,
Such poison is said to excite cables
Causing electrical fires and the
Firemen here have been called out
several times to find the same boy
Of about ten, crying *“Help! Pariah Dog!”

He’s shouting it now, calling the emergency
Services on a credit card phone
And his pennies won’t take
—So slow it’s hard to watch

The bow that fastens the little
Girl’s hair keeps falling down,
She kicks it down the sleepy evening streets,
Rumours cruelly spread of shadows
Calling her to where the street sweepers are known
Not ever to sweep

Everything is slow, as before but
Slightly more so,
The Master’s contractions
In such slow motion rhythm,
You couldn’t recognise patterns or
Repetitions with short-term memory
but they’re rhythms of threes and fours
but also nine over eight and
Four-four straight, the
Tempo is so slow it doesn’t register...
Listen closely for a while though:
Jazz is on the radio!

The dog’s legs still kick as it sleeps
As it dreams of jumping the garden gate,
Even slower now,
And life is longer now,
In ways
Of course we do not notice
But the little girl,
Returning home just before dark
How will this affect her future?
Time’s arrow
The tragedy of its trajectory
Leaves us in a state
That is not worse off,
But there is no help in this!
Positivity does not come
From the things which are simply
Not negative

And the worm
In a slow motion crawl,
Indignant, as the bird’s wings
Cast long finger-like shadows
That are shifting, flickering,
Twitching near crisis point,
Those last hundred-yards of the race
Where lactic-acid-spasms
Makes a mess of the atoms
And slow-twitch fibres made of
Matter once constituting
A percentage of the mass
Of a sabre-toothed tiger,
Cowering in the cold,
Feeling the pull of extinction
Weighted eyelids,
Mischievous hands tugging
On the ears
And polishing the fangs in museums
It was ashamed, the atoms told us this
But refused to declare a name for itself
Or the beast

Slinking and curling like a
Shoe sole that bunches up
The shoehorn is no good,
Not a help, but to borrow
Just one word of that line
And introduce the trumpet,
In its considerations of brass
And blues
It blows lipless fanfares for the
Invertebrate class

The worm, with frantic intent,
In search of his hole in the ground,
Profound effort,
See the slinky worm speeding
Across the lawn at the speed of a gravestone,
The bird getting closer,
In it’s time,
It’s a fizz of radio waves
With a fuzzy static outline,
Popping grains and throbbing like
Power surging through the telephone line,
Where voices can be heard warning of high pressure
With a fatalist sigh, and poor weather,
A voice with a regional accent
Sounding authoritative and wise
Intensity in the eyes somehow I imagine,
How we paint pictures of faces and people,
The voices are so telling at times,
You can hear whiskey-burns in the throat
Saying things of the colour
Of a nose, and sweet childlike lisps
Suggest dungarees and freckles,
And a gap between the front teeth,
Why these? What prejudices
Have slipped out weedily from
An imagination that is surely
Out-valued by its frame
Of gold with wooden panels

*“PARIAH DOG!”.....
Part Nine (1) of The Man Who Longed to be an Oyster
David W Clare Feb 2015
Live through me vicariously...

My rich neighbors got upset
Sycophantic ******* pretentious jet-set

I am the pariah the iconoclast blasted by rumors, iron-curtain of suburbia hurtin' tuff darts pointed at me

Think young it's only the vicissitudes
That control your mood and attitude

Am I gay? Your wife doesn't think so!

Go ahead live through me vicariously...

D. Clare
I loved northern Virginia...the neighbors hated me...
David May 2013
A man of fragments,
I can no longer choke my self with these white picket hands,
You see,
I saw the small holes in between my parents fingers,
Where the worms sleep,
Only one made it across the fence,
The other is somewhere bleeding on the side not so green,
That is the testimony of their termite lives,
And I am it's harbinger,
Oh!
*Their termite lives...
Paraps XXIV

Messiah of Judah

It should be fulfilled as predisposed by Vernarth by always having the contemporary desire to melt the trumpets and then recast them, manifesting to take them to meet their most fervent retrospective reunited with his brother apostles and the omnipresent Messiah. The archangel Uriel sent him this plan that he had for him as an always fertile offering in the face of any possible threat of disobedience. Indissoluble and whole, they climb the Eurydice stowing the supplies for this long journey like a Messianic proclamation from the blade of an Aiónus propeller that has already had to open these waters together with the evangelist. The board and the anchor are lifted Procorus made encouraging signs to all, saying goodbye to them and then returning to the hermitage. The others fit into the waves of the Skalá roadstead, Raeder played with Petrobus on the deck laughing at all times when everything seemed seized and sad. Eurídice would go to the figurehead for a few days to take everyone and guide them, this guaranteed that they would always have good movement and navigate without having any details. Vernarth describes:"The apostle would settle on the deck near the bow while I organized the sails and powers of Uriel who would always be close by giving them zephyr winds from the Metelmi. Taking the route sailing from Patmos in the Aegean Sea through the northern Dodecanese Islands. San Juan when he was going off the west coast of Turkey deprecated and was remembering the port of Skalá. Patmos..., its "Apokalypsis Island", leaving behind the monastic and picturesque island with traditional white Oikos, azure, and crystalline waters with its vibrant subjective life. Where Saint Ioannis heard the voice of God and wrote the Apocalypse, as well as the three small cracks in the rock through which came the frequency that symbolized before him the Holy Trinity. They go through Rhodes, the largest island in the Dodecanese in Greece heralding Uriel of ancient ruins and the remains of their occupation when they were part of the Order of Saint John during the Crusades. The city of Rhodes has an Old Town with the medieval Knights' Street and the castle-like palace of the Grand Master. The palace was captured by the Ottomans and later occupied by the Italians. The Apostle could only remember the place of passage when he walked in ecclesiastical gear. Limassol, Cyprus; with too many Greek Cypriot waters was the current where they arrived..., to Limassol. They come here one day. They descend from the Eurydice and head for the Paphos road. To the archaeological treasure keeping its neighboring memories of the Greco-Roman theater built in the second century before Christ. They go happily rolling through vestiges of time, all thanks to the timeless Parapsychological Regressive Memory that Vernarth was narrating as always. Crossing the private Roman villa is the House of Eustolios by Othónes or Paraps screens, converted into a public recreation center during the early Christian period. It consisted of a complex of baths and rooms with floors covered by beautiful mosaics from the 5th century AD Other important buildings are the Paleochristian Basilica dating from the 5th century, a Nymphaeum dedicated to the water nymphs, and the Stadium from the 2nd century AD finds something removed a kilometer from the site. They transfigure the cord of the mosaics of the House of Achilles and the House of the Gladiators, in a perfect state of conservation that with their beautiful colors covered the floors with the same carefree footsteps of each one belonging to the bright tones in their great parallel work of the god Aiónius that was in parallel collating. Here San Juan kneels and prays profusely for the souls of Christians who have fallen to the stigma that will entail the performance of the first miracle of this pilgrimage through Limassol. They were all silent. They leave Cyprus and go to the port of Limassol to board the ship. Being very pleasantly surprised by the unexpected visit of Etréstles who was upon the ship. Everyone jumps with happiness! seeing that the champion of the Koumeterium of Messolonghi, brother of Vernarth, was added to them. Vernarth: Khaire!! Happy is my soul, which flows like a psalm of blood, Carrying your image through the flowers of Limassol! They all hug him and get ready to weigh anchor!

Miracle I  Limassol

"On this vertebral nature in this pilgrimage of uprooting the Apostle, the first miracle will happen before the eyes of all. The land darkened analogously to the landscape, the sea shone like a mirror showing them the feet of the Messiah floating in the Sea. their ***** the heat produced by this surprise stampede. The apostle embraces them all and asks them to approach the anchor line to lift it on the seabed where Creation rests. The Apostle approaches with small bony hands snatching the swivel links that are located near the mooring lever point. He presses with his hand the rope of the Triaconter invading with his thumbnail the netted vine that forms from his line. He begins to pull it several times..., every ten meters he looked at the sky and noticed that some majestic abnormal overtones shone. He is still blind to the eyes of everyone else moving in the ship as if they were on the high seas under the ultimatum of a great storm. Saint John looks at himself in the model mirror of the water, he saw how he pulls his body just like in Galilee when his Master did it, he saw how everyone laughed and was delighted to stop time to laugh together with him inaugurating a thousand years of psalmody. There was no more than five meters left to remove the anchor from the anchorage and he feels that it was excessively heavy. He asked Vernarth and Etréstles for help to get her out of the wet mass, they help him and pull the three unanimously to the rhythm of their revealed eagerness until from the ramp of the overboard they manage to see a large golden roundel of about seventy centimeters in diameter, of solid gold that glittered blinding whoever dared to look at it without Faith making it very difficult for everyone to participate in this great festivity of a miracle. It was a solid gold medallion bearing the stigma of Mariah mother of the Messiah, supplanting all ship anchors so that the ship would represent the base of devotion at sea as a sign of closeness to the Messiah by pulling faith forward. one..., so that in a period longer than that which needs to be released back into the sea as a gold-bearing weight, rather as a refuge to save us in the perfect mathematics of collecting it, what is night and obscurantism that succumbs more than the self-personalization of duties when presiding over human desires, transfiguring them in the diaphanous dawn as time and space assigned to the numeral in its perfect science of finding oneself with the medallion, which has always been in sublime crushing cognition and..., continuing to exist without the need to pull the anchor again..., but rather to pull the gold medallion for seven consecutive days that it would take them to reach Jaffa after releasing the moorings in Limassol. Just as everyone was stupefied, falling all the not being able to see more, or perhaps not having more to say about the trick that could be conjugated with the space where the fleeting beams of light emitted by the auric sphere intruded, as in the house of Affliction of Betania, attracting everyone with great love to feel anointed by the aroma of their heads. The apostle understood that the path of the wise senility of the books of wisdom and Saint Luke was approaching them, to impregnate in everything created well granted to spread it from the matrix that interprets and faithfully delegates it in the application of his work. Vernarth describes: "Jesus calms the storm..." When Jesus entered the boat, his disciples followed him. And suddenly a great storm arose on the sea so that vast flat waves in that rush covered the boat; Jesus was asleep. And coming to him, they woke him up saying: Lord, save us, we perish! And He said to them: Why are you frightened men of little faith? Then he got up, rebuked the winds and the sea, and a great calm ensued. And the men marveled, saying: Who is this, that even the winds and the sea obey him? - Mateo 8 - exhibiting this passage in the Othón showing that event the god Aiónus when he rubbed the Ibico I, and the one that would come from Leonardo Da Vinci. "Leonardo Da Vinci "Last Supper Passage" Then you will have your brother Aaron come to you from among the children of Israel and with him his sons to serve me as priests: Aaron, with Nadab and Abihu, Eleazar and Ithamar, sons of Aaron. And you shall make holy garments for your brother Aaron for glory and beauty. And you shall speak to all the skilled craftsmen, whom I have filled with the spirit of wisdom, and they shall make Aaron's garments to consecrate him, so that he may serve me as a priest. These are the garments that they will make: a breastplate, an ephod, a robe, a checkered tunic, a tiara, and a belt; and they shall make sacred garments for your brother Aaron and for his sons, so that they may serve me as priests. And they will take for it the gold and the blue, purple and scarlet cloth, and the fine linen. They will also make the ephod of gold, blue, purple, and scarlet cloth, and fine twisted linen, the work of a skillful craftsman. It will have two shoulder pads that meet at its two ends so that they can be joined. And the skillfully woven belt that will be on it will be of the same work of the same material: of gold, blue, purple, and scarlet cloth, and of fine twisted linen. And you shall take two onyx stones, and engrave on them the names of the children of Israel: six of the names on one stone, and the remaining six names on the other stone according to the order of their birth." "In the biblical symbology of the Apocalypse, the number seven is recurrent and therefore there were seven apostles chosen by Leonardo da Vinci. Saint John the Apostle says: The Last Supper tells me the greatest love of having it close as if I were in my house celebrating, gathered to stamp the facts in which I raised the cut of my bread towards the millennium of the future, to classify all the dates that It will commemorate us united in the sustenance that will feed the Earth forever and ever. In the stigma of this medallion, I will revive all my memories before arriving in Jaffa, before even walking anymore in the solitude that haunts us forever and ever, still not understanding by any measure, the crumbling and disordered existence that passes beyond death that is reborn in our non-existent Faith. They all sail in silence, all asleep on the deck around the medallion that did not stop shining and bathing them all in its splendid theology. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost.

