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acacia Aug 2020
let this view be for him: how it must—
the echo draws the lingering soul out of me
but it stays for it whirls and it makes me cry
but the hour of the day to impress you sings the joy
of the One —he stops and I come towards the rain,
and an impressionable glow of horn creeps into the sauna,
and it lowers my body, giving me the “immeasurable” chills:
but still these are words: god is in here, yes, god is in here—
god is way inside the violins and the dreams of these chords
he hits these notes and these horns play as if it was a cliched night
my aching god, my body falls in line with his movements on the drum roll; my neck moves, my hips sway, my waist penetrates the other day into the next morning for it is ephemeral :
the little windows of babes that twirl in these sounds in this rhymes in sight of his horns—filled with city nights

they sound like city nights like lurking blackness over trees and buildings lit up with windows of orange-yellow-opaque and she dances in the background—
this trumpet-woman: she dances, she does a spin she is trying to get her spin; she is trying to get her tap, she is trying to get in the door—she is stuck in the door
the key, she is fumbling with her key—little flails, a higher flail, she flails, she heightens—
she is close to opening the door
she sticks the key, jamming it in there— she turns she turns, she twists she twists: the keys
she takes a breath. — . she turns, she twists, she turns, she twists—
she walks away from the door, the key stuck in there
she staggers trying to learn how to walk again; drunken, she blares out, she blares out in the city coughing and her saxophone belting—she squeaks, she slurs, she blares, she whirs, she slurs, she blares, she sings, she screeches, she whistles through the day and the night

:four trees breeze by her, black skirt flow and taxis pass by her:

lame sounds into the wind, she keeps going. lame sounds into the world—she turns, she twists, she falls slightly, she skips and steps and she turns the key! she inhales [ ] ankle twist her arm trips,
her wrist squeezes into her pocket; clad all black—the stars join her and she sings lamely into the night, her voice reverberating throughout the leaves
a car yells as she repeats the night:
she sings out lamely, blares and twists and turns and she walks to the door—crickets pray, the car yells—she rests her head against the door—cars yell and honk, driving through her door: the door is open: the walls talk to her, the stars all watch her—she limps through the halls, the trumpet, the saxophone limps; the doors watch underneath: peering into the skirt of the trumpet: the hosiery adorned legs cramped and relaxed: tension jarred and stirred, wiggling free: peeking at the shiny bronze in between the bridge the way the air flexes around her

it changes shape towards her daily repeat nightly motion of monitoring the trapeze\

the sky gives atmosphere and volume into her hair—the realm
of being stuck, she is stuck and repeats: she is stuck and repeats
the lame song and blares into the ceiling: the empty missing ceiling—she blares and croaks and lamely walks to the steps of the day. it is night.
her eyes follow the trail up their Stare, and as she goes up each stair she feels despair pouring out of her porous eye’s pores that are open, and eyes closed to the velvet touching her uvula-*****. . . she drowns on these stairs and stains . .  .
cannot make it up—lame song— cannot —blaring —despair
exhale ][ inhale [] exhale ][ inhale [] prana ... lame .. . prana ... prana ... sati ... samadhi... liberate citta ... drop the poor chord: lame, lame song . . .

she limps up the stairs, each foot hitting each stair twice:
up down down down down up up up stagnant stagnate up down down stagnate — up down stagnate stagnate — blaring blare — loud: cranky! — she drunkenly sings, sways up the handrail, pours out her drink down the roof, and watches it fall:

the doors open, all simultaneously, whilst she looks down the stairwell pouring her drink down there for all to have: "Share joy, turn the key! Share, it is stuck! Get it out of the door! Open the door..." she shouts, she blares, she levels out. she yells.
lame song, limping . . . drunkenly dressed. Sloppy. utterance, muttering, low voice, trembling, yet now repeat the motion of the night. — realistic night days of the sophened mind, she blares, she cuts, she blares, she lowers— accelerationist accrucianado — "Dressing me out : the worst way to die go figure:! The constellation shows you!" lame song, blare, drift, loud lame limp. she walks further up the steps—the same song repeat, quivering now, more gusto, more braggadocio: "drawers long. inhale. prana. paroksha. indirectly." she opened once  again: concerto opus *****: quiver, blare, blossom: the stars shine now, and she sings while they fall around her—

she refrains, they fall, glidely, she refrains. she refrains. they fall, glidely, she refrains. she refrains. they fall, glidely, they drop, lively. swiftly. sprightly, brightly—she drinks in her own drinks of drown, she goes down the octave. down. there, the sky changes waving around: now over the highway, she blares loud, floating in the sky, floating above cars, and the traffic below her . . . she blares out croaks: she croons to them the same truth of the heavens they couldn’t see and she refrains loudly, glidely:
whizzling up there—her drool drizzles down there—inside and outside—pumping in, the throbbing joy: thrusting divine, thrusting angels—hayorically she moves dizzily over cities—oceans above her—traffic below her—she cramps up, the stars guide her

her more sing move; she waves more,
to the passerby, the clouds drift by for love/ no love /she drinks more love/ to the god where she blares, she croaks, she wheels out there, into the world cries of a never harmed One:
of a One never divided into Many: and she and the ones in a 50 foot radius are hit with atomic blasts the size: bruised and battered flesh, heart is black and body is blue, but the spirit is incorruptible and the spirit remains when the body burns when the sun dies lamely flying, limply stars guiding—
drool stuttering from each pore on her, she drives away in her no-more vehicle: this is the last body, and she knows this: and she accepts this is her last body, as she flies over New York City,
drifting with the race cars, absorbing each and every person and being: crossing roads that never existed, singing songs to nobody
city noir -
Katie Meadows Jun 2010
you've got game.
but its only so long your taste buds slip up.

