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"impaling" poems
Searching your mind, Revealing your soul. A piece of my mind, Making you whole. The depths of your feelings, Defines the depths I will go. I know what I know, Time for me to show, How well though. Like never before, Here I go. Persuading your body, In so many ways, You're powerless to evade, The prowess of my ways. Caressing your tenderness. These moments your memory will replay; Haunting parts of your body in a special way. Reminiscent of this very day, Our parts bonding as we lay. Still influenced in ways you can't see, Rather feel, so its as real as can be. These unique pleasures bestowed upon you, Impaling your reality with my point of view. This abundance of energy; this vitality. A reflection of you and me. Enticing you mentally, controlling you physically, releasing you and me chemically.
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Oct 15, 2014
Oct 15, 2014 at 12:53 AM UTC
Tension
palace of lights caved blooms through the body like reality pitted against a comic book not knowing where life came from not knowing how it will end food tubes or road **** is creation substance-less? 24 carat nonsense, or pure wisdom? perhaps bad therapy for lab animals and store front dummies monkeys shudder at needles unless candied with a heroine syringe chemistry a science of belligerence and euphoria pleasure before despair and than a sea of pain and a **** impaling her the lushly contoured female a frictionless exchange of power for ******* ecstatic death as her eyes bob and flutter like cascading echo's my birth tarot card **** of swords her favorite when I push through her like blood bubble gum b l o o d b u b b a b u b b le g u m a **** cathedral of lights flicker spit guttural diphthong like a vipers castanets uterine fire bursts like an appendix bomb her **** a zoo c u n t z o o i am peanuts worms and hay her face a mask to hide behind breath play sibilant **** specter or nightmares shadows and villains aphrodiac gagged and drugged hot ***** bound a big eyed **** s l u t l o v e *** cannibals turn me on her ****** a goddess a Russian roulette for shtttty kisses sploosh she shot me cuckoo spit k o cuck  k o  k o o twizzles willie milk in a drowning moss draped moon orifice under a shattered zodiac wrapped in tentacles of night she turns me on
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Feb 9, 2019
Feb 9, 2019 at 1:44 PM UTC
She Turns Me On...Cunt Zoo Manga
Cursed to this life Everything pre decided for me My happy and sad My hate my love We’re all just displays of skin and bone Most with no souls Crying about their five dollar latte What should I wear today Release from our lips sin and beauty The sickness and desire it is going to take me Hearts cold as ice freeing me from these emotions that are destroying me Impaling metal and plastic just another facet New to you another defect I see Deep down my heart is still beating wishing my blood was seeping Oxygen in everything wishing it would leave me Break my bones putting chemicals in my veins Once forever but nevermore I’m in a sea of green and blue Wishing something would set me free Only pain pushes me to maintain Step into my shoes just look see for a minute Just a warning you will never come back the same maybe insane Gold dust coursing through me never allowing me to feel the pain With blue lips please just poison me
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Mar 19, 2019
Mar 19, 2019 at 3:03 AM UTC
The ********* In We
*How much do you have to hate life, to not be scared of death?* - ThePoet I'd be lying if I said I wasn't Because I really am afraid But life has only sharp things Wonder if death is willing to trade... Longing ...a splinter Embedded in the recesses of my core Nestled deep, this tiny thorn The source of my disconcerting sore Need ...a shard That stabs itself deep Extract it I will not Think it's worth the keep Miss ...a knife With never a dull blade Stabs itself right through Pain that will never fade Want ...a syringe Injecting the good and bad Side effects loom Driving me quite mad Love ...a stake Rammed into my heart It doubles me over It rips me apart Life ...a spike Impaling without fail Siphoning my soul Through the holes in my mail These are the few sharp things that I own The only things I've learnt to savour I've nurtured them large; now fully grown Always wondered what death has got to offer...
