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Marie-Niege Aug 2014
elevators make me dizzy
and nervous to the
point that I lock my knees
and hold the silver walls
and hope they can't
hear me heaving. I hate
these walls. I hate these walls
and the way they move up,
so silent and unsure,
causing my chest to quake,
elevators make my nervous and dizzy.
Michael W Noland Sep 2012
[A] is for
Archer with
Arrow through his
Apple, very
Applicable, to the
Amounts of
Adorning his heart, in
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Admirals of
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Angels in
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak

[B] is for the
Bah of
Black sheep, and
Bit¢hes, fat cats,
Bombarded in the
Bastion of
Berating the
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Back the
Bank rolls of
Betterment, from the
Back of the
Bus, as i'm
Busting guts, in the
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Butchery into
Brains, in
Bouts, of
Bobby's for
Bags of
Before, affording to
Bombs, is just
Bottles on the
Benefactors of
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to

[C] is for the
Courting the
Choreography, in
Circumventing the
Contrivance of
Calibrating, to the
Contours of
Celebrating the
Cylinders of
Correcting the
Calculations, of
Coughing, in
Coffins of
Cobble stones, from
Catacombs, in the lands of the
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self

[D] is for the
Dip *****, as they
Deeper in the
Deliverance, of
Dying to
Delivered in the throws of
Defiance of
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Dooming us for
Deploy the,
Damsels in
Defiled and
Detestable and
Dead. in the thump of
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Diluting night into
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the

[E] is for
Everything in nothing,
Eating the
Enigmas of
Exceeding in the
Essence of
Escaping the
Elegance of the
Elements in the
Eccentricity of
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Easily to appease
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errors of
Every man,
Enslaved, of flesh and
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Ever present in
Ever made to take

Funk the
Ferocity of
Fandangos, with
Fooled in the
Fiasco of
Falling through the
Farms of
Flying in the
Fame of
Fornicating on the
Fears of
Fish getting their
Fillet of
Feel me in the

Granted with
Giblets of
Gratitude and
Greeting the
Goop and
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Going, in the
Gallows of a
Gaffed by

Hello to the
Horizon of
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hobos in
Horror, to
Honor the
Habitats of
Herbalising the work
Horse, named
Have Not, in the
Houses of

Ignore the
Idiots, too
Illiterate to
Indicate the
Instances of
Idiom in the
Inaccuracy of
In the
Intellect of
Irritated with the
Illusion of
Illustrated upon the
In the
Illumination of

******* the
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Jousting off the
Jumps, in
Jokes, and
Jukes of
Jesting for
Jury's to
Judgment from the
Jeans of

**** the
Keep of
Kool aid men,
Kept in the
Kilometers of
Knifing the
Knights of
Keeling over the
Keys of
Kaine, with the
Kick of a

Love the
Levity, in the
Laments of
Levitating in
Living in
Laps, of
Looping, but
Lacking the
Loom of the
Locked with
Leeches of the
Leering of
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of

Marooned in
Masqueraded as
Memorization's of
Mantras, but
Mikha'el the
Mundane, who is
Mused of
Mangling the
Monitor, but
Maybe just a
Moniker of

Never to
Navigate the
Nether of
Not to
Nit pic the
Naivety of
Neither take
Name the
Noise of
Nats in the
Nights of
Napping in the
Nets of

Ominous in the
Omnipotence of
Orifices in
Offers of
Ordinances in
Optionally an
On-call Oracle, in

Perusing the
Pedestals of
Pursuing the
Plumes of
Piety with the
Patience of a
******* on the
People with the
Pianos of
Portals, in the
Points in the
Pats of
Poor, but

Quick to
Qualify the
Quitter for a
Quill in
Quivering of
Queried in the
Quakiest of
Quarantined to a
Quadrant, of
Questing the
Quizzing of

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rock to
Rate the
Rep of the
Roar in
Rendering of the
Readiness in the
Rallying, of the
Refracting of
Realigning, the
Rearing of the
Realm, and

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Secrete the
Sobriety of
Salivating upon a
Slew of
Supplied in
Slain in the
Steam of
Sadly, i

Titans in
Turbulent in
Teething of
Telemetry of
Tortured of
Told in
Turrets of
Terribleness, from
Tikes unto
Toys for
Thrusted upon by the
Tyranny of

Unanimous is the
Ugliness in the
Undertones of
Undergoing the
Unclean in the
***** of
Uplifting the
Ushers in
Undergoing the
Ultra of

Venial in
Viciousness of
Vilifying the
Vials of
Villainy in the
Veins of
Validity of
Violence, is
Valiant in the
Vacationing of

Whelp in the
When you can
Wave to the
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
Worms, as
War shouts are
Wasted in the
Walks of

Xenogogue, of
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my

Yearned from
Yielding, to the
Yodel of
Yeahs, to the
Yapping of
Yanks, over
Yucking it up with the
Yawn of a

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zest, upon a
Zionist, or
Zeros or ones, just
Zip your
Zip locked. and
this is a work in progress
Jal Bird May 2014
Your perception of me pre-existed, you saw black and you felt danger, you saw my skin and with it painted a personality from the prejudice of your mind.

You don’t know me, yet you assume that I am just like every other dark skinned man out there.

So that is why I feel angry when you cram yourself in the corner of elevators, if you could only realize I am the one who is truly backed into a corner, provoked by your ignorance, until I become what you painted me.

With your judging eyes, cautious smiles, and nervous actions you made me this way when in the beginning I was just me. Now after all you have done, and all I have done, I’m just trying to be me again.
I just want to be me.
The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
I, for one, am in ecstasy
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
a horror story from the Gothic age
a gruesome romance
From the LA

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion

Drugs *** drunkenness battle
return to the water-world
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.

each day is a drive thru history
I have studied the tight curls on the back of your neck
moving away from me
beyond anger or failure
your face in the evening schools of longing
through mornings of wish and ripen
we were always saying goodbye
in the blood in the bone over coffee
before dashing for elevators going
in opposite directions
without goodbyes.

Do not remember me as a bridge nor a roof
as the maker of legends
nor as a trap
door to that world
where black and white clericals
hang on the edge of beauty in five oclock elevators
twitching their shoulders to avoid other flesh
and now
there is someone to speak for them
moving away from me into tomorrows
morning of wish and ripen
your goodbye is a promise of lightning
in the last angels hand
unwelcome and warning
the sands have run out against us
we were rewarded by journeys
into desire
into mornings alone
where excuse and endurance mingle
conceiving decision.
Do not remember me
as disaster
nor as the keeper of secrets
I am a fellow rider in the cattle cars
you move slowly out of my bed
saying we cannot waste time
only ourselves.
Carla Blaschka Jul 2015
Bustling activity,

Frenzied brief energy,

Noisy beepers beeping,

Doctors, nurses, calling,

How are you?

How did your weekend go?

Echoes of friends and beaus.

Friendly voices chatter,

plans for weekend matters.

How are you?

Calm Code Reds cut the air,

urgent, requesting care.

Elevators dinging,

Loved ones heard exclaiming,

How are you?

Not given privacy,

Stripped of their dignity.

Phantom guests, masks they wear,

nurses ask, no one cares,

How are you?
The rhythm works best when read aloud. Hear it live at
r Dec 2016
Oh, those poor
without a ***
to **** in
who celebrate their
thin-skinned twittering
king ascending
in his gilded elevator
of gold stolen
from the empty plates
of those
who do pay taxes
with real axes
to grind
it boggles my mind
just what in
the hell
could they have been
I mean, Sweet
Jesus, we'll all be
in the end.

Where e're we go, we celebrate
The land that makes us refugees,
From fear of priests with empty plates
From guilt and weeping effigies.

