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Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Jesse stillwater Aug 2018
.
I’m just a lonely traveler
   on this earth
Sometimes it feels as if I'm
waiting for the sky to fall
with each passing breathe
       of wind

   Standing alone,
   a windswept tree
   leans downwind;
conspicuously wrought,
   naked and bowed
   by the grinding
      silent forces
  at nature's whim

Rootless tumbleweeds
roll by randomly:
    broken off,
spinning clockwise,
never looking back,
timeworn and tired
of resisting the prevailing
    high desert wind
and its unheld temper

Rattling the tinder
   dry sagebrush
like songless wind-chimes;
    voiceless fugitives
wreathing a bellowing silence


    Jesse Stillwater
Thank you for reading
This story is called death of a superhero.

We see the superhero flying at full speed after a getaway vehicle.  A group of armed men just robbed over one million dollars in cash from the bank and are now speeding through the city.  He darts back and forth to dodge the shower of bullets flying at him from the car, which was preventing him from getting any closer.

"I can't let these crooks get away," he grunted to himself as he curved back and forth through the air.

Suddenly he was blind sighted by a large black object coming from the car.  It was a high powered electric tazer.  It hit him in the side and his muscles locked up, he stopped mid air and went crashing down and smacked and bounced on the ground.  This bought the thieves time to escape from his view.  By the time he got out of it and regained control of his muscles enough to fly, the crooks had maneuvered the city like a maze, and he didn't know where to look, they had gotten away.  He looked over several city blocks and couldn't find him, and was forced to give up.

"****" he said to himself.

He flew off to the nearby park and found a secluded spot to meditate and heal.

That was the forth unsuccessful attempt to catch bank robbers this week!



On the news that night

"The Tomerarenai purotto corporation just received over $5 million dollars in donations from an anonymous donor this evening for their new project on Zenchō hill outside city limits.

The project to build a new factory there has been underway for three months now and they've really been moving along thanks to the help of all these private donors that must really believe in their cause, which of coarse is to develop new "greener" technology to help the environment and cut down on pollution.

We have a spokesperson for the organization here with us now how are you?"

"Good and thank you, I'm really honored to be part of this amazing organization and to see such a great turn out of donors for such a good cause.  It's been amazing with over 37 million dollars donated by private, anonymous donors over the last three months, it's amazing..."

About half the city watched that news broadcast stream into their homes on their television sets.



It was about 2am when the superhero came out of his meditative state in the park.  

He got up energized and flew around.

He saw some guy trying to steal some lady's purse, he zipped down and stood right behind the guy without him even noticing.

The guy got the purse turned around and ran right into him and knocked himself down.

"What do you think you're doing?" the superhero said authoritarily.  Then he lunged in grabbed the guy by the shirt at the scruff of the chest.  With his other hand he picked up the lady's purse, handed it to her, and told her to go home and get out of the dangerous night city streets.  Then he flew the criminal to the police station, told them what he had witnessed, and took off.

Suddenly he heard police sirens all over the city they seemed to be closing in on a specific area, the superhero flew to that area to see what was going on.

He found a police sergeant standing next to a cop car, and stopped to ask him what's going on.

"A masked lunatic just killed 19 people and is now trying to escape in a small silver car, we've got every available unit trying to hunt him down."

He wasted no time, taking up in the air leaving a wind in his wake, the superhero started quickly combing the city for a small silver car driving conspicuously.  He found one, and when he flew over it to check it out, all of a sudden he had gunshots being fired at him from inside the car.

"This must be it," he charged the car with full speed but the driver sped up to keep ahead of him.

This isn't going to work, he thought, I should make them think they lost me and follow them secretly and see where they go.

The next time a gunshot was fired the superhero grabbed his chest and purposefully fell down, to make them think he had been shot.  Once their guard was down he followed them in secret.

They drove outside of the city thinking they had lost all tails, down a couple winding roads, then climbed Zenchō hill toward the Tomerarenai purotto corporation's construction spot, then went inside.  

The superhero landed outside the building and contemplated his next plan.  He noticed an open window to an office on the second floor, he carefully peered through the window and saw no one in the office, he flew in and landed on the floor careful not to make a sound above a mouse squeak.  He quietly crept through the empty hallways until he reached the staircase, when he heard voices whispering downstairs, "He's gonna be here any minute/ get everything ready."  

The hero thought he had no time to lose, he took to the air, bolted down stairs and with a loud dramatic voice yelled "Halt!"

"He's here!" they yelled as one of them ran toward a giant device that looked like a satellite dish, and the other one ran and pulled a rope, dropping piles and piles of smoldering coal around the superhero that immediately made him so sick he could barely move.  industrial type smoke was his weakness.  

"We've been planning for you to come here," the guy in the mask said firing up the satellite dish looking weapon and pointing it at him.  

"W-What do you want?" the superhero asked weakened, frail, and short of breath on his hands and knees on the floor.

"To **** you so you won't stand in our way"

The superhero was growing weaker, and weaker, as the giant atomic laser pointed at him started glowing red, I told you this story was called "death of a superhero".

"Death, of a superhero?"  the superhero grunted, "DEATH, of a SUPERHERO!?!" he shouted again, "YOU'VE BEEN ORCHESTRATING MY DEATH!" The superhero yelled at the narrator.  

Yes I have, the narrator said all the people in the room could hear me, I've been planning your death since before you went after that getaway vehicle, I have such omnipotent like power over your world, I'm the reason the taser gave the one's working for these two time to escape, I'm the reason you never checked this place out until everything was ready, and now I get to watch these two **** you, and laugh, knowing that you'll never find me and there's nothing you can do to change events.

Now, the beam was fully charged

"No!" the superhero thought, "up till this point, I thought I had to go along with everything the narrator said, but no!"  He started to slowly manage to get up.

The masked killer hit the button, fired the laser, and killed the superhero instantly.

Wait what?

"You think you can just **** me by saying so," the superhero grunted out louder slowly rising to his feet.  Mentally forcing his body to work even in the presence of his weakness, in reality, contrary to what the narrator said, the beam was still charging.  

"No!" the superhero continued, getting stronger and healthier, "THERE WILL BE NO DEATH OF A SUPER HERO!!!" suddenly the superhero's personal energy was strong enough to clear a bubble around him of fresh air pushing the smoke around it.  He flew through the air at bullet speed and punched the masked killer across the room and out of consciousness.  Then he went for the assistant who was running to the door, in the heat of the moment, the superhero, hitting him up from behind, punched a hole straight through his skull and he fell to the ground head-gored-dead.  The superhero deactivated the laser. and stood and looked around to try and find that supervillian mastermind, the narrator.  

"You will never find me," the narrator said, "I exist in an inexcusable part of your reality."

Then another voice broke through, "I will open up a portal to the narrator for you" the author said, "be wary though, even in his own part of this dimension, he is very frippery and slick, you must not let him break free into you're general reality, lest he end your world."

Suddenly a glowing golden sword appeared in a light before the superhero, he took it and bowed, understanding what he was to do.

A shimmering white and grey portal swirled out of thin air.  He looked at it for a second as it grew outwards until it was big enough for him to walk through.  He slowly marched into it, guard heightened as he did not know what to expect, carrying the glowing golden sword behind his back.

Inside the portal was a large white room where the narrator lived.  there was a large white shelf, four walls and a ceiling, the portal remained open.  

He looked around but didn't see the narrator at first, when he realized the narrator had filled half the room with a thick white fog to mask himself.

"Show yourself you coward!" the hero yelled.  Sudddenly a large fist came out of the fog and punched the superhero right in the face, he stumbled back a few steps, but didn't let it knock him over.  Suddenly a humanoid figure stepped out of the fog, it had a body like a man but a head like a king cobra.

"S--sssss--o" it said, "you found a way to find me," "Hisssssssssssss..."

"I found you and I will destroy you to free my world from your evil," the superhero said.

"Is-s that sssssssssso" the beast said.  "And how do you plan to do that? Hisssssssss".

Then the narrator's eyes widened when he say the glowing gold sword behind his back.

"I will cover myself in armor that that sword can't pierce." He said.

"And an armor appeared around the narrator, except it only appeared to cover his head, and his face was still bare." The narrator said and it happened.

The superhero lunged at the narrator with the sword but the narrator slipped to the right and shot ***** of fire at the superhero, but the superhero dodged.

"And his hand got shaky and it greatly effected his aim," the narrator hissed out.

The superhero swung at the narrator, but missed everytime.

"I've got to steady my aim" the superhero thought to himself, putting most of his energy into his arm to hold it steady.  The narrator backed away from him, hissing and darting back and forth as if antagonizing him, perhaps trying to distract him and his focus.

Suddenly he felt a surge of energy push back from the sword, flow up his arm and flood his body, the sword glowed brighter and he was in control of himself again.

He went after the narrator full force, swinging and jabbing the sword, but the narrator dodged every attack.

"You'll never defeat me!" the narrator hissed.

But while he said that he lost focus, and the superhero swung the sword right into the side of the human part of the body, so deep it hit something metal and stopped.  

"Then he dropped the sword," the narrator said quickly and it happened.  The superhero's hand snapped wide open before his willpower could stop it, and the sword dropped to the ground with a "shink".

Acting super fast, the narrator dropped to the ground and picked up the sword with his teeth, and slithered out of his fake, damaged human body into his true form, a giant king cobra looking snake, covered in a heavy metal armor that was scaly and didn't restrict his movements.  Quickly, he slithered  over to the portal, but the superhero grabbed his lower armor before he got a chance to escape into the hero's world, and used his body to anchor the snake to that spot.

The narrator swung and slithered his body to try to free himself from the hero's hold but he was holding on to well, and the serpent could not escape.  

The hero did not know what to do, he needed to get the sword back and slay the serpent, but he had to keep both hands on him to keep him from getting free.

He had an idea, he used his legs to help anchor the serpent, and climbed him to get to his head to retrieve the sword.  Slowly he worked his way up the snake as he slithered and struggled to get free.  When it seemed inevitable that the hero was gonna get the sword back, the serpent spit it out and it landed next to the door.  Then he shot fireballs out of his mouth at point blank range at the superhero which distracted him enough for him to loose his grasp, and let the serpent break free.  The serpent quickly slithered over to the portal, hissed "goodbye sucker", mouthed the sword once again, and slithered out the portal.

The superhero jumped up and flew after the serpent, and crash landed onto of him on the other side of the now closing portal.  

"The masked murderer woke up and came over to help the narrator," the serpent hissed out.

Suddenly the masked murderer came over and the hero was trying to get him on his side to break the stalemate.

As the snake and the superhero wrestled, the superhero called out to the masked murderer, "Don't help him, if he escapes me now, he'll destroy the world!"

"Don't listen to your enemy," the narrator hissed out, "**** him!"

"Don't listen to him," the superhero tried to reason with him, "he's just manipulating you, everybody, he's the reason you wanted to **** me and do this whole project in the first place, YOU ultimately have free will! and we need to **** him."

The narrator strikes and bit the superhero's arm for telling the masked killer he had free will.  

"What do you need!" the masked ****** shouted when he got over there.  

"**** him" the serpent hissed out!

"The sword!" the hero shouted.

The masked murderer, not knowing what to do, picked up the sword and handed it to the hero.

The superhero used it to pry off a piece of the serpent's armor, poised it into position and struck down.  The narrator shifted his body however so the sword narrowly missed, and curved his tail so the open spot in the armor was underneath him, "Grab him!" the superhero said, hold him steady so I can get a good shot."

The Masked murderer did just that, and the hero drove the sword through the opening and impaled the narrator right there, and actually cut him in two.

"But then the narrator's body sealed at the womb and he slithered free" the serpent said and it happened, and he slithered at full speed toward the same door the masked murderer's assistant tried to escape through, and he was making distance.

"And then a layer of cement formed around the superhero's ankle so he couldn't chase the narrator." and a piece of cement attached to the floor formed around his ankle.

But the superhero made quick work of that, a **** of the leg and it reduced to crumbles and he got up and chased the serpent.

The serpent got outside the door and mumbled something, suddenly the door was a pure steel wall.  Three punches by the superhero weakened the steel and severely dented it, the forth punch and it went flying off and the superhero ran outside and saw the narrator escaping into the brush.  He knew what he had to do, he lunged at him and grabbed him just by the head, and ****** the sword through a hail of fireballs straight into it's mouth, the narrator couldn't speak to reverse that action and he died shortly after.
This is not a poem
ryn Dec 2014
Proud little peacock
Plumage up for display
No need for repeated mocks
No need for you to say

I can clearly see
For we may be quiet but we have eyes
Strutting conspicuously
Showing off your prize

We already know you have it
We all do
On the sidelines we sit
Seeing you through

Tell me little bird
What do you get
When you say your words
Were your objectives met?

Everytime I hear them
Just makes me gag
I'd roll my eyes
Just hearing you brag

People'll give you
When accolades are deserving
But I suppose they're never enough
'Cause I still see you parading

Well I know I may be unpredictable
A tad bit capricious
To be honest, you...
You're simply being ostentatious


*...and it's annoying the hell out of me...
Hate show-offs.
J B Moore Nov 2016
This crazy conundrum has been conspicuously contrived quite cordially. Of course, one could concede this cordially contrived conundrum could carelessly conflate the countless quandaries causing quintessential quantities to question the conspicuously questionable conspiracy. Conversely, carelessly questioning conspicuously contrived conspiracies as cordially quantitative quandaries could create considerably confusing claims countering the critically acclaimed crazy conundrum so callously clarified as to continue to count as cordial. Consequently, with careless acquiescence, I must confess that the conceptually contrived conspiracy, so inconspicuously inconsistent, conflated considerably contrary quandaries quite questionably and continues to confuse the crazy quite cordially. To conclude, the crazed conspicuous conundrum confuses the cordially questionable quantities of conceptually countless claims clearly clarified as conflated quandaries continuously contradicting a considerable count of conspiracies.

11/2/16 11:59 p
Just a little fun with alliteration and nonsense
Stephen E Yocum Sep 2013
Can there possibly be,
any more affable and
devoted friend than big old dog?

Dogs; the only animal in the world,
bred, and raised that have within
them one driving passion and desire,
to live along side and please their
human companions.

Should we find reason to scold,
or forcibly correct them for some
transgression of unwanted behavior,
They merely love us with their eyes
of shinning acceptance and affection,
Ready to forgive and forget.

A dog is not petty, they hold no grudges.
They seldom nag, never talk too much,
In short they are the perfect friend.

Other than a hopeful encouraging gaze,
Two times a day, like clock work,
Beseeching us as they do, for food,
They seldom require anything of us.
Except to be protected, loved
And treated fairly.

Oh sure they also let us know when,
they need to go outside to do their Duty.
Now that is so completely preferable,
to that other odious option.
How **** smart is that?
Sometimes I don't even know,
when I got to go to the bathroom,
And I'm an intelligent human.

At least once a day, they
conspicuously stand at the
door, leash in their mouth
looking to go outside,
for a little exercise.
And gentle reminder to us,
that a brisk walk would,
do us more good, than them.

I can sometimes be a little down,
When along comes my canine clown,
And charms and delights all that,
Right out of me. Such is their nature.

Even merely going out to the garage,
for less than five minutes,
Upon my return, I'm excitedly,
lovingly greeted as if,
I'd been gone forever.

Five minutes or five days,
To a dog, it does not matter.
Unconditional love has
no built in time meter.

If you could hook up,
their gyrating, manic tails,
to your house current, no
utility bills need be paid.

Sometimes I swear,
that old dog of mine,
is actually smiling.

Long tailed dogs can be a bit of a menace,
What with their "Excitement Whip" appendage,
slapping seated kids on the floor, in the face,
And sweeping all the little bric-a-brac,
keep sakes, right off your coffee table.
A small price to pay for all their affection,  

I like people just fine,
but I must honestly admit,
in the company of noble dogs,
I can be completely content.

Sure occasionally I seek the
reassuring comradeship,
of some good humans
As long as my dog,
can come along,
and attend the party too.

When I was a child,
we moved a lot,
Human Friends
were not in abundance.
It was an old loving dog.
that pulled me through,
his warm companionship
I have never forgotten.

It was about then,
that I truly understood,
that dogs are people too.
Much smarter than,
we give them credit.

The only real sad part
to this compatible pairing,
this marriage of the heart,
is that we must always,
it seems, out live our buddies.

Love is love and
gone is gone
and nothing
can ever change that.

That loss has come
to me, more times
than I care to remember.
I weep and morn and
Swear to never ever,
Suffer that pain again.
That my last dear friend,
was beyond replacement.

Yet, a sweet new
little puppy can
do wonders to heal
a sad broken heart.

Once more you begin,
to open your soul
and embrace that
young pup forever.
And what was old,
is new again.

And just starting over,
that fresh beginning,
That new budding
friendship,
Is what's important.

For no man is an Island
as long as he has a
good dog beside him.
A little surgery, sure. Over stated, maybe too
sentimental, could be. But if you ever had a
great dog in your life I think you'll get it.
To those of you that hate this write, go buy
or rescue a dog and a year or so later talk
to me. Or better yet write some verse.
I bet it will contain some of this same
sentimental dribble will drip from your
chin too.
yellah girl Sep 2017
the circus train comes to town once a year,
carrying Russian ballerinas & corporate America dropouts.
she brings an irresistible bouquet of
caramel apples & greasepaint, of
cotton candy & mechanical smoke.
the circus is a seductive beast, she'll grab your heart
between her teeth & she won't let go, like a
rabid dog.

when the show begins on opening night,
you'll be sure to grab a front row seat, right in the
Grand Stand, among the soccer moms & their sticky-faced toddlers.
you'll feel the childish delight bubble
in your chest when the music swells, when the elephants march
& the clowns tumble out in garish colors.

after the show, you'll stumble to the three rings with the
toddlers & their tired moms, right to the center ring, don't be
shy when the clown dressed in yellow & black,
like a bumblebee, comes towards you, a devilish grin on
his painted coal black lips.
your knees will tremble, you'll turn as red as his big nose, when he pulls your back to his solid chest, & he begins to juggle right in front of you.

"stick around, after closing" he murmurs in your ear, "that's when the real circus begins."

the circus is painted bright, a swirling mass of
red & blue, with sparks of yellow, ribbons of pink.
even when the show is over, the mystery is still
there, the sweet seduction lingers, like an old lover's fingers can trace circles on your skin in the dead of night.

when the bumblebee clown drags you around town that night,
as if he lives there & not you, you'll go along with him,
your heart racing fast, as fast as the girl dressed in
pink spandex flew from the cannon across the circus ceiling,
how could you have forgotten that?

he'll take you to McDonald's, ask you to pay for the meal, he's broke until Thursday at 2. of course. you split a small
fry and a chocolate shake, by then it's midnight,
he performs some simple magic tricks, balancing a
chair on the edge of his chin, snagging a shining quarter
from your brunette curls, watch out, girl, he's reeling you in,
he's as seductive as the circus.

he will walk you back to your college dorm &
he's sure to mention how it's been years since he has
been inside a dormitory, since clown college, yes it's real.
your roommate is gone & you're not ready to say goodbye
just yet, so you'll sign him in & guide him to your third floor
room.

he marvels at your textbooks & cuddles your teddy bear
brought from home, while you drink him in, solid, squat,
a true Texican, his skin is brown as caramel, & you wander
if he will taste just as sweet. he'll notice your blush, & pull
you close, pinch your hips, nuzzle your neck & kiss you hard,
maybe a bit too hard.

he lays you on your back, & you're naked, you're scared,
vulnerable, you watch him dip his head & kiss you, nibble you in that sweet, sweet forbidden spot. there's a black coal
in your chest, in the pit of your stomach, you're disgusted,
you're curious, you taste the circus firsthand, gagging.

the circus will remain in town for
an entire week, & for an entire week you have a
circus clown as a boyfriend.
you take him on adventures around your college campus,
to your favorite burger spot, to the big water balloon fight
& he'll show you the circus world, you'll hug
an elephant, you'll drink your first beer in Clown Alley,
& you'll watch the show a dozen times.

he'll write you a love letter on your skin, caramel drips on
China porcelain, he'll leave bruises in the shapes of hearts,
& you'll cry when he leaves, it's only been a week, but
it's been a lifetime. he'll hold you tight, too tight, and he'll whisper,

"it's only a year, i'll see you in a year."

when the circus train leaves, the asphalt lot will be
conspicuously empty, except for a trampled clown nose,
much like your aching heart. you'll feel numb & blue,
you'll cling to your phone, the clown promised you
he would call.
you fall asleep cradling your phone to your chest, startle awake when he finally calls you, it's 4 in the morning, you have an early class, but that can wait, his voice is on the other line.

you'll lose a lot more than sleep when you fall in love
with a circus clown, you have to conform to his schedule,
you see, he is the one calling the shots, not you, not we.
you'll start to slip up in your classes, all you do is stare at your phone screen, who cares about supply vs. demand, anyway?

you hitch a ride to see the clown half a year later, you could
hardly stand him being an hour away, & you'll fly into his arms
like a trapeze artist, after the show, he'll carry you like a bride
to his coffin
bed & you're naked again, scared, vulnerable, he's all the way
he's grunting and sweating, and you're cowering, numb.

