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Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Kenya83 Mar 2017
Oozing charm and fluency, over exuberantly, without vanity or pride or an arrogance of mind
remaining humble and kind
looking just fine
Not with the fittest physic or perfect teeth, manicured hands drenched in gold leaf
Or a sharp suit and tie which underneath emptiness lies
But a beauty that shines bright like a beacon
signalling hardship, success, failure, determination
Strong and truthful
Unapologetically flawed
Lost youth and adult gains
Ageing memories and hunger pains
slight wrinkles, cheeks with dimples
passion,
it's quite simple
perfection is meaningless
It lacks personality and taste
Humility, humour and good grace
The hard times you stared point-blank in the face
However, on the other hand
It's like you're from another land
Im lost
In your perfect imperfections
Filters and airbrush aren't a true reflection
Of the life you've lived of the story you've told
When you've been weak when you've been bold
what made you happy or caused you stress
How you like to chill and rest
Or put your mind and body to the test
I want to see what makes you, you
I long to see it all
For its what makes you beautiful
ryn Oct 2014
Know that my heart beats for you...
Every crank of the wheel, turn of dials...
Leading to my every breath and every sigh
Wishing every moment would stay a while...

Unaware of themselves hard at work,
The cogs in my mind are constantly spinning...
The gears in my head are lodged in place...
Cogs and gears like clockwork, carelessly turning...

Like a factory of sorts,
They keep churning out ideas.
Conceived notions that only had been
Spawned by my mind's nucleus...

Blinking lights signalling ways,
And means to sweep you into the air,
Then leave you lofted for second....
Without a trace of fear or care.

At that moment, what I'd give to just admire...
You floating against a backdrop of stars.
An image frozen in infinite.
An image free from blemishes or scars.

Then when gravity claims you back,
You'd fall the most graceful of falls...
A fall in the slowest of motion.
A fall led by my loving calls.

Fear not darling for my arms would be there...
To catch you and hold you close in a tight embrace.
Cheek to cheek, chest to chest... You'd then know that,
Cogs and gears spin only for you in this very same place...
Haven't written about love in a while.
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
She was the rain
when I was spring
but summer became I,
alas it was just a fling

Naked branches in a
dendritic pattern
fastening on to leaves
as Fall fell.

But drives away the soft snow
the blizzards unwanted
a stormy winter
unexpected

Skyward, the dark side of the moon
drawn to the faint traces of light -
continuously teased the edges
of the forgotten surface
obsession consumed I
to start a spin

I grow to become the
hunter only to see
the chamois conquering
my struggle

like an insect trapped
in the strings of
the eight legged
she beast
beating a
rhythmic tune
signalling a
tell
tale
heart

the end of me
no bang
only a cleaver
silently shushing
with an overdrawn
whimper

and
repeat.
I wait for you to come closer,
To draw closer and tell me
That you can't deal with me
Any more. Not with my
Insane, bordering on
Psychotic, behavior, and
My bipolar mood swings.
But, you draw closer
And you smile right at me,
And draw me into a hug
For a second, that little voice,
Which I am always aware of,
Which tells me I'm never
Going to be good enough
For anyone to accept or like,
Let alone love,
Fades to the back of my mind.
I let myself relax
Into your warm embrace and
I let myself be and believe.
I turn to smile at you...
Before I can see your face,
Your features, I am woken up
From my daydream
By the bell signalling the
End of school. I pack my bag
And head towards my carpool,
My movements sluggish-
Even cheerily wave goodbye to
A few stragglers.
I reach home and eat lunch alone.  
I go for tuition, let myself
Become numb to everything
But learning and understanding.
It becomes darker and it's almost 8,
I come back home again.
I had been out from 7 in the morning.
This time, my family's there and
We eat dinner together, though,
I am barely there with them.
They're discussing important
Things like business and will
Talk to me later.  I finish eating
And go sleep. Tomorrow's going to
Be the exact robotic same.
murari sinha Sep 2010
1.
any colour may be applied to the
night-dress

this city actually has no cart
driven by horses

before a pretty long time the shepherds
had also told adieu

by secret signalling the red-hat addiction
called the pigeons  sitting on the broken sticks
of the antenna to come nearer

on those dead-news the travel-story
keeps awake by whole night

and pours down on eye-lids
clouds
wrapped with cellophane

one day that wave sent
rolling-down-on-the-back hair
to the yellow balcony

those are all ancient drama

in the glow of the back-light you can see
civic humps have grown up on the back
of the birds every day and night

yet
under the dead-stop ceiling fan the dance
of the ****** reel wet with sweat does not fall short

the paper-buckles with the flowers painted on it
gets more and more tight on the air of the throat

