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zebra Aug 2016
on the first date
she confided in me
i have a chromosomal disorder, disorder, disorder
i need love and pain strangely mixed together
my elixirs
i suffer reality distoooorrtions
a ghastly Vatican of ****** compulsions
my soul is black matter
my **** a seething cauldron of despicable desire
my *** cries for homicidal cruelty

mold me into a *******
fold me like a two dollar beach chair
the wrong way
tear me to bits
unwind my intestine
eat me like a blood ******* ghoul
make me squirm like an anime victim

i thought oh finally a soul mate
with soul

strange as a Dionysian mad hatter on hallucinogenics
hot girl creeping
grimacing at me
meandering conjurations by ****** contortions
stunning impersonations of a Fellini impaling
shes a famous artist
keeps broodish bowels and blood tampons in stainless vitrines
spot lighted
ready for her debut at the
Museum of Modern Art

she blows torrents of snot like ****
her beautiful desperate tongue searching the upper lip
a salty runny viscoses snack
oozy
finding it finally with her frenetic tongue
feeding her gooey ****
with wet fingers
oh yummy yum goo
up her *** too

first smiling then hideous scowls
exposed teeth
posing with a knife
wana see me cut my self bad boy, she taunts
wana see my impersonation of pizza with extra tomato sauce

blood blood *** in the be in the bed
wipe it up with ginger bread

some how she miraculously bulges her eyes out
then performs, ******* lips as if a minnow in a fish jar

pointing to her ***
giving me that **** hurt me twisted look
how about a peanut butter jelly ******* sandwich
with a side of ****** feet
**** and **** on toes
its especially prized this day of the month
as her **** tears like a vampires mouth, a torrent of blood
pouting **** with white red stained thighs that break a mans heart
*** nothing at all she quips
just a little accident
do you like it?
as she glares like an invitation
to play slip and slide bare foot in her puddle of blood

oh she made me *****
my cherry red **** having a nervous breakdown
from apoplectic horror gasms
a dose of heavens hell

i want her
she is voluptuous like a dozen venomous snakes
copulating in warm soup dark water everglades
she is slither theater

curdling screams
then muggling *******
brought on by the first belly stab
falling to her knees
looking up shocked
mouth gaping
eyes wide
grinning
glance steady
holding holding holding
the belly cut
a cacophonous modern dance of agony
followed by rapturous convulsing *******
that went on and on and on

get a bat she implored

she is a real ******* movie star
the Greta Garbo of *****
a dark jewel
a must have
a hell wife
goddess of dread
a ******* *** genius
my best girl ever

fused by desire
we kissed like **** loving catholic priests
in adoration of their savior
young boy *** castrato hitting the high notes


she looked up with desperation
eyes with glittering tears
and said
are you my black knight?
do you know how to hurt a girl
are you my
Vex Mallus
Dr Satan
Marquis De Sick
Nick Nick
Dark Officer
Remus the Werewolf
Dom Sugar Daddy
Pit Bull
Tommy the Tummy Gutter
5 o'clock Shadow
London Cabby
Amputee ******
Uncle Surgery Gone Wrong
King of the Carpathian Vampires
my sweet kissy Kitten

ooohh yes i said
i am all that for loves sake
albeit twisted
i am what you crave.. your no taboo lover boy
your ******* licking foot slave with a razor in hand
a bubble of poison between my legs
your homicidal suicidal cockealiciousness

she said good,
now that we have that settled
can we go out for dinner
ill be dressed in a jiffy
if i can find my dead skirt
of soft white gauze
with that lovely motif of dread red
and my precious toe tag jewelery
My poems remain explorations of the subconscious ******
If i where a film maker or a novelist  you  would see me telling a story, not judge me, although i admit to my paraphilias  
These poems  are lunar anamorphic streams of consciousness from the deep chaotic subterranean glitz of transgressive  impulses we all share
Read them if you dare...You might find that part of yourself that you don't want you to know about and then again  you may feel more complete some how if you do....I always loved that dark thing that sleeps with in me
Mateuš Conrad Dec 2016
by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind
,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo
Keith J Collard Apr 2013
In Japan, there was an ice cold assassin, that rose through the ranks of the Lin Kuei Clan.   Mid snow flurry, he could avoid every flake, and seize the brittle crystal without breaking it.  He could walk on snow without sinking in, japan's cold winter, is when he was unopposed and most ruthless--slaying debtee and their family.  His ice cold ego, came into contact with a shaolin warrior, who was trained to feel the cold, and never run away from it, nor get used to it, but feel the chill everytime without hardening his self.  Sub-Zero was defeated but not killed, and scorned to the Gods during a snowstorm, " I am the better, and was defeated by a lessor, I appeal to the powerful, give me the power of ice, so that no one shall adapt to my soul's chill, give me the power and my clan shall be in service to you."

Then a snow crystal fell, bigger than most, and he clutched it, and looked in his palm, the crystal was in the form of a pentagram.  The wind whispered, " The most cold and still realm of hell will be in your veins, if you partaketh of this crystal."  And the power of ice, that no man could withstand was at his disposal, and he was locked in a contract, that was unbreakable.

He rose to leader of the clan, and changed the color of the assasin uniform to the color of the cold region of hell, and he could not find the shaolin warrior who defeated him, and so slayed his mentor.
One hot day, his soldiers came back defeated, by a pearl diver, who refused to pay tribute to their mafia.  Sub-zero impaled the clan's soldiers who had their uniform in tatters--by raising jagged ice spears from hell.  The ice never thawed, and the men never fully died, but looked up at the high cieling from their bespearment to a mosaic of an icy and lonely realm-- a message to anyone who fails the clan--that you shall be pierced and preserved.  Sub-zero took the rest to pay a visit to the pearl diver who had stained the Clan's uniform with the blood color of disgrace.

The pearl diver, was in the bay diving down to the bottom for pearls.  He felt the water suddenly get cold, and swam upward to the surface, where he came in contact with the surface of the water, frozen over, and he saw the boots walking over the ice.  They were holding heads that leaked onto the clear ice underfoot and as the pearl diver struggled for air underneath, he saw the heads of his family dropped onto the ice.
Then Sub-zero kneeled down, holding his wife's head to the drowning pearl diver, and placed it on the ice, so he shall see the horrid picture as he drowned underneath.  The Clan took leave, from the bay.

The pearl diver did not fear death, but went mad, as he sank downward into oblivion, staring upward, rage took over his once good heart, and he turned away to look into the depths, shouting " Let me born again, so I shall live a life of fire, so that anyone who dares come close, shall be scolded, GOD OF REVENGE, LET ME BE BORN AGAIN."
The pearl diver breathed in the water unblinking, and his heart stopped, but still he lived as he sank reaching the bottom and there was a scorpion at his feet, and the depths spoke, " Let this scorpion sting both your eyes, and command the fire of hell, and be born again, to melt the ice."
He took the scorpion--who glowed hot in the dark depths-- and stung his eyes, his pupils went from his eyes, leaving milk swirls as his ovals of revenge.  " Now let it snip your lips and chin, so that you may breath the painfull sting of fire upon your enemies without singing your own flesh."

The scorpion greedily ate his lips, tongue and chin, giving him a mouth guard of skull.  " Now you are born again Scorpion, arise, and REVENGE."

Scorpion, screamed, no longer a human voice, but demonic, and grabbed the chain from his boat anchor, and climbed. Upon reaching the ice barrier, he touched his hands to it, and burned a hole and emerged forth.  He pulled up the chain with ease into the air from the depths, the metal barb on the end that served as an anchor, was now for impaling hearts and not the sea bottom.  He snapped his arm and the chain coiled around his arm, ready to sail out to impale and bring his enemies up to his eyes, so they can feel the painfull sting of fire up close, and see Scorpions eyes.
He walked to shore, his feet singing and melting Sub-zero's ice as he walked.
His walk was illusive, as a flickering flame, Scorpion could not be percieved directly without mesmerizing, as a fire in total darkness.

He reached shore, and found a Clan member, he harpooned him with his chain and barb, and brought him close to his face with his chained anchor, and melted the henchman's face with his hot breath.
He stripped him naked with his curved pearl knife, and donned the uniform of the Lin Kuei, ice blue, then the uniform turned yellow from his hot blood underneath, turning the uniform yellow as if it was boiled alive in a ***.  Scorpions' veins serpentined on his forearms, his muscles always a'sweat and full of blood .  The color of his revenge was yellow, mocking the blue Lin Kuei's uniform with the color of cowardice.

He tracked down Sub-Zero to his Clan hall that resembled the cold layer of hell with victims adorning his walls and floors that were pierced by ice sculpture and still a 'quarter alive staring at the cieling.  Sub-Zero felt the slight thaw of his ice, and knew the presence of Scorpion.  

Scorpion flickered from the torches that bedecked the walls, and burnt the guards throats with his hands so they crawled around uselessly.  When a clan member espied the demonic ninja, Scorpion was behind him, breathing on his neck, and the guard fell to the ground in three pieces.

Sub-Zero's throne room, had no torch, no fire, and Scorpion could only enter without his flame illusion through the front tall doors.  
" You have fought your way into my layer, just to realize it is a glacial tomb assassin," saithe Sub-Zero.

" Scorpions demonic voice echoed to him, " YOU HAVE MURDERED DOWN THE PATH OF LIFE, BUT THE PATH WAS THE THROAT OF A DRAGON, AND I AM ITS BELLY, YOUR TOMB OF STINGING ACID."

Scorpion took Sub-Zero's eye from him with his harpoon chain, and beat him mercilessly with kick and punch.  Sub-Zero's summoned ice but it only melted near Scorpions hatred.  But the water from the melt, slowed Scorpion--so it was hand to hand by their opposite powers, negating their satanicly endowed powers.  

But Sub-Zero was the creator of Scorpion, and so had the advantage.  Being beaten, and his face smashed, his nose flattened to his face, exposed rib slats, and his testicles smashed, Sub-Zero feigned mortal injury and non-defence as Scorpion walked up with his milky eyes to do his finishing move.

Sub-Zero's forearm protruded in injury from Scorpions kick before, and formed a sharp dagger, and this dagger sunk in Scorpions brain from beneath his chin.  Sub-Zero won with the treachery he knew best.  But Scorpion's body turned to hell's flames, and melted the layer completely drowning the wounded Sub-Zero, killing him, as Scorpion himself died the second death being extinguished in cold water of the clan layer.



They were sent back to hell, and forced to stand side by side of eachother, as Satan's servants of fire and ice--still donned in the Lin Kuei assassin robe,belt, and face-guard.
All of the magmatic, scolding statalactites dripped behind Scorpion who stood before the entrance to the fiery region of hell.  He stared forward with his scolding white phosphorus eyes.

Behind Sub-Zero, was the still and frozen layer.  He stood next to Scorpion, to the entrance of his own realm, with pupils bordered by ice frozen rivulets.  The proximity to eachother was their hell, and Satan was their master.  Scorpions pyscho hatred heat always attacking Sub-Zero's callous cruel cold, and vice versa, so as they never became adapted to the terms of hell and eternity.
Styles Oct 2014
Searching your mind,  
Revealing your soul.  
A piece of my mind,  
Making you whole.  
The depths of your feelings,  
Defines the depths I will go.  
I know what I know,  
Time for me to show,  
How well though.
Like never before,
Here I go.  
Persuading your body,  
In so many ways,  
You're powerless to evade,  
The prowess of my ways.  
Caressing your tenderness.  
These moments your memory will replay;  
Haunting parts of your body in a special way.  
Reminiscent of this very day,  
Our parts bonding as we lay.  
Still influenced in ways you can't see,  
Rather feel, so its as real as can be.  
These unique pleasures bestowed upon you,  
Impaling your reality with my point of view.  
This abundance of energy; this vitality.  
A reflection of you and me.  
Enticing you mentally,  
controlling you physically,  
releasing you and me chemically.
zebra Feb 2019
palace of lights caved
blooms through the body
like reality pitted against a comic book
not knowing where life came from
not knowing how it will end
food tubes or road ****

is creation substance-less?
24 carat nonsense,
or pure wisdom?
perhaps bad therapy
for lab animals
and store front dummies

monkeys shudder at needles
unless candied with a heroine syringe
chemistry a science of belligerence and euphoria
pleasure before despair
and than a sea of pain

and a ****;
impaling her

the lushly contoured female
a frictionless exchange of power
for ******* ecstatic death
as her eyes bob and flutter
like cascading echo's

my birth tarot card
**** of swords
her favorite when I push through her
like blood bubble gum
b l o o d b u b b a b u b b le g u m

a **** cathedral of lights flicker spit
guttural diphthong
like a vipers castanets
uterine fire bursts like an appendix bomb
her **** a zoo
******* z o o

i am peanuts worms and hay
her face a mask to hide behind
breath play
sibilant ****
specter or nightmares
shadows and villains aphrodiac

gagged and drugged
hot ***** bound
a big eyed ****
s l u t l o v e

*** cannibals turn me on
her ****** a goddess
a Russian roulette
for shtttty kisses
sploosh
she shot me

cuckoo spit
k o cuck  k o  k o o
twizzles willie milk
in a drowning
moss draped moon orifice
under a shattered zodiac

wrapped in tentacles of night
she turns me on
ryn Jan 2015
How much do you have to hate life,
to not be scared of death?
- ThePoet


I'd be lying if I said I wasn't
Because I really am afraid
But life has only sharp things
Wonder if death is willing to trade...

Longing
...a splinter
Embedded in the recesses of my core
Nestled deep, this tiny thorn
The source of my disconcerting sore

Need
...a shard
That stabs itself deep
Extract it I will not
Think it's worth the keep

Miss
...a knife
With never a dull blade
Stabs itself right through
Pain that will never fade

Want
...a syringe
Injecting the good and bad
Side effects loom
Driving me quite mad

Love
...a stake
Rammed into my heart
It doubles me over
It rips me apart

Life*
...a spike
Impaling without fail
Siphoning my soul
Through the holes in my mail


These are the few sharp things that I own
The only things I've learnt to savour
I've nurtured them large; now fully grown
Always wondered what death has got to offer...
Line taken off ThePoet's "How?", for Frank Ruland's "I Love Doing Lines!" challenge.

This line left me speechless when I first read it. It boasts of so few words but bears so much weight. It's smart, thought provoking and amazingly deep.
I started toying with it and came up with a response.

I am a big fan of ThePoet. I find that her entries exhibit uncanny wisdom, well laid thoughts and they're incredibly captivating.
Here's to you, ThePoet...
Thank you for the inspiration!
.
Andrew Rueter Nov 2017
I take flight
With all my might
To be your kite
Following you wherever you go
To be part of your ebb and flow
People think I ingested the wrong pill
Because up here I can't see the roadkill
And float over the pitch black oil spills
From the end of your string
I become king

There is an approaching storm
As you deviate from the norm
And discontinue acting warm
Your lightning strikes
My metal pike
Electricity tears through my thin fabric
As I dream of a tranquil casket
And you want to grant me my death wish
I guess that's why they call me Icarish
For flying to close to the rain
Only to constantly feel pain
To distract me from the shame
From those with unknown names
But familiar bigoted flames
To me you both are the same
Once I go against the grain
You tell me to stay in my lane
High above the gravelly ground
Where you can't hear my sounds
Of impaling wailing
Because you're bailing
Letting go of the string
You become king

I am a kite floating
Spending night noting
All my many mistakes
That caused these breaks
But despite trying my very best
The wind provides a difficult test
After I am battered into tatters
My hopes couldn't be flatter
So I start to feel it doesn't matter
When my dreams came true then shattered
The wind solemnly sings
Of distant powerful kings
But I cannot fly anymore
In my broken kite form
Warren Gossett Oct 2011
The dream haunts me
often, far too often, building
in intensity but is initially
disguised in absurdity and the
nonsense of a young man's lusts
with an old man's deficits.
This woman-like entity,
ill-defined at first but forming
voluptuously, emerges from
swelling curtains. She moves, more
levitates, toward my bed, buoyed
by what I don't know, but angelic-like
it would seem. Or perhaps
an Aphrodite reincarnate?

Oh this goddess, what pale
skin, as Parian marble, full bosomed,
jutting *******, ***** that
beckon, nearly drool, and pursed
red lips beaded with sweet
juice stolen from the wild cherry
tree beneath my window.
Far too much clarity for a simple
dream. But such a dream! And what
seething testosterone I feel!
I am become a hedonist, raging,
pulsing spermatozoa, renewed
of time and youthful energies.

Nerve into nerve we join, ecstacy
compounding ecstacy, bodies wantonly
impaling the other on this love bed
to the result that each cell of our
individualities melds. We are indistinct,
yes - as one, and any ****** impulse
between us is shared to the point of
utter exhaustion, depletion. I am
nearly drained of life, it would seem.

Then, as it always must,
the scene changes, Act II.
Inexplicably, shedding a ******
serpentine-like skin, she slings it away
and drops limply upon me - entirely
skeletal, dry cartilage, sinew, lifeless,
sexless, motionless. The horror
of a diabolical hollowness
stares through me, and I am
suspended, fully terrorized, in
this paralysis. So, this is
succumbing to the Succubus?
God, my dear God, that I should
never dream again!

--
Kelsey Aug 2018
I cannot breathe

My nostrils caving in on themselves
The sensation of impaling arrows piercing my chest

My body is heavier than it was
A minute ago
When I wasnt thinking
About
My breathing.

Twidling fingers
The twitch of my jaw
Restless legs: a mind of their own

This bed doesnt feel as comfortable
As it did
When I wasnt thinking
About
Relaxing.

"Just breathe"
"Its all in your head"
"Sink into the mattress"
"Dont look at how late it is"