--Shane MacClowan, "Thousands Are Sailing"
kaycog Oct 2016
Some kind of joy
I saw in that elevator girl
like no other creature before
she had an ice cream cone
rocky road
marshmallow chocolate nut
chunky toothy grin
she found her happy place
on an elevator
with an ice cream cup
from baskin robins
it was large
at least three scoops
she laughed
spirit and body rising up
the levels
forget the rocky road
she was going
Abbie Crawford Jan 2015
My first impression of the children's hospital was how nice everything was. It was new, with fish tanks and red sofas; pastel windows which made pretty colors on the floor when the sun went through them; walls were freshly painted and everyone talked with a smile. Everything just looked so peaceful.
It wasn't until my second visit that I saw the flaws. I was sitting on one of the red couches, waiting for my name to be called, and I was looking at the fish tank. A little girl was pressed up to the glass telling her mother that she could see nemo. But when I looked closer, I saw a little fish turned over floating at the surface. A man behind the glass quickly pulled it out of the tank, but I saw. That's when I started noticing other things. Like the bloodstain on the cushion next to me. And the fact that a few tiles were missing from the floor. The wood paneling had scratches on it; one of the pastel windows was taped up; and every parent was smiling, but the little kids holding on to them kept asking what was wrong.
Maybe that's just how hospitals are. They want you to think that everything's okay; that all that goes on inside are couches and fishtanks. They think that if they write out the word HOSPITAL in bubbly pink letters people might get it into their brains that everything's okay. But that doesn't change the fact that it's a hospital. Masking pain only works for so long, until broken bits and pieces push their way through.
I think hospitals are just fish tanks. Everyone is put on display for doctors and visitors and things seem okay for a while, you know, until they aren't. When a little nemo dies, they send away his body and just replace him with another orange fish that people can look at. We are all the cracks in the pavement; elevators shut down for repair; a phantom pain that nobody wants to believe is real. If you stand far enough away; if you distance yourselves from anything close to the word hospital, you can just let yourself focus on the mask they put up. But once it's time, and you're sitting on a red couch in the lobby of the children's wing, with a kid asking you where her older brother went, you'll find yourself staring at the cracks in the facade with a single tear running down your face and with emptiness in your stomach.
for a friend
I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.
Natalie Thompson Feb 2015
A wave of elation hit me the second I saw you,
and through that revolving door you flew.
I couldn't help but notice the smile on your face
as we held each other in a longing embrace.
The scent of you flooded my lungs,
how good it is to be happy and young.

Hand in hand we walked,
all the way to Top of the Rock.
Admiring the city we stood in that space,
you wrapped both arms around my waist.
Still standing in the corner behind the glass,
I turned with a grin, and our lips met at last.

We strolled over to Bryant Park,
where we laughed until dark.
The times we stared in each other's eyes without making a sound,
made it feel as if no one was around.
We watched little kids play many games,
if it wasn't freezing we said we'd do the same.  

Finally caught a cab to take us to The Met,
there we listened to a string quintet.
We sat at a small table with my dad and his wife,
where they talked all about college and life.
For an hour we stayed, in that beautiful place,
and secretly, our fingers were interlaced.

Back to the apartment with only an hour left,
we rode the elevators without a rest.
Foreheads touching, and mouths pressed together,
you soon had to leave in the cold frosty weather.
When it was time, we said farewell and goodbye,
then you ran back and held me for one last time.
A little brief description of the most perfect day with a perfect guy.
(except for almost dying from frostbite) xD
Stephanie King May 2010
i have too many
fevered dreams of metal walled
elevators that

take me up hundreds
of floors only to plummet
back down to earth at

a frightening speed.
i walk around aimlessly
in grocery stores with

no intention of
actually purchasing
anything at all.

last night, i entered
my old elementary
school, shocked at how much

it had changed. the floors
were no longer creaky, and
i still barely catch

glimpses of you in
my imagination. i
concentrate so hard

to envision you
and i, and our future, but
i only arrive

at houses with too
many rooms and my yellow pen
boy from mrs. fourth

grade teacher's class and
cinderella's prince. i wake
up with a start and

you ask me what i
dreamed about, but i will not
answer, because when

i ask you the same
question, i know you will just
smile and say, “you.”
Delta Swingline Mar 2017
Don't get me wrong, I like elevators as much as the next guy. But there's always been something about stairs that just interests me in a way elevators can't.

If you've ever watched me climb a flight of stairs, I usually skip every other step. Mainly to save time because I live life too fast, climbing stairs so I could slow life down somewhere else.

I have this one staircase where all my friends hang out, less than 10 steps with a door at the top. That door wasn't opened very often, we called it the -- "Suicide Door". Only to find that it was a room where there were tons of stacked boxes willed with paper. But we still hung out on that staircase anyway.

Lately, the conversations that take place on those stairs are less than amusing, we don't laugh about how stupid people are. Rather we rant about who we want to **** in this world, and who's mad at who for thier gender or religion, I don't feel safe there anymore.

I fear if I say anything that I'll be shut down because I don't like people's use of "free speech" when it's used to put people down. And yes, I know, I'm not innocent here. There are conversations I regret saying that I have left on that staircase.

We don't talk about those conversations because we know out opinions are still changing. I may not remember any of this when it's finally over.

We don't talk about conversations we had behind closed suicide doors. But we never talk about the ones we had on the staircase below it. Sometimes that door seems like it's locked forever, and we choose to believe that our staircase leads to nowhere.

I miss the way thing used to be, when conversations weren't poisonous to those who heard the even by accident.

It makes me want to take elevators with strangers. Sure, it would be awkward, but at least nobody would want to rant about people to a bunch of strangers.

I sat by the stairs again. All my friends were there. But the school bells ring and everybody leaves. Nobody bothers with a "see you later" of a "c'mon, we gotta go, you'll be late". They just leave.

I'll stay there for a minute, gather my things, and wonder where they all went.

And whether or not they'd come back.

After all, the stairs aren't all that important right?

And these stairs, out of all staircases, just lead to nowhere...
I haven't been to that staircase in a while. Although the suicide door seems to call a little louder than it used to.
Kimberly Seibert Aug 2014
My water tower in the sun, my pillar in the dark.
Rust on a warehouse door, **** anatomy of a shark.
A hidden, naked cartoon, vulnerable and hurt.
The afternoon rays of light, exposing my empire of dirt.

Squid in a dark room, forgotten seat for you to ****.
Discovering rotten apples, the fruitless empty pits.
Far on the *****, the eye is negligent to mankind.
No on has *****, yet "American ****" isn't hard to find.

From this floor to the next, watch out for the holes.
Stalactites are forming, between the rods and the poles.
The gang is all here, each with a gat.
Questioning Detroit, wondering "where da party at."

A symphonic silence, from abandoned piano keys.
For the love of the city, the birds and the bees.
A ladder to assist you, in anything but a climb.
Wasting away the day, when all you have is time.

Where they once opted elevators, they now offer only stairs.
Peacefully residing, in the asbestos, grime, and the glares.
The walls they're all puking, a paint chip epidemic.
No chalk at the chalkboard, a failed academic.

Some sign walls in scribble, some bless us with art.
Beautiful light fixtures hang, while sanctuaries fall apart.
The debris and the rubble, wooden frames and the splinters.
A back road in the city, in the dead cold of winter.

An altar to stand at, with no sermon or expectation.
A pew a sinner can rest, with only God's examination.
A wall devoted to an *****, hymnal at hand.
Stained glass more exaggerated, with shards in the plan.

Dancing on floorboards in rafters, climbing up to rooftops.
Wandering and trespassing, trying to avoid cops.
Panda bears, pillar ****, and playing in the snow.
In the shadows and the blackest rooms, I really like to go.

Pussycats in hallways and the golden lightning kitty.
Posing seductively in vacancy is where I feel pretty.
I've seen the light at the end of the tunnel, I've found King David.
Interrogated with the whys and don'ts, though I wish they'd save it.

Picasso in the projects, Sloth and Marilyn Manson.
Fairmont Creamery Company, a view held for ransom.
Some window panes are for looking out, some for looking in.
Struggle Buggy Snow White still sleeps, forever strugglin'.

I've seen them ask for me, "Warriors come out to play."
Detroit is to me, what night is to day.
I caught Pikachu and have seen a **** elephant.
In the frost of the Fisher, I found a heart that was spent.

But the cardio made of brick, spoke with such sass.
Resting bones at the Packard, in an armchair that's trash.
Patriots are nosey and robots attack.
Never putting an hour on when I'll get back.

On top of the world, or looking up from the bottom.
Abandoned buildings, schools, churches, there's something about them.
Where a tree has a better chance of rooting and planting.
When a society suddenly seems a bit slanting.

Color a flower on a wall that's been broken and charred.
Breathe life into a battlefield, encourage the scarred.
Take away ego and vanity, glance into a filthy mirror.
Don't just listen to a person, actually hear.

Sure maybe at times I may seem a bit morbid.
And my words can be harsh and approach kind of forward.
But when you're standing alone, in a hallways that's dead.
Whose last bell has been rung and last book has been read.

Then you hear footsteps from the floor up above.
It's in that uncanny awareness.
And fear...
I find love.
april 11 1952 Mom gives birth to beautiful blue-eyed girl Mom takes name Penelope from Great-Grandma Penny who died week after Odysseus was born Mom and Dad are not educated to know greek mythology and homer it is odd coincidence they picked Odysseus’s name out of book of names thought it sounded strong  anglo old money Odysseus is thrilled to have sister to share childhood with when Odysseus is 6 and Penelope is 4 Grandma Betty invites them to visit her house block away she serves them oatmeal cookies orange juice shows them her latest small painting of field brightly colored flowers birds in sky lower left corner is horse or dog painting is still wet she shows them magazine picture she copied from Odysseus realizes it is pony in lower left corner when they return home Mom yells at Odysseus “where were you? why didn’t you think to call or leave message with Teresa? do you have any idea what a nervous wreck you’ve made me!” she slaps hard Odysseus’s face reprimands “don’t i have enough to worry about without you pulling something like this? you only think about yourself it’s so typical of your selfishness wait until your father gets home he’ll deal with you now go to your room!" every time he gets caught in mistake he is punished the drill is Mom gets upset with Odysseus flies into rage yells slaps him around threatens him with Dad gets home has a few drinks Mom tells Dad explodes beats Odysseus Mom is judge jury Dad is executioner afterward Dad goes back into living room pours another drink sits in celadon green lounge chair Odysseus is trained to wipe tears put on pajamas go to Dad apologize admit fault promise to be good kisses Dad and Mom goodnight goes to bed that is the drill

Odysseus is barefaced curious exploring discovering tries to connect with Mom and Dad but they are unavailable they are his parents not his friends as far back as he can remember he lives in world of “it’s safe free here Mom and Dad can’t see us” children are smarter than parents think figure ways to self-protect something stirs inside Odysseus creature separate from Dad and Mom whatever psychological or emotional patterns are developing he does not understand obediently goes along

Mom and Granny Mattie take Odysseus and Penelope to browse shops on oak street at one store little statuette like kind Granny Mattie collects catches Odtsseus’s eye he slips it in pocket on drive home he takes statuette out to show Penelope she asks where he got it Mom Granny Mattie overhear ask Odysseus where he got statuette he confesses took it from store Mom gets livid steers car back to oak street Granny Mattie insists “it’s just a figurine let him keep it Odysseus meant no harm i don’t see why you want to make such a big fuss Jenny!” Mom replies “he’s got to learn right from wrong!” they all return to store mom explains to sales clerk what son has done Odysseus hands back figurine apologizes when Dad gets home he dishes out punishment years later Penelope remarks “that was the first time i realized Odys you needed to reach out for something beyond the family”

Odysseus wants to die he is 7 years old and wants to die he knows his life is critically messed up wants new different existence person he is becoming is too error prone ruined already he is way too ******* himself Dad’s temper Mom’s criticisms subsequent self-absorbed social demands drive him to ideas of suicide Dad and Mom are too busy to notice Mom always uses sleeping pills placidal nebutal seconal miltown whatever is the latest Mom says she does not dream Odysseus guesses she does not remember her dreams on account of those pills everyone dreams years later Mom remarks i need sleeping pills to forget about you Odys as Mom describes “i run a formal beautiful household” she delegates chores to weekly staff of brown skin ladies it is house of feminine décor matching pillows sheets pulled tight under elegant bedspreads everything put away in proper place furniture in precise order little dinner bell servant’s foot buzzer beneath Mom’s chair at dining room table maids in servitude once a week white woman with big shoulders foreign accent shows up to give Mom massage Mom is not to be disturbed during that hour Odysseus knows first names of each laundress cleaning lady doormen deskmen garage men janitors caterers at holidays tall black effeminate John comes twice a month on sunday to cook serve traditional american breakfast along with fried bananas apples afterward he cleans up shines silver first 13 years of Odysseus’s life are lived in buildings with elevators staff of residence employees

Mom’s closet is vast with colors textures ground level hundred or more neatly arranged clear plastic boxes containing pairs of expensive shoes walls of imported French and Italian designer label dresses skirts suits blouses top shelf fashionable purses hats other feminine accoutrements also two large dresser chests filled with drawers of sweaters scarves girdles lingerie hosiery more accessories Mom often wears joy by jean patou arpege by lanvin chanel # 5 Mom shops at saks bonwit teller occasionally marshall fields within several years most of her buying will be done at fantastico, exclusive import boutique on oak street clothes jewelry cosmetics are important to her but most important is hair she prefers bottle blonde color wears hair trimmed medium length fluffed up sprayed fixed as do many women of her generation social stature she visits beauty salon twice a week must enjoy letting her guard down with other women while being served by homosexual men her hair prevents her from driving in car with top down all other outdoor activities that might threaten hairdo Penelope mimics Mom though she keeps her things in less tidy fashion she is being groomed to be queen like mom maybe Mom is more sympathetic to Penelope because both innately share female experience Mom portrays herself as lady of elegance Penelope is different from Mom more earthy bumbling routinely scratches Odysseus’s records leaves her drawers messy Mom takes baths so her hair will not be disturbed Dad takes showers Odysseus and Penelope take baths together then apart as they grow bigger ****** is normal in Schwartzpilgrim household Dad hints reserve Odysseus follows takes showers Mom leaves bathroom door open while bathing she is constantly changing clothes traipsing around in robes slippers elegant silk lingerie
Marissa Navedo Mar 2012
I start to panic, a fear of being trapped inside emerged.
From stories imprinted in the mind.
with every gear shift I cringe. I’m safe this is absurd.
Still thoughts race through my head. No one would ever find...
Exerting my nervousness, my body begins to shake.
Fear is the fallen tree decaying as time goes on;
until there is nothing left, except for me to make,
my irrational state of mind eradicate. The pain drawn-
out for all to see, as it  alludes to insanity.
The screeching metal masks my internal screams.
I tolerate the sound by saying profanities.
As elevation alters my heart rate changes in extreames.
My fear diminishes as time progresses, for I soon realize,
that avoiding it would work against what I am advised.
Don Bouchard Feb 2019
It's June, 1967.
Nature, still lying through
Parsley green teeth,
Breathes the last of spring,
Hints early summer warmth,
Pre-July's cicada whine,
August's heat and wind.

Crops, still tender green
Quiver beneath a humid sky,
Under a glowing sun.

Bicycles amuse our early lust
To soar untraveled ground,
Entering lazy summer's ennui,
We scan a hawk riding drafts
On the edge of our hill.

Dust, drifting up the graveled road,
Five miles below us,
Piques our interest,
Causes the dog to raise his head.
He ***** an ear
Toward a sound we cannot hear.

We hear gravel slapping rocker panels
Before the traveler's roof rises into view,
Catch our breath as the engine slows,
Start running for the house.

A stranger's arrived,
A traveling salesman,
Better than an aunt
Only stopping in for tea
And woman talk.

Dad keeps his welding helmet down,
Repairing broken things.
The hired man inhales his cigarette,
Acts disinterested.

My memories linger on the past....

Salesmen brought the latest farming gadgets:
Additives for fuel and oil,
Battery life extenders,
Grain elevators and fencing tools,
Produce and livestock products,
Lightning rods and roofing,
Chrome-edged cultivator shovels,
Insurance for everything:
Fire, water, wind, hail.

Pitches came without exception:

"Top o' the morning! Looks like you're busy.
Don't want to take your time."

"Looks like you could use some welding rod,
And I have something new for you to try."

"Have you used chromium additive in you livestock salt?
Guaranteed to put on weight and protect from bovine

"Say, have you heard about the effectiveness of a new
Insecticide called DDT? I've got a sample gallon here
For you to try. Works better than Malathion!"

Dad, eventually intrigued, began the slow dance
Of dickering, haggling over this thing or that.
Most salesmen, closing in for a ****,
Hadn't grappled with my father.

At noon, deals still in the air,
My mother called the men,
And we all trudged in to wash,
Waiting in line at the tub,
Scrubbing with powdered Tide
To remove the grime and grease,
Drying on the darkening towel,
Finding a seat at the table.

The salesmen expected the meal
As though it were their right,
A standing invitation:
Stop in at noon,
Make your pitch,
Sit at table,
Close the deal after.

We boys sat and listened
To man talk.
Eyes wide, we marveled
At gadgets,
Wondered at Dad's parleying,
Winced at the deals he drove,
Commiserated with squirming salesmen
Surely made destitute by Dad's hard bargaining.

In retrospect,
I know the game was played
On two sides,
That the battery additives
Bought for five dollars a packet,
Even with the two Dad finagled free,
Cost about five dollars for everything,
Returned forty-five and change
To the smirking, full-bellied salesman
Who left a cloud of dust on his way
To supper a few miles down the road.
We don't see traveling salesmen anymore at the ranches in Montana. I guess internet sales did them in.
Bryce Dec 2018
I, naive

I believed that the break in the clouds
Was the end of rain

Thought those rays of sun weren't burning

I was lying
Myself in the grass,
Asking if the tulip chutes in Anatolia
Were the same sinking green I feel now

Where were we?
Love for a thousand spaces and bottling them into skins
Wanted to touch and know deeply all beautiful things

No you're not allowed, they don't want to let you in
That way, it's a distant place and means too much to understand
The biological and irrational
Crazed, sweeps gregarity above and within an aether-- like milky foam upon the waves

When I return home from excursions
I will be Ipanema
The soft locale, unabashed and known to no soul
Except empty elevators--

The lowly philosopher-king

Maybe then you'll think highly of me
Through the mixed feelings
Unable to handle
Straight through the socket
Ring of fire
Then and only then will you realize
That real life

Is more than just a zone or some local
Brewery on a Friday night

And every other Friday night

Ever thereafter--
You'll unlock the box of atomic intention
And listen deeply to her on the station
"Sade and Other Like Hits"

Slowed down for full potential

Letting your cochlea stroke themselves off to the tune of the universe
And the sound of air moving indiscriminately
Will give you
All this

almost fractal, imbibed
Decimated repetitively
There is a fragment of my voice,

"Love, how much I'd love to be. "
Glenn McCrary Jun 2014
“Two faces -- both as perfect as mine once was.” ~ Two-Face

[Do just stood there in a state of slight bewilderment.]

DR. NIGHTMARE: Come to my office now!

DO: For what?

DR. NIGHTMARE: I’m not going to ask you again, Do.

DO: Look with all due respect sir I did nothing wrong.

DR. NIGHTMARE: And if you were really as respectful as you claim you would do as I ask.

SPORE: Do just go. Don’t make this harder than it needs to be.

[Do opens his mouth and attempts to speak but Spore cuts him off.]

SPORE: I’ll go with you…

DO: Spore you don’t have to do that for me.

SPORE: Well I want to...

DO: But why?

SPORE: Because it is my fault that you are in this situation. The least that I can do is offer my emotional support in your time of need.

[Tears began to well up within Do’s eyes.]

DO: Thank you Spore.

SPORE: No problem Do. You helped me in my time of need when no one else would. I’m just trying to return the favor.

[Do smiled at Spore. Spore returned the smile. Do turned his attention to Dr. Nightmare.]

GUM: We’ll be here when you get back, Do.

SWEAT: Do what you need to do bro.

DO: Thanks guys. Okay Dr. Nightmare. Let’s go.

[Do & Spore follow Do from the lunch yard back into the asylum. Five minutes pass before they reach Dr. Nightmare’s office. Dr. Nightmare escorts Do & Spore into his office. Anaïs was standing in the corner by Dr. Nightmare’s desk. She was wearing a jet black dress with a large red plus symbol on the front of it to symbolize her expertise of her chosen field. She waved at Do. Do waved back. She was also wearing bright red high heels. Dr. Skitz and Dr. Crocker were also present on the opposite of Dr. Nightmare’s desk. Dr. Nightmare lights a cigarette, takes a hit, inhales the smoke and begins speaking.]

DR. NIGHTMARE: Please have a seat both of you.

[Do and Spore proceeded to have a seat in the chairs behind them.]

DR. NIGHTMARE: Do you know why I invited you into my office?

DO: I have some idea. Could you please explain a bit further?

[Spore giggled. Do lightly elbows Spore in her arm.]

DR. NIGHTMARE: But of course Mr. Nino. I would never want my patients to have to constantly wonder about life’s trials.

[Dr. Nightmare takes another hit of his cigarette and blows the smoke in Do and Spore’s direction.]

DR. NIGHTMARE: You are here today because we have been made aware of a couple of incidents that you have been involved in. These particular incidents go against the rules and overall moral conduct code of Black Wick Asylum.

DO: Oh, well please excuse my originality.

[Spore, Anaïs, Dr. Crocker and Dr. Skitz begin to chuckle together.]

DR. NIGHTMARE: Are you trying to be funny?

DO: Well if you refer to the idea or moreso the simple ability to act stupid then yes.

DR. NIGHTMARE: This is exactly why you are in here right now.

DO: Yeah, for an incident of which I am technically morally innocent. It is the concept that exists within your brains that causes the majority of society to view such an act from more of a bigoted perspective. Now put the ******* cigarette down and get to the point. You have five minutes.

SPORE: Do what the he—

[Do places his finger to Spore’s lips to silence her.]

DO: I know what I’m doing.

[Do removes his finger from Spore’s lips.]

DR. NIGHTMARE: Very well then, Do.

[Dr. Nightmare takes one last hit of his cigarette before putting it out upon his ashtray. He picks up a small remote from his desk, moves his office chair around and points the remote towards a medium sized camera sitting on the wall directly across from where Dr. Crocker and Dr. Skitz were standing.]

DR. NIGHTMARE: Please turn the lights off, Anaïs.

NURSE YUCKI: Yes, Dr. Nightmare.

[Anaïs turns the lights off. Dr. Nightmare pushes play. The video begins. Dr. Nightmare decides to fast forward the video then resumes playing at the part where WiFi was about to hit Spore. Do then blocked WiFi’s punch. They briefly argued then WiFi took another swing at Spore. Do once again blocked WiFi’s punch and began ramming his elbow directly into WiFi’s nose instantly breaking it. Do continued hitting WiFi before finally slamming his rib cage directly on his knee. Dr. Nightmare paused the video.]

DR. NIGHTMARE: When exactly were you planning to tell me this Do?

DO: I wasn’t sir. Why should it be my job to inform you of such a situation as chaotic as this? Doesn’t this place have cameras?

DR. NIGHTMARE: This is an asylum, Do. Of course we have cameras. Unfortunately the day that you and WiFi got into that fight my cameras were malfunctioning due to a glitch in the system. Some of my cameras were working just fine that day. The other cameras weren’t working at all. A lot of the malfunctioning cameras had nothing but static screens on them particularly the camera in the cafeteria.

DO: So then how did you get footage of us fighting?

DR. NIGHTMARE: I hired several assistants to monitor and record any and all activity that goes on in the rooms that contained the malfunctioning cameras. There was somebody in there monitoring you the entire time and you didn’t even know it.

DO: But who was it?

DR. NIGHTMARE: That’s not important, Do. As the head of this institution I must do what I have to do to keep up with all daily activities of this institution. Frankly, if any such activity does not concern or affect you then what business is it of yours?

DO: How much time do you have?

DR. NIGHTMARE: Not enough time in the world.

DO: So then let’s move on.

DR. NIGHTMARE: Right. The next thing I wish to discuss with you are the results of your four dimensional emotion detector tests.

DO: Well this should be interesting.

DR. NIGHTMARE: Yeah, don’t hold your breath kid. Since Dr. Crocker was in charge of your happiness, sadness and fear tests you will be talking to him first. Carry on Dr. Crocker.]

DR. CROCKER: Thank you, Dr. Nightmare. How are you doing today Do?

DO: I’m doing just fine sir. Thank you for asking. How are you?

DR. CROCKER: Splendid sir. Alright Do let’s discuss your test results.

DO: I’m listening.

DR. CROCKER: Okay one minor detail that we must note is that each test is rated by any number from one through five with five being the highest and one being the lowest. You scored a five on both your happiness and sadness tests.

DO: What memory did I envision for the sadness test again?

DR. CROCKER: From what I’m reading it says that you envisioned the memory of when your ex-girlfriend Oku broke up with you.

DO: Yeah, that was a pretty sad memory. I spent every night that September crying myself to sleep every night. It hurt so bad.

DR. CROCKER: I understand.  Now the memory you chose for your fear test consisted of a series of scenarios in which you were abandoned. The most effective memory of those scenarios was of a mysterious woman abandoning you. Would you care to explain that?

DO: I don’t wanna remember… Even though I clearly still and always will remember, I choose to avoid anything that causes me to reminisce about it.

DR. CROCKER: Understood. Well I thought you’d like to know that you scored a five on your fear test too. You have a knack for selecting the deepest memories of your psyche.

DO: That is what you wanted is it not?

DR. CROCKER: Nothing more and nothing less.

DO: Is there anything else I need to know regarding these test results?

DR. CROCKER: Your diagnosis, yes. Judging by how high you scored on these tests I am afraid that I have to diagnose you with bipolar and borderline personality disorder.

DO: That explains all those manic episodes of extreme euphoria and depression.

DR. CROCKER: Perhaps, yes. I’ll be turning you over to Dr. Skitz for the rest of your test results.

DR. SKITZ: Thank you, Dr. Crocker. Okay Do I’m gonna just cut corners and get to the ******* point with your results.

DO: Thank you, Dr. Skitz.

DR. SKITZ: No problem, Do. We all have precious and valuable time. The last thing we should want to do is waste it.

DO: That is a very good point doctor.

DR. SKITZ: So with that being said I am pleased to inform you that you scored a five on your anger test but, you scored a three on both your anxiety and depression tests.

DO: Alright go ahead. Lay it on me.

DR. SKITZ: Do, you have schizophrenia.

DO: So bipolar and schizophrenia huh? Sounds interesting.

DR. SKITZ: This isn’t a game Do. This is your health we are discussing.

DO: Yes, I know. I was being sarcastic.

DR. SKITZ: Anyways that concludes your diagnosis. I’ll turn you back over to Dr. Nightmare now.

DR. NIGHTMARE: Thank you gentlemen.

DR. CROCKER & DR. SKITZ: You’re welcome, sir.

DR. NIGHTMARE: So what did you think of your test results, Do?

DO: I think they were slightly shocking though not surprising.

DR. NIGHTMARE: I have to honestly say that I agree with you on that one. Anyways with all nonsense aside I’ve decided to make a deal with you.

DO: And what is this deal that you speak of, sir?

DR. NIGHTMARE: Well since you are our newest patient I’ll let you off with a warning. Should you happen to break these rules again you will be paying some serious consequences. You are dismissed.

DO & SPORE: Thank you sir.

[Do and Spore get up and proceed to exit Dr. Nightmare’s office.]

SPORE: So who do you think was recording us in the cafeteria today, Do?

DO: Your guess is as good as mine Spore. Had I known who it was I wouldn’t have been questioning Dr. Nightmare about it in the first place.

SPORE: Good point. By the way Do don’t worry about those tests. It is something that every patient has to go through before being officially considered for enrollment here. Also you’re fine the way you are in my opinion.

DO: Thank you, Spore.

SPORE: So do you have a room mate? More importantly do you have a room?

DO: No I do not.

SPORE: You can room with us. There are four beds in our room with two beds in each room. We have room for one more mate.

DO: Okay. Thank you, Spore.

SPORE: No problem, Do.

DO: So how do we get to our room?

SPORE: Well, this asylum is seven stories high. Our room is on the sixth floor. We stay in room 666. There is an elevator straight down the hall on your first left.

DO: Alright then let’s go.

[Do and Spore continue down the hall arriving at the elevators in less than a minute. Spore presses the button as she waits for the elevator to arrive. The elevator finally arrives. Its doors open wide inviting Do and Spore in. Do and Spore walk in as the doors close behind them.]


[ A man dressed in a long, red hoodie walks up the stairs leading to Black Wick’s infirmary. He pushes the wooden oak double doors open. The entire infirmary was dark except for the moonlight that was shining throughout. He approaches one of the patients in the infirmary. The patient he had selected happened to be a young man. He had long, wavy, red hair and pearly, white skin. The man began aggressively shaking the patient.]

DR. NIGHTMARE: Wake up, WiFi!!!!! WAKE UP NOW!!!!!!!!

[WiFi began mumbling in his sleep.]

WIFI: Can’t I just go on the roller coaster one more time…? Please…?

[WiFi slowly drifted back into a deep sleep. Dr. Nightmare grabbed a wooden bucket from the corner of WiFi’s night stand. He walked over to the sink and filled the bucket with cold water. Dr. Nightmare then walks over to WiFi’s bedside and pours the water all over him. WiFi was startled awake.]


[WiFi looks up only to see a giant pair of red eyes and attempts to scream. Dr. Nightmare quickly takes his hand and covers Wifi’s mouth.]

DR. NIGHTMARE: Quiet fool! It’s me!

[WiFi stops screaming which was Dr. Nightmare’s cue to remove his hand from his mouth.]

WIFI: Dr. Nightmare?


WIFI: What are you doing here?

DR. NIGHTMARE: I have come to ask a favor of you.

WIFI: What do you need?

DR. NIGHTMARE: I need you to stalk Do and his friends.

WIFI: What’s in it for me?

DR. NIGHTMARE: You get to stalk your ex-girlfriend.

[WiFi begins to bare a wickedly evil grin.]

WIFI: When do we start?
Ellie Stelter Apr 2013
I miss VCR players and Saturday morning cartoons
Star Wars marathons every weekend.
I miss being terrified of the mouldy basement dark
And watching Homestar Runner for hours.
I miss blowing things up in the backyard
And building that tree house, and making ****** movies
On a ****** video camera
With my oldest brother, who in many ways
(such as by blood, and parentage, and legally)
isn’t even my brother at all.

I miss the world the way it used to be,
Before things inside me began to go numb
And other things began to burn like live wires.
I miss the innocence I lost. I miss the cents I lost
To the arcade games and the broken vending machines
To the bullies on the playgrounds
Who even I learned to make excuses for.

I miss the days when a Weezer song
Could fix just about anything at all,
Back when I climbed more trees,
Swung on more swings, ate more candy.
I miss my kidhood, when I thought that
Growing up was going to be just fine.
I miss walking to ****’s for greasy hamburgers.
I miss the way the Space Needle used to
Make me crane my neck to follow its yellow elevators
All the way up to the spinning top.

I miss growing up with you, stuck between Freakmont
And Far East Ballard, going to Archie McPhee’s,
Rubber chickens, refrigerator magnets, hamburger hats,
Bacon soap, Jesus tape, pickle bandaids.
I miss your house that smells like cats
And your wonderful parents, and your too-many brothers.
I miss your kitchen and your living room
And your amazing singing and your air guitar solos.

I don’t want to date you or marry you or *******
But since you started dating that awful girl
Five years ago - FIVE WHOLE YEARS! -
I haven’t seen you all that much.
It wasn’t really a choice, I couldn’t be around her:
She makes you into someone that is not-you.
Someone that is quiet and shy and reserved,
Not loud and strange and outrageous.

I miss you, oldest brother.
I always felt like you understood me in a strange
Sort of distant way. I miss you a lot.
I feel less alone when you’re around.
I hope college changes you, I hope it makes you
Into who you are again. I hope you write more ****** movies
And film them and act in them
And I hope you break up with her
And find someone beautiful who makes you happy,
Who doesn’t make you into not-you.
I miss you, but not the not-you you’ve become.

I miss the first you I ever met,
Too tall, with way too much poofy hair,
And long skinny everything, and thick glasses
And a good sense of humor, and a taste in ****** movies,
Videogames, airsoft guns, horrible puns;
A pyromaniac, a secret fatty, a terrible dancer,
A geeky awkward kid from Tennessee
Who somehow changed everything about me forever.
Amir Apr 2010
there are no sheep.
just wolves with
sheepish tendencies,
each boasting the
ability to bite.
rust falls in
dusty flakes
only to make
room for new.

paint chips.
wilted petals.
baby teeth.

by something
bigger and better.

when there's
only room for
the one of 'em.

a mushroom doesn't grow
on top of another mushroom
but next to it.

quiet now.
just the cold caress
of the breeze left.
no more salty
sweat or tears.

rustfree, scratchproof.
temporarily titanium.

an agonizing internal groan
like industrial sabotage
of factory machinery.
gears grind and steam moans.
everything jerks to a halt.

the mechanic is a cannibal.
they're all bloodsuckers really.

no noble stairs around here anymore.
just elevators, that only lift you up
when they get to come along.
not like stairs at all.
© Amir 2008
Salt Peanuts Nov 2010
The Empire State Building is a giant *******
Concrete is broken, NYPD, taxis racing, red light green light
I enter the hand of the city through it's capillaries breaking mad concrete
Warm gusts of ****, grime, and transportation swallow me
The city feeds off dreams and hope which we personally, willingly give up
We all somehow learn to accept this fate 
The passerby no longer human but broken mirror 
The hand inundates my eyes from breezes of tomorrow
The spacy apartment, and the affluent career and the acquantanceship
Of the handful of New Yorkers that run the hand: all questionable plans today
It's as if the hand's grasp, although sharp and brick, would venerate your intellect, guaranteed
If that's the case, I see wizards of wisdom everyday snoozing on concrete and cardboard and plastic
Bearded, black with dirt and skin, threads ripped by a world inferrior than the one in thier minds
Empire "*******" State  of intellect, scrapping billion dollar clouds
Sardine can subways, escalators, elevators, high on crack **** speed of sound
The cash nerve system meltsdown into golden chips to feed the pigeons
Glass and steel craft spaces for modernity to be sold like a Washington Heights *****
You can feel the growth of the hand at the end of your intestines
It's a warm, uncomfortable vibration revealed in your *******
Foreign tongues buzz through the air, through your hair for 19.95
New York needs a haircut, some profound discipline so we wake up from this bizzare life of welcomed pain
You once charmed me with hopes of culture, open minds, connections, real connections, love and laughter
Yet, Today I am hungry in Murray hill
I am cold in Chelsea
I am broken in Union Square
I ***** in SoHo
I have fallen in the East River
And I bleed on financial monoliths 
Someone have mercy on my wills
It is an intention trying to be fulfilled
But failed when it became self-aware
Richard Matheson Sep 2014
You haunting ******* ignition switch,
the nail's-head trigger was hung over like
a pendulum Poe would be proud of.
I'd have stopped elevators with my blood and bone,
held it back, pushed it back,
taken my life out in a splash of cement chalk-lines,
to save you.

I still dream of you.

The good dreams hurt
much more than
the bad ones did,
when you still lived.
By day the skyscraper looms in the smoke and sun and
     has a soul.
Prairie and valley, streets of the city, pour people into
     it and they mingle among its twenty floors and are
     poured out again back to the streets, prairies and
It is the men and women, boys and girls so poured in and
     out all day that give the building a soul of dreams
     and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
     for the building or speak its name or ask a policeman
     the way to it?)

Elevators slide on their cables and tubes catch letters and
     parcels and iron pipes carry gas and water in and
     sewage out.
Wires climb with secrets, carry light and carry words,
     and tell terrors and profits and loves--curses of men
     grappling plans of business and questions of women
     in plots of love.

Hour by hour the caissons reach down to the rock of the
     earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
     hold together the stone walls and floors.

Hour by hour the hand of the mason and the stuff of the
     mortar clinch the pieces and parts to the shape an
     architect voted.
Hour by hour the sun and the rain, the air and the rust,
     and the press of time running into centuries, play
     on the building inside and out and use it.

Men who sunk the pilings and mixed the mortar are laid
     in graves where the wind whistles a wild song
     without words
And so are men who strung the wires and fixed the pipes
     and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
     at back doors hundreds of miles away and the brick-
     layer who went to state's prison for shooting another
     man while drunk.
(One man fell from a girder and broke his neck at the
     end of a straight plunge--he is here--his soul has
     gone into the stones of the building.)

On the office doors from tier to tier--hundreds of names
     and each name standing for a face written across
     with a dead child, a passionate lover, a driving
     ambition for a million dollar business or a lobster's
     ease of life.

Behind the signs on the doors they work and the walls
     tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
     corporation officers, lawyers, efficiency engineers,
     and tons of letters go bundled from the building to all
     ends of the earth.
Smiles and tears of each office girl go into the soul of
     the building just the same as the master-men who
     rule the building.

Hands of clocks turn to noon hours and each floor
     empties its men and women who go away and eat
     and come back to work.
Toward the end of the afternoon all work slackens and
     all jobs go slower as the people feel day closing on
One by one the floors are emptied... The uniformed
     elevator men are gone. Pails clang... Scrubbers
     work, talking in foreign tongues. Broom and water
     and mop clean from the floors human dust and spit,
     and machine grime of the day.
Spelled in electric fire on the roof are words telling
     miles of houses and people where to buy a thing for
     money. The sign speaks till midnight.

Darkness on the hallways. Voices echo. Silence
     holds... Watchmen walk slow from floor to floor
     and try the doors. Revolvers bulge from their hip
     pockets... Steel safes stand in corners. Money
     is stacked in them.
A young watchman leans at a window and sees the lights
     of barges butting their way across a harbor, nets of
     red and white lanterns in a railroad yard, and a span
     of glooms splashed with lines of white and blurs of
     crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
     and has a soul.
Dev A Dec 2016
It's 1 am and he called to wake me up.
Foggy mind,
Sleepy brain,
Sluggish limbs.
I answered not really paying attention to him
I'm too tired to think
Too tired to realize what's being said.

It's 1:15 am and I'm taking the elevator down to meet him;
But I get downstairs and finally realize what's happening
I'm not seeing him but rather I'm looking at you

It's 1:20 am and all I can think is that I shouldn't have picked up the phone.
I'm waking up
But it's too late
I've sealed my fate,
I'm still a little foggy
Still a little sluggish
I keep walking with you as I try to figure out if this was a mistake and if I should leave.

It's 1:30 am and we're in the bathroom and no one is around.
I'm fully awake
And you've asked,
I'll give credit to you for you did ask
But I was hesitant
I don't actually know

It's 1:40 am and you're getting annoyed because I said no and all we're doing is talking
You want more
But I don't know what to do
Say yes and word is spread:
She's a ****,
She's a *****,
She sleep with everyone.
Say no and who knows what happens:
She's a *****,
You'll do it anyway,
You walk away.
Either way it could turn bad for me,
you don't seem the type to take no as an answer

It's 1:45 am and I say no so you ask if I like music.
You say let's dance as music flows from the phone speakers.
I'm pushed against the bathroom wall.
No one is around.
It's quiet but for the music.
Night is fully present outside.

It's 1:50 am and I'm pushed against the wall with your body completely covering mine.
I don't want to be here.
I want to leave.
I'm not comfortable.
I said no.
And yet those are you're fingers pulling aside my shorts
And those are you fingers pushing my ******* away.
That's your other hand holding my hips in place
While your body holds me immobile.

It's 1:53 am and I'm panicking
I'm terrified
I don't know what to do!
What's happening?
I said no.
Is this my fault?
Did you read into this as me leading you on?
Why is this happening to me??!!

It's 1:54 am and I'm held against the bathroom wall when all I want is to not be here!
Slowly, you've pushed my pants aside,
Now I feel you pressing against my back.
When did you take your pants off?!
Slowly you're sliding yourself inside me
Hoping that I won't notice?
Hoping that I change my decision?
Hoping to ease my mind?

It's 1:55 am and the panic has taken control
Adrenaline is pumping through my veins
Fight or flight is pushing for my survival.
Unknown strength kicks in as I push off the wall
I knock you backwards
You trip over your pants wrapped around your ankles.
I rearrange my clothes so they're back where they should be
And I run for the door.
You call me a ***** and tell me not to leave until you put your clothes back on.

It's 2:00 am and I'm walking away, waiting as the minutes pass so you don't follow me home.
I'm standing outside the elevators
Debating whether or not to take it up
Or run up the stairs instead.
I don't want you to know where I live,
Even he had never been to my home.

It's 2:04 am and I'm still standing outside the elevators when you text me
Not knowing what to expect,
I consider deleting it without opening it,
But truth be told, curiosity gets the better of me,
5 words is all you write:
You're a ******* fat *****.

It's 2:07 and I finally decide I've waited long enough and take the elevator.
I walk into my apartment and head straight for my room.
I fall on the bed.
Everything plays back through my mind.
I question everything;
Why did I answer my phone?
Why did I go downstairs?
What was I thinking?
Why didn't I leave sooner?
Was this all my fault?
What did I do to deserve this?
Why me?
It's my fault.
It's all my fault.
My fault
My fault.
My fault.
My fault.

It's a few weeks later, New Year's Eve, and I'm out with a friend.
I tell her about him and I tell her about you
And the first thing she says is that you tried to **** me.
You tried to **** me
**** me.
****. Me.
The word circles my mind.
It's the first time the word connects with what happened.
With what you tried to do.

It's minutes later, as we move away from the crowds waiting for the fireworks so we can have privacy.
I argue that it doesn't connect
For you weren't inside me for long.
The word seems far fetched
Like that didn't happen to me
All because you never had the chance to ****** inside me again and again.