you leave 15 minutes later, with shaky thighs, you're slightly
nauseated, you try to kiss him goodbye, but he pushes you away,
he's got eyes on the concession stand girl, the one with
raven black hair and a Marilyn Monroe piercing. your heart drops as you get into the car, your friend begs you to talk, but you can't,
you're confused, you're scared, you won't see the clown
for some time to come.

you try to focus on your schoolwork, but your As slip to Ds, you
try to go out with your friends, but they want to talk about
the cute guy in psychology, not about a circus clown miles away.
you forgot to do laundry, all you do is lay in bed, your dorm is
smelling moldy, your roommate starts to stay away. you're
falling, sinking into a blue sea, deep, dark, endless.

when you fall in love with a circus clown, you must know
you're just another Rube from another city, nothing special,
you see, he's got girlfriends in Florida and Las Vegas, that
concession stand girl, too, you're nothing special, girl,
not even close. you gave it all up, your love & your
bleeding heart, to a circus clown, you foolish girl, don't
you know, he'll just play you as hard as he plays in the
circus ring?
A fictitious retelling of the very non-fictitious years I spent in love with a real-life circus clown. It's been three years since my heart was broken, and I finally feel like I can tell my tale.
Leah Anne Oct 2015
There she stood
with wobbly knees,
arms limp as a dying flower,
shoulders set to kiss the earth,
hiding within her heart
this nerve-racking,
conspicuously slanderous self-awareness
of being unloved.
Inspired by the novel Tiger Lily by Jodi Lynn Anderson
...
September 18, 2015. 1am
Vipul Mehra Apr 2015
They were hanging conspicuously held by the warmth of the sun,
refracted glimmer by each crystal, they shared their blissful fun.
As I walked underneath, they poured upon me the shadows of crystal slate
Lesser did I know, the scintillating chandelier reflected my own fate.
Julian Aug 2015
The oceans’ froth betrothed to lunatic scoff
The sublunary elegance of a subdued earthen cough
Infectious pulchritude conjures snow-globe turpitude
Defiant humility professes to know the rudeness of the crude
Distilled casually in a leery trance
Terpsichorean choreography of a hallowed prance
Callow scowls affix the hebetude of anger to the sauciness of banter
Gallant cavalries court the cult of she and enamor and enchant her
Foretold calamities proceed like clockwork from God’s destructive jaundice
Death deployed as a sententious homily of wraiths that taunt us
At every turn fatidic inspirations work to cement a known outcome
Averted gaze away from rampant gays and fire-and-brimstone bunkum
We cherish a world where the stodgy and outmoded monopolize choice considerations
Where hedonism abreast of asceticism are internecine intimidations
Suffer like Christ and buffer like tenacious poverty sustained by rice
Dare to glower with menacing insistence at the known outcome of errant dice
Soothsayers soothe prayers but cataclysm still dares
To pulverize innocent insouciance and become the cynosure of trepidation and stares
Heaven blares a deafening “obey” while hell stays silent to lure the prey
Hobnob with hobgoblins and expect opprobrium to park and stay
Gentility and class-divisions orchestrate a frozen system of tenacious prisons
Stalking the lifeblood of mainlined ecstasies and surgical incisions
Minority Report within the grasp of the majority uproar
Dalliance with a self-fulfilling time means there will always be a bout between Bush and Gore
Lecherous eyes prize a hedged bush and irascible lies seek copious gore
But because the bush ensconces the ****** in bed with China the twin towers imploded for common core
Mondegreens serenade a mistaken flirtation with a time traversed and mastered
Swelling tides hearken the moon to make a hypothetical bonanza out of disaster
Enumerated infinity within esoteric grasp and pandered sequester
Bedazzled of foreknowledge  it charters the uncharted exploitation faster and faster
Burgeoning funds entertain a mind cloistered by infamy and oppressed by indecency
Burbling puns ecstatic about the perpetuity of guns hector the province of a token leniency
Squander the day and indulge the night by knowing exactly the demise of every shooting star
Knowing the origin and legacy of every single scar
Knowing the path creates the path known
Every single stock you know you should with alacrity own
Prosperous kinship and insubordinate brinksmanship win the prejudiced award
Fencing with lethal intent the specter of death devolves into irenic accord
Envy the impregnable corporate machine and its unassailable pipe dream
Hunt the Wolfs of Wall Street until panic evolves into cacophony of screams
Democratization of prophecy will cue the most titanic robbery
Shills looking for upstart thrills will pretend an unwarranted snobbery
Paradox is impossible because every moment elapsed is indelible and irrevocable
Every frisson of love is fertile and impregnable
So rejoice that the masters of the clock invest in select stocks
And hope that parcels of secrecy tumble from the 1919 White Sox
Emerald Street knows When the Music ‘s Over
Brandished crumbs adorned with sportive panache clothed in a lucky clover
Deprived of snide tithes and the confessions of millions protest a catholic cabal of universalism draped in quaint overalls
Mock the hegemony of the sailing class and their brisk and copious squalls
Opulent scions vouch for the failsafe prerogatives of Zion
Sleeping awake we indulge the oneiromancies of Orion
Cinematic wonders regale glorified eavesdropped blunders
Until the secrecy of the machine is so conspicuously in sight it tears the elected pantheon asunder
A master race of an intelligent nepotism in denial of its own disgrace
Exploits the argosy of secrets of the flying-disked race
But one day a challenger like a rooster will orient the demotic vogue towards the treasure trove
And pirates will prosper in burgeoning droves
Myths foisted will debunk themselves as eternity preens its chosen wealth
Even the most furtive endeavors will have to equip even more stealth
That day will prompt an arms race and a worms race
To burrow beneath the chasms of malcontent and adopt and insular embrace
They billow now with toxicity and malignancy
Even death will have alternative contingencies
The resplendent future will capture the common heart
For the accumulated wisdom of words will make us infinitely more smart
Jessica Golich Dec 2014
Stepping into the pristine, gentle atmosphere; truth hanging from the intricate crystal chandelier full of endless glow and luster - mischievously placed structure conspicuously elevating wonder
Full of flashing, coruscating shimmer enthusiastically engaging the convivial space; evoking a spontaneous internal unfolding mirroring the perpetual suffering connected to the chosen impeding of spirit’s copious interweaving.
onlylovepoetry Jun 2018
dinner Greenport-side, watching the shuffling ferries do
their sworn duty, a back ‘n forth wearisome toll,
while we sip a rose and a PBR, respectively and with respect

no enthusiasm afterward for anything but an early off to bed,
and slip into pj’s asap

me in my knackered wholly Hanes fundie knickers,
no thinking required
but she
retires, re-attires in a summery combo,
a gray sweat t-shirt and green and white
plaid pj pants

which she is unawares are my favorites
cause they lop off fifty years,
a teenage woman re-incarnate recreated
cause her figure now womanly full,
better than then

morning awake l, a disturbance of the peace,
recall a snuggling a wake up hug,
and her bottoms conspicuously
gone missing

over break fast I inquire
over yogurt and berries and a
smoked mozzarella omelette,
what happened to those plaid bottoms?
assuming I was innocent of any transgressions
as best I could recall

with a sheepish childlike grin,
that made look like she was twenty again,
to match the now yoga toned body,
she confesses:

forgot to tie the bowstrings
and they slipped down to my ankles

blessed and cursed I thought!

