I never got the chance,
To see the outside world,
Since I was sacrificed,
For the honor of my family.

I sleep on the floor,
Right next to dogs,
I eat from the floor,
Just like a dog,
But I work for, a very honorable family.

My mother-in-law is loving,
She wants the best for me,
A daughter as a child would be bad right?
Us, being a family with honor and pride.

I was violated,
But my life was complete,
I married him,
The honor of the family wasn't tarnished at-least.

I don't want to marry,
My heart lies among the paints and brushes,
I shall marry,
My mind knows unmarried girls bring taints and shushes.

My brother gets home by 3am,
Me, 10 hours earlier,
My dreams, my life, my need for freedom?
These don't bring honor to the family.

My aunt died,
I will too,
My husband passed away,
Awaiting me are flames that flare and sway.

Our lives are a necessary sacrifice,
Our families should live, with honor and pride.

She's a leaping high five
with her feet planted firmly
on the ground

She is a crescendo of sound
and emotion . Puts her finger to her lips and shushes me .

She bathes in moonbeams while
tantalizing stars knowing
their touch is too far

She hides behind the clouds when
the sun burns . Capturing the rays and
hiding  them in kelidoscopic jewels she wears around her ankles so she can see
where she walks on moonless nights

She teaches fairies to dance in rings
and in return becomes the dance instead

She's the Cheshire's smile that
disappears on the wings of a firefly

If she sang the way she looked,
you might expect Kate Smith
singing "God Save The Queen."
That *** Pistol'***** did not
come out, more voice pixieish,
a song unknown. Words were
bleary but delish were notes.

Complete meaning lost,
her elfin aria enchanted us. Indeed
there were whispers, "What is it
she's singing?" Then shushes
from those already spun
in her spell. We drifted into
her Mother Goose downy lullaby.

Fattened by unexpected
mellow mouthwatering coos,
her taken audience drank it in
and from beginning to end
were somehow morphed into
fuzzy waddling fans.

I walk into a hospital and the hospital is a graveyard. A doctor stands with his back to me, performing a ballet autopsy on a bluish barbarian. A single salty droplet falls from the  bluish barbarian's head and there is a tremor in his hand. "He is alive" I whisper. "Stop doctor, stop," I say but the doctor doesn't listen. I keep shouting louder and louder until I am making a huge racket. A skeleton nurse shushes me. I scream and the doctor jerks, his graceful movements broken. He turns to me and his glacial eyes take over my mind, stripping away my layers until I am barren, exposed. He speaks but his voice is a wolf's voice. A wolf's voice isn't like a human voice, it is *******, harsh. "Look what you've done" he growls. "Now it's impure. It's weak." I watch as the bluish barbarian becomes dozens of tiny screaming beetles. Then he is dust and the graveyard is an urban labyrinth. "You stupid thing," says the doctor but the doctor is now an ant. I laugh and walk into the labyrinth but the doctor-ant follows me. "Shut up" I say and I laugh and I cough and I walk into the phlebotomy lab and break my skull on a glove. "I told you" says the ant and it walks away and I cry.

i'm a poet, i don't see language in linear fashion as a plumber or an electrician might, or as circular as a lawyer spinning lies might... for poets language is multidimensional... and, counter-intuitively... disposable.*

in the language of phenomenology
the kantian concept of the noumenon
is just translated:
an exception -
and there is not article attributes
to suggest whether the stressor
can qualify as definite or indefinite,
since the quantification value is 1,
while the qualification value is 0,
meaning that the phenomenon of, say,
a heart attack, with the phenomenon
allowing 3 years more to live,
while the noumenon allowing ~8 - ~18
years to live is un-quantifiable,
since it's an exception,
and can only be un-qualifiable
to stress its parameters if it's left
un-inspected by the noumenon-itself.
i can't stress it simpler, nor can you;
as with regards to to the commonplace
problem of existential identification
with concepts such as god, john smith
b. 1974 living on mayfield st. for the past
twenty years, married with 2 children...
using such edenic nakedness as are the pronouns,
then returning from this realm of nakedness
into attire of concepts in cognitive signifiers
used elsewhere for prayer and divination,
what are you so naked among the cardinals' clothing?
a wriggly worm, if anything?
we have inherited a nakedness with the nakedness
of pronoun usage to avoid theological association
specifically, to remain human,
to remain as john smith etc., and not thirst
for such entities beyond the invisible realm
of sub-atomic particularisation - refreshed
by the fact the we can ***** the einstein bubble
where time and space huddle hug and play the harp
in a parallelism of the dipped-in...
we can suddenly hear newtonian causality
of the atom bomb... of the internal combustion engine
and the "sparing" use of fossil skeletons
derived from hawaiian postcards and pavlov of the eyes
that ingest jealousy to salivated rather than hunger...
we can see newtonian physics provide us
cause & effect... but in the einstein muddle
we go on... living our perpetually-seeming lives
to the extent of a debt unpaid...
seeing is believing the old maxims shushes
when others are muttered in retreat
from the arena of rhetoric where the greatest actors
engage a sizeable inversion of parameters
in terms of mechanics and activity...
oh there... there they have it...
the western hinterlands who took pride
in teaching children of the greatness of nations
being built upon the remnants of butchering
social / civil engagements... and having no
other foreign power engage with their
disorientation... now... the great nations... now...
suddenly... trying to invoke a foreign civil code
into a nation that lost its civil practices?
will an english butcher say to a syrian baker
that the syrian tailor is prizing his body for bounty?
no, because an english politician will do that for him,
the english butcher will be a pop-art colour splash
against the pavement...
civil society of syria is not dependent on
english civility... and no english politician
can provide the syrians their former civility
between trades to make society coherent again...
only the syrian neighbour with a syrian neighbour can...
no politician knocked on my door in my life...
i don't even know what a politician looks like
or sounds like...
a civil war can only be solved by civil means...
not by foreign intervention...
it is about civilians becoming civil once more...
foreign investors will never crack the stalin code
available to the civilians, there, waiting...
to re-engage with society once more...
with civilising with providing art...
we don't need bombs and foreign soldiers in syria...
we need art... seeing how all the foreign neglige additions
of the final solutions in terms of postponed paranoia /
para-phobia / the spider just transversed the ceiling
doing a moonwalk - care for old ruinous buildings
that define the meaning of museum.
if i'm being honest... i rather see the worst... than fear the worst.

Click them off like

rosary beads

with accossiated prayers.


Smudge the dreams

into the eiderdown,

And divide them down

in ironed out

layers.


Line them up and

gobble them with listless

tea.

I am your prediction!

(said in shushes,

quite benediction)

I want to drop like stingless bees.

I am Addiction to Tranquility.


How jealous I am!

Watching him fall on his ****

as I begin the solitary farce

of trying to close my

eyes.

I watch his chest slowly sink and rise.

How beautiful -

to be cut down,

like grass.


Flophouse drapes of

cigarette smoke

hang from the ceiling in

billows.

A headache clings and

holds me close as

daylight stumbles

like a ghost,

and settles her questions

on my pillows.


The tragic thing about each morning

Is that I greet each sleepy dawn

with the dry and

pinkened threat of tears.

Sleepers – do you know the

might of what you do

each ******* night?

The oblivion in half your years?

The fiction of your wild frontiers?

The obliteration and presentation

of all your garbled

Freudian fears?

Do you know the glamour in what you do?

Do you know what I’d give to be like you?

To live and somehow not be here?

To close my eyes?

To disappear?

we break into the graveyard after hours. no purpose, but it's just there, down the road. and it's nice the way it overlooks the ocean.
   climbing over the hedges, we see a middle-aged couple already there, blasting dixieland on a portable radio. we share a confused look, and just leave again, a tad indignantly. it's the kinda thing that's ruined if someone else's doing it.

                                                  summer drags on,


the sound of trucks. bubbled wallpaper in pavement creaks.
wonder with the directed slice of soft fallen pillow lumps.

we
          round the way to the two parks, one with the children mewling on the wooden
stumps and the other with the cigarette butts, sports grounds, snubbed out sunday radio. the wind make a steady jaunt down the long
forgotten corridors. there's little to see here, but it's an easy place to make home. the trees sway something rotten that would make a newcomer uncomfortable, but you learn to shut it out.

we're
standing in the road, hands in pockets, against the chill. no one's sure what to say. not sure if saying anything really helps the fact. it just embroids the situation with complexity, detracting from an otherwise pure, if unpleasant, tone. we settle for a 'see you around.' the claim, if it is a claim, is false. the movers come early the next morning. and the house down the way stands vacant. the boards rot away. a year later the building is knocked down. rebuilt. craftsmen and diggers. but the same lot. same dirt. chewed up and digested. every winter the worms die. are replaced. tendrils expanding and contracting. sit down. it becomes so wearisome, but sometimes the sun's mild presence  makes it okay. the boards buckle in the damp morning light. the
  water filtration system hums down the road. the neighbour's kid crosses the road to the other park. kicks a soccer-ball for a few hours, gets dejected, and returns home, is reswallowed by the painted timber.  


the bible pushers did the usual rounds on wednesday. Mrs. Grensten would always let them in for tea. we'd watch from the other window, and imagine infidelities, convoluted fetish play that they'd get up to. a game of enticing disgust. eyes on the window in the hope they'd slip up, and we'd see a shot of tired flesh among the drawn curtains. a vacant voyeurism. laugh in the boredom of a dreary sin.
       they haven't visited for some years. after Mrs Grensten died, the next time they came Mr Grensten chased them away with his walking stick among coarse shouts and tears. the downstairs windows and now left open, but there's nothing inside


your pen-pal in Romania sent a postcard. they didn't write anything, but there was an old chapel in a field on it


some days the sea is quiet. generally in the early morning, during lowtide. under the moon the sand takes on this expansive pale blue luminescence  
        usually it's either too crowded, or the waves make up for the lull in people. i thought i had a point here, but i didn't


  she stands in cotton robes, stained and dyed with gin. mother says to ignore her. she rings a small ornamental bell. you don't really get it. you ask why she's ringing it. with a finger to the mouth she shushes you. you look offended. as you 're about to persist in demanding explanation, she steps out into the road, just as a courier van speeds round the corner. she wears a soft smile. the tiremarks on the cotton makes a pattern that reminds you of something, but you're not really sure what.


a humming light on an old oak table. there's a peacefulness here. you loose tempo, and the crowding figures look at you with irritation. you feel small and wish to melt, to become liquid and drain away, move in motions already dictated, they ask the next question. Who are you? Why? Justify your reasoning.
       a half ****** caramel drop. sticky.
       pavement grit. coarse.
   they
                closed the walkway due to wasp nests.
you're not sure which route to take. you pass
     by the graveyard instead, and look out to sea. there's a gentleness here. it reminds you of something, but you're not sure what


   we used to find bugs at the pond edge. the area had a piercing smell, but that was part of the charm. it meant we'd never dare enter the water, though. one day in teenage bravado, we did. it was slimy in texture. suddenly, you pushed my head down among the green folds. there was something there. a soft, but solid texture, like jelly. electric scatterings. old tire tracks folding out, like a deconstructed rubiks cube. i shoved your head in as well. we laughed and splashed in viscera.  wye's spoke in empty folds and promised us the world in reassuring tones. the warmth of a log fire on a winter eve, crackling sparks glowing in undulation. the muffled tones of a showerhead, blanketed in feathers. a mellow smile of the certainty of an inviting future. we lay on our backs and the sun shone down through the trees. as it passed the yardarm we headed back to shore, lost rapture of the soft kisses of meadow-banks. you grabbed a rock and bashed me in the head. a solid but glancing blow. this too, was fine. no fear, just laughter. i grabbed one too. with blunt instruments, we chiselled skin and bone. small enfolds of the rising moon. we stretched out, fingers entwined. no fear. possibly regret? but a soft regret, the kind that tracks the passing of time, that lets you register the ceaseless withering of the past, and hopefully, see beyond. rivulets of blood. i breathe in your gaze, and melt into grass. just laughter.


the stitches in the corner of your mouth are rotten. that's good, that means the healing is done. flesh reunited with flesh. you feel it with your finger. there's a bumpiness, but little sign of much else

I want all of you.
I want your eyes
and the memories
that hold their hand,
and shushes it so that,
though it's presence is
known and acknowledged,
it is silenced and calm.
I want your smile
that shines the walkway
down your throat,
past your lungs,
and straight to your core.
I want your skin
and the paintings on them,
paintings of days with no sunlight
and straight lines of red.
I want your love.
Every moment of joy and pain
and sorrow and guilt, I want.
I want every goodmorning,
after a night's worth of goodnight.
I want the fear of saying goodbye to you;
knowing that at any moment,
the pit would find it's way back
home in my stomach,
as you're gasping for your last taste
of sweet, sweet air.
I want your love.

writing a poem is hard when your soul contradicts the rest of you.
i say i love this woman and mean it,
and fear grips me, puts its finger on my lips,
and shushes me. tells me that neither of us
is ready, that i don’t know my own thoughts,
hopes, dreams, wants, needs, and their reflection
in the mirror of her stark blue eyes and soul.
that it’s all an imagining beyond my own soul
and comprehension, that i’m projecting
a long lost sense of helplessness and courage
onto her without consent because i seek
acceptances and intimacies beyond my worth.
and still, knuckle-deep in this hard, scathing noise is a truth i refuse to ignore.
i am hers in my entirety and only want to know
that she is mine— my soul contradicts
the rest of me but i faithfully **** it
and aim for the future i’ve hoped lives
in both of us.

Once fully liberated, she rides her antique, three-speed bike down the small hill from her campsite to the:  RESTROOMS – SHOWERS – PAYING CAMPERS ONLY. She dismounts and goes into the well-kept, recreational facilities and takes a hot, 50-cent, seven-minute shower, arching her soapy back against the white tiles, rubbing her soapy front in the same spot, up and down and up, and then, rinsed, she stands, dripping wet in front of the first full-length mirror she's seen in weeks, gyrating her hips, mocking pin-up poses to herself and all god's good-looking men with a sense of the absurd, then she wraps her towel around, tying the knot between her *******. She stands outside in the sweet, Santa Vidian air, finger-drying her hair and imagining, unabashedly imagining, guys in the campsite above, eating fresh-cooked meat and ogling her. Then she takes off down the road, pale green nightgown fluttering against the rear spokes, past Bonnie's trailer where from sundown till 11pm you can hear the best country music: Randi Travis, Willie Nelson, Hank Williams Sr. She pulls up to her sweet “Bleu Belle,” shushes the dogs reflexively, hops off the bicycle, and turns, eyes closed, face upraised into a rare shaft of redwood forest sun.

He feeds me his food sometimes. Even when he knows good and well I'm not supposed to have any. He gave me his bed to sleep on all day, but I share it with him when he is home. He loves to hold me close at night. Sometimes, if not all the time, I growl at him to stop bothering me to cuddle close to him. A midst my growling he just shushes me and kisses my nose.
      I've finally got him on a routine. I sit at the door and he knows it's time for a walk. I'll walk him as far as he will go. As much as I wanna trot off he insists on a quiet pace. He also likes straight lines.
      When I hear the door being unlocked I will sometimes see if it is him. Being stuck at home all day is boring, so I get all excited when he comes back. I'll nibble at his hands constantly to tell him I love him. And to play. He's good at playing when I can get him to play.
      I guess it is safe to say that without my human I would not be here. And without me he wouldn't be here either.

I am lying under
the weight of the sky

its darkness
a solid thing

I try to claw
my way through

a totally tangible
terrible thing

drowning in air
I this human fish

gasping for
time

altering me molecule
by molecule

until I am
become

the statue of
my self.

Time has gone
AWOL.

An ocean laps
at my toes

like a Kraken
pretending it's a kitten.

It brings me gifts
stinky seaweed...dead starfish

lays them
at my feet.

Stars blown across 2 a.m.
by a sudden squall.

Time is switched
on again.

"Good ocean!" I tell it.
"Good ocean...good ocean!"

I pat it
like a pet.

A wave rolls over
wants its tummy tickled.

I watch my dead daughter
bring me the sea to see

cupping it
in her palms.

"I've found
an...ocean!"
she smiles.

An ocean slipping
between her fingers.

The rain falls through me
( someone is crying ).

The rain falls through me
( someone is crying ).

"Shhhhh!" shushes the shingle.

"Shhhhh...shhhhh!" it shushes.

Home is where the heart
breaks.    (fall into bed)
Familiar smells entrance
and lull, the warm
hearth of embraces
shushes    (a murmuring wellspring)
where spirit fails,
soul and body crumpled up like
scratch paper.

Hemmed in by excess
of Self, persona
blind to its orchestral
shadow,    (wrought by irony)
the mind scribbles
and raves unrepentant.

       (subtlety aches for
       skillful instrumentation
                to give it breath)

Singing the pain
of ages past to mourn
these harrowing visions

Beating on in leaden
veins to the lurch of a pulse
    (the crows take cackling flight)
         time the river pours off

The edge of the map.