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Jan 9, 2015
Jan 9, 2015 at 7:38 AM UTC
Sharp Things
I take flight With all my might To be your kite Following you wherever you go To be part of your ebb and flow People think I ingested the wrong pill Because up here I can't see the roadkill And float over the pitch black oil spills From the end of your string I become king There is an approaching storm As you deviate from the norm And discontinue acting warm Your lightning strikes My metal pike Electricity tears through my thin fabric As I dream of a tranquil casket And you want to grant me my death wish I guess that's why they call me Icarish For flying to close to the rain Only to constantly feel pain To distract me from the shame From those with unknown names But familiar bigoted flames To me you both are the same Once I go against the grain You tell me to stay in my lane High above the gravelly ground Where you can't hear my sounds Of impaling wailing Because you're bailing Letting go of the string You become king I am a kite floating Spending night noting All my many mistakes That caused these breaks But despite trying my very best The wind provides a difficult test After I am battered into tatters My hopes couldn't be flatter So I start to feel it doesn't matter When my dreams came true then shattered The wind solemnly sings Of distant powerful kings But I cannot fly anymore In my broken kite form
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Nov 25, 2017
Nov 25, 2017 at 3:17 AM UTC
Kite
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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Oct 12, 2011
Oct 12, 2011 at 10:25 AM UTC
Succumbing to the Succubus
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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51
I cannot breathe My nostrils caving in on themselves The sensation of impaling arrows piercing my chest My body is heavier than it was A minute ago When I wasnt thinking About My breathing. Twidling fingers The twitch of my jaw Restless legs: a mind of their own This bed doesnt feel as comfortable As it did When I wasnt thinking About Relaxing. "Just breathe" "Its all in your head" "Sink into the mattress" "Dont look at how late it is" My mind is much louder now Than it was When I wasnt thinking About My anxiety.
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Aug 28, 2018
Aug 28, 2018 at 12:38 AM UTC
When the Anxiety sets in
Three Nails (...) Not so many as to denounce A job done to make me well. Three rudimentary spikes to nail A man's own flesh to wood. Three nails cannot Seem so much to proffer; Human efforts complementing God's sacrificial offer. A self-inflicted crucifixion? Yes, I would do my part; Would do me good, I think, To offer up an offering to God. So let this painful work, Human endeavoring, Perfection capturing, Begin. A simple thing, I think, To hoist and hammer Nails into myself, A manly job to undertake Impaling self To spare my God A little work. The first, perhaps Most painful... To stop the feet Their wandering ways, To give me pause for just a bit To meditate in pain And to reflect or to project Myself in better ways. . Then on to nail number two, One hand to hold the nail And one the hammer. The pain intense Impacts my good intent. . And yet, I've nailed number two, And finding where the problem lies, I have no way to nail thrice. My living flesh begins to writhe Its will-ward way, E'en though in sky-ward Agony my soul now wails. Then I remember Someone said, "Your crucifixion stands Upon a different hill, Hangs on a different tree." . . . Though I can never end my flesh, He paid my debt for me.
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Dec 13, 2012
Dec 13, 2012 at 9:01 AM UTC
Three Nails (...)
Clouds, the clouds diffuse a sad and somewhat somber hue; Wind, the wind bemoans her loss of reins and calm control; Crows, the crows flee men of straw, sleeves slapping at the wind; Grass, the grass defends with blades, impaling truant gusts; Rain, the rain descends aslant from angry ashen skies; Stones, the stones repulse the pearls, exploding tears of gloom; Woods, the woods assuage the angst of misty brooding trees; Leaves, the leaves desert their branches, dropping one by one; Fields, the fields imbibe a quaff to quench an arid thirst; Streams, the streams meander, hushed, to distant vapid shores; Breeze, the breeze intones a tune, a mourning monody; Sands, the sands, in chaos, dance across the dappled dunes; Shades, the shades appear confused, alone in lurid haze; Mice, the mice discern the dawn, their beady eyes ablaze; Clouds, the clouds diffuse a sad and somewhat somber hue.
