Sometimes I want the snow
To fall over me,
Cover me
Somewhere in the woods.
I’d just lie on some fallen twigs;
Listen to them crackle
As I pushed my back into the earth.
Then I’d look up
And watch the white drop,
Let the snow fill up over my body.

I’d feel it sink into me,
Pour into an empty mold.
Cover me
And make me part of the smoothness
Of the white earth.
Then I’d wait,
For the rabbit or deer to leave its tracks
Over my white.

And I wouldn’t care.
Not care that the snow had been
Wrinkled~
Because I’d wrinkle it too
When I got up and left my tracks
On another’s white—
Maybe someone like me,
Who had watched the snow fall.
And maybe they’d stay longer.
But I’d have to go,
Because it’s only
Sometimes I want the snow
To fall over me.

Sunset is a washwoman's stream of rubia dyes
And the crushed scales from the Kermes insect,
While the loosened garments of life slide
Over the ancient liquidity of the hills rolling
As the mountains rolling as the seas rolling
As the clouds rolling as the graves rolling
Like eyes rolling back to sleep.

I am pressed for lullaby,
Not the pillow-clap of thunder or the ether songs of Persephone,
Biding by her asphodels with icen fingers from plum-colored hell.

But press my ear in my mother’s lap of ancient sun,
Of peplos and himation and stola,
And listen to the vines and bunched grapes
And all of heaven sink in its commodiousness.

Press my ear to the sun-fed heart that flows
To the furthest span of the cloth-seas of man and
The solemn songings of the ever-deepening sky.
My mother all along smoothing out the wrinkled sheet of sunlight.

When I was too young to stand against the world,
I ambled its sempiternal floors and overheard clear minds
Blustery through the stark decor of man’s marbled winter.
I was too young to huddle in banners for warmth,
to follow festive the dizzy denizens to their
lightheaded classicisms, their sandal-freedoms upon desolation.
I was left word by regency, word alone.
I was a child at the base of dark thrones.
And too often sneaking looks to steal a seat,
Sneaking seats though no one was to come.

I am a child in a place of dark thrones,
Too restless to settle when no one will come.
Lying just to lie across the worldly floors,
As my clear mind blows the torches to sputter,
And the hallways, one by one,
Are wordless and long-heard.

Here hang the wine-sotted troubadours of sadness and clouds,
~Having played serenas to paramours lipping at the cup of an evening bawd~
Like tethered donkeys now with their packsong of pastorela and alba,
No more musical mensurations of the ****** Mary, Cantigas de Santa Maria,
But slung over the railings of dawn-blotted taverns or courts of renown,
Here hang the wine-sotted troubadours of sadness and clouds,
Like drinking gourds, their stringed citherns dangle from their shoulders,
Leaking the strummed honey-wine of sound like the retchings of the nearby sea.

You who have never known the loveliness of love,
Gather your heads on the torn pillow’s edge of mud,
Under the wood-tar shadows of camphor-aided sleep,  
Where your low-flung groans are starvations of sound,
And the amputated clouds, insinuated with gangrene
And blood-stained woods, are still bound to the shooting
Stars that fell beside you and flung up hissing rays of grass.

Parents of the midnight sky, the stolen stars of your children
Open their broken mouths to the battlefield heart of trespass.
To their soldiers’ eyes, the floor of heaven is uncut grass,
Wet with rain and mold and the unlifted wings of Pegasus,
Whose unearthly hoof to unearthly earth scuffs the clod
Of the lunette for the cannons to divulge the great, stuttering
Coda of everything old, malformed of breath and bone.  

Some grass somewhere will now seem the hair of a sweetheart,
And those dead eyes will aways stare, too fond of love unknown.
So the dead soldier and grass and sky conspire to hold a woman,
So the soldier makes the truce between earth and sky,
Between man and the divine, though the chestnut trees    
In red human tongues, pay their deep-forested encomium to distance,
In misspilled gorgeousness like Apollo surveying his own tomb.

Therein lies the fur, filled with running wind,
Milkweed in the scruff, the scent of wild-wood,
Some mystery-hearted forest where pulse begins.
Therein lies the Centaur, satyr, and god-disguised swan,
Ageless wonders prowled upon by an age-old Parthenon.
You broke your wolf’s tooth through those haunches of lore.

Therein lies the fur, filled with barking dust and dandelion war,
With a spine that stretched back to the she-wolf and city-birth,
The peeled nerve of a howl once tremored your Aurelian lips.
Therein lies the serf, hunter, fairer hand, and lord,
From wattles and daub, the wandering-sands of Saracen, or Crusader’s moor.
You kept the path beside to remind that instinct shines as the holiest earth.

Therein lies the fur, the warm, ungovernable peasant of sleep,
Ever prophetic in your skies by eyeshut-trace of the hunting moon,
Twitching at the day’s thousand faces, all asleep in themselves.
Therein lies the soldier, nurse, chaplain, and fell-prayer,
Mange-like war is the whimpering season with its flea-bitten welts of stars.
You struck blind but true at the throat of gas-hissing war.

Therein lies the fur, outracing the rain and the spout,
Nested with more birds and Autumn song than rain,
Your sleeping ear pooled like cool eaves of the barn.

I sing once more like a boy into your unfolded ear.
Listen always for my ancient, choral voice and your chores of play,
And race earback to the sun in the belly-grass of your free-eyed fields.
Leave your last paw mark, torn on the red clay of my hand.
You are forever wrapped in human touch, ageless and aged,
And if ever the dark in madder darkness encroaches,
Leave black eternity to my faithful eyes.

Come home from eagle-throated distance,
The canoe-tip of the crescent moon scuds
Into the silted, mud-bed of heaven.
Her face-dream beside the pine trees
The mollusc of purpled wampum beads shining.  

Bury my hands, ninidji, in the eagle’s nest,
Carry my feeling words to her on wings.
Let her mix roots, berries, clay
and the feather of my hands
To paint her face with my words and these trees.

Or let my hands ripple like flat-fish
Above the silt-bed of her slim stomach,
Held there in radiant scaled warmth.
Lappihanne, the rapid water of our river heart,
Like an arrow that glides from the bow,
My people where the tide ebbs and flows.

To us both, the dark, golden edge of woods whispers, kuwumaras…
And the water arrow will never land,
But carried in my eagle’s hands,
I say kuwumaras, my love, and pierce through all darkness
To the empty path made full with the ripples of all who have passed.
My nika, swan of the woods, let us dive into the dark, golden sea
Of forever in the hills.

If the sun was dipped in ice for a moment,
It would not burn, but sing of the difference of self,
The disparate extreme, the broken yelp of a solar flare,
Muted by the soothing sojourn of iced light in layers.

Cover love in ice and it burns,
Voluptuous in its piercings,
In shocking bloom through the universe.

Death has pluck, you know, the like to sever love,
Then to show unannounced after the ruckus,
Even after so many no-shows at the theatre or club.
Death, indeed, is a tough sport, I am told,
Who plays cricket or some the sort,
Though no one really knows or asks,
“Wicket” does seem a word of choice.
But, for certain, a devil’s ouija hand
Of bridge whist, as sure as lives off
Pall Mall or Regent, as pipes a walk
In the London fog, here and there.
Yes, indeed, I would call him a chum
If he wasn’t such a cad.

Time has turned her back on me,
So I feel the rough shoulder blades of sin,
So I no longer conjugate with her reflective eyes,
But see the incommunicable universe, as cosmos
Of ribs and unshining lungs, wet and clay-like,
With fingerprints where I pressed in.

Time has a ravaged back and the organs drop
Like sodden fruit, gone unpicked.
Time is that woman looking back,
With her hair witchery of forever turning.
I see the future lovers on her crystal path,
Translucent workings of her single-sided glass.

Love has passed me by like a stream at a miller’s side
Who has store of grains and grinds and little else.
A bird is the mill wheel that spills out
Small buckets of splashing trills in these woods
~Whose heart is the great spiral tragedy of a tree
that lessens itself by load of leaves~
Love has passed me by like a road for the dusted hoof
Of a pack horse whose rider is a daze of coin-pursed eyes,
And a saddle of dry distance for fortune’s miles.

Love, how you pass me again and again,
In your madness for grain of coin and its too many roles.
Sometimes the giver is more gift than the rose.

She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.

Loneliness is a sketchwork of pen and ink of iron gall,
Brushed over in brown wash of wood soot from oak,
Disguised then under tempera of golden-ratio of yolk,
Flared over with fiery oils to the smoke-blurred brink, sfumato,
Or pigment of the fresco, a shade of off-life, languid as watercolor,
Or from the too-fondly-felt impasto knife.

But bares its bones in the light-dark cleft of Caravaggio,
With diminutions of death and the storm’s dark imbroglio,
And sunlight as flesh made into soul,
The skin stretched whole around the world.

Each sky is just a sketch
Of loneliness, left unsigned,
By every hand.

Death is a fluttering bird unnested from one mind
To bring its twigs and mud to the next, startled mind,
Where it dwells, Death and its brood, silence.  

Death is the fractured self, once removed from the mothering mind
~In journeyed sadness~
To its own end, fully aware of the whole and of its own disrepair.

The Trojan dead are whispering
Indecipherable secrets to sodden-eared earth.
The wind has eyes and sees beyond, Titans outremembered.
Ajax and his oft-turned back
Carries again the fallen from the fields:
     The ******-slept clouds, unsuspecting;
     Slumped Achilles of disbelieving-godless eyes,
     Flinging the final spear of his own blood.
     Soldiers all now of the green husk.
Titanic silence engulfs sound,
Except from those who mourn.
The storm is only a storm
As long as the leaves are lost.
Such is the untimely, timeliness of war.

A snowflake is when life and death
Touch lips~not to kiss~
But to breathe unheard words
Into each other's hollowed mouths,
Like a dark, unending woodlands.

Death is a flowering inward,
@— the cleistogamy —@
Like lips to our own souls,
Drinking ourselves to florid nothing.

Autumn was an old Viennese street held up in sacrifice to the sky,
With burnt-song offerings that still see through the clouds, as they see through you.
His was cobbler craft of reed-winded flame for the foot in tune,
Amid the outsnuffed shopkeepers’ lights and the candlesmoke of midnight hours,  
Pulsing above the inner heart of the Ringstrasse
Of brass signs and paving stones, misted and mute.
His was the candelabra of wick-notes
Wanded through the windowed rooms of forested night.
His were those woods filled with doorways, bookcases, and stairs
And everything dim and warm with people, no longer there.

***

The winter sunlight played across the keyboard of crypted windows,
And in the muted under-roofs of ice and snow,
On one window, like a hand in whole rest,
The caramelized glass swallowed the flame-image of the stray redbird
And the black carriage wheels that passed.

In the long hallway of the Viennese flat,
One candle remained lit in the mouth of song.

The cicada husk of the crescent moon sheds in cyclides light,
Molted whispers of life, spread like perfume behind the ear,
Or like silver earrings unadorned and scattered around the night-lit table.
Here too, the garden gown of Babylon lies heaped in soiled ruin,
Beaten down to sand at the foot of the bed of the Tigris and Euphrates.
  
Though the dunes are its aerial, root-bound springs,
Though the underground nymphs tend with cicala wings,
And underspurt of incessant summer song to lure
The resurrection rose of Jericho to bud once more,
In desert-faith for the hanging garden of a full moon.

Fall to me, all you streets of Rome,
With your embrowned oils from torched walls and breccia of shadows,
The pizzicato of stairways and afternoon slowly closed
Like the thick, leathery-echo from this book of all roads.

Fallen, smoldering empire of storefronts and back-shop heirlooms,
Your lupine hills unbound with milk of cur in the wind and woods,
To your fallow fields rowed deep by a conquest of oars,
To the deepest silence and soot-muted oneness of Pompeii,
And a sky that is an ancient coin, without worth,
But still rubbed smooth at the edges by overfond lovers.

Pure sorrow is too beautiful for this world.
Pure sadness is too human for us to feel anymore.
But grief is still a snow-covered tongue whose melting chokes and overcomes.

The immortal is the time before the rain
When we have thoughts of it afterward.  
By then, the mosaic of tongue and its words
Are broken stones swept away
By the shuttling broom of storm.

Alstroemeria, Southern-rooted watcher of the skies,
Angel tongues of Peru, with your ******-blushed annunciation
Or Incan-hued sacrificial fire.
So much like the moon tongues of all rivers in first frost or first harvest.  

Like first love, first death is the truest form,  
And blooms in scorn of all its many-mirrored rivers to come.

There in the box lives all of Christmas,
All of the serendipity of the midnight cross,
All of the iced tassels and tinsel-worn frost,
All of the gazed-upon rooftops that turn
From emptiness to stars to ever-wondering thoughts.
All of my boyhood eyes are closed now
With those in the box.

The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.

Brother, our young summers held us in a long chain like the phalanx of bronzed soldiers forward flung,
And the lion was skinned and hung out to dry like the sunned-fur of the beach at Marathon.
Brother, help me to dream again.

Brother, our yellowed days shook us like serried Hoplites of an atomic age,
Shoulder to shoulder, friction rubbed, all ranks split from the fissioned-flanks.
Brother, help me to dream again.

Storm-footed Titans of heat, dust, and irradiated wind pry from a ruptured Tartarus,
The flanks are an open pulse; the scorch-song thirsts for its sea-cooling to stone.
Brother, the lion lives that wears your skull around its mane.

Brother, dream of me again, of Persian arrows and lances,
And my fallen eyes instead of yours pouring in
With a sea of lavender water and mists
And summers of once-were.

Old stripe-laced tiger moth of the Serengeti with your sugar-seeking tongue,
Your powdered fang stubs into another ******* hartebeest of some bud.

That night, one of the old guard died,
And the rain said nothing,
And the thunder said nothing,
And the clock with its bell chimes
Struck nothing.

Sicily is the golden caesura of history,
Where the human poem is paused to hear
The exalted precipice of its own sigh.

I make my grave in her dark treason of hair,
Fragrant master of soldiers and memories,
Bei capelli, conspiracy of internecine curls.
Her upbraidings strangle all my sweet nothings
To breathless wish of the emperor-purple of lips.

Flow then like black gloss of birds
And the brood hatchlings of shadow, exiled eastward,
Fled like a premonition of warmth somewhere far off,
While the wine-colored blood spills his heart into a throng of mouths.

Love, you are the hardest grave,
Were you ever just a kiss
Or always from daggers made?

You too will die,
Bird with the little eye
That sits outside in the green holly;
We say our goodbyes,
You with your nodding head
And me with my sighs.

Fall is an empty street in Rome,
Of byways of dry-leaf stone and moth-haunted hours,
Of market stalls with their over-haggled and fingered rinds,
And melons moiled over and palmed and bruised.
The light blows like once-told ripeness from the basket of fruit.

Greece burned its sins in the days of Rome,
City of wrinkled roads like the crushed pillow
From a sleeping lover who left long ago.  
The sea tends to its wool-gathering of sands.

Love is a Phoenician breeze,  
Purest abjad of Tyrian purple and royal blue,
Pillow bearer of golden consonance between kings.

Love is a Phoenician trader over deepest-sounded seas,
Far-blown nomad that still wants for the thunder of golden drums
And the rain that comes in rounded vowels of water.

Because love has no tribe but is the purest nomad.

The sky will never hold more
Than all the paths of soldiers’ unreturning,
Laid out the length of undone goodbyes.  
Their eyes that sleep on the wind,
Palace of last breath,
And the rain that falls, expectant of windows,
And those left within to live without eyes.

Blow, Lyceum grasses, blow,
From coiled lips of your wolf-god Apollo
Whose dawn-padded paws to starprints roam
This temple-tribute to thought-illumined roads.  

Blow, Lyceum grasses, blow
Of wave upon wave of your brushings-by,
From staff to sandal-fall to cloak hemline,
For rhapsodes, your song-odyssey to sew.

The Greeks built the sun,
Upon scaffolding~acrobaticon~  
With pear-skinned lightness to glow,
Or like leavened bread from the woodburning stove.