it can only be so easy.
and with such a pretty face,
when everything come crashing down guess where it'll land.

leaving you entirely useless.
and sweetness,
could you not see this coming?
with all your laced up promises.
and all your hand in hand movements.

leave such a trace.
on hearts and hearts to come
but no fair warning.

and it can only be so easy,
with such intoxicating words.
that this vocabulary of yours will set ablaze

it won't leave me surprised.
i know how to play baby doll,
and when someone isn't terrified of your lifeless hope.
where does it stand.
My left brain twists, and secanol comes flowing,
My eyes are square moon bases, nonagonal PVC behind them
Accounting for a dialing rhythm of split modular beeps,
Air-packed and dew drop sized, but only held by felt feelings.

They pipe in.

The Opener Screamers
Open a pal, a pulsing pill of pep talks and peptides,
And scream my way into tomorrow, a sleepy cheetah with anxious acid reflux.

My right brain does a sit up.
My left brain twists, and secanol comes flowing.
Debbie Taylor May 2015
Life is full of twists and turns

     Happiness / Sadness
          Anger / Joy  
      Passion / Indifference
           Love / Hate

Opposites at first glance,
     each necessary in their own time,
    each with a purpose.

Like the swing of a pendulum,
     each tick-tock is inevitable,
each turn in the road purposeful,
     showing us something
         we need to learn from.

If we do not learn,
     it passes us by,
          and it will pass us by again,
     and again,
          and again,
until we learn the lesson
     life intends us to learn,
          then it will move on.

Tick-tock, tick-tock,
     swing left, swing right,
higher, lower,
    until we reach equilibrium,
then tick-tock,
     tick-tock
           all over again.

Live, learn, love...
     Live, learn, love...
          LIVE, LEARN, LOVE!

Balance is the Key.
     And Love!
     And Life!

And to take each day as it arrives
     and make the most of each opportunity,
each smile, glower, crisis and peace in its stride,
     and at the end of the day
          to be able to say:
I have LIVED this day!
Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
the mind is its own beautiful prisoner.
Mind looked long at the sticky moon
opening in dusk her new wings

then decently hanged himself,one afternoon.

The last thing he saw was you
naked amid unnaked things,

your flesh,a succinct wandlike animal,
a little strolling with the futile purr
of blood;your *** squeaked like a billiard-cue
chalking itself,as not to make an error,
with twists spontaneously methodical.
He suddenly tasted worms windows and roses

he laughed,and closed his eyes as a girl closes
her left hand upon a mirror.
kaylee adamz Jun 2012
i don’t want to love you
anymore
i’d rather love books
and words
and the sea
when it rages
i’d rather love
adventure and
late nights
filled with smiles

i don’t want to hide
anymore
i’d rather fly
to a far away mountain
and scream
at the top of
a blue peak
i’d rather explode
with virtue
like a light—
a star
who has met
it’s end

i don’t want to love you
anymore
i don’t want
the sun to fall
i don’t want
my coffee to go cold
or my cigarettes
to wage war
on my lungs
but there’s little to do
when the universe
twists
in it’s inevitable ways
Ashley Chapman Aug 2018
These days have ebbed
as Love's swell was checked:
the waters in some places
- all but dammed!

But now at last
I sense the rising tide
and thank Temese
for the current's turn;
now following that great writhing snake
to where its pulsing head will rake;
over the mucky soiled watery beds
of Woolwich
Greenwich
Limehouse
- and under -
Tower Bridge

     To that great gloating sight
                A crown of a billion lights
     Blazing day and night:
                And somewhere within
     In the slick oily warmth
                Our flood tides mesh,
     As over each other we wash.

Hard thrusts
wicked deep cuts
given and received
are recorded in that great mirror smoked!
where with a tug and a shove
on the banks
in the streets
through the loopy twists
everything prospers in the glow
as the decades decaying flow;
each ***** bud
red with new blood
one after t'other
flowers
before their purple petals scatter.

Let's on the luck o' the dice
(you 'n' me!)
ride out
on the flotsam and jetsom
that has carried us this far
and as pleases
merge.
London, a city with a rhythm, the Thames, which I sailed upon one Saturday morning - not a soul at this end of this magestic river, this city, in which I have lived for forty years...And love - a wonderful woman - and how I desire us to pull at each other as tides do, tugging at each other, two flows running over reeds and muddy shelves searching for each other in the cool green depth.
Scott M Reamer Apr 2013
Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
Jenovah Sep 2012
Who are you?
You're not the same person you were two minutes ago.
I just don't get you.
You're compulsive, and corrupted.
You're easily addicted.
You have friends in your mind,
but in reality friends you'll never find.
You're simple yet, confusing
like a Rubik's cube.
With all your twists and turns.
This pain you put upon me
has left me with cuts and burns.
Will we ever learn?
To get along
and fix these never ending battles?
Your bipolar versus my anger.
Some days, to me you are a stranger.
Who I thought I knew has suddenly disappeared.
Your disease is something I've always feared.
Illness invaded your mind,
and has taken over who you once were
Leaving all your past senses blind.
Celestial Vince Jun 2015
Twist and turns,
bruised and hurt For having faith, accused of being fake
But still I stand, enduring till the end
Martyrs try to polytheis' this Being, but Deep within lives a king,
don't get it twisted this is no fiction
And so my vision is clear,
vinni da viccii my portraits are vivid
Never mind those who try to mimic, this perfect image
Pay homage to the soul typing this
Whose focus is never shifting,
even though emotions tend to be changing When twists and turns arrive
I think God, Demi gods or polytheism
But I don't want to pass no criticism
No I don't, and I do have my reasons
Spring, summer and autumn and winter aren't jealous of each other
Everything has its time and season, I've been thinking
Everything used on earth has a maker
The additional beauty, you add using make-up
And the melody, helping you wake-up every morning
I know my maker
____________

Twists and turns
Raj Arumugam Sep 2010
1
My mother would say:
“Little boy Raj…
Go to Muthu’s
and get some
cinnamon, betel leaves
and ginger and garlic”

And so I go to the shops
singing all the way
and when Muthu asks me
what I’d want
I rattle off a list:
“Sesame seeds, onions
tomatoes and pickles”

And back home,
Mother twists my ears

Ouch!


2
And inevitably I grew up
and inevitably I got married
and inevitably my wife says to me:
“Dear husband whom
I married in a fire-ceremony;
could you kindly go to Woolies
and get me some
flour, castor sugar,
pepper, pasta sauce and pancakes…”


And so I drive to Woolies
singing all the way;
and walking down the aisles
I throw the following
into the trolley:
cinnamon, betel leaves
and ginger and garlic…

And back home
though my wife does not twist my ears
I feel Mother reach forward
from the other world
and she twists my ears

Ouch!
Rod E Kok May 2014
I’m strong, I can stand
against the buffeting winds
that try push me down.

        (I’m weak, too easy I fall,
       giving in to the pressure
       that mounts from within.)

In the face of your discrimination,
I’m courageous
       (I fear your abuse)

Yes, I am strong.
Though my gnarled hands
bend with age,
my roots…

        (break, there is no
       vigor left in me)

Sighing...my mind twists
that which should grow
into a solid foundation,
turning it into

        (groans of pain,
       mental anguish.
       Weakness takes over)

A tired thought dances
through dim light,
bringing some joy
into the
  
       (bleak. All I see are
       shadows. Mocking shadows.)

Once I believed I had it,
an inner strength to deal
with anything.

        (Like a mirage, my spirit
       couldn’t grasp what it needed.)

Now I envision…
no, I see what I truly am.

My hands are wringing,
I’m cold...so cold.

I am
not
strong.
This is the 7th piece I wrote in the Anxiety collaboration. This piece was the chosen one, until I wrote another piece. If you have read all 6 poems in this series, you will see a progression from dark to not so dark. Each piece has emotion, lots of it. I have to admit that this one was the hardest to write, as the emotion hit me very hard. I was mentally spent after writing and editing this (although there was very little editing to be done). As I was in my 'writing state of mind', I cried. Yes, dear reader, some poetry does that to me. I was overwhelmed by emotion. I have not yet figured out if the tears were borne from the poem, or if the words flowed out as a reaction to where my head was at. Maybe it just doesn't matter.

This poem is the 2nd last one in this series. I hope you enjoy it. I hope you, in some little way, took a journey with me. Maybe my words have revealed something in us that we don't want people to see. Maybe you just simply can't relate to any of it. And there is always the risk that you laugh at me and my words. This is all fine. I have grown. I have learned. Smiled and cried, I've run the gamut of emotion in this series of poetry. Please enjoy.

Rod E. Kok
April 2014
Edna Sweetlove Mar 2015
To **** or not to ****, that’s the ******* question:
Whether 'tis nobler in the bowels to suffer
The twists and turns of outrageous rumblings
Or to take action against a bellyful of gas,
And by farting pump one out? To strain, to bloat
No more; and by a mighty outburst we’ll end
The gut’s ache, and the thousand natural stenches
That the **** is heir to, 'tis a resolution
Right devoutly to be wish'd. To ****, to ****!
But perchance to ****, there's the ******* problem;
For in that mighty **** of doom what turds may come,
When we have let the little beauty out from mortal tail,
Must give us pause; there's the danger
That makes calamity of the farter’s life;
For who would bear the sneers and mocks of men,
The neighbour’s shock, the lover’s curling lip,
The pangs of horrid stench, the *******’ o’erflowing,
The leaking **** orifice, and the drips,
Impatient strainings that the tragic farter makes,
When he himself might sweet easance make
With a careful prodding finger? Who would a ****-plug wear,
Grunting and sweating with noisome convulsions,
But that the dread of solids after air-release,
The undiscover'd oozings, from whose delivery
No toilet visitor recovers, puzzles the will,
And makes us bear the bellyache we have
Than fly to others we know not of?
Thus indigestion does make cowards of us all;
And then the native heave of constipation
Is sicklied o'er with the pale fear of defecation;
And enterprises of both ******* and crapping
With this regard, their currents turn awry,
And lose the name of exciting toilet action.
Hayley Cusick Nov 2014
I want to wander among the leaves
that have fallen so carefully around me
they haven't hindered who I am
but they have showed me a new path
and I want to find where it's twists and turns end
beneath the snow and throughout my bones
I'm lost on this new path to an uncertain home
and I'm left without a reality to ground me
only to rely on something so far outside of me
I feel so alone with this emptiness that surrounds me
only filling each hole when I'm threatened to drowning
goodbye my darkness, my close friend. you used to mean so much but now it's the end.
Shashank Virkud Oct 2010
Bittersweet, get me going.
                     hold your breath over my neck,
      
                             it really

         lets me go,

                         twists my tongue.
Talk to me
                  like an angel
but,
                                
                         touch me                
like a convict.
 
                        disrespect me,

              neglect me,
abuse me,

but,
              with a voice I can't refuse.