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Apr 23, 2013
Apr 23, 2013 at 3:38 PM UTC
Clouds
Beneath the water lived a nymph, beautiful as A flower, if you like woman with petals Growing from out of their face And lips adorned with myriad metals Moving silently with infinite grace. Fishermen who caught her, in alarm Tossed her back with dismayed cries Fearful that she would do them harm When she exposed her fangs, darting from her eyes, Forked tongues from each palm. But apart from all that, she was a delightful creature As proud as a catwalk model Sexuality impressed into each feature Death in each cuddle, Poison injected from each freshly opening suture. At the sea’s dark bottom lived the nymph Devouring fish raw, terrifying sharks and barracuda, Dining on shellfish and prawns for lunch; Darting amongst Angel Fish and eels, a hungry aficionada, Tearing into shreds what she could not crunch. Gentle with her own kind until coition Was complete, when if hungry she devoured Her temporary mate without undue consideration, No please or thank you. Feeling duly empowered By her actions, as confirmed by her explosive, acrid indigestion. No longer young, her children dead, She glides through the water from China to France A preposterous seaweed hat upon her head And in several places, impaling her scaly flesh a serrated coral branch. Her sartorial taste filling even the sharks with fin-quaking dread. The last of the kind. The others are (literally) toast. Protected by animal charities here and abroad She gladly subsists on ambitious swimmers who venture far from the coast All she can now catch or afford. A capricious tyrant until the last, when, victim of a fisherman’s boast She was hoist up like iniquitous cod Out of the sea, paraded on the deck while she struggled for breath. Shot at. Abused. Poked and speared with a steel tipped rod, Dragged into the harbour, pummelled close to death. Screaming out, as she in unexpected agony died: “I thought, I truly thought, I was god!”
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Jul 20, 2016
Jul 20, 2016 at 2:06 PM UTC
THE NYMPH
Beneath the water lived a nymph, beautiful as A flower, if you like woman with petals Growing from out of their face And lips adorned with myriad metals Moving silently with infinite grace. Fishermen who caught her, in alarm Tossed her back with dismayed cries Fearful that she would do them harm When she exposed her fangs, darting from her eyes, Forked tongues from each palm. But apart from all that, she was a delightful creature As proud as a catwalk model Sexuality impressed into each feature Death in each cuddle, Poison injected from each freshly opening suture. At the sea’s dark bottom lived the nymph Devouring fish raw, terrifying sharks and barracuda, Dining on shellfish and prawns for lunch; Darting amongst Angel Fish and eels, a hungry aficionada, Tearing into shreds what she could not crunch. Gentle with her own kind until coition Was complete, when if hungry she devoured Her temporary mate without undue consideration, No please or thank you. Feeling duly empowered By her actions, as confirmed by her explosive, acrid indigestion. No longer young, her children dead, She glides through the water from China to France A preposterous seaweed hat upon her head And in several places, impaling her scaly flesh a serrated coral branch. Her sartorial taste filling even the sharks with fin-quaking dread. The last of the kind. The others are (literally) toast. Protected by animal charities here and abroad She gladly subsists on ambitious swimmers who venture far from the coast All she can now catch or afford. A capricious tyrant until the last, when, victim of a fisherman’s boast She was hoist up like iniquitous cod Out of the sea, paraded on the deck while she struggled for breath. Shot at. Abused. Poked and speared with a steel tipped rod, Dragged into the harbour, pummelled close to death. Screaming out, as she in unexpected agony died: “I thought, I truly thought, I was god!”
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40
Constant understanding that holds my mouth ajar. reminiscent stars tangle with words like "How" and "are" tangled, mangled, strangled with that Transylvanian tongue. Straightened teeth bore with smile. Oh, how the world has waited for such. Lovely questions of impaling rulers drinking blood and vernacular across Carpathian Hungarian store owners. Polski #1 says beautiful, Polski #2 asks for no answer, Orthodox Orthodontia and Ignorance taint this experience however lovely it may seem. Cold is the only embrace shaking hands struggle to write every letter of every word presents one good fight. Tooth and Nail. Glances glance eyes, golden demise of any sort of inside. A perfect scowl.
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Sep 17, 2012
Sep 17, 2012 at 10:23 PM UTC
Accents
It's a rain of needles. Silver skies, the ground red with blood of a friend. was I the spikes falling down? Piercing tears Stabbing the heart Impaling the skin Tearing apart, a bond forged in wars. Am I now beyond foes' walls? Hope smothered whole even so there is still hope...
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Apr 4, 2015
Apr 4, 2015 at 5:19 AM UTC
Friends In Tears
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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45
Here in the west borough, down three or four blocks from the epicenter, the shocks come to you in tides — little, electric, delightful in some alien way. Even the sounds of instant decay ring pleasant. The concrete, the bricks, the mortar, the Corinthian columns, the suspended ceiling tiles, the florescent bulbs, the coffee cups, the desktops, the family portraits all fall from their stations, screaming toward the cool pavement. It’s a temperate Thursday in January and the weathermen continue to talk in stunted disbelief. A car catches fire on Malcom X Boulevard, and weather is the wrong word, you think, for this phenomenon. It’s rage. It’s bitter. The violence of the sun-catching glass smacks of vengeance and this whole thing is man-made or, at the very least, god-made but not anything so indiscriminate as weather. There’s still the pleasure of it though. The collapse of the old world. And there’s nothing but rubble on the corner of 9th and Dominican, and for the life of you, you can’t remember what stood there before. In your evergreen bones you know one thing: whatever anodyne brick institution reigned will be replaced by that glorious glass and that glorious steel, 100 towers impaling the sky. The future is now. A tremor. A cloud of dust. For about ten seconds the windshield is worthless yet you speed up, hurling yourself through the fog of destruction into a **** world, feeling essential and brilliant and and and.
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Mar 1, 2016
Mar 1, 2016 at 11:59 PM UTC
What Had Been Until Yesterday
Blackbird your wings like ashen skies iridescent as blue morpho butterflies the impaling of your sharpened eyes all knowing, you cackle shapeshifter Yaqui man desert bird, a grackle Stirring, you stare me down shaking mesquite leaves to the ground the air is thick grey sage smudged with prayers of peace a wish to cease the wars we wage a vision pure of heart this message of love unfurls breathe peace - peace in this world.
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Apr 5, 2016
Apr 5, 2016 at 7:57 PM UTC
Shapeshifter of peace
Free the heart of prejudice Unleash the mind from impaling thoughts River of life, poisoned with lethal ideas Do not bleed unto death A stoic existence, between the dark alleys Life will never be the same Give freedom a chance, breathe the exuberance
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Feb 17, 2015
Feb 17, 2015 at 1:50 AM UTC
Give Freedom a Chance
i’ve been shielding myself endlessly for an inevitable end— that, while i knew it was always coming, eventually, it doesn’t stop the reality of tomorrow impaling me, breathless. on one desperate hand, i’m begging and wishing for just one more day. one more moment before you go. the other hand holds gratitude. five years with you was more than i could have ever dreamt. life went up and down- and sideways in every which direction, but you stood in the middle with me and we held on to each other. as the last five years dwindle through a reel of memories into our final moments, i am filled with tears— pouring from my eyes and from my heart. love is pouring from my heart. love for you, for this lifetime we lived together. you are my greatest love. and our love story continues, even as this chapter is closed.
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Aug 26, 2023
Aug 26, 2023 at 6:32 AM UTC
i’m losing my greatest love today.