too much of a gentleman to take advantage,
AND my situational awareness was slipping badly,
but when a poem comes across,
ready and pre-writ,
I’m still young enough to grab aholt of it

and never let go


6/23/18
Eriko Feb 2016
Steam spilling, white froths licking
Marble mantle pieces, stone white
Opaque ghosts swirling conspicuously,
Silently naught with disturbance and gloat
Humble in nature, the steam spills
From the open pours,
Streaming running water
spring, a delightful swing
slight melodies of sulfuric and mountain
flirting lavishly , emitting heat
an early morning bathe,
bright sunshine invades
sleeping shadows tinted cold
a chilling sensation humming
with that of the pool’s lip
--fluttering autumn leaves—
--cascading crystal flakes—
--rustling green trees—
--tickling cool rain—
The surface of the spring’s pool remains
It stirs with the slightest breath
Occupying stark bodies
Gleaming baby red
Washing away, cleansing a new day
As sunlight sparkles on the
Mirror surface
hot springs in Japan
Hal Loyd Denton Mar 2012
Speechless

As the title says that’s what I want to leave you with this peace or at least lightened and changed surly a
Few precious degrees this is my goal bring the unseen into clearer view I know this it will have the power

To free and lift if myths like they have in Ireland still bestirs a nation more so in their days of oppression
From England and poverty and starvation from the potato famine but with the sweetest imagination


They went to the fields and forest and created a max factored alternate reality Leprechaun with pots of
Gold magic fairies this was like a man created lake they diverted joy that is there they used myth and

Legend as the sluice gate to flood every town and village with merriment they did that with such finesse
And unapologetic whimsy we are in a morass as a nation especially of late but individually we live in that

Please God somebody slap us I told you about when I was seventeen I dreamed this dream I was in the
Cosmos and among all the stars and all of a sudden the stars started moving and they formed these to

Great wheels and then the hands of God were shown pulling them downward instantly I knew what it
Meant this was the wheel of time and God was stopping it then He reached across to the corners of

The universe and easily as you would lift a cloth he pulled back and started to fold up all known worlds
And by doing that the spirit world was clearly visible how can anyone be enslaved or tormented by

Problems without having deliverance from them its one thirty in the morning and day will break in a few
Hours I don’t care if you’re a month old or ninety this is about to happen Hawaii will look conspicuously

Dowdy against real paradise come on guys were going to walk up and talk to God now that will make
You speechless I was afraid to meet my hero Roy Rogers at his museum struck dumb and tongue tied

Makes a bad first impression angels will be visible we truly will need a new glorified body all would  
Happen otherwise is God would end up with a whole race of delirious and blind people the desert is

going to bloom as a rose a gem encrusted on a celestial site it makes you think chin brace because your
Mouth will always be hanging open from awe believe me folks I could run this dog a lot longer because it

Is one that will hunt but I think this ought to give you a new perspective and be able to face tomorrow
With eyes that sparkle because they have heaven in them
Seán Mac Falls Aug 2012
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Wordsinalign Apr 2017
Where the peacock paints the green into the gardens with her crown jewels of blue,
She stayed there longer to watch the plumage of hues.
A canvas full of colours that are very loud,
Is this is what makes you so proud?

Funny how you cannot see your own beauty in the colours that are true,
Instead you see them in ultraviolet, not your royal blue!
She can clearly see, she had eyes,
Strutting conspicuously, it walked away showing off it’s prize.
It thrived where others merely survived, and never ceased to leave them mystified.

She felt like a splash of brown and grey in a room full of vibrant peacocks,
Never realised how time flies with the ticking of the clocks.
For even though she couldn’t fly, at least she knew she had tried.
bucky Jul 2014
day 1: today i found out about the machines. sometimes i can feel your hand in mine. you used to grab it and pull, like you couldn't go as fast as you wanted to without taking me with you. war is never pretty, but you sure are. were. you were pretty. i still remember the last time i saw you.

day 2: do you remember when our names were joined together? people used to spit them out in one go, 'cause there wasn't a day either of us went somewhere without the other. they don't do that anymore. wish you were here.

day 3: i had a dream about you last night. i still can't feel my left arm. i miss you.

day 4: they're working on building machines that look and act like people. maybe i was a test drive. i still miss you.

day 5: i remembered something today (this is rare for me. if you were here i'd tell you why). you used to curve around your sketchpad, like it was a part of you. one night (june. i don't remember the year) i traced your spine and you shivered. i think about that a lot. i'm not sure why.

day 6: i miss you.

day 7: i love you.

day 8: remember our old bean plant we had growing in the windowsill? you used to fuss over it so much. (i used to fuss over you so much, too, but to be fair you're slightly more important than a bean plant. slightly.) you wasted a summer's worth of water on that **** thing, and never regretted it once.

day 9: we used to fold into each other during brooklyn winters, when the heat cut out and we had nothing but each other. now i just have nothing.

day 10: i can't get drunk now, either.

day 11: i saw my gravestone today. yours is right next to it, did you know that? they're both empty. they never found our bodies.

day 12: monochromia. that's what you had. i wonder if it went away after. you never saw colors and i saw too many.

day 13: i dreamt about you last night again. i've been remembering more. it's slow, but steady. fragments of memories every day. maybe one day i'll remember it all.

day 14: again. i think my subconscious is trying to punish me. i wish i could just forget again. maybe it would make everything easier.

day 15: again.

day 16: i haven't left my bed in twenty-one hours. this is the only way i can see you.

day 17: i wonder if you'd have married her if you hadn't died. a part of me (i'm sorry. all of me. every single ******* atom in my body) hopes you wouldn't have. it also knows that you would have. i miss you.

day 18: it's your birthday.

day 19: anachronism: a thing belonging or appropriate to a period other than that in which it exists, especially a thing that is conspicuously old-fashioned.

day 20: hello again. i missed you.
Seán Mac Falls Feb 2014
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Kendal Anne Aug 2013
The beauty of youth will forever belong at your side, and therefore it will stay
Even after the hairs upon each of our heads begin to glow like a white halo ray
After it has turned from the fairest of golds to whispy alabaster whites and greys
Never shall youthful beauty whisper farewell to us on any occuring days

Even after long are gone the glorious days in the past and time we have spent
Now filled with the sad longing, with hurting glances, in which is called resentement;
These are from the multitude of wrinkles; of which to gain we never meant
But still; the beauty of youth weeds out those feelings, helping us to repent

The thinning upon our heads? Remind us of the days we were conspicuously snooty
Because those were the fruitful times in which we were often called a "natural beauty"
Noses in the air because we thought being beautiful was our righteous duty
Only now the surface of our faces have been wrinkled and bleached like an old dried abalone

The bounties of our short timed youth, have long been washed away with the waves of time
But that allows us to remember; and rejoice at every steep mountainous climb
Through smiles and laughs; and the misshaps in which we were thoroughly covered in grime
The beauty of youth resonates through every memory even when it tries to be sublime

The richest of light is not from youthful beauty; but forever it will always be lit and cast
The light from the joyful sound of chirping birds; and the tirelessness of laughs,
Of the mindless days we spend vainly dreaming, stepping off our "to be discovered" paths
With the hopes of regaining our once beauty filled and profitable youthful pasts
(Those are the very brightest, of every youthful light)
Zywa Dec 2022
Out of fashion, out-dated
there's no help for it, so let me be
unattractive, rejected
because I show myself so conspicuously
and attract attention needlessly

That's how I'm seen. I am seen
and the whispering amuses me
although nobody talks to me

And you let me wait again
until the reception calls
that you are there

So I just sit here
looking out the window
I am used to it, there is nothing to see
at the back of the hotel
and it is getting dark

You always were impatient
My make-up took too long for you
and you sat angry in the car

but if I behaved exactly
the way you had conceived
you could really be sweet
"Hotel Window" (1956, Edward Hopper)

Collection "NightWatch"
Lauren Lee Jan 2015
I know this girl.