velpuris of the evening
offer full enjoyment

2.
the night that comes all walking on the sands of the desert
how much concern does she has about the navigability of the river

when the husk of the water-chestnut is got open
flowing down the waves bursting into a blaze

to that flow is open the motor-car
the wan procession
and all the fishes that want to go upward the wave

so many varieties of floating

if the matter of clouds be let off
the multi-coloured fingers
also have so many infotainments  

if the question of  moveable property is  raised
it is only a suicide-note from my father

and a knot
in the robe of the blue trouser

3.
the trees and creepers of the night
and the plants and herbs of the day
do all of them have the same blood-group

there is much flora
inside the jail-custody also
and in this ruins of the old palace

how much is it justified
to express eagerness about the geography
of one’s character

specially of the trees
of the fishes
or of the humans

it is said
all rivers
flowing through the bodies of the great men
are totally ******

there is also the blank desert
on the silent snow-valley
in the corner of your
lips

4.
on this spine
having a mouth of crocodile
always jump down
the climate    

everyday
the sunglass changes

look at the soil and the sky
no one of them has any body-guard

the open mouth of the light
swallows the grey coin

here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums

then ripping open my veins
should i also ***** the blue elocution
accumulated on the ****-pit

after recovery of the flower-mill from fever
the harmonium is being played on  

even introduction with the gas-balloon
has not been done yet

5.
arrangements are being made

the green shirt will gradually
turn reddish

the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight

and the hawker will get passed the silent-home
shouting with undressed coconuts in hands

from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready

then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart

you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni

6.
the horse is running
just above 3 feet of the yellow cornice

his back is full of dreams
or a girl named miss dorothy  

around it is the mid-night
around it is the wind that wants to be printed

and in every corner of its flying
are hundreds of skirts
  
all are of free-size

what may be their market-price
there is no shop-keeper there

in that valley
a shadow is proceeding on

do you know whose shadow it is
he is philip the teacher who gets irritated easily

this time there is no thin cane
in his hand

in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms

there is ‘darling’ there
and ‘yours beloved greta’

in which skirt
a touch of that greta does remain  

is it being searched even today

is it greta or margaret or eliza  
there is no bar if it is dorothy

in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice  

each mid-night fills the fountain pen
with the flow of blue ink

7.
the leaf of jack-fruit is luxuriant
i can’t remember whether i ever notice
the portrait of your face on it  

there are so many words
that are slippery

how much rustic is the dust of the legs
of the young person is known to the road of the city

daubing green on both palms
i call for rain …oh rain ..oh rain

and into that rain i let my wrist-watch float

thus the great rainbow unfolds its wise mirror
on the scaffold of bottle-gourd  

from the bright cloth-end falling down
the odour of detergent

thus the applied mathematics of the diesel
is learnt to a greater extent

8.
behind the change of colour of the swelled wind
the samovar plays no role

though you know it you tear off tears
from your eyes

and the merry biscuits that are kept in the jar
raise a joint demand to serve them
after wrapping with new banana-leaves  

and the funny thing is that no accounts is found out
of the expenditure on the lip-stick that was used
by the fishes in the aquarium  at the time of illness
of the antenna

by the hands of the clock stretching their shanks apart
is it possible to know the actual age of a comb
either it’s costly or cheap  

9.
like the light
like the dark

yet it is full of the sound of steps
again it wakes up on the forest-road  

taking leave from the yellow construction
all the sound of the bamboo-flute
sinks today into the green minerals

it is not moonlight
on the road it is some north-east sadness

he who comes admits his body
with the divine sin

if you are sorry be water for three days now

through out the day and night
there is the paraffin of fire-flies

the blue cough is not from the sky

it may be some tusu-gaan fly off
from the chest of the straight-line
that has been wiped out

10.
i’ve deposited my metallic heart
to the archaeological-store of the wind

and i send rolling this bare eyes towards the fog
frequently

i make the crystal of her hair soft

i can see those crows
whose jaws are not closed

the colour is also
as if it were burst into cotton

can the anchal of danekhali sari swallow the kernel
and water of the blue tooth-brash after opening its husk

i say to the head with earnest request
oh my father keep cool
and look at the rain-pipe inside which
there is all the dances of the peacocks

11.
in the dim light
the predecessors of the dead stars
tell stories

this dhaba
is beside the long bus-root

yet it is still not satisfied
with the shrimps

the tail of the black drongo
hanging from the farakka bridge
is divided

towards the ganga
towards the padma

the gramophone of the mid-noon
continues to sound at the midnight

those who are doing pilgrimage
on the back of tigers

within the lighting zone of their torch
all the nearest of men who get lost
cover their faces

you know very well that the memory-gland of the wind
becomes how much river-minded when it walