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Sierra Pruitt Jan 2018
We sculpted this nation.
We pulled the burning shreds
from what was left after.
After we discovered what there was.
What there was for us.
Our future.

We sculpted these states,
these laws,
these rights,
this nation.

We sculpt ourselves,
but why?
We sculpted our images,
our egos,
our words,
our hopes,
our dreams.
We sculpted ourselves.

But we have already been sculpted.
We need no additions,
no subtractions,
no edits,
no remodels.

We are we.
Humans
People
Beings.
We are we.
However sculpted we may be,
we are we.
yokomolotov Oct 2014
Sculpted by the wind-
bent back and
black,
sprouted high
planted on a curving road.
Sea on the shoulder
beat back with
conifer on the left
twisted and gnarled,
I’ve seen it sculpted in
faces.

There are people
sculpted by the wind.
Who drive slow-
who harbor a sorrow
in a blonde slick back
stream of high ravine-
like a maze
I’d give my life to be
lost in,
practicing refrain-
walking a practiced
gait-
because oh the intensity!
of being
sculpted by the wind.
CK Baker Jan 2018
who lit the candles
placed so eloquently
behind purple rock?
that sculpted radiance,
chapel grace
wound in a chosen
defined way
down the spiral
stone stairs

street cars dawdle
alongside
the packer slew
biding merchants
shuffle their wares
as the front man
and pock face
sing their
holy blues

cut jazz echoes
over the accompanying
gabble and drone
incense and haze
pour from
a lower trap door
sack fish, truffles
and splendid crafts shine
inside the stained glass fronts

a wide mouth snapper
with a bloated tongue
greets the
morning tide
(not camera shy
in the least!)
the fish traps
and beaneries
bring life
to the flourishing causeway

hula hoops
and circle ballers
join the
cobaine stage
favoured rogues
and mac jacks
speak easy
of the big daddy

beth’s triple by pass
taking firm hold on
tricky ****
and the nutcracker
maze ways,
taggers and
lost tunnels
of cu chi
strike a
nerving blow

a poised finger man
belts out his tune
(with a sniff sock
and iterating glare)
his nosey neighbors
cut artisan bread
(with a white wine
and jelly spread)
midwives push forward
for an afternoon
toddle and stroll
CK Baker Jul 2018
through the streets and column cracks
culture weaves and summer smacks
sacred figures, holy shrine
monastery in grand design

cathedrals, convents, heaven’s stars
god of neptune, god of mars
doge’s palace, alley ways
gondolier on full display

winged lions on pastel breeze
cicada singing from the trees
pillar walk of saint mark's square
basilica in all its flare

crosses shade the carousel
a bridge of sigh that leads to hell
golden stairs on placid ridge
arches of rialto bridge

torcello! murano! grigio!
the countess rides the river poe!
sins of seven, fiery hides
poplars bank the levee side

black plague, attila the ***
eden formed before the sun
paradise above the marsh
high alter, gothic arch

middle age, religious wars
celestial fountains, marble floors
sculpted peacock, catholic faith
all is true the great god saith
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
CK Baker Mar 2017
there’s a barnacle scar
deeply ingrained
on the basalt stack
at mark thirty two
whispering summer winds
scented oil
cotton and roe
drift
as waves brush
and shape
the sandstone shore

the briny air
and lost erratic
set a tone to this
pollyanna portrait
it's andrews undulations
and gifted benches
its concessions
and traces of the barry burn
its sculpted driftwood
and sanko lines
make this picture
almost perfect

children play
as venom spews
from the caterwaul pair
those odd looking mates
casting smiles
with arrested despair
settling shots
swiping bugs
dipping and darting
as photo men
and muscles
and long neck seabirds
make their turn

the hunched hoody
and his sorted sidekick
get their fill
(of moss and rubble ~ chubby and kelp)
nice to meet your acquaintance
the pho man would say
an odd drop
and ironic turn
from those horrific corners
of timeless desperation
down by cannon bridge

harbor seals
and carriage horse
are fronted by
raven shade
jolly tides pause
in quiet bays
(with curious looters
and *** pickers)
sand merchants
and field totems
all streamed by the light

cirrus strands
blanket the
outer edge
hovering craft
and shimmering willows
bolt the evening frame
blood orange
and tethered
with a filtered glare
bottle-nose dolphins
and seabirds
(and shifting tides)
are all settling in
for the long night stay
The water hollowed the stone,
the wind dispersed the water,
the stone stopped the wind.
Water and wind and stone.

The wind sculpted the stone,
the stone is a cup of water,
The water runs off and is wind.
Stone and wind and water.

The wind sings in its turnings,
the water murmurs as it goes,
the motionless stone is quiet.
Wind and water and stone.

One is the other and is neither:
among their empty names
they pass and disappear,
water and stone and wind.
Luzita Pomé Nov 2018
You used to tell me that beautiful things come from pain and adversity.
Like motherhood, unconditional love, and true stories.
As I stood in the middle of a room painted white,
Staring at the remains of rolling hills burned to black,
I saw you staring back at me.

Burnt fields like black panther fur
Shining against your bones
Velvet black
You’ve changed
And changed and changed
Yet your love still remains
Burnt fields like black panther fur
Whiskers are the needles on a compass
Always pointing to the azure sky
You used to sing when I cried
Rolling your r’s over rrolling hills
A haunting melody startling black birds into the night
Feathered constellations against a sliver moon
And lips pressed to my salty cheeks

You told me that your favorite skin tone was chocolate,
As you laid out in the sun hoping to melt. “A quarter black” is what you say when you want to feel proud,
Even as you tell me stories of how your mother was called negrita,
The girl who stood too dark amongst the crowd.

Burnt fields like black panther fur
Black like the broken wings of mothers before you
Who had hands with scars from cotton seeds
And blue veins like uprooted trees
Stretching all the way to their tired knees
Burnt fields like black panther fur
You criticize your aging beauty
Speaking in envy of the color gold
Like you are a broken bowl in need of kintsugi
Yet silver snakes still slither
Over the pebbled river beds of your black curls
Dripping down the small of your back
Until they reach the base of your ivory spine
Burnt fields like black panther fur
You criticize your aging beauty
Because you never thought
Cocoa lips and sun spots painted on sculpted clay that never cracks
Could ever look as stunning as it does on you

You told me that it is better to speak my truth then tell pretty lies.
So I told you mine and you cried,
And cried and cried.
But look where we are now,
Standing beside each other with the same eyes,
Just different reflections.

Burnt fields like black panther fur
Tongue like a sword set ablaze
Tempered in pools of milk and honey
Blood red sun grazing the tops of your eyelids
Still reminiscent of those in old photographs
Where you saw the little girl you search for in me
Burnt fields like black panther fur
I am sorry I made you cry
But even when our backs are turned
We are still
Black birds singing in the dead of night
Free
Thank you mama for my broken wings.
Inspired by a photograph of a burnt field that I saw in an art gallery. For my mom.
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
After days of long studies comes the
days of rest. My violet dreams were
slumber-soft filled with lucent lilies
of curling flames born of ever colour
known and unknown. And I stood
in awe of them as my fears fall back
and cower in the shades of my mind.

~ ⚘ ⚪ ⚘ ~
I muse at how quickly my body
relaxed. Due to my marjoram'd
pillows and sheets of pure silk
and eiderdown? Or due to the
sips of the lavender tea in my in
my teacup decorated with a
butterfly motif?

~ ⚘ ⚪ ⚘ ~
I remember the sips in fours as
I blew the steam from my cup;
The first sip balmed my lips.
The second soothed my throat.
The third lulled my thoughts.
The fourth stilled my soul.

~ ⚘ ⚪ ⚘ ~
Though the tea, the pillow and
sheets were had a hand in my nightly
rest, the real answer is on my brow -
for it was when the night's cool air
blew, and where you placed your
sweet Morphean kiss.

~ ⚘ ⚪ ⚘ ~
With a smile, I wake.
Sat on my golden summer throne
located in my marble gazebo; a
jewel in my private garden. With
thin caryatid pillars, draped in
fine doric chitons encircling me.
Their sculpted limbs hold up the
frieze carved with acanthus
that has a stained glass top of
peacocks and stargazers.

~ ⚘ ⚪ ⚘ ~
The sheer curtains billow when
the eastern winds blow. By me, a
gold side table with a mirrored top
supported by three Greek key legs.
A pewter quill pen with a steel nib
and violet feather rests by its clay
inkpot; both beside a silver sinuous
nouveau vase and a small stack of
poetry books of black leather and
gilt.
~ ⚘ ⚪ ⚘ ~
Part one of my Jasmine Pearls free verse!
(Been having issues with it so I decided to break it down
and make it a collection! ^-^)
A poem dedicated to 'Jasmine Pearl' tea. Inspired y Queen Kim's wonderful 'Golden Hour' and 'Dream Child' poems. I'm very particular about herbal teas, but Jasmine is one of the many few that never fails to relax me when needed. I'm glad I met a fellow Jasmine tea lover in Queen Kim! ^-^
It was rather challenging but I overcame it! Haven't written something
like this since my university days, but I did it!
I really hope you enjoy reading it as I enjoyed writing it!
Anyone else a tea enthusiast?
Do let me know what you think!
Queen Lyn ***
~ ⚘ ⚪ ⚘ ~
Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
bc moon raven Oct 2018
Growling and hissing, a storm formed along the road, portending the merging of the chaos that had been gripping our minds for months.  This day, this type of day, we could have dreamed up in the novel of our love affair.  The conversation along our drive into the country was as full and ***** as all other tête-à-têtes shared in our two months together.  We were never at a loss for words and his conversation had been more educated than the older men I had dated since the divorce.  I was forever astonished at him and with him.  

The first time I met him, I was sitting behind my desk and planning for another monotonous day of office politics and all the drama connected.  Lost in thought, I sipped coffee and read emails until, there was - him.  He opened my office door with such fervor and drama, I knew someone had just entered into my life that would leave me forever changed, and I welcomed it.  A mess of auburn hair, neither combed nor styled and yet quite fitting, haloed around his head and gave the visage of an angel.  He had a freckled nose and cheeks with blue eyes staring from behind all that wildness and they were the only calming feature about him.  I turned my head and grimaced a bit, “how dare someone charge into my office as if to own it”.  “How can I help you?” made its way from my lips with a bit of a sigh.  And he smiled, that smile which would make his face even younger and more deceptively angelic.  

“Hello” danced off his lips and in two syllables was able to sound singsong and my anger soon turned to anticipation.  He introduced himself as Parker and explained his new position as Junior Editor.  He went on to say someone instructed him to introduce himself to me since I was Senior Project Manager for the organization.  His fervent entrance into my office had sent a gush of wind that disheveled my tidy desk and his wide blue eyes looked around at the chaos he had rendered.  He seemed unable to offer apologies, and I soon learned this was his way.  His confident facade prevented admission of mistakes and the word “sorry” could not escape the tightness of his will to be correct.  This was my lover’s way and it was the structure built that only wrecking ***** could destroy.

As is expected of me, I extended my hand to welcome him, overmuch aware of my grip and strength in presenting my hand, I felt the need to dominate the grip.  I was a woman in a senior position inside the male dominated echelon of upper management.  I took his hand and with rehearsed quickness attempted to demonstrate my dominance, my superiority.   It was then, the first time I saw a devil behind his angelic face and I remember my expression churned up my secret thoughts.  He saw my eyes searching those thoughts and delight shone from his blue eyes like cold fire and I was burned.   Our hands soon contorted into a dance of dominance with fingers twisting as if in a finger shadow play.  No time for games or plays for control, I simply took the shake he offered and turned towards my coffee, my drama, my emails and without looking at him welcomed him again and gave a wave of dismissal.  He greeted my brush-off with a laugh and made his way to the chair in front of my desk.  He was tall and the light from behind silhouetted his broad shoulders and upright posture.  He was confident and sure.  His clothes were expensive, well-tailored and not at all the measure for his age.  He had a style about him and I believe it came as naturally to him as did the confidence in which he clothed himself.

I wanted to be angry at his overconfidence, his interruption, his disregard.  I was, instead, amused but annoyed.  He sensed he was beginning to irritate me and it seemed to delight him.  He would speak without taking a breath, eager to finish his thoughts, aware perhaps that time could steal the moment away and he would forever wonder.  He spoke with an accent I did not fully recognize and attempted to invite me to lunch or even coffee.  My lover was bold.  

I was succeeding in this corporate world, my world.  I was not ready to lose my focus for a moment alone with the delightful creature staring back at me, awaiting the “yes” he expected would be my answer.  He was a man who did not accept the “no’s”.    He would get what he wanted and would wait in predator mode until his prey was wounded, weak, ready.  He was not a predator in the malevolent sense, more in the need for survival mentality.  He would lift the wounded and weak above the limits of their afflictions and a “yes” would flow from their lips in fond gratitude.  Today I was not a “yes” and it did not feel like a final answer.  Somehow, I knew one day I would be naked with this man, my lover.  I knew I would take him inside me, and he would show me how to love in ways I had never known.  The “no’ and the explanations of the “no” exuded from my lips, and I could see him grow even more eager to know me.  He would learn the stories of my life from rumors and talk.  He would learn of my divorce, of the men I dated with expensive homes and cars.  He would hear about the occasional woman who would occupy my bed.   I had wished all of it to be true but only the divorce was correct.  I was not exceptional or exciting.  I was driven and focused.  

He stood there hearing my “no” with the sun behind him igniting the fire in his hair with his shoulders pinned back exposing his sculpted chest.  He stood there and allowed the silence after my rejection to hover the room, and there it was.  We locked eyes, and neither could emancipate from the other.  I wondered who he was and what he looked like naked in the morning with his disheveled hair, and we stared, locked in our gaze until my phone rang signaling the end of round one.  

Wrapped in my shawl, I moved between sipping coffee, as was my usual, and typing on my laptop.  He was behind me in the cabin.  I felt him approaching and knew he would quickly whisk me away from the overwhelming din of office emails and calls.  His presence behind me now was no longer disquieting but natural.  

The cabin had been his grandfathers and he had a noticeable pride about it when showing me through the door and gateway to his childhood memories.  He had a smile on his face I had never seen.  I delighted in how young it made his face appear, almost as if the childhood memories possessed him and he became the blithe youth here with his grandfather.  


It was fall at the cabin and the smell of musk and rotting leaves and ozone from the storm, filled the cabin and each deep breath was taking in a memory from my youth.   I was happy to be here with him and yet afraid.  Two months we flirted and touched over our shared lunches, eager to get inside each other physically, mentally.  The office was replete with stories of the happenings between the older woman executive and the younger up and coming man, how he must be using her to advance his career and how she was using him to heal the wounds of her recent divorce.  We heard these stories and watched them grow to the point we ended our touching, our flirting.  Soon the denial of our feelings and time apart turned to foreplay.  Soon there were stares across conference rooms, perceptive smiles as we crossed paths.  The total of it led us to this moment, to time alone together for the first time, this time.  

Fall in the country was the vangaurd to a glorious death.  The earth would explode with color announcing its final breath and moment upon the stage and we had arrived during the final bow and curtain call.  Trees draped in gold - and red - and orange heralded the fire to come and we too were ready to pour forth in glorious blaze and inferno.  During the entire ride into the country an ironical mist of dew and rain dotted the windshield as if nature attempted to douse the desires clawing to escape in each other’s arms.  There was a devil sitting next to me and I had to smile as his auburn hair blended so naturally with the landscape.  I was obviously lost in thought and he looked at me and asked if I was okay.  Him next to me, him crookedly smiling at me.  

“It’s nothing.  It’s just nice to see you in your element.”  My replay was short but my heart was beating so hard I was almost afraid he could see it bouncing behind my blouse, so I began to cover up but was met with his hand before I even reached the edge of my coat.  

“No.  I want to see you.”  His voice was soft but demanding and strong.  Often there were hints of a struggle for power between us.  His youth and position within the company prevented me from accepting his seriousness and his face would ***** into a grimace.  I never gave it much thought other than a bit of a nuisance.  His hand led mine to my lap, and I expected him to hold it, but he let go with a smile.  I enjoyed his show of power but refused to reveal a glint of it for fear I would lose the respect and control necessary over a subordinate.

Soon the cabin filled with the sounds of rain and thunder and as I stared out the window jealous of the drops of rain and their randomness, he touched my shoulder and looked down at me with his eyes bluer than wild lupine.  I smiled a painful smile and he knew I was overthinking the moment.  Taking my hand, he brought me to his chest and into his arms, arms that would embrace all of me and at times felt as if they could wrap around me twice.  I placed my head on his chest and began to reach for his belt.  The *** I had known was always routine.  This was expected, that was not allowed.  I fell into that routine naturally and was happy to oblige his needs in order to meet mine.  He kissed my forehead and still holding one hand, led me to the door of the cabin.  “What are we do…”  He stopped me with a single “shhh” from his lips.  I followed him and felt myself shiver.  I was not sure if I was shivering in fear or from the nip of fall air.  

“Don’t be afraid.  You have nothing to fear from me.  There’s no need to shiver my little poppet.”  He stepped back from me and stared as if I were a tiny bird in need of nestling back into its home.  “I’ve never seen you afraid.”  He touched my cheek and I felt so small and helpless, lost from home, and he was the only way back.  With a smile he took my hand and led me outside to the rain, lifting his face and savoring the drops bouncing off his cheeks.  

“W..w..what are you doing?”  I was trembling now and wondered if I had misjudged this man and he was in fact a lunatic ready to strangle me to my death.  My silk blouse, now drenched, clung to my ******* exposing an imprint of lace from my bra.  He reached for my shawl and pulled it off my shoulders.  He was looking at me so lovingly my body and mind calmed and I was once again in the moment.  Our moment.  This moment.  

His face, stern now, official, his mouth opening with such deliberateness that I was sure he had been in this situation before.  Once again my mind wanted to race to thoughts of not being good enough or that I was too old or too plain.  His voice pierced my thoughts and brought me to attention.  “There will be no talking unless I tell you to.  Nod if you understand”

My mind wanted to slap him with reminders of my superiority to him at work, how he was MY subordinate and how dare he.  My mouth would not open and my head began to nod in understanding.  My body and mind were bending to his will and acting upon his orders.  Shivering gave way to shaking now and I wanted to run to the warmth of the cabin and watch the fire burn the logs to a black crisp and wake up in his arms naked and giggling.  

Having seen my compliant nod, he began to speak.  “Undress.”  One word.  One word in response to the shaking mess of a woman standing in the rain, cold and afraid.  My hands were barely able to form the necessary movements to reach for the top button of my blouse.  I did not want to fail him or appear as if I were unfamiliar with tales of ***** men overpowering and having their way with a willing lover.  My fingers moved quickly now, wanting to end the scene and move on to the *******.  He stared.  He did not blink.  He did not nod or move.  He was enjoying every subtlety of me.  He was pleased.   I was a willing participant in his fantasy.  Nothing made me happier than to please him.  I began to feel hot and something inside me broke.  Was it my will, my pride, my fears?  I was not sure, but I felt alive.  Every thirsty pore of my skin opened up and lapped at the rain so very eager to feel it on my skin and the randomness of the drops was no longer something I envied but something in which I participated.  

My hands began to tug my blouse free from my skirt and the wet silk now draped over my hips like curtains, revealing the curves I was so painfully aware of hiding to keep anyone from noticing my *** and concentrate upon my words and actions.  I knew now I had one button remaining before I would, for the first time, display myself to him.  He did not flinch, rather, he maintained his stare and for a second I pleaded to him with my eyes not to expect me to do this.  He was resolute.  I spread open the soft, wet cloth and began to drape it off my shoulders.  I let it slide from my wrists, then fingertips, then to the ground blissfully unconcerned that my Hermes blouse was now draped over wet grass and mud.  

I looked down at my skin dripping and alive with goosebumps.  I had bought this bra in anticipation of this moment, in fear of this moment.  White lace bra and perfectly matched ******* were demonstrative of my control over even the small details.  My skirt was loose and heavy with the rain.  It was low on my waist and lay just below the navel leaving me the most exposed I had ever been with him.  I reached to touch the button on the back of my skirt.  Undone, I slipped my fingers along with the zipper feeling each click of the tiny teeth holding together the disguise of a powerful woman.  My hands traced the banded edge of the skirt pushing it over my hips allowing it to fall to the ground.  

His face looked stern but pleased, stoic and fixed.  I was in my bra, ******* and stilettos now.  I began to reach for the hinged part of my bra when he stopped me.  “No.  Stop.” He walked over to me.  He was close now and I was so cold I could feel heat from his body.  I wanted to kiss his lips, his full lips, but I did not move.  I knew now the rules and I would do only what was asked of me.  I stood rigid with no flinching.  I waited for any words that would pass from lips to ear.  He did not speak but leaned into me and reached over my right shoulder undoing the chignon in my hair.  He draped my shoulders with strands of liquid filament.  He took his time there, placing each strand in the exact order in which he was pleased.  With two steps back, he looked at my wet hair with the deliberate strands, as if he had created a masterpiece and for a moment I was unsure if the artwork he saw was me or his work.  

“Now be still.  Allow me to touch you, to admire you, my beautiful Moira.”  When he said my name even after these two months, he had the ability of saying it as if he were speaking it in serenade and for the first time.  He moved his hands to my back and unlinked my bra, one hook at a time with such dexterity I knew he must be a professional at *******.  He, who was to be my first professional lover.  He slid both straps off my shoulders, then taking my hands towards my abdomen, he slid the straps forward on my arms.  Lifting my hands, he demanded I keep them out and straight.  Me, the student to the professional, complied without question.  He bound my wrists with the lace bra, the bra I had bought just to please him, then lifted my arms above my head.  “You will keep your hands up until I tell you to move.”

I had become his toy.  I knew in this moment, I no longer existed for me, I was his, completely and entirely, and I abandoned myself to the rain, to the cold, to his gaze, realizing that surrendering to his urges strengthened me.  He turned and walked away.  He took a seat in an Adirondack chair and even it looked small in his presence.  “On your elbows and knees,” he spoke matter-of-factly.  Just five minutes ago, the struggle inside me to have the appearance of strength, would have denied me this happiness, this happiness to be free in his command.  “Now crawl to me, please.  Slowly.”

I did not care to be in the mud.  I wanted it.  I wanted to please him.  First to my knees, leaving an indention in the clay, then awkwardly at first, onto my elbows with my hands still tied at the wrist.  Crawling on my elbows, my back was arched with my waist higher than my head, giving him a view of the thong I had chosen only for this moment, my succeeding moment.  My position felt ungainly.  I looked to his face for approval.  “No.  You cannot look at me”, he commanded.  For a moment I felt I had lost his approval and self-doubt harried my brain.  My will to please was resolute.  I faced the ground, once again aware of the randomness of nature, the power of nature, how things in nature will do as they are told.  The reed is told to bend.  It does.  It does not question why but responds in its way.  Rivers do not question why they are shaped.  They just continue with powerful current.  I was the reed.  I was the river.  I did not question.