It started off good. We were friends. I'd smile at her, and she'd smile back. It was simple. She would fascinate me. We'd touch fingertips, both having wide eyes and expressions of innocent amazement.

As I got older, I began to ignore her. I didn't seem to have time to see how she looked or what was going on. My life was busy, and I stopped caring.

But as I grew up, suddenly she was all that mattered. I'd seek her every chance I had. Before I went anywhere and after any adventure, I would always think of her, conspicuously glancing at the people around me to see if they had as well.

Time roughened and then came the crying. I couldn't bring myself to consider her. I'd turn her away. I couldn't bear to see her. When I was fine though, she was still all that mattered.

Sometime that year I began to insult her, calling her fat, and stupid, and many more maiming words. Most days the roles would slide between us. She would judge me as well, shaming my body and appearance, making sure I never felt comfortable in public. We hurt each other. We hurt ourselves.

I've always thought it would be simpler if she wasn't around. We have too much in common. I know how to perfectly shatter her. She points out all my flaws.

Sometime in my life though, I'm going to have to stop.

She shouldn't tell me that the outfits aren't acceptable. I shouldn't tell her that she won't ever be worth anything. We need to stop talking. We need to stop listening.

We need to be friends again.

Its hard having such a battle with your reflection. Mine is everywhere, haunting me. Sometimes she's beautiful. Sometimes I'd even say she's worth it. Sometimes I love her. Usually I don't. Usually all I see when I look at her is how much I've let myself down. Usually we aren't friends. Usually I don't even know this girl. Usually I hate her.

It's not good.

But I know this girl, and I know her strength. I know she how can overcome.  I know someday it will all be good.

I know this girl.

And we can do it.
some of this is more literal than you think
GQ Jan 2014
As I sat upon the dock’s edge, idly skimming the questionably clean water with my toes, I closed my eyes and opened my ears to eavesdrop on the birds chattering across the fen.

Were they conspicuously cawing the sought after secrets of the universe in a foreign tongue, swapping stories of the skyway, boasting of their knowledge as they choked down half-drowned worms, brooding over the offensive punch line we call truth?

Or were they casually chirping how healthy the sun is for their plumage, teasing the hen for her aerial shortcomings, sharing seeds of sesame, and politely asking the woodpecker to stop his work, if only for a moment?

In my stasis of thought, a leech writhed to the water’s surface with intention, and rudely hooked onto my big toe without even asking first.
~
April 2024
HP Poet: Pradip Chattopadhyay
Age: 63
Country: India


Question 1: A warm welcome to the HP Spotlight, Pradip. Please tell us about your background?

Pradip Chattopadhyay: "After graduating with honours in Geology, I worked in various sectors including railway, banking, teaching, accounts and audit, consultancy and advertising. I feel working in diverse fields have helped me to come across people and characters of many shades and hues. This probably broadened my perspectives and laid the foundation for my poetic creativity. I have a wife of 40 years, and we together have raised a family almost from scratch. We have our son, daughter in law and a granddaughter 5 years old. They have been a source of many of my work."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Pradip Chattopadhyay: "I have been writing poems since I was in 8th standard. Initially I wrote in my vernacular Bengali before experimenting with writing in English from the early nineties. There was a hiatus of nearly two decades when I didn't feel like writing. From early 2011, I have been among words regularly snatching time for creative pursuit from my work in advertising. The ***** went up till 2018, my most prolific period, before the curve went down. I admit I'm not writing as much as I would have loved to. Arrival of my granddaughter in early 2019 both added and eroded my urge to write. Most of my time was for her. I started with posting my work on Poem Hunter before coming to Hello Poetry on March 22, 2013 where my first post was 'My Name is Bond'. I post on no other site."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Pradip Chattopadhyay: "The spark that begets a poem is hard to explain. For me, it can be a momentary emotion, an impulse that's too compelling to ignore, a character or relationship, intimate or distant, an event or incident that might appear mundane on the surface, even a sight fleetingly seen. I have been an avid traveller, and moments with my wife during such excursions have produced many of my poems. The river has always been an inseparable part of my life possibly due to my growing up and living in the riverine areas. So the river silted or flowing has been a constant inspiration for my work. There are also other places for my poems. The daily market, slum, a pavement dweller, a daily wager, a salesman, religious beliefs and practices, faith, a journey, ruins, fairytale and so on. I place no limits on subjects; love, relationship, humour, horror, mystery, memories. Often they take the form of storytelling through a blending of experience and imagination. All said, what satisfies me immensely is to be able to write poems for children. I have tried a few trying to fit into a child's mind, a difficult process. Most of the poems rise and sink in my mind. Only a few see the light of ink and paper. Of late I've been a little lazy or maybe a little too busy for retrieving the ones that float for only a while."


Question 4: What does poetry mean to you?

Pradip Chattopadhyay: "For me, poetry is painting collages of life from within and without. The stimuli arise from the interaction between the external and the inner world. It is not to preach but to present what is seen and perceived by the poet, and leave the rest to the reader. You get down at the wrong station and see a reflection that you never thought existed within you. It becomes a poem. For me, poetry is touching upon the entire gamut of human emotions culling them from the simple happenings around us. Bringing out the hidden "more" than what meets the eye. Poetry is making meaningful an apparently simple happening. Even a mundane occurrence may contain the seed of a deeper realisation. For me, poetry happens for all that happens in our surroundings, be they conspicuously visible or not. The poet is an explorer and discoverer."


Question 5: Who are your favorite poets?

Pradip Chattopadhyay: "Rabindranath Tagore occupies a pedestal. He is universal in his dealing of all aspects of humanity. I also love to read Wordsworth, Shelley, Frost, Macleish and Neruda. I am not very familiar with contemporary poets in English language."


Question 6: What other interests do you have?

Pradip Chattopadhyay: "I love travelling and take interest in photography. Mountains attract me more than the sea. I have been to the higher altitudes of the Himalayas including Ladakh and Sikkim. Once I was a good reader but now I have fallen out of that habit."


Carlo C. Gomez: “Thank you so much for allowing us this opportunity to get to know the person behind the poet, Pradip! We are honored to include you in this ongoing series!”

