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Darius Apr 2016
Are we the cattle of an entire nation?
What have we got to lose? Except for those already lost
You can be docile or violent, just don’t lie in silence!
Rise up! Here begins a new age, end discrimination!

Innocence is dead, the wrong men end up in the jail cell
This place is nice, but life is going to hell
They’re ******, ‘cause the former majority is now a minority
Hypocritical foundations, this land’ll never unite
What happened to Civil Rights?
They only gave us what was left.
You pigs - You must be bored just to send so many to the morgue
I can’t stand to watch the news, this society isn’t one to put kids through
And it’ll only get worse
Time never changes, history repeats
No more running (RISE UP!) This is the culling!

The culling!
Never will I be your *****!
The culling! (x2)
The United States lives an ****** Cold War!
(Let’s Rock)

We are the Antiheros, the Public Enemy
Now join me friends, let’s unveil the clarity

Who am I to you? When you look what do you see?
All you see are the colors of sin
The American Dream is broken, you breed loathing
Who can, Who will - Make America Great Again?
I can’t be led by a Puppeteer of Dollar Strings
You wanna make the world free? (HUH?)
But the only thing costless, is the loss of me
Drop it! If she needs and investigation
(She’s out!) That’s the end of an asinine conversation

Rise Up! It’s far too late
I am the spirit of those who live with a target
One wrong factor can end an actor
The leaders are gone, the show is over
It’s the end of the road, but the start of -

The Culling!
A Constitution Diluted by Disillusion
The Culling!
A Jail For A Nationalistic Conspiracist!

Time puses back, but it doesn’t make it better
The War is getting colder and the water’s getting redder
Every Rose has it’s thorns
We are the Bulls with dulled horns - Branded!
We’re the ones you reprimanded!
I! Feel I was born in the wrong time
I’ll go forward and see if they opened their eyes
Or I’ll go back! So I could ******’ Revolutionize!
We all see, the ocean is vast
But like the truth and time, It Never Lasts!

Post-Traumatic Society Destruction
The Bliss of Disorder continues to function
All of the ways you hold us down
Leads to a point we take your crown
Everytime you hold us back
Pushed in a corner, poised to attack
One last push against -

The Culling!
We can’t hideaway any longer
The Culling (x3)
Your ignorance makes us stronger
The Culling!
A song written by me.
onlylovepoetry Jun 2016
~
the Nth culling
~
she gentled sleeps besides the imperfect poet,
who has wandered the hallways since four am,

retuning his returning

to their temple bed,
to cull, pluck, her each precious breathing sound,
source material for his
Nth
love poem

smirking at his own
Nth foolishness,
weeping tears at the consequences
of human interactions,
he wonders,

why does he worry,
searching to distinguish
between the black and white of life,
hunting for meaningful words

when all the while
he has the vein of her breathing to mine,
as if he were a
Ruth,
following behind
the harvest reapers,
culling a bounty of
dropped grains,
fallen unto him to
garner, imbibe and memorize


those Nth breaths,

that last but seconds,
but here memorialized for
his own
all time
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c
Nathan Burgess May 2014
Seagull on rotting planks, bouy bells ding to fog and driftwood.
A culling fire exploits the docking shire.
Filled with chlorine shards, legs caught in the clap-traps.
Friar palms glisten,
Rage responds with frisson.
Clear view over water.
Feel your arms relax and slip onto your back while the culling fire attacks.
Bulbous deadening brain chimes
As the eyes slide down to your omission crimes.
Leave me alone in my despondent company.
Don't push the matter further let communication fail to nurture.
A warm breeze carries me
like a floating portrait towards unreal scented meats.
I'm here now, alone in the corner,
The greatest intimacy with the static patterns on the carpeted flooring. The king of this corner is the odor of plank seating and flowery detergent in this lonely corridor fluorescent light-bulb poles and old grain floorboards.
Now the returning shards of panic to uncelibate strangers drive me up, far, deep in my own ribcage to something wholly non-organic.
Time to clock-in, time to check out.
Lin Cava Jun 2013
Renewal

Mother walked into the Sea this morning.
Harkened to the song of Neptune;
the wail of the sirens.
She was called to beauty.

Mother walked into the Sea this morning,
but she did not walk out.
Embraced by the precious,
the irreplaceable, the untouched
she is surrounded now in a balance of beauty.

She travelled long and far
leaving land behind
as a lost memory
a forgotten effort

Relieved forever of the weight
of the fight, of the blight
She has left us to our own devices.
I cannot even cry, "Why?"
For I am aware.

Mother walked into the Sea this morning.
She moved past vast deserts in the Oceans,
fled beyond sea lanes and gulf streams
shedding tears to match the salt of the sea
she cried for the lost coral reefs

She cried for the loss of life
She cried until there were no more tears
...and still she swam to where now she rests.
There is no more she will do.
There is no more she can fix.

She floats past green fronds,
free floating in the brine
feels the mermaids purses hiding there
so few, and less will survive.

Along the way, through dead seas
she sees the remains
of man's most vile waste
drums upon drums, rusted through
once filled with half-life,
spent fission elements
left to decay, left to destroy
left to be forgotten
but Mother, cannot forgive
the damage is done.

She lingers in a place of beauty
beyond words, no language can portray
as she hides among the coral, watches
the colorful fish, tropical life
and cries once more for the death
the destruction, mankind's blight
wreaked upon these special places...

Her heart is breaking
for if the Seas die
the Earth dies.
Better to let the Blight of Man
be left to destroy himself.

She shall gather the gifts of the Earth
Secret them far away from harm
to become the seeds of a new beginning.

It has happened before
Millions of years ago
But an instant to Mother
And after, the Earth came back
full in its beauty
perfect in its balance

Let her sister, Nature, take Her toll upon
the blight of man,
the pestilence of saturation.
There are too many, much too many
for Mother to support.  

She must rest now.  Save what little can be saved.
For the time when she must rise again.
A time when the wind will carry her breath
to  breathe life into what remains.
And she shall rise again.

Renewal.  Mother will rise once more.
And for a while, there will be no callousness
no blight of forgotten crimes
against the lifeblood that sustains her;
Mother Earth.  Only she shall remember
that once, there was greatness in Mankind...

Mother walked into the Sea this morning.
Harkened to the song of Neptune;
the wail of the sirens.
She was called to beauty.

Mother walked into the Sea this morning,
but she did not walk out.

Lin Cava
20-June-2013

As of June 19, 2013 the world's human population is estimated to be 7.093 billion by the United States Census Bureau, and over 7 billion by the United Nations.  Most contemporary estimates for the carrying capacity of the Earth under existing conditions (which is the ability of earth to sustain the population of man) are between 4 billion and 16 billion. World Population Organization has stated that the growth of human populations now exceeds the ability of the earth to sustain them.

*****************­*
Depending on which estimate is used, human overpopulation may or may not have already occurred.  Nevertheless, the rapid recent increase in human population is causing some concern. The population is expected to reach between 8 and 10.5 billion between the year 2040 and 2050. In May 2011, the United Nations increased the medium variant projections to 9.3 billion for 2050 and 10.1 billion for 2100.

Something has to give.  There will be disease, and increased loss of life by natural occurrences because of sheer volume of population alone.  There will be genocide, and hidden agenda's carried out by the powerful and wealthy which will remain secret.  We are so capable of saving many, but just as capable of biological destruction.  Culling of the herds.  It will not be fiction, just as "1984" is no longer fiction...
Lotte Jan 2014
Tea
I hate death
The slow menancing presence
Always there
Biding its time
Counting down the time for us all
Not letting us in on the big secret
Not even a hint
Just culling us when he deems our time has come

My beautiful Nan
She's given up
She's not fighting anymore
She's ready to be taken
She's awaiting her flight leaving
She's lost her lust for life
She doesn't see all that's beautiful
Just darkness and misery within her mind

Her time is coming
She's wishing it here
She would probably be excited if she could muster the strength
Like children wish for Christmas
We all know he's coming
Like an unwanted family member
Never invited but has to come

He will arrive when we least expect him
Sneak in and take her from under our noses
She will walk hand in hand with this well known stranger
Enter the house I call home
Like a thief and take my most precious possession

The ticking of the clock counting down her time
Counting down our time with her
Removing the batteries changes nothing
Every minute, a minute less
Wiping tears away, calling out 'Cup of Tea, Nan?'
Hoping she will answer
Poetic T Jan 2016
Its that time once a year when hearts
Beating upon words of love. But thoughts
Were thinking of the latter how to make
Beats
        Rhythm
                    Love
To cease with but a gesture a whim.
A heart did whisper on the chest but
Never did it utter the word  that spelt
Least
         Of
                 Valued
                              Emotions
It wasn't in my being I was a void shell.
But other were teaming with it like a flower
They sent the scent of bitter aroma into the air.

And it made my eyes bleed tears. So I thought
Of culling these tears falling on this day. I held
Them couples no singles were aloud in here.

I drew a heart on their chest, A+ in creative design
Cant let all those hours go to waste.

…....lovelovelo…
..lovelovelove….
...lovelovelovelove……………….….
...lovelovelovelovelo…………..lovel….
.....lovelovelovelovelove…….…lovelovelo.
.. lovel |OOOOO|velove…|OOOOO|.
.
..lovelo\OO/lovelovelo…..…lov\OO/elo…
..
…lovelovelovelovelove..…lovelovelo…
….lovelovelolovelovelovelovelovelo…
…..….lovelo\OOlovelovelOOO/elovelov…
……..….lovelo\OOveloOO/lovelo…
………..….lovelov\OO/ovelove…
………………lovelovelo….
………………..lovelo…
……………………..
…………………....

That word was scribbled till it lost ist meaning in
Mumbled scribbles, I even put OO,s in the shape
Of two eyes and a smile. I know immature, so **** me.

They were scared I could see it in their eyes, I never
Pick those of no vows, they must be saturated in the
Meaning so bands of eternity are a must.
Gold
      Silver
             Platinum
Worthless to me but in a jar they sit gathering dust,

"I have been at this a while,
"Since the age of??  "10,
"My mum and dad were my first,
"Never showed me love the opposite trust me,

I separate them ever so slightly so their finger tips
Can reach out, its kind of teasing while out cold I
Measure the distance and move accordingly its a must.

Wake up rise and shine, they gauge their surroundings
Then the muffled screams,

"Jesus you could write a book on the reactions of this,
"I have it will be I have self published on amadon,
"Still waiting for the proof reading to come back,

They see each other than the finger reaching begins,
Clinical to the moment then the muffled threats.
They look down and see the picture on their chests.

"Love you tender, love you sweet,
"Its that time of year when feelings cut into me,
"Say hello to my little friend, he helps cut it out,

I always liked singing that little piece, then the screams
So coordinated. Its like a script of a movie,  a B movie
Hahaha... "Sorry that was a bit uncalled for, hehehe...

Now who's going first? its always manners to ask this not to
Just cut and run. They look bewildered in confused thought,
But as manners dictate ladies first, and then with out further adieu.

The breast is such a pain but after trial and error mostly error.
What a mess the first few times, but now its almost surgical.
To the hilt the knife slices across picture then silence.

He squirms like a rabid animal, but I silence him with a gesture.
Now two hearts that yearned each other, now silently static.
I stare at them, and gentle slice the picture from their being.

This room it has one chair, white and bold. On the wall sits
Frames of all the love that ceased, their heart ache lives
On hanging with pride in white frames upon my wall.
Lou Costello’s
bronze semblance
dipped and danced atop
his granite pedestal
spinning miasmatic tales
of enigmatic hope and
resplendent labor

“the sweet
unbounded
expectation of
hope once
surged down
this city’s streets”
... said Lou

"I was a self made man
until someone thought up
the idea to cast a bronze
caricature of me and
bolt it to this grand rock”

nostalgia
is the boldest form
of fiction
culling from the past
the things hoped for
in the now

“growing up
here
I clipped school,
played ball,
rolled drunks
and fought
nickel ante
prize fights
to get my
daily bread,
I literally
punched my
way out
of this town”

a smith smelts a
batch of liquid bronze
pouring molds full of
a fervent wish
a madman's delusion
a priestly promise
a Pollyannaish illusion?

baskets overflowed
gushing hope, offered
at the holy altars by
honorable workers

it was said that
a morsel of labor
could feed 5000
starved families
breeding hopes as large
as a half cup of water

hope
the size of a
mustard seed sparked
recovery of 1000 sick children
dying from the Asian Flu
at St. Joe's

hope
willed an end to war’s slaughter
which ironically was bad for
Paterson's war profiteers
forcing layoffs
sparking labor actions

hope
ignited conflagrations firing
the resurrection of dead industries
lately there is a lot of hope
circling this one

miracles spring
from the pronounced
lips of trembling hearts

the hopeful amassed
slogging forth on bloodied toes
along razor thin slices
of expectation
hoping to begin again
eager to build anew

new starts sometimes
grow old fast soon
hope expires
winging back home
on broken wings of
misspent labor

hoping for the snow to stop
a lump of coal to last
the labor of a budding crocus
rewarded, breaking through
the hard crust of winters end
blooms for a day then expires

hope is a beggars wish
gods give yearnings heft
prayers earnestly chanted
willing paradigm shifts

prayers of absolution
play the angles
calculating odds
of probabilistic mathematics
a sure thing long shot
the prayers of the
righteous availeth much

we hoped for jobs
we hoped for leisure
we hoped for love
we hoped for labor
we hoped for rest
we hoped for luck
we hoped for a life
wealth health blest

laughing at our follies
crying over defeats
our city a tragic star
a comedy of schemes

our
hope and labor
is the keystone of
our self construction
cornerstone of
a grand city’s edifice
its negation our
deconstruction

tragedy and comedy
invested and spent
falling and laughing
foibles and faith

belief trumps evidence
happenstance slays surety
horror and beauty
compose a life's mural
nothing happens
by mistake

learning and ignorance
fate and chance
the risk of randomness
expiration dates arrive fast

predetermination a bold
conviction, suspicion,
intention a splendid  
kismet  

banality becomes
sublime  
laughter is ******

...the mystery is in
the loam... says WCW
...the finished product
is what I’m after...

“what the
**** are you
doing here?"
the bronzed Louis
gagged

"Hey Abbott
look at these clowns
in the yellow plastic
garbage bags!

bobbing in a sea of
midnight mist

a posse of
neon clowns
donning glad bags
on the most dismal
night of the year

twinkling under the
gloom of my playgrounds
faltering streetlamps

“twinkling targets
easily tracked,
a trained eye,
a steady hand
could pick you off
at a thousand paces
what gives?

“what the **** are
you doing here?

“what the **** am I doin
here for that matter?”

“the second question
is easy to answer,

“I’m Paterson’s
finest son....

...“Wherever he is tonight, I want him to hear me," and went on with the show. No one in the audience knew of the death until after the show when Bud Abbott explained the events of the day, and how the phrase "The show must go on" had been epitomized by Lou that night....

"Mr. Bacciagalupe
he use to live on
Cianci Street

“who’s on first?
what’s on second?
I don’t know is on third?
was a riddle one recited
to get into his speak

“his Ginnie Red was legendary
and no one was ever known to
die from drinking his bathtub gin”

the old world ways
are made new
by the arrival of
new old worlds
supplanting old Italiano

“where is all the goodwill capital
we invested in this place?”

successive generations
thought it best to export
the capital of the
expired generations
elsewhere

it was ferried
across the river,
crossed the
city boundaries,
leaving for Wayne
and the fairer lawns
of Wyckoff and the
greener grasses of
Franklin Lakes

all the old wise guys
died off or were sentenced
to life by their children,
some still doin time in
old age homes in
Rockaway

all the sport clubs
boarded up but their spirit
lingers like an espresso
ring on a post slurp
demitasse cup

“hell my body is buried
in Hollywood but here
I am, holding court in
Costello Park
talking with you
knuckleheads
a baseball bat
my royal scepter
a brown derby
my crown, truly a
King of Nothing,
Lord of All

“the soul of my city is
eternal,  like the comedy
of tragedy or is it
tragic comic?

“here I remain
omnipresent,
spinning about
frozen forever
in a magnificent
bronze age,
erected to my likeness
beholding me
to stand witness
to this litter strewn park
decorated with corrugated
Big Mac boxes, plastic
Big Gulp tops and discarded
rubbers bagging the ****
of this cities arrested
citizenry”

never actualized
never naturalized
citizenship denied
at the commencement
of ejaculatory flows
of joy

unfulfilled spirit
of citizenship
never to experience
the splendor
of yesterday’s
modernist
metropolis and
Lou’s stand up
routines

“look at that John
over there, that guy
wheezing like a
ruptured blacksmith’s
billow, pounding away
laboring to get off

“the poor little
******* just hopes it
will end soon

it does
**** he’s done

I” knew that guys
grandfather,
getting off
runs in the family
and remains one
of the few things
that draws the progeny back
to the old neighborhood

“you can still glimpse
snippets of the old ways
rising in new ways

“an Armenian
sports club
around the corner
is a new
incarnation of
the old Neapolitan
social clubs that
once demarcated the
neighborhoods

“these days
great grandsons
of once proud
Sons of Italy
come back to the
old neighborhoods
begging for hand-jobs
from crack ******

“welcome to my
burlesque world

“since the Gumbas
moved to Franklin Lakes
the wannabe wise guys
became ***** whipped
dumb *****
making ***** of
themselves with
their painted ****-job
Jersey Housewives

“they ***** their families
out for a bit parts on
MTV and a free lunch
at the Brownstone

“their grandfathers
labored long hours
to assure the well being
of their families in the expectant
hope of a better shot at life
but the children squandered
the hard earned bequest lovingly
bequeathed by reverent forebears

“in the wee hours
one can sometimes hear
a weeping chorus
of concrete Madonnas
musing melodious lullabies
to the sleeping
Lombard's lying
in uneasy repose at
Holy Sepulchre Cemetery

“they twist in their graves
dreaming of a last dance with the
Lady of Unending Sorrows
at weddings for unrepentant
wayward daughters and prodigal sons

“its small
recompense for a
lifetime of an
honest day’s work”

the dashed hope
of squandered labor
begets a city of ruin”

at the
parks northern corner
the Salvation Army’s
rumbling bivouac rests
in a dreamless sleep
its residents
patiently waiting to
inherit this city
abandoned by
nuevo wise guys

this tragedy
is all comedy
the comedic hope
of tragic labor
buried snoring
the millenniums away
awaiting resurrection
day

Lou was getting ******...
“get outta my park

“the artists
in the rehabbed
factories across
the street
are resting

“nothing much
going on there

“if you're hoping
to find some
homeless slogs
head over to the river
you should find some there”....

Music Selection:
Frank Sinatra, High Hopes

jbm
Oakland
3/26/13
Part 5 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
Harold Rizla Oct 2014
****** Mother Nature

As rain forests dwindle,
and skyscrapers grow,
we leave those who co habit
with nowhere to go...
Sweet indigenious song birds,
all turned off one by one
as we bulldoze the trees
where they once raised their young...
Stealing land from these creatures
in each and every direction
as we drive them all closer
to their own mass extinction...
there'll be uproar of course
when the last one is gone,
but this course of destruction
seems to just carry on...

In Asia the Tiger's
now on it's last legs,
hunted down for it's fur
and it's teeth ground to dregs,
The Bali and Caspian
are both sadly gone,
a mere five thousand Bengals
till they too follow on...
Just five hundred Sumatrans,
a last thirty Chinese,
then this beautiful Feline
will just cease to be...
There'll be uproar of course
when the last one is gone,
but our blood thirsty onslaught
will just carry on

Amur Leopards in Russia,
Jaguars in Brazil,
being wiped from the Earth
as we **** and we ****...
Silvery Gibbons in Java,
Hynobius in Japan,
on and on goes the culling
of one and all except Man...
Polluting the rivers,
over fishing the seas,
as we spread and infest,
like a fatal disease,
yeah there's uproar of course
at this ill being done,
dusty crocodile tears
as we still carry on...

For an epitaph we'll have
as our only distinction,
that we were the cause
of Earths sixth mass extinction,
not a meteor smashing
from high outer space,
just a cancerous growth
called the inHuman race...
That we ravaged the planet
and drank it's well dry,
how we ripped out the goodness
and left it to die,
how there'd been a huge uproar
as they fell one by one,
how we ***** Mother Nature...
how
we
just
carried
on...

©HaroldRizla
Sensual
Rings
          Still alive
                           Wet with hot water
     I.                                                               Cried
                   Like  
A dream
                             I
                                      Can't
Can't remember.
                                                      W­hy
                                       But.                     I
Know
Was
There.
Only forgotten when       I        Live      L O N G
&
Wide.                                                         Open
                    Containing  nothing
A  
    Pillowcase
 ­                       Full
Of yawns
Or me becoming a recording of myself
                                   The   Tugboat
      A.           D.          T.              E.         O.    E.    N
              N.                          H.       ­              C.    A

Of drugs
And wrinkled clothes

That never killed me so much
               As
                       Expectation
onlylovepoetry Feb 2018
Parkland: Oh My divine, We Wrestle Over What is Yours



and what is mine

it took days for the after- shock and awe to arrive;

the bizarre tempo reversal, myself, out of order,
is my shame, after the mind’s pretense ennui of “yet another,”
had to slow seep away beneath the
firewall cutting off the pain of my the true self
and the I, of ordinary

how else, to keep the madness away?
it’s disguised in a well tended secured lockbox
chamber labeled, I, all about me,
deep hid in the rear, not too near the true self,
must keep the unseeing functioning, functioning

but bus-ted poet is triggered and the weep welling
in the eyes commencing that makes writing on a cell
on a moving vehicle an annoying frosting
on what is an inconsolable hell

everyone stares unawares that the shock,
is without awe, and the only awe is in awful awful awful awful

we sit at the Friday eve sabbath table to begin our negotiation;
but there is no negotiating though the excuses and the divine’s stumbling, flailing failings are pre-prepared,
we know this battle too well and the outcome as well,
it is mine true self’s to win, have me not
words and stanzas and music suffice
to convict the lord of the hosts, adonai

take all your seventy names in vain to crush the vanity of
omnipotence for your godliness degrades and your instant access to where the good in me resides is cutoff;
under My Contacts
you have been


blocked

we shall meet as always on the Day of Atonement
but this year no repentance to be granted, the pardons shared
with my kind only, none left for the lonely gone-gods,
no longer seek yours for me, there are 17 extra to be given out*

the left foot and the falsehoods join in the denunciation,
though some suggest reprieve and only reproach
for isn’t atonement possible for even gods?  No. not,
for a god who got human kindness installed in all his devices
but then never opened the app

my name was
onlylovepoetry;
but for now, till the culling of the agonies is done,
till the hollows are refilled and the curses fully final expended,
till the sudden eye tearing ceases to render me torn, messed,
you may call me nothing but this:

onlyreproachpoetry

should you come calling
there will be no beseeching,
just the stoic bearing witness of my silence,
my finger-pointing judgement,
and my angels presence

“May the angel Michael be at my right,
and the angel Gabriel be at my left;
and in front of me the angel Uriel,
and behind me the angel Raphael...”
and above me seventeen new protectors
whose names my true self will now memorize,

for now they are mine

~<•>~

2/16/18 4:34pm  ~ 2/17/18  3:34am
Lora Lee Sep 2017
I love you
dow
       w
           n
to your jagged,
         dark edges
culling smoke
               and twisting tides
                  your steaming heart
              that pulses, in my hands
          as you give it-
and the pungent tears
when they fall
         from your eyes
I lick up your pain
to soothe it smooth
its rawness catching
       velvet ripples of skin
I pull a blanket
of mahogany wine
over your soul
          lacerations
that seep out
              from the layers within

and in that tender of
nightfall's darkest foliage
I long to calm
your monsters' clawing
as they gnaw at you from
                  the inside out

I crave to fill
the hollowed-out longing
my own hungers writhing
      in obscene
                      devout

For I am all that is sacred and wild
the spark has been lit
from my innermost rooms
I dance to the drums of
the woman as child
her mystical ways chanting
rhythms in runes

Demons might dance
as you gaze in reflection
in the mirror of time,
of unfiltered space
      but I adore all your sides,
          your imperfections
discern the divine
in the planes of your face
You are my galaxy
              of dark matter
bringing out my
           own looking glass
                         of vantablack
in a feral crown of obsidian
                             and onyx
as you reach me deep,
there's no going back

For when you love me like that,
plant your tameless,
                            hot seed
it blossoms within me
a tightly-wrapped tourniquet
               for when I bleed
and if my guts
should spill upon
               the  floor
you will remind me,
in glowing of pores
           of who I am
and how I am whole
a lovelight lit in the
storm of my soul
I will push down deeper
until I feel those roots
that connect me to
my center
  to my
succulent fruit
So slice me open.
     Pull me apart.
Let the juice run down
to heal
     your
jagged-edged
               heart
https://www.youtube.com/watch?v=iPA18-tENac

This song, which I listened o repeatedly while writing, means something other to me than the meaning of the video.. much more personal.
This also can apply:

www.youtube.com/watch?v=TcfOmhGJ8G4
Dad Poet Society Jun 2014
Does evil exist?
Well, does it, or not?
I demand an answer
And if it does, hold that thought

Because if wrong does exist
We must face the reality
That calling something wrong means
There's a right way things ought to be

But if wrong does not truly
Exist in bright colors
Well, what, then is justice
But a meaningless construct?

If the **** of a child
In all histories and cultures
Can be called pure evil
Even by society's worst prisoners

If the ****** of innocents
Is forever and always
An evil in society
That can't be tolerated

If imprisonment of a woman
Like chattel for sale
Being held as a *** slave
In her own private hell

Or murdering Jews
Like ******'s evil plan
Or starving millions unjustly
In Stalin's Ukraine

Or killing the masses
For political expedience
Culling babies in China
Or locking up dissidents

If beheading of heretics
Is inherently wrong
Or even violating your privacy
Or invading your home

If these are universally bad
And there's meaning in words
Then there's universal good
That our souls are drawn toward

Something more than just philosophy
Because that lacks authority
And if good is defined by the majority
Then what about the minority?

Tyrants run roughshod
When rights come and go
At the whims of the powerful
Because what they say goes

No, evil is something
More than laws, or from cultures
Or philosophical sophistry
From ivory towers

To try to stop badness
Is really to defend
That there's a god of pure goodness
Who wants us like him

We can discuss who that god is
And what is his substance
But the least we can do
Is acknowledge his existence

You can say that religion
Starts evil wars and such
And you might just be right
But you've just proved too much

Because if there is no god
Whose nature defines goodness
Who are you to call war bad
Or **** evil, or hate, darkness?

Who are you to sit in judgment
Of the religious who you think hate you?
If there is no moral standard
That makes hate wrong, and judging too?

If morality is nothing more
Than just a social contract
Then it's just he said/she said
And there's no moral compass

You see, your compass is as good as mine
And that may be fine, generally
Until the ****** asserts his own
Warped idea of morality

What makes his wrong
And yours universally right?
That's a tough question
That keeps philosophers up at night

Because indeed, if there is no god
There's no guilt to assuage
For the wrongs that man does
Because there is no such gauge

It's like measuring empty
Without knowing what full is
Or like trying to describe love
Without knowing who God is
To all those who know deep inside there's a god who created you to be good, but you keep trying to convince yourself otherwise.
Larry dillon Jan 2023
The gods let this baby be born
As a thing they could reclaim
One day with cruel delay
Boils from black plague desecrated her skin
Right before her second birthday
A lesson on how a life can be stolen
Shortly after it begins
Or how we're without hope to the whims
Of the bored gods before us

To save the last of his kin
The father implored the science
Of the village sage and physicians
He was turned down at every door
Their medicine was not meant
To save the poor nor destitute
  
Resolute in his faith
there were good gods who gave grace
Unto children without sin
He next beseeched healing power
from varied institutions of the miracle men
Preyed over by priests, rabbis, and sheikhs
He sacrificed and spent
every cent he had saved
And their churches took his tithes
But did not take her pain away

Grief striken, defeated, with no recourse
Liquid sedated in a pub,he feels remorse
" our child will join you soon,
my dearest departed wife"
a pubhand overhears him saying,
"you can still save your daughter's life!"

"listen as I entail
The hidden trail you must trek
before the antelucan hour strikes
Her magiks are only ripe
in the dead of the night
Nestled within that loury forest
Her cabin obscured from mortal sight
Resides an occultist of such cunning:
A bog witch named Blight"

The pubhand helped him to more mead for free
Unprompted he then proceeds to lead
The father through that place he now seeks
-claiming his shift had come to an end
As they drew closer to the cabin
Something happened most curious and queer
The pubhand turned into a black cat,
Scurried off into the brush- to dissappear

Influenced by fermented spirits in his blood
He pays heed to their whisper
-Her cabin door is ajar
And they beckon he enter

Now in Blight's place of power with his offspring.

"oh hapless father when you sing,
How the gods do smile
You worshipped the very ones
who wish to **** your only child
they're vile and malcontent
All they know are delinquent tendencies
They'll torture her spirit for sport,
When she dies you see
But by my incantation
That needn't come be"

"drain the blood of a bat
with deviant intent
Recant the name of your gods;
You now resent  
The blood will brew all the while
-in my elixir
When the little girl drinks:
it will fix her
It will turn her pale white
You will fear she has perished
She will stalk this earth
Forever parched with ravenous thirst
And a stark aversion to sunlight
NOW YOU MUST CHOOSE:
A dead child!
...or a creature of the night?"

The father did as directed
He did not second guess
Unaware of the sorceresses subtle gesticulations
-Were creating a hex
He's blind to machinations set in motion long ago
The wiccan pours her will into a binding circle
As the child drinks the concoction slow

His daughter's vitality returns
The plague is receding
Fangs sprang forth
as she bites into her father's neck
Blood trickles down in specks
The girl keeps feeding
And feeding

all gods once assembled to fight Blight
The powerful mad goddess would direct
her sadistic debauchery at their human subjects
-human praise appealed to the god's vanity-
Her godhood sealed by the Parthenon
in a prison comprised of flesh
Divinity bound;
betrayed by other gods
There were too many for her to resist
A former god trapped in mortal form
Blight's punishment was to simply exist

For 300 years Blight had waited for a night like this
An ancient curse she could wield
As revenge for imprisonment
Finally obtaining the last two ingredients:
A child that was pure
And a father's consent

A direct strike of lightning sets Blight's cabin ablaze  
still in her binding circle, she's indifferent
And unphased
From threats of fearful deities who see
She's about to set her nocturnal creations free
Undeterred by their show of force
she releases her two vamps
with a flick of her wrist and no remorse

Iightning strikes within an inch of Blight
She leers at the heavens
Much defiance and mirth
In the distance a village screams
As her fiends burn it down to the dirt

The Parthenon replies:
Bellowing cumulonimbus clouds
decries her decision
Such chaos;
now her scheming REALLY has their attention
The.Ones.Who.Watch. Above

See all.

Throughout panoptic thrones they peer
pained fury for this village culling:
Blight jeers
Sanctimonius thunderstorm brings fervent rain
Their vain,pious tears-
The skies can not contain

The gods cry.

"Oh, how i wonder what will worship gods then,
When humanity dies?"

Luminous surges of lightning bolts strike
Tries to smite this emboldened bog witch
...Yet, in spite of their wish,
she somehow stays unhurt...

Blight smirks.
I story of a father's desperation abused and a scheming bog witch's revenge.
Pourush Turel Feb 2018
I pride,
In many things.
Little and big.
Existing and imaginary.
Useful and unnecessary.
Almost ubiquitously.

I take pride in my mind, most of all.
In the many wonders it brings me.
It lets me wave
at the voyagers that zip by
as I swim,
weightless and cold
in the eternal stardust of would bes.

It lets me simmer
in the memory of a younger day.
Of all the loves loved
and the ones lost
I pride the ones that never gave way.
Like old paintings
stowed away deeply
fragments,
moving,
ageing effortlessly.

I take pride in the fact that I have one true friend
and not many.
I don't know why I take pride in it though
I would understand culling a herd, if I had any.

I take pride in a soul that has learnt to love so deeply.
Deeper than the rivers of the world
and tumultuous as the sea
I take pride in my dog, sitting
when I command it.
I take pride in the fact that,
At least he understands it.

I take pride in the words that I think
and regret the ones I don't.

I take pride in understanding the existence of truth
and its relentless need to run and hide away.

I take pride in my people
and in their endless rebellion against sanity.
I take pride in their manic displays of affection
despite their distaste for the same affectations.
I take pride in their synchronized entropy,
beautiful,
much like the death of a galaxy.  

I take pride in the songs I hear,
the sonnets of love and despair.
of first discoveries,
and fevered dreams.
Of Kings and conquerors
and knights against the regime.
Of their legends that soar and rise and
go beyond where the grave lies.

I take pride in the mirror.
Though broken and shattered beyond repair
it bestows me with honesty
about the one that I care.

I take pride in all these aberrations,
in these tiny little manipulations.

These effervescent little marionettes
forever dancing within constellations.
S Fletcher May 2015
“The longing in our faces cannot end until both shores unite, yours and mine…”    
-- Virgil Suàrez*


Sky Deck, Promenade
You’ve got me: at anchor, arched back over the deck rail, swimsuit slipped to the side, I’m strolling your shoreline, thinking teeth, tongue and technique. Thinking about the worthy circumstances under which I could allow myself

. . .

to drown here with you.


Observation Deck, Tiki Bar
The making of a luxury cruise ship is always also the making of a vast, well-haunted wreck. The Accident, a promise, not unlike Death’s. This is axiom, accelerated by upper middle class leisure trends and the modern misunderstanding of the word “travel." It's five o'clock somewhere,

. . .

it's a matter of time.


Upper Deck, The Casino
It might not be cool to think about the Accident on a cruise ship. To whisper “Titanic” under the breath on the deck, is like “Macbeth” murmured in the wings. But the wreckage awaits, people! A tidal guarantee:

. . .

we verge always on crashing.


Main Deck, The Spa
Cruise ships make beautiful reefs. Deck chairs calcified by culling. Drowned halls streaked with schools of silvery ****-dressed sorority fishes flashing their empty ghostgirl glares.

. . .

The demise is in the design.


Deck 5, Main Dining Room
A good quick cry in your cabin’s matchbox bathroom, we’ve found, calms the seasickness within. Or, maybe it’s just the gin. So wanders me (engulfed in you) on the shore. Death’s sweet certainty scummy on my tongue, I want to ask you how it tastes,

. . .

we break for air.


Deck 6, Executive Suite Balcony
I map your profile. Or I try. I look for a crag to sweep my lingering thoughts of lifeboats beneath. Why me, anyway? I’m no angelfish. I am nothing (almost.) A spray of white noise in the night’s endless ink. A mouthful of seafoam spat off the stern. I am the lowest of poets with a cruel patchy sunburn,

. . .

I am slurring.


Deck 7, Slightly Smaller Luxury Suite Balcony
A gale catches my blouse in brief breeze-love. An Accident, momentous, sprays me in sea salted understanding—it pools in the kissprints that you left in my sand. Maybe I want me too. Maybe drowning isn't so bad. I let your wake flood the hull,

. . .

and together we swell.


Deck 8, Emergency Exit Stairwell
But the lifeboats linger. The Accident is pending, and from some recess in me, unheard before, the false urgency of the gull’s squawk wails. Within the invention of the ******, lies the invention of the broken ******. Within the invention of the heart, lies

. . .

the invention of poetry.


Deck 9, Economy Cabin 902
The surf beats on, our maps unchanged. I sink into bed alone, abuzz. Men are predictable fishes. The Accident barnacles me over with the stuff of graveyards. I am sorry for pocketing these stones. For thinking that I could walk into the surf, that I could sink with you, with any grace. I take no pride in this ***-soaked wreck, these postcard views ***** in triangle trade residue. A curse, a cruise,

. . .

an all-inclusive escape.
OUR    POVERTY   HAS   COLOUR

Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

Most illusive and elusive
Like the devils of Congo forest
Is the impish poverty
Permeating all seals with vicious wily
Into the midst of callous humanity
Biting country men and country women
With carnivorous dentalities so ruthless
Putting man to a forlorn shame
As the wife looks in desperate flaggerbastation
Putting matriarchal womenfolk to humiliation
As the expectant sire wallow in the askance of looks
Condemning communities to status ad absurdum initio
Thinning man from man, culling woman from woman
Eating flesh by flesh social koprpers of man
Eating the native flesh in the farms of Brazil
Tearing the ***** steak into ghetto lacerations of Chicago
Whizzling sombre morning tunes to the Zulus in the black tundra
Cementing pale casted clusters for the Patels of India
Commanding suave drills to poor (wo) menfolk; left! Left! Left! –abouuuuturn!
With its accomplice Mr. Hunger son of starvation, they both command drills
For black factory workers, Maids and gravediggers to dance
Watchmen, thieves and prostitutes to match
In the hinterland of Africa all the riff-raff in deep despair
Dance in a tandem to the irritating drills of the duo;
You come on! Left! Right! Left! Right!—fowaaard match!
Backward match! Left! Right! Left! Right! Sharpp uuuuuuuturn!
The duo communiqué; Go home and wait for your pay announcement.

Surely; what colour is our poverty?
Your words cut like scalpels
Through hair skull and scalp
Culling the cunning thoughts
My Foolish heart has bought

But your blade is truth
No anesthetic
Can dull, numb or soothe
Unsympathetic

It removes the lie
Like a tumor
Until my life's
A rumor
Left right we go.
Like ants we grow.
Marching in the sun,
A show.
Maybe it's fun,
But slow.
Till you hear the calling.
The army sounds it's culling
For only those who win the day,
have the right to say,
it's home I'll stay.
I romanticize humanity until what's left isn't even human.

I cook up fallacies about legal aliens and add a dash of cumin.

Your chef tosses salads in the pasta section of the grocery store.

Devil's just as confused, with a ***** and an apology at heaven's door.


You don't know, and no one cares where eggs go when they die.

Godzilla thinks of a car full of clowns like you would a sardine pie.

What happens when an elephant gets alzheimer's and loses keys?

Does the paradox consume an entire circus of trapeze-act-fleas?


I ruin birthday cakes by blowing off the frosting instead of the flames.

How I do that? Count backwards from backwards and say my names.

Bittersweet love anthems pollute the brains of conscientious dames.

Heavy metal doesn't pollute, it pacifies rage quitting from soul-******* games.


Out of the woodwork comes a limp ***** that would work,

Long hours only to find he'd pay millions for a Miley Cyrus twerk,

Which is worth about as much as an all-female circle ****,

Unless you add strap-ons, so strap in and lap up the knee-****-smirk.


It is unwise to handle scissors when one is being cutting-edge,

Because your accountants will dangle themselves off of a three-storey ledge,

When you cut up the ledgers and make light of, that is, burn, the evidence of pledge,

To the monkeys in your think-tank mailing feces to the upstart farmer's hedge.


Now I know you're sick of rhyming and of poems and of liver culling whisky,

But I must inform you of a pirate's missing eye, I've bought sight of something risky,

I implore that when this song and dance is done, you'll assuredly miss me,

Because I've told you everything about depravity, hence forth you must kiss me.


