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Dusting off the rabbity
that squirrely tempo anxiety,
closing in with night.

The irresistible pattern
the irrational illogical fight
a battle with one’s discipline,
mirroring our might.

I make it home a fluttering
belly twirled and muttering,
I tell myself tis alright!

The damage done, and everyone,
I’m just like them and millions more
succumbing at the Devil’s door.

And the taste, the burn,
the healing calm,
the shaking and the thinking gone.

Knock one back, slam out another
night is early, rock it brother,
Tying on a swilly swirling
buzzed-out brain and mind a twirling. . .

“Ahhhh…”

I feel better now, exhilarated,
exasperation falls to stout resound;
I pour again and knock it down!

“Ahhhh…”

Spinning now, not to say I’m spun
but choosey choosing several a pun
I see myself an accomplished one!
Yes, that’s it, that is me,
look upon with thoughts of glory
yank open the freezer for glass that’s hoary. . .

How cool am I? certainly not boring
all night I’m here, pouring, pouring. . .

Buzz subsides, thoughts slow too,
lurid leering, slobbering swearing,
stupid actions and nothing new?

I lose the bottle,
I lose my shirt,
***** on myself,
pass out in dirt.

Another night of drunken hero,
time that’s wasted for kingly Nero.
But who am I to judge myself?

I’m hardly worse than anyone else?
Nat Lipstadt Jan 2017
Yom Kippur this year was celebrated on Oct. 12th 2016.
Leonard Cohen passed away on November 7, 2016.


~~~

faint knocking at the door to the Tower of Song

the ministering angels, hearing a rhythmic, lyrical rapping,
sigh, thinking the atonement day,
the holiday/holy days, are supposedly over,
the human balancing act, the rush to judgement period,
all tallies totaled, the busy sale season for souls,
at last completed, each fate inscribed & sealed,
in the book of life^

but, always one,
the itinerant straggler, the last reluctant sinner, a judgment resister,
flaunting an expired coupon, trumpeting demands for a recount,
waving it, claiming it, the bearer, entitled to a mercy discount and
an extra 30 days

"who shall we say is calling?"

the Angels are stunned to hear,
a familiar raspy, growling, almost indescribable,
yet, stammeringly, beautiful voice enchanting,
equally asking and answering,  how both,
with a strident humility, "a man in search of answers"

this voice, instantaneous recognizable,
the asking superfluous,
all beating wings now, all in vast excitement,
this psalmist, long awaited, one of His best,
a chosen one, a courtly singer in the Temple of his people,
blessed with the curse of seeing and believing,
the comprehension of beauty of the human superior interior,
never being quiet or quite satisfied,
in capturing, its multifarious variations,
in every language spoken

this is the man who took ten years
to compose just
one song,
one poem,
one word,
Hallelujah,
whose faith was strong,
but still needed proofs,
whose every breath of oxygen inhalation,
brought more questions,
every exhalation, only releasing partial answers,
and yet, still, yes, yes! finding hidden verses inside

a simple, everlasting
hallelujah

the hubbub subsides, the man sings~speaks:
how came I here,
was I one, who by fire?
that fire afeared,  that my finality was spirit consumer?

one voice, answers,
in one voice, the swaying back-up singers answer,
not by fire, not by water, not by stoning or
even drowning
in tea that came from all the way from China

when sing we Angels, the Judgement Day poem,
we alone, on high and above,
we, keepers of the books and records of everyone,
are permitted this to query:

Who by Sufficiency?

you, the sidekick of the creator,
special commissioned by him, anointed to live a life of research,
record in word and song the mysteries of musical gene strings,
that intertwine the skin cells of man and woman,
man and his fellow us-human,
your soul commandeered, ordered, delve deeper,
into the consolable chasm tween divine and mortals,
all those who are poorly constructed
in his image

he, who has earned his place, his best rest,
his works adjudged sufficient,
he, who best answered
this judging,
this calling out,
calling in
incantation,

Who by Sufficiency?

now forward on, write only of answers,
wade in the troubled waters no more,
no more passports, or borders to cross,
no more measuring the days,
the last road trip finale
finished & feted,
fate meted

no more changing thy name, changeling priest,^^
sing songs of solution, salvation,
for the questioning hours of confusion,
the urgency of revolution,
no longer need a hallelujah resolution


                                                    ­| | |
Who By Fire                             Who By Fire, Who By Water:^
(lyrics by Leonard Cohen)     (A Yom Kippur Hebrew Prayer)

who by fire                             How many shall die and      

who by water,                                how many shall born,
Who in the sunshine,                 Who shall live      
who in the night time,                   who shall die,                      
Who by high                                Who at the measure of days,
who by common trial,                    and who before,
Who in your merry                            
                                                          Who by fire
month of May,                                 and who by water
Who by very                                 Who by sword,
slow decay,                                       and who by wild beasts,
And who shall I                      Who by hunger,
say is calling?                              and who by thirst,

And who in her,                           Who by earthquake
lonely slip,                                         and who by plague
who by barbiturate,                      Who by strangling,
Who in these                                    and who by stoning
realms of love,                               Who shall have rest,

who by,                                             and who shall go wandering,
something blunt,                            Who will be tranquil,
And who by avalanche,                  and who shall be harassed,
who by powder,                            Who shall be at ease,
Who for his greed,                           and who shall be afflicted,
who for his hunger,                      Who shall become rich,
And who shall I,                             and who shall become poor,
say is calling?                                Who will be raised high,
                                                         ­     and who will be brought low
And who by brave assent,                  
who by accident,
Who in solitude,
who in this mirror,
Who by,
his lady's command,
who by his own hand,
Who in mortal chains,
who in power,
And who shall I,
say is calling?




^From the liturgy of Rosh Hasanah, the Jewish New Year and Yom Kippur, the  Day of Atonement, there is this truly stunning prayer (https://en.m.wikipedia.org/wiki/Unetanneh_Tokef) in the Jewish liturgy. The Book of Life contents the fate of every sinner. From the first day of the new year, until ten days later, on Yom Kippur, depending on whether the sinner repents or not, his fate is sealed.
Yom Kippur this year was celebrated on Oct. 12th 2016.

Leonard Cohen passed away on November 7, 2016.

^^"A Kohens ancestors were priests in the Temple of Jerusalem. A single such priest was known as a Kohen, and the hereditary caste descending from these priests is collectively known as the Kohanim.[2] As multiple languages were acquired through the Jewish diaspora, the surname acquired many variations." Today, with no temple, the limited role of the Kohanim is to bless the Jewish people on the high holy days with a  special prayer with abeloved tune,  instantly evocative (see wikipedia.org/wiki/Priestly_Blessing) The Kohanim are still revered, honored, and always called up first to the Sabbath reading of the weekly portion of the Old Testament

A thank you to Bex for proofing and encouragement.
Part I of a trilogy
For a  more detailed analysis of the roots of the song, "Who By Fire," and its origins, see:
_____________________________________________
http://www.leonardcohen-prologues.com/who_by_fire.htm

He worked on the song Hallelujah, arguably his most famous composition, for ten years.
Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
Cné Aug 2017
As our dew points match, lead me out into the open moonlight
Then take my hand and come with me to share this glorious night

Sin smiling Angels look down on us in the night's cocoon
Safely sheltered beneath his broad shoulders our bodies completely attune

Her pale skin denied The moonbeams as I eclipses them above her
Shivering to the cadence of the night with the moonlight as a ******

The cool night air hasn't chilled her warm summer lips
The stars reflected in our eyes, each shimmering thoughts a kiss

Ethereal night mist rises from our slowly moving bodies
His warmth tastes of golden light, dancing to simple melodies

Shimmering in dusk's glow the rapture subsides in a glistening shudder
Splendorous waves of euphoric flood, as we complete each other as lovers
to the tune of AC/DC "Touch Too Much"
thank you Palmer for the dance
https://hellopoetry.com/palmer/
Traveler Jun 2013
Beyond passion we embrace the dark
A habitual bliss as we release our heart
Temptations tease, even want becomes need
Fulfillments fulfilled, even pleasures are pleased
We draw to the surface the quickening quench
Bathe in the purposeful hormonal stench

We lurk in the shadows cast by the meek
Who have inherited a world ruled by deceit...
With the wisdom of ages to guide our flight
We exist unnoticed under cover of night
We live for love yet hate sets us free
We search for truth in a world deceived

A simple twitch of an eye reveals a white lie
The calming of a heart as a nagging fear subsides
All is still as the dawn peaks the tranquil hour
Blinding rays of solar death seek evil to devour

Yet we are safe and sound from such a demon trap
When the forces of nature consummate our final path
Yet beware of such folklore that indicate win win
For we are merely immortals, until we reach our ends...
Traveler Tim Re po to 2019
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay.
RAJ NANDY Jun 2016
Dear Friends, I had composed this poem in 2008 after reading an
article by a Lady Doctor who was a Biologist, and had initially posted it on 'Poemhunter.com'. Hope you will like it! Thanks, - Raj

PHYSICS AND CHEMISTRY OF LOVE !
Love’s physics and chemistry, has forever
remained a mystery!
There are no permanent equations to resolve,
Love's unseen wave like force!
It travels through three dimensional space,
At frequencies higher than electromagnetic
waves!
It remains unhindered by barriers of cast, creed,
or clime,
Giving two beating hearts a feel of the divine!
It generates a magnetic force field, making
two hearts in unison beat!
Yet Biologists claim that a chemical called
(PEA) Phenylethylamine, -
Triggers loves molecules in the human mind!
Chocolates are rich in this PEA content they say,
And is a perfect gift on the Valentine’s Day!
The chemical Dopamine makes the lovers to
glow and feel fine,
When they live on love and fresh air and may
even forget to dine!
While Norepinephrine, which stimulates our
adrenaline production,
Makes the lovers world go round in a joyous
motion!
But Oxytoxin that 'cuddling chemical',  requires
constant contact for its effects to prevail!
Cupid’s arrows may be dipped in its pail,
Before those arrows on lovers begin to hail!
Creating unbearable attraction leading to infatuation,
Making two hearts beat as one with love’s magic
potion!
But such feelings remain for a limited duration,
Varying with people with different emotions!
In a 'mercurial type' loves ecstasy gets mixed, -
And they frequently require a PEA fix!
But those who stick to a single mate,
Are said to be rich in Vasopressin content!
And finally when infatuation gradually subsides,
Chemicals triggered by Endorphine slowly overtakes,
When calmness and stability with loving bond
prevails!
This Endorphine is reputed to be rather addictive,
And firmly binds those forces released by PEA, -
which are rather seductive!
(All Copyrights with Raj Nandy of New Delhi)
The chemicals mentioned in the poem have been verified by Medical Science.
As a darkness descends to these troubled lands,
carefully watching are those who feel a cold shrill,
hear with frozen aching,
breathing in the quickening frost...

Growing hoary slowly,
as the rime it seeds,
pressed blades of grass feel the man in need...
This is a toll that must be paid!

Her fleeting thoughts dance with the wind as she twirls about spinning into the winter’s descent...

Darkness falls and so doth she,
her thoughts in brightness, uncoupled glee,
her heart in love and mind carefree...

A sweeping, dashing, vision he shows,
In moon as deep earth,
her sweet heart glows,

“Forget the quickly, approaching fee!”

“Dear Night, oh Darkness; spare this man!”

“I see you, -hear me for I plead too, I’m watching from your ice-gripped troubled land!”

“Take me instead; I’ll pay his cost or your dark soul is truly lost!”

“I twirl with woe, I dance thus so, -wanton abandon…
the shivering cold and this ice I stand in,
Your chill, the frost, the illness and the terrible cost,
...our crops and all our people lost,
and still I shall ignore your hand!"


THEN HE DIES!

“No, your reparations I thus will pay!
Leave us now, unburden this land, your frory wind is not his plan,
God does love us, -he’ll stay your hand!”


“Some sign, an answer, please, oh please!
On frosted grass I press my knees,
will you not hear my lovelorn cries?
Why must you take him, why must he die?
I cannot stand so idly by!”


“How can you torment such good men, our town, our lands, tis ours, our home this place you’re in?"

Frigid heart of icy Dragon,
feels not nothing, mourns no loss,
bears down harder with his frost
and punishes them all for a sin...

“You beastly anger!”

“The cold hand of darkness in my eyes, my heart burns bright with moonlit scorn!”

A trumpet sounds when lightning strikes,
and thunder heard, it splits the night!

“A toll too great I shall not mourn,
Soulless winter’s passing bound,
in frosted days of chilling found,
You maketh tender hearts thus lost.
Your winter brings her frozen frost,
You tear and break frozen land asunder,
destroy our love our hearts you plunder!
Be gone such evil, lest love soon die, my heart he holds, my soul and sky!”


“Your freezing laughter has distended me…”


Storm God

“Clouds of fury, thunders might, upon that moon, clouds cover her light!"

"Sweeping winds, wisps of ice and snowy swirls opaque the night, freeze that man, take his life!”

“Break, then shatter with my cold spells of ice, he, then she, with no respite; I shall forever control the night!"

“Tell tale of love to me in playful fancy?”

“The darkness I bring; cower as your lives in fright, no man shall evade my thunderous might!”

“Sway me not oh fairy dancer from my cold winter in your bones shall arise a chilling cancer!”

“Destroy I must and hear you not, your land in peril with a wind I roar, cry you will in pain and so much more!”

“I am this world’s white awful sore!”

“Beg you shall, whimpering dearly, for darkness cometh so swift, severely!”

“Feel it, hear it, a painful sound my thunder shatters the peace with world renown!”

“As once, as was, forever more and now I smite so deafening score, I deliver you both to death’s door!”

“There is no heart within this storm; there shall be no heart in earth forevermore!”

“Love you say”

“…as if I know?”


“BE GONE NOW CURSED MOONLIT GLOW!”

“No life, no love, no NOT nothing, no, from nothingness I come and to nothingness you go!”

“Thus an answer to your pathetic dancing, your spinning motions, your frivolous prancing,"

“A stronger wind, a tor-na-do, witness the awful power I sow,”

“...my heartless mind to which you sing, out dance that you spineless twinning!”

“Die!”

“Yes, -die!”

“With his dead heart I’ll crush your soul for yours IS my quest to break!”

“Time is such a fleeting flower and Lo, I come with all my power, your time has come this is the hour!”

“I hate your love; die for me, your bond is cur-sed I decree!”

“My children are the Nephilim, their snowy crystals I turn to rain and freeze it quickly about your ankles for you as he, shall not escape, nothing, no one shall escape, all the creatures shall die this time for I am the maker of the flood, I am the abyss, the king of wisdom, the tree of knowledge, the one of action, crowned master of the earthen plane, the king of gods and king of kings and origin of all things, if God there is then he is I and what I create I shall make die! Know this mere mortal, the name of betwixting thing you learn…”

“I am that old God known as *Sah-turn!”

“My toll do I demand from thou!”

“My toll I ask, I DEMAND IT NOW!”



Sobbing sadness as she prostrates her hands to ice, her ankles bound and crying is the only sound...

The ego of the deity is in question, she searches for another way, a path of inquiry to make him stay, for the horrible fate wrought this day and lands of beauty coldly buried away...

For what could change the mind of darkness?

“Master, I see the wheels have ground to a halt and you’ve descended from the heaven’s vault but how can such lowly animals and nature be at fault, for is it not the goblins of the saw that should be punished, that should be sought?”

“Those who chop away at your great tree are the ones who smile with uncoupled glee for they smite your creation and tear it down and care not for your might, your world renown!”

“All nature is but your possession, oh timeless infinity I do not question, your purpose or need but I do ask, nay beg of thee, allow my love to thus be free, let us hold each other if we die, see my supplication, hear my cry!”


“If let go we will with all haste and prudence, your wrath is great and our presence a nuisance, away from this troubled land you’ve made, the frozen tundra of the grave, a night wrapped by your terrible song in this evil place we do not belong,”


"...please let us run!"


“You have cloaked the beauty of the moon,  covered her sky, I beseech you master hear my cry above the thunders of your sky, wrestle free my love from grip, let us pass, let us slip, let us go this night, oh great black wheel and great north wind and wolf and beast and Dragon from the faraway east and master of the air and seas and Lord of all as your voice decrees, I beg here on my dying knees,”


“The toll you demand is a life for a life, save him, put me under the frosty knife!”


Rumble, rumbling pondered thoughts, the wind is ceased and snow dies down and ground gets soft as air warms up and moonlight shines as clouds dissipate while the god of night decides their fate...

Her sobbing subsides as the ice and snow become water and seep into the earth, her dress soaking and hands covered in mud she addresses this king of kings once more. She stands and fills her lungs with warmth and begins to dance a dance of thanks to him who is hidden but a chilly wind shows that it is still forbidden. Her love watches from yonder far hill as she holds back her dance and stands so still, calling out to the color of night, stern her voice has no sign of fright...

“Punish the land and make your mark for that will teach us to give offerings to the dark,”

“Give rage unto that which hath no heart, pummel the earth and sink the ark.”

“Oh he is such a jewel to me, I’ll dance no more, I’ll show no glee, and no happiness to smite your sea in your great debt I thus will be!”

“Call your hordes, all four to thee, let them of wisdom punish me, my dancing finished great Gyges, your ring of darkness; oh wine-dark seas!”

“The four are eager for the flight to crack the seals and split the night, and show the signs, enact the plan, and run dark in blood this troubled land.”

“You see my master? We know your tales and tell our children the wonder and the mystery of our ark that floats upon your sea and all the things we know you make for we teach our children of them for heaven’s sake!”

“As natures hand you make the call, Oh Famine! Oh Pestilence! Oh Plague! Oh Death, -bring them all!”

“Come now in darkness for your master calls, his voice too loud as to be vague…”

“Run we shall, away, away…”

“Your great power, oh great one, the shatterer, thunderer, the bringer of the nightly fall, watch your subjects cringe and crawl, and supplicate on hands and knees with praise upon your mighty awe.”

“Why not bring them? Bring them all?”

“Enforce your toll, make your presence known, reap the seeds of what you’ve sown, our lives have always been yours to own, for you are great upon this land, your fury descends with mighty hand, now and forever shall it be known, no man can seat above your throne!”

“The trees thus stripped of their leaves and these hands are whipped upon our grieves,”

“Save my love from those stinging leaves from wintery chill and icy snows, hand of darkness, north wind that blows,”

“Lightning strikes and deadly throes,”

“In mercy your true power shows,”

“For you are the master, king of night, maker of fear, of horrible fright, the Ouroboros, the clouds your wings, the heaven’s motions, order of all things, the one who rings the magnificent treasure, the source of all our earthly pleasure, one to which we all do pray, -alas Ethiopia, dawn a new day!”

“The moon descends as does your power tis dawn you fool, that is the hour!”

“You can keep your anger and unpaid toll we’ll keep our love, our lives and my gentle soul.”

Storm God

“YOU DARE! YOU DO! YOU MOCK ME STILL?”

“Here comes my weathering, wintry, malicious chill!”

“Child die as your suitor must, this night, this storm, this hour unto my lightning ******! Rain, hail, fury thehowling winds of wolven glory and end I put to this sorrow’s story, down the trees, wash away the lands, rip apart the heavens know my hand!”

“…and what is this nocturnal noise?”

“In my storm are birds chirping? Is that daylight on horizon now? Nature cannot desert me, no, not now!”

“The daybreak shines, undoes my vow, ceases my storm and scatters my clouds; know this mortal is not the end for I shall come back again!Your words and pleas will not save you then, this trickery I shall not forget, your souls I’m coming back to get and when I do you’ll grovel in fear for you’ll know the moment of death is near!”

“On that night you’ll pay my toll, I SHALL NOT REST WITHOUT YOUR SOUL!”
A tribute to my favorite poet. Edgar Allen Poe.
BubbleZee Jun 2015
I want to know what kind of man you are beneath
the surface.
I want to understand what makes your heart beat faster
and what you love. What makes you mad, and why it has
that power over you.
I want to learn if your anger is hot and quick like mine, or
a lingering coldness that freezes those who invoke your
wrath. Do you forgive them when the red mist subsides,
or do you hold a grudge through all of eternity?
I wish I could know how you see me through those quiet
eyes of yours. I want you to tell me if you long to stroke
my hair as we drift off to sleep, or if it’s my curves that
your hands ache for. I wonder if you would message me
goodnight before bed, so that I would never close my eyes
without knowing that I was loved. Perhaps you would
expect my heart to know that already, simply by the way
your face lights up at the sight of mine.
What do you dream of when you close your eyes? Do you
sleep peacefully until the light dapples your skin through
the blinds, or do the tigers prowl around your head,
leaving you shivering in fear in the darkness?
When you are lonely, do you ever think about my smile, or
the way that I always know how to still the demons that
scream inside you? I wonder if I am still vivid in your
awareness, or a distant memory now; a spectre bathed in
the gentle lustre of nostalgia.
Do you chase sunsets or sunrises? I love both. Does the
promise of a shimmering new dawn appeal to you more
than the glow of another day closing in a riot of colour? I
wonder where peace finds you. Will you drink hot tea with
me as the sun blazes through the horizon, reminding us
of the fleeting nature of this life? I think I would like that.
I want to learn if you prefer the bright crackle of a
burning log fire, snuggled up in blankets against the cold,
or the way that the sun plays upon warm limbs, making
them glow golden in the afternoon light. Is it summer that
brings a smile to those lips I covet, or would you
rather turn your face up to taste the snowflakes as they
fall?
I watch to see if you curse the fact that you cannot get to
work in the snow, or if you roll up your sleeves joyfully to
build a snowman. And if you do, I notice whether you give
him a stone mouth so that he might smile upon the
children that wave as they pass him by.
Do you ever fantasise about losing yourself, out there, in
the world? Do you seek the quiet solitude of a wooden log
cabin on the edge of a lake, or do you prefer the lights
and glamour of cocktail dresses in a fancy room full of
raucous laughter?Where do you want to go? What do you
want to see?
Do you hear it when adventure calls out your name and
more importantly, do you answer?
I want to know where you hide, when the world becomes
too much to bear.
Where do you take your freedom?
Is there space for another in your haven, or can I follow
you only so far, then settle patiently to await your return
to me; the reunion all the sweeter for your absence.
See, I wanna know if you have hurt people. Did their tears
rain on your heart, each drop a sharp stinging torment? I
try to imagine if you wear a mask of hardness in the face
of another’s pain, or if you are gentle as you ask for
forgiveness. Do you bleed through another’s wounds?
Can you?
Tell me how you have broken someone you loved, and
whether you were able to fix them again. Did they love
you still when the pieces were put back together? What
horrors live in the bleakest corners of your soul? What do
you think about when you go there?
I want to know the very worst of you.
Share with me the music that plays in your heart, and
whether you dance to the beat of your own drum.
Show me the colour of your love. If you could splash its
brightness onto a waiting canvas, would it burn with
passionate reds and oranges, or would it run still and
strong in a cool turquoise calm?
Tell me if you kiss softly, your lips singing mine a gentle
lullaby, or whether they would rage intently,
scorching new pathways to my heart with a desire that
refuses be stilled. I want to feel it either way.
Show me if you want a sweet girl, or a ***** one. Or a
little of each. What makes you cry out in ecstasy? Is it a
woman that makes you laugh until your stomach hurts, or
one whose beauty takes your breath away with a single
look? Do you look for the quirky ones, perhaps? The ones
who are too easily overlooked, the hidden treasures?
Tell me, would you risk it all for love? Would you fight for
what you truly want, or would you let it slip away into
nothing, never knowing what might have been, because
you never told her that your heart beat only for her? Did
you ever realise she was waiting for you to fight for her?
Will you watch someone else love her because you were
too afraid to be vulnerable with her?
Will you settle for next best, the girl you could maybe
grow to love someday, instead of the one that haunts your
thoughts today? Is that enough for you? Maybe it is.
Could you live with yourself knowing that she got away?
Tell me about a time that you cried until you couldn’t
breathe anymore. Or where you lived through a day where
you prayed for the sweet release of death. Did you make
it through? I have been there. Has your heart been broken
into a million tiny pieces and, if it has, has it made you
hard? Or are you are still open to the beauty that the
world holds for you?
Show me your pain and I will show you mine. I hope it
does not scare you. It has helped me to grow.
I want to know if you talk to the glittering stars above us,
and which one is special to you. What do you think
happens when we die? Do we join their shining ranks in
heaven or is there nothing left for us? Are you afraid of
death? I am. Will you hold my hand if I leave you first? If
you whisper to me that love knows no boundaries, not
even death, will you mean it?