Face towards the ground, I could see the mud forming on my body, molding to my shape then rinsing with the rain.  It repeated.  Mud.  Rain.  Mud.  Rain.  This was the cadence to my crawl.  I arrived at his knees and waited there, a dog eager for a command from its master.  I was content to watch the rain beat ripples around his feet, splashing and shining his shoes with glossy drops.  “I cannot love you”, I thought to myself, “this is forbidden”.  “Being here in this moment, is forbidden.” We would have this moment.  Yes.  We could create this memory and think back on it in fondness and with both heaviness and happiness.  I would remember my young lover, my professional lover.  He would remember the obedient executive on her knees.  I would not regret our moment.  I would some day write it all down in my journal and press the pen deep into the paper.  It had to be etched, those words, my words, this memory.

His hand below my chin, lifted my gaze to his and he smiled, that smile, his smile, the smile that was like nature to my body, and I did not ask why.  I was a river being formed.  “You are so beautiful.  All of you.  Your skin so soft and pale.  Your eyes moving from fear to acceptance.  I see now you want to please me and I want you to know that I want to make you happy.  I want to be your lover.  I want to taste your lips kissed with rain and feel your shivering body pulled against me.  You are safe.  I will not hurt you.  Poppet.  I love you.  I have for awhile now, and I think you know it.  You, my wise, wise Moira.”  He lifted me up and for a moment pulled my body towards him burying his face in my abdomen.  He lingered there.  I felt how soft his red tufts of hair were and how soft his words were against my ears.  I loved him too.  Genuinely.  Profoundly.  I was afraid.

He inhaled deeply, there against my stomach, as if he were breathing in my essence.  I felt his breath turn from warm to cold against me as it mixed with rain.  He stretched his arms and moved my body backwards as he extended until I was a foot away from him.  “I would very much like to undress you, poppet.  I’ve been imagining it, aching for it.  I want to see all of you, naked and on display.”  He touched my abdomen with the tips of his fingers, as if afraid the pale china of my skin would disintegrate into a misty dream.  I relished it, the touch of him against parts of me he had not known.  I was always able to keep him at a distance, physically.  His hands traced the edge of my *******.  He moved slowly, and I knew he was wanting to etch this memory into his journal.  Nothing less than ink pressed hard to paper would release this memory to time.  His placed his hands on my hips and spun me around, my thong lining up with his gaze.  “Bend over.”  His voice from sweet to demanding again.

My hands were still bound, and I stumbled at first.  He seemed not to notice or to care, so I arched my back and pushed myself outward and into his view.  I felt his hands move from my thighs to my hips as gentle as summer winds that in their seductiveness turn our faces towards the impact.  I was in my forties and unsure how I would compare to the twenty-year-old’s he was known to date.  The gossip left nothing to imagination and everything to speculation.  My mind had conjured images of him, this professional lover, inside the firm thighs of a youthful companion.  Thoughts transformed to pleasure as the nature that was his hands took dominance over the thin lace that hid the only piece of me left unseen.  I became art in his hands, marble statue, exquisite with textures and curves wanting to be touched.  

The lace scraped my skin as he slid the *******, wet and splashed with earth, over the expanse of my hips and down to the ground at my ankles.  “Step out of them.”  He helped free my ankles, and I saw the delicate lace become one with the earth as the rain beat it into the mud.  This was freedom.  This was me with nature, me with my lover.  I was the reed and he was the wind.  

I was keenly aware of his eyes fixated on the valley of my mound, how my cheeks spread just enough to give hints of the pinkest of my flesh, now swollen and ripe.  “Turn around.”  I heard his voice and could tell the bombardment of rain was making it difficult to speak.  

I turned and began to ***** my body when I felt his hand on my back.  “No, poppet.  You must stay this way until I say stand.”  My body ached to be touched by him, by more than fingers and hands, but this, the anticipation, the wanting of it all, this was the skill of a professional lover.  I saw the earth drowned with a thick layer of rain now, and my shoes made splatters and ripples as I turned towards him.  I was cold now, too cold, unaware cold, numb in my cold.  I was happy to feel it.  I had for too long hid from rain, this glorious rain.  Now, I was one with the rain.  I was the river coursing its path as commanded by nature.  

He took my hands and untied them.  I watched the entire progression of it and I felt his presence now even more.  My hands were free, and I stared at my shoes and his shoes.  I was so small in his presence.  “Stand for me, poppet.”  His voice diffused through the rain and seemed softer now.  I stood there in my nakedness and he delighted in it.  My lover was not afraid and moved his head along with his eyes.  It was easy to know where upon my body his gaze had landed.  He seemed to linger the most on my face, and I thought how odd it was as most men concentrated on my ******* or mound.  My lover was different.  My lover was professional.

“Poppet, I want you to remove my shirt, but you will not toss it to the ground.  You will place it on the chair.  Nod if you understand me.”  He knew I understood but was confirming I was still in the moment and willing.  I obliged him with a nod and without looking at his face, began to unbutton each dot from its hole until he was shirtless before me.  His chest was firm and hairless and dotted with unobtrusive freckles as random as the rain.  I was delighted.  He was beautiful.  My lover was beautiful.

He placed one hand on my head, the other on my shoulder.  “On your knees for me, poppet.”  My knees once again bent for him, and I knelt in the rain, the thick rain and saw my knees again molded in the mud and earth.  I was unsure now.  Years had passed since I had taken a man inside my mouth.  I felt panic, like the river, run a course through me and I started to turn away.  But I was resolute.  “I will make him happy in all things this day” rang in my ears like a mantra.  I watched as he undid his belt and felt it as he wrapped it around my neck two times and pulled the loose end until it was taut but not constricted against my skin.  I was his.  I was the pet and he was the master.  It was official to me now in this symbol.  I was leashed and about to be tamed.  My lover was going to teach me his skill.  I was delighted.

I watched him free the one button on his pants and move to the patterned teeth of the zipper.  He rested his pants on his hips and pulled free the thing, that thing, the thing I was craving.  The thing I would take inside me, deep inside wherever my master wanted it.  I was the river.  

He was not large, not small, but thick, surprisingly thick, he was swollen and vascular.  I studied the curve of it.  The tip, the head.  I watched his hand grip it and move it towards my lips.  I opened my mouth and took him inside me.  He moved his hands to the sides of my head and began to direct me in the movement he needed from me.  I studied the thrusts and followed.  I moved my tongue, my eager tongue, in unison with the rain and percussion of the drops.  I slid him deep inside me devouring and savoring the taste of him.  The taste of my lover was satisfying, and I wanted to bring him to completion there in that moment.

We stayed in the rhythm, with the rain, both lost to the moment.  He stopped his ****** and lifted my chin.  “Moira.  My poppet.”  He led me to my feet and gave his crooked smile to me.  He gave me his smile in that moment, in that second, his smile was mine.  

“I love you”, I whispered, unsure he heard me.  He lifted me like a child and carried my nakedness to the bed.  He placed me there, like a doll.  He contemplated my skin in the light of the fire.  My lover the wind.  My lover the water.  

He was soon naked and drops of rain lit up on his body like little mirrors and I could see images of the room and myself reflected in them.  He removed the belt from my neck.  “We won’t need this.  In this moment, you know you are mine.  You know I am yours.”  We both wrapped our arms around the other, and I felt his skin on mine.  His body was hard and moved in perfect form with each muscle flinching the way it should, each squeeze and release in harmony with the other.  My pale, soft skin was beautiful contrast to his and was yin and yang.  He felt hard and long inside me, so engorged each vein touched the inside of me in a different fashion.  We each sealed our mouth on the other unable to drink as deeply as we wanted.  We were in our moment, this moment.  Alive in the seconds that passed to hours.  We were ready to etch ink on the pages telling of how I was the reed and he was the wind and on this day, I did not ask why, I only did as was I was told.
Ian Cairns Jan 2014
I have these scars on my elbows
They're from a long time ago
And I never really appreciated their protrusion until now
Pretending to prefer unblemished skin
But when I was 10 and still believed in Superman
I had a tendency to ride my bike with stuntman speed
Forgetting about the frivolous concerns that consumed me
Hoping my kryptonite never crept up from underneath sidewalk bumps
Flipping my ambition over handlebars
Leaving the pieces of my reflections painted crimson along the asphalt
Scattered like hand-picked petals of an ill-advised ascetic
I am me, I am not, I am me, I am not
So I always wore my helmet as a precautionary measure
It contained my thoughts from running straight through my skull
And becoming neighbors with the pavement
But I never wore my elbow pads
They collected dust beside the waste bin
Replacing security for sincerity
I improved my flexibility while losing some skin
And that was a trade off I was willing to make at the time
I finally felt alive
I was invincible on my bicycle
The sidewalk my only bully
The summer breeze my only friend
And at the time I never realized what it meant to be vulnerable
But those bike rides were the closest I would get
I was fixated on fitting in around my classmates
Accumulating fake friends by
Ripping insincerities out of my esophagus
And stapling them to my forehead
I stole my own identity
Morphing my puzzle piece and jamming it into the jigsaw
Claiming to be the missing link everyone was searching for
But what am I searching for?

I was lost on my own yellow brick road
I had two left feet and no right way to go
I stopped dead in my tracks
Hoping the soles of my feet would soak in the golden stones while
Singing Dorothy's hymn like spoken sin
I just want to fit in
I just want to fit in
I just want to fit in

Wondering if that was loud enough for Oz to hear me
I didn't have any magic slippers
And this situation was twisting towards witchcraft
I'm not even sure Oz can help me
You see these requests were a tall order for a tiny man
Who wore masks just like me
Oz and I were anonymous
Oz and I were synonymous
Using smoke and mirror tactics to terrorize the innocent
When in reality we were only playing tricks on ourselves
Hiding behind perfectly sculpted ****** expressions
And make-believe manuscripts
Doing basic impressions of manufactured mannequins
Out in the real world
I really needed to speak with the Scarecrow
The Tinman, the Lion, and Dorothy too
And investigate their stresses with relentless pursuit

The Scarecrow would tell me
Wisdom is wasteful for those
Without a strong appetite for improvement
But sometimes common sense can lead
The most sensible person astray
The Tinman would tell me
Compassion is constructed for
Tender hands to hold
But sometimes empathy can leave
The most charitable person betrayed
The Lion would tell me
Courage can be critical in
Times of distress
But sometimes vulnerability can make
The most sensitive person brave
And Dorothy would tell me
Home is paradise
Wrapped in picket fences
But sometimes a terrifying trip can bring
The most wary person escape
And suddenly it would occur to me
That strengths are just solid scars
We have confidence to display on our sleeves
And perfection can only permeate the souls willing to recognize
That faults shine golden too
So from here on out I'm placing my masks alongside my elbow pads
Both collecting dust beside the waste bin
Replacing security for sincerity
Finally embracing the scars on my skin
Now that is a trade off I'm willing to make
Because I want to feel alive again
brandon nagley Dec 2015
A lunar eclipse passeth between ourn Soma's
A solar eclipse maketh glitz
On ourn lip's;
Kiss of pneuma.
                            Aforetime quietus, breathless existence
                            Now coalesced in vivacity;
                            Sculpted, in the creator's
                            spiritus.



©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley-filipino rose dedication





Note;
Happy four month anniversary Reyna Jane Nagley!!!!
Love you more Reyna, thank you for sticking with me the last four month's, seem's as If we've been together for lifetimes now,which verily I've known thee a lot longer than thou hath known!!!! Mas mahal kita Reyna.... For anyone who don't know what ( mas mahal kita Reyna means) it means I love you more queen.. In Filipino tongue.!!!!!! Me more queen Jane!!!! Happy 4th mine Reyna!!! Mine soulmate....
Spiritus means- the Latin term for breath, often used figuratively to mean spirit.
pneuma means- (in Stoic thought) the vital spirit, soul, or creative force of a person.
Soma means the parts of an organism other than the reproductive cells.
the body as distinct from the soul, mind, or psyche....
Aforetime means before in archaic in other words...
quietus means-
death or something that causes death, regarded as a release from life.

Vivacity means pretty much alive or lively!
Astral Dec 2018
Confidence feels scarce sometimes.

Most times.

But over the years,
I can tell that I've grown.

So thank you.

Thank you to the boy,
Who in eighth grade
Told me that my smile was beautiful.
Before that whenever I smiled,
Or even laughed,
I'd cover my mouth,
Or I'd hide my face.
But he asked me why.
I told him plainly I didn't like my smile,
But he told me it was beautiful.

Thank you to the girl
Who just last year
Told me my nose was unique and elegant,
Like sculpted marble.
My nose is, and always has been large,
But ever since,
I've been able to hold myself with poise,
At the mention of my nose.
Somewhat proud of its size.

Thank you to my friend,
Who told me last summer,
That my haircut was cute when it was down.
I had cut my hair impulsively,
It was shorter than it'd been in years.
I always wore it up,
I thought I looked dumb down.
But she told me my hair looked great on me.
I wore it down that night,
My friends complimented the look,
I've been able to notice the beauty in it since.

I have been built up by compliments.
I can see my own beauty easier now.
Selflove isn't always summoned purely internally,
Sometimes it takes a little help.

So thank you,
Thank you all so much.
Happy holidays! Its holiday season, and Christmas is just around the corner.

This poem is about selflove because I realized today how lucky I am for some people.
Shadow Paradox Apr 2015
~Modesty & Respect has been lost and now the tears are too hot to turn into frost~

◄►◄►◄►◄►
Sickness in the mind is revised
As the eyes are revealed to a non-existing surprise
Pretending that the colorful pills are sweet tasting skittles
While tears forms into a spiraled riddle
Generations are messed up because good-teachings are slack
So in the young minds rightfulness lack
There is peace even if chaos may seem to consume
In dark tunnels a dim light will soon loom
But if you perceive
To conceive
Not to believe
Then tell me how will you ever achieve?
Life is not a game, but a vivid reality
So save every special moment of sensuality
Remember that you are an instrument
Play your life story, sing your mind, and bleed your words out loud with contentment
You’re not useless
Humanities truths…believe every single bit of it, release your stress
Strength lies within your heart
You’re such a beautiful sculpted art
Do the opposite of what depression tells you, you won’t lose
Your fate lies in each choice you make, carefully choose
Your future is the next moment
Make each obstacle your stepping stone and then you can easily avoid torment
Then spectral corruption
Will never be able to destroy your inner emotion
◄►◄►◄►◄►
Another oldie with the same style.
Robert Ronnow Aug 2015
What is appropriate to say about the changes
in your life. That at 23 I was confused
about a girl, under the sculpted pines.

Quietly, my friends and I contemplate death.
A subject, until recently, unknown
to us in such a variety of forms. Nuclear flash
to exploding blood vessel in the brain, control
eludes us. Heirs to a society adept with numbers,
we run in the park and eat whole grains,
increasing survival odds.

The city and the mountain are two hard anvils
against which our hot lives are shaped. Love
is the fire, and the need for love. To be shaped
by the lover's warm hands, like clay.
Alive, almost sure of it.
www.ronnowpoetry.com
ORLA Nov 2012
I want to carve your face into my tentative words,
Your forehead, your nose, your chin,
Gently slicing off an adverb here, an adjective there,
Running my fingers across the keys and across your profile,
Until it is perfect and my poem looks just like you.
Beth Ivy Sep 2014
Dancing at my windowsill she calls,
black bottomless eyes and a jagged smile
tug me from sleep with a broken-glass laugh.
Beckoning, this pixie traces softly across my jaw--
fingertips so slightly ***** the skin.
Wordless but for laughter she pulls at me until
charmed I rise to follow where she leads.

Open evening air greets my night-dressed body
with cool wakening breezes and wild sounds.
Stumbling through rocks and over roots
I chase through the wood behind my manic guide.
Toes grip at undergrowth, slip, falling to arrive
on my knees
scraped and panting slightly
in a clearing otherworldly,
aglow with fey light.

A curious night-shine looms--yet Luna's face is hidden.
All attentions focus now on this central luminescence.
From its core jangles sweet, unearthly music
twisting its way into my heart
teasing at the edges of my fragile mind.
Compelled forward I follow sound--
my waker cannot outstrip me as we hurtle on.
Before our eyes the glow casts shadows
forming structure in this mystifying vision
eyes drink in your very first glimpse:
The Carnival.

Light and shadow compose sweeping tents
striped ebony and ivory, seeming strong as each
element yet smooth, sculpted by a master's hands.
Leaping black flames skip along their summits,
performing their nocturnal dance,
illuminating darkness, engulfing light.

Revelers' song soars and forms carouse,
                                                  lively­--but shadows only--to the eyes outside.

The air bears heady perfumes, enticing scents:            
rich, melting creams and toasting sugar
enveloping baked warmth and intoxicating spice.
Last, encircling all this wonder,
cries of mirth and sights to amaze:
an unadorned, unflinching iron fence.

Drunk with sound and smell and scene
wildly spinning through the breeze,
my rousing sprite whirls ahead
bound as if in a trance
her body flinging against
the forbidding blackened gates--
                                        her laughter only extinguished
                                                         as her delicate form dissolves into smoke
                                         holding momentarily the blue of night
                                                         her wasted shape, lost to the barrier.


But Curiosity will blind
eyes far more chaste than mine,
and Allure sings only such songs
that no heart suffers long.

Heedless mortal as I am, I grasp the solid frame
decay crumbles rough against my palms.
Bodies of other spirits caked by time
or the innocent work of oxidation
I do not pause to wonder,
merely vault myself over the fence
and brush from my hands
the black dust of portentous iron.

Inside the gate, vibrant figures flood my vision
ornately costumed in gowns of orange, violet, green
arrayed in shirts and trousers dazzling in spectrum.
These gorgeous apparitions loop around me
peddling beauty, selling fame.
They mesmerize  the eye with stunning wares:
an emerald beast to carry your heavy burdens
sapphire wine to cool your burning tongue
the music of a thousand crystal seas
kept in a bottle to drown your babbling mind.

                "What do they cost?"
                            "Not a dime, not a dime!
                              Just your Now, just a Moment,
                                                         ­                  only Passing Time."

Wandering deeper into the mysteries of night
a band of revelers swing beside and catch me
laughing, bear my bewildered form in arms
and deposit me into a large tent, wherein I find
a man at a canvas the size of a wall
before which are seven stone bowls.
He dashes his brush before the amazed,
and the canvas remains blank
until my companions urge me closer.
Couching myself upon a cushion shapes appear:
Here is a man who will paint your heart's desires
so vivid you can lose all you have
so intimate you fear to move,
lest any see the embers of your fire.

Spin and turn, the Revelers never stay long,
nor draw too near to any one spectacle,
but only joy for new tents, new delights.
No passion was left to grow cold,
no enchantment to lose its power.

Spin
See the girl of flawless grace,
her body painted like the stars--
                                                  the stars the carnival hid
painted like the stars and lithe as the air
ethereal in her arts,
ascending the pole, traversing the rope!
See her twine around stakes and over fire,
dive through hoops and drop
through that needle-loop in your eye.

Spin
Step up to the tent of glistening blue
the fountain that gushes without source.
Marvel at its lucent clarity, it's chilling foam!
Fill your goblet to the brim and drink!
Drink deep, imbibe sweet forgetfulness.
Long for nothing, cleanse your heart.

Spin
Take the carousel with its living beasts to ride.
Make merry with all on board and erase
any care your heart can hold.
Let the furious pace speed on from you
all that would trouble for a thought.

Spin
A honeyed apple pressed against your tongue.
                                         Just a taste! Just a bite!
See the glistening on the skin
made from the dreams of the greatest hearts
unrestrained and unrequited.
Fresh Desire--they're all the more enticing.

The apple glitters golden, its red flesh shines beneath.
Something familiar, a darker red, flecked across the finish.
I bite down and reel--
Something wondrous, but something queer.

Faithful attendants grab me quickly, dance me
into the mouth of a dark velvet tent.
It swallows me as I fall, waiting for the teeth---

        White mist surrounds with a shimmer
         and I have found the ground.
A Voice, deep as the sea enfolds me
gentle, heavy as with sleep--yet all aware.
It invites me closer, sit nearer
rest from the night's fantasies.
Lulled, I make for the figure hooded in brilliant gold.
He leads me to his table.

Heavy, strangely empty I seek sanctuary.
He offers instead a great promise--
power over my weariness, my desires met.
He offers joy unending,
pleasure without regret, without shame.
A haven promised here, mine alone, if only--
--if only I will stay.

But something tastes metallic in those words
promises that cannot be kept.
No tent could hold so much.
This voice, so warm and pleasing,
cannot mask well a lie,
and the gentle hand holds equally a threat.
                                                         ­                                                             run­
                Awake once more I fly from the shroud
bursting blind into the alley.

But back in the tent, left a piece of my heart
and my eye rolls away into a peddler's cup
blistered bits of my soul flake off, scorched
by fire-eaters food. What's left? Who am I?

                             What did it cost?
                               Not a dime, not a dime!
                                          Just a piece of your heart,
                                                                ­  just a piece of your mind.


Retching, the last of my still beating heart
squelches into my waiting hands.
I gag and sob out the gore, disbelieving
this small bit of flesh is all that is left
of all that I have been.

The blood draws the eyes of comrades
now changing from lovely to grotesque.
Ravenous, their teeth elongate
Eyes darken and colors fade
What was vibrant now decayed.
Sweet cream curdles in my mouth.
Rich meats, choice fruits turn sour--
the apple rots.

A hoard unrecognizable
of starved beasts and hideous beings
bears down for my final offering.

But I must know who I am
and what there was beyond this place!


Sprinting barefoot from the mob
clutching the vital treasure to my chest--
though to there it may not return--
I look now for mercy from the black gate.

Elegant porcelain fingers produce monstrous claws.
What once caressed my wondering skin
now sinks in for blood with crushing force.
A hopeless last attempt, a dead man's prayer:
I fling my body on the gate---


                                                       ­                                I am over. I am free--



Iron that once kept me out, now holds them fast within.

Bedclothes torn, all my purchased raiment turned to ash,
I limp, clutching a fragment heart.
Staggering from the Carnival's screams,
its dissonant music now all trick and terror.
Putrid garbage wafts from its walls.
Press onward, never looking back, through the wood.

So long ago--how long?--a little one led me here.
Her death was her own, but could have been
my salvation, a warning dearly paid.
Cheaply received.

My mind swims.
A body with its heart outside cannot last.
There are many things not of the Carnival
that would have my final scrap.