Bittersweet, like a rose infused.


Bittersweet, keep me going.

        my heart
flutters and flails when I hear you in my ear.
      
      Whisper me *******

but,                
                       ***** me

like a ******.

                    ****** me,

             reduce me,
fool me, 
            but  Bittersweet,                      
        ­            make me feel *****.
Like you're in school
         and I am turning thirty.
Potato Jul 2019
She
She sang a song
of ice and snow
and dreamed of oceans
swaying slow
She swam through clouds
and flew near stars
Fell so proud
and dove so far

She was a sad harmony
A song she unsung
A silence unheard
A deed undone

She hummed a tune
of fish and birds
and bore with devotion
The beasts she herds
She swam through life
and flew from death
Fell from strife
and dove bereft

She was a sweet melody
A smile she unsmiled
A violence in violet
My hope she defiled

She sang a song
that twists the mind
and played my emotions
Leaving me blind
I swam near folly
and flew through sin
I fell in love
and dove right in
Madds Jun 2019
It’s the kind of sadness where your rib cage
Contorts
And twists and
Snaps.

Depression doesn’t float through my veins
It crawls through my bones, with dagger hands
And winding movements.

I cannot breathe.

And yet there was nothing taken from me.
But then again you took everything all at once the moment you looked in my eyes, covered my mouth and forced me down.

I don’t know why your smell still lingers in my every thought.

I’m not scared anymore.
Twelve o’clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.

Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said, ‘Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.’

The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.

Half-past two,
The street lamp said,
‘Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.’
So the hand of a child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child’s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.

Half-past three,
The lamp sputtered,
The lamp muttered in the dark.

The lamp hummed:
‘Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smoothes the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and old Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.’
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.’

The lamp said,
‘Four o’clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair,
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.’

The last twist of the knife.
Cyril Blythe Nov 2012
Janie pushes the metal book cart back into its parking space in the Document Delivery Department of the St. Louis Public Library and hangs the last sticky note for October 30, 2012 on the wall by the head of the department’s closed door. She retightens her brown scarf under her chin, tucking the wispy hairs above her ears back into hiding. Having your hair begin to prematurely gray as a teenager has dramatic effects on a person. Her mother wore scarves around her wrists when Janie was growing up and when Janie begin to wear scarves to conceal her salt-and-pepper hair, her mother just smiled. The clock hanging on the wall above the children’s section reads 11:28pm.
Two more minutes.
She reorganized the pens and books on her desk and set the box reading NOTES onto the right corner or her desk with three blue pens and a stack of note cards. Her coworkers learned fast that Janie does not like to talk. She does not like eye contact. She loves the silence, and never ever to ask her about her hair. Her manager gave her the NOTES box after about a month of horrible miscommunication and everyday it fills with requests for books or tasks that Janie has to complete. She completes the tasks one by one, alone, in her back office in the Reference Department and hangs the completed sticky notes on the wall by her manager’s door. She works the night shift and locks the library up every night. When she’s alone she can talk out loud to herself and those are the only voices she cares to hear.
“Goodnight, books. Good night, rooms.” Janie shut the heavy wooden door to the library, placed the color-coded keys in the front right pocket of her jacket, and began her walk to the bus stop one corner away. She avoids the main road, taking her first right onto a side street that she knows would spit her out right beside the bus stop.
“Goodnight Taco Bell Sign. Goodnight Rite-Aide. Goodnight Westside Apartments. Goodnight Jack-o-Lantern smile.” She stopped in the middle of the alley and peered up at the Jack-o-Lantern grinning down at her from the third story window above. “Mother wouldn’t’ve liked your smirk, Jack. She would’ve slapped that **** right off your face.” Janie, satisfied the pumpkin was put in its rightful place, smiled as she trotted on.
“Mother carved smiles into her arms and that’s why Daddy left, it is, it is.” She kicked at a crushed Mountain Dew can as she remembered that night from years ago.

“Mommy?” Janie pushed opened the door to her mother’s bedroom and saw the moving-boxes torn open and all their contents scattered across the floor. She tiptoed through piles of scarves and silverware and corkscrews until she reached the bathroom in her mom’s room.
“Come to us like rain, oh lord, come and stay and sting a while more, oh lord…” her mother’s voice was slipping off the tiled bathroom walls. Janie pushed open the door and saw the blood for the first time pouring from her mother’s wrist. Her mother was naked and perched on the bathroom sink, singing to a red razor blade.
“Mommy?”
“GET OUT!” Her mother jumped from the counter and perched on all fours on the floor. She began to growl and speak in a voice too deep to be coming from her own throat.
“Mommy! It’s Janie!” She began to cry as her mother, still naked and bleeding, twisted and writhed onto her back and began to crawl towards the door that Janie hid behind.


“Thirty-Three percent, dear. Just a thirty-three percent chance.” She shivered trying to clear the last memory of her mother with the words that all the shrinks had echoed to her over the years. “Schizophrenia is directly related to genetics, little is known about the type of Schizophrenia mother was diagnosed with except that it is definitely passed on genetically. But, there is only a thirty-three percent chance you could have it, dear. Thirty-three percent.” The sound of the bus stop ahead reminds her it is time to be silent again.
“Disorganized Schizophrenia.” She mouthed to herself as she stepped back out onto the busy street from her alleyway. She tightened her scarf and saw the bus pull into the pickup spot. She walked forward to the bus, again immersed in her self-imposed silence.
Stepping out of the February cold, Janie removes her wool scarf as the bus doors close behind her.
“Where to baby?” The driver smiles a sticky smile. Her nametag reads, “Shannon” and has a decaying Hello-Kitty sticker in the bottom left corner.
“The Clinton Street drop.” She hands the driver her $2.50 fare and avoids the woman’s questioning eyes. The night drivers are always more talkative, curious.
“Your ticket hon.” She tears Janie a ticket stub. “Everything is pretty dead this late, I’ll have you there in ten minutes top.”
Janie begins to shuffle towards the seats, ignoring the woman.
“You mind if I crank up the music?” The bus driver asks, purple fingernails scratching in her thick blonde hair. “I need to keep my eyes open and blood flowing and music is my fire of choice you know?”
“Sure.” Janie shrugs her bag onto her shoulder and walks on before the woman can say anything else.
“Route E-2, homebound.” Shannon’s voice crackles over the loudspeaker.
She shuffles down the bus towards her usual seat; second from the back right side.  Shannon starts the bus rolling before she reaches her seat and Janie can hear her singing along to “Summertime” by Janis Joplin. The bus floor, today, is sticky because of the morning rain. Two years of riding public transportation has taught Janie that staring at the floor as she walks to her seat is better than the risk of making eye contact. The bus is usually empty this late but if there ever happens to be anyone else on, it’s better not to converse. Safer that way.
She plops into her seat filling the indention that ghosts of past passengers left. The seat is still warm and Janie squirms around until the stranger heat is forgotten. She tightens her scarf and sighs. The brown pleather seatback in front of her is peeling towards the top. Janie leans forward and idly picks at the scab-like dangles of brown as she watches the sodden city canvas roll past her out the foggy window. As she picks, the hole grows. She twists and digs her unpainted nails into the seat until her hands feel wet, warm. Looking down, they are covered in blood and mud.
“What. The. Actual. ****.” she whispers, wiping her hands on her pants leg. She cautiously picks off another piece of pleather and a trickle of deep red begins to run from the seat back, clumps of mud now falling onto her knees. A puddle of blood and mire splatter down her legs and pool around her feet as she picks at the seat. Her white tights are definitely beyond saving now, so she digs faster until her thumbnail catches on something, bends back, and cracks. She gasps and withdraws her shaking hand, watching her own blood mix with the clotting muck in the seat, half of her thumbnail completely stripped off.
Looking around, all else seems normal. The driver is now muttering along to some banter by Kanye West, completely unaware of Janie’s predicament. She closes her eyes.
This is a dream, this is a dream, wake the **** up.
She opens her eyes to see the pool of filth around her feet trickling towards the front of the bus. Panic sets in with a whisper, They’re going to think it was you, your fault, you’ll be thrown in jail.
“But I didn’t do this.” She lashes out to herself. “I didn’t hurt anyone.”
Next stop, E-2. Shannon blares on the intercom.
“It’s just a dream, get your **** together, Janie.” She laughs at herself, manic.
Prove it! Her subconscious screams.
Convinced to end this moment she has to continue; Janie plunges her hand into the pleather grave one more time. Frantic and confused she laughs as she digs, spittle of muck splashing on her bus window.
Faster, faster, faster.
Deeper, deeper, deeper.
Realer, realer, real.
Wake up, now!
Then, as the bus slows, one last chuck of mud splatters to the floor and Janie sees a pink piece of her thumbnail stabbed into the white of a bone in the bottom of the seatback pit. Her white Ked’s were becoming so red they were almost black. She pulls her knees up to her chest and begins to rock back and forth. Clenching shut her eyes she begins to hum. Janie’s sweet soprano harmonizes with the buses deep droning purr, their wet melody interweaving with the driver’s alto and Lil Wayne’s screech made her feel dizzy as the bus turned right.
She take my money when I'm in need
Yeah she's a trifling friend indeed
Oh she's a gold digger way over town
That dig's on me
The bus slows to a stop and the bass is shaking. Janie is cold. She slowly peeks out of her right eye, expecting to be instantly immersed into the same dismal scene. The seatback is whole again. Releasing her knees, her feet fall back to the floor and her shaking fingers stroke the solid pleather.

“Ma’am? We’re at the Clinton Drop.”
Janie hurriedly picks up her bag and flees down the aisle to the bus doors.
“Everything alright, dear?” The bus driver asks, smiling.
“Fine, just fine.”
“You be safe out there tonight. The night is dark and only ghouls stroll the streets this late.”  Shannon laughed as Janie’s jaw dropped. “Happy Halloween, dear. It’s midnight, today is October 31st.”
The bus doors opened and a cold wind ****** the warm bot-air surrounding Janie into the streets. She begrudgingly followed, her mind spinning as she stepped onto the pavement. The doors slammed behind her and she turned to see Shannon pull out a tube of lipstick and smear it, red, across her cracked lips. Shannon made a duck-face in the mirror and reached down to crank up the music as loud as it would go. The bus exhaled and rolled forward, leaving Janie behind as it splashed through the potholes.
She surveys the surrounding midnight gloom and the street is quiet and dark. Even the stars are hidden behind swirling clouds. She begins to hum, hands in her pocket, and shuffle towards her apartment.
“Goodnight, stars. Goodnight, street.”
As she approaches her single-bedroom apartment, digging through her coat pocket for her keys, her thumb pulsates. She grasps the keys and pulls them out as she steps up to the apartment. Sticking the cold, silver key in the lock she looks down at her thumb and in the shadows of the porch sees half of the nail completely missing. She laughs as she pushes the door open to her bare apartment, light flooding out. Without any hesitation she closes the door behind her, sheds her clothes, and slips onto the mattress in the corner of the room gripping her thumb tight. She reaches out for the glass of milk on the floor beside her bed from the morning and it’s still cold. Nursing the milk, surrounded by blankets and solitude, she reminds herself,  “Only a thirty-three percent chance. A nice, small, round number. Small.”  
She sets down the empty glass and curls into the fetal position under the heavy blankets, pointer finger tracing circles on her thumb. Only when she has heated her blanket cocoon enough to feel safe does she remove her scarf and allow her thick white hair to fall around her face.
“Goodnight, room. Goodnight, mother,”
Curtis Jul 2014
What makes me
Is the way
I make poetry
The way
I view a tree

I sometimes give
And I sometimes give in
Questioning the way I live
Loops and twists and circles
Make it hard to stay positive

I know not restraint
Whether in life
Or the nightmares I paint
When I give
It's always more than I make
That is not by mistake

Things done
Things to be
Is the cause of one
That one is me

Loops and twists and circles
Tend to unwind
Just keep your head up
Stay out of your own mind
Enjoy the theoretical
Concept of time
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
Ugo Victor Feb 2016
I am a nerd
Who finds pleasure in books of fiction
Of life in fiction
Of pain from fiction
A fragment of my being
I am nothing without a book

I am a nerd
Who finds pleasure in comic books
Whose mind comes alive in their pages
Of heroes and their sidekicks
Of villains and their lovely vile
I am nothing without a book

I am a nerd
Who finds pleasure in rock as a religion
It's transitions and it's leads
Metal as a denomination
So electric; I come
Alive over and again
I am nothing without my music

I am a nerd
Who finds pleasure in Mangas
Their Naive heroes and their half clad villains
Their pervasions and their strengths
Their one-on-one battles and defeats
Their awesome storytelling and the twists
I am nothing without my Manga

I am a nerd
Who finds pleasure in video games
The difficulty levels and their walkthroughs
The vibrations and the boss fights
The sleepless nights and the highs
The shouts of victory and the barrage of curses
I am nothing without my Video games

I am a nerd
Who finds pleasure in surfing
The endless chasm of the world wide
Web, of knowledge and terrifying ignorance
Of horrors and uplifting humor
From one end to the never ending
I am nothing without the Internet

I am proud to be all of these and more

I Am Nerd.
diamond youth Jan 2016
dear ex-boyfriend
did you feel euphoric when you ****** the life right out of me?
did you feel on top of the ******* world when you slipped something into my cup?
i'll tell you something dear ex-boyfriend, the pain inside of me that winds up and down and twists my intestines will forever bruise my heart
i'll tell you something my dear, dear ex-boyfriend
i'll never get it back, what god-given right did you have?
what god-given right did you have?
my body is my temple and you invaded and destroyed and corrupted it and i'll never get it back
tell me something ex-boyfriend, are you proud?
going through a pretty ****** breakup rn
Kyle Kulseth May 2014
Our old uncle, Daedalus,
     he'd grin when he spoke to us
His mouth was missing teeth
and so his wisdom flowed out free
He always smelled of cheap cigars
     alleyways and corner bars
He'd tell us he had seen the world
     and this was his decree:

     "Don't fly too high, you little *****.
       You just might live to pay for it.
       The Sun is always hot,
       the ground gets harder every day."

"But, Daedalus," we would complain,
"You are old and we would fain
see the sights you saw before
          we sleep beneath the clay."

And dear old Uncle Daedalus
     he'd laugh and spit and swear at us
"You ******* little ***** had better
heed the tale I tell.
This life is one big ******* maze
with twists and turns and tricks to play.
The kings control the monsters,
who make Earth a living Hell."

We'd try to listen, try to thank
him for the words, but his breath stank
and, anyway, we thought that he
               had prob'ly **** himself

But dear old Uncle Daedalus
hung Death from lips that spoke to us
and ****** if he weren't right
about the things he always said:
"Inventiveness works, by and by
with daring, you may taunt the sky
                                   like I did
                                  but the fall is long--
my dreams and son are dead."

He always smelled of cheap cigars
     alleyways and corner bars
"You ******* little ***** had better
heed the tale I tell..."

"Don't fly too high, you little *****.
You just might live to pay for it.
The kings control the monsters,
who make Earth a living Hell."
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.

Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!

Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.

In you the wars and the flights accumulated.
From you the wings of the song birds rose.

You swallowed everything, like distance.
Like the sea, like time. In you everything sank!

It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.

Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!

In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!

I made the wall of shadow draw back,
beyond desire and act, I walked on.

Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.

Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.

There was the black solitude of the islands,
and there, woman of love, your arms took me in.

There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.

Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!

How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.

Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.

Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.

Oh the mad coupling of hope and force
in which we merged and despaired.

And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.

This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!

Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!

From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.

You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.

Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!

It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.

The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.

Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.

Oh farther than everything. Oh farther than everything.

It is the hour of departure. Oh abandoned one!
Shamans, in an attempt to find a word that all cultures could understand, to represent, universally, the subject; married the languages by root.

Each attribute or thing that the beast is said to do, have or have power to do or over is found as a definition in a language of the individual roots.

Take Sanskrit for instance. "Dra," is "water and combine it with Sumerian, "Gun, Gon," and you get a "water-born," beast who "writhes, twists or wraps around," which is the Ouroboros Serpent as shown in ancient images.

The secret to all ancient myth or religion is in interpretation of language into foreign languages over time.

And, yes, it is very creative, appears complex due to time but is just humans trying to describe observable nature.

None of it is meant to be taken literally unless you literally live six thousand years ago and speak in an ancient tongue.