Days, weeks, months, years pass and I "come to terms" with what happened.
I realize it may not be categorized as **** but it was ****** assault.
I keep what happened close to me.
I don't want the memory of you in my head
I push aside what happened
I refuse to think about it
And when I do, I down play what I went through in those few minutes.

It's 3 years later and I'm finally realizing that what I thought was my "acceptance" of what happened was only dreaming.
I know I haven't recovered mentally
Not yet
Maybe I won't.
But I'm finally realizing I have to face that night
I have to face what happened
So that I can move forward
So that the memories stop haunting me
So that I don't live with the shame and embarrassment.
But most important of all,
I'm finally realizing that

It's been 3 years this month and I'm facing what happened.
I was assaulted.
I was forced into something I wasn't comfortable with.
And it wasn't my fault.
These are the facts.
3 years and I'm finally coming out and saying what happened to me.
3 years and I'm finally acknowledging what happened to me.
3 years and I'm finally facing what happened to me head on.
3 years and I'm finally willing to talk about what happened to me.
I've tried writing about what happened before, but since I could never fully come to terms with what happened, I was never truly able to express my feelings. I've written poems about it, trying to capture the feelings from that night, but without recounting what occurred I was never truly able to do so.

For reference the "he" and "you" are two different guys.
Ari White Nov 2013
hold my mind
it feels like soaked cheetos
puffy and orange
my feet are calloused with thought
and i have been stringing along ties
with too many people

hold my head

as i think about the men i meet in transition
instability in the back of a kit kat bar
and Los Angeles literature
because disappointment bends the broken
the soft cranium crunch
split to be eaten
but built to be shared

hold my thoughts

because im falling asleep in elevators
no longer able to choose the floor
save me from the ponder
from putting bottle caps on shelves
the gravity of my fingertips keeps lighting candles upside down
creating limitless space and
useless entities

hold my belongings so my brain can breathe

because unlike my mouth it cannot reach
you are my deep breath
pudding melted in my lungs
ill have an affair with the Wonka man
just to keep me from loving you
he could store me in one of his rooms
drown me with the a heavy chest
of something dark and semisweet

hold my body and steal my soul

because i group anything you sphere
and my life keeps changing all the love i need
Until tonight they were separate specialties,
different stories, the best of their own worst.
Riding my warm cabin home, I remember Betsy's
laughter; she laughed as you did, Rose, at the first
story. Someday, I promised her, I'll be someone
going somewhere and we plotted it in the humdrum
school for proper girls. The next April the plane
bucked me like a horse, my elevators turned
and fear blew down my throat, that last profane
gauge of a stomach coming up. And then returned
to land, as unlovely as any seasick sailor,
sincerely eighteen; my first story, my funny failure.
Maybe Rose, there is always another story,
better unsaid, grim or flat or predatory.
Half a mile down the lights of the in-between cities
turn up their eyes at me. And I remember Betsy's
story, the April night of the civilian air crash
and her sudden name misspelled in the evening paper,
the interior of shock and the paper gone in the trash
ten years now. She used the return ticket I gave her.
This was the rude **** of her; two planes cracking
in mid-air over Washington, like blind birds.
And the picking up afterwards, the morticians tracking
bodies in the Potomac and piecing them like boards
to make a leg or a face. There is only her miniature
photograph left, too long now for fear to remember.
Special tonight because I made her into a story
that I grew to know and savor.
A reason to worry,
Rose, when you fix an old death like that,
and outliving the impact, to find you've pretended.
We bank over Boston. I am safe. I put on my hat.
I am almost someone going home. The story has ended.
Kata Mar 2017
I’ve been craving female companionship as of late. The need to have her in my presence at all times. I want her, face against the wall with joyfully erratic breathing, hands tied behind her back. I want her on all fours, head swivelled my direction with a smiling look of pleasure. I want her legs wide open for me, only because it’s me, only because it’s her. I want my tongue to make musical instruments of her ******* and *******. I want her to put me in her mouth so I can see her eyes tearing with shameless sin. I want her in her parents’ bedroom, I want her in tut rooms and auditoriums, I want her in the back of my car, in McDonalds, in elevators, under restaurant tables and on top of kitchen counters, I want her to say my name under soft moans during rough rounds. I want her in as savage a manner as possible.

I want her sitting in silence with me. I want her to listen to my ramblings, to sit there and be present. To exist. I want her to have her own ramblings, to educate me. I want her lips to be available for me at all times, for my head to make pillows of her chest. I want to introduce her to Ben Howard and Tom Misch, to Planet Hulk and The Pixar Theory. I want flowers to remind me of her. I want her to cradle me when Chelsea loses, to stroke her hair and rub her tummy when she has monstrous cramps. I want to hear ‘I love you’ over loud laughs between soft kisses. I want her on butterfly wings. I don’t know who she is, but dear God I want her to laugh, because I know I’m going to love her laugh.

I want so much from her, I want her to want so much from me. I want so much that I never wanted before. Only thing I’ve been wanting was to feel again, now I need to feel again in order to get what I want. I want her. I want more than me.

I’ve been feeling a certain emptiness
I feel like I’m not enough
I’m not enough to make myself as happy as I want to be.
I feel like there is nothing more I can do for myself.
For so long, I’ve been happy because all I’ve wanted, I’ve given myself
Or I’ve taken, but
I don’t satisfy myself anymore,
And I can’t take what I now want.
I think, for the first time in a long time, I feel lonely.
- Kata
alice Jun 2014
While he sleeps

I scrape the inside of my glass tube

for the last bits of ******.

There's not much of anything


worth smoking

but I keep scraping away


While he sleeps

I think of hotel elevators

and remember my last ******.

There's not much of anything


worth saving

but I keep holding on

Written in early 2007.
Russell Kahn Dec 2013
You leave me stranded like years made up of moments and vacuum hickeys and Asian milk toast mean nothing.

Train tracks remain on my timeline like a seam opening the spine of an old diary with nothing written over and over inside.

You say we will be playing scrabble on the floor of your living room someday when we are old, just as your mother does next to us with her friends listening to Adele as we plot out our lives together on a collage atop your dining room table.

You hurt me

We are dinosaurs
Strutting for the fist time in glory down seventh avenue as people wonder who we are and we think of fun to be had with friends to be met.
Park ***** spread out before us paved yellow with fly paper.

Holding my heart in your hands as it is broken for the first time, i cry but know you will be there to turn those tears to glue for our friendship until you are not.

Years made up of your boyfriends that come and go and come and go and I miss you. And I want to strut down seventh avenue with you by my side feeling powerful and new again.

I want to feel fresh running down a beach of asphalt and trash; the whole world ahead gilded with possibility, and eternity resting gently on the horizon of city smoke and traffic lights. And I feel old now. But I suppose we always did.

I miss you

I still remember **** bought from boys with blonde hair and loving blue eyes hidden in camera cases, and smoked under thick trees that kept us safe from the turning of the earth. Elevators lifting us up to the 35th floor ticking like time bombs on days occupied by truth or dare marked red upon truancy calendars our parents would never find.

Why did you get so old? mature. I remember once together we vowed to remain silly and young and do all we could to smother the sound of the ticking clock removing our innocence,  silencing our songs, and slowly turning us into those who we were made by.

My sister is grown. Where are you now?

Beautiful the world looked from a Brooklyn balcony at 16, the skyline smiles with the mirage of possibility and smirks with a wicked knowledge of things to come and years to pass. Would I go back to that balcony now, and stay there with you forever.

If I needed you would you come
Jennifer Brown May 2015
Pudong Airport to Shanghai. Yes. Good. Push in.
Start go....go...go! 150kms, 200kms, 300kms, FOUR ONE FIVE KMS.
High above the highways I think
Today the driver is drunk.
Today is the day that I die.
Quickly I take a cellphone pic
And send my last moment to my mother.

I am shaking, this is so fast
What flashes in front becomes the past.
Shanghai, we're here.

I push myself out of the carriage
Through the crowds on the elevators
I run to the Yangtze River
I breathe in the over-polluted air.