Prologue:

Good ol’ Phillip Riley. The reason I am restrained in handcuffs, struggling but not able to put up much of a fight, being carried away from my beautiful -was to be- home. The red and blue lights are splashing back from the wet asphalt onto my cold face. I can assume it will only get worse from here, but it was worth it. She should have never crossed our paths and I have now made sure she will forever regret her decision. The only thing to do now is try and convince the jury this was an innocent act of passion. We will see who’s side they are on, after they hear all of the gruesome facts. All in all, the punishment fits the crime, and I accept.

Chapter 1: Mayville

My name is Mayville Houston. I am a single woman in my early 30s, nothing special. I am a licensed market coordinator at a real estate firm. For those of you who do not know what that is, I handle all of the appointments and paperwork that has to do with putting a home on the market as well as taking the home through escrow when we find a buyer. I love my job and there is always something new every day, but there are parts of it that can be repetitive and difficult. All and all, it is an amazing job and it pays the bills, I am grateful.

I am a coordinator to two amazing agents who are top producers, and hit the ground running every year. Needless to say I have my hands full coordinating these two. It is a blessing and a curse. I am a top performer with the top performers, but a lot of the time my personal life is sacrificed for the customer. Give and take. I start work at 8, make my lunch at 12, finish the day, work out, meditate, journal, paint, and do the activities that keep me sane throughout the day. I love my little life and how hard i have worked to get here.

Although every day is different and interesting things arise, nothing was as interesting as the day Phillip Riley and his wife Amber Riley walked through our office doors. It was a Tuesday like any other, all of us, heads down in our cubicles focusing on our work. I was on my second Redbull of the day, kind of a fanatic for them at the time, i felt that they got me through the day. Of course it was just sugary carbs, but I would be the last person to admit that.

Philip and Amber Riley bursted through our doors around 3:30pm. They had an appointment with my agents regarding some gorgeous houses in the area of Orange County that had caught their eye. I heard them come in, and being my agent’s coordinator, I got up and greeted them kindly, welcoming them to our office and introducing myself as Mayville Houston, my agent’s coordinator who will be assisting with all appointments and paperwork as we take them through escrow. I explained to them how excited I was that my agent Mariela would be taking them to see potential future homes. Amber asked if I would be joining them. I respectfully said I had to stay here at the office and take care of other clients. I could have sworn I saw a flash of sadness in Phillip’s face when I said that, but i have always been one to imagine things. There is no way.

Mariela comes out of her office and introduces herself to Phillip and Amber. Everyone is excited to start phillip and amber’s journey of purchasing a home. I wish them luck and hurry back to my cubicle, but before doing so I hand them a business card, letting them know they can call, text or email me with any questions they had regarding their appointments and paperwork. Mariela, Phillip and Amber were on their way out of the door, and I scurried back to my cubicle, trying to ignore what just happened. I swear I felt electricity between myself and Phillip Riley, but I think all of this time spent in this cubicle has me imagining things that just are not true.

Chapter 2: Phillip

*******, did I just witness an angel walk into the same room as me? She is going to help my wife and I purchase a home in the suburbs?

This is crazy. I am 35, settling down with my gorgeous wife Amber. She has strawberry blonde hair, blue eyes, skin as fair as a cherub angel, and a smile that could knock you dead. We are newly weds, so happy to be too. We recently married last August, and when we started discussing a more permanent place, neither of us could be happier about the idea.

But that was before I saw her. Mayville Houston. Apparently Mayville is what they call a “coordinator” in the real estate world. She deals with all of our paperwork, appointments, and assisting us through escrow. I did not know what that job entailed until she told me. Until her soft, plump lips and perfect smile explained her role as her luscious, brown curls bounced off of her shoulder. She was wearing a navy pencil skirt with a matching blazer. I tried to imagine what ******* were wrapping her perfect bottom. Tight waist, fat ***, *******, gorgeous face, hair and smile. Needless to say, Mayville took my breath away. Our first meeting was with Mariela only, Mayville did not attend. I was a bit saddened to hear she wouldn’t be joining, but i understood. I am a good man, a hard worker, a loyal husband… well, I was, completely, before i saw her, before i knew i had to have her, before i would stop at nothing to get her.

I think Mayville is my true soulmate. That is what my heart is telling me, right now…


Chapter 3: Mayville

A chip, Wednesday afternoon in February. For some reason, winter in California starts late. I am digging away at work for my deals when our office door opens. Usually i wouldn’t spare a second glance, but I realize right away who it is.

Phillip Riley stands, waiting for a greeting by our door. I stand up and straighten my outfit. I wear the same pencil skirt matching blazer combo, but today’s color is black. I walk up to him and chirp a quiet “Hello, Mr. Riley.” He smiles and says “why hello Miss Houston”. My knees want to buckle at his voice. It is like caramel dripping down a sundae on a hot day. His pressed, white shirt with a bright blue tie to compliment his perfectly chiseled jawline with just the right amount of stubble. He is about 6’5”, and has grey pants and very shiny dress shoes to compliment his white shirt and jawline. His hair is ***** blonde, but starting to grey. There is just something about this ******* man.
“What can I do for you, Mr. Riley?” I say, putting more confidence in my voice. “Please, call me Phillip”, he says warmly. He then explains to me he is meeting my agent Mariela, they have an inspection today, an appointment to ensure the property is in good condition, and his wife couldn’t make it due to being stuck at work. I get a little excited when he mentions Amber is not here. “Wait right here”, I say cheerily. “I will get Mariela for you right away.” I rush down the hall to let Mariela know that Phillip is here. She gets up and walks toward her door. Right before she walks out of it, she looks me dead in the eye and says “I see the way you look at him. Just be careful. Marriages are nothing to get involved in.” She gives my shoulder a squeeze and walks out. I love Mariela. She has always been like a mother figure to me. But something about the way she says that makes me shudder. I follow behind her quickly, heading back to my cubicle but hopelessly wanting to see Phillip one more time.

I watch them walk out the door. Phillip thanks me again, flashes me a smile, and walks out the door.

I can’t be imagining this electricity I feel between us. But Mariela is right, marriages are nothing to get involved in…

Chapter 4: Phillip

Another appointment that does not include Mayville. I am starting to get irritated. But I understand, she has to stay in her office and tend to other clients, like me. Each one’s needs different than the last. But I am not sure any of them have the needs i have…

I need her. I need to feel her on me, pressed against me, i need to feel what it is like to be inside of her, to release myself inside of her. God, what is wrong with me? I am married to Amber! We were talking about kids the other day! What is this feeling that has come over me recently? I cannot be feeling this way about another woman when we are searching for a house together. Am i completely insane? I need to nip these feelings in the bud before anything can get out of control. They are completely out of nowhere anyway. So I can make them go away out of nowhere too.

Mariela and I finish up the inspection, and she takes me back to her office since i left my car there. I notice there are lights still on in the building, and there is a silver honda civic still in the parking lot. I do not know, but i am hoping this is Mayville's car. I just want to see her one more time, her perfect body, in that tight matching professional outfit. Her pencil skirts drive me absolutely insane. ****, my train of thought got too crazy again. I. Am. A. Married. Man.

Mariella says goodnight to me. I say goodnight back and start to get in my car, and that is when I start to see her thick curls, flowing in the wind. I know I shouldn’t, but ****, I get back out of my car and walk towards her, while she is walking to her car.

“Hi Mr. Riley, er, I mean Phillip.” God, she is so ******* cute in addition to being so ******* ****.
“Hi, Mayville.” I say back. “You can call me May..” she says shyly. Why is she so cute?
“Okay, May. So what are your plans for this evening?” Innocent, but poking. “I was just going to head home… maybe have a glass of whiskey and binge some shows..” she says. “How about coming with me to the bar down the street?” I say, a bit more excited than I meant to.
I can see in her eyes she is unsure, but she nods silently. I motion for her to get in my car, and we ride together in silence to the bar about 5 minutes from her office. We get out of my car and I notice both of us fixing our attire. Curious, how both of us care how we look to one another tonight. I motion for her to walk in front of me as we walk to the front door of the bar. I open the door for her and tell the waitress we would like a table for 2. As we wiggle into our booth, our hands touch and it is hotter than a burning star. I know we both feel this, we have to. It is only a matter of time before I get my confirmation.

Chapter 5: Mayville

Oh my god. I cannot believe i am at a bar with a client. A client who I am assisting him and his wife in buying a home, mind you. He asks me what I would like. I shyly say “an old fashioned.” He grins from ear to ear and tells me that is his drink of choice as well. Am I imagining all of this? I already feel dizzy and we haven’t even gotten our drinks yet. The golden liquid with a slice of an orange peel arrives in front of us. We do a gentle cheers and I **** down half of my drink. Not only am I nervous but this week has been particularly tough and an old fashioned sounded like the best thing on earth at the moment. He says “eager, are we?” with that buttery voice that could melt a thousand candles at the same time. I smile nervously and just say “sorry, stressful week.” He knocks back half of his drink as well and just smiles at me. As if this man could get any sexier, *******. I smile and take another sip of my drink. I can’t help myself, I let myself melt in front of this man. I know he is married and nothing can happen between us, but something about him makes me feel safe enough to let my guard down. A warm home, in a winter storm,

We both have 3 drinks each. Cheeks burning red, I start to regret my decision a bit. I should not be out with a married man on a weekday. Truly, I can’t help myself at this point. We are both giggling about things each other has said. I smile, he smiles back. My hazel eyes glimmer with interest, hope, lust.

He pays the bill and we start walking out of the bar. I stumble once and he catches me. Even his touch is as soft as an angel. He leads me into his car, but instead of helping me into the front, he helps me into the back. I slowly ask “what are you doing?” He just shushes me and gets in the back too, on the opposite side of me. Once we are both inside of his car, he clicks the lock button, and puts up his front window shade.

I start to panic. What is happening? I cannot be doing this with a married man. What am I doing? What is he doing? What is going on?

As if he senses my panic, he grabs my face gently with both of his hands. He asks me gently to look at him, and i have no other choice, so I do. “It’s okay, I want this”, is all he says, before I see him lean forward to me and lets his lips touch mine. I feel his tongue part my lips and my eyes roll to the back of my head. He tastes like heaven and I can’t believe this is happening. Suddenly I am more confident than I have ever been. I am pulling up my skirt and I am unbuckling his belt and undoing the button on his pants at the same time. I feel the warm bulge in his boxers and I moan. I rub up against him once, showing him how much I want this too. He removes himself from his boxers and drags himself across my ****. I let out a wimper and he plunges his **** into my ***** full force. I let out a sharp gasp and he cups my mouth. I can’t believe this is happening. He feels so good, I could cry. I start to grind my hips down onto him. I see him release his arms and throw his head back, letting me know my movements are providing him what he wants. He places his hands on my hips as he thrusts into me as well. Each ****** and pull of his hands is harder than the last. I look into his glossy eyes and exhale deeply. He grabs my face, says “I’m..” and before he is finished, his tongue is back down my throat and I feel his hot liquid pumping inside of me. I bite his lip as I feel each pump inside of me. He grabs and ***** my ******* as we both finish climaxing together. His car windows are steamy, and we are both breathing hard. He looks up at me as I am still straddling him, and kisses me hard. He looks deep inside my eyes and says “now that i have had you, I won’t be able to stop.”

He drops me off at my car, and drives away. Leaving me shivering a bit in the night cold. But I don’t care. What I do care about is I just had crazy, beautiful *** with a man who i believe is my soulmate. I know he is married, but he is not married to the right woman…

LOVE CHARM

I kiss your philtrum
and you moan.  

I lick a tiny trickle
of sweat  

from it.  

I know
it has no  

apparent function
& survives  

between your delightful nose
& your delicious upper lip.  

But what
of it?  

A kiss
fits  

so
neatly  

into
it.  

And leads to lips
& lips upon lips  

ending in an ******
ellipsis . . .

I love to look
upon it  

as the indent left
by the finger of God  

or where an angel
shushes the yet-to-be-born  

teaching it to forget
all it has learned  

in the world
of the womb.  

I kiss again
your philtrum  

a kiss  
fits  

so  
neatly

into  
it.

I shred the beets.
Heads of red flicks in the bowl
parged of white now rosé, blushes.
To say the word properly is to nestle the
tongue in the church of the mouth the nave
of clucks tucked under the roof of the palate to
squeeze conjoined shushes and birch noises.
To steam to steep
with the lazy roil of the soup.
Do you recall the crunch of the snow outside our dacha?
The days where ice coated crusts cut
galoshes
sloshed.
The tureen beckons with its fractures.
To predict the future merely gaze into the soup.
How is this to see
a winter of bread and shavings
of fibers sewn rough
of tough, tough coughs that spray rose
petals in the dawn?

just got out of the shower
and i'm already sweating, buddy.
but i can't get the ****** thing off my mind
and i'll tell you why... oh boy you'll wanna hear it.
at first it's got you feeling all uppity
like you're ready to just
bounce up out of your seat
float to the windowsil
stare out for a brief moment before
whacking open the shudders
and taking the sunlight on your face and chest,
(loosening the top three buttons to really get the full effect.)
hell... the durned thing makes you wan-
t to break open your own durned rib cage
so your heart doesn't burst right through!
["you're your own monster!", somebody yells
but the rest of the audience shushes him right quick.]

then, buddy, comes the whole galloping and galavanting bit
where you triple jump your way through Villeneuve,
carefully noticing the shopkeepers and
hourglass employees at les boutiques.
["fingers crossed she doesn't drop it!"
an irate audience turns and glares... he stops.]
The nostalgia is ripe with a spring air, a thick humidity,
and a ******* chorus of plants and animals following you around.
You're on your first day of summer vacation!
You're free of every living thing that you've ever known and
you have no past present or future to introduce a care in the world!
God himself crafted your milky white edges
for this moment and this moment alone.

but then at the water's edge it all changes, buddy.
and before you all know it our anonymously familiar heroine
is stepped in (what feels like) a simple self-pity
that's been passed and passed anew since her
little house on the prairie ancestors,
["probably should've grabbed that spine!"]
and there's no telling when the panic attack will begin.
she is chained to the shore in true promethean fashion,
and the lights dim down real low as the tempest approaches.

but it never comes.
instead she is greeted by the ghost of #$%^##$%s passed
and the words that a younger woman wrote,
a fierce woman, who takes cream in her coffee at the cafe
but always tips the people because she knows how hard it is;
someone who would pick up a three leaf clover and keep it;
a lady who loves surprises.... just loves 'em, good or bad;
a seamstress who could weave a pirate's tale,
and leave you waking up in the morning itching for adventure;

... somebody who listens when other people speak.

[nobody moves but somebody starts crying and the spell is broken.]

she is startled alive from her musings by the coast and finds herself
surrounded by a thousand heroes with one face that's smiling at her...

... a lousy smile, i'll give you that,
but a smile, and an ordinarily little push of the thumb
to fix that spine back into the shelf.

Silence
Says the world around me
I spend so much time looking for my friends and my family
But the world it shushes, and it hushes me
Lulls me, sings me a melody
Of possibility, but doesn’t tell the truth
Silence
Says the world around me
I reach out so desperately, to have the closeness I once had
But the harder I try, the more that I strive, leads to ……
Nothing, but I need something, I scream
I need to speak out, but no one’s around
Silence
Says the people around me
A crowd of remembered faces, all faded
( why do the shush me, and hush me?)
I had known them to love me
Is nothing above me, below me
Can’t anyone hear me, a wine or a whistle?
Silence
Silence
Silence
I am still hear.

the silence was never there.

thick, thin, a continuous disturbance—
created by one of us in a fragile ice skate dance
you sigh and the air swallows it
while i am left to watch if i do the same
or break

thick, thin, a feverish disturbance—
almost as fast as lightning, a broken trance
has me hurling hurtful words, an argument that cannot win
you point out the flaw in my ways

thick, thin, descriptive of skin—
your steps i will not to follow, a path
i do not want to take
a calm exterior is what i fake
to keep the composure i've powdered on

thick, thin, a relationship between suns—
stars that never go out
flares that never end
heat that never really shushes
in the silence of space

thick, thin, a wire we walk on—
tired and aching, we balance
we balance, angrily, fists in *****
sadness washes over us in rain drops
on a tightrope that never ends

Be mindful, but don’t fixate
Be outspoken, but diffident.
Be a teacher, but don’t berate
Be yourself, but don’t be different.  