Addendum

Keltic, "Con, Kon," makes the Dragon, "All-knowing." *

And we know from Plato that Greeks
stole their root words from the Celts.
Plato's own words in,

'The Cratylus.'
All mythology is born from the language of trade and existed as a pre-science.
The world turns and turns
Days and nights, pages in a book
My chapters are still
In the first act
I observe and open welcomings
Life would seem to have it so

Now I cross
Into the rising action
A world ulterior objects breeds
Full of infantile inhibitions

The world twists and turns
Coiled by the challenge that engulfs us
Sprung are the few, clenched are many
By the mist we inhale
Sprayed unto all from nowhere
And everywhere

The world twists and twists
A curdling sensation
We all turn numb from
Is my plight foreign, is anyone's?
Have the roads left a place to wander?
Leave me to the space between all
Away from marks of certainty

Rewritten or not
The chapters will continue
And the twists will turn the pages
Until my tale is done
And I begin the next
TinaMarie Mar 2012
Be my novel tonight
Allow me to navigate the depths of your thoughts
and journey through the pathways of your mind while
merging in my imagination and infusing in my wildest
poetic fantasies.  Inscribing in our bedpost an
unforgettable bestseller.

Be my music tonight
Let me groove to the beat of your heart picking up pace
as I explore new ways to invoke melodious outbursts. I
want to sing a duet with you of synchronized moans and
pleasurable sighs.  Culminating with you belting out my
name in one final perfect note.

Be my masterpiece tonight
Permit me to trace my fingertips across every inch of
your frame as I find your sensually stimulating spots.
Armed with new knowledge and intent, sit back as I
stroke you with my brushes of desire and take you on a
creative adventure of twists and turns as I bring to life my finest
work of art and watch with all anticipation your love erupt.

© Tina Thompson
VI. I, Ophelia
___________________

­{The Drowning}

It was her--
Flower Child.
Weeping Woman.
Crazed Ophelia--
who taught me that the
drowning is in the letting go
and not in the doing.

Ophelia did not flee to the riverside
with the intention of
drowning herself, no--
it was merely a promise of bouquets--
daisies, violet, rosemary,  rue--
of wild, velveteen petals nestled softly
against tear-stained cheekbones;
pine needles--
ticklish--
beneath raw feet
(do you recall how The Little Mermaid
danced upon knives
in the name of true love?);
and the train of her nightgown
a focal point for dewy leaves
and frayed bird feathers.

For it was flying she thought of
as she climbed the scarred willow
and cradled herself atop its highest bough,
severed blossoms in hand,
legs dangling precariously over
blustering currents.

But
when the bough
b r o k e ,
the cradle did   f
                              a
                               ­   l
                                      l,
and down came
mad girl
cradle and all.

But you must understand--
the dismemberment of the
willow's flailing limbs
was not her doing;
when the rapids dragged her down
to the belly of the murky river bed,
she merely gave no struggle
as death lapped at her ribs--
she merely submitted,
allowed the snivelling maw of the river
to swallow her whole.

Now,
I think it suiting
that I ponder the demise of the
Flower Child
(wilted in her ruin);
Weeping Woman
(tears reunited
with the eye of
the water lily);
Crazed Ophelia
(forgotten)
and all she has taught me
of drowning
as I let myself
fall asleep in the bathtub
at three o clock in the morning,
all the while a little drunk
and so very sad.
(You'd might have even thought
I wanted to drown myself. )
__________________
{Th­e Resurrection}

Doused in the pallid wash
of blue stage light,
and the clamour
of imaginary tides
growling in my ears,
I metamorphosize into
Hamlet's Ophelia
and all the other Ophelias
who came before me--
mad.
broken.
lost.
women.

Women who were never
capable of quieting
the sea trembling
in their veins;
the barbaric deluge festering
within their souls;
the siren songs
musing to the cavernous twists
of their hearts,
piercing through artery
with stalagmite precision.

These women succumbed,  
not to the water,
but to the burden of their own
desire.
love.
heartbreak.

None of them survived.

Except for me,
of course.

And, I must admit,
it took my
writing this poem
to finally understand
why that is--
why--
how--
I have managed
to stay alive,
despite dreaming of that
same siren song
that lured my foremothers
to their destructions.

See,
alone,
Ophelia could not weather  
the tempest seething over her.

But I different--
I am not alone.

Because I carry with me the spirits
of all the Ophelias
who came before me,
the fragments of their beings
melding together to create
a brilliant gossamer of hope.

And that is why,
together,
we can breathe underwater.
____________________
{­Blackout}

Ophelia Bows,
her performance immortalized
through the remembrance
of a standing ovation.
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.com/tickledpurple

(P.S. Use a computer for optimal experience)
Tommy Johnson Mar 2014
We are all human beings
We all have our own lives
And different ways we live them
But each one of us is a writer
And this poem is for all of you

All of you who have virtues and use them in your writing
Those who use flashbacks and revisit mental photo albums

Beginning the story from the middle for that’s usually where you mind is at
Looking back then looking forward
Studying the past so you can be ready for what is to come

Recording catastrophes with a number two pencil

Tales and blurbs of tragedy
Caused by love or the lack there of

Rewards and punishment
Self-reliance and self-fulfillment

We are mere narrators
Humble, maybe unreliable
Equipped with numerous devices
Ironic Paradoxes
Red herrings
Fortuitous plot twists
Metaphors
Allegoric hyperboles
Analogies
Oxymorons and onomatopoeias

We sling Chekhov’s gun like bandits of literacy

We’re visionary revolutionaries
Revolution of the mind, body and soul

Changing ourselves and examining who and what we are
To become what we are destined to be
The best