Faltering feet stumble and tripping find
a mere clear and still: a mirror for the moon.
And Luna's face does shine down
all her attendants watching on
as my naked form collapses beside its calm.
I cannot deserve this resting place,
could not discern a trap if one here lay.
All I can and have and am I offer up to Mercy,
and dip what's left of my broken life
into the cleansing pool.
first legitimate narrative piece.
a proof that no one can have an original idea. listening to showbread's 2004 album, *no sir nihilism is not practical.* definitely some inspiration from erin morgenstern's *night circus*, although her book is quite a different and lovelier thing. recently reading *undine* by friedrich de la motte fouqué (translated. i'm not that classy). recently struggling with those things that most often try to ensare a heart.

this is undoubtedly going to be one of those pieces i am never happy with.
krm Jul 2018
July 4th, 2018

Where the land of the free has become obscured by the shadow
of oppression,

Its' silhouettes are the monsters

children are afraid of under their beds.

How, fireworks remind so many gunshots

Self-proclaimed nationalists cannot stay loyal enough,
to know what would be good for this land.

This land of the free,
no longer belongs to the home of the brave,
but the cowardly.

Family & children born unto what we deem unattached,
from the roots of this soil,
they are not welcomed for lady liberty's "borrowed" arms to embrace them.

When each artifact
was sculpted from an immigrant's hands,
but we've warranted their tribulations
are greater than stars on our flag.

If those stars stand for detainment,
tragedy, and fascism.
I do not proudly pledge such ideals,
embracing my heritage of greats-
who journeyed over on ships across seas.



They are the stars of America's history.

—V.H.
Bryce Aug 2018
And now there would come a time
a swift sharp clock on the bed
Blaring its little chime in between the hard bells
Like an angry little arm
Charming if not for the alarm

And everyday I slap the face of it
Like an unwanted *****
And she is silenced
Quick unlike
Said chick

But I am a cruel guy and have no sense of wet and dry
Nor cool or heat
There's nothing bothering me

Time just ticks off and I laugh at it

But my cells divide and turn into little old protoplasmic men
And yet I am not called upon them
Because they are stupidly designed and I have no sympathy for arts and crafts
No masterman
who failing to raise his hand
Clams up
With such poor artwork

Slap that ***** in the dilapidated sistan

Now In San Francisco
Where the alley streets stink of ***
And the European facades are just that
Crumbling
Poopy
And full of ****
And what yet are they dreaming to be?

The church that survived fire
Great conflagration
God didn't make a rainbow at the end of that,
Now did he?

He's a water-sign
Dolt
And water only jolts your mind
When it scatters true light,
Ain't that right?

But it's all the same
Just different hues
And the news
Isn't new
Just Blaring and yelling
And speeding television crews
Riding their stories
Up and down the many stories
Trying to build a city of angels
On a bituminous hill

Shills

No life skills

And I walk the city streets with a ugly old leather
Brief
Casing the joints and rolling my own
Unhappy and alone
Kerouac and the dreams on the monangular input where the triangular avenues meet
And he has no road

While airplanes shake their jets on the tarmac and trebuchet into the air
Going god knows where
Seeing a new piece of the sculpted pinball
Perpetually trapped in the machine

How bout Nippon
Or Hangujin
Or Han Chinese
Or Berlin
Anywhere but when
A little ways along the state
Of "in"

All these strange things
gleck Nov 2016
“We could be gods amongst mortals"*

“Why be a god when the earth gave me you?”

His slight whisper
Another’s warmth on my hand
Body sculpted like those of gods
Engraved into my own
He is very humane; -

He is gravity;
Retain me against ascending
Pummel my sins

He is water;
Take away my thirst
Drown me when greed takes over

And I am grounded,
I am thirsty,
Lain earthbound onto the ground at his side
Heart aflame far away from Mount Olympus
I am still only  *
human.
Mel Little Oct 2015
Once upon a time, there was a man who wished to be an ice sculptor. He took a block of ice and a chisel and got straight to work.
He sculpted a woman, as beautiful as any other. He sculpted her to be his perfect complement, the woman he wished was real. He sculpted her with a smile and open arms, with kind eyes and a perfect body.
After he was finished, she was absolutely lovely, and absolutely everything that he had ever wanted his ice sculpture to be.
But then he went on to sculpt other things, and she started to become a further and further thought, distanced from his mind as his other projects became more important.
One day, he realized he'd forgotten all about his first piece of work. She'd started to crack and melt in places, but she was still almost perfect.
Instead of fixing her, the sculptor broke her in pieces with his chisel so he didn't have to worry about fixing her.
I wrote this on Facebook in 2012? I have no guarantees as to the sober-ness to this thought
coqueta Feb 2023
i try to accept that i’ll walk around with this emptiness in me forever
maybe when you mishandled my soft clay body, you left holes within me that can’t be filled
ive never once grown up, have i?
im scared day in and day out, one wrong move
and my aged and hardened body will shatter

the hands that formed me were loving
soft caresses sculpted me into a beautiful being, the image of the divine
entrusted in the arms of children, my malleable body was abused
and mishandled  
so i hardened into an ugly ugly thing
gentler, i beg, because im not as soft as i used to be
if you toss me around like that ill surely shatter under the weight of ur anger
i am not the image of my Father
but a reflection of the devils He left me in the care of
you are all i’ll ever be, aren’t you? i see you in me, you’re in me, more and more everyday and my insides collapse at the weight of your sins
and your father’s sins
and his father’s sins
weren’t you supposed to protect me? your hatred has warped my soul into an unsalvageable, unloveable thing, i know it too well
i once thought that my Father delighted in molding my soul in His image
that He gave me His hands, and His ability to create beautiful things
now i know these hands will only destroy
like you did to me
a sequel to the potter ig
Matt Sep 2014
She made me wear
A pink french maid's uniform that day
I had to wait on her and her black stud lover Tyrone

Fix them drinks and make them dinner
These are the duties of the ***** cuckold

It's hard to be inferior to him
He is so well-built and powerful
A perfectly sculpted body
A large and powerful manhood
He is every woman's dream

She reminds me that no beautiful woman
Will ever want to be with a ***** like me
That my manhood is too small
That my *** drive is too low
Nature has dealt me a bad hand

I sit by the bedroom door
This time I am not allowed to watch
She only told me that they would be doing it *******

I sit next to the door
I hear her load moans and sighs
I know he is pleasuring her
In ways I never could

My goodness
Forty-five minutes have passed
And they are still going at it

I peer through a crack in the door
He is so powerful that he can hold her up
As he thrusts deep inside her

I am not strong enough
To have *** in the standing position

What a man he is
He can squat 300 pounds
And has a strong powerful ***

Look at him ******
She screams in ecstasy

After she is finished
She will tell me how wonderful he was
As I polish her high heels

After he leaves
I have the humiliating and exciting task
Of giving her oral pleasure

These are the duties of the ***** cuckold
Ember Evanescent Nov 2014
POEM FOR IMALRIGHT
Dear Imalright
I discovered your poetry and LOVED all of it. I was struck by lots of what you wrote and it inspired to write this to you. I promise you I mean every word of it.
I read your poems:
Unexceptional
Unbeautiful
Anxiety at 3AM
Two sad teenagers
Relapse
Fifteen
Starving artist
2014
Nothing special
Rough Edges & a dorky face
Under eyes
I adored them and spent the better part of a full day, hours and hours combing through the verses, dissecting the poems, analyzing the words and fully appreciating your incredible work. I picked out my very favorite phrases or yours that I found particularly powerful and moving and responded to these lines. I wanted to start a challenge. (In fact I posted this challenge as a poem, you can find it on my page).
I thought it might be nice to do like a secret santa thingy on hellopoetry only not secret and not santa… what I mean is, find a random stranger you literally have never met and do NOT know at all whose poetry you like and spend actual time genuinely reading their work, picking out your favorite lines and responding to them, pondering them, etc. Write something positive to them and post it as a poem with their name in the title. The “DEAR BLANK” challenge only you put their name instead of “blank”. I think we could all use a little recognition that we exist and are worth something since everyone seems a little depressed on here (including myself) which is fine, it’s a great outlet but it would be nice for people to just spontaneously find that a random stranger spent time in their life just to recognize you and care about your poetry. To write a kind poem/letter to them responding to lines in their poetry. I just thought that you seemed like a wonderful poet and a wonderful person based on your poetry so I chose you, Imalright. So here it is:

Your head whispers these words that crawled onto the page:

We're the kind of people that fade into the background

that people forget are in the room.

-Imalright

I won’t say something that the rest of society seems to think fixes everything. I won’t tell you the typical: you are important to everyone, you are not just a faded part of the background, people do notice you etc. because those are empty words everyone uses and they people who are always pretty in the spotlight are always the ones to say it, so what do they really know about the background, forgotten, white-noise people like us?

I will tell you, instead, I know it hurts like hell to be forgotten. For your existence to go unnoticed. I know being a part of the background is never anyone’s first choice. I am a backdrop-dweller myself. I am the unnoticed girl who blends in with the shadows. There is nothing wrong with that.
Never forget that the starry night sky is a background too. You can still be wonderful without being the center of attention. You can still be wonderful even if you are a part of the background. I want you to know, I noticed your poetry. I noticed you, and your name, and your wonderful talent and I have spent my time dissection every poem you have posted because every single one of them, is a different shade of amazing. We are all backgrounds in someways but what we choose as our phone screen backgrounds tend to be pictures of what we love the best. Pictures of beautiful things. There is nothing unbeautiful about the background. So from one forgotten soul in a room to another, I your poetry was just another account in millions like the stars but you are one of the loveliest sections of this world’s background I have ever seen. Keep that in mind. 







I just wish that I was one of those beautiful things.

-Imalright

Once again, I won’t use a society phrase like: Everyone is special and beautiful in their own ways!! Because people don’t seem to get that no matter what they say, it doesn’t even matter if it is true, but if you tell someone who thinks they are not one of those beautiful things that they are beautiful They. Do. Not. Believe. You. It just doesn’t matter, it won’t change their mind, it doesn’t help and it doesn’t fix it. It just makes them feel like you are lying to them and then they feel vain and self-conscious about admitting to you that they don’t feel beautiful etc. etc. I’ve been there so I know.
So I won’t tell you that. But I will tell you a couple facts instead.

It is a fact, that there is ugly inside of every single person.
It is also a fact, that there is beauty inside every single person.
Because beauty is NOT a definable concept. It is different to every person depending what kind of lens they look through and let me tell you, physical beauty is artificial and even though I wish I could be physically attractive in my own eyes, I have come to accept and I hope you have too or will as well, that a deeper beauty than that is inner beauty. What you keep in the cracks and crevices you made yourself in your soul. I think you are beautiful. I the pages you’ve written on soaked with ink made out of your inner self is magnificent. Your way with words and your flow of thoughts, the way you look at life through an indigo-tinted-one-way-glass-lens, it is all a whispering sort of beauty. Like the soft ringing sound of raindrops skimming the window pane on a grey sky, storm cloudy day. That same sort of delicate loveliness. I think you are a very unique and exquisite color of beautiful unlike any other poet I’ve ever seen. I don’t know you, you don’t know me, we can’t label ourselves friends since I have never spoken to you, but friends are basically socially required to tell you that you are beautiful whereas strangers are bound by no such obligation, yet still I tell you, I find you a person with a beautiful soul. I have only ever seen your poetry, but that is enough for me to know you are a beautiful person. After all, poetry is really where our souls spill what they are truly composed of. If I were to judge your beauty by your face and actions, all those are altered by circumstances beyond our control, society standards and pressure etc. What you do does not define you. Your soul does, however. You are beautiful to me. 