Beacons of hope shine much like cantankerous silver in the moonlight.

If you're a werewolf that will fill you with hope and with immeasurable fright.

One day the world will admit that I'm awesome and impoverished to boot,

Because when the song and dance is done, what's left is just an ounce of loot.
Another poem from my vault that I forgot about.
I wrote this poem today, July 20th, of 2015.
Reading this, I was astounded by the wordplay I employed.
There are certain things I've forgotten how to do poetically.

My poems now are more thoughtful, story-oriented, and laced with meaning.
This poem up here is pure play - wordplay, poeticism, rhyme, contrast, shock, mayhem, chaos. When I wrote poems like this, unknowingly, I did my best to dance around meaning. I played with it. Gave my readers just a taste of meaning as I, with comedy, made a spectacle of words.

I loved playing with words to full effect at the time. I was going through a lot of psychic pain. My illness was rampant. Writing helped ease the pain immensely and gave me joy.

I hope this little poem made you laugh as it did me :)

Enjoy!

DEW
Caro Sep 2018
Sometimes I miss the holy grace of ignorance,
Sometimes I miss the comfort that I felt when I read about David and his caves,
About his moody eyes and his harp,
About his *** addiction and his jealous, musical heart that only a god could love,
About the way he loved with abandon, reckless, selfish, taken aback in naivety, balking at those who dared disagreed with his unwavering need to be as he was

David made me ***
David made me feel closer to God and my mother
David told me a story of lust and ****** and protection and angst and a sweet tortured easily patronized self

Maybe in all of this, one day this flawed, beautiful man who murdered a giant and sang to lambs

Would be me

A woman, self possessed, soothing sheep and culling sleep in her victims.
Passion dripping from her honey harp.

David, thank you for the awakening and for the saturated hedonism that you spoke to in me.
Poetic T Jan 2016
I stitched each of them on to me, knitted
It tight on my flesh. I bleed for a moment
But it was just another etched on my flesh.

Each perforation was another that joined my flesh,
Entwined on my soul I made their hair in to fine
Cotton and each was given a place upon my being.

"Eye,
      "Neddle,
                    "Backstitch­,
                                     "Scissor,
                                                   "Seam,

A honour of their offering was felt as I seeped on
Their twine. Pain was a lust that was sort but
Never harvested and my culling was full.

Flesh was just moment of time aging ever moment
Decaying since birth. Their hair lived longer than
What was but food for thought now no more.

My limbs like a puppet on stings, but I am their keeper
Of life on me, in me they live on. I stich their memory
So many colours do  I weave on to myself.

Blonde,
             Brown,
                         Chestnut,
                                     Ginger

But the ones that are lucky that never grace my being,
They are those of least crowns on their scalp.
I am one of such no hair on myself. But weaves I
Sculpt upon myself, they live on even though bodies rest.


I have many stitches on my flesh of weavings not my own,
But their essence will always be here as long as I live on.
Seeing those moments which will be etched on myself,
I will weave all into the picture etched on my skin.

*"A stitch in time ebbs your existence your soul to mine,
JJ Hutton Oct 2012
Fingernails dug out of steering wheel
in the out door, not enough gin to ****
50 pushups. 50 more. Change my body
Maybe you won't ignore
Ambien, the lull of the ceiling fan,
the crowds of protestors disband --
the blanket warm, cosmos tease and can,
malaise, malaise, I'm trying to be active
and sane, sane for the next promise ring holder
and wine cooler queen, here comes the switch:
ether.
The night brings me back to you
by way of illusion --
you've got lingerie
I've got needs
You've got teeth
I've got shoulder blades
so it begins,
white knuckle, culling songs, strain on scalp --
I sing along, ancient melody, satin dirge --
precursor to your soliloquy and black venom urge
to scatter this bandaged man--
pieces in your hand,
collected and left on 100 dressers
for ill-informed future connivers
conspire
but I'm only tired of trying not
to look like a liar
so I blend into your blood
satisfied smirk from
transparent you
but what is the future
--a present hope
but what is the past
--a present memory
so we abolish each other now
betting on tangible mirages
in this delicious, miraculous night  
the stars align
the planets collide
not an inch of you goes unkissed
not an inch of me goes without an itch
blackness and breath swirl and spit
me into a confetti end time without prophet or priest
only a skinny seed, and then the switch:
wake with a present hope of getting over
my present memory.
worlds in devastation floods and hurricanes
rainfall far to much filling up the drains
people going fracking digging up the sea
why cant they just go home and let  nature be

culling all the badgers wildlfe in distress
worlds in devastation causing such a mess
global warming changing polluting all the air
no body seems to know whats going on out there.

nature it is changing getting worse each day
the world  has changed so much and gone the otherway.
Its 8:30 in the AM
The Corn Moon
is being routed by a
Manassas cloud bank

NPR be barking
Irma this, Irma that
my tremblin Rav4
stuck in the rush
is idling behind
a pair of gray hairs
spewing
leaded premium
out the back
of a big old black Buick
sportin Florida tags

inching north up I95
I’m relieved to be
a thousand miles
ahead of the
monstrous *****
denuding Barbuda
deflowering the
****** Islands
and threatening to topple
the last vestiges of
Castro’s Dynasty
by disrupting upscale
bourgeois markets
for cafe Cubanos,
cool Cohibas and
bold Bolivars

she’s a CAT 5
counterclockwise
spinning catastrophe
churning through
the Florida straits
bending steel framed
Golden Arches
shaking the tiki shacks
gobbling lives
defiling tropical dreams

the best
meteorological minds
on the Weather Channel
plug the Euro model
to plot a choreography
of Irma’s cyclonic sashay

they predict she’ll
strut her stuff
up a runway  
that perfectly
dissects the  
Sunshine State
ransacking
the topography
venting carnage
like battalions of
badly behaved frat boys,
schools of guys gone wild
sophomores, wreaking havoc
during a Daytona Beach
spring break
droolin over *******
popping woodies at
wet tee shirt contests
urinating on doorstoops
puking into Igloo Coolers
and breaking their necks
from ill advised
second floor leaps
into the shallow end
of Motel 6 pools

but I’m rolling north
into the secure
arms of a benign
Mid Atlantic Summer
like other refugees,
my trunk is
filled with baggage
of fear and worry
wondering
if there’re be anything
left to return to
once Irma
has spent herself
with one last
furious ****
against the
Chattanooga Bluffs of
Lookout Mountain

Morning Edition
Is yodeling a common
seasonal refrain
the gubmint is
just about outta cash
congress needs to
increase the debt limit

My oh my,
has the worm turned
during the Obama years
the GOP put us through a
Teabag inspired nightmare
gubmint shutdowns
and sequestration
shaved 15 points
off every war profiteers vig
it gave a well earned
long overdue
take the rest of the week off
unpaid vacation
to non essential
gubmint workers
while a cadre of
wheelchair bound
Greatest Generation
military vets get
locked out of the
WWII Memorial on the
National Mall

this time around
its different
we have an Orange Hair
in the office and there's
some hyper sensitivity
to raise the debt ceiling
given that Harvey
has yet to fully
drain from the
Houston bayous

the colossal cleanup
from that thrice in a
Millennial lifetime storm
has garnered bipartisan support
to  clean up the wreckage
left behind by a
badly behaved
one star BnB lodger
who took a week
long leak into the
delicate bayous of
Southeast Texas

yet we are infused
with optimism that our
Caucasian president
and his GOP grovelers
now mustered
to the Oval Office
will slow tango
with the flummoxed
no answer Dems
to get the job done

pigs do fly in DC
Ryan and McConnell
double date with
Pelosi and Schumer
get to heavy pettin
from front row seats
beholding droll  
Celebrity Apprentice
reruns

The Donald, Nancy and Chuck
slip the room for a little
menage au trois side action
transforming Mitch and Paul
into vacillating voyeurs
who start jerking their dongs
while POTUS, and his
new found friends
get busy workin
the art of a deal

rush hour peaks
static traffic grows
in concert with
a swelling  
frenetic angst
driving drivers
to madness
terrified
they won't
get paid if
the debt ceiling
don't rise
they honk horns
rev engines
thumb iPhones
and sing out
primal screams

unmindful drivers
piloting Little Hondas
bump cheap Beamers
start a game of
bumper cars
dartin in and out
of temporary gaps
uncovered by the
spastic fits and starts
of temporary
decongested
ebbs and flows

A $12 EZ Pass
gambit is offered
the fast lane
on ramp
has few takers
just another
pick your pocket
gubmint scheme
two express lanes
lie vacant
while three lanes of
non premium roadway
boast bumper to bumper
inertness
wasted fuel
declining productivity
skyrockets
the  wisdom of
the invisible hand doesn't
seem to be working

DOJ bureaucrats
In Camrys and Focuses
dial the office
to let somebody
know they’ll
be tardy

gubmint contractors in
silver Mercedes begin
jubilantly honking horns
NPR has just announced that
Pelosi and Schumer
joined the Orange team
the rise in the debt ceiling
will nullify their 15%
sequestration pay cut

NPR reports the
National Cathedral will
deconsecrate two hallowed
stained glass windows of
rebel generals R E Lee
and Stonewall Jackson
it's a terrible shame that
the Episcopal Church
will turn its back on the
rich Dixie WASPS
who commissioned these
installations to commemorate
the church's complicity
in sanctifying the
institution of slavery,
WWJD?

as I ponder
this Anglican
conundrum another
object arrests my
streaming consciousness
upsetting an attention span
shorter and less deep
than the patch of oil  
disappearing under the front
of the RAV as I thunder by
at 5 MPH

to the left I eye a
funny looking building
standing at attention
next to a Bob Evans

I’m convinced
Its gotta be CIA
a 15 story
gubmint minaret
a listening post
wired to intercept
mobile digital
confabulations
from crawling traffic
inching along
beneath its feet

this thinking node
pulsing with
intelligence
reeking with
counterintelligence
the tautological
contradiction
guarantees the
stasis of our
confused
national consciousness

strategically positioned to
tune into the
intractable Zeitgeist
culling meta code
planting data points
In Big Data
data farms
running algos
to discern bits
of intelligence
endeavoring to reveal
future shock trends
knows nothing
reveals less

the buildings cover
is its acute
conspicuousness
gray steel frame
silver tinted glass
multiple wireless antennas
black rimmed windows
boldly proclaim
any data entering
this cheerless edifice
must abandon all hope
of ever being framed
in a non duplicitous
non self serving sentence

the gray obelisk a
national security citidel
refracts the
fear and loathing
the sprawling
global anxiety
our civilization's
discontent
playing out
in the captive
soft parade
ambling along
the freeway jam
imobilized
at its stoop

Moning Edition jingle
follows urgent report of
FEMA scamblin assets
arbitraging Harvey and Irma
triaging two
tropical storm tragedies
and a third girl
just named Maria
pushed off the Canaries
and is on its way to a
Puerto Rico
homecoming

while
gubmint  bureaucrats
anxiously push on
to their soulless offices
the rush hour jam
has peaked
my WAZE
is having a
nervous breakdown

next lane over
a guy in a gold PT Cruiser
is banging on his steering wheel
don’t think this unessential worker
will win September's
civil servant of the month award

Ex Military
K Street defectors
slamming big civie
Hummers
getting six mpg
lobby for a larger
apportionment
of mercenary dollars
for Blackwater's
global war on terror

Prius Hybrids
silently roll on
politely driven by
EPA Hangers On
hoping to save
a bit of the planet
from an Agency Director
intent on the agency's
deconstruction
the third 500 year hurricane
of the season
is of no consequence

obsolete
GMC Jimmy’s
are manned by
Steve Mnunchin
wannabes
the frugal
treasury dept
ledger keepers
pour good money after bad
to keep the national debt
and there clanking
jalopies working

driving Malibus
DOL stalwarts
stickin with the Union
give biz to GMC

nice lookin chicks
young coed interns
with big daddy doners
fix their faces and
come to work
whenever they want

my *** is killing me
I squirm in my seat
to relieve my aching sacroiliac
and begin to wonder if my name
will appear on some
computer printout today?
can’t afford an IRS audit
maybe my house will
be claimed by some
eminent domaine landgrab?
Perhaps NSA
may come calling,
why did I sign that
Save The Whales
Facebook Petition?

The EZ Pass lane
is movin real easy
mocking the gridlock
that goes all the way
to Baltimore
a bifurcated Amerika
is an exhaust spewing
standing condemnation
to small “R”
republicanism  

glint from windshields
is blinding
my **** is hurtin and
gettin back to Jersey
gunna take a while
GPS recalcs arrival time

an intrepid Lyft driver
feints and dodges
into the traffic gaps
drivin the shoulder
urging his way to the
Ronnie Reagan International
I'm sure
gettin heat from
a backseat fare
that shoulda pinged
an hour earlier

Irma creeps
toward the Florida Keys
faster then the
glacial jam
befuddling congress

I think I just spotted
Teabag Patriot
Grover Norquist
manning a rampart
bestriding a highway overpass
he’s got a clipboard in hand
checking the boxes
counting cars
taking names
who’s late?
who’s unessential?

man
whatta jam we're in

Music Selection:
Jeff Beck: Freeway Jam

Orlando
9/21/17
jbm
written as im stuck in jam headin back to jersey
jonchius Sep 2015
forging sagacious epoch
activating neural station
escaping hokey-pokey jiggery-pokery
transcribing ineffective fragments
digesting bear news

opposing usual exhaustion
deferring oxter reference
cascading style sheets
containing double readings
mumbling lorem ipsum
locating moose jaw

enforcing meticulous patterns
deconstructing vertical centering
manifesting additional destinies
deleting !important statement
craving sleep paralysis
receiving cryptozoological vibrations
lightning fast collapse

distracting tunnel vision
culling deadbeat sequentialists
overanalyzing twitter analytics
acquiring arbitrary relevance
spinning ping-pong sign

floccinaucinihilipilificating
floccinaucinihilipilificated
floccinaucinihilipilification

interjecting ****** holophrase
minifying conventional language
securing downpour refuge
admiring octopus chandelier
resuming party music
taking mental trip

encountering ersatz telesthesia
denigrating bygone grudges
maintaining elevated composure
ignoring neurotypical haters
eliciting cryptic emotions
foreshadowing triple crown?

experimenting acrostic restriction
noticing ubiquitous "threes"
aggrandizing loyal legion
favoring ursine narratives
finding oblique resilience
yielding orchestral undulations
the first week of June 2015
Austin Heath Nov 2015
They laugh meat out from between
their bloodied teeth,
and leave us to ponder this cliche;
"Hell is on earth."

Every day I sit in an ivory tower,
and press my pen to decadence;
live a life of ease.
Few sufferings.