Thank you.
Now I am safe.
I put on my mask
And walked to my heated apartment.
Prabhu Iyer Jul 2014
I celebrate this journey in the desert -
I am but a traveler in my time:
in this pasture of my fathers, land,
where stands this miracle of glass
now calling manna down
from the high home of eagles:
I am but a helpless everyman, lost
in the desert, on a journey out
from the clutches of misery, and pain;
The world is making progress.
As I see the oases running farther
away from my sights: on
elevators to the skies, numbers
of the young call on benefactors
across the seas, for a ropeway
across the quagmires: a home, a car
and the family life; saving for a
better day, in the future, while
my home went from mudbrick
to thatched grass, then out on streets
by the gutter with the dogs;
I am a cleaner, cobbler, janitor
in the land where I was the tiller.
Wiping the sweat on my brows
as I loaf on the lawns, awaiting
labour days hyphenated by mealtimes,
there is no witch-doctor now, and
no money to pay up at the hospitals
that the wealthy from afar line up to,
but to die helpless a wretched death,
I celebrate my helplessness!
This is the start of my own epic poem, themed after Walt Wiltman's lifesong!
Hayley Neininger Aug 2012
Loving me is hell and hell is dense
And hell is heavy
And hell is hot
Dense with the influx of passing souls
That nudge elbows of their brother sinners
In tight elevators that hum not
Piano music but drums so loud
They convert heart beats to 808 rhythms
They shake the victims of vices so
Hard the change falls from their pockets
And bounces back up into their eyes
Hell is heavy
It is heavy with the weight of lies
And of the truths of passions sought and met
With only finger tips and white lips
The vicious bosses of mobs
And the cemented feet of snitches caught
Hell is dense
It is packed tighter than fingers in fists
Clenched fixed on righting wrongs
The air there is hot with breathes
Held in and finally released with
The unbuttoning of sliming corporate tuxes
Fastened inside out so the brass buttons brand and burn
The business boys’ bantam bodies
While they look up at the men the tired to measure up to
But where always a stich or two short
Hell is hot
Hot and steaming with the blood of the corrupt
That was spilt and then encountered a tilt
Down a funnel mixed with rotten oil
Left stagnant by sinners that sought not
To move a finger to clean up that gunk
The steam from sinners water not sweat
Boil sweet and steamy up into the
Mouths of men with jaws wired open
And rested on their bellies that are propped up
By guns taking all that is sweet for themselves
This is hell
This, like me,
Feels tastes sounds and smells
Of dense hot and heavy
Sins deadly appealing
And dammingly just.
Kendra Canfield Oct 2012
you are a pause

you are the second
before the air raid
an anticipation so loud it's deafening

you are the stillness, the static,
pins and needles between lightening
and thunder. 1. . . 2 . . . 3. . .

you are the heartbeat, last blink
separating bullet and flesh
crescent cuts bleed from empty hands

you are red lights. stop
knuckles white through a
raindropped windshield

you are elevators
early morning coffee stains
shifting eyes. look away.

you are the dead air
on a faraway radio station
bent antenna. turn the dial. silence

you are the needle
on that half broken phonograph
sidling arthritically away, back to sleep

you are the skip a beat
nervous lip bitten hesitation, envelope stamped
staring into the letter box. just let go

you are punctuation. . .

you are the hyphen
splitting words in two
leaving lonely nothings on different pages

you are 0:00

you are the force that
draws our eyes together
if only for an instant
I made some changes. I never edit... but I guess. Anyway, deleted the old one, here's the new one
ipoet Sep 2012
Never mind steel,
We are creating new materials,
Carbon nano-tubes, poly-ceramics,

Twirl a ball above your head, we are
Building elevators into space,
Stringing massage parlours around the earth,

We are engineering ourselves,
Computer worlds and,
Selling real estate, we

Are leaving the old people,
Stained curtains and they are,

Walking into forests,
In Japan.
Martin Narrod Oct 2014
Winter song. Fall passing.
And too with so many like this. When she is not there-

   Vibrations after the battle, footsteps breathing deeply into the cotton beds and privy the shrews of their slavery. Heavens' toll after me, brine and abalone shimmering.

Cast in a shadow of half-arched feet, slender narrowness shimmering crystals obfuscate the fury of the ringing;

Every evening when I wake she shakes her bell.

It ripples like food coloring droplets undulating in a dixie cup on the mantel of a kitchen sink. The elbows sprout out first, then the head stridently strikes upwards catapulting the arms and wrists to the sides, and then at last when all is deep ****** blue, the raw hairless legs unmask themselves and fold out into the edge of a postcard and the reddy, cerise snowflake stain brands the juicy signature of an incredible beautifully imprinted star. And still she is not there.

Into the white rooms the insects crawl, at last the cacophony of their bedeviled stridulations eeking as if from a broken and collapsed jaw. A necessary end to every inch of hoarfrost strung across their elliptical hoot-shaped jowls-

These are the marks that time encrusts upon disheveled and dilapidated Spline.

In dark matter there are Spline. In shifty daytime television sitcoms, Spline saw at our ears and cost us trillions of migraines each year. Three Splines sit on a log, another four on a fence. They race each other in elevators, make inappropriate gestures, make airplanes disappear into the Indian ocean, and steal the breath right out of our lungs. Spline cannot come any closer. Spline are the dreary minutia which separate friends, they are the sentence that never makes it off of our tongues, the anger we leave curled into our fists.

She is not here and the fevers are burning. The languages are deafening. It is almost impossible to believe words like these were ever spoken aloud. She is not here and the jeans don't fit, the dogs are shy, and the accidents keep happening. There is never a glimpse at perfect and hot happiness. There is nothing here but the spotty ash-pocked masked faces of the Moon Men, hurrying and scurrying.

She is not here and the sea is drying up. The war is in the street and in the streets the men are dying. Everywhere is dross and cataclysmic end-dust, desiccated hours and dandelion seeds.

Inside of the room the music plays softly. Glass's solo piano Metamorphosis Three and Satie's Gymnopedie. It has been only six hours since she left, but

When we see each other I am superman
To the woman I love fiercely.

love hard wordsmith poetry rigid anxiety antiromantic hopelessromantic tragic romance girls boys chicago sanfrancisco californa Spline sheisnothere death dying old end Fall ending autumn Winter hiver vibrations feet footsteps fetish *** love cast shadow peterpan slavery metallica narrowness fury obfuscate shakespeare WhereIsSylviaPlath Plath Hughes Longfellow oldpoets poets writing writingonthefall endoftheworld monde planet earth alone lonely inlove oysters kristine martinnarrod musedandamused
Deyer Feb 2015
We climb mountains and buildings
and risk everything - well, some of us -
                                                                   for what?
For achievement? For a good story to impress girls?
For pride? Because no one else has?

           it must be something more.
We climb into spaceships and airplanes and
          to be higher than anyone else,
      to see things that have never been seen,

                  and to be further than anything
                                  than anyone

We climb to improve, to live, to love,
and because up is unlimited.
Kenna Aug 2012
I look around
and it seems that everyone is happy,
that they are doing something right.
I look around
and it appears that I'm sad,
that I'm doing something wrong.
Well it ever unwrong itself?

Each letter thrown unnaturally on to their haphazard paper is worshiped, studied, praised
by all.
I've been doing this longer...
Shouldn't I be better?
I watch as all others rise on their platforms of aimless potential.
Raw potential.
What about skill?
I sand alone on a once even; now sunken chasm of lost heart.

The award goes to...
It's gonna be me
It's gonna be me
Everyone knows it.
It's GOTTA be me.
It's not me.

See that tiny dot?
That black speck of irrelevance??
Do you know what it is???
That's me.

And do you see that sea of shining smiles????
The golden accomplishments gleaming?????
Do you know what that that is?
That's them.

Once upon a time, I was up there,
gleaming along with the rest of them.
Maybe even a podium step higher.
Then suddenly, as if powered by light speed elevators, they shot away.
Their glimmering faces glowering down at me and snickering.

I don't understand.
How is what they did any better than what I did?
Who is keeping score?
Betcha my bottom dollar their prejudice.
Whoever they are they caged me in black walls of shunned solitude.
And proclaimed a law against me.
What against me?
I'm not sure.
But the dark walls are closing in, the glistening sea is shrinking
and that tiny little dot...
That's me.
Umpire is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Carlo C Gomez Dec 2019
He loved to teach
He loved to teach his wife
He loved to teach his wife abject lessons
      on elevators and stairwells

She hated to learn
She hated to learn from him
She hated to learn from him the inherent
       danger of buildings
Nearly 1 in 4 women in the United States have experienced severe physical violence by an intimate partner during their lifetime.

— The End —