Satin runs from dried stains in torn reminders of convenience Morning tastes of stale sweat and disappointment... again Displaced retribution is a punishable offense sentenced in hangover flashbacks fusing pain in lust heavy deviance coddling complacency, impaling the nuisance of a persistent past That serrated double edge glistens with humility and humiliation licked clean by ravenous canine flinging leftover apathy on unwitting pawns Feeding on the deceptively needy blinded by intoxicated cliches mistaking release for emotion Condemnation bartered in stolen commodities Toilet water hydration reconstitutes enough to bleed behind neuropathic armor and addiction to the nether
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Feb 9, 2017
Feb 9, 2017 at 1:24 PM UTC
Commodes, Commodities, and Classical Conditioning
I fear too much of life Has been spent living in our Mismatched silverware drawer. While knives are always fine, Never noticing much What they might cut Because they haven't sharp eyes; So accustomed to close quarters, They just lay there, as Blind soldiers in wait of orders. But I'm wary when they Come out to speak, Seeking blood, too often it seems. Nicer when it's just Butter must be spread To warm toast instead. Forks carry their own dangers. In time, tines disentangled From secret stainless dustups That go on in the tray While attention's drawn away Can be wielded like daggers, Impaling olives - or fingers - That happen to fall in the way. So painful, though rarely fatal For those with shots up to date. It's the others need worrying over; Sad spoons that never nestle As they did when they were new. Uncomfortable now with one another, Like wishes kissing cold lips, Smooth hips never swaying to music As they must have done once before, Arranged in deranged patterns In plastic compartments. I'd rather take them all out, Line them along the kitchen floor For lessons in ballet or the samba. I might learn to dance, again, too. Sometimes, I wish we could eat with The still-perfect gold set We save for those who don't live here; Drink fine wine every day from those Dusty gilded glasses Stocked in the corner cabinet. It might feel more real then, If they eventually get here... We'd be prince and princess Everyday, then, wouldn't we?
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May 1, 2010
May 1, 2010 at 5:21 PM UTC
Organizing Silverware
The cold hearted boy who stole a kiss. Plenty a times I had been so wise, that's before I fell for those hazel eyes. The eyes that held the secrets which lead to your lies. Those lies that I despise but it didn't matter in the eyes of the cold hearted boy. As the space between us grew the hole in my heart did too. Only was it fixable by you the cold hearted boy. The words that you threw oh those harsh words, oh there was nothing left to save in you. All that time you spent to be mine, I bet you almost convinced yourself. Scared you were, when not used to the feeling of affection. You used full force deflection and ran. It's your immediate reaction. With no idea of the of the trail of betrayal you left behind, you fled you cold hearted boy. But there is a knife built up of your guilt stuck in your chest. Impaling you shredded heart with each lie you speak. Never again shall I be so weak, to let a cold hearted boy take my hand and lead me to my bed. Where I shall spend my nights after crying for the loss of the cold hearted boy who treated me like nothing but a toy
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Oct 27, 2015
Oct 27, 2015 at 6:46 PM UTC
cold
Trying to love you Impaling my heart on your strict demonic stare Upping the ante in every future game The futile roads of a hundred lovers Etched by envy Icicles of mass destruction Trying to love you Simply and completely Simply impossible….
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Mar 23, 2014
Mar 23, 2014 at 11:00 AM UTC
Suicide Note
Drawn to death like a sick moth to the flame, The topic's toxic, turn and tossing, Teeter totter for days, It seems to follow me, a hollowing, a carving of hearts, Darkness trailing, gloom impaling me, I'm falling apart. There's art in death, not that it's pretty but well orchestrated Amidst a somber tune, a hopeful light, But in the core there's hatred. An elegy of emptiness.. A ghastly, dark symphony. And when I die, please don't cry.. Just sing for me. I let the ink spill like i sliced an artery. Then i drink til, my mind's an anomaly. I think ill, solitude's so hard on me. On the, brink still, it's a lil disheartening. But I keep writing anyways. Believe me, there are many days, Thinking of a way that I could find to cope with. The fact I lost someone that I thought I would grow old with. Sometimes life just isn't fair And in it, there's no favorites, Cherish every moment, Smell the roses, you should savor it.
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Apr 30, 2015
Apr 30, 2015 at 2:26 PM UTC
Shini Gami
screaming slashed thoughts words without direction fighting invisible forces neurotic scratching we exist in two conflicting dimensions never ending retaliation blind diving everything slowing down, down before the crash, the impaling, the release— Repeat.
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Aug 10, 2015
Aug 10, 2015 at 11:57 PM UTC
love is wild love is