Pradip Chattopadhyay: "I am thankful to Carlo for providing the opportunity to talk about myself and share my views with my poet friends on this site. The Spotlight on Poets is a greatly admirable effort to showcase the work of the many great poets here. Thanks to Carlo again for this truly encouraging initiative."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Pradip a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #15 in May!

~
Rajat Ubhaykar Jul 2014
A cursed affliction of the heart

A human condition that drives us hither

And thither chasing a ghostly calling

On a restless search for mirages



We are all actors

Playing our role

Said a great sonnet writer

We use to quote platitudes



But what of those who wander

A crossroad of diverging futures

Where one role does not satisfy

Their boundless hopes and desires



A poet one moment

A grave digger the next

Who shovels mud in the darkness

And finds meaning in the light



A role fit for a novel maybe

Or at least a bad play

Starring unknown faces

Gesticulating to an empty theatre



Some find solace behind the pages

Of a tattered copy of  Crime and Punishment

Leading a vicarious life of alcoholics and whoremongers

And some become what they don’t read



Blessed is the mind whose devotion

Is pure, untainted by the spectre

Of what is and what could be

Charting a singleminded road that plods on



To heights heavenward

To places unexplored

In a narrow field of vision

Towards a sunlit horizon



And not be stuck in the bogs

Of indecisive action

Of halfhearted measures

In a dreary haze of possibilities



But it’s only a cosmic joke one would say

For why did the Almighty in his wisdom

Make a world so vast and beautiful

Our ambitions so conspicuously lofty

And our fleeting lives so very inadequate?
Minuscule cockroaches creak
Conspicuously around the crude crumbs
On the dusty kitchen counter,
And tadpoles squirm in the cremated creek.

The porridge poured itself
For the poor stray kitten,
Who was too spritely
For eureka's euthanization,
Triumphant in trespassing
The proximity of the porch.

Meanwhile, the revolving rover
Imitated the raunchy rocket ships,
Launching like fervent fertility
Interceding September's secret,
Sacred admirers of ethereal pyres.
The sepulchre's soma
Spread from the peach's center
Like the terrific thighs of a virile *****.

Jurassic travels ,
Machines running on ancient carcass,
Annulling the terra firma
Of its aloe vera-like virginity,
And courtesans adorned with jewels,
Pretending to be Aphrodite?

Just as Jupiter does,
Joy wears covetous rings..


Originally written 8/12/11
Revised 10/19/14

(c) 2014 Brandon Antonio Smith
Seán Mac Falls Jul 2013
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Nat Lipstadt May 2019
late May, “sheltering in place,”
the perfection of the day, a descendant
of thousands of years of predecessors,
the elements in concert, expert-wise in the ways
of coordination of sky, wind and ocean caressing
to make poems come so easy, just breeze pluck ‘em

but this heart lies heavy in the noisy stillness,
for one intercept repeats itself,
all ready already, wrote of that, many times prior,
all the parimutuel betting/writing combinations
user exhausted, each one shouting, too late,
you wrote that in such and such a place, in a time,
vague recalled under a name since forgotten

eyes are the poem title generator random,
but all asterisked, seen that, done that,
wrote that, passages that are passengers
trying to hop aboard without paying,
the fare is no fair, and the style gone quaint,
no one wants to read the regurgitated,
my rapacious pen^^^ has stolen them back anyway

my pen now, flat on desk, good only for grocery & scratching off
my countless to-write, to-do lists,
but poem writing conspicuously absent,
this my last until, my corneas transplanted, my heart-ticking
to the beat of someone else’s drumming, but, no wisdom confession,
not what I expected from my retiring “freedom days”

did my share, and periodically one of you reminds me,
of the oldies, and the semi-smile that whispers across my drying lips
says did I write that, see the place + time denoted,
saying yes, here is proof of the when and where, and hints even
of the why, but the whys and wherefores, all crossed off,
the run is over, was a good one, but this time pride will not go
before the fall, for here it is springtime and the spring in the step,
does not launch more than an inch, ground bound, and when,
you no longer can soar, it’s time to say no more

and my old friends come to sing me to rest,
Joni reminds me I have no river to skate away on,^
my feet can no longer fly, lyrics like old honey, stuck no pouring,
Bobby closes my shop, with a young man’s prophecy,
knowing it is the hour that my ship has come in...
and though my moment is in this second, perfection, thinking,
peace to you all, remembering that peace is an unceasing changeling,
my piece is spoken, been trying to leave but this is it,
“it’s all over now baby blue”^^



“Oh, the time will come up
When the winds will stop
And the breeze will cease to be breathin'
Like the stillness in the wind
Before the hurricane begins
The hour that the ship comes in”^^

Shelter Island
Memorial Day Weekend 2019
Cee Valenso Jun 2015
Captivating, conspicuously charming
A fragrance so enthralling
Bewitching the senses
Enticing the unfocused soul

Hypnotizing, hardly hypnagogic
Such unparalleled grace
A peculiar dancer
Coaxing the mind to perplexity

Anodyne, aberrant anesthesia
Resembling an ethereal angel
A touch appealing to tame flames
Surreptitiously gathering fuel

Sacrosanct, superficially sacred
Donned with deceptive modesty
An ambiguous spark
Threatening to begin a wildfire

Efflorescing, escaping encumbrance
Soon, a firm grasp on freedom
The freedom so prematurely served
Too early to be maximized

Incantations, whisper incantations
Silence the demented demons
An unconventional ritual
To fortify the continence
Ebbing continence
Another attempt made
Stall the impending debauchery
Enunciation is needed -
Esurience is never innate, but provoked
Adam Schmitt Aug 2022
She and I together were never
the source of fireworks,
but of Landmines
Buried shallow in the Earth,
Never knowing what it's worth,
only showing each our dirt,
and telling each our hurt,
Yelling needless vul-gar words.

She and I together
wore always our clouds
at night
A wry smile and a drunken slight,
and a sallow bit of cold street light,
never trying to start a fight,
and with nothing
left to ignite,
Wondering if we're going to be
alright.
I know she probably will;

With that tough mind
of hers and her
inner fire bright,
an inferno of delight,
and her supernatural
sight,
always finding keys to
the doors locked
up most tight.

She and I today had one hell
of a trying time,
in the park where she dragged me along
by the unravelling thread
inside my mind.

I had to snip the thread
there,
and then,
She said "it's too nice a day
for us to say
'The End.'"
I said "it's not nice enough
for us to play
pretend."

I was split into tarnished silver
slivers for far too long,
After.
Exponential excruciation
A mind processing pain
that needs only be felt once
to be believed,
and I bled all those
who came close enough
to try and pick up the pieces.
I am welded back together now,
but there are smoking craters
I need to fill,
I think...
(therefore I will)
Though conspicuously tarnished,
even better still?

She and I together are now only
casual, cordial, and cool.
She and I together finally,
possibly,
learned the Golden Rule:

"Do unto others, as you would have done unto you"

It seemed cliche
until that day
When she and I together
Realized
we had nothing left
to say,
and with nothing left to do for
Her
But to give her heart away,
to the wild chaos freedom
she's always craved.
The chaotic wild freedom
of a world
that needs to be saved.
I craved it too,
back then,
the chaos, and the license to rave,
and I used to think it made
us strong, wise, and brave,
when all we really were,
were just
enthralled by shadows
On the walls of a cave.


It will help hearts
                                                 heal,
hers and mine together,
when we finally
    
                                                 walk away.

She and I still talk from time to time
When the wind is static
And the weather's fine,
When the moon is blue,
And the stars align.
When theres nothing to do
But to look back
and find,
She and I together, were never
very compatible,
in love,
yet far too compatible
in war.

Peace.
Processing a breakup in poem form. Troubled lovers who were better off as friends, but with a lot of unfriendly baggage that could never be forgotten. Though nothing unforgivable occured between us, it was too much that needed forgiving for one relationship to bare.
Seán Mac Falls Oct 2021
.
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                         ­         Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.



— a metamorphosis
.
These Monsters try to get me
not before i get myself, i lock myself in this empty room
hoping for this ***** carpet to **** me through this false foundation,
**** me up right between my sheets.
I open my eyes just before my alarm beeps,
a step ahead of the time- all the time
I can see you back there two steps behind,
laggin behind the seconds- just like the big hand on the clock.
Like im moving ahead of everyone else-head of the curve,
as the Doctors like to call it-as im trying to explain my increasing condition.
Son this is straight ludic-ration, It might be a part of your toonish-addiction.
Boilin' up this sketches and pencils, Bottlin' these un-inked rations.
I could use these another day i think to myself conspicuously,
wondering if anybody overheard my thoughts
writing down my exact words-
to someday use them against me in this trial,
with the judge,
jury im pleading against denial
Sittin' there with my crooked grin, my vanishing eyes, and my grittin teeth.
The judge has it out for me i can tell,
by the way he made me stand up and sit down,
i cant take much more of this questioning-
My mind wandering loosely now, maybe its what they wanted
tryin to get all my thoughts, those greedy *******;
My ideas, my brainchild's- there all worthless they'll see.
Nothing but a conspiracy against me,
But what they really dont know-there's a bomb under my seat.
deanena tierney Jul 2010
Oh my sweet, sweet gentleman,
Who has taught me how to love.
I decided I will run away with you,
And share the stars above.

I thought so very long and hard,
Of the decision I should make.
And realized if I went to Sussex,
It would be a huge mistake.

So I waited until after dusk,
And packed a few small things.
And then I planned that I would leave,
When I heard the church bell rings.

And when they did I tiptoed,
Down the corridor and to the street.
Where there stood my trusted friend,
Who had arranged with me to meet.

We traveled East to the harbor,
The steamer was not hard to miss.
And anxiously I hurried along,
To greet you with a kiss.

Conspicuously I wandered about,
Until I found cabin two- eleven.
And then I pushed the door open a bit,
To steal a sight of heaven.

Instead I saw you lying there,
With a maiden much less fair,
I sauntered up, spit in your face,
And left your sorry *** there!
Leaden sky blanket of soaked thoughts
Adding wars back,
Giving the pale impression of illness,
Enthusiastic thunders,
Changing weather,
Swirl of birds
Darkness reflection of a world beyond
Imagination.
Changing weather,
Prosaic surfing, swivel,
Swirl of conspiracy
Theories
Conspicuously visible,
Relented turf
In a bout of self-pity.
Awake from this tragedy
Of disillusion
Finding the way to a clean resolution.
Enjoyment of theories
Opening,
Look for heaven.
Where is my perfect heaven?!
Write of December. Inspired by 'A tragedy in heaven.'
natalie Mar 2012
you are my booming clap of thunder during summer rain,
my inconvenient papercut placed conspicuously on a knuckle;
my stringent alcohol spilled into a pulsing, gaping wound,
and my burning bee sting on a painfully humid afternoon.
your ugly fangs spew venom more toxic than any poison,
and you hiss and growl and spit dauntingly.
with words so harsh and grating they are impossible to ignore,
you raise your head, poised for attack, and you shreik and wail
until the sound echoes throughout my whole being,
shaking me from the core and eliciting curious emotions.
my feeble defence is no match for your well-trained
and perfectly executed attack, and i crumble.
it's a poisonous cycle, inevitable and futil, that drains
every ounce of moral fiber and happiness from my soul.
suddenly, my fingers entrap your small little throat,
and they squeeze as hard as they possibly can,
until the blood bursts into your eyes.
it's only a dream, but my fingers can't help but remember...
Katherine Medina Aug 2011
Sometimes I miss it. But then all I can do is sit back and wonder why I do so in the first place.

There was once a little boy who wanted to hug the moon. Every day, the boy would patiently wait for the night to fall in despair of the moon’s eye on his own and wondered where he could go in order to sneak in and give the moon a hug.

He sat on this bench outside his house and stared for hours and hours on end after dinner- until mom said it was much too late and time to rest. He wondered.

A rope! A rope that’s long enough, that’s all! He smiled and smirked filled with the zest of that brilliant plan- he’d catch the moon to bring it closer and hug like he’s been yearning ever so after.

Where will I get a rope though? He asked himself.

I will connect many ropes! He answered.

And so he looked here and there. Up and down, east and west. He found some ropes and tied a knot so strong each time that his hands would turn bloodshot purple.

There stood the rope beside the boy one night after dinner and he said to himself -tonight is the night for she and I to meet at once and be together for a glistening second in human’s feeble time-

He closed his eyes and fetched the rope and held it tight and threw it as far as he could. In fact, he used so much force of power along with ****** strength that his feet were partially swept from the ground also- he floated for a few seconds as the rope flew into the air at an unbelievable speed. It hugged the moon like the boy wanted. Now he needed the strength to just bring it a bit closer to him by the bench so he could conspicuously give the moon a dear hug. He pulled and pulled and pulled until he thought his breath would die out- the moon is heavier than it seems! , he thought. But alas the moon came and beside him the moon sat, the moon not so bright stood. He looks at it and says:

“You’re not what I expected, all bright and soft and full of light like the way the stars envy you in the night sky. So deceiving you are, making me think this whole time you were exactly what I’ve wanted. Exactly what I’ve needed. How dare you give me false hope? No, you’re not what I expected. And I’m in fact so disappointed, I don’t even desire to put you back up there so you can lie to others too. You will stay here.”
And the moon there stood. Immobile. What can she possibly do? Its fine though, the world will move still. But the moon must remain still, until a hopeless leaves her to float too.
thinklef Jan 2014
I have fallen, I have crawled,
Through the darkest moment,
In the darkest hour as it drained my power,
I never gave up,
I kept on climbing the mountain of success,
Constantly been consumed by the pain of the rough edges,
Spontaneously been drown in my own, actions & reflection,
My heart cannot adequately express my feelings in this scripture,
which I have written in my leisure,
I asked the world what is the way through,
It said I'm at liberty to what I do,
In the restless & reckless moment,
I never gave up the momentum,
I was always driving & aspiring to be on top,
It is undoubtedly & conspicuously visible
It been a year of memories,breakdown,
But never the less,
I never melt down,
Thank you lord for a year well spent,
It sweets my spine,
And my eyes soaked in tears of joy,
Knowing you made me enjoy this year without fear,
I look forward to 2014,
For more blessings with no lessons to reap,
Alhamdhulillah

— The End —