You’re free to talk till your tongue ties,
If you don’t mind the clamour of shushes.

there is a moth that resides on my bedside table
inside the warm lamp like a womb
like an endearing cozy hand
reaching for your face in the middle of a frozen hysteria
he rises from his bed of light every night
a bottom floor full of mirth and fuzz
ready to relay the songs of his memories
slow dancing in the small space of my room like he's memorized where the floor slants and what parts creak
his mouth moves in a jagged frenzy and I am devoured inside the falsetto of a pregnant hum so constant my breathing loops in significant O's
he waits for my eyes to close so that his wings open up
moving the dust to gather itself and move to another part of the house
the fluttering in sync with the wavering of the hypnotic sound waves
the antennae sighing along with the mist outside slowly forming on the windowsill
my head becomes a hot sun and as the beads of sweat trickle he moves closer until he reaches with spindly legs
drying the perspiration from my forehead with a tongue that shushes me to sleep until I am still in a cocoon of silk
telling me that want and need are always the same things
always the same things

A BLACKBIRD CHIPS AWAY AT IT

here on the shore
of your death
only time between us

remember walking with you
in the last century
this century I walk alone

Time lends me sleep...dreams
I conspire to meet you there
together we outwit death

I assault the world
with my grief
embarrassed it turns away

the world
not big enough
to contain your death

I am bound
in a nutshell
even grief tires of me

happiness hurts
even for daring
just to be there

I don't forget you
I just can't
remember you as you are

happiness shushes me
'Hush...hush! ' it soothes
my guilty tears

an invincible sky
frozen silence
a blackbird chips away at it

here on the shore
of your death
only time between us

remember walking with you
in the last century
this century I walk alone

Time lends me sleep...dreams
I conspire to meet you there
together we outwit death

I assault the world
with my grief
embarrassed it turns away

the world
not big enough
to contain your death

I am bound
in a nutshell
even grief tires of me

happiness hurts
even for daring
just to be there

I don't forget you
I just can't
remember you as you are

happiness shushes me
'Hush...hush! ' it soothes
my guilty tears

an invincible sky
frozen silence
a blackbird chips away at it

I love my body.
The way it's imperfectly perfect,
slightly curvy around the edges
inevitably flawed,
tortured and tormented
whiplashed and backstabbed
but still and always a great piece of art.

I love my face.
The way its burdened by two chubby cheeks,
bears a thousand emotions no one can perceive,
how marvelously it masks my mind,
ignored and ridiculed
yet still chooses to smile.

I love my skin.
The way it is cold and warm at the same time,
pale, puckered with fear
tanned, tarnished with regret,
scrutinized and scarred
but still glows.

I love my hair.
The way it never listens to anyone but itself,
acts as a tangled mess,
an untangled spirit more or less,
chopped off, pulled at
yet subjects to shine magically.

I love my lips.
The way it speaks with kindness,
guards silence and is often
mistaken for its innocent kisses,
parched, bled and muted
but still a fiery, crimson code of concupiscence.

I love my fingers.
The way they wish to be intertwined with yours forever,
snaps, shushes and points
at the slightest arguments that arrives
with such brevity and righteousness
always kept crossed for better things to come by.

I love everything about myself.
I am proud of my body and everything that comes with it.
What I don’t like though
is the way you make me feel about myself.

I'm tired and shaky
Bruising and breaking
my bones crack
and my back it cracks
and my head it cracks
and my eyes are cracked
and my skull is cracked
I'm so tired and angry
hate to love me and share me
should I just stay forever?
and just never get better?
Just to leave here forever
and to live for the better.
wish someone would love me.
Wish someone would feed me
Love me just love me
fix me to love me
help me to love me
hurt me to hurt me
but love me to love me.
dressed but a mess
i'm so tired and stressed
and these stressed kinds of stress
all just leave me a mess
and i'm hurting to make it
almost sure i wont fake it
but its harder to fill
all the courses at will
and its harder at home
when your alone but not alone
got a mind in the gutter
from the chaotic house weather
shushes me down
its hurting my skull
drives me crazy to lay me
to sleep in the day me
no hours like clockwork
go respected, or considered.
forget this all. but isn't forgotten

I wonder that Moses could counsel You
Could argue with You and You would listen
I know no other God that would allow
For argument and pleading
For His subjects to speak and be heard
Do You know my prayers, O Lord?
Even to me they’re muddled and confused
Do You know what Your daughter needs?

Lord I am afraid to be Your servant
Because the masters You gave by birth-rite
Like to pull out the costumes and play
But to answer my confusion, they explain everything,
Their words and actions by saying, “WE ARE GOD.”
You said, “I AM WHO I AM.”
They are not who they are.

Send some rain?  Would You send some rain?
‘Cause the earth is dry and needs to drink again –
And Your daughter cries out for Your direction,
Discretion, and mercy.  There is no light
To lead me out of the dark
I have lost my way and am afraid
To search lest the way home …
Lead to them.

My sanity is not what it used to be, Lord.
Gentle kindness shushes me into quiet
But cannot soothe away the cracks in my brain.
She fears for her sanity but I wonder at mine
Contemplate how much sick I won’t be able to drain
From my cranium even when my body is aged
And legality bids me crawl out of this house to bitter freedom.

I am so tired, Lord.
I forget it sometimes when I don’t slow down
And then it soaks back in and I stare and stare
And contemplate how much I don’t have
And how little I have left for them to take.
I don’t know what will make me break:
No music?  No school?  No friends?  No escape to Your safe places?
But I remind myself here and now that I have always been melodramatic –
Haven’t I, Lord?  I tell myself that to puzzle it out and stall
The choking panic and confused tears that drill into me
And scratch their way bleeding up through my throat – I am TRAPPED –
But I’ve always been so silly
And they would add ungrateful and a liar
No one has the answers I cannot find the answers
Honor and obey, You said, but what if they’re wrong?
Am I right?  Am I right?!
I cannot speak cannot stand – I will melt into compliance and silence
And remind myself that I am wrong, a bad daughter
That I am above myself and that’s it’s just all in my head –
But the cycle will continue.

Lord, I’m so tired –
Of hopelessness and not planning for a future because
I don’t think I have one
I’m tired –
Of self-inducing apathy as a cure to panic like it were a drug
To slip into my veins till my heart’s pumped it through my dulling senses
Help me, please
I haven’t felt You in so long …

I tell her.
That no one is going to listen to her problems.
That her words are just going to fall onto deaf ears.
That it's better just to bottle up her feelings.
That she is better off imploding in one herself,
than to detonate in a world that isn't ready for her.
That she was never meant to be in this world.