I JUST WANT TO BE LOVED I JUST WANTS THINGS TO BE OKAY

-Imalright
A truthful scream of the heart that many have felt. It’s funny that we all have this same base desire that tends to reveal itself more and more the later at night it gets, and yet we all still suffer the feeling of being unloved and unokay alone and silently. I wish I could reach out and fix you because the pain of others that is out of my reach always pains me more than any kind of physical agony I could ever endure. I can’t fix you though, so instead I offer you the only thing I can, I am with you. As a friend, just another soul on the earth who has felt this feeling you express in this line. I reach out with the hands of my spirit and for your spirit. Maybe if you know that I too have felt unloved and unokay you can find comfort and strength in that. Because no matter what kind of darkness you face, literal or internal, I find being united with someone empathetic to you who knows how you feel makes it just a little less scary even if it is just a sliver of hope for even just a second. It is something and the idea of “hereness’ you know, like being “here” for you, being “with” you in that emotion is all I can offer and I just want you to know, I love everyone and everything until I am given a good reason not to. So in a way, even if not on a personal level (because I do not know you, so I can’t love you on a personal level the way a sister loves a sister or a best friend loves a best friend) just generally, you are loved by me, because I love your poetry and I love all things that haven’t given me reason not to. And do you know what? Even though it hurts and it is unfair, everyone has to be unokay for a little while. I have been too. Maybe you were unokay for longer than what could possibly be near just or humane or reasonable but you were strong enough to pull through. I applaud you for this and want you to know your strength in powering through your unokayness has been recognized and admired. By me. Because the warriors are the ones up at 3AM having anxiety attacks but never let it show and you are a warrior. I am proud to call you a fellow poet.




but being sad and lonely is worse than being sad.

-Imalright
I know what you mean by this line. It is sculpted so beautifully though. The words in the phrase are just so raw and honest. Not over romanticized, just plain relatable great poetry in its true form as it should be. Wonderful. I hope you have found refuge from loneliness or will find refuge from it soon in finding someone else’s heart to call your own and in your heart belonging to someone else.





A new scar for that comment that boy said.
A new scar for that friend that betrayed you.
A new scar for every word you swallow.

-Imalright
That boy has scars of his own and he thought it would make them fade if he cause you to have scars too. ***** him. The betrayal of a friend is a special kind of pain like being stabbed with a knife you made yourself. A pain I know too well and wish no one else knew. Let the scars heal and do not swallow words. You will choke pretty soon if you don’t. Keep in mind that you are worth more than scars. I think you are worth more than scars.






You don't know how bad things are.

-Imalright
First off, I love this line. Just so simple and yet so relatable. There is some beauty to that. Sort of like thorns on a rose stem. Although they can be piercing and ugly there is magnificence that goes along with it. To be 15 and not know how bad things are, you have the rest of your life to obsess over the bad things and how awful things really are. You have the rest of your earthly existence to be broken, so like a child’s smile, at least you had that one moment in your life when things weren’t shattered as far as you knew.





With nowhere to go but everywhere
-Imalright
What an extraordinary thought. Such a liberating idea. You have really inspired me with this one single phrase. Keep in mind, you can be so inspiring to people who don’t even know you (like me) just with your words. You really make such a difference in this world. I have decided after reading this line, I’m going to try and let a little bit of that philosophy into my life. Nowhere to go but anywhere.

And that hope is going to make me stop doing this to myself.

-Imalright
Well, I really hope so too. I hoped for hope to save me for way too long. Eventually you gotta find it in yourself because this world is a little short on Hope, its main export being Despair. Just know you are not alone in this. I wish Hope was something you could wrap and mail it to someone who needs it but I can’t hand you Hope. I cannot offer it to you physically but if it helps at all, if it creates Hope for you, I want you to know that I personally, desperately from the bottom of my heart hope to God, genuinely thinking of you individually as a person that you have healed or are healing or will heal through Hope. If that helps. I have been crumbling, but somehow, after a hell of a lot of anguish, I found Hope. You can too. If it doesn’t help then I offer you my hand spiritually and metaphorically. Stay hopeful, because in this world, that is all we have.






i'm nothing special
im not beautiful
i'm not gifted

-Imalright
I know I can’t change your mind the same way no one can change mine when it comes to how self-image and esteem, but I just wanted to tell you even if you don’t believe me, in my eyes and in my opinion, not saying this to be fake or just being nice. If it weren’t true I just wouldn’t bring it up or say anything about it but you are VERY special. …okay that doesn’t sound good that sounds like the kind of special people put in quotations like: oh, she’s um… you know, “special” alright…
What I meant was, you are special because your poetry has made a difference in my life. You insightful view into life, your precious unprecedented perspective on the world and how you perceive it is very special. I have already explained why I think you are beautiful internally and keep in mind there is no such thing as one type of physical beauty. It is all about opinion and to some person or some people out there, you ARE physically perfect. To them, your physical traits are their definition of beauty because beauty doesn’t have a size, a color or a shape. That is the beautiful thing about beauty. And you are gifted at poetry, that’s for **** sure. Your poems are absolutely toxically flawless I adore them and I really, really mean that. Your writing is close to my heart. That may come across rather creepy sorry about that haha :P but you need to know that you are gifted when it comes to beautiful words.






No one will make me believe that all of my flaws aren't wonderful.

-Imalright
Such a sensational thought and resolve. I really and truly admire and acknowledge your indescribable strength I wish I could achieve to not only accept but embrace your flaws. You are such a strong person and I want to thank you for being such an inspiration to me and the rest of the world, doing that and finding that truth within yourself that flaws are wonderful things.
wondering why i had shattered myself in the process of picking up someone else's pieces

-Imalright

Okay, before I say anything else… omfg wow holy mother of waffles. (That is not a very common expression but I am so struck by the priceless incredibleness of this line I can’t think straight. Also, waffles are good.) This is amazing… how do you come up with stuff like this???!! The imagery, the metaphor, the power of the phrase embedded in the words just… wow. Spectacular. God, I just really, REALLY hope with every ounce of my soul you find a way to repair yourself or someone to repair you because to lose yourself, saving someone else who was broken is so heroically tragic it breaks my heart because you are such a beautiful person.




Dear Imalright
I offer you Poet’s Love.
One poet to another.
I admire your work and your work is made out of little parts of you.
I admire you and your strength, your writing abilities and your outlook on life.
Never ever change.
I hope you find Hope.
Message me anytime should you need anything.
And I want to thank you for being such a strong inspiration to the race of people we call: Poets.
Love,
Ember Evanescent.
DEAR BLANK CHALLENGE
Leah Rae Oct 2012
They Are Lost Love Letters. Written & Sculpted, Imprinted On The Palms Of Praying Children.

They Are Hauntingly Beautiful.

They Are The Silence Of The Storm, They Are The Emptiness Of Shallow Graves.

All She Left Was “I'm Sorry” On The Bathroom Mirror In Red Lipstick, She's Said It So Many Times Her Body Is Now Bent Into A Permanent Benediction Of Regret.

He Wrote Five Drafts Of His Suicide Note Crossed Every T, Dotted Every I.

Now They Wear Self Inflicted Scars, Like Road Maps To Their Own Insanity.

It Was Her Palm Across The Diner Table At 3am. Her Skin Like Rose Petals Pressed In Submission, Smiling, Teeth Pulled Taunt Across Her Chapped Lips, Smiling, Telling Me She Hasn't Eaten In Three Days, Says The Sounds Of Her Body Eating Her Alive Helps Her Sleep At Night.

His Eyes, Angry And Blue, Told Me He Put A Down Payment On His Coffin Today. He'd Been Saving His Pennies For Five Years Now, Don't Tell Me This Wasn't Premeditated.

It Was The Way Her Body Vibrated Aching In Every Joint, Throbbing, Screaming Into Herself So Loudly Her Palms Shook. On The Way To Work In The Morning, Says Sometimes She Can Hear The Wind Whispering To Step In Front Of That Train, Says She Can Lick Her Lips And Taste Heaven.

The Way He Wore A Crooked Half Smile, Pouring GunShot After Gunshot Down His Throat. The Sting Reminded Him Of Wintertime In The Midwest, Told Me Could Feel The Tubes Clawing Their Way Down His Throat. Someday He'll Met A Heart Monitor With The Guts To Tell His Mother Sorry For Him, Because He Never Could.

She Filled Her Bathtub With Ice, She Fantasizes About The Layers Of Flesh Shes Been Suffocating In For So Long, Finally Being Numb.

The Way He Begged The Stars To Call Him Home, Closed His Eyes, As His Right Foot Craved The Gas Pedal, Screaming Through This Red Light, So He Can Finally Come Face To Face With The Angry God So Many People Pray To.

She Wanted To Trace The Lineage Of Her Family Tree Deep Into Her Veins, Up The Length Of Her Riverbed Skin, Until She Can Kiss The Underside Of Her Own Touch.

In The Early Hours Of The Morning, He Finds Himself Crawling On Bruised Hands & Scraped Knees, Cradled Against Train Tracks, He Liked The Constant Thunder In His Ribcage, The Promise Of Something So Much Bigger Than Him Dwelling Inside The Body He Has Been Calling Home.

She Wanted To Wrap The Tether Of Regret Around Her Throat, Ring Her Lungs Breathless, Tighter, Tighter, Until The Time Between The Rise And Fall Of Her Chest Felt Like Centuries.

He Stood Face To Face With A Motionless Sky, A Shade Of Grey So Empty He Could Feel It Ache Inside Of Him. It Begged Him To Step Forward, Just Inches, The Call Of The Void, Bridge Jumper, Harlequin Lost Lover, So Close, So Close.

She Held The Barrel Of Life Between Her Lips, A Fine Line Between Here And There. Shes Walking A Boundary Built In Her Blood. It Doesn't Hurt Yet. A Trigger Happy Hand, Palms Sweating, Shes Counting Down In Her Head, 3, 2, 1,

He's Got “Wide Awake” Written All Over Him, The Bottle Says Take One, But He's Got 53 In The Palm Of His Hand, She's Got Gasoline Seeping Into Her Skin, The Smell Of Smoke Has Never Been This Strong.

They've Been Journaling Their Lives Deep Into Leather-bound Notebooks For Someone To Remember, They've Swallowed Their Own Self Pity, Call It Poison.

She  Never Knew I Would Have Used My Fingertips As Windshield Wipers For Her Tears. I Would Have Placed My Open Palms Against His Chest, And Told Him He Mattered, At Least To Me, In This Moment, Brash And Reckless Healing,

They Told Me They Found A Muse In The Lost. Hopeless Melodies, Kurt Cobain. Sylvia Path With Stones In Her Pockets. ****** With Cyanide Tablets And Silver Born Bullets. Anne Sexton With Carbon-Monoxide Lungs And A Padlocked Volkswagen. Marilyn Monroe Silver Studded In Sedatives, Pulled Down Deep, Until There Was Nothing Left. Hemingway With Shotgun Shells Littering His Skull.