My mind is much louder now
Than it was
When I wasnt thinking
About
My anxiety.
Amnesia
Empty space
Dear god where have I gone?
Wait, stop, rewind
I don’t remember believing in you, I don’t remember you ever helping me
Do you forget my prayers like I forget the verses of my favorite song, your name uttered every chorus, the search unending
I don’t remember gentle kisses, warm hugs, spoonfuls of cold medicine my throat closing on it’s self because the taste of rotten grapes bleeds down like thick blood
Sticky, unending, nasty, dripping, does it even work
Is there something to give me back my memories I can’t find, will it taste as bitter as the memories, or will it be a sweet relief like water or a spoonful full of sugar
“A spoonful of sugar helps the medi-”
*******!
A spoonful of sugar isn’t going to let anything go down smoother, it’s just a lie to mask the stabbing pain of remembrance that leaks into your mouth and mind, a path you didn’t carve yourself
Those memories, they aren’t good, they aren’t sweet
they drag you through hell and back, the flames licking at your chest until they burn through your flesh to reach that fragile heart sitting in your chest
Your chest
It holds the most weight, they tell you your shoulders hold up the world, the world isn’t as much of a burden as your life is
Those memories forgotten, those remembered, those you live in this moment
Those weigh more than everyone’s expectations and lies told to you so they might sleep better at night
Remember that time you stood on the edge of a hill, sharp metal shrapnel staring back at you unblinking, a cold tiny hand holding yours while you say your last goodbyes
but that’s not what was running through your head, or the words of your scared classmates, no
It was how much the falling, tumbling, scratching, impaling, digging, and breaking would hurt
But you wanted that pain didn’t you?
A small child at the age of 8, ready to accept death, a term you shouldn’t even know
It wasn’t the last time either
You’ve held pills, blades, liquids, anything you could get your hands on
They’ve all weighed down your conscience until you scream in agony, a sound that rips from your throat and leaves a trail of red upon the air
They fall and tumble to the ground, hastily picked up before your parents come home to see them spilled on the worn down blue carpet that covers the bathroom
Wait, stop, rewind
I want amnesia like air, like Jack Daniel's to a drunk, like ******* and **** to a drug addict, to my lungs, thirsting for air because they have enough trouble getting it in the first place
It’s not as if all your screaming helped or anything
So just shove it down my throat, watch me choke, but not like I’m dying, oh no, like I’m craving more and I can’t swallow it fast enough
Give me my amnesia
Don Bouchard Dec 2012
Three Nails (...)
Not so many as to denounce
A job done to make me well.
Three rudimentary spikes to nail
A man's own flesh to wood.
Three nails cannot
Seem so much to proffer;
Human efforts complementing
God's sacrificial offer.

A self-inflicted crucifixion?
Yes, I would do my part;
Would do me good, I think,
To offer up an offering to God.

So let this painful work,
Human endeavoring,
Perfection capturing,
Begin.

A simple thing, I think,
To hoist and hammer
Nails into myself,
A manly job to undertake
Impaling self
To spare my God
A little work.

The first, perhaps
Most painful...
To stop the feet
Their wandering ways,
To give me pause for just a bit
To meditate in pain
And to reflect or to project
Myself in better ways.

                  .

Then on to nail number two,
One hand to hold the nail
And one the hammer.
The pain intense
Impacts my good intent.

                       .

And yet, I've nailed number two,
And finding where the problem lies,
I have no way to nail thrice.

My living flesh begins to writhe
Its will-ward way,
E'en though in sky-ward
Agony my soul now wails.

Then I remember
Someone said,
"Your crucifixion stands
Upon a different hill,
Hangs on a different tree."

                   . . .
Though I can never end my flesh,
He paid my debt for me.
Terry O'Leary Apr 2013
Clouds, the clouds diffuse a sad and somewhat somber hue;
Wind, the wind bemoans her loss of reins and calm control;
Crows, the crows flee men of straw, sleeves slapping at the wind;

Grass, the grass defends with blades, impaling truant gusts;
Rain, the rain descends aslant from angry ashen skies;
Stones, the stones repulse the pearls, exploding tears of gloom;

Woods, the woods assuage the angst of misty brooding trees;
Leaves, the leaves desert their branches, dropping one by one;
Fields, the fields imbibe a quaff to quench an arid thirst;

Streams, the streams meander, hushed, to distant vapid shores;
Breeze, the breeze intones a tune, a mourning monody;
Sands, the sands, in chaos, dance across the dappled dunes;

Shades, the shades appear confused, alone in lurid haze;
Mice, the mice discern the dawn, their beady eyes ablaze;
Clouds, the clouds diffuse a sad and somewhat somber hue.
Stanley Wilkin Jul 2016
Beneath the water lived a nymph, beautiful as
A flower, if you like woman with petals
Growing from out of their face
And lips adorned with myriad metals
Moving silently with infinite grace.

Fishermen who caught her, in alarm
Tossed her back with dismayed cries
Fearful that she would do them harm
When she exposed her fangs, darting from her eyes,
Forked tongues from each palm.

But apart from all that, she was a delightful creature
As proud as a catwalk model
Sexuality impressed into each feature
Death in each cuddle,
Poison injected from each freshly opening suture.

At the sea’s dark bottom lived the nymph
Devouring fish raw, terrifying sharks and barracuda,
Dining on shellfish and prawns for lunch;
Darting amongst Angel Fish and eels, a hungry aficionada,
Tearing into shreds what she could not crunch.

Gentle with her own kind until coition
Was complete, when if hungry she devoured
Her temporary mate without undue consideration,
No please or thank you. Feeling duly empowered
By her actions, as confirmed by her explosive, acrid indigestion.

No longer young, her children dead,
She glides through the water from China to France
A preposterous seaweed hat upon her head
And in several places, impaling her scaly flesh a serrated coral branch.
Her sartorial taste filling even the sharks with fin-quaking dread.

The last of the kind. The others are (literally) toast.
Protected by animal charities here and abroad
She gladly subsists on ambitious swimmers who venture far from the coast
All she can now catch or afford.
A capricious tyrant until the last, when, victim of a fisherman’s boast

She was hoist up like iniquitous cod
Out of the sea, paraded on the deck while she struggled for breath.
Shot at. Abused. Poked and speared with a steel tipped rod,
Dragged into the harbour, pummelled close to death.
Screaming out, as she in unexpected agony died: “I thought, I truly thought, I was god!”
Henryk Krzyrz Sep 2012
Constant understanding that
holds my mouth ajar.
reminiscent stars tangle with words like
"How" and "are"
tangled, mangled, strangled with that
Transylvanian tongue.

Straightened teeth bore with smile.
Oh, how the world has waited for such.
Lovely questions of impaling rulers
drinking blood
and vernacular across Carpathian
Hungarian
store owners.

Polski #1 says beautiful,
Polski #2 asks for no answer,
Orthodox Orthodontia
and Ignorance taint this experience
however lovely it may seem.

Cold is the only embrace
shaking hands struggle to write
every letter of every word presents one
good fight.
Tooth and Nail.

Glances glance eyes,
golden demise of any sort of
inside.

A perfect scowl.
Jamie King Apr 2015
It's a rain of needles.
Silver skies, the ground
red with blood of a friend.
was I the spikes falling down?
Piercing tears
Stabbing the heart
Impaling the skin
Tearing apart, a bond forged in wars.
Am I now beyond foes' walls?
Hope smothered whole even so
there is still hope...
I'm sorry:(
JJ Hutton Mar 2016
Here in the west borough, down three or four blocks from the epicenter, the shocks come to you in tides — little, electric, delightful in some alien way. Even the sounds of instant decay ring pleasant. The concrete, the bricks, the mortar, the Corinthian columns, the suspended ceiling tiles, the florescent bulbs, the coffee cups, the desktops, the family portraits all fall from their stations, screaming toward the cool pavement. It’s a temperate Thursday in January and the weathermen continue to talk in stunted disbelief. A car catches fire on Malcom X Boulevard, and weather is the wrong word, you think, for this phenomenon. It’s rage. It’s bitter. The violence of the sun-catching glass smacks of vengeance and this whole thing is man-made or, at the very least, god-made but not anything so indiscriminate as weather.

There’s still the pleasure of it though. The collapse of the old world. And there’s nothing but rubble on the corner of 9th and Dominican, and for the life of you, you can’t remember what stood there before. In your evergreen bones you know one thing: whatever anodyne brick institution reigned will be replaced by that glorious glass and that glorious steel, 100 towers impaling the sky. The future is now. A tremor. A cloud of dust.

For about ten seconds the windshield is worthless yet you speed up, hurling yourself through the fog of destruction into a **** world, feeling essential and brilliant and and and.
The Jarl Nov 2014
I lay on my back
Grass blades impaling my thoughts.
Captivated by the night.
Belittled by the lot.
Of stars and starlight
A stellar sight
As I lay on my back.
In complete solitude tonight.
I write a lot about the night sky
fray narte Dec 2022
Such a classic mortal blunder to lay
my spine as it erodes, graceless, inelegant
on Galatea’s cold, ivory arms;
such delicate carvings can never be human, look human,
feel human under my lonesome bones.

I long to see you flinch and break
into fine, liquid, rain of dust blinding me,
covering the walls of this room
in a blameless shade of white: a new asylum ward
for my kind of insanity,
you say.
It envelopes like light around my awe
and my forlorn limbs,
tangled with Galatea’s unmoving ones.
I look for comfort within brittle carcasses
scraped of everything they could ever give.

The quiet persists eerily.
But here, Pygmalion’s gifts remain untainted:
the apex of auger shells, the beak of a songbird
the blunted ceriths, the rusty chisels
all impaling my spinal bones.
Yet the sculptor’s kisses, long erased,
the careful carvings, long defaced,
long reduced into a Grecian ruin.
I bury my body on your arms yet they find no rest
against the ghostly pleas of mammalian tusks.

How many for your fingers?
How many for your hair?


Tell me, Galatea, were you carved to bear the weight of
all the sea salt I swallowed as I drowned?
Soften under my meandering thoughts; I long
to see you flinch and break — like all the dead elephants —
any reminder that you yield pliantly to the voice
of the love goddess, that you were once turned human.
Break now, your solid arms, under my own collapse
over the sea foam caught on fire.

I am no longer bending and weeping to pick myself up.
Here it all goes down and ends:
my bones,
and yours,
burning,
snapping.
Nothing —
nothing less glorious will last after us.

— Fray Narte
written October 18, 2022, 1:35 pm
CA Guilfoyle Apr 2016
Blackbird your wings like ashen skies
iridescent as blue morpho butterflies
the impaling of your sharpened eyes
all knowing, you cackle
shapeshifter Yaqui man
desert bird, a grackle

Stirring, you stare me down
shaking mesquite leaves to the ground
the air is thick grey sage
smudged with prayers of peace
a wish to cease
the wars we wage

a vision pure of heart
this message of love unfurls
breathe peace - peace
in this world.
Amitav Radiance Feb 2015
Free the heart of prejudice
Unleash the mind from impaling thoughts
River of life, poisoned with lethal ideas
Do not bleed unto death
A stoic existence, between the dark alleys
Life will never be the same
Give freedom a chance, breathe the exuberance
PrttyBrd Feb 2017
Satin runs from dried stains
in torn reminders of convenience
Morning tastes of stale sweat and disappointment... again

Displaced retribution is a punishable offense
sentenced in hangover flashbacks fusing pain in lust heavy deviance
coddling complacency, impaling the nuisance of a persistent past

That serrated double edge glistens with humility and humiliation
licked clean by ravenous canine
flinging leftover apathy on unwitting pawns

Feeding on the deceptively needy
blinded by intoxicated cliches
mistaking release for emotion

Condemnation bartered in stolen commodities
Toilet water hydration reconstitutes enough to bleed
behind neuropathic armor and addiction to the nether
2917
Robert Zanfad May 2010
I fear too much of life
Has been spent living in our
Mismatched silverware drawer.
While knives are always fine,
Never noticing much
What they might cut
Because they haven't sharp eyes;
So accustomed to close quarters,
They just lay there, as
Blind soldiers in wait of orders.
But I'm wary when they
Come out to speak,
Seeking blood, too often it seems.
Nicer when it's just
Butter must be spread
To warm toast instead.
Forks carry their own dangers.
In time, tines disentangled
From secret stainless dustups
That go on in the tray
While attention's drawn away
Can be wielded like daggers,
Impaling olives - or fingers -
That happen to fall in the way.
So painful, though rarely fatal
For those with shots up to date.
It's the others need worrying over;
Sad spoons that never nestle
As they did when they were new.
Uncomfortable now with one another,
Like wishes kissing cold lips,
Smooth hips never swaying to music
As they must have done once before,
Arranged in deranged patterns
In plastic compartments.
I'd rather take them all out,
Line them along the kitchen floor
For lessons in ballet or the samba.
I might learn to dance, again, too.
Sometimes, I wish we could eat with
The still-perfect gold set
We save for those who don't live here;
Drink fine wine every day from those
Dusty gilded glasses
Stocked in the corner cabinet.
It might feel more real then,
If they eventually get here...
We'd be prince and princess
Everyday, then, wouldn't we?
zebra Mar 2017
she viewed the sword blade
coming out of the floor      
and whispered      
i need this            
pulling her ******* down      
    
watch me drill my self to death
for you my beloved      
her ***** swollen      
drooling      
******* and eyes radiant      
as she sauntered to the upright blade      
carefully placing her **** over it      
looking at me sweetly      
saying      
i should do my ***      
don't you think      
smiling      
yes please do it slow my love      
i want to savor you my darling      
          
at first she stood over it      
on flexed tippy toes      
careful to position herself just so      
running her soft fingers over the blade      
willfully cutting them      
and slowly bringing her slender slit hand      
to her lips          
with pink tongue licks    
like blood diamonds      
in cherry red saliva      
swallowing          
and then smiling      
standing over the tip of the blade      
          
she said      
holding my self up is such a bother      
im sure if i let go      
gravity will help      
this blade  
slide right through      
tender little me      
ooooooooow      
          
i asked      
do you want drugs for pain      
no she  protested      
i need to feel  
every stitch      
every tearing inch          
    
she lifted her arms      
like a ballerina      
forming a rainbow arch      
looked straight ahead      
unflinching      
and descended slowly upon the blade      
our eyes transfixed upon each other      
her face resolute      
perspiring      
giving way to a hideous twist        
she a contorted kabuki      
a raging storm    
languishing    
in hooked embrace    
of Eros and Thanatos    
a charmed grotesque        
          
trussed in a gauze wrap      
****      
**** the little *****      
she called to hell      
blood and a little excrement      
slid down her milky thighs      
a helpless resignation          
          
am i pretty yet      
she quivered      
as she released her stance        
and let gravity      
do its ghastly work      
    
shall i finish this she asked      
for dark thrills embrace          
yes do it i called out          
tears falling like sapphire mist    
undo yourself with grace    
          
she extended her arm towards me        
with her sweet blood drenched hands      
and then in slow motion      
she fell through the blade      
up her center      
like she was      
buttery gruyere      
blood gushed      
face ivory white      
twisted      
the floor washed    
in pomegranate and rust      
puddling at her feet      
          
she whispered      
im dead soon      
let me have      
jelly ****      
i slipped in her mouth        
she looked up tenderly
aglow like      
midnight on fire          
          
i grabbed her drooping  head,
forcing her downwards      
impaling tremulous mouth and throat      
her eyes fluttered      
and blinked      
as she drank me      
    
and then a long stare      
eyes wide    
a grateful gaping horror  
before leaning into the blood stained floor      
a slumping spire  
dissolute        
thumping like an echo      
          
im hypnotized      
as she looks on blink-less  
a mesmerizing shell        
as if to say        
ohhh my darling      
am i not your sweet clamoring      
***** of death          
still loving you  
in my reckless way      
use me my love            
devour me          
          
she dissolved      
like white sugar    
in the heat of summer balm      
uttering          
her last words      
as if pure spirit      
        
there are those who dare      
to give themselves permission    
to entwine      
desire and death    
an eroticism rooted      
in the irreducible discontinuity of life..      
          
i consumed her entrails      
i licked the blood and excrement from her tender feet      
i ate her tongue and eyes      
i pulled her off the sword      
dragged her leaking corpse    
over my naked  body      
like a blanket          
to drown my self      
in her death      
caressing her till darkness came over me      
          
let them find us i whispered      
in her sloping      
hollow mouth      
our bodies fused in each others      
her corpse melted over mine      
like blood butter      
          
dread on dread      
o so dead      
princess perfect and i in bed
My poems remain explorations of the subconscious ******
If i where a film maker or a novelist  you  would see me telling a story, although i admit to my paraphilias
These poems  are lunar anamorphic streams of consciousness from the deep chaotic subterranean glitz of transgressive  impulses we all share
Read them if you dare...You might find that part of yourself that you don't want you to know about and then again  you may feel more complete some how if you do....I always loved that dark thing that sleeps with in me
#death  #***  #adult  #explicit  © zebra    love poems • death poems • sadomasochism poems • ****** poems • explicit poems
m lang Aug 2023
i’ve been shielding myself endlessly
for an inevitable end— that,
while i knew it was always coming,
eventually,
it doesn’t stop the reality of tomorrow
impaling me, breathless.

on one desperate hand,
i’m begging and wishing
for just one more day.
one more moment before you go.
the other hand holds gratitude.
five years with you was more than i could have ever dreamt.
life went up and down-
and sideways
in every which direction,
but you stood in the middle with me
and we held on to each other.

as the last five years dwindle
through a reel of memories
into our final moments,
i am filled with tears—
pouring from my eyes and from my heart.
love is pouring from my heart.
love for you,
for this lifetime we lived together.

you are my greatest love.
and our love story continues,
even as this chapter is closed.
i wrote this in the early hours of 8/26 and initially wrote tomorrow, and by the time i finished the poem, tomorrow became today- hence the title.
Kylie Morgan Oct 2015
The cold hearted boy who stole a kiss. Plenty a times I had been so wise, that's before I fell for those hazel eyes. The eyes that held the secrets which lead to your lies. Those lies that I despise but it didn't matter in the eyes of the cold hearted boy. As the space between us grew the hole in my heart did too. Only was it fixable by you the cold hearted boy. The words that you threw oh those harsh words, oh there was nothing left to save in you. All that time you spent to be mine, I bet you almost convinced yourself. Scared you were, when not used to the feeling of affection. You used full force deflection and ran. It's your immediate reaction. With no idea of the of the trail of betrayal you left behind, you fled you cold hearted boy. But there is a knife built up of your guilt stuck in your chest. Impaling you shredded heart with each lie you speak. Never again shall I be so weak, to let a cold hearted boy take my hand and lead me to my bed. Where I shall spend my nights after crying for the loss of the cold hearted boy who treated me like nothing but a toy
Valiant Hurts Mar 2014
Trying to love you
Impaling my heart on your strict demonic stare
Upping the ante in every future game

The futile roads of a hundred lovers
Etched by envy
Icicles of mass destruction

Trying to love you
Simply and completely
Simply impossible….
steven Aug 2015
screaming slashed thoughts
words without direction
fighting invisible forces
neurotic scratching we
exist in two conflicting
dimensions never ending
retaliation blind
diving everything
slowing down, down
before the crash, the
impaling, the release—

Repeat.
vircapio gale Jul 2012
pierces deeper                               
                                                                ­           than a lover's cynic scourge
impaling orifice of epistemic fruits                                                           ­           
                                                                ­                       appalling so to rather choose      
a flowing coat of blood,                                                          
­                                                                 ­         an existential itch      
of ripe,                                  
                                                                ­                     strawberry scabs            

     at least here, i can pirouette a shower
over all i think i've done,
attempt to paint the 'seen'
a pinker tint of womb-rose red:
she beats her heart into a blazing whirl
of painblooming over saying and the said.
wheels of joyspeed lose their path
as digging hands, tearing nails
grapple harshly at the roots of hair and other roots;

in the earthy darkening
you've found something...
                                                  yo­u have lost all things
you have found love, trapped love
                        eaten love
                  expelled love,              become love                     and destroyed love