Jaffa  Ioannis regression

Describes Vernarth: On a warm morning, archaeological evidence showed that Jaffa was inhabited around 7,500 BC. C. The natural port of Jaffa has been used since the early Bronze Age, and all of its early inhabitants were probably Canaanites. The city of Jaffa is mentioned in a 1470 BC preterite writing from ancient Egypt glorifying the conquest by Pharaoh Tuthmosis III who hid armed warriors in large baskets and then presented them to the city's Canaanite governor. Jaffa is mentioned in the Torah as one of the Hebrew cities of the Tribe of Dan and hence the term Gush Dan is used today for the coastal plain. Many descendants of Dan lived along the coast and made a living as sailors and sailors. In "Deborah's Song" the fortune-teller asks:" Why do you want Dan to stop me on ships? After the Canaanite and Philistine *******, King David and his son Solomon conquered Jaffa using its port to take the cedars used for the construction of the First Temple from the city of Tire (2nd Chronicles 2:16). The city remained in the hands of the Jews even after the division of the Kingdom of Israel. In 701 BC C., in the days of King Hezekiah and Assyrian King Sennacherib who invaded the Jaffa region. It is also the place where the prophet Jonah sailed for Tarshish (Book of Jonah 1:3) and was the port of entry for the cedars of Lebanon for the Second Temple in Jerusalem (Book of Ezra 3:7). After a period of Babylonian occupation, defeated King Porus at the Battle of Hydaspes (326 to.C.) In the New Testament it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and later, how near this city he has a vision in which Yahveh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual food (kosher) restrictions followed by Jews. While Vernarth was describing all this history, everyone was paying attention, the beautiful situation of entering Jaffa in this thousand-year-old port was imminent so that they could touch the Holy Land with their feet with all the avatars that awaited them. Vernarth had this great preamble and gift to return from the Exile of Saint John due to his exile of him dictated by Emperor Domitian. They all came praying in the ship Eurydice left the figurehead to descend and move with them to Jerusalem. To go through the Lithostrotos, Gethsemane, the Via Dolorosa, Gólgotha, the Holy Sepulcher and many sacred places where the apostle had a correlation with the Messiah..., bordering were still in the hosts of all those who loved him, especially in the locality where they met with the apostles after the crucifixion in the Apostolic Sees where they are still seen to be together from the first day forever and ever. Some put foot in its pages to have been founded by one or more of Jesus' Apostles who are said to have dispersed from Jerusalem sometime after Jesus' crucifixion (c. 26-36), probably after the Great Commission. The early Christians met in small private houses known as paleo-Christian house churches, but the entire Christian community of a city could also attribute it to the fact that it would be called and ignored as an act of sedition to avoid misunderstandings with its anti-Romanesque legacy. In Limassol it dawned one day when another day was setting in Lod..., here they all got ready to have dinner together in a wheel of fire in the tents moved by a breath that reaches and bounces from their sallow tents to the walls of Jerusalem sensing that they came and went already with the Saint accompanying them. From the last dizziness of the sun, Uriel appeared to them telling them...: "On the bottom where a ship is born in some ruins and catacombs, the sentinels of the Limassol Medallion will reside, it will be jealously guarded by my peers Christian Gladiators of Kourion who are preserved in my fragmentary and honorific decrees, as well as in epitaphs. In neo diplomacy supporting Alexander the Great and Bucephalus protecting the Medallion. In the west of the river Lycus, the sentinels will go to the bottom of the sea every day to watch over it so that from here they shelter the Medallion with their tricks, which in such a way will be adopted for meritorious scriptural phraseology in the Walls of Jerusalem where other walls will follow it... Vernarth describes: "The Great Commission; Matthew 28:19-20 contains what is known as "the Great Commission": "Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit; teaching them to observe all things that I have commanded you, and behold, I am with you every day until the end of the world." Jesus gave this commandment to the apostles shortly before he ascended to Heaven and essentially describes what Jesus expected the apostles and those who followed them to do in His absence. It is delightful to see that in the original Greek the only specific command in Matthew 28:19-20 is to "make disciples". The Great Commission commands us to make disciples as we move through the world and as we go about our daily business. How are we to make disciples? Baptizing them and teaching them everything that Jesus commanded. "Make disciples" is the mandate of the Great Commission. "As you go," "baptize," and "teach" are means by which we fulfill the mandate to "make disciples." Many understand Acts 1:8 as also part of the Great Commission, "But you will receive power when the Holy Spirit comes upon you, and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth." The Great Commission is enabled by the power of the Holy Spirit. We are to be Christ's witnesses fulfilling the Great Commission in our cities (Jerusalem) our states and countries (Judea and Samaria) and anywhere else God sends us (to the ends of the earth). The great commission it is the instruction of the resurrected Jesus Christ to his venerable apostles commissioning them to propagate his teachings to all the nations of the world. The most famous version of the Great Commission is Matthew 28: 18-20 where on a mountain in Galilee Jesus commands his followers to baptize all nations in the name of the Father, the Son, and the Holy Spirit. Even more than the Great Commission of the twelve apostles that together with that of Matthew and Mark as a lofty counterpoint are dividing twin souls among all to take the electro cathode of the god Azofar de Vernarth in the Parousia (In the second coming of Christ). Together with them, the electromagnetic Fides Pronus "Benevolent Faith" ruled by God ruling in the electro anode flow, giving ample way to the Great Universal Commission. The Apostle Saint John reinterprets it: "The Great Commission is Matthew 28:18-20, and later synoptic gospels, Luke also presents Jesus sending disciples during his ministry sending them to all nations and giving them power over demons including the Seventy disciples. The scattering of the Apostles in the traditional ending of Mark is believed to be a second-century summary based on Matthew and Luke." Everyone heard very astonished words so fluted without being able to go out and harmonize the ears of those who were there..., and there was no room for doubts or questions! Everyone thought to travel all the fields of the world in caravans of free ungulates so many times through the Holy Land, thus thinking of changing history for the flat legs of camelids, changing the dynamic quantum geography thus making them participate and go on a being from which we are divided mounted. In exile it would be fulfilled, Twelve camels came and invited them to get on and rest on their backs. Every hundred kilometers the deepest questions were answered by the camelids Saying...: Camelids say: "I carried San Juan on my ciliated membranous backs and Mateo too..., they never knew that I knew the end of the story..., that the Great Commission It would never end because all of us are witnesses and we continue wandering through the desert hoping to see the Master lighting our starry path of gifts on sacred nights to serve him again, Until the End of the Parousia...

Second Miracle  Holy sepulcher

When migrating the Wailing Wall on a Vigil Friday, the Apostle led some camels with his hands sheltered in reverberating Psalmody. The little animals appeared with him in this basilica, also hand in hand with Vernarth, Etréstles, and the others remained waiting at the threshold of the Anastasis. The ungulates were already without the blindfold on their eyes after having crossed the Door of Mercy or Golden Gate. The atmosphere was hermetic and charged as if it were pouring rain and the pilgrims were oppressed to take refuge in the heat of the candles on sacred ground. A reverberating solemn psalmody begins to permeate the unruly walls recalling the chants in this place similar to Golgotha ​​that reminded Saint John of having traveled it with the Messiah. Prince Uriel with super senses was out of tune with the Vexilla Regis, by the time the apostle had crossed the limen of this holy offertory in such a way that the harmonics were now in tune vibrating in a single nearby wave..., towards the demarcation that concentrates the line to the crypt of the Messiah.Etréstles was accompanied by Eurydice on his side, visibly overexcited, from the height of the ship a light falls on Etréstles's shoulder with an itching mass of flower of authentic flower of the Pampano Diadem of the vine leaf in Nazareth. On a Friday that dressed in Sunday gala that entered with bouquets in their palms, in volumes larger than their size, dragging them across the sacred floor of the basilica, all naked of ego and anxiety, submerged in a reigning and mournful regret of the predestined demagoguery of the faithfulness of not being channeled together with the souls of purgatory that from today refloat with the visit of the Saint, remaining in seen and not perceived multiplied more than any day without having been more close to the Messiah, although the days were only swampy darkness from the flesh of Acheron in this river of pain forking from the said Acheron unleashed in the deplored underworld, like an unhealthy marsh within a desolate landscape with downcast angels ruling in the little cloud of the splinter of thick Incense, where the ferryman Charon would take the souls of recently deceased expurgated to the repugnant quagmire. Sovereign she... Virga..., would illuminate her interior with her brain-cerebellum adonis below the Madonna before reviving him again in the submissive and servile eternal gaze clause. Etréstles succumbs in genuflection three times before confirming the tertiary one that would make him uncover his knees before the long altar, here his voice is inhibited, fading from the interior like a parchment burning from the glottis to the runaway esophagus. The three hold hands with Vernarth and the Apostle..., remaining so until they enter the tomb. They encounter flattering fuss in the stone where he was anointed before being entombed, and the Cistern where he was anointed, after which his cross was found several centuries later secondarily sheltered in various Chapels whose garden is close to the skull of the rock and the emaciated Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents.Your quarry and garden entity in The Calvary skull, as the Gospels testify, must be found on the outskirts of the city in an area dedicated to sepulchers. From a vast quarry for the extraction of Malaki stone located just outside the walls, and which was used from the 8th to the 1st century BC to build the buildings of the citizens. When the quarry was abandoned, this area was used for small orchards and cultivable gardens on its rocky walls along the hill, and a series of family tombs were made. Golgotha ​​itself, the "mount" on which the crosses were nailed, had to appear as the top of a higher rock separated from the hill, a suitable place for the newest law of demonstrative execution of capital punishment. Since Herod Agrippa in 41-42 AD extended the circuit of the wall of Jerusalem to the northwest, Golgotha ​​began to form part of the city, and from an isolated place over time, it became an integral part and center of the city, again Aiónius seconded this assertion before protecting the Vernarth words.   Etréstles with his Hellenic heart of Messolonghi approaches his leisurely aura below the garden, here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, ends and gets up without being able to turn around to see him again in this garden of stones abandoned, he retires, leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. Midbar Yehuda..., north of Jerusalem to Tiqwa, where he stays for two days before returning to Jerusalem. Being here in the middle of the desert he realizes that he had lost from one of her saddlebags a sacred image that had accompanied him since time immemorial, it had been given to him by his wife Drestnia in Koumeterium Messolonghi after her awakening. He searches for her for two days following the same path that he took from the basilica, not being able to find her, until he addresses the archangel Uriel, answering him himself. Uriel exclaims: ...On your back the offertory, a few steps in front of you the Apostle, beyond the crowd looking at you. The souls in purgatory will ask you for help, they will do it for you. You will have to give them their demands in freedom from their purges. The Messiah in miserere from the roof will come down to love on the esplanade..., on your conscience with rays and lightning he will caress your face with his host, and those who do not enter his consecration will take them to pick them up from his own hands in your lost image escorted by despondent angels whimpering and embracing you...! Etréstles, goes terrified from his Anastasis and enters the palm of the last acid words of martyrdom in prosody of the cross hammering and unrolling before his eyes in a long trail of a woven shroud, presenting him with the recolored image to be rescued by his soul from throbbing thunder with numb hands and bolt of bushy and inappropriate displays of disbelief. It would be a great miracle not to lose light in the superior lights that bring the Sun closer to your hands. In this way, a holy miracle would be fulfilled, like the ramp of the silence of the celestial karmic boomerang.

Silence  Painful way

Describes Vernarth in parapsychological regression: Silence crashed over them in such a way that it massacred them from "oblivion - oblivion" from the Limassol to Jaffa stretch. Everyone believed that they had traveled on the Eurydice, but not so. A ship that came from the Lepanto shipyard supplanted them to protect the Gold medallion anchored in the roadstead protected by the Christian Gladiators of Kourion in Lod. Everyone was calmer when they made sure that a great layer of silence overwhelmed them, forgetting as a foretaste of continuing along the Via Dolorosa. The dawn tied him to the Silent Awakening near Jerusalem on a gray and silent day. Vernarth gets up, first of all, and prepares them unleavened breakfast, honey, and goat's milk.About 3700 million years ago the first living beings appeared on Earth, they were small unicellular microorganisms not very different from current bacteria. Such cells are classified among prokaryotes because they lack a nucleus (karyon in Greek), a specialized compartment where the genetic machinery is stored. The prokaryotes achieved complete success in their development and multiplication, thanks to their remarkable capacity for evolution and adaptation, giving rise to a wide diversity of species and invading as many habitats as the planet could offer them. The biosphere would be full of prokaryotes if there had not been the extraordinary advance from which a cell belonging to a very different type arose: eukaryote, that is; It has a genuine core. In this evolutionary cellular space, they were invaded by a Vertical Silence that would have to spread throughout the troposphere and the consequences of this event marked the beginning of a new numeral linear lapse, until the consequences of this event marked the beginning of a new era. Nowadays, multicellular organisms are made up of eukaryotic cells, which are much more complex than prokaryotes. If eukaryotic cells had not appeared, the extraordinary variety, so rich in ranges, of animal and plant life on our planet would not exist now; nor would man have made an appearance to enjoy such diversity and extract its secrets. Bi similar eukaryotic cellsringed in metamorphic geological strata, pressing the atmosphere, the air and the earth, compressing the geological layers and gaseous atmospheres thatthey did not exist as a consequence of these intense pressure changes by order of the Higher Universal consciousness with overflowing temperatures and multi-chemical environments; dispersing the changes that are associated with the forces that fold on the shore of what is current Greece. Said layer faults scattered eukaryotic cells enveloped in "Silent Libertarian Material", injecting magma creating creative prominences on the attached rocks, becoming exhausted, perhaps only to be a cellular polytheism perhaps derived from multicellular cellular evolution..., turning into a sexed fusion of a great regeneration of Lithophagas species in the region..., perhaps in Colophon where Homer was infected. Well, this presumption would have to create a syncretic elaboration with that of Aristotle and Plato as eukaryotic cells, to start from this Lithophaga flower, which is rooted beneath its roots in this bivalve mollusk unleashing proto seeds of prehistoric poetic inspiration, in super souls synchronously starting each one in this mollusk plant that is thus regreened and personified, originating epic poetics in what prehistoric and the human phenotype. This hypersensitive cellular mega-complex is possible with the respect that I deserve to cite it, the innate and spontaneous hyper ethnobotany and hyper sapiens mollusks that were conceived for millions of years delegating their sublime hypostases in creation. I quote here The word Poetry from the Greek ( Poiein: "Do or Create"). From this vertical revolution, the Silence of the Via Dolorosa intrinsic to the same ontological, geological, Theological, and evolutionary concepts will emanate. Scientific and Poetic-Sacred, linked to the creation from "Nothing" to an "Everything". Everything is revealed before our backs, everything is offered before our eyes, everything comes from the soft creative wrath of lightning, everything is consecrated to silence..., but nothingness moves what the whole forgot centrifuged by phenomena of atomicity of greater forces of the Silence of the Messiah, praying in constant practice the generation in front of our theoretical faces in front of our Everything and the Nothingness of an empty supply. "Silence Waits for Time... to see,... I commend my Being to time" founds the greatest silence ever felt only heard more than an ultrasound of waves that articulate one over another in algorithmic chanting that emanate from "Mariah's Silence to her son" also to Homer, Aristotle, and Plato attached to the Lithophaga releasing Eukaryotes. When Aristotle and Plato uprooted the Lithophaga as axiomatic leaders, they revealed the Silence of Creation and poetic anathemas, alluding to their true ancestors who slipped down their bandullos like an elongated moraine sweeping their navel Samskaras such traces of their own personalities leading wisdom with an origin common prehistoric cell.

Ita *** Dolore: Saint John the Apostle stood up in silence with profuse deafness even in spirit..., all the others were equally traumatized from feeling the stones engraved with fear and pain "Ita *** Dolore". They didn't see in colors everything was gray and shades of white, black between cells..., like being inside the suffering cell lost of all consciousness. Everyone confuses about their clothes, their outfits, nobody knew who each one was, only Vernarth and San Juan knew. Raeder and Petrobus, Alikanto, and Eurídice only wandered sleepwalking along the rocky road in the cobbled streets flanked by works erected from sobbing Malaki material, from stones very similar to those that Jesus would have seen following this pristine route. The Stations of the Cross were marked by plaques, vaulted chapels, and signs along the way of lacerating and flagellant stops of more than forty degrees of burning in each feverish step and enclosed vaulting.

Ellipse Messiahas a child: "Mother...; when I went up the stairs..., I stopped at the fourteenth step..., in perfect mathematics opening the sky..., like a sacrosanct aromatic book; Well, I thought you would believe me dressed there! Mother when I went down the fourteen steps and put my last foot before you..., I could see how I sang in the thirty-three on a rainy Friday afternoon, clinging to you..., accompanying me along the stairs that you did not know..."

1st Station of the Cross in Silence

Ita *** Dolore, Jesus was tried and sentenced to death in the Praetorium of Pontius Pilate, he will bring silence in each interval that did not oppose resistance from the flagellant whips."Mother...; when I went up the stairs..."The apostle closes his eyes, Vernarth takes him in his arms.

2nd Station of the Cross

The second station marks where Jesus took up his cross and recalls his doom. Romans beat Jesus and the Chapel of Judgment which commemorates the site where Jesus was sentenced. Here he feels like a child... "Mother...; when I went down the stairs...?"


3rd Station of the Cross

The third station is where Jesus first fell under the weight of his cross. This station is not far from the Ecce **** (Behold the Man), Saint John remembers the Last Supper in anticipation, sitting next to him... he got up from dinner, took off his mantle, and took a towel, he girded himself.... "Mother...; when I went up the stairs..."

4th Station of the Cross

The fourth station marks where Mary saw her son pass by. The 19th-century Armenian Church of Our Lady marks this station. Deaf Vernarth manages to hear voices from heaven saying: "Mother...; when I came down from the ladder...?"

5th Station of the Cross

At the fifth station, the Roman soldiers instructed Simon of Cyrene to help Jesus carry his cross (Luke 23). ..., "Mother I stopped at the fifth step and I never hesitated to wash your feet"

6th Station of the Cross

The sixth station marks where Veronica wiped Jesus' face with her veil. It is believed that the image of the face of Jesus was imprinted on the cloth."Mother...; when I went down the stairs you covered my sweaty face..."

7th Station of the Cross

At the seventh station, Jesus faltered under the weight of the cross for the second time. "Mother...; when I climbed the ladder..., I saw the lost mountain..."

8th Station of the Cross

The eighth station is where the "daughters of Jerusalem weep for Jesus" (Luke 23, 27). Jesus stopped here to comfort the women, telling them not to weep for him, but for themselves and their children.."Mother...; when I went down the stairs you were not there, you were coming for me..."

9th Station of the Cross

At the ninth station, Jesus faltered a third time before his final ascent to Golgotha. "Mother...; When I went up the stairs to find you, you were in front of me..."

9th-14th Stations of the Cross

The Stone of Anointing is believed to have been where Jesus was placed after being taken from the cross. Here he would have been prepared for burial. The Bible tells us that Jesus' body was wrapped in linen and anointed with oils and spices in accordance with Jewish funeral rites. "Mother...; when I went down the stairs you covered me from the cold and wrapped me with your passion..."


The 14th Station of the Cross – The Tomb of Christ

Here Saint John the Apostle and Vernarth were still deaf, but with slight symptoms of recovery of their hearing. They saw in front of them how deaf angels came to uncover their auditory channels, being of their intuition proclaiming courage to accompany them with their teacher to the aedicule towards the crypt itself granted by José de Arimathea. The Chapel of the Angel contains a small piece of the rock that closed the burial cave of Christ, the chapel that leads to the tomb itself. It was here that Jesus was buried and rose three days after his death. "This small rectangular structure of the Edicule marks the end of the Via Dolorosa and the Deafness of everyone and the Whole World"

Saint Ioannis Song of the Messiah, Vernarth describes by the voice of Saint John the Apostle: "Since the beginning of Samaria I had my father Zebedeo in my manifestations..., my mother Salomé and brother apostle Santiago together with me in my declared voice. My father as a fisherman if he saw us grow and left us in the boat after the Messiah called us believing he would not see us grow anymore! My father lived in Bethsaida and developed his commercial activity on the Sea of ​​Galilee or Tiberias, together with us between Capernaum and Bethsaida I walked escorted by the voices of the silence of freedom; Said peace prostrated me to monuments that oscillate on the invisible wings of the legions asking me to join their hand in hand for hours..., and in great circles, since I got on the boat flooded with Faith with the Master. This is what I call seeing the homonymous village located on the western shore of this sea become its monument of silence and the heritage of the House of Fishing in Bethsaida. I always knew that my father had a parental agreement with the Master, being my uncle since my mother Salomé has been identified as the sister of our Mariah.From Capernaum, since I walked and grew up among nets, boats and from where six others accompanied me as my brothers and fellow apostles. Thus, natives, we give our seals and predilections to the Lord for navigating us in the divine water of the Jordan, here I was a fisherman and brother of the fish that also spoke for me..., for the proverbs that identify my closeness with the family lineage of Capernaum. Jesus from the depths of his being with his throat upwards called Santiago and me "sons of thunder" for our impetuous character that was revealed in some events reported in others. The two of us together with San Pedro..., constituted the most intimate core of the master. I was favored by those who reserved my presence with the ****** Mariah where she was trembling in her clothes at the foot of the cross when our Father Master Messiah died, drawing us closer to all of us from that day further than we thought could protest. In this epithet now is where I point to the one who invited me to his boat in Skalá, Patmos; "Vernarth", also a son of the Lord, invited me to return to my original land. Always from Patmos He kept sending me, I received messages at the crossroads of the winds and through anagrams on the tail of the fish..., in their mouths in Aramaic, so that they could be brought from where my roots fill your abundant fish farming..., a common rhizome that in his parables they hear him, that from his brambles the crickets boil in his golden presence, golden passion, and golden agony even me looking at him with my eternal eyes with my painful eyes of apocalypse crying..., even seeing how I went with him to Golgotha ​​in his arms, imitating him in his courage more than in himself and in all those who did not see him leave." "Far away in my exile sentenced by Domitian, I wrote the Gospel and their epistles in Ephesus and the Apocalypse on Patmos, in the Aegean. Both in our Gospel and in the prophetic visions of the Apocalypse, I was invaded by the high-altitude doctrinal and symbolic language of the passages next to the Master. I was the eagle evangelizing, flying in terror to Patmos, and I know that your eagle will take me to Ephesus to sleep in the gospel of the Lord eternally." "I was never a child, I was always who I am if I was a child..., only my parents managed to see it because I was already sitting as if I were in the same Transfiguration, Pentecost, with the daughter of Jairus, in Lake Tiberias and in his miraculous departure in Gethsemane." "I was always who I am..., I never felt that my bones grew in proportion to the distances that would allow me to walk faster than an Eagle, but not so in my parents who did not see my leafy feet of plumage, Next Reign of Jesus of Nazareth in a kind of apology I will be for him again as a child recognizing him even as present and future Father" here he was housed in these Othóns or quantum Azofar screens, guaranteeing him to be federated to his inheritance for the centuries to come. Christian Itheoi genus. Vernarth looks at him and hugs him for a long time, everyone else does the same. They leave Capernaum to start their way through innumerable routes to Nazareth, trying to find a new path but a Golden Eagle or Gerakis appeared to them telling them where to go next...it would probably be where the Master went through the dedications on an INRI wood...where thousands of eagles would pose his claws containing his bleeding..., more than a "Meta-language reigning in all Believers of attachment sustained in his shroud" as I did, perhaps singing in conspicuous languages ​​that would meet him more than an expert, more than a language close to the zeal that covered us, dismantling itself from the friendly path that sustained us, shortening its objective. Our mission is to meet the ancestors of Maryah and her Sigil, which floods with essences towards her son,



Paraps XXV

Messiah of Judah II part

Miracle III - Nazareth

Parapsychological regression, Vernarth describes by the voice of the Apostle Saint John: "They all came from Capernaum with the embedded shutters of INRI in their hands, Alikantus in their hooves and Petrobus in their webbed golden fingers. Everyone walked unevenly perhaps because from the Higher Consciousness the Abba had leaned towards the south center towards the west tilting the earth twelve degrees which made him change course to Nazareth. The miraculous thing was to see how the animals Petrobus and Alikanto felt them and saw euphonies coming out of their mouths in octaves multiplied by eight; that is to say, sixty-four inverted notes, averaging the notes that arrived the other way around from being heard in their retro melody, perhaps diverting them to a hillside in Canaan. After such a miraculous phenomenon, the golden eagles perched on the heads of the twelve ungulates, diverting them to Nazareth and guiding them to an ancient stone where the inscriptions in Hebrew-Aramaic "Stem-Branch" can be seen. They were sweating on their Gigas camels like Nazarene princes reigning in consolation by forking like the ground even beyond the two-dimensional concept of Nazareth, either a stem proclaiming the ominous prophetic of the Messiah or proclaiming the Renewal in sacred circulation to have a 360 ° perspective, for the ancient worldview being housed as a perfect clone on the geography of Nazareth in 14.14 square km, based on the southern mountains of Lower Galilee, 10 km north of Mount Tabor and 23 km west of the Sea of ​​Galilee. Miracles must be outlined between the extreme points of each cross..., the stature of the image between foot and head, the cosmogony of the link between Nazareth, Capernaum, and vice versa, mysteries of the silence of those who only see in light and dark of Marian repentance, would be now in front of everyone with the Credulity Gene. The Giga Camels carried them tenaciously with their wise feet from Capernaum. Here is the Miracle; They were at the fourteenth station in Jerusalem, which St. Ioannis later explained in his childhood memoirs with his family in Bethsaida. It was then from here that in some bend of its inspiration that the valleys would turn towards another geological family to present it at the table with renewed olive oils together with its parents. Where they would leave directly guided by the royal eagles towards the stone of Nazareth. Describes Vernarth in the voice of Saint John: "The Archangel Uriel dictates him; those who preach alone in the streets or corners preach the rejection of those who do not count how many times they were approved or challenged, and at least the times that more than any extreme had to be heard beyond the most distant hiding places in which they did not they will be able to know to be recognized" Saint John continues: "On this tacit diameter in the narrow part of the bergamot that is towards the south and opens through a narrow and sinuous throat towards the plain of Esdraelón. It would be pointed out here as "the top of the mountain" from where they wanted to throw Jesus off the cliff. But the traditional place does not have a true ravine, as a story would seem to require. Further only to a spring in the town is the so-called Fountain of the ****** where Mariah obtained the consecrated water for her family from there. "In this super diameter, Etréstles wanted to find the childhood periods of the Messiah and thus be able to see him advance in his growth, but he knew that perhaps the hidden mystery of the stem that only grows in the discord of Nazareth, invaded by foreign civilizations, could not be verified. that did not allow them to stretch boundaries beyond the entire concordant Universe. In Patmos I always had the precognition that above..., above the doors of the unknown..., there must be anti-material physiognomies that will move offspring that in twin lands would be housed in Judah. As we approached the perimeter of the city we dared to cross, whose text contains the decree issued by another Roman emperor not mentioned, which prohibits under pain of death the robbery of tombs including those of relatives or changing a body from one tomb to another. The date of registration is discussed. Someplace it at the beginning of the empire period; others in s. II AD It is highly unlikely that they have any direct relation to the ignoble accusation leveled at us disciples that we had stolen our Master's body. I keep digressing without the accuracy of what I say, it's been tens of years without being here, I only know that I am attracted by the rhythm of the music of religious worshipers from Nazareth. just as I heard when they were at the height of a rosy vine near Mariah's house in Nazareth..., here Uriel describes Nicodemus: Uriel says: (Meditation of Saint John the Apostle) "Nicodemus talks about the meaning of being born again and mentions the Kingdom of the Heavens, very rare in the Johannine texts, Jesus was surprised in short to see that a teacher in Israel did not understand the discourse on rebirth in the spirit. Later, in the council of chief priests and Pharisees, Nicodemus defends Jesus, explaining to his companions that they must listen and investigate before making a final judgment. The question they ask him may imply that Nicodemus was a Galilean or it could be an irony of his companions." I'm still on my own from today rambling without accuracy in what I say..., it's been tens of years without being here, I only know that the rhythm of the music of the religious cults of Nazareth will attract me. These images will make me observe Vernarth notice in me and in all these advanced episodes, this is transmitted by Saint John the Apostle. Eurydice took note and dared to dance in the warm senses that throbbed under her feet, signaling to renew herself in an Offshoot of the seed that grows hidden in the shortness of every Nazarene born here.Expressions of freedom and glory appear throughout the village the world dances in the part of the ministerial bends attached to the Holy Spirit. Flowing dance ministered by Levites and worshipers of the Lord God Almighty God or Yahweh in a spontaneous way, salvific and with healing interweaving the existential and vernacular ribs of the chosen people worshiping the Prophet. All danced together and anointed, enjoying the ceremony. Vernarth thought his magical ears thundered with Levitical echoes as he was under the supra-starry sky of the Christian world that repeated itself, returning with a new one appearing at each interval of the festivities, everyone did them as they came and went with the pillars of their Faith rolling, and they covered with the mantle of the night flooded with ceremonial Vines and ministerial Bread like a great vault in a great ominous mansion. Here where the Messiah from heaven will trepan his senses, Feeling emotion and art, all braiding like alpha beginners until finishing the stupid omega dance. We will fulfill a company of prophets descending from above preceded by lutes, drums, flutes, and harps. Thus the sons and daughters will be celebrating with Cherubim in unmistakable steps praising Him.This Hebrew-Biblio dance will end in adoration on a warm night that continues to reach the imperceptible senses where everyone celebrates and intertwines with trans content affection with everyone celebrating in the ceremony. Then they went to the tents near the Messiah's house to sleep concelebrating in tiny circles. Everyone was very excited..., not being able to fall asleep believing not believing that perhaps they would never again live something like this in a city forever whether to live it or not..., eating and drinking the same Nazarene Bread and Wine. All this was closely witnessed by the god Nothofagus in the middle of some brambles, it has adhered to the fungi that persisted in the brilliant brilliance to personify them in the Genus Itheoi. Hanukkah was coming to Vernarth, it was the Liberation of Judah as another purpose of Vernarth's physical and parapsychological regression in the arms of Hanukkah, purging his spiritual body to leave his Piece of Muscle rubbed on the helpless ground, perhaps carrying his non-biodegradable shell matter in his Leonatus; as a new prince replacing Alexander the Great in the true Hellenic polis adopted and claimed on the soil of Judah. On the walls of air in Gaugamela, I sliced ​​with my Xiphos and Kopis leaving them now dry and sheathed..., to serve Saint John the Apostle and our Lord in the work of the Messiah. For this, we have been revived as inclemency in this festivity of the former Hetairoi strategist of the hosts of the Great Alexander the Great. For this task when they left Nazareth, When it arrives under the finger of Nablus, it is intercepted by these voracious sacred lights coming from the Abrahamic eras, perhaps from Lot in his cave to immunize his offspring. Also known as the "Festival of Lights or Luminaries". This Jewish festival of lights commemorates the rededication of the Second Temple in Jerusalem and the Maccabean rebellion against the Seleucid Empire. Celebrated for eight days, the Hanukkah festival dates back to the time of Hellenic hegemony in Israel, beginning with the conquests of Alexander the Great in 332 BC. C., who at his passing freed the Jewish people from the oppression of Persia, leaving Israel as an independent kingdom-state. After his death, the vast empire remained in the hands of his generals, who entered into war conflicts with each other, for which centuries later the Seleucid Greeks tried to gain control of the region, as can be read in the books of I and II Maccabees, where this festivity commemorates the defeat of the Hellenes and the recovery of Jewish independence at the hands of the Maccabees over the Greeks of the Seleucus dynasty, and the subsequent purification of the Second Temple of Jerusalem from pagan icons, in the 2nd century BC. C. Vernarth, was here as a commander when he freed them from the boot of the Persians, remembering the epic of him when he was a servant of the oppressed legions. He thus freed them forming part of this history which has threads of messianic history and culture cracking gaps for evangelization, that looms under the robes of El Nazareno like a child's story..., to be told to adults with nine Hanukkah candles. Jewish tradition speaks of a miracle in which the temple candlestick could be lit for eight consecutive days with a meager amount of oil that was only enough for one. This gave rise to the main custom of the festivity, which is to progressively light a nine-armed candlestick called Hanuquiá, one for each of the days plus a pilot arm. Vernarth describes: "Our Entry into the soil of Judah..., as luminaries we were received, our messianic introduction will change history in its objectivism freeing the Hebrews from the Persian empire. Inopportune were the new masses of the departure of Alexander the Great who, after freeing them, his minions wanted to appropriate a free inheritance that only belongs to Yahweh. Seleucus, being an officer appointed by Alexander the Great, was appointed chief of the Hypaspists (elite soldiers and spearmen) on a date close to 330 BC. C., for this reason, I looked many times at your countenances, seeing in them the voracity and anti-national vocation to exorbitant the limits of unwary power. This is why in the death of our great general..., Seleucus tried to dominate Judah, skillfully raising the exhumation of the general pointing to a drastic change by pointing his finger at the transgressor! Being justly consummated and deported by the Maccabees. Festival of Lights Celebration of Dedication and Celebration of the Maccabees. Children receive gifts, especially in areas where Jewish and Christian children are in close contact. Hanukkah commemorates the victory of the Maccabees over the Syrians as well as the re-dedication of the Second Temple in Jerusalem around 165 BC. The re-dedication was necessary because the Seleucid king of Syria, Antiochus IV Epiphanes had desecrated the temple by installing an altar to Zeus on the site. When the Maccabees began to prepare the temple for rededication they found that they only had enough oil to light it for one night. In the end, the oil lasted eight days until the new delivery of the new consecrated resource, the candles are lit every night of Hanukkah to commemorate the miracle. During the first night, a candle is lit in a special candlestick called a menorah or hanukkiah. Here Reaeder with Petrobus joined this beautiful festivity, paying special attention to the Dreidel pirinola, which seemed very didactic among the game that captured their full attention. Eurydice and Etrestles holding a candlestick in each hand would begin the second night by adding a candle until eight candles were reached on the last night. The candles are lit by a separate candle called a shamash here was Alikanto and Vernarth with Saint John the Apostle lighting it first and then using it to light the other candles. The candles are installed in the menorah from right to left but are lit from left to right. A symbol of Hanukkah is the dreidel, a pirinola with which a game is played. Before the Maccabean Revolt, it was illegal for people to read the Torah under Antiochus IV Epiphanes, when the soldiers arrived the Jews pretended to play a game of chance involving a pirinola. They satiated traditional Hanukkah foods such as latkes or potato pancakes fried in oil as another way to incorporate the memory of the Maccabees free from all invaders, predicting more light than their own Sun.This is how they would culminate this festivity among themselves, in Nablus before reaching Bethlehem south through the desert with their twelve Giga camels..., the luminaries would take them camping through the Nablus desert south to Bethlehem.

Bethlehem ******, Hemophilic Camel so Vernarth describes: "They were falling down a ***** typified as a rebellion of angels. In such a disorder, they have seen a new language and numeral concept. Given before the componential of Steeds, Pelicans, Masked Nymph, Leader of Messolonghi Cemeteries, Vernarth Commander Hetairoi and Saint John the Apostle, wading through the desert of Nablus on mission ****** and the Giant Camels, the twelfth and last of them afflicted with the morbid sin. ****** or ******; is the name of the biblical character described as the son of ***, son of Cam who was the son of Noah. Although the Bible does not mention him directly since ancient times, tradition has considered ****** as the builder of the Tower of Babel. Since the tower was built on his territory and during his reign, it is assumed that it was under his direction that the construction began. But there are also other non-biblical sources, which indicate the opposite, alleging that ****** was not in the region of Shinar when the construction began. His name became proverbial as a "mighty hunter in opposition to YHWH (Jehovah)" His kingdom comprised Babel (Babylon), Erech (Uruk), Accad (Akkad), and Calneh in the land of Shinar also known as the land of ******" Vernarth replied: "They came and went, dragging their ancient Palestinian and Hebrew feet..., helped by ****** to understand and adore each other "When they were on the road from Nablus on the carpets of Kfar Tapuach, a hemophilic effusion occurred in one of their Giant Camels that accompanied them so separated from the remaining eleven, remaining in the hands of Saint John the Apostle. "From that moment on seeing how the camel was bleeding, the apostle falls into a trance remembering the annunciation that will have to take place in the whirlpool of biblical time when they arrive at Bethlehem." The Angel Gabriel will reincorporate right here when he said to Mary: "Do not be afraid, Mariah, because you have found grace before God; you will conceive in the womb and give birth to a son, whom you will name Jesus." Then the Camel turned around and said...:"I will be there..., seeing his short feet and his long crying confusing them at night in those who are jealous of him for his smiles of an infant of seven..." The camel in telepathy transmits to Saint John: "All of us have a long road ahead of us, the road of life that we have to follow day after day. Today it flows strongly in me, unable to stop my torrent like my previous parents who were never able to cross Palestinian land. I represent the line of Gigas Camels guides since the angel Gabriel spoke to Mary; For this reason and because I am an energetic guide on the path of life leading the chosen ones of the Messiah. With challenges of long distances and terrain with adverse spiritual conditions, that is why I have inherited the ancient blood that has traveled over my Palestine and Hebrew. Biblical time... It has determined in me that so much blood has been shed since the Messiah left for the House of our God, that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." Saint John the Apostle replies: Few words and numbers are rolled from Nablus, they will be decoded by ******..., collecting the months so that we can see an increase in the proteins responsible for blood coagulation and in the reconciliation of the Palestinian-Hebrew world. This treatment will actually heal his hemophilia with both fatherlands in me, not only by treating him and reducing the bleeding but to pay for the sins of these salty nations already prophesied for our salvation that the Messiah judged.Saint John, taking the leg of the Giga Camel, caresses him..., he makes a gesture not to feel pain, but as an anti-death, he begins to heal his wound, covering himself with flowers of the Hebrew spring. A candid and volatile mass of Rose of Saron petals settled on the camel's leg. While Vernarth tried and helped him cut off a certain portion of his leg. But a miraculous fusion flower occurs that is mixed in its leg and from the same stem of the flower, regenerating the gangrenous part of the Giga camel..., in a great time of the Temple growing in God forgiving the Palestinian and Christian sins, juxtaposed to their illnesses almost being guests of a crippled scientific metaphor..., but much more Christian Salvific. The camel recovers and they put out the fires, they continue through the desert on the carousel of the camel's parents' lullaby, singing tenderly to their son camel, that they would never leave him alone and that his words were restored and decoded by ******'s command to his ears. Not far from Him, with words and strange Palestinian neologies and numbers of the Menorah lit up to the right. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah.

*** bei Hinnom  Crypto-Crucified

Following the route of Arimathea and then Emmaus with our tired feet we entered the region of the southwest towards Jerusalem, to *** Bei Hinnom specifically. Obviously, we were going to Bethlehem, but the Apostle decided to spend the night here.Vernarth speaks through the voice of the Apostle: "The open southwest gate of Jerusalem points into the valley, which came to be known as the valley of the son of Hinnom. Here the Israelite residents used to perform rites that worshiped Moloch presaging destruction. In those ancient times the Canaanites sacrificed children to the god Moloch by setting them on fire and burning them alive...; a practice that was outlawed by King Josiah when the practice disappeared, it became a city dump where garbage was incinerated, and also the carcasses of animals or those of some criminals. The dump and the fire make the metaphor to indicate that "Garbage" (disobedient) are those that burn day and night. Later, after this narration..., the Apostle took them to Mount Zion, where the coffin of King David is.

Parapsychological insert Vernarth Pandemic MMXX, comments...: (Here the god Vélus has Zefian's arrows to wear the Magaf or boot that would unleash this Antonine plague in Italy, until the resource of the MMXX in the modern world, as it was in 165 AD C.: Magaf in Hebrew means "Boot" since the quarantine began in March..., it continues to occur in Israel in a nation with a vast history of pandemics, it is that since immemorial biblical times it has always been hit by plagues, it has been a maximum in comparing it with the reality of the world that does not mutate in its virulent evolution. It has a Bota root, which could be related to social passages of the Bible in the context of Quarantine, which in Hebrew means isolation "בידוד", which has a similar root to Magaf, giving the genesis to which this apology coincidentally raised the virological expansion in Italy, suggesting its geography in the form of a "Boot" such as Italy. From where the itch of this Pandemic began to the secular world in great mortality statistics reissued in the current world. The Valley of Death exemplifies water opening, and Arab and Israelite slopes. Polytheism instituted among the archaic social networks degenerating the infallible root to which each one belongs in its independentist root of aggressive trait and autonomous to survive on themselves. Moloch or Melech, as they are called by the Jews today, is a conductive agent of overcrowding of the archaeo-cultural, practicing trades of high violent Intercultural Religious confrontation. Two intuitive cultures two nations, with different gods and languages, both walked through burning Gehenna as ancient culture in their inseparable history that tied them by invading hands in the past-present. Avodah Zarah in Hebrew: "foreign cult" is the name of a Talmudic treatise of the Nezikin order of the Mishnah and Talmud. Nezikin is the fourth-order of the Mishnah and the Talmud, Nezikin is an order dealing with the laws relating to harm. The main subject of the Avodah Zarah treaty is the laws regarding the Jews living among the Gentiles the goyim, in the treaty are included the regulations on the interaction between the Jews and the "idolaters" which represented the majority of the population not Jew or Gentile during the writing of the Babylonian Talmud. The Apostle says:"On Mount Zion I was with the master in "The Last Supper". Very close to *** Bei Hinnom, what predicts Life and Death beyond our beliefs but if it is death..., it is the angel in his consort who is accompanied by others, freeing us from the sin that we hide, crushing us in the overloaded Karma" Replies Vernarth: "beyond our paths to build..., today we are submerged in a techno-idolatry, subjugated to the trans-nationality of global networks that deliberate and trans-compete under our tutelage, with no other options than to live together avoiding slavery itself before Moloch, sacrificing our children to the altar of the aforementioned "Technotheism", giving them intelligence beyond all the valleys that force us to depend on an overwhelming social and technological electromagnetic dependency. Falling noisily backward onto a ritual hillside to plausibly be handed over to us as "Human Technological Trash." Depositing in us millions and trillions of neutrinos and radiations through universal space like that of any Mythological god, lying abandoned in time without end..., beyond Life and Fabulous Death. Or perhaps our Last Supper..., it will be very present in our daily lives in this incipient technological techno-theism, worshiping the God who will imprison us in his algorithms as a whole man, or perhaps one day be traded in Crypto-Currencies by a broker on Wall Street, to be handed over and betrayed by this Broker-Judas to our crypto-crucified collapse, paying for the sins of others burned in Gehenna, on burning garbage that we ourselves have deposited and No! emits Amblyseius: They were on the Hebrew ***** of *** Bei Hinnom preparing to sleep. Bright wells could be seen around him, once everyone tired joined their experiences around the campfire, the Apostle went with Vernarth to pray on the northeast *****. Walking in silence and with burning fear they were circulating with austere care not to fall into these imaginary wells in the fangs of the gates of hell and its crater tempting them to get lost among it..., before reaching Bethlehem Says Vernarth: "They estimated a well of seventy meters in diameter and equal in depth with high temperatures that emanated from there in a sulfur mixture..., the apostle prospected and witnessed how the earth swallowed some natural elements that were there. The most surprising thing was the gases that flowed through real Gerakis that were abducted into permeable, heavy,  and bluish monoatomic that emerged from the underground cave of some Canaanite god.Thousands of years of expectorating and having the bronze crackle of swords of justice in the "biblical blue" of a possible Hebrew tekhelet, neither I nor anyone else could recreate or imagine what it could be in itself. Random face from the time of the Second Temple, which towered over Jerusalem until it was destroyed by the Romans where a blue dye of the same name would be used to color the fabric used in the clothing of the priests..., admonishing them on its perimeter."A Jewish man who was still commanded to wear a 'tekhelet' thread in the knotted fringes of their prayer shawls, although it might seem that was left unclear for years.The source of the Tekhelet is not specified well in the. According to himTekhelet's dye is produced from a sea creature known as the Ḥillazon; which is the exclusive source of the colorant. There are three opinions in rabbinic literature as to how many are to be blue: 2 cords; 1 rope; 1 half string These strands are then threaded and hang down like tassels that appear to be eight. The four filaments are passed through a hole 25 to 50 mm away from the corners of the four corner fabric. A comparative deception has been made of trying to touch it because they looked harmless and silky when touched.Fearing that the crater would cause the appearance of apocryphal mites dressed as a priest with Tekhelet that was sustained in its physiognomy, with the escape of various dangerous natural gases determined to self-incinerate. They estimated that they would be extinguished in a few minutes, however, it has been burning for centuries and parading before curious maravedís; As precognition to the business of the Inquisition charging money to Jewish converts in exchange for rehabilitating them.Since then it has burned non-stop and provided an impressive melodrama in keeping with the creaking of the valley walls that were outside and close to the southern wall of ancient Jerusalem, also stretching from the Valley of Hinnom to the Kidron Valley. Saint John the Apostle speaks: "I will mention a Valley like that of Cedrón..., a place that our Messiah traveled as the Gospel refers to He passed with us to the other side of the Cedrón torrent where there was a garden into which he and his disciples entered. The ravine of the Cedrón valley begins northwest of Jerusalem resting on a slight depression of about twenty meters that reaches a depth of one hundred meters. The wells like a quantum leap, he rushed us into both depressions, witnessing pre-cognitive Christology..., "The henchmen took him along the Kidron Valley to the gate near the pool of Siloam; and then they scaled the steep path that led to the common palace of Annas and Caiaphas, on the height that is now called Hill Zion." We feel divine and mystical assistance that were intertwined from *** Bei Hinnom to the Kidron Valley in each depression that flowed the extradition of the Messiah, whose previous referendum would splinter his hands staked on his resonated feet and his intra rib. On the way between Gethsemane and the palace of Annas and Caiaphas, I felt an aggressive impulse pass over the bridge over the Cedrón torrent, throwing our Messiah to the bottom of the torrent where the imprints of his feet, knees, and hands were left on a very hard stone. and head" From both sites the depressions twinned the facts of geological upheavals that would cause the implosion generating noises and silences of greater size when ignoring it, by the time it began to decrease in frequency and volume heightening that would fracture with the decibel in the middle ear with total disorientation. In the Well of *** Bei Hinnom, Mites would begin to ascend Amblyseiuss wirskiique; that they are a species present in regions of Israel for that bad effect. This predatory mite was found in large colonies suspended in numerous grasslands, among them they were hidden and neighbors to the horticultural crops of Los Olivos. These crop larvae are assiduous to migrant citrus trees that spawned Cypriot whitefly larvae that came to mourn the mourning of infants under seven who were incinerated. Predating young larvae of other species by means of severed white mosquitoes. They began to radiate horror at the cries of the burning children of the time with the martyrdom that pierced the bark of the bushes entangled by this unusual phenomenon between the valleys. This colony of mites frightened the apostle and Vernarth by making them believe that fever of degenerative abundance was symptomatic in them in the flagellated human species, with whips in their tentacles degrading in tiny status between food chains, for more predation towards them and their companions that they were in the camp resting next to the warmth in the atmosphere of the unknown. Vernarth ran swiftly to open some gates that contained the doomed river, levered some stones to increase the mechanical noise on the growing colony of mites in such a way as to lessen the dominant action on the arboreal and horticultural species,

Hex Birthright

The composition of this Hexagonal primogeniture is changing by itself visiting you in this hexagonal course that is now oblong by the rays of the determined morning, inviting you to take the dry cove to Bethlehem in the company of The Apostle, Vernarth, Etréstles, Raeder and Petrobus, Eurydice and Alikantus. They get on the Giant Camels and meditate on them, it was not yet dawn, there were six camels for this hexagonal brotherhood, and the remaining six were for supplies and clothing for their retinues. They all stand in an oblique line looking towards the Valley of Hinnom and Cedrón..., waiting four minutes before the Sun appears. In each one, a legaña of balsamic acetol would begin to skim off with the generous Sun reigning on their Davidian faces. At that very moment, the King appears to them from the front, strolling through the long Davidian caravan..., in their very faces, thus stopping in their march and seeing their imploring and bronze hair like an alliance of lights on a cold morning. Davidian Presence: "There are four minutes left for us to appear in the morning twilight, it has been four hundred years since I ruled Davidian as the second of Israel, I was born in Bethlehem where I will go with you until I reach this pure oasis of the House of Bread. center of the Old Testament, I was the Eighth and last son of Jesse or Jesse, a member of one of the main families of the tribe of Judah, the prophet Samuel secretly anointed me sovereign of the Hebrews when I was just a boy taking care of his father's flocks in Belen. I have created a united and powerful nation of a markedly theocratic character, though short-lived as it vanished shortly after the death of my son Solomon; while in the religious sphere my poetic compositions stood out, "recognizing myself as the author of a total of 73 psalms", and the great project that I ordered to build a great temple in Jerusalem to house the Ark of the Covenant building that would have ***** my successor on the throne." David, get on the seventh Giga camel, and they all go in a file when four minutes fell on the sand of Northeast Jerusalem turned into burning flames in the hair of Davidian dawn. All catch their shadows with a vocalized assembly by the turquoise stripes of the Tekhelet that he carried on his Davidian skeleton. From the minimum moment that allowed him to climb his bones until he mounted the Camel on its exterior, his past became lightening of volatile blue flesh, leaving for the first sabbatical day that ran through his calendar. He tempered over him the compromising memory of him that wandered before his birth and after his death where many wanted to incinerate his Tekhelet for him, or perhaps plagiarize him in his agony with the Messiah when he met with the apostles. above his grave. Davidian Tomb: "When the Lord was over me, I felt his aroma of Davidian flowers approaching, covering my coffin with two square meters of the perimeter of my death that began to be purged in the Messiah. My body was ingested like horchata in my blood vessels. Many times I wanted to get up and break down the barriers that separated us, but I was distracted by the serpent that seized in front of me, co-indexing the apples of my tree that never got worms..., turned into brass serpents on slung chariots pulling me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is, a quarter of light-years to reach him, estimated. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me, Davidian..."The Davidian Phenomenon continued to impact everyone because this happened to the ungulates when they sensed outbreaks of the cluelessness of the sky, believing they were a part of it, but the bodies of space are so far away, just as their whimsical light would take a long time to reach us, wondering about the universe of another ravenous dilapidated galaxy. The more distant the object of our consecration is, the longer it will take for the light to arrive and therefore what we see is even further away than in the past. Perhaps his lineage was a thousand years before it could materialize after 1040 years..., after David he did not seem bothered by the refractory passing of the degraded millennia. This equation was worth using to ask the Messiah for mercy for not having made his nation the best it could have treated and inherited towards him in sync at the time he was sentenced. In such a way to subtract years from the one who was born and ruled, so they would be subtracted from him as it is due to his soul that comes traveling with the invisible speed in the bluish light of the Menorah. Light Davidian: "it was 1040 a. C. that I saw the birth of light approaching the same one that saw us born in Bethlehem in the same village of the Messiah after 1040 years in which it separated us both and saw us born in different age phases..., he arrived at his stable next to his Davidian mother. Messianic I fell abruptly from the burst of beams of extinguished light years similar to those that accompany me today in the ceramic that also appears in Bethlehem.In this way I will follow your exalted Hexagonal primogeniture together with the Davidian spectrum, accompanying him to the people who gave birth to both of them."Sheba Dean, Vernarth states: "The Hexagon turned us around and we looked at the Zoroastrian sky, a new star guided the seven of us mounted on golden backs on camelids, now King David on the seventh Giga Camel". Saint John the Apostle intervenes: "In my symbology of the Apocalyptic as an ancient Davidian I give the testament of liturgy and that which appeared in the first centuries of Christianity in which its praises, prayers, petitions, characters, cults, ornaments, incense, Eucharist, chalices arise. , the saint, the amen, the lamb of God, the ******, the interception of the angels, the archangel Michael, the antiphons, the priesthood, the faithful, the meditative silence, the nuptial supper of the lamb; so are the numbers. At the same time, a symbology of the numbers is brought, giving them meanings; this is why for this author the "one" refers to God; the "three" can represent God although for the Jews it represents the divinity, and for the Christians the trinity (father-son and holy spirit). In the apocalypse the three appears as a fraction instead of the whole number a third part, a third; which indicates that neither is a full God nor the "fourth" that is the creation, and that two-thirds are not affected by what the third part is; the half and three and a half taken are from the book of Daniel and mean fullness as well as the "four" and the "seven" perfection, as well as the universe or creation of the representation of the four cardinal points, the four evangelists, the four living beings with God. In the apocalypse "the 5th and 6th" originate cataclysm and the "sixth" a vision of hope, the "seventh" the trumpets. The "six" denotes imperfection but one is missing to reach seven which is perfection; this last number in Hebrew is called "Sheba"; "twelve refers to the 12 tribes of Israel" (Jacob) (16), to the 12 apostles. If we make a calculation of the twelve tribes of Israel we also have to make it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144. Here we can continue calculating the multiples of 10 and 4 and thus group figures to give them interpretations. The number 1,000 would be the general idea of ​​a great number, the 1,000 years of the confinement of the dragon. Observe the negative aspect of some numbers that do not appear in the texts on "numerology" "King David, goes on the seventh Giga Camel, that there are five that are missing from the camels of the twelve (he being on the seventh) to get to mount the last one before they reach Bethlehem. "the 5th and the 6th" would originate a cataclysm but also glimmers of hope when they hit the sixth, and this could happen in multiple ups and downs in the lands of the birthright that saw both Jesus and King David born. The raison d'être of this Davidian way is Davidian Way He says: "Being on Mount Zion below the subsoil I imbued my proportion to my cenotaph asking to be my rest here or another. In the Old Testament, it says that I was buried with my ancestors in the City of David. Archaeological ramblings and excavations place my City south of the Temple Mount and not on Mount Zion where my current tomb is located. My city was the original settlement that became Jerusalem, they have searched for me in excavations of the City of Davidiana but they have not discovered my Tomb. Some have thought that I was buried in Bethlehem..., my city is also known as the Davidian Way,... but they look for me in excavations in Bethlehem and they do not exhume me from my grave. On Mount "Sion is my spirit" that looks for the Messiah still by some stairway that indicates looking at us both as humans..., both as kings but He is my true King. Here the pious and spiritual boat of Bethsaida had to pass as a consort in the Miracle of Pentecost that took place in the same place where the Last Supper was celebrated, the washing of the feet of the Disciples, the Meeting of the Disciples after the Ascension of our Jesus, Apparitions of the Risen Jesus and the Election of St. Matthias as an apostle, which was located in a high room on Mount Zion. He could be found in many places, but where I have wanted to prevail his well-deserved and welcoming place shared with me is in the Cenacle near me in my Tomb where he celebrated his first Eucharist. And now especially that I am on the seventh Giga camel hoping to reach the five that are missing to achieve the twelve that are missing beyond the cataclysm of the five that remain to get the twelve. That by equivalence it should have a correlation with my numeral year of my birthright 1040 BC and by a factor of multiplicity that if we make a calculation of the twelve tribes of Israel we also have to do it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144 as an arcane and secret measure of the edification of creation. Here we can continue projecting my work as a geometer calculating the multiples of 10 and 4 and thus group figures to give them interpretations of the size and measure that unites me and separates me from the Messiah."

Filled with a great piece from the cruise through the sands and the Judean desert, They were almost asleep in the hemispheres of each region that waited and recirculated with the energies of the desert. With its shifting landscapes, constant limestone hills between canyons of deep Philistine souls, with rivers and oases like Nahal David. They marked the passage of the camelids and the hydric solitude that dominated their fictitious vegetation. King David as the seventh horseman went far from those who opened fences at the tip of the anvil of the caravan. He felt moved to release the clothes from the cenotaph... from him, perhaps entering the Eucharistic pavilion that resembled his open mouth; He as a Young King was proclaimed, and he remembered when he was active in reacting to retaliation to scare off the Philistines, with his namesake Saul. They used to raid herds and fertile agricultural land, for which David begged the Lord what he should do in the land of Adullam? the Lord spoke to him and told him: "Let him rise up and destroy them", he did so and rushed over them thus beginning his reign of liberation from these barbarians. As they made their way to Bethlehem, the King felt that something was missing to fuel the atmosphere of his return to his homeland. Since then from the sky descended a flock of migratory birds that joined him when he fed the abdomen of the desert attracting six hundred Hula Cranes. King David whistled copiously which attracted lake birds creating an atmosphere of trance. Here time stopped and it rained softly sweet water with messages of love and everlasting avian hubbub. He recalled six hundred Cranes like the ones that sheltered them when the Philistine troops escaped, taking refuge in the cave of Adulam. Everything seemed scarce biometrics of the arid event in an arid destination. All embedded in the vegetation of xerophytic thickets and exegetical brambles that lit up with calypso color at each shoot of the past millennium in its early biblical time, when they approached the vicinity of the valley near Bethlehem near Beit Jala, erosive processes were imposed with meta desert factors of vile landscapes. Aeolian Eolionimia tramontane winds were falling on his Tekhelet, letting himself fall from the relevant heights with cranes with gravitating mud on their ends, with gravel from colonized riverbanks of the rocky Hamada desert areas, three fossil birds were climbing the rays that reflected the crown of two Kings to meet at Bethlehem. Arriving at the sacred native city and beginning in Christmas choirs and passion for the faint whistle on the twelve Giga camels, they venerated the hemispheres of energy prayer that insufflate from the eternal walk of the guide of their breathing wounding them as migratory birds of a series of fraternal cranes that invited him to be confused with the whistle of the divine Solano solar wind that calmed and stimulated the enormous breezes to warn the villagers of his enormous arrival together with the Apostle Saint John, converted into dusty fissures in quarries of the surroundings, where they stopped their work and deposited another rebuild in another temple with a greater whistle than a Sheba Dean.Shavuot Messiah; Shavuot is the second of the three pilgrimage festivals of Judaism (the others are Passover, Passover, and Sukkot..., which is walking in the desert after leaving Egypt). The Hexagonal Primogen took seven weeks through the desert and the Holy Land to reach the target that is Bethlehem. It would coincide with Shavuot; with bucolic meaning corresponding to the time of the year in which in Israel in particular the first fruits are collected. This is why the holiday is also called the Feast of First Fruits. During the festival, it is customary to eat dairy products, accompanied by the seven characteristic species of Israel, based on yogurt, honey, fruits, vegetables, and spices. In the existence of seven in their camelids is the vibration of their fruits and spiritual messages. The Shepherd and His Flock According to tradition, the area located to the east of the city, belongs to the fields of the shepherds, "they only keep watch in the dark for the shepherds who are in the field." Several churches have been built to commemorate this event. Even today local shepherds can be seen tending their flocks in the same area (even on Christmas Eve). The relevance of this land of herds is the conclave of this brotherhood, Saint John the Apostle, King David, Vernarth, and the retinue of animals plus Eurydice. They are beings of light that come to pick up spikes and sheaves, the seeds of the gramineous environment that surrounds historical vibrations of dissolution of resurgent energies from all corners. Despite being a thousand-year-old Canaanite city, this city now has the visit of this conclave that is going to loosen the chains that had been folded in its geomorphic genesis. Here the memory of the seeds and spikes are impregnated with the "Lady of Light" made and made of the divine seed that feeds generational infants, whose silence generously retransmits all those who will give birth to pain and all those who memorize your gesture. Mother, Parents, and children will go through the past of a farm that only admits one seed "Gleaning his Divine example". Flooding and spreading beyond all limited expansive creation of the Marian World. Before approaching the confines of the village, Archangel Uriel becomes aware saying: "Gramineous Consort..., herbaceous Shavuot divider Spike between races, lineage and family, typology, lineage and hyper gender... Here lies your superfamily thickening ancestral in daily sheep...energetic molecular matter..., golden passers-by flowers of Sutra thorns, glucose polymer molecule, herbal and decreed perennial network...vascular bio Mariah..., graminaceous chopped stems..., crowns to the precept! striated Angiosperma, the tabernacle, prevented weeks of your veil and hoarse ritual...Bethlehem..., on veiled feet, golden tornado wind....extreme advance..., carrying flowers to your Messiah, re-blooming womb, scales and pitch collapsed on your candle..., varnish between milky honey... traditional ancestral embryo... full holistic, skillful milk and aloe-myelin and consummate Messiah..., pheromone teaching nativity..., rescinded to Nacer. Here is your Shavuot Hexagonal Architectural Primogeniture where nothing is born and nothing dies, mutualism roar great prayer of subspecies... high-sounding and metabolizing Big Bang..., intra-species, specimen Guru-intuitions, Sheets in beads..., between Ruth's fingers and her uninhabited herds, Druid plant ficus..., sagebrush, plain rock, and rainy past weaving, Here below you I double its wool in July... Sheaves of wool that undress, Brave Period and histo-weaving tillage..., fateful hunger and cotyledon... Bread on tiles of your altar; germ to satiate..., awning to heirs to plunder...A quarter of your barley toast..., will prostrate itself fascinated supposedly in a rooted basket, Junco discerning in thunder, pseudo-diaphragms reflowered millennia, perfect Sheba of Seven knotty and amplified trumpets between the eye of the Universe... thousand-year-old Reed roots on the back of my hanging donkey distilling in the confines, affirming themselves still and tremulous of ogre sheaves..., restless Davidian affirming themselves in secondary roots..., in bifurcated grass lights,... in empty Davidian center, through the Davidian center big bang space of Bethlehem, Messiah..., ear of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., a spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., the spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating."

Saint John the Apostle is frozen by this senso-oratory, lengthened his phonetics, his words, and accents, making himself almost unintelligible as he tried to record himself and imitate what the archangel recited. The slopes that formed a beautiful valley moved to the opposite ones. The verses transmuted clarified energies, caloric and meteorological, the wells of the oasis sites that dwelt for millennia lit up like rubies in a Pingala aphorism, resurfacing in borders that adorned the presence of visitors. With energy channels and energy wheels, they traveled like turbines to the left brain of Bethlehem where north and south intersected vertically, pouring out the Prana that threatens the storm of the intellect, which sleeps what awakens in the port angle of North and South. Thus Bethlehem received visitors who entered with their ungulates, faking being nomadic mountains on camels that prowl in random sedentary circles. Shofar and Asherah, already set, begin to direct their destiny to the heart of the Nativity area where their origins and areas of the omnipresent West Bank strip were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of the sun were distinguished orange-reddish weakened before storm gradients from the Red Sea and the Mediterranean placating the Hexagonal primogeniture. Although squalls were appreciated with agile movements in the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful blues and orange tints coming from the red sea and the quarrelsome storms of Asherah "The mother of all the gods", and He who was the "father of the gods". Known among the Babylonians as Ishtar originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it receives the name of Ashtoreth, a distorted pronunciation of the original 'Astart by including the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan divinities. Asherah from the Bronze Age (before 1200 BC) The Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, she is Ashirtu and Ashratu. The Ras Shamra texts identify Asherah ('atrt = atirat) with El's goddess wife; they call her "Lady Asherah of the Sea" and "progenitor of the goddesses", here she would be the mother of these discredited Babylonian forms caused discomfort and discomfort in the face of a living past and present in the intangibility of inheritances that greet others that could supplant them. This caused heating of the ground in the podiums or legs of the animals with an abnormality of the Greek-Babylonian wormwood prostrated at the feet of Asherah, leaving an odorous atmosphere of wormwood in the land of two native Kings of this jurisdiction, attracting dissipation on the roofs of some surrounding houses to the precise place where the Messiah saw the light of lights and those who waited for him together lighting him with candlesticks. This sacred wind caressed everyone's hands and insinuated them to take charge of the new Bethlehem, a vicissitude that was being reborn with the illustrious visit of the Apostle. His consolations were dilated as any caravan that increased its predictive volume equalizing the pressures of the air that surrounded the streets where no one appeared and was seen generically. This centrifugal force rotated their terrestrial spirits, originating the birth of a great thickness of crazy gases that populated the roofs of the village. Thus creating greater weight and highlighting the freshness of essences that were torn from the soil with the aroma of grazing, explaining to themselves the presence of sub-areas in the West Bank and insolating redemption of the arrival towards formal merit contrasted by the gesture of being staying next to this at night, and varying many times until bringing them the holy sacrosanct condensed water, deregulating the thermal sensation.The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that went up and down went up on the walls of a few rooms linked to the nativity stable, pressing on them the adjacent words that were allied from the ground to soon arrive in an ascending spiral converted into light and wind on the seventh horseman; King David, appearing to them right there..., right there before Him his Abigail, the third wife who gave him an advanced reconception by presenting him with an altar that will endow eucharistic missions during his admission to Bethlehem. On the gradient that led to the hill of the stable, an unexpected phenomenon swirls around them, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging winds on the ground and upper external part of the stable and causing an anticipated shine of the space that would prolong them to under-understand that they had already arrived but were still seven hundred meters from the main access and that the city was not Bethlehem, but another that seemed to emerge from the arid soil next to the stable, dividing into inter-strips that rubbed against the original and current ones, in such a way as to generate a great development of the subsoil on the vertical that sounded stentorian and vibrating as if in a long stay on the distributed assistants in this supra abnormal regime. They arrive exempt from grievances but dismounting gentiles..., the sixth piece of crowns of Kafersesuh bringing the fertilizations of the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar together with Leiak. David speaks: "When I approached Moab, I asked for asylum in the protection of my parents..., so I myself would burst the eardrums of the Philistines for each rugged network of links that join me in sponsoring my counterattack advance towards their domains. In their unknown territories of the enemy appears before me a noble and friendly joy; Abigail, who fills the history of my land with beauty before the very son of a cruel Canaanite; Nabal. She enriches my lands more than the entire multiplied population of animals every time I count the units, I look into her eyes and forget the greater amount that moves her heart towards me because of that I did not spill blood on the house of Nabal. Being Abigail is the one that replaces my union with the Faith that moves my passion. Abigail then kneels and touches the ground where he was making the sign of the cross after assigning a cross kissing his hands, on his forehead and chest. Thus, from somewhere her parents reorganized the garments to ravish Vernarth for the bi-connected purging of him with that of David and the Messiah-Vernarth. As in the Jericho tale, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel, with the full force of the steed's Golden hooves kicking up liquid and dust from the Bethlehem water tables. Alikantus did not carry an amount on his back..., he carried an Áspis koilé of the Vernarth Hoplite. resume their advances in buttresses to build the walls, that they had to mediate to weaken Asherah's overtures to disagree with the citadel borders. The Apostle, Etrestles, and Vernarth blew the shofars as many times as they gloated the perimeter of the city, and they believed that there would be more rounds..., on the divan was the Shofar that could sound more times and louder, it was intact..., but it ran to blowing it Vernarth not leaving a single drop of air looking at the sky that would appear with three bright stars filling the anxiety and attachment to break the Easter bread for everyone. But it was not that effect it was the astral echo of King David's Betelgeuse that emanated with his breath also helping to raise the walls that would protect him from staunch invasions of the lackeys of Asherah. In such a way that the partitions were raised until reaching the governorships of the words of the watchman angel who coordinated everyone saying: Watchman Angel: "For us the partitions, for you the roofs, on the heights the limits will mediate and on their Shofar they will define to Asherah, without any city where to go and come" Such exordium is fulfilled and Bethlehem is surrounded by golden barreled partitions rising in remarkable walls and heights to placate the roaring winds of the Canaanites as in Jericho but the other way around, where they succumbed to the mandate divine to allow them to settle in the thousand-year-old town hall. Finally, they remove the twelve camelids from the ante circle that did not allow them to settle in the settlement, managing to settle down to revive a bi-natality and double reign of whose splendor only the luminances of the Messiah and King David embracing them will speak. From the extramural continents they remain desolate, they revive the pristine and angelic countenance of Abigail bringing dinner and a fetish Shofar to each one of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah. The legacies of Magraner"Punica granatum" were bushes that appeared to them in the focus of the micro center of the fire, entering with some tenuous and sinuous branched thorns getting muddy coming down from the tassels of the Shofar feeding the curiosity of all those who were encamped surrounding a fire full of sounds with new positions of devout pupil sounds of high Jewish principalities, cordoning off objects of the Apostle Saint John who shared it with Etréstles..., giving sonorous instrumentalizations to rams that came around them... looking for ravens that jumped on their heads. Due to the binding and cracking of the shofars, in the opposite works of luminosity, the bonfires hung over the same faces of the wise counselors who unfolded them with their young shiny branches and sheaths before others underexposed yellowish-greenish with obtuse apexes. Resigning shallow marginalized exceptions, polygons of pre-flowering and shofar-formed on valves that escaped from ashes of shutters that were detached from the last fleeting flame of each minute running to the right. Everyone collected the nectars that the legates poured into chalices, drinking them lying down to swallow them while reclining and being able to look at the stars that emerged from albiceleste flavors, rinsing the arms of each one by touching them with the shofar like petioles stems on the seven ruminants that sought to recover what they had they made heavenly sounds about themselves.  Etrestles says: rinsing the arms of each one by blowing them with the shofar as petioles stem on the seven ruminants that sought to recover what they made a sound about themselves celestial. Etrestles says: "When the shofar speaks, past pastorals speak inside and outside the community, the most outlined has been to understand it as a trumpet of bony projection; that is to say, formed by a bony and pointed matter that is born from the frontal bone sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text perpetrated by Saint Jerome. When Moses descends from Mount Sinai, where he met with God, "the skin of his face had become radiant" says the Bible (Ex 34, 29-30). In the original Hebrew the verb "to radiate", and "to emit rays" is from the same root as the noun "horns" so Saint Jerome did not think twice and translated: "cornuta esset facies sua", or that is, "his face was cuckolded".Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sound and with the golden patina simulating Messolonghi's fingers..., which three by three-piston their bone reaches linking in some ways of beauty, goodness, clarity, brightness, and stories that will accompany us in this bonfire between these raised walls to level the vaults of the Messiah's nativity cries. Calibrations and catechesis on the real moment of his symbolic Lineage at dawn awake and alive, with waves of graceful voices with goat hosts reordering the urban matrix of the erected town..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Asherah in his eagerness to move us away from the fundamental site." Vernarth intervenes: "In this passage it is clear the capacity that the shofar..., and the sound produced by him with our similar voices being amalgamated with him, bawling and modifying the environment to a polyvalent physical dimension. Now we are a herald of goodness, beauty, and reconstruction, part of a noticeable dialectic to neighboring Canaanite cultures as a sudden reconversion between what was built and what is about to be founded even if something were to disappear in it. The wall was rebuilt in reality surrounding all of them beyond the golden light of the shofar producing today's creation and not devastation, encapsulating kingdoms in wisdom and lucubration..., this is where we have all come from the return of didactic cultural forms independently to attract us towards his teachings in an anonymous converted world with the purpose of reconverting itself into a solemn alert that precedes us.



Paraps XXVI

Messiah of Judah III part

Miracle IV- Baptistery

Stressed knowing that he was on a hill reserved for the beautiful settlement and elevations to the east of Bethlehem, he understood to facilitate the unusual lighting. stress; Leader of the Koumeterium Messolonghi felt that after thousands of years of his life in this Holy Land a great value of omnipresence. The Miracle of Christian protocol would begin with him paying for votes and tributes in the Church of the Shepherd's Countryside. In this rock of special mysticism, "He begins his rebirth in his tenth life before there were nine in Messolonghi (Koumeterium Messolonghi-Editorial Palibrio USA). A miracle happens that transships him to caverns that would transport him from the oldest of the past nine cycled epics in Kalavrita, Kalidona, Patmos and Messolonghi. Here he will come face to face with past lives, in The Fountain of the Shepherds,   in this analogous with allegorical motifs commemorating the shepherds and their flock by those who crown this fountain, having before our eyes the sculpture of the shepherd and under his feet floral motifs such as palm leaves, heads of cattle, sheep, and ducks in the act of drinking. In this hexagonal source it is equated with the Hexagonal Primogeniture, here is the miracle that would come to arise to reunite with the intangible Creation and Illumination as clothing. They thought they were closer to the village... but in reality, they were three and a half kilometers from the village itself, in a fenced compound with a wide path that runs through the park on the hill between trees and lush flowers that clearly evoke the place where those First-century shepherds brought their sheep to graze. We were all dozing off when certain royal decagonal sounds would transport us through the church..., on its decagonal plan, it appeared surrounded by four chapels and the apse that houses the altar, covered by a large dome of mortar and glass that lets in, illuminating the altar as it did. the guiding star that pointed the way to the shepherds. Here the murals that protected us from the hosts of Asherah had already disappeared. Most likely, they were keeping vigil over us with great chandeliers as they opened up in swamps from the sclerae of our desolder eyes. We were trapped by the quagmire created by Raeder and Petrobus in opaque clouds of sheep manure spilling through the corridors of the unknown worlds of climactic grazing. We went to its structure and over the entrance door, we saw the angel of the annunciation and above it, a singular bell tower incorporating us into the façade through three relaxed arches. Inside the beautiful fertile field from a marble church in two colors, some spaces could be emphasized, to which the columns that support the roof also contribute. The chapels are adorned with precious frescoes that represent scenes of the annunciation to the shepherds and arrival at the birth and altar table that is supported by the sculptures of four angels above all with the appearance of the hexagonal primogeniture between these angular stones. That hexagonal and polygonal effect in both parts were intra-excavated from their own vertices, They crossed a straight line from the north in a double semicircle that was concentric in the precise diameter of the equatorial inscribed in the central circular bleat that a sheep lactated..., here the shepherds arrive and receive them with great hospitality in symmetrical affability, shaking them with their shofar. over their songs and tunics..., each one was blessed by the nascent air of the other more than a steppe grazed by ruminants and palliated mouths. Twelve degrees to the right in the sixth wick of the Menorah, a regular silhouette was lit, becoming this intangible whose thirst makes them drink water from a hexagon well much more equidistant than walking between themselves, moving their hands with all the urgent emotions and dynamizing numb emotions that would vibrate from the third angle by clothing them with vertices of light that shone from the convex morning. There were six complex roots equating each other on the regulated plane of animals, which were parked near the medium stone walls where Raeder would climb to run over the walls, standing out more with each side in which the same forms of expression could be appreciated, embraced and emphasized. those who could decide to generate a rebirth of two kings and that of Etréstles by an internal lighting hex. Close to the church, colorful caves can be seen in the calcareous rock that dated back to the fateful Herodian era, denoting some surprising utensils found, of which we know their mission of the chapel when the diocese was founded.

Etréstles, receives a luminescent self-radiation immediately from caring and guiding as it has always been, but now in a tenth luminescent life in living connected to its own cisterns. An enjoy approaches him showing him his paw..., the curious thing is that this dog had six fingers, there he was convinced that it was his generous shepherd and that he would take him through internal labyrinths of his lighting by the sixth finger to help more unwary and unconscious beings that illuminate and grant subconscious existence in pumps that have lost their law in affront and self-rebellion. His sedition would begin with the substitution of grass so as not to depend, but rather to maximize them in the cavity of their stomachs, so he began to wander through the hills seeing how all his sheep fed on dry land, without any water source.

Raeder ran along with the cover of the stone walls, Petrobus turned around the perimeter of the inert time of the upper ledge, and the camelids raised their shining legs filling the herbaceous pastes in their timbal snouts, Alikanto sensed that only three kilometers away he was already presenting himself. the stable where they could surrender to the intubating silence and the innocence of a super little one who came and appeared..., knowing everything. All animals eliminated pastoral toxins and pheromones being free from enterotoxemia, distributed from the soil and the gastrointestinal tract of the youngest, not appearing in the holy ovine soil with the bactericidal absence of Hexagonal Primognitura. the pheromones in this chapel it was assimilating between special olfactory glands that would reign. They would fan the wings and its bursting abdomen, rubbing it on the roof of the prominent chapel like a domestic beehive. They would exchange the oral use of the inaugural soil to receive them in the animal creation controlling the cells of the chapel and segregating the maintenance of the backward world. The mandibular pheromones could be seen falling to the slab of the church, becoming sticky as they progressed to and from everyone's entrance. The pheromones of the sheep created recruitments of the others in the integument of each cognitive inflection plotting them to enter the baptistery, something like that would never have been possible, this was a great miracle in the rebirth of Etréstles when they could enter their own womb..., they lay down on Etréstles passing over his abdomen generating honey from his own mouth, giving the pheromone of the sheep when transiting and of the bees that provided him in his abdominal cell. Chemo Neurons and receptors renewed would be in charge of expanding circulating olfactory lines, causing an electro transmission of energy never seen before. Everything happens as a result of the metamorphosis of Etrésltes and his hairy clothing often lives on the backs of neurochemicals filling him through the largest lobe of the winch, which he had and carried in his hands and which he had requisitioned from the nearby mill of the ancient Christians who lived there. The apostle says: "Each verse..., a molecule, each surface a new system..., each membrane..., the rebellion of stimuli..., energy chain, sensitive organism..., neural axon, physiology, six hexagonal angles Pastors and Primogeniture creating together with a new genetics of harmonious existence that does not tire the sight of the Creator, seeing how everyone has fun in the garden of their house" The baptistery has a hexagonal base, which coincides with the primogeniture, since it is based on six anthropoid-zoomorphic elements, missioning after the vestige of memories of the Messiah, whose doctrinal base will predominate the exiled Apostle who miraculously returns to be close in the church of the shepherds with six angles that concentrate their escort, towards a single center of the tabernacle that will be reborn in the figure of Etréstles de Kalavrita. Vertnarth says: "Blessed light of luminescent glories that you have made of today that nothing ends in nothing..., everything begins..., this plan transfigures the purge that takes longer than the light that does not turn on from the darkness surrendered before its vassals. Now king tomorrow vassal, now sun tomorrow darkness. Nothing produces pain only temporary blindness, what hurts the most is exposing your face to death and your mind, In Ein Karem, two ears in spring besieged Etréstles falling asleep on the cross that was in the bell tower, could not wake up the next day among molded bronzes. He had had excruciating nightmares that prevented him from waking up. This is how he describes the dream: "I was heading towards some heights of Ein Karem when I was going near some hills near said city, some Roman Praetorian soldiers appeared to me and arrested me. Suddenly I woke up after having recovered from the severe beating they gave me, they interrogated me again, and they put half of my naked body in the middle of the body of an underground cistern, trapping me towards it by the enormous ice that was distributed in my body. They told me that they only wanted to test my resistance to water in this cistern to test my Hellenic Constitution by resisting darkness and high low temperatures as a Hellenic foreigner in Hebrew lands. Well, I was always very intrigued by everything but there came a moment when a luminescent light settled on my head in Ein Karem..., it was Isabel, the mother of John the Baptist telling me that there was a path where I could escape. At the moment that the guard came towards me, she surprises him with a viper that stings his hand..., quickly escaping the guard. Surprised I ventured to escape but when I was far from the cistern I returned to thank Isabel, I found myself face to face with the viper that was nested in the rags left by Santa Isabel..., Likewise, in the textile fringes, the viper uncoiled biting me in my right hand. So I had to leave quickly and go find Kanti who was waiting for me in a suspicious meadow. Precisely he took me to the edge of a bush where he pulled me close and with his snout he licked all the poison out of me. So he woke me up in the bell tower of the baptistery in the spring with the ears of a steed." Continuous parapsychological regression: I had been left alone in the hexagonal radier, full of brambles dressed in tides that fell from the bell tower on my wound. They had all left because they couldn't find me. Immediately Kanti took me by the hand and put me on his back, to go to Ein Karem; the Land of the threshold of John the Baptist. We headed to an important Christian site which was the birthplace of John the Baptist. Everywhere grace abounds on every fence, wall, and path, we rode through the alleys for hours until my wound healed enjoying my prayers while riding on my beloved Kanti. I felt that the left ear of my sorrel when walking without a shadow, showed me the essence of a prepubescent who had been born in this village, where his mother, Elizabeth, the mother of John the Baptist, became pregnant and gave birth miraculously. Here, before this same lure, the restless right ear of my beloved Kanti told me that there was another child who was in his mother's womb; Mariah who was also pregnant with Jesus, and for this reason the village well is now called Mariah's Well and its waters are considered canonized. Kanti's parable: "By moving my ears forward I see our comrades around here near and behind, and in yourself, I love healing your wound. Now I will continue with my ears ***** and flattened back, making myself invisible to the Praetorians who want to target you with their leprous tongues." So I will continue with my advanced antennas forward and well dilated to hear the good steps of our comrades. Likewise, Alikanto kept his gaze on some pomegranate trees that stood out on the stone wall at the bottom of Ein Karem, while the chestnut advanced, he mobilized the base of his ears. When he felt allergy in his forehead and in the arched anatomy like super Kanti. In the domestication of him and in the use that Etréstles gave him after long days of the war, his steed had a tendency to suffer stretch marks at the supra muscular-osseous level. Showy macule like this, but not in his anatomy of immortal Equus as an external anatomical and physiological steed. Here the membranes of his cardiovascular apparatus are opened, separating him from divided Cretan and quadruple blue blood, turning in his Lazikos dance with hyper-oxygenated airs locked in the Ganymede sprouts when he was kidnapped from Mount Ida. In his exile he took care of sheep..., Zeus looked at him out of the corner of his eye and his own bled..., Zeus fell in love with him on the spot and sent him the eagle, "Which Kanti has interpreted here as the blow of Saint John the Evangelist missioning his telepathic vibrations through the corridor of the monastic cell on Patmos. Knowing that this steed and namesakes are of origin from super ventilated atmospheres and foggy areas of the northern coast of Crete. Calling himself that, about stunned himself..., about the serpents that snake sparkling from religious Hellenic mythology, between Chthonic gods or spirits of the underworld, opposing the celestial deities. The timpani telluric tremors of the hexagonal tectonics would merge with those of the chapel of the shepherds and that of their percentage share in Etréstles, of a sixth portion of the sixfold Hexagonal primogeniture. The steed's morphology resembled that of Ein Karem in super-ordered hoofed limbs like those of a mammalian placental, walking in the cracks of the quivering fingerprints of its odd footsteps. Etréstles says: "His head is the same as mine..., neck and trunk, the sigil on his pyramidal neck in which he could read the Torah. The technical nasal orifices of it are beautiful straps surrounding the headgear, touching his weariness beyond the vigor of finding him in a place of sherbet of the cisterns after having dealt with the leather that pulls his pair of smooth ears, over the blind spots maneuvering in the cove of his beautiful Cretan poetry being like that too when blue smoke smoked from Hestia's orphaned chimney. Fine trapezoid grace where her neck nails the circumlocution of her knee and the gauntlet of her inseminations and straight mane regenerating and blocking the rays of Zeus in the concave cups of Ganymede spraying them on her beard and mouth the liquor of sober trickery. I continue in the balance of so many battles won, with my Xiphos and Áspis Koilé,... beyond fearful purges that allow us to find ourselves around the corner in front of Vernarth, waiting for us to shelter Kanti's ears in Ein Karem. " They left Ein Karem after having had the vision of the Mount of Temptations even being far from the place. Grouped together again and looking at each other, she saw that his face was rejuvenated, putting his Herodian gestures in the company of King Davidian.The Messiah was born, a King without a castle or subject knowing that children under one year old are attacked by plagues or sacrifices. Messiah King of the dying world compresses for what bleeds the divine blood from him. A trifle of Messiah in each one speaking with their eyes after looking at several roofs without their own roofs, all serene,... without blemish in the middle of their faces in the violet iridescence, sounds and choral masteries that emerged from the surface in flocks of white from the Azores islands, they rained multiplying on their wings before arriving at the mass of the annunciation near the stable. Vernarth arrives and sees people gathered with their heads together and holding hands, others holding the bells of animals to hear the sweet voice of the little boy rippling like cotton in the harvest from the braying of a colt that dozed in the shade of its parents before eating. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable.Intrepid and with light-years, he came crawling in his arms with his crown traveling from the smallest space that relieves the world in a Templar, first-time and omega period, with the appearance of being born by all. Perfect and newly born with frequency blue body, blood, and eyes. Covered with gummy gelatinous substances..., anti-Herodian; seeming to save others with their small hands of the divine womb, which manage to enter the heart of God, even having fingers that do not reach the edges of God. It never seems strange to him, only that his ***** seems to never come out of him. But it is spontaneous, he sparkles outside the womb of his holy mother with the immersed placenta in the prayers of the induced shepherd of the womb of the ****** Mariah that great arms shelter the orchards to surround all those present in birth that seemed like that of a donkey's ******, who could raise his son to be King of consecrated animals as well as few making dalliances to the right of the resident Menorah getting up early. Vernarth says: What are we to expect?...the vigil...with his shoulders hunched and his head pointed north of Jerusalem this little king bent on his pre-fetal knees, after nine candles to the right of the troubled Menorah. Even though the midwife who helped the puerperal Mariah was not premature and they distanced her from the halo parenthesis that playfully changed where to put herself, close to her saintly interior, that is, triggering the powers of phosphorescence. Self-creating a thick but light layer of psyche that would make him already independent of José and Mariah...and if they weren't! His fists since childhood had signs of a stigma when he was just unborn and not born, azure flames came out of his hands lighting up the eyes of his dazed parents. Rabbi's golden machine lactated seriously when her mother slept, she didn't allow him to see her conscious of her drawing intra-lactations of the lymph from her entrails, whose gothic light ****** the dominant Magnificat of the Vulgate. He ****** on the object to take her lactation and her left hand to space it out to all who wanted to go into meta-object lullabies. Thus, her thumb and finger are introduced into her mouth, pressing them on her startled palate at the braying of the graceful donkey. All those present took with their hands the others with their own thumbs, returning to their childhood cycles just laying down in the manger. At that moment, far from feeling the imagines walking near the fields of vision, shiny noble metals..., their candelabra eyes dazzled as if they were brothers. Here he moves his arms copiously as if wanting to fly from there, with the vigor of her winged mother, to follow her beyond a tender left-handed Golgotha ​​deception. That he kept the pendulum coming and going from one arm below the other as he turned on top of her, embracing her lush maternal hand. His early nervous system was celebrating on the back of the colt, highlighted with rags in temples that he imagines to be sacral effluvium in waters on the flat beef, the camel and Raeder and the Petrobus Pelican and other animals that were on their knees smiling with their hands glued to each other all sweet to the right of the sweet nectar of the Magnificat. All the excited animals still trembled with emotion on the demure ground of this alpha biblical moment, all imitate the trembling animals but each of the adults who were there hugged the hands of each animal and child present as a sign of giving comfort to the parents together to their children who seemed to be already an adult saying goodbye to their birth. His scaly breathing was full of anagrams of Magnificat, they used to trace analgesic sources of the dream of seeing him between golden and straw fistulas of grasses breathing next to him. The voices were felt from outside of those who could not enter of glory and breath without equal of the rancor of the world distracted in a piece of tin and hardened hearts, now resplendent from seeing so much sleep looking at them and drowsily yawning in a golden child. When they breathed her glory, they followed the patterns of the priestess Deborah, who for some normalized her feminism and strength as a mother breathing the libertarian history and matron of a nation that should have been born in a Judah stable. Mary and Joseph were distracted every second looking at him, they felt that the Messiah grew too much, worrying them about this strange unreality. They breathed more than their own son seeing him without breathing that they had to do it in the garden of the man who allowed him to do it today. As long as it took their parents to distract themselves, Saint John says: "Godson and Man, the priest made Pope..., the minors run after the elders, the bible for more apostles so that they swell and spread it, that the gospels add more pages and favorite editions. Prochorus; you who are...in some seat of Patmos prepare sacred parchments with thick corpulent ink..., which will reach your cell and seat. Studies..., something wrong...? An anointed Christ needs us to write for him because his hands are asthmatic in the words and in the inspiration that you move all the pages of the world reading them scattered and disserted,....in each well and each step was son and man, where king and mother and where each mother has to dry the cloying slime that dries up the mystery of having her white and emaciated. Let him sleep, perhaps when he wakes up he will meet a Messiah who will never stop being in his arms.