To Them It Seemed Like A Right Of Passage. A Last Attempt To Leave This Planet Screaming. A Better Than Goodbye. Something Poetic To Carve Into Your Skin, Or Flip Top Wooden Desk, So Someone Somewhere Would Remember The Name, Because They Were Told Legends Never Die.
This one is real personal. Hope it resonates with you, like it does with me.
Christos Rigakos Mar 2014
i've sculpted marble into her image,
a statue, flawless, down to each detail,
her beauty true and that of mind in scrimmage,
her replication filled with much travail,

upon the sight of it in its completion,
i gasped when i beheld its perfect form,
and to protect this object most like Grecian,
i built a temple 'round it for the storm,

one day, as i prepared my veneration,
i found her in the temple stumbling drunk,
and sharing with another my oblation,
unsheathed his sword and deeply in her sunk,

oh, never build a temple to a mortal,
for she'll escape to heaven through that portal

(C)2012, Christos Rigakos
English (Shakespearean) Sonnet
A creative
bright sky
from a black and dark earth.
Sculpted, smooth, cylindrical.
A simple layered texture.
I wrote down adjectives that described a sculpture and I added a couple of other words. This was the outcome.
Troy Feb 2018
All i feel is time passing.
Just Moments ..
Blurred images..
Memories
Of my life..
Where did it go.  
Im Lost in a sea
Of  Turquois dream,
Waiting drowning
In its Color
Hopeless against it's
  Current's,,
I'm constantly being
Pulled against the tide
Swimming to stay alive,,
My mind is not my own.
Like most
My heart ripped and torn.
In my
Moments of  Clarity
I See the beautifully  Cruel
Sculpted hand of God
In everything.
As I drift alone in my turquoise dream
Nigel Morgan Nov 2013
Think of an imagined orchestra. But there is no resonance hereabouts, so the imagination gives next to nothing for your efforts, and even in surround-sound there’s so little to reflect the dimensions of the space your walking inhabits. Sea hardly counts, having its constant companionship with wind, and sand hills absorb the footfall. A shout dies here before the breath has left the lungs.

Listen, there is a vague twittering of wading birds flocked far out on the sand. The sea rolls and breaks a rhythmic swell into surf. There’s a little wind to rustle the ammophila and only the slight undefined noise of our bodies moving in this strip between land and sea. Nowhere here can sound be enclosed except within the self. There’s a kind of breathing going on, and much like our own, it has to be listened for with a keen attention.

There is such a confusion of shapes making detail difficult to gather in, even to focus upon, and to attempt an imagined orchestration – impossible. We’ll have to wait for the camera’s catch, its cargo to be brought to the back-lit screen. Once there it seems hardly a glimmer of what we thought we saw, what we ‘snapped’ in an instant. It’s too detached, too flat. So thankfully you sketch, and I feel the pen draw shapes into your fingers and their moving, willing hand. On your sketchbook’s page the image breathes and lives.

You can’t sketch music this way because the mark made buries itself in a network that seems to defy with its complexity any image set before you. Time’s like that. You end up with a long low pitch, pulsating; a grumbling sound rich in sliding harmonics. You see, landscape does not beget melody or even structure and form, only tiny, pebbled pockets of random sound. Here, there is no belonging of music. Only the built space can adequately house music’s home. We might ****** a few seconds of the sea’s turn and wash, a bird’s cry, the rub and clatter of boot on stone, and later bring it back to a timeline of digital audio and be ‘musical’ with it, or not.

Where we hold music to landscape is something we are told just happens to be so; it is the interpretation’s (and the interpreter’s) will and whim. It is an illusion. The Lark Ascends in a Norfolk field. We hear, but rarely see, this almost stationary bird high in the morning air. We can only imagine the lark’s eye view, but we know the story, the poem, the context, so our imagination learns to supply the rest.

What is taken then to be taken back? On this November beach, on this mild, windless afternoon,. Am I collecting, preparing, and easing the mind, un-complicating mental space, or unravelling past thoughts and former plans? I can then imagine sitting at a table, a table before a window, a window before a garden, and beyond the garden (through the window) there’s a distant vista of the sea where the sun glistens (it is early morning), and there too in the bright sky remains a vestige of a night’s drama of clouds. But today we shall not put music to picture from a camera’s contents, from any flat and lifeless image.

Instead there seem to be present thoughts alive in this ancient coastline, abandoned here the necessary industry of living, the once ceaseless business of daily life. Instead of the hand to mouth existence governed by the herring, the course strip farming below the castle, the herds of dark cattle, the possible pigs, some wandering sheep, seabirds and their eggs for the ***, the gathering of seaweed, the foraging for fuel: there is a closing down for winter because the visitors are few. We need the rest they say, to regroup, paint the ceilings, freshen up the shop, strengthen the fences, have time away from the relentlessness of accommodating and being accommodating. Only the smell of smoking the herring remains from the distant past – but now such kippering is for Fortnums.

We step out across and down and up the coastal strip: an afternoon and its following morning;  a few miles walking, nothing serious, but moving here and there, taking it in, as much as we can. We fill ourselves to the brim with what’s here and now. The past is never far away: in just living memory there was a subsistence life of the herring fishers and the itinerant fisher folk who followed the herring from Aberdeen to Plymouth. Now there are empty holiday lets, retirement properties and most who live here service the visitors. Prime cattle graze, birds are reserved, caravans park next to a floodlit hotel and its gourmet restaurant. There’s even a poet here somewhere - sitting on a rock like a siren with a lovely smile.

Colours: dull greens now, wind-washed-out browns, out and above the sea confusions of grey and black stone, floating skeins of orange sands and the haunting, restless skies. Far distant into the west hills are sculpted by low-flying clouds resting in the mild air. Wind turbines step out across the middle distance, but today their sails are stationary. As the bay curves a settlement of wooden huts, painted chalets then the grey steep roofed houses of stone, grey and hard against the sea.

Does music come out of all this? What appears? What sounds? What is sounding in me? There is nothing stationary here to hang on to because even on this mild day there is constant change. Look up, around, adjust the viewpoint. There’s another highlight from the sky’s palette reflecting in the estuary water, always too various and complex to remember.

Music comes out of nothing but what you build it upon. It holds the potential for going beyond arrangements of notes. Pieces become buildings, layers in thought. My only landscape music to date begins with a formal processional, a march, and a gradually broadening out of tonality the close-knit chromatic to the open-eared pentatonic. There’s a steady stream of pitches that do not repeat or recur or return on themselves, as so much music needs to do to appease our memory.

In this landscape there seem only sharp points of dissonance. I hear lonely, disembodied pitches, uncomfortable sounds that are pinned to the past. The land, its topography as a score grasping the exterior, lies in multi-dimensional space, sound in being, a joining of points where there is no correlation. There’s a map and directions and a flow of time: it starts here and ends there, and so little remains for the memory.

Yet, this location remains. We walked it and saw it fortunately for a brief time in an uninhabited state. We were alone with it. We looked at this land as it meets the sea, and I saw it as a map on which to place complexes of sound, intensities even,. But how to meet the musical utterance that claims connection? It is a layering of complexes between silences, between the steady step, the stop and view. There is perhaps a hierarchy of landscape objects: the curve of the bay, the sandhills’ sweep, the layerings of sand, and in the pools and channels of this slight river that divides this beach flocks of birds.

Music is such an intense structure, so bound together, invested with proportions so exact and yet weighed down by tone, the sounding, vibrating string, the column of air broken by the valve and key, the attack and release of the hammered string. But there is also the voice, and voices are able to sound and carry their own resonance . . .

. . . and he realised that was where these long drawn out thoughts, this short diary of reflection, had been leading. He would sit quietly in contemplation of it all and work towards a web of words. He would let their rhythms and sounds come together in a map, as a map of their precious, shared time moving between the land and the sea, the sea and the land.
Jeff Stier Sep 2018
In this life
we are sculpted down
to bone
burned to cinders
and our ash
tossed without regret
into the four winds

I wish I could live.
Be a man.
Find comfort in the sun.

But every cell in my body
revolts against time
cries out against the sun
speaks in tongues
for the sole purpose
of creating an outrage
against God.

Oh Lord!
How did you make us thus?
And why?
Above all
why?

We are made metal
and in the end
alloy with the sun.

Our breath is drawn
to fuel that fire
bring life to a boil
and
if luck prevails
to wake each morning
in comfort
and with a smile.

Perhaps the last sweet smile.
spysgrandson Jan 2013
The origin of spiritual sustenance is defined differently by each person. Most attribute it to a divine power or some God incarnate that helps us, limited corporeal beings that we are, relate to a deity or to the infinite. Like billions of other sentient souls, this is a way of "seeing" or believing that I have embraced on some level. However, when I ask myself what sustains me beyond this, I am taken down another path.

That path leads me to the crumbling adobe dwellings or sometimes to the freshly painted stucco buildings scattered across the great southwest. That path leads me to something more tangible or palpable than I can glean from traditional halls of worship. I am led instead to a simple yet profound vision--the sight of a hot plate of Mexican food.

Here is where a slight or perhaps dramatic shift in the way one thinks about the spirit is required. This is not necessarily a new concept but merely my take on it. You have all heard of "Soul Food" as it applies to the cuisine of the African American community or more generically in recent years, "comfort food". Also, some of you may recall me saying at one time or another, truly good junk food bypasses all vital organs and goes straight to the spirit. Let me clarify that last line--it is not that I believe the physical laws of the universe are suspended when one eats certain kinds of food—calories will still be consumed, the food digested and metabolized, etc. Instead, I believe, like so many things spiritual, eating Mexican Food transcends the natural laws of the universe as we know them.

This begs the question, why Mexican food as opposed to some other fare like Chinese or good old fried catfish, a southern favorite? The answer is simple. Some people, because of where they were, who they were, and when they were, are Christians, some are Hindus, some are Muslims and some are witches. I am a worshipper of Mexican food.

My sustenance, therefore, comes not from those in polished marble and stone palaces, clad in clerical garb and carrying holy texts. Instead, it comes from humble servants scurrying about hot kitchens doing what they do perhaps simply to feed their families—from my point of view, a noble endeavor in and of itself.

From the time I see a Mexican eatery through a bug-splattered windshield, I notice its energy or aura. When I open the door and see the gaudy but somehow authentic colors on sombrero covered walls, and hear playful Mariachi, and smell the frying tortillas, I know I have entered one of the houses of the holy. Truly, the colors, the sounds, the sights and the smell all take me to a higher place.

This sounds strange to most readers I am sure, but if I were speaking of a nature walk in dew covered grass among the scent of lofty pines, listening to the sound of songbirds, all could relate to its transcendent quality. We somehow place pristine nature above nature sculpted in a way for human benefit. I do this myself, except when it comes to Mexican food or perhaps a beautifully restored VW van, but that is another story.

To return to my original premise, the spiritual value of Mexican food—when the hot oblong platter is placed in front of me, I first notice its colorful array on the plate. Imagine a platter with red and blue corn chips, gray/brown frijoles covered with white cheese, orange rice, chili verde (green), a golden cheese covered enchilada, olive green guacamole, red ripe tomatoes with rich green cilantro and snow white onions, and last of all deep green jalapenos, forming a colorful tapestry and visual feast. (Contrast this with a hunk of brown steak, pale green peas, and a white glob of mashed potatoes.)

The scent of this feast immediately attacks my olfactory bulb and like so many smells, has the power to evoke startlingly clear memories. For me, I am taken to a place where the door opens to a moonless starry sky. I am in the desert, perhaps for the first time. I am in the desert, being courted by the dark desert lady who still haunts my soul in the night. I go back there so many nights, when all is quiet and my long day’s journey into night is finished. This vast, dark and inhospitable land that has called holy men to it through the ages calls me, a man as common as the cook whose labors unwittingly took me there. I huddle among the cacti, creatures who ask the earth for so little. I feel the endless winds that carry the remnants of a thousand ancient souls across the black Sonoran sky and rattle the door from where I came, as if still asking for entrance to a place where they can no longer dwell. Long ago, they returned to the desert for a final time, and now, a thousand nights and a thousand miles away, they mix with the holy night air as only desert dust can, and for a moment tempt the living, but then return to the black night. I do not yet join them—the door still opens to me. I can still see the colors, hear the sounds and place earthly but heavenly morsels in my mouth, and ask for more salsa.