   )))"i love you i love you iloveyouiloveyouiluvuiluviluvui<3ui<3ui<3i<3u<3<3<3"(((

some love was not love, some love was all love,
some love was yours and some was mine, some of
your love was my love, some of yours was all love,
some of mine was yours and some was all. period
some love speaks for some and all,
some for only some,
some for only all,
all love is... part of overcoming fear
all love is- (enter plethora of other meanings here)
all love... Is. period, period, period,
i wretch to define,
to cubicle with verbal caging
                               your unbridled                      spheroid knowing,
                                                  a patient                      sonar-esque acceptance
             that truth-hunting in the midst                      of love means: to suffer,
for all who love and seek to know its underside,
to continue ****** clawing in and out,
to shout for answers
like existence never lied.
all love is this/
for some and not for others,
it was this and now it's that:
i think of you, i'm changing,
i feel you, i'm changing,
i'm changing, i feel you are
there, a part of me, some part
of me speaking to all of me,
some poetic voice, some spiritual thing
beyond just 'spirits', 'things',
'meanings',
'sufferings',
'truths',
'hearts',
'blazings'
into different
swirls of wheeling joylists lost into
another us that is,
was and isn't us "forevermore" but finds us here again, unchanged
Styles Dec 2014
Searching your mind,   
Revealing your soul.   
A piece of my mind,   
Making you whole.   
The depths of your feelings,   
Defines the depths I will go.   
I know what I know,   
Time for me to show,   
How well though. 
Like never before, 
Here I go.   
Persuading your body,   
In so many ways,   
You're powerless to evade,   
The prowess of my ways.   
Caressing your tenderness.   
These moments your memory will replay;   
Haunting parts of your body in a special way.   
Reminiscent of this very day,   
Our parts bonding as we lay.   
Still influenced in ways you can't see,   
Rather feel, so its as real as can be.   
These unique pleasures bestowed upon you,   
Impaling your reality with my point of view.   
This abundance of energy; this vitality.   
A reflection of you and me.   
Enticing you mentally,   
controlling you physically,   
releasing you and me chemically.
Doing it intelligently.
Getting deep inside of you
So you can better understand me.
I am the man leading your hand
follow my lead and you'll supercede
peaks and ****** in ways never seen.
Now that I'm on the scene
driving you crazy,  taking the scenic route in between throws of passion while Kinging my Queen
Drawn to death like a sick moth to the flame,
The topic's toxic, turn and tossing,
Teeter totter for days,
It seems to follow me, a hollowing,
a carving of hearts,
Darkness trailing, gloom impaling me,
I'm falling apart.
There's art in death, not that it's pretty but well orchestrated
Amidst a somber tune, a hopeful light,
But in the core there's hatred.
An elegy of emptiness..
  A ghastly, dark symphony.
And when I die, please don't cry..
  Just sing for me.

I let the ink spill like i sliced an artery. Then i drink til, my mind's an anomaly.
I think ill, solitude's so ******* me.
On the, brink still, it's a lil disheartening.

But I keep writing anyways.
Believe me, there are many days,
Thinking of a way that I could find to cope with.
The fact I lost someone that I thought I would grow old with.
Sometimes life just isn't fair
And in it, there's no favorites,
Cherish every moment,
Smell the roses, you should savor it.
Vince Paige Jun 2010
i have a feeling and whenever i get this feeling
the ceiling the floor and back to the ceiling
the voices are chit chit chattering
telling me telling me, bit bit battering
forgive me for the thoughts that come as the may
forgive me for the words that i can't help but say

i can't stop the voices, i can't stop the feeling
the ceiling the floor and back to the ceiling
the feeling is bad and i deserve it most true
the feeling is deserved, so i do what i must do
forgive me for the thoughts that come as the may
forgive me for the words that i can't help but say

pain is my middle, my first and last name
the more whish whish whispers tell me the same
i can't help but feel the way that i do
the pain is something i must share with you
forgive me for the thoughts that come as the may
forgive me for the words that i can't help but say

the words, the thoughts, the senses are failing
the voices are truth-stakes my heart impaling
i know not to whom to turn when i am confused
the voices are pain-death-smell infused
forgive me for the thoughts that come as the may
forgive me for the words that i can't help but say
12:42 AM 2/6/05
Angels are indeed visible to the naked eye , they can be found in majestic pose within every precious photograph , work of art or wildflower held by young hands ..
Each drop of rain in a Summer shower is a heavenly host that blesses our very hour ..
A consecrated beam of light impaling the morning fog proclaims the mighty sword of Michael leading the weary through insecurity and darkness ..
An elderly couple that occupies a park bench , children busy with games , laughter , eyes that sparkle with wonder and merriment ..
The carefree chatter of evening songbirds , the Holy Ghost that fill and nurture a wounded heart ..
Nature's morning songs .. The reflection of God's blue eyes caste across a mountain vista duplicate the Choir of Angels performing psalms on the outskirts of Zion , atop the very Walls of Jerusalem , the trumpet echoing across the Earth from the Pool of Bethesda* ...
Copyright December 11 , 2015 by Randolph L Wilson * All Rights Reserved
M E Ronan Feb 2021
My heart is hanging upside down,
A soulless blood spitting,
impaling morrow,
as it casts a shadow on him,
one becomes a killer,
the other one a game.
How do I do this.
Cause the pain
Pain of the flock of crows
Impaling the love of her
Her they say,
Is the most rewarding and beautiful humanbeing on the planet.
But I,
I'm nothing...

I'm sorry that I'm like this.
Weak
Ugly
Arrogant
Selfish
I'm not the man you married.
I'm a coward. And will be for the rest of my life.
I'm not worth it. I'm not even worth anything.

I love you so much.
So so much.
My love for you is
Deeper than the ocean
Higher than the pines.

But my Pines are on fire and burning.
I'm dangerous
I'm ruining you every single day.
How can you be with someone like me.
How?
I'm so toxic.
Toxic..

I wish I can. Take it all back.
But I can't
You won't ever forgive.
And I cant forgive myself
For what I did to you.
I make you
cry and cry and cry
It kills me...

I'm sorry

I'm the Monster.
I'm toxic
John Douglass Nov 2013
I look to the moment when I see you smile
I feel the energy when I sit beside you
I tie my tongue in my mind
the knots like clots
stop my thoughts
impaling me on the sword of desire
the fear of rejection freezing to ice
the lips that await
as you apply appeal
so tender, so moist
their touch will surely thaw
my tongue you will draw
into the warmth
exploding the sensors
adding fuel to our fire
yes! decimate me
send me to shreds
reform me then melt me
that I may ooze forth to blend
within you once again
Amitav Radiance Mar 2015
His feelings ricocheted
Off her world
Impaling his unaware heart
Mateuš Conrad Oct 2016
this feeds me: http://tinyurl.com/hvz44mr - sure, when you see flowers pollinate more frequently, and pigs slaughtered more so, you begin to wonder: this gentlemanly approach to things is really paying off... sure is... oh well, why are they born to necessitate such matrimony kindred to sadism? why?! by now i'm in the refugee camp: i really don't care, just get me off this orbital **** of pathos.

when bass and drums merge,
and soon overpowered rhythm guitars
all long gone...
                                    i don't have to be right,
or wrong,
                      Sacha Baron Cohen and the Cohen
brothers (albeit distinctive) and
     Mel Brooks still understand comedy:
has to do about something concerning genitalia,
but feel the rhythm,
                      it's slightly dangerous,
it's thematic according to a rheumatic
piston sharpening to pulverise you into
a state of being brain dead, that's dangerous,
skin-heads aplenty, with the fake dodo-extinction
of the left leaves the right ripe and open
to invigorate itself... just like
Urban the 2nd launched the crusades during
the first crusade... my ethnic cousins were not involved,
we waited for the Teutons, then the Mongols,
what a magical ethnic diversity,
                         you end up discarding English
media, even if or whenever they come up with a story
akin to *all the king's men
- whoop d d'ah:
               helium filled balloons...
                      because what you're speaking is: i'm not
discovering as a legitimate differentiation
basis for either Lenin or Lennon -
                            shoot the dummy,
well: you're all Clinton and California is orange...
                         you see, techno punk is vague...
i'm vague...
                     i loved being in brothels,
they told me about black boys with elephants *****
and tried to get me angry,
         hell, i passed the test when one ******* stole
my bank card and the **** showed me an *** array of
stolen cards in his plagiarism wallet...
                                many more examples...
why did i retire my youth and beauty to
encounter prostitutes?
                ever tried courting an English girl?
i dare say, gnarl?
                                             you'd sooner find a *******
leprechaun than **** an English girl...
                               the bony **** of my own extensive limb
curled got boring, university wasn't the 1960s,
               i didn't want to ****...
i didn't want a Clinton reputation...
                 what's the answer? am i gay? no!
brothel 999.
                          well: if you're not going to **** me,
and i'm tired of yanking the doodle and saying
*** is actually Switzerland, where am i to go?
          the only way is brothel-land.
                                  **** a nippy chicken off a supermarket
shelf? is that your idea of currency?
                  oh i heard, two guys drugged a girl
***** her then impaled her like a Polish-Lithuanian
          Commonwealth baron speaking Ukrainian
in Argentina... then the street protests...
           i'm convict for rightfully paying for ***,
paying an extra £10 for eating the genitals out,
         making a Jewish joke akin to Balaam -
getting what i want,
                                    telling the British girls:
oh here comes the Pakistanis, curry kebab dab in that?
sure!
               whey hey!
                                   Sinjit's your uncle!
why the **** would you wonder why i designate
myself as being misogynist?
                                   i conceptualised the idea by
splitting the Cartesian Siamese distraction
into two: ergo doesn't necessarily precipitate into
the arithmetic...
                    i coordinate otherwise...
                                        going to the brothel liberated
me from dating culture,
                          from dating apps,
                                  from that i call pork trimmings.
easy to say you're an atheist but have no atheistic
thought to back it up... and few hardly do:
    because it's easy to assume you are something
but have no agreeable thought to manage the throttling
being as such.
                  a man can masquerade his delving
into lost genital interaction for only so long,
but when you live in a society where women are deaf
and blind, and prefer the company of perverts...
hey **! the ****** are parading and knocking on your
front-doors...
                      because they can, and because they will...
            what, you want to date?
                       is that eating a date while breaking
the Raamadam fasting month?
                      you got to be ******* kidding me...
don't bother...
                                      you'll die a *******-load of
squatting ***** exercises that's politically merely a
handshake... if the English girl don't give to a man:
        then let the perverts come -
i'm done.... Bulgarian ****** taught me all i need to know,
and i even decided to pay an extra £10 to slurp up that
excess of Isaac's necktie on the altar of Abraham -
funny how the Aztecs built pyramids but where not
interrupted: 'cos they were palaces of capital punishment
not trivial tombs!
                                  they taught me more than
i could have ever learned...
             when it comes to dating these days?
i can't be bothered, should i be bothered? probably no.
well, there's that case of drugging a girl, ****** her
and then impaling her in Argentina...
                       with so many insects roaming the place,
you're bound to feel a desire to ****,
  and when not gratified and not interested in games,
you go the source of your woes and
                    desire to buy salt,
and you buy salt,
                 and oh god, it's so impersonal
and yourself so intact,  and then you leave,
                                      and then you have very or merely
little concern for keeping certain things memorable.
The Dedpoet Jan 2016
Emptying memory:
        The sun does not block out
The stars,
        The soul did not absorb them
The water vanishes the fire,
       Petrified light,
Executed dust of old flesh
      In a tomb of earthly thoughts;
The Sol centrally corners the eye,
     Blinded by the word
In a litany of days,
     Crushed hopes fall on nocturnal
Flesh,
     Old as Cain and Abel
As smooth as assassin pagans,
        Kissing the eclipses
In a fit of rage on a wounded bird,
     Theatre of peoples
In a cosmic garden
     Impaling moons
And guillotining the planets,
      Eating fire on burning lips,
A thirst for living water
     And a wisp of gentle air,
A swarm of deities with
Overgrown origins in a circus
        Of faithful,
    The sanctum was exploded
With idealistic dogs licking
     Their own *****,
The amphitheater of man
     Stained with repetitive slow thoughts,
Drunk with light
Hidden in shadows.
People.

— The End —