When the ones who deserve what I have
come back to take it,
I will not fight.
I will ponder
new cliches;

"Hell is trying to leave earth,
and we stand firmly in the way."
I walk
head down through the bitter cold
only a light buckskin for warmth
there is little food
and no time for rest

I am near the front
no idea how many are lost
the old, the sick
the little ones

the memory of these days
along the trail of tears
will die
like the burning embers of a once mighty fire

these horrors will not be spoken
in the teachings of those whose greed
and cold hearts
outweighed their compassion
whose concrete jungles mar
the once majestic landscape

the years of separation grows
but the atrocities shall never be vanquished
in the realm of the spirit world
and those who initiated the culling
pay their penance
and walk the trail for eternity
Poetic T Nov 2014
"I am the spirit of the dead,"
They talk through me
Death,*
Whispers,
Clearly,
The living must walk the halls
Life* is the wrong
All must
"Sing the song of silent breath"
Essence of warmth is a sacrilege,
All must be cold in
Stillness,
Serenity,
Tranquillity
Will not be found, all must release themselves
From the torture of life
"Only death is eternal"
I have taken many,
"I am telling you this,"
There is a
Beginning
&
End
You will sleep in persistent peace
Like the rest,
So many immortal in
The halls, each have a place,
"Do"
"Not"
"Worry"
"The missing are never to be found"
Prey with relief, when I release your burden
"I Am The Spirit Of The Dead"
Life is fleeting the only comfort is in death
Invisible like the spirit never known or seen,
You don't even realise I'm out there, culling the herd.
The spirit speaks through me, all life ends cold.
The best serial killers are the ones you never know are even out there
CK Baker Jul 2019
there’s a semblance
of order
in the pink eye
of the street man
(that messianic soul
caught deep
in the binary)
glancing on
with rose colored glasses
and magical spoons

skimming whimsically
(and cocksure)
dancing on the
crab grass
with his
home grown *****
and cheroot
lost in a dialogue
(complete with
wink and jest)
embracing
the day with
spontaneity and cheer

grinning profoundly
(an incomprehensible grin!)
covering a nicked
and scarred
ear to ear
summer drought
or winter rain
are indifferent
in this mind
(culling on his own terms
with a honed discretion)

pundits would say
that he spoke
in a broken crow
or nigerian slang
(but only he knows
that eloquence)

cloaked, and head steady
behind whispers
of tavener
(he had always
said they were enough)
he gets on
with the rosary
to find
comfort lost
JL Mar 2013
Once I dreamt
The sky was blue and deep
And dragonflies circle
I saw you lie back on a
Green patch of grass
I mean/ there was so much light about you
a circle around you of unbroken golden light
Your features were hand drawn
Shadows vignette And the sun looked +
On your skin



Laughter
Thick white clouds of your laughter
Leak from the sides of your lips
You clap your hands along with the thunder
Imitating the lightning upon my heart
Leap
words of fire burnt into my skin

You stand in the middle of  the river
                     7
        Stags drink from your eyes
        Lighting bugs and bees circle your marble fingertips
……………………………………………………………………………..............
I invite you to the garden
To see the statues
Swallowed by grasping hands of ivy that glow golden in the morning dew
Ask me to carry your sorrow.
Mingle blood with me beneath the full moon
The Golden circlet of your soul
The ecstasy of birdsong at first kiss
We dream as one
She and I
Suns and moons twist about us
The stars gentle culling us to join
In dance and song
We dream as one she and I
The sun
The River
The Grass
The Sky
Our son she holds upon her hip
A sweet song falling
From her lips
Summer June
A garden swing
My heart soars
On golden wing
‘Til autumn sigh
We dream as one she and I
Brycical May 2015
Parents would prefer kids stay away
from these three jobs,
cause as they'd say
There's no way to make any money.
At least you can sell paintings with art
or hock a few bucks with albums from your music.


No parents encourage children into any of these gigs,
especially prophecy.
Today, a kid would be fed pills for breakfast
if they expressed any interest in becoming the next Jesus or Buddha.

Suppose Moses decided to go try an open mic comedy night
instead trading his commandments for a set list
but I bet his adopted parents would have lectured him just the same.
At least Moses would have gotten a few laughs.

The job descriptions are strikingly similar,
just like the outcome
a 50% chance the audience will applaud and chant
or watch you in heavy, maudlin silence... sweating nervously struggling
to maintain a sane face while raucous thoughts of loathing and doubt chew then spit out pieces of heart and soul forcing a confrontation of an emasculated existence for five to seven minute while....

whoa, hi, sorry.
Must've been having a flashback for a few seconds,
forgive me.

There is a difference though,
in the mindset of this trio.
A poet knows they're crazy,
a comic ponders if they're nuts
while a prophet thinks everyone else is just cuckoo.

I can see why parents don't want you to
go near these three jobs,
problem being, it's more of a calling than a culling,
and once it's answered,
all I can say is, well...




good luck.....






have fun.
Samantha Staite Jan 2015
The culling is unnecessary,
It is like the slaughter of the innocent,
They scatter across the UK,
The ****** list. Is looking for them.

The cowardly and cheap way out,
The opinion of the weak,
Stupidity is in their brain,
The urge to slaughter is spreading.

Stop the cull,
Stop the cull,
Animals have the right to live,
Down with TORIES!

We've had enough,
We will not be pushed around,
The culling is unnecessary,
It is the slaughter of the innocent.
Seán Mac Falls Aug 2012
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Brycical Aug 2013
but that could be said of anywhere.
However, some places
seem to have hypnotic hips and easy eyes
with a mischevious, seductive scarab grin.
Like magic, it pulls me in.
Here, labels like good or bad are trite,  
there is only this magnetic whirling
energy culling myself and others inside
simply because we picked up the phone and showed up.

But now it's our responsibility to find balance
amidst serene listless apathy on the beach
and party hardy into the midnight arty energy scene jack & coke down the rabbit hole we go.

Some Bedouins say Dahab means "time  goes,"
which has me convinced Moses and his folks weren't lost
in terms of location but lost when it relates to time,
trying to find a middle path
between excess and sloth
in this south Sinai town.


Yes, not two but three schools of thought,
forming a triangle in this hypnotizing spiral;
two points of excess and one of balance!
All three balance each other,
and it's hell trying to stay in the center of this eye
of this metaphorical storm of enlightenment.
Naturally, gravitational forces pull some to the
gray matter island headspace of echoed sins
and carnivorous lascivious pandemonium.  
Not everyone will find what they seek on the warm beaches here,
or the raving, bubble foam dance parties in strobe light nights.
That's just the way it is;
there's not enough room for everyone in the center.

And this is where we learn to accept ones place,
because only then can we move on to another plane,
on another beach with more to learn and some to teach.
Nod, vociferous lackey,
Agree that it will end just fine
You raise that hand to me, dying vine behind
Acknowledge every burning sun-drop
Culling and surmounting your radii--
Misled and triumphant
You're half of that.
Vast plantations of regrowth and abysmal
Serendipity in life?
No more;
Cut off-- a world harvest
Of blood, and blue-black poison
In the fields spewed
Once,
Not again
Not there-- again, the stalks
Lay dormant from your careless sickle
Numbers and numbers
Insurmountable
MMXI
vircapio gale Aug 2012
like some jealous future self,
my writer's clock balks at this moment with you,
i can't explain, so i give up listening. (i have an app for that)

the writing only stops as degustation ends ~
thank you, though ~ i'd like you to hear
regardless of the meanings lent ~
the gymnolexical fear
appearing ornamental far and near.

google files us away, omniscient
acumen of o's and ones ~
words sing to me their luring promise of a lasting hold,
but less and less
as plastic griming fingers sync
with what it seems to be,
a new world search-
-engine culling info freely
do i still    believe    in order?
striving for the fitted words,
a love imprinted input thus on crystal pixel page,
your effect on me distilled--
refracted throng associational
fantastic server metacomfort
for an audience
                     swimming past into this,
now always
ever-new you appear, bursting
at the seams my vision churning
...effluent sourcing, blurry self of others ~
heart-charming river-nymphs!
bolt-hurling sky-satyrs! reeling nations are subtended by your words
that walk, trod, swim across what poetry,
dance with this ever-blooming techne-earth
as i mark your plasmic eyes
we flow and let flow,
we dance our farmer's mud
into the beryl-winding paths
of othernets and cyberplay,
the restful ends reborn bright white
lacing lattice-scopic fibrous
scatters of another wi-fi interlife ~
we stream and let stream,
river-tress girl, your eyes summon
a great coalescence in me,
we dance into the channeled
delta of spring beauty here across the keyboard;
it cascades a slow attentive phosphene
striking pointed notes of color,
ring beneath and through the
green, sylvan silicon throw of mossy html
so that even rocks and sprawling
tree-trunks sing within the disembodied
vortexes of arrowed imagery to browse
my virtual belongings to you,
alone in your sorrow-joy fighting
free love in an all-world-breath
before the screen
gymnolexical  - words that denude, or words themselves denuded
techne - craftsmanship, craft, or art
html  -  Hypertext Markup Language
phosphene - a phenomenon characterized by the experience of seeing light without light actually entering the eye

— The End —