Blow, Lyceum grasses, blow,
The sun lies old on its famine-cracked pillow,
In spittle of gold and yellowed phosphorous,
With the gods past-blown to ruin.

Sound is a torchlight passed
Along the eardrum to quiver in silhouettes,
Shadow puppets of the mind.  

Stars are the torchlit soundways to the divine,
With flickerings too far to be heard
Or too much shadow-disturbed to know as sign.

The dead lie like Rome,
Like toppled sunshine in stone,
From a boy who had blown
Into the seashell of the Forum,
Heard back in restoning, the alley of home,
The narrow, basket-flowered angiportum…
But, lips too strong, let out unknown
The stone-witherings of Medusa
And the bone dust of empire.

Books are like the sun’s rays,
Still giving off fingertip warmth,
Though long cut off from the source.

Books are sunlight and Greek silence
Captured in glass firefly jars.

Her eyes are the lighthouse of the Pharos,
Alexandrian, bronze-mirrored fire flung round
The gloaming coastal sorrow like sand-glittered spears.

Her praying mantis limbs of light,
Sever-poised for needlepoint strike
At the jeweled glint of wings in dim, rare-seen limits,
Now one with her rasping sea of scarab beetle husks.

Paper lantern prose,
Crematorium of hearts,
Beating quick to ash.

Like the frog of batrachian notes in the inkwell of swamp,
And the bee waggling hieroglyphs to the papyrus of hive,
Like the flight of birds in the palm of radiating skyline,
And the sad might of the world to the caged dog’s eye.

Paraselene,
She kisses like the mock moon.
Her lies have beauty.

Winter is a cucumber, all ice and evergreen,
A frogskin in formaldehyde,
Cross-sectioned for slides.
What veiny depth from circle flakes is seen.

Love beneath the linden tree,
The blue touchpaper of fingers entwined,
And sunsets of ignis fatui,
The lightning wick of lips and the caroming atom,
That once held faces,
All but sear and blast wind and howl of eyes,
All of love adrift.

Numerations of
Lips...Tally bead-like...kisses
On the abacus.

Venezia, its musical key of brick and shade
And the canals in rejoining polyphony
Sweeten the dour Church-ear.  
From the impasto knife and loose brushwork,
A thumb-smear of waves and gently-bristled strife
Rise to assumption of the cloud-submerged bay,
Mural of cristallo, only-light without landscape,
Made too from the winds of Murano,
Its clayed blowpipe of waterways molding
The lagoon of blown glass and bouquet of colored sea-shadows.

The Tiber lies on its side, like the lion and fox,
Licking its paws at empire’s dust,
A drifting gaze of water that already foresees
The swift-run northward to Romagna,
Where the veined fur of the roe will succumb…
A ripple twitches like one dark claw of the Borgia…

The watercolors of the Arno are a fresco
On the wet plaster of the lips of Firenze, Tuscan fire-dream.
Or like the warring leg in curve of counterpoise,
Sprung foot-forward to the daring world
And arm slung down in stone-victory
From this valley, too much like Elah,
With taunting eyes turned from the Medici toward Rome.

Dehiscence of war,
The spent shell is the split gourd.
Dry fruit of dry years.

The snowflake is castellated cold,
Of chill crenellations and turnings narrow.
Court of pie-powders and gray-skied brazier smoke,
Of inner mazework dimmed to ****** holes,
Or the hooded machicolations from tower spire
Of oily darkness and arrowslits of Greek fire.

—

The snowflake is Medieval reliquary,
The frozen skull of rain and blood clear of sin,
Wind-captive with its prayer of quiet
On quietest lips, close to wine and sacrament.
Or the chapel and its waxen paramours
Of incorrupt body and candlelight upon the moors.

—

The snowflake is the mighty frozen spark,
Fire-forged and ironwrought,
Under the eye of Hephaestus,
Blacksmith of sorrow’s wind.

The earth-dark octaves of her singing hair,
Sung-circles of campagna, the citadel,
And campanile bells in the Segestano air.
The pail sits like an expectant kiss on the lip of the well.