Rejecting convention
Building our own paths
That lead to cliffhangers

Romantic lust
Comedic affairs
Dark massacres
Spiritual healing

Religious speculation
And the questioning of the way we, the people are being governed

We use the tools we are giving to sculpt new art that the world can stand in awe of

Personification
Symbolic imagery

Practicing pastiche with respect
Dionysian imitatio

Surreal reality
Defying mortality

Reiteration and retort

Using nature to express emotion and thought

Doubts and fear

Opposites
Morals and ethics

Satisfying curiosity

Parodying what we see
Embellishing just a little

We us word play to dive deep into the topic of conscious, subconscious and unconscious thought

Using satire to poke fun at the human condition,  its senses and perception of the universe to get readers thinking

Expressing our anger, our boundless joys
Desiring unknown pleasures

Seeing past the fallacies put before us

We write with great candor about war, personal conflicts, and self-abuse

With hinting undertones to give these ideas a second thought

We write of the supernatural, metaphysical mysteries
Outlandish, obscure mind boggling theories

As the clock ticks too fast for us and the characters we’ve created

Demolishing the fourth wall with a sledge hammer of defamiliarization

Epiphanies in a parking lot
Speaking in the 1st, 2nd or 3rd person

Using fun things like anagrams and palindromes
Candy for the lovers of such things

Spontaneity is an understatement
Nonsense is an insulting overstatement
Absurdity seems to fit just right

We are chameleons
We can write in various forms
Streams of gratifying consciousness
Brilliant prose
Beautiful poetry

And chose to use or merely acknowledge the ways to achieve these forms
Rhetoric, rhythm  and rhyme
Meter and mora
Conceit and consonance
Assonance
Intonation
Working with phonaesthetics  

And accenting aesthetics

A poem can or could not be organized as such
If we want to get technical about it

We have a poem
With a number of verses
And in those verses
Are lines
And those lines might rhyme
And have a meter or rhythm
Stressed or unstressed syllables

In contrast to that we may write
Without all of that and use emotion
Feeling and structure our work with what we feel is the best way
Line breaks
Pauses and puns
Silly similes
Ambiguous antonyms  
Intonation, linguistics
Fight against the fascists of grammar and conservative correctness

So, in the end we are writers of a rainbow kaleidoscope forms, devices, ways and ideas

But we alone are the ones who make the world think
Make it move
Revolt
Renew
Learn
Look back
Remember
Cry
Smile
Forget
Ease

Write my friends write until your mind explodes and your fingers bleed

Read, read and become inspired
Even if what you’re reading is bad cheese

Forget getting published it’s the writing that matters
Disregard the off-putting, critical chatter

And if you think no one reads
Than be the seed and sprout a tree of astounding artistry
And let’s begin a new movement composed of ideals that will hold true forever
I might be preaching to the choir but it must be said that poetry; literature isn’t dead
Arlo Disarray Jan 2015
A naive heart
  Who never does what it should
Lives in the dark
  Of the misunderstood
      It lurks in the thoughts
   Of a thousand broken plans
       It lives with the lost
           Where no one understands
       It twists and it pulls
    Tries so hard to be good
  It's so hard to control
All the misunderstood
  It smiles and it cries
    It laughs and it dies
      The misunderstood
           Still always tries
      Will someone love me
The way they should?
    Life is so lonely
When you're misunderstood
Kenzee Rae May 2014
Darkness surrounded me,
But you gave me hope.
You were the light
In my abyss of darkness.
When I didn't know which path to take,
You assured that the right one
Would prove itself.
The twists and turns,
Were far and plenty,
But you stayed at my side,
Protecting me through it all.
Minx In Verse Jul 2014
We've given each other the knives
And access to the **** in our sides
For small slow twists of the blade
Isn't that how love is made?
RA Apr 2014
Years later, and the smell
hanging inside the latrines,
the stench
that twists your instincts,
has not
gone away. One thousand
two hundred
people every morning in
these latrines
sitting on concrete blocks
with the
round holes, so filthy that even
the murderers
won’t walk in, and I have
just walked
in from a ceramic and porcelain
shrine to
cleanliness.
Birkenau, Poland
Sunday, March 23, 2014
11:53

From my collection, Poems from Poland
Dustin Holbrook Sep 2012
On whether technology has influenced the seeming rise in mental health issues: The concept of technology as separate than Nature is impossible to pin down, but to say that a lifetime of social pressures, advertising, television, and processed and genetically altered foodstuffs would not affect what the brain is used to, and what is was designed to do, is a non sequitur. Certainly an entirely separate set of influences also had negative consequences in the brains' of pre-man, but these were not of his own making, as he still lived in an organic environment, and therefore wasn't a part of the "feedback loop" we have going on with humans becoming the products of a man-made environment (one of the only things that sets us apart from most the animal kingdom). Either way, whatever you're doing you're getting better at it, so with the increase in time spent on the web and watching TV we are increasingly better at watching other people - being passive, non-accountable, constantly comparative and self-obsessed, impotent in light of the mass of information constantly flooding towards you - which the brain was not originally intended for. This seems obvious. So the fact that some people have things like crippling anxiety and OCD, or develop anti-social disorders and the like, seems like a logical result produced by a system (the brain) presented with new and inorganic conditions. On top of that, being a non-****** is naturally and evolutionarily based because it increases the likelihood that others will want to chilll'n'stuff and help you when you need it, but when transposed onto a crowded, fast-paced modernity it twists into something like flattery and competition to appear the most altruistic.

— The End —