That no one will listen.
That no one will listen.
That no one will listen.

And she's only wasting her time climbing up a never-ending mountain.
It's the only thing keeping her going,
keeping her from leaving.

Her sadness dares to become a monster
whispering lies into her ear but she shushes it quiet
Because this is her battle. And no one can hear the breaking of her heart anyway.

Praying that someone's out there,
Praying that someone cares,
Praying that someone can take the pain away.

She holds out her heart one last time,
hoping I was believing some stupid delusions

But she just disappears into nothingness

Her heart was too pure for this world.

LOVE CHARM

I kiss your philtrum
and you moan.  

I lick a tiny trickle
of sweat  

from it.  

I know
it has no  

apparent function
& survives  

between your delightful nose
& your delicious upper lip.  

But what
of it?  

A kiss
fits  

so
neatly  

into
it.  

And leads to lips
& lips upon lips  

ending in an ******
ellipsis . . .

I love to look
upon it  

as the indent left
by the finger of God  

or where an angel
shushes the yet-to-be-born  

teaching it to forget
all it has learned  

in the world
of the womb.  

I kiss again
your philtrum  

a kiss  
fits  

so  
neatly

into  
it.

Timothy looks away
Slightly disgusted
By those around
Flashing images
streak by
Gardens, yards
Car park
His breathing
Frosts the window
Sarah carefully
Places one ear pod
Into her ear
To listen to Handel’s 5th
Cameron looks
Shiftily down the aisle
For signs of
The trolley cart
That’s never on its way
Signs of passing stations
Shuttle by
Side streets
High streets
Cobbled streets
Timothy sighs
Opens a book
Pretends to be
Invisible
To fellow passengers
The train manager
Formally known as The Conductor
Announces
A delay due to points
Failure
Victoria
Wishes she hadn’t
Left Geoffrey
Last Tuesday
By the gas works wall
Lamp posts,
Telegraph poles
Fence posts
Flash by
A trainee
Train hygiene
Operative
Rustles a bin bag
And asks for *******
Thomas smiles
At the lady across the aisle
Who quickly looks
To the floor
Hedgerows
Sheep
Green grass
A tractor lazily ploughing a furrow
Sandra,
A mother looks embarrassed
Shushes, tries to smother the cries
Of her screaming child
Trampolines
Swings
Slides
Paddling pools
Rush on by
An old lady *****
Vigorously on a mint humbug
Whilst knitting in rhythm
With the motion
Of the train
Factories
Smoking chimneys
Industrial waste
Barren landscapes
Fly by
Terry
Anxious,
Gets up and shakily
Makes his way to check
That his case is
Still in the luggage storage
For the fourth time
Since The last station
Garages with rickety wooden doors
allotment sheds
Lock ups
Pigeon lofts
Pass by
The tannoy crackles
The announcement
That the train will soon
Reach the next station
And  
That
All passengers
Alighting Here
Be careful to take all belongings
And mind the gap
Over grown weeds
Wild rampant Budleahs
Self seeded trees
Glide past
The 3:58 from

I walked along the shore,
   orchestra of shushes
as water slopped
                        across my bare toes,
jangle of pebbles
as I placed one foot
                                 in front of the other.

In the distance
                         the orangeade tang of neon lights
                         punctuated the view,
electric hyphens
from the arcades
crammed with Irn-Bru-skinned tourists
   there for a week
on this comma of coast.

In the winter          it is different.
A silver fug that sweeps the streets
     like the cocoons of a thousand ghosts,
machine jingles muzzled,
cafes only drip
                        fed with regulars
                                                     from around the corner
coming in to pick the horses
for the 2.10 at Uttoxeter.

The phone quaked in my pocket -
   my mother, calling me home.
I passed the sandcastle rubble,
   slobber of seaweed
   like the drool of a kelpie,

my socks speckled with sand
as I texted back
on my way

It's hard
having to explain
at your family's dinner table
why "that's gay" jokes
hurt your feelings.

It's even harder
when your brother says
he doesn't care,
and your mother shushes you
because your grandma's there.

I lay down fondling around with some thoughts still wet with memories I drew in from the oceans you made. Theres plenty to drown me but i still feel starved often when I feel lonely. Sometimes I forget that you were there... And that you still are.

The fan hanging from ceiling, must too have feelings
Cuz it shushes me to sleep
Pulling me away from a league
Of broken dreams, stopping me from wrecking some more

Do you know when I cry
A gust of wind gushes by
Instantly drying my tears
I wish if I could
To blow my sadness away with it
But alas
I spent my wishes wishing you back
When you were already there

I do silly things sometimes
I don't really think sometimes
I asked forgiveness when there wasn't a mistake
Lend a hand foreword, there was nothing to take

Did we really had to fight
Scratching a tale under wet pillows overnight
It wasn't necessary.

I guess that phase is over
And if it come backs if ever
Don't let down ur ego and cry
Don't think of me and you'll be fine
Okay then lay back down
And lets see, this time
How this turns out.

A BLACKBIRD CHIPS AWAY AT IT

here on the shore
of your death
only time between us

remember walking with you
in the last century
this century I walk alone

Time lends me sleep...dreams
I conspire to meet you there
together we outwit death

I assault the world
with my grief
embarrassed it turns away

the world
not big enough
to contain your death

I am bound
in a nutshell
even grief tires of me

happiness hurts
even for daring
just to be there

I don't forget you
I just can't
remember you as you are

happiness shushes me
"Hush...hush!" it soothes
my guilty tears

an invincible sky
frozen silence
a blackbird chips away at it