Kafersuseh. One-Dimensional Beams

More than two thousand years ago there was a mischievous infant who looked and looked curiously at the beams when he was born in Bethlehem..., especially ones that crossed! This happened in the polarity of the magnetic stable of Bethlem in a portal on adjoining hills that received him overflowing. This glorious empowered looked at the beams that wore ingenious crosses, seeing himself there being still an unborn he knew that when he was born he would already leave this unborn universe. Above the trusses that riveted the frame, he approached with his lonely gaze above the roof being able to see some beings of light organizing a Eucharist on the roof of his stable two thousand years ago that could be more than an edict that he would inaugurate the sagacity of caring for and giving newborns what many wanted to see but few knew who he really was, even having no record of him or his lineage lost in the middle of the strips of hay. Says the Messiah: "A few minutes ago, or more than two thousand years ago...? I counted the times that the Res waggled its tail, and I realized that he already had selected visions in Kafersuseh, higher than the ceiling of the beams..., in the sunroom, some outcasts also visit me, reborn and loving. It even has to be detected that someone came from far away but arrived late, I was only able to observe him know how to join him to my pariah criteria. He was tidying up the altar receiving orders from the unsupportable upward hardwood scaffolding telling him so; "That everyone is in alliances lining up for those who didn't fit in the stable." I looked at the roof of the barn seeing beyond...being able to verify that my custodians were there preparing the beams on the plugs that crossed each other to climb to greater viewpoints after rubbing the rough coatings of their flogged texture like whips from the underworld of Elpenor. That gentleman remained, and not when I lost sight of him with mine as a child-man, since only he distinguished me but not so the beings of light. The disillusioned Eucharist was being consecrated. I never rested in looking, resting in a forever, because I saw that my eyes became fringed lights in the lasting oscillation of the chants of the reveille or the tri sonar of the shofar. During this time a rising angel appeared, trying to get in and out then he belatedly decided to join the group of shepherds who were herding their sheep in the fields near Bethlehem, and he told them that he brought good news because the Messiah the savior of the world had been born. The shepherds left everything to go in search of the newborn since the angel told them that they would find me sleeping or in dormancy..., but I was not staying on the manger, since I was up in the space of three sounds of bells, almost farther than close to those who announced my advent. After three sounds of bells, three shepherds of light came down from the roof seeing in me that they recognized your minds, thus being they who blessed my journey on a day in the Middle East, even being on a roof next to the paradise that I officiated in the splendor and perfection of the world as a man-child not far from the magician outcasts, who parodied all the songs always with followers of Zoroaster and my Kafersuseh up to Gethsemane and towards my mother. The Messiah was still abstracted looking at the sky while he was busy putting his body to sleep. There is no doubt that his unfolded being made him move his first steps in original words that alluded to a game of learning to give the first in Judean usage on the stables.His disconcerted hands of his body made dance stories of those who were close to him, making only about fifty grouped there in watermarks that ran like seconds within urgent minutes without time gathered in the Jewish dawn of Eretz-Israel. Saint John the Apostle says: "God is concerned about the material world and about this creature of His that predetermines us. This is the amazing thing about the Father and the Son. Behold... I will walk in the dark, not in the light. So you will see the trait that not a lifetime will take me to know which in its similarity and who inherits the body and soul of it as in the hands of a bumblebee. I feel love over the hate of others, I see the light that could be a self-confidence to those who resound in their tired and inattentive ears, maybe that way they will see when they can see better without listening attentively to the sound of the bumblebee. I see the verses fly and how they fall one by one on my soul in order obeying the flocks early, like a herd ordering those who one after another look at each other later ordering the perfect law of the beginning in a reconciled end "In that instant, fragrances of the dense flowers in water transmitted the anxiety of those who wanted to continue listening ecstatic and fragrant, but as they got rid of their presumptions they fell into the abyss on the banks of the cliff garden of Malaki, where many of them coughed or cleared their throats luminances that attacked their feelings wrapped in judicious phlegm on their limestone tombstones. Vernarth says. "Drink with me..., I have a new concoction from the beginning to the end where the branches enter with their effect from the same branches the true light that savors mistakes and slips comes out towards you. I have scabs from many shadows, but the unfaithful passion that hates me with such intensity is ennobled when seeing me prostrate before the Messiah who does not tire of a new change when seeing how his rounded limits shine on his face, much less of adapting in square limits nor to continue being born and dying, by drawing the curtain that his selfless mother always shows him to sacrifice, immersed in Gnosticism and of all those who tried to relate it " We will not be able to ask ourselves many times who we are being in front of and every time a child is born amidst variations that make all mischief its preciousness because it is born from the locked heart dancing in the greater acceptance of the welcome cycle of being born and being reborn. Even so, never having been among them, the systems of credibility are tired of their limestone material..., they register and suggest all kinds of contemplations in a vague naivety that shines between gold, myrrh, and frankincense. All those who were present transcend to resent their consciences by believing themselves spiritual while tenderness accompanied them, but not religious but the leadership of a creation will be presented to them in this stable that we see just being born that is above yourselves being born in all that concludes in an epistle under the dominance of "As you believe and love not seeing, what we see in us not believing" Indefinite before this stable we pray over the mother on her arrival, and we will pray in his mother when he leaves..., he is physical for those who accept him as a divine man and he is vainglorious for those who do not, those who do not tire their limits do not move the fence of their three-quarters demarcated, entering the undemarcated spirit as mobile emotional , girding a father and his image beyond because it escapes in our reason and faith, if not it is beyond or closer to what is usually a voluntary desire that always remains, if it is the Messiah everything is accepted in your mistakes of returning to reprimand after erasing the test of your random Being reprimanded, what the error feeds in you is digested by your active mind. Here we are extended before the anti Faith and Distended Will, underlying a new tradition that will need to relive it and get to know it if those of us who continue to speak of ethnic faith or about the naturalness of multiple tasks of their intolerances. Little Joshua says: "My fingers disobey me from her because they are far from my mother's, when I want to bring my visions of her closer to her, I throw myself into her gaze to ask her permission. But more than anything that leads us north, it flows faster than my shadow feeding on the light of the epistle. I sing and intone wills that come from so far away but I am distracted by looking and seeing those who organize an altar not so far from it..., up here on the roof. I feel without knowing and without knowing how behind them is my Father, and next to them in line the pavilion of the multitudes that sings me of haughty brave and Lord for those who are not. I never get tired of talking about the beams! they flex with the horses of the universe, and the dimensions intersected with my passion in my tension that falls compressed and falls reluctantly at the moment of tired inertia. The prism makes me hold on to the portions of the arcades of the stable, and this is in the creaking of my doubts in the desert of Jericho. The torsion in its mechanics as a noble beam, unbearable does what my reflexive pains endure so as not to stress the beams of others. From Nazareth to Bethlehem, a great effort to sustain the tension and torsion of the mechanics of the altar in the hands of those who fall weightless without feeling the weight that their load lightens on my back. In this slender mass and geometric beamed wood, the daily calculations that my father makes when he is tired to hold the world and my trova back are deformed, and when he is with impulses beyond them..., he deforms what the torsion does on it and does on the other Merida angles. And because as his son I don't know how to interpret it unidimensionally...? whose axis and radius I never knew how to understand, making myself wisely ignorant, taking hold of their garments strongly and of the mysteries that go beyond a constant creation in a stable" The Aramic Semitic language was presented in this Eucharist, on the Kafersuseh, by Joshua, He took his father in the stable with all those who came to see him, he looked at them beyond thousands of years to come to meet the humanity that lay grazing, always addressing them in Aramaic parables. While below the kings gave him offerings from the east, above beyond the studded beams, King David was consecrating him. Behind the King was the Father Creator supervising the thousands that his son Joshua would parley with Aramaic tongues, when the thousands of futures are consecrated alive in their astral bodies to the right of the Menorah, together beyond the archangels surrounding each one. Joshua watched carefully as his Aramaic lingual farming went further from Bethhlemem, beyond Kafersuseh where the evanescent height responded to a canopy shed of the beam that leaned on the stars, populating his trapezoidal back for a provincial development in his nonverbal escape from losing his unborn language And entering Aramaic through the divine membranes that descend through his olfactory halo language. However, he was already beginning to descend from the terrace to address the base of the peasant Christians who adored him and extolled him horizontally, lavishing him with water to distribute in their hands and faces beyond his visions. Joshua looked at Joseph and felt that his Aramaic was already his, but he would leave in advance walking towards the Garden of Olives..., towards Gethsemane, to meet with a frank theo-dimensional language towards his Abba Creator, surrounding them with Lepidoptera that burst their chrysalises plaguing taxa of Aramaic micro languages ​​to take them to their Abba who would await him in further ceremonial on the flat slopes that flowed with him in a language that might one day be lost as a dead language. However, this Arabic language will go in placebo on these pollinating Lepidoptera and they will go from the sacred lands to Gethsemane from their heavenly visions to Kafersuseh. In their homogeneity as dialects, the impetus of Lepidoptera began to be reborn here, traveling in nocturnal groups, to Gethsemane on the same day that Joshua came into the world in Aramean lights. When Joshua was born his Aramaic language traveled from the highest beam above the roof of his barn, to arrive with his biological Lepidoptera lingual species to pollinate Gethsemane. To migrate from that moment his word that he kept knowing that his body would be lost before those who tire in their eyes by not being able to decipher or read. Thus, transferring pollen from the stamens to the receptive macula of flowers in the angiosperms that will populate golden olive orchards mounted on vectors of the aforementioned pollen will be flown and piloted in more olive trees by the bees that will carry strains from the Kafersuseh in Bethlehem to preserve the moral language of Joshua. Although the new labors in humanity with all this and manner will go astray as a non-preserved language, not even imaginable at the birth of the Messiah until the beginning of a Gethsemane in a united Aramic body and language, but with an invisible Aramic body in those who do not you will be able to see the migratory flight of the Lepidoptera applauding mixed with bumblebees.
Messiah of Judah
Haley Smith Feb 2016
No one noticed
Or even cared
Some days I was gone
Some days I was there
No matter how hard I tried
I was never noticed
Just a lonely wallflower
Trying to get noticed
Staying alone by default
Learning to write my words and thought
Sometimes you see me
Most times you don't
I hide behind a veil so thick
I listen to the rain gently fall with a patter
Life goes on without me I see
Just a pariah that was meant to be
Content with going unnoticed
Happy all alone
No one to please
No one to condone
I'm invisible for all to see
But not entirely invisible can't you see.
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.

God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.

Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.

Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.

Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white ******* which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime."
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for ****** whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.

Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.

Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his *****'s door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.

And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.

— The End —