Outside, in the dark desert, the night waits for me, but I have a few more bites to take, and a few more words to write, and to borrow a line from another, a few more miles to go before I sleep—thus, the spiritual value of Mexican food.
In my profile here at HP, I mentioned that I had written this--it was probably three years ago.
Lyn-Purcell Aug 2018
'Oh, when will you return, my love?' wondered Kourê,
   as she lays on the daybed, in the cradle of                        
          Spring's clime; how the nights and days make                        
her so weary, as the yellowed flames sway idle              
So many flowers sent,                                            
each rich with memory.      
Violets coiling around the triumphal arch;              
His smile after their first kiss under
the flushing dawn.
Starlings who sing ever so sweet;                              
the song of him preaching of her being
                       a bright glory before others.
Crystal chandeliar that hangs from the ceiling;
                            Her on a small bench, his hands massaging
                              warm oils between her fae-sculpted
      feet and toes.
The roses; a rouge kiss in the light of the shade
          The harp; a white daybed draped
                            with a scarlet sheet.
She yearns for a hug from him, bathing ****
          in light, as their hearts beat in sync
                              and reach the sky.
All she wants is a sweet rest, his hand on her
fine head;                                                
            stroking, sighing, eyes shining,              
                  water that trembles between fingers,
happiness linger!
A feather drifts earnest, the glittering of stars,
And now she cools, recalling their sweet        
goodbye as he rides his mare,
            snow cloak shines eternally.
'Yours is a beauty that will never wilt,' he cooes,
placing a rose in her hair.                  
A rose.                      
A rose...        
Her eyes falls on the white rose in the vase,
              lonesome, thornless proud...                  
We marvel its beauty, its earthbound performance                       
 She holds the rose in her hand, staring at its                    
its crowning glory; petalled virtue
By her ivory velveteen fingers                                          
long finger,
               slim thumb-
She plucks petal by petal by petal by petal
as she looks to the day-sky
                      with a dreaming mind
And when the crown is gone,                            
                       her face is touched by a frown                        
                and the naked stem,
                                    marred by her sensitivity-
                                            ***** of its own beauty-
                                                    for her hand's sake,
her yearning for her lionesque lover,              
                                         and aurorian prayers?          
The stem falls, naked and bald on the ground
    as she closes her eyes, saddened...
She cannot bear the sight of snow-kissed            
flowered bays without the sun,
                   her hymn-
                                  her shield-
Know the true secret behind the red, red rose  
As none know of its venomous mantle    
this Rose lingered in the vase only to be
defiled.
Taken advantage of only to
                            be dumped-
A laughing stock as another more beautiful
                            flower will take its place
Boiling with vengeance, the stem is hale,
jade with envy-
                                               barbed with thorns, a poisoned desire
                      to shield its body,
Its pride, its crown stolen-
                                     From snow to blood-
                                                    its pain turned crimson,
No longer will tears of dew fall!
'It matters not,' Kourê thinks, 'another rose will bud.'
For they, like many perennials and sentient life,
                          are conscious of its limited beauty!
'Mine own beauty and his will last forever.'
From the light beyond,
she sees him.
                                       Her sun that rides the mare!
She runs into his embrace- a pair of happy doves
Her fingers in his gold curls
as he bends the knee,
The air lovingly cold at this display!                  
Ever so content!
                                          Blessings upon the lily in the snow!
Upon her hands, the blood of a rose,
that swears vengeance upon her
for it will be the catalyst!
Blood for blood!
                                  The rose will rise and curse
them with pain ten-fold...
Final part of the free-verse!
Hope you enjoyed it!
I came up with a little sad myth behind why the rose has thorns. Why the white roses are truly red. What did you think? I have roses in my garden but I don't pick the petals, they're too pretty!
What did you think of Kourê? Do let me know!
Love you guys! Thanks so much!
Lyn ***'
April Hapner Dec 2012
December, May and then June...
We've fallen out of tune.
A stroll down memory lane.
Lost in solitude
Once... [more].

Shadows play in the cold...
Expression-less figures dance [together]
in the Spring rain ...
walking on the seaside

Wonderful moments to embrace
A dust clouded you and I
...where were we?

followed the Autumn leaves
Smells of cinnamon, apple, and fresh wood
[but] I only remember
December, May, and June...
We've fallen out tune
[where we'd say 'I Love you?']

September alone
awaiting rain of May,
shadows of December,
walking in June.
could I have forgotten [happiness?]

without knowing, We would meet here.
life begins in the spring of May
continuing in June
Inside December's warmth...

Wrapped up in memory
easing from fear, my hope.
that an end never draws near
always holding for Love...

Walking in December,
Cold in May,
Raining flooded June...
we've fallen out of memory
and a tune
like broken pottery, scattered,
harvested in June
sculpted in December,
awaiting May...
Honestly i have no clue, word just seem to swim in my head.
E. E. Cummings does inspire me, more so than others think. Several things in life going on. Here is to friends, Love, and Laughter.

See Also: My Short Term Memory.
Erin Nicole Nov 2016
She just wants to be beautiful
She goes unnoticed, she knows no limits,
She craves attention, she praises an image,
She prays to be sculpted by the sculptor
Oh she don't see the light that's shining
Deeper than the eyes can find it
Maybe we have made her blind
So she tries to cover up her pain, and cut her woes away
'Cause covergirls don't cry after their face is made

But there's a hope that's waiting for you in the dark
You should know you're beautiful just the way you are
And you don't have to change a thing
The world could change its heart
No scars to your beautiful, we're stars and we're beautiful
Oh-oh, oh-oh-oh, oh-oh-oh-oh, oh-oh-oh
And you don't have to change a thing
The world could change its heart
No scars to your beautiful, we're stars and we're beautiful

She has dreams to be an envy, so she's starving
You know, "Covergirls eat nothing."
She says, "Beauty is pain and there's beauty in everything."
"What's a little bit of hunger?"
"I could go a little while longer," she fades away
She don't see her perfect, she don't understand she's worth it
Or that beauty goes deeper than the surface
Ah oh, ah ah oh,
So to all the girls that's hurting
Let me be your mirror, help you see a little bit clearer
The light that shines within

There's a hope that's waiting for you in the dark
You should know you're beautiful just the way you are
And you don't have to change a thing
The world could change its heart
No scars to your beautiful, we're stars and we're beautiful
Oh-oh-oh, oh-oh-oh-oh, oh-oh-oh, oh-oh-oh-oh
And you don't have to change a thing
The world could change its heart
No scars to your beautiful, we're stars and we're beautiful

No better you than the you that you are
(no better you than the you that you are)
No better life than the life we're living
(no better life than the life we're living)
No better time for your shine, you're a star
(no better time for your shine, you're a star)
Oh, you're beautiful, oh, you're beautiful

There's a hope that's waiting for you in the dark
You should know you're beautiful just the way you are
And you don't have to change a thing
The world could change its heart
No scars to your beautiful, we're stars and we're beautiful
Whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh-oh-oh, oh-oh-oh-oh
And you don't have to change a thing
The world could change its heart
No scars to your beautiful, we're stars and we're beautiful
This is truly my song rn. Scars To Your Beautiful by Alessia Cara
Cyril Blythe Aug 2012
I gulp down an Energy-Booster-X,
blue and sour.
Siri turns on Radiohead,
15 Step.

I step up to the pyramid of treadmills,
bouncing and salty.
Surrounded by Greek gods,
Beta, Alpha Gam, Pike.

I motivate myself by my surroundings,
bulging and ****.
Cardio first and then core,
2 miles, 200 crunches.

I connect my sweat in a line down my shirt,
blotchy and stagnant.
Everyone stretches in the end,
Thighs, biceps, pecs aflame.

I will not stop until I am perfection,
beautiful and sculpted.
Alarm set again,
For 6:30am, 7:30pm
Michael Briefs Nov 2017
It seemed so much had been lost.  

So much had slipped through
A grasping hand,
A yearning heart,
A desperate mind
As mine.

The dull march of days present
Was shadowed by the
Gloom of regrets and
Shrieked by a shrill wind at lonely,
Bitter hours.  
What was mine? What was ours?
Gone for good and all?

My love, it seemed, was only
Ever a dark dream.
In my swelling and stinging agony,
Love was
As a locked door
And my heart was a bloodied fist
Beating against it.  
A wraith-like specter of doubt clung to me
With oppressive raiment,
Scrapping over exposed skin
Like course, mortifying fabric.  

Then, from out of a pristine past,
A voice  
Called out to me.  
The herald of an angel
Rung clear and glad as winter bells,
Celebrant!  
The dark narcissus of mortality was
Driven off!
The burial cloak was split;
The stone was rolled back!  

A hope newly found
Surrounds and soars above me,
As a deep, azure ribbon of
Stretching, unending sky!

I am imbued with cheering thoughts
Of our days gone by!
Glories recalled in a moment relived;
Revelries and song lifted with voices
And hearts, stout and full!

Together,
With my beautiful Eurydician queen;
Returned, she was,
From an underworld of time.
We coax and stir
The memories of first passions,
Innocent, powerful and pure.
We are now bending
The arc of our history,
Rending the precious pearl of affection
From the murky domain of
A love denied.  
Renewed and viewed through  
Prismic fractures of sadness
And through the sharp focus
Of blue eyes, in rapt recognition,
Surprised!  

Today is reborn,
Lived again and again,
With each pulse of the clock,
Each beat of my heart.  
The blood within
Is purged of that familiar poison.  

All is potent and refreshed:
You, your face, your voice, your touch, your scent,
Your vibration pours to and through me, once again!
Oh, true friend,
Tender lover,
Gently knocking at my door.
You return from distant lands
Remote and misty,
Bringing light and love
To my lonely shore.
I approach from my realm,
Far removed.  
Age and ages have chiseled
The shape of my soul.
In part, it is smoothed;
Refined with wisdom, empathy, and clarity.
Also, though,
It is,
In part,
Broken, jagged, and cracked,
As the forgotten sculptures
Of ancient empires,
Renowned
And doomed.

Yet I realize, all at once,
That I am not forgotten.  
I am not doomed
To shadow.
I breathe,
I seek,
I still have hope and
Words to tell!
And I still have my love for you!
My life is now freed from that
Sad spell.  

This breath,
This stony soul
(Sculpted by the Artist of Pain)
And this trammeled heart
Trembles in desire of
Your beauty,
Your touch and
Your presence --
Your calming presence,
Bringing levity,
Reassurance
And familiar stories of
Hopeful remembrance.  
From love recalled,
Comes your unexpected
Embrace and
Sweet sign of friendship.

That time of distress has come and
Gone and we turn to discover that
Our tender connection remains,
True and undefeated!
It rises with the earliest song
Of still sleepy birds,
Lilting on the cool air of the morn.  

This uplifting emotion
Again flows within me,
As an angel granting absolution,
Touching me in a place
As deep as first love.  

Welcome!
Salmabanu Hatim Jan 2019
She told me
I was young, handsome,tall,
well sculpted and brave,
She worshipped  me,
She had blinds over her eyes,
She was not my Aphrodite.
I was not her Adonis,
I fled.
I am lazy,
I am afraid of cockroaches,
I snore a lot,
I love to watch football on T.V,
I sometimes forget to leave the toilet sit up,
In short, I  have flaws,
I am human, not a God.
...
..
.



sculpted visions entertained
my mind has been disarrayed
corners are molded by circles strange
every riddle has been detained
holding out my hands
my fists take over
crushing rocks
considered
to
be
boulders
broken down
with such
precsion
beyond
sculpted vision
?


...
..
.
see me seas
see me knots
see me
or
not
...
..
.

— The End —