Tell me about your childhood. I want to know the way
your mother’s hair smelled when you crawled exhausted
into her lap, and the way your bedroom looked when you
were 10. Did your father cry when you curled a tiny fist
around his finger for the very first time? I bet he did. I
want to know all the people that you have loved
throughout your life, so that I might love them through
you and with you.
Do you write? Do you draw? I want to know whether you
ache to capture my face with your pencil, preserving the
wonder that lingers softly there. Do you like to express
yourself through words, or action best? Will your hands
illustrate your story as you speak and will I know that you
are lying from the way your lips tremble gently as the
words tumble guiltily from them?
What is your favourite book? Explain to me why it
enraptures you so. Please? It tells me a lot about you. I
love the way people cry when their favourite character
breaks their heart, as though they are an old friend to be
adored. Who is yours? I will seek them out and befriend
them to understand why they have moved you so much.
Lend me your secrets. I’ll keep them safe and I’ll return
them when my picture of you is complete. Whisper into
my ear so that only us two may share them. Do you
believe in magic? I do, now that I have met you.
Tell me your story, for it might well become part of my
story. Let me in. Let me see you. All of you.
I want to know you.*

-Jojo Roden
Cné Aug 2018

Souls embroidered with sweet sighs of passion
Musing of nights in lace & white satin
On a vista of flesh, flushed with desire
Riding the flames on a passage of fire

The beating of drums, commanding the night
To the rhythm of hearts, passion ignites
Wrapped in immortal flames of the sun
Burning together, two become one

Flesh upon flesh, a spirited dance
Welded by whispers of love, of romance
Temperatures rise in a fever of lust
Stoking the flames, ****** after ******

Riding the swell, in a race to the shore
Try to repress, but needing it more
Virtue be ****** in the rage of desire
Flames rise in hunger, higher n' higher

Charging the crest, temperance slips
Drawing the reins in a white knuckle grip
Crashing of waves unleashes the flood
Quaking the heart, and searing the blood

Spewing of flames in the crash of the tide
In a warm sheen of sweat, fervor subsides
Energy spent in the throes of release
Collapsing together, the story complete

Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Samber Sep 2012
“Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being “in love” which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two. - Captain Corelli’s Mandolin.
nov 1, 09
you had me standing with chattering teeth in the novemeber chill. the first time i had spoken to you in weeks. i was holding myself together so well. and then i broke. like you knew i would. hell we both knew it.
red box.hat.scent.shirts.skin.warmth.silence.depth.heart.wrecking.
we­re held to the touch of wrong. the sweet eyes of hidden truth. you have now set me up twice but i like being taken advantage of when its you taking.i am the perfect descripiton of your sweetest downfall, your only downfall.i want this all to come. come straight into me again like you always did. i mean i saw you smile when you wanted to walk away. but something in you made you stay.you could have broken my grip in half but instead you laughed at the jokes you wished you didnt have to hear. and i know this never happened. we never happened.ever. so im writing about a night that didnt exist.your hands slipping over skin.trembling under the brush of your hand.shaking all over like it was happening all over again.
“everything is so ****** up now. what do we have to lose now? everythings all ****** up.”
“am i just going crazy cuz i miss you?”-atmosphere.
i think you were impressed by the outcome of my words.
Styles Jun 2016
Let me taste you,
let my tongue ripen inside.
Licking your lips,
dryer that sweet wine.
Mix your taste buds with mine
your decadent flavor is fine.
Succulent as is divine,
your taste, I devour
time after time
emotions erupting
The burning passion
never subsides.
devine Aug 2018
a whole year
a whole wild world

hundreds of laughter
gorgeous amber
restrain my anger
i thought it was for the better
but my heart is shattered

unbearable pain
from a beautiful sin
getting wider everyday
getting sadder everyday

i am aware of limits
i face it every minute
but we're beyond that
is it that bad

been out all seasons
escaping prisons
fighting demons
i shout it out loud
hold you around
feeling insanely proud
you can tell by the clashing sound
but why am i wrong to believe in
everything we are
everything i got

my strength subsides eventually
painfully

because i'm out here fighting
but you're in there hiding
Lorem Ipsum Nov 2017
It doesn’t matter why I was there, where the air is sterile and the sheets sting.
it doesn’t matter that I was hooked up to this thing that buzzed and beeped every time my heart leaped, like a man whose faith tells him:
God's hands are big enough to catch an airplane

or a world,

doesn’t matter that I was curled up like a fist protesting death,
or that every breath was either hard labor or hard time,
or that I’m either always too hot or too cold
it doesn’t matter because my hospital roommate wears star wars pajamas,
and he’s nine years old

His name is Louis

and I don’t have to ask what he’s got, the bald head with the skin and bones frame speaks volumes. The Gameboy and feather pillow booms like, they’re trying to make him feel at home ‘cuase he’s gonna be here a while

I manage a smile the first time I see him and it feels like the biggest lie I’ve ever told.
so I hold my breath
cause I’m thinking any minute now he’s gonna call me on it
I hold my breath
cuase I’m scared of a fifty seven pound boy hooked to a machine, becuase he’s been watching me, and maybe I’ve got him pegged all wrong, like

maybe he’s bionic or some ****.
so I look away.

like I just made eye contact with a gang member who’s got a rap sheet the length of a lecture on dumb mistakes politicians have made. I look away like he’s gonna give me my life back he minute I’ve got something to trade, I **** near pull out my pack and say


Cigarette?

but my fear subsides in the moment I realize Louis is all about show and tell. he’s got everything from a shot gun shell to a crows foot and he can put them all in context like:

See, this is from a shooting range and

see, this is from a weird girl

I watch his hands curl around a cuff link and a tie tack and realize that every nick knack is a treasure and every treasure’s got a story and every time I think I can’t handle more he hits me with another story. says:

See, this is from my father. see, this is from my brother. see, this is from that weird girl. see this is from my mother. it took me two days to figure out that

that weird girl, is his sister.

took him about two hours today after she left for him to figure out he missed her.

they visit every day and stay well passed visiting hours. because for them that term doesn’t apply. but when they do leave Louis and I are left alone and he says the worst part about being sick is you get all the free ice cream you ask for. and he says the worst part about that is realizing that there’s

nothing more they can do for you. he says:

Ice Cream can’t make every thing ok.

and there’s no easy way of asking and I already know what he’s gonna say, but maybe he just needs to say it so I ask him any way. Are you scared? Louis doesn’t even lower his voice when he says

**** yeah.


I listen to a nine year old boy say the word ****, like he was a thirty year old man with a nose bleed being lowered into a shark tank, he’s got a right to it and if it takes this kid a curse word to help him get through it, I want to teach him to swear like the devil was sitting there taking notes with a pen and a pad but before I can forget that Louis is nine years old he says:

please don’t tell my dad.

he asks me if I believe in angels,

and before I realize I don’t have the heart to tell him, I tell him Not lately, and I just lay there waiting for him to hate me. but he doesn’t know how to, so he never does.

Louis loves like a man who lived in a time before god gave religion to men and left it to them to figure out what hate was.

He never greets me with silence. only smiles. and a patience I’ve never seen in someone who knows they’re dying. and I’m trying so hard not to remind him, I’ll be out of here in a couple of days, smoking cigarettes and taking my life for granted. and he’ll still be planted in this bed like a flower that refuses to grow, I’ve been with him for five days and all I really know is Louis loves to pull feathers out of his pillow, and watch them float to the ground, almost as if he was the philosopher inside of the scientist ready to say that its gravity that’s been getting us down. but the truth is

there’s not enough miracles to go around kid,

and there’s too many people petitioning god for the winning lotto ticket. and for every answered prayer there’s a cricket with arthritis, and the only reason we can’t find answers is the search party didn’t invite us, and Louis right now the crickets have arthritis

so there is no music.

no symphony of nature swelling to crescendos, as if we bent halo’s into melodies that could keep rhythm with the way our hearts beat.
so we must meet silence with the same level of noise that the parents of dying nine year old boys make when they take liberties in talking with heaven. we must shout until we shatter in our own vibrations then let our lives

echo, and grow
echo, and grow
echo, and grow

Grow distant.


grow distant enough to know that as far as our efforts go we don’t always get a reply. but I swear to whatever god I can find in the time I have left I’m gonna remember you kid. gonna tell your story as often as every story you told me, and every time I tell it I’ll say see,

there’s bravery in this world

there’s 6.5 billion people curled up like fists protesting death, but every breath we take has to be given back, a nine year old boy taught me that.

so hold your breath. the same way you’d hold a pen when writing thank you letters on your skin to every tree that gave you that breath to hold.
then let it go. as if you understand something about getting old and having to give back
let it go like a laugh attack in the middle of really good ***

the black eye will be worth it.

because what is your night worth without a story to tell, and why wield a word like worth if you’ve got nothing to sell. people drop pennies down a wishing well as if the cost of a desire is equal to that of a thought. but if you’ve got expectations expect others have bought your exact same dream for the price of the hard work, hang in, hold on mentality, like I accept any challenge so challenge me
like

I’ve brought a knife to this gun fight, but other night I mugged a mountain so bring that **** I’ve had practice.

Louis and I cracked this world wide open and found the prize inside because we never lied to ourselves, never told ourselves it would be easy or undemanding.
so we sing in our own vibration and dare angels to eavesdrop and stop midflight to pluck feathers from their wings and write demands on gods hands

take the time to catch you

so that even if god doesn’t, it wasn’t because we didn’t try.

I don’t often believe in angels, but on the day I left Louis pulled a feather from his pillow and said this is for you,

I half expected him to say

See, this is the first one I grew.

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders.(Wikipedia)
Kwanele Mar 2015
He said to her;
  -Love, unrequited
Feelings that could not be debated, you ran and I chased, instead of trying to get this paper.
You took a glance,
I took a chance and stared, into a space where my subconscious mind travelled on the daily like fresh bread and....that place happened to be where the galaxy unfolded..

A place where I would stretch your folds and you with your own moans, damaged your walls but never spray my graffiti on them.
You swallowed my ***** so I thought Richard would be the reason you wouldn't see men, but it seems when all it ends you drop me like the ash of that cigarette you so eagerly urged me to leave, but in between contemplation and how my heart skipped beats at the thought of you not being... I saw no reason.

Your touch had no equal, your tongue was lethal. A poison that subsides my pride and doubt it , but kind of made me feel how you only did so well cause no other compared to how I had you screaming, whimpering.. How you shuddered when I made you numb to all senses and when your knees weakened , that one faithful Friday evening.

See we fought but talked about it when the heat settled, like the humidity when I sat and thought about it all the next morning ... Mourning emotions what were non-existent, the regret swam through my thought canals like when you came to your senses after your reign of pleasure.
But things could never be the same , we all suppress pain in our own unique ways.
A love song minus one
We spoke a language of lies but it was fun , so we went on separate paths just to meet again and ignite the spark with ember words, no inhibitions, just fire..

The aftermath of the one night stand that never ceases to be found inside my mind which I hope to lose sometimes.

She said to her:
This love, this unrequited love like a lover drowning in an ocean of her very own tears, screaming the words
" do not come near me, don't save me " this unrequited love like a bated breath, I wait for thee to see the look in my eyes, to see the raw emotion.
How mistaken I was, the raw emotion you saw in my eyes.. The one I'd let close enough to see me, only revealed at my most vulnerable moments when you were in between legs you're tongue , torturous... refusing to let me come , because that's all It was to you.. A game.. I was your unrequited lover, submitting to all the ******* you called love, it was not. I was the one you called when the silence was too loud and with my wavering heart and aching core I gave into you like you never left my side.

My heart entwined, in your web of lies..
your fingers deep inside, my core on fire, aching , throbbing..
You held me tight, calling me baby baby baby , whispering sweet nothings " I will never leave you "
You were never mine .
You said to me one night " baby, who needs a relationship, all we need is one night " and then you left through the door, you left me in pieces, you took away my everything, you left me in the bed with your side frozen as the winters cold, you left me, feeling used , so used..once again

I looked back and knew , this would never end.. days later you walked in , I gave into you... Legs sprawled awaiting , impending thoughts in my subconscious : " will she touch me, her name in my mouth ready to be said, please touch me ****** "

This unrequited love : I am drowning but I cannot ******* die.
   I am trying so hard to reach for your hand , hold it against my heart and make it all okay.
I am trying with everything in me to get close enough to caress your cheek..
You were never mine and I was not granted the pleasure...
  
The aftermath of That One Night
The aftermath of The Unrequited love
- I cannot get you to love me, I cannot make myself stop loving you.

- M.V.M.M.X . BX
-catharsis . QM
Co-write with BX
Luna Lynn Nov 2016
my pain is invisible to you
as i sleep the day away
the ache never subsides
the fear never fades
and the clock ticks
there goes another day

another tear
another night of crying
through the pain
alone in suffering
in an agonizing way
and the world just keeps turning
as i yearn to watch it spin

the end of the rope is tied
yet my faith is not secure
it's the fear that keeps hope dead
it's the past; the memories
that fill me with dread
it's all i have endured

be still in the shadows
i try to coat my doubts
fear in light exposes weakness
and to you i'm a nuisance
a burden
you blow the candles out

i try with every drop of blood
to keep this soul in circulation
don't let it win
i say
clench your fists
grind your teeth
grasp the demon in his realm
don't accept his invitation


but there's the dread
but there's the pain
but there's the inability to cope
you see this thing
it has you by the throat
ready to slash and slice and take your
LIFE!

and so i crumble
not from being weak
but from remaining too strong
from carrying the weight of oceans and rivers and valleys and mountains and plains travelled
far too long

oh the hurt it subsides at times
though it is never absent
i ask God to heal
what the world says can't be
and so i take what lemons they hand me
in hopes that someone keeps their word
promising a happy ending
a cure

in the time being as i lay here
in the dark thinking about tomorrow
and where i might go
all i ask is for your grasp

please don't let me walk alone
(C) Maxwell 2016
1108

A Diamond on the Hand
To Custom Common grown
Subsides from its significance
The Gem were best unknown—
Within a Seller’s Shrine
How many sight and sigh
And cannot, but are mad for fear
That any other buy.
Haley Harrison Aug 2022
There's something about the sea:
In feeling a force of nature,
So much stronger than yourself,
Surround you in its embrace.

There's something about the waves,
Their raw power,
Their cool, demanding strength.

And there's something about his hands,
His voice, his eyes.
The way his body pulls mine under,
Like waves,
Indomitable, forceful,
Alive.

And I'm floating.
I'm sinking.
I'm thrown around in the current.
In his arms: the sea;
The breath he steals
Then grants it back.

And I pray only
That the tide never subsides.
19.08.2022.
the raw confusion of the nucleotide fusion,
the great concoction of recombinant DNA,
when we cross over our own boundaries
and subsume, integrate, reformulate our
very selves, with inhalation complete of
another human being; the danger’s inherent,
absorbing a foreign body totally is the creation of a new being entire, vulnerable
despite the new totality of the resources of
two hearts acquired for mergence

and the rush of two different bloodstreams
now circulating, stronger by far, and equally
vulnerable to diseases never prior considered,
these tissues patches, interwoven skins, two
fabrics, silk and wool, a smooth itchy, that
makes us stronger with yet unknowns of weaknesses, and then we encounter what
cannot easily be digested, comprehended,
for even new cells split apart, and the terrible
terror of dividing division that is the side effect of integration, new subdivisions never
ever forever foreseen cause volcanic tremors
and trusting your other half is awful,
until the fear subsides

this is the why
I write of
only love poetry,
the study of this process
so poorly and powerfully
misunderstood
is the atom bomb
of the human psyche

in rivers dark we travel,
oars with cotton muffled,
for there are dangers on each bank,
and in the waters beneath
the salt and the fresh
excitingly & violently blending,
different weights
somethings fall to the bottom,
others rise to the top

and when the process is nearly resolved
(for never ending,
by default defined,
for end is a conflict
constant
interrupted by truces fraught,
fragrant and vulnerable)

this then
is living,
this physic of the
bio-il-logic process
called love,
and the endlessness
that it requires

the inconstancy
of the
constancy
of the
deepening well,
and the
redemption of
redefinition
of what is
well


<>

2:10pm
nyc
10/21/24
music
———
“Sometimes Whrn We Touch” Dan Hill
“Total Eclipse of the Heart” Bonnie Tyler
“By the Rivers Dark” Leonard Cohen
Cadence Musick Aug 2013
cloudy blankets give warmth
when the outside world
screams
and rain falls like
domestic violence
and inside it's all
tea and blueberry
muffins baking
slowly
likethelove
in my guts.
i was confused that it wasn't a burst;
something violent
like the stomach flu
(that made me think
it wasn't really you
who i should count the
seconds with)
but you've patted soil
around my ankles
and i'm growing in your shade
blooming love
that has roots
instead of
momentary
drunkenness
Lily Nov 2015
You made me feel important
Just like all the girls you cherish.
You overlooked the fact that I was just a flaw,
Merely a sratch compared to you.
You thought me how to love
Even when my heart only knows hate
And even though the path was dark
You guide me all the way
Yes, I never noticed
But I was never forgotten
So here I am,
Surrendering completely,
Mind, soul and body.
And I admit I'm a failure,
Totally not worth it,
Next to you a pile of dirt,
Beggar asking for pity,
But once the pain subsides,
I know it's you who had set me free
Mateuš Conrad May 2020
an entire day of abstaining from "syringe",
whoever said it was:
the perfect dis-satisfaction -
supposedly it passes as quick as someone
puffing on crack...
                well...
                      the first cigarette...
when "quitting"... after years of 20 a day...
and this quitting: because no cheap
ciagarettes on the horizon from moldova...
or bulgaria...

    the first hit... feels like electricity...
i can feel it from my head...
right down to my toes...
          in my heels...
the tingling at first... then it all subsides...
into a sensation of a thrown stone
into the stomach:
like a nun jumping a bungee...
i feel like a teenager... who first sipped
alcohol...
the carousel of intoxication -
yet: so contained...
        there's the thrill and an
insurmountable number of adjectives
to the sensation:
face like a sponge head like blitzkrieg
theatre...
         i'm "quitting"...
well... 10 years exposed to the numbing...
perfect the ritual:
i guess i must...
    how long will it last... long enough:
to base the drinking on what becomes
the cigarette: on the peripheries:
and closure...

must i take any more revelation drugs...
apart from what's taxed and legal...
a solipsistic cigarette and some
gomme syrope: putting ms. amber
into the refrigerator...
              
i can feel the horde the tsunami from
a fat head through
a whirlwind dropped into my stomach...
and then the magic toes: tingling...
of course: i'm "quitting"...
quitting as much as...
mellow lou reed contra iggy pop
when bowie was with him in berlin...

"quitting"... the initial hit is over...
the first impressions...
the formality is thrilling...
then comes the diffusion:
the informality of fractions and percentages...
from the brain... the nerves...
perhaps the heart...
and the last place to look into:
the liver...

         and other... soft-tissue glue parts...
and the ritual:
a packet of benson & hedges...
wrapped up with about 10 rubber bands...
it has been waiting for me
for the entire day...
and now that the night is here...
a day when an apple tree was planted
along with a cherry tree...

the garden is looking more and more
presentable for sale...
but before the sale: it must be enjoyed...
i never thought that...
a cigarette: after... this short prospect
of abstinance...
is almost like the first...
but when coupled with the whiskey...
hell... i can't remember the last
time i drank and it felt like...
i was a teenager: under-age drinking
in one of those ****** clubs that
high-school girls go to find boys
with cars... out of school without
a-levels...
and boys go... to find... ms. ambers...
and jazzy gits of mr. fuzzy mr. funny...
the bavarian brothers: the weisers...

please! please! more...
these days of "quitting"...
             because what could be fun
about an absolute cold-turkey...
when you have a stash of...
  600 cigarettes... and... if the math is
about right...
and since the free movement of
people is a rapunzel dream off-the-cuff...

600 cigarettes... if i get it right...
move from 2 per ritual of going to bed...
into 1... that's... either a year
with missing 56 days somewhere...
no rolling tobacco though...
look m'ah! no bongs no syringes!
look p'ah! no snorting bleeding nose...
no... plum bruises from...

as long as there's an inhibition period...
a period of: i wish i could send
a postcard from... Basildon, Essex...
to... someone obliterated by a craze-maze
of lights... like... whatever...

i just heard stories...
                  about the effects of other drugs...
but... it's not like they come back...
with straitjackets to rekindle old flames
of "crossing the threshold" within
the confines of tobacco and alcohol...
moderately: well: not to quote the ideal
units consumed...
     i'm pretty sure i read some pickwick papers
today and... dickens "forgot" some...
conjunction words...
unless of course: his style...
                    -open            
                          to question-
                        esp. adjectives that...
or is it... nouns that act like this that and the other:
as if verbs...
            
    roughly half an hour... the full extent of
a cigarette...
the very first is probably the same
as the "very first" when you're "quitting"...
from circa 20 per day...
to 2-a-day...
                      "quitting" and first getting
hooked...
           the whiskers and fire fathers
                                   of the apache
              are a balancing act that follows...
oh sure... i'll quit smoking...
when the ritual is over...
i have left the casual smoker behind...
somewhere... over coffee...
over the tradition of that cigarette after
a meal: the digestifs smoke-up...
i left these smokers behind...
the nervous smokers...
the waiting at a bus-stop smokers...
the after *** smokers...

          the day is coming to an end...
i'm going to enjoy some music...
drink a little... i'll start calling this smoking
cigarette pattern... what? what else?!
my tobacco ramadam!
chances are... i'll still be unable
to appreciate roxy music...
   and the english dandy...
                       the music is here...
the little bit of *****... and the "pipe"!
here comes my face...
here comes the zoo...
            
             but i'm quitting... "quitting"...
the wolf of wall st. -
                      drug addict... that all depends
on how you treat tobacco...
the cigarette... abstaining for a day...
after a "hiatus" from healthy breathing...
viruses and car zinc and lead exhausts...
cow farts...
                  
    a terrible way to treat tobacco...
i find... is the casual... informal way...
a bit like... internet access...
whoever grew up with it being stationary...
like... a telephone... or a phonebox...
it was never carried:
always a returned to:
like a swizz safety-deposit box
in a bank... that could...
bypass tax regulations and subpoenas...

the good old days...
saturdays the park... the high street...
the car park... climbing to the top
and spitting phlegm bombs at people...
peter ******* richardson...
and kieran o'mahoney...
samuel richards...
         a ****** among the irish...
in england...
then again: richardson...
eh...
                                   ascot?
      i.e. a shcoot?!
                    the break between my first
ritual cigarette...
         and my closing affair for the night...
whether i drink less or not...
in the middle of the night
i wake up on the floor...
         i sleep on the floor for about
an hour... two demons want to ****
in my bed... then i'm thrown back into
the bed of cushions and mattress...
  only yesterday i killed someone in my dream...
and i was... like the zodiac killer...
anonymous...
i heard hook & sinker teases of:
the crime scene read like a crime thriller...
to appease the ego...

two days running thrown out of bed...
this is a terribly composed...
it is... "quarantine" poetics...
i'm "quitting" smoking...
                   i'm making tobacco...
i'm giving tobacco ritual rites...
                   no lazy tobacco smoking...
end of the day... ms. amber in hand...
maxing out on 2!
the next two? the next day...
              the same packet of cigarettes...
2 inside with a lighter...
wrapped up using about 10 rubber bands...
a like-for-like replica of
pin-heads "tattoo geography"...

       yes... because... someone's nearing
the snorting olympics?!
           if all you were given...
was tobacco and alcohol...
             the first one... oh! mein! gott!
it feels like being a teenager... once more...
and experiencing the alcohol carousel
for the very first time...
tobacco? that came later...
after the alcohol... after the ****...
the **** came in age 21...
the tobacco came in... age 21.09...
whatever that implies...

                      it's nice... though...
absitance... you wait for the entire day...
by the of it... some variant of... tourette's kicks
in... it's all very nice asking for
cupcakes and bagels...
scones and daffodils:
or... suicide by: lily-of-the-valley...
i.e. room filled with them...
and no ventilation...
talk about... no hanging... projects...
of Seneca cutting wrists in a bath...
just... getting drunk...
and being allowed to fall asleep
in a vacuous room filled with
lily-of-the-valley bouquets...

             we can talk about suicide... no?
when... it's... beautiful? no? ha!
how was the hemlock... prescribed?
as a drink?
             i... it's almost irritating that...
i will not write anything more sensible
after i take the 2 cigarette to the grave of sleep...
no matter...
i wasn't hoping to invest in much:
today gave me enough.
Jackie B Dec 2014
Like all the wind that moves the seas
As time floats down
Like leaves off trees
And all the colour of black and white
The fades of eyes as dark as light

Like all the things I choose to see
So thick the air that i once breathed
With soft the touch and light as sand
As all the grains fall through my hands

But as you stare into my eyes
And reach your soul into my mind
The opposites appear and then subtract
As time starts still and white is black

You speak your voice and make it clear
To follow the truths that now appear
To make the most of what i have
Embrace the start do not look back

My blue eyed friend for now I see
The voice you speak can calm the seas
And grow the leaves back on the trees
While all the colours stay the same
The grains of sand remain in my hands

And most of all for what has changed
The fades of eyes as dark as light
The brightness subsides so I can see
The blue eyed girl in front of me

And all the words she has to speak
So thick the air that I once breathed
Is now a whisper is now a stream
Is now a smile within my dream
Tommy Johnson Mar 2014
Lion strike
Lion strike
Laying low
A herd of antelope

Lion strike
Lion strike
Standing still
Staring down the next ****

Lion strike
Lion strike
Hurry, pounce
Abrupt jounce

Lion strike
Lion strike
Hunger subsides
And you survive
Jeremy Betts Feb 2018
I find it hard to put myself out there, I don't go out on a limb
To concerned about what people think and say, like "man, look at him"
"Who the **** does he think he is, he ain't no Eminem"
These words never hit my ear but I swear I'm hearing them
"Look at this, another poor white boy from the trailer park"
"Trying to hit his mark and make it big by belting out what's in his heart"
They got no clue money and fame wasn't my reason to start
It began as a way to shed some light on what seemed like eternal dark
One spark was all it took and I couldn't stop this pen from spilling ink
On the brink of insanity aboard a ship destin to sink
Life ******* me like a *****, two in the pink one in the stink
Swallowed a bottle of pills, why did they give me this charcoal to drink
Hmmm, let me think...****
That's the problem, I just reacted, I didn't stop to think
Didn't stop to think about everything I was about to flush down the stink
But the rope that was supposed to save me is now the one around my throat
The beautiful words I wrote now read as if a suicide note
But getting these thoughts out worked better then letting them get my goat
The loose lief kinda saved my life, it kept me afloat
I filled up hundreds of papers, I wrote down thousands of lines
The more I wrote the less I hurt, confidence up and pain declines
The rain subsides eventually in everyone's minds
But make no mistake the beast still resides behind these eyes
It's just these words are like a prize, they put the beast to sleep like lullaby's

©2018
Angel luis Mar 2014
My frustration built up like walls around my sense of serenity.
Starts out like a microscopic chip.
That then builds higher and higher like the building blocks of a child.
Just like the starting of a volcanic eruption.
My insides boil with a heat and anger.

My tranquil side in the brain tries to break down this build.
Yet like a volcano nothing can be done.
Frustration cannot be stopped til it subsides.
People may only run and take cover from the explosion erupting inside.
My level of lava in the inner core grows and grows.

I begin to struggle with my wording like a toddler beginning to speak.
These are the signs of a frustration morphing into an angry rage.
That microscopic chip blows like the end of a ticking time bomb.
Words pour out of my mouth like roaring waves of a storm.
Finally the lava simmers down and hardens to form the hard crust.

My frustration becoming anger subsides.
I forget the violent words that were just spit out of my mouth.
I feel in a daze like I was not myself in those seconds of rage.
Just like a tornado destroys things in its path then goes away like it was never there.
My clear sky of tranquility and peace rises and appears.
For the Dragon hissed as the Dragon died,
Apollo’s kiss as the night subsides,
Python’s bliss as naiad’s cried,
And the wailing woe’s on a weathering tide,

Water-wall from Kētos scream, tsunami crash, swallow everything,

Rolling clouds and the pouring rain and the serpent dying writhing in pain,

And the Dragon hissed and the Dragon died,
Apollo kissed away the night time sky,
And the Python’s bliss as his naiad’s cry,

The Sun awoke at the wheel-house berth, armor gold, chest-plate of Earth,

And valiance choked, squeezed by Ladon’s girth,

As the serpent swelled with the stormy seas,

To collapse great hero upon his knees,

Apollo, Cadmus and Hercules.

Reborn by fire, Father-Lion’s roar, returned each night to even-up the score,

And the Dragon hissed and the Dragon died,
Apollo’s kiss ward off night time skies,
Oh the wailing woe of ominous tides,

The scythe or club, boulder at night, rocks from heaven and the perilous fight,

Black-oil venom, heart of a beast, starry night’s runner split from the east,

Noxious breathe, flame-seared teeth, smell of death from a ****** feast,

Speared at the neck, pinning head to earth, then celebrated as a day of birth,

The serpent on his shoulder, or dangling from the tree,

Arising from the waters, from the depths beneath,

Cast out under a mountain, yes underneath, then wear his skin and sow his teeth!

And the Dragon hissed and the Dragon died,
Apollo’s kiss as the fight subsides,

And Python’s bliss as his muses wailed, between the horns where Argo sailed,

Call it a man or Charybdis, Scylla, rock, a multi-headed beast,

Or just two horns with a middle disk and Apollo’s fire, Sun’s dawning kiss,

And the Dragon hissed as the Dragon dies,
And Apollo’s kiss create the day time skies,
And the Python’s bliss at his naiad’s cries,
And the Dragon hissed and the Dragon died!
The story of Python in bardic tune. This is the source of the tale of St. George and the Dragon. It is the conflict between the night time sky and the Sun which is fought daily but the dragon is, "pinned," for three days when the sun rises on the same spot on the horizon during the Christmas holiday.
I

Now it is autumn and the falling fruit
and the long journey towards oblivion.

The apples falling like great drops of dew
to bruise themselves an exit from themselves.

And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.

II

Have you built your ship of death, O have you?
O build your ship of death, for you will need it.

The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.

And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.

III

And can a man his own quietus make
with a bare bodkin?

With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?

Surely not so! for how could ******, even self-******
ever a quietus make?

IV

O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!

How can we this, our own quietus, make?

V

Build then the ship of death, for you must take
the longest journey, to oblivion.

And die the death, the long and painful death
that lies between the old self and the new.

Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.

Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.

Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.

VI

Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.

We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.

We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.

VII

We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.

A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.

Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.

There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!

VIII

And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone

It is the end, it is oblivion.

IX

And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.

Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion

Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.

Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.

A flush of rose, and the whole thing starts again.

X

The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.

Swings the heart renewed with peace
even of oblivion.

Oh build your ship of death. Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
Shae Sun James Apr 2011
the backyard is home to a field of flowers
amidst the roots the family dog discovers skeletons
the petals stick to themselves; the weeds spread
it's found that the flower-bed holds its secrets
with curiosity and wandering eyes comes a child
in innocence, he opens his arms only to receive pain

he drops to the earth, writhing in pain
his light form crushing the weeds and flowers
the dog barks at the screaming child
and tries to release him from the skeletons
the strength of their grasp is that of their secrets
you see the effects spread

across the child's skin they spread
his face warping under the pain
opening his mouth, he began releasing his secrets
telling only the ears of the crushed flowers
and the arms around him, those of the skeletons
look at the helpless child

the bones are engulfing the child
grabbing and pulling, faster they spread
the boy becomes one with the skeletons
he becomes one with his pain
his body sinks further down into the flowers
and the flowers promise to keep his secrets

the weeds overheard his secrets
the boy looks less and less of a child
as he settles in with the flowers
making room for him, the flowers spread
the suffering subsides, decreasing pain
he's almost as the skeletons

his body unites with the skeletons
the ***** age keeps his secrets
no longer is there pain
no longer is there a child
into the ground, his limbs spread
into the roots of the flowers

the pain no longer is in the child
because the skeletons stole his secrets
his bones spread among the flowers
© SSJ 2011.
Lora Lee Sep 2017
Sometimes
         I feel a well
                   dug deep
         into my heart
  I try to stop it
but it quickly
becomes ocean
  and overflows  
     into great tsunami
          rises over all the levees
             rushes past dams                  
               breaks down tall
                   city structures,
              edifices crumbling
           in its path
     all the squid and octopi
    skitting forth
in wild pulses,
tentacles entangled
     in doorways and rooves
        slipping through narrow
                window-openings
                   as they pour ink
                       in clouds,
                         shifting shapes
                          in cephalopod excitement
                            while blue whales
                            and humpbacks
                               breach over bridges,
                             phosphorescent jellies
                          light up
                       the dark streets of
                      my arteries
                     electric eels illuminate
                    the alleyways of
                   desolation's thick syrup
                     and I cannot stop it even
                            if I wanted to,
                   these darkened,
                     swirling waves
I am both floating and flying
like a jumping manta ray
curling around the ferries
bobbing in seahorse iridescence
weaving between buses
as if they were corals

And when the storm subsides,
colorful rockpools form,
rich in diversity
It is there,
in between the
multicolored ***** and
succulent shellfish,
in a mermaid's
       voluptuous smile
and turquoise eye
that I see you,
so crystal clear
                I could reach out              
                      and bring you to me,          
                         holding you tight
                         until the
                gentle break
     of
          morning
https://www.youtube.com/watch?v=zVGQWw4Ap6o
SassyJ Jan 2016
Patterned dots, existence connects
An anther to a stigma, reproduction
The pollen withers, pollution subsides
Colonies of bees vanish in the wind
Toxic genetic food wins in binge

Mother earth cries in pain, an ail
Food chains and supplies cut short
Globalised mass production of poison
Supermarkets stocking “all season”
Consumerism monopolies swell

The environment abused and misused
Plastic bottles displaced, a chemical sludge
The haunted “great pacific garbage patch”
Littered garbage, debris and chemical sludge
Humanity displaced, dissociated and divided
Ruining sea waters , floating landfill fueled

Probability of heightened population
Global panics, mimicked maniacs
Reductions of resources to feed all
Unsustainable long windy farms
Big roads, buried bills, stingy reality
We are connected to every elephant that stamps, every bird that flies and every bee that buzzes. As peculiar as this may be it is so true. In the last 15 years the bee population is diminishing/ disappearing! It may seem far-fetched but it is true and relevant. They call it CCD (Colony Collapse Disorder). Initially, they blamed it on pesticides but this can only affect 1/3 of the population. Some scientists blame it on genetically modified crops as they might have toxics that poison the bee. But this has got a great effect on the food chain.

Such trends identify immense threat. Globalisation has meant that we have "all season" food.... you can get what you want... when you want it. Is our consumerism mode to blame? Have our reckless outlook in life lead to "the great pacific garbage patch"?

The world population is on the increase currently at 7.3 billion and projected to be 9.7 billion in 2050. Have we got enough resources in mother earth? Have we abused and used her? It's a long long road, the windy path... the stingy reality.
April Feb 2015
lulling comfort of uninterrupted sleep subsides
replaced with an involuntary state of sedation
the emergence of an all too familiar presence
paralyzed by the force of a lingering sensation
choking internalized fear
timeless inaudible cries for help
unknown visitor condemning you to an everlasting silence
physical horror encroached the night
a lone passenger aboard an eternal voyage
bound for relief from this crippling fear of uncontrollable stillness
remaining prisoner to this petrified state
concrete walls of stirring madness
hallucinations of strange alien formations
faceless entities strike infinite fear
in the core foundation of sleep tonight.
Barton D Smock Sep 2013
beauty is the beginning of beauty.  a man and a woman wait together for a stripper.  you know the man like an intimate thought.  like a toddler covered head-to-toe in blue body paint stepping in front of a blue door.  the woman is an unfinished stranger whose son comes home to be with war and whose husband rests until laziness subsides.  the man is aware he’s the devil and this makes him god.  the woman is unaware she’s the devil and this makes it easy.  the stripper is watching a horror film and it makes her want to have a child.  she decorates her home then tries to remember moving a muscle.  the blood you don’t see is fake.
Kali Jul 2016
My Best Friend

It's cliche to say I'm in love with my best friend,
Or to say that she's my soul mate.
But those are the only words humanly possible to describe it.
I can tell her anything
Everything
Whenever
Whatever.
If I have a random thought at two in the morning
And I wake her up,
She won't be mad.
She's half awake but she listens. She'll tell me it's okay
Hold me until I fall asleep,
Wait until she hears my steady breaths
Wait until I stop shifting.
It's so intimate in those moments.
When there's nothing around us but the soft whir of the A/C and the warmth of her love.
Or when she's crying in her room and the only words she can muster are apologies for things she didn't do and can't control.
And I sit,
Soothing
Repeating
Whispering
The only words that calm her down.
She knows them well.
I sit with her,
Sometimes unsure of what to do,
Doing the only thing I know.
And wait.
Calmly,
Patiently,
Understandingly.
I wait until it subsides.
And I wipe the tears gently from her eyes.
Push her hair out of her face,
Kiss her sweaty forehead,
And whisper lightly in her ear
Everything is alright.
Letting her know
I love her,
And I will always be here for her.
For she is my best friend
And my soulmate.

-1:30 a.m. K.E.
F Alexis Mar 2014
All my life...
There has never been a shortage
Of people to tear me down.

I have never been without
Someone to throw the words that cut,
And leave me bleeding
Without a nurse to tend the wounds
Or the means to heal them.

It wasn't often that I went without
Hearing something to remind me
Of how little I was worth.

I was told that I was no good at this,
And shouldn't pursue that.
That, "if I were you, I would skip the audition."
And that I wasn't allowed to do certain things,
Because,
"You're not good at it. Get over it."
Still a ******, I was called a *****,
And was only bought clothes bigger
Than what I needed,
Because someone would rather
Convince me to hate my body,
Than change their own.

I was told that if I didn't do
Certain things,
That no man would want me.
And that he would go look elsewhere.

Though I had hands laid on me,
And not in love,
It was the words that held the most
Power.

The words that followed me.
That haunted me.
That poked at me and taunted me,
Making it impossible to ignore them.
The words that eventually,
Despite my greatest efforts,
Began to ring true to me.

And the mission whose missiles
Were these very words
Became a success,
Making me feel unlovable to the
Highest extent,
Packing me with baggage
That no one should ever bear.

The pain was indescribable.
The recovery, impossible.
The hope that I might prove it all wrong,
Harder to keep alive than
A butterfly who had already had its wings
Ripped from its body.

I had never wanted so much
For a kind heart,
A brief, flickering light
To draw me in
And keep me warm...

To nurse the cuts that always bled,
No matter how I wrapped them.
To offer gentle words
And a gentle touch.
Things that I ached for
Like food and water.

I struggled to hold on to the hope
That there was someone
Who might tell me differently.
That I was no *****,
But beautiful
And deserving of love.
That I was no terror to behold,
Or bane to their existence,
But someone that made it a little
Brighter.
That I was no problem to be solved,
But a person, a being with value
To be held
And loved
And looked after.
Someone who held purpose
And whose heart deserved
Healing
And someone to hold it,
Someone to look after it.
Someone to hold and
Look after me.

I strained to hold onto the possibility
That I could make someone happy,
Instead of only inspire their hateful words.
That I might hold some merit to someone,
And be a welcome part of their lives.

But then I realized...

No one would want all of that.

No one looks to nurse wounds
And fade scars.
No one aims to prove false
The insults and jabs and discouragement
Thrown at you.
No one wants to wait patiently
For the trust to grow while the
pain subsides.
No one wants to bear the patience
Of dealing with a broken person
Who every now and then,
Cracks a little bit.
People want shiny, new, and undented.
Not something that has been shattered
And clumsily pieced back together,
Never looking quite as pretty or worthwhile
As the perfectly intact,
Looking like it might break all over again.

I worked to fix myself,
Always trying to make better
Something I couldn't even identify.

I worked to become perfect,
To gloss myself over
And fill in the cracks,
Hoping to look like that
Lovely, intact counterpart
That I would never be.

I felt as though I waited
For something to happen
That never could be,
And for someone to come along
That would never show.
Like a constant replay
Of a jilting at the altar,
I waited for something
I dreamt about so often
I had nearly convinced myself
It was real.

I realized I could never undo
What had been done.
I could never take back
What had been said.
Because these actions
And these words
Were not my own.
And making up for someone else's
Mistakes
Is about as successful as taking
Medicine
To cure someone else's illness.

I could never fix it,
But I must always
Bear the results.

I deemed myself,
Again,
Unlovable.

I began to wonder
If this had been the purpose
Of those words all along.

To create someone unlovable
Because the speaker could not
Find love themselves.

Surely,
Only a monster would do such a thing.

But monsters are real.

And this one wasn't hiding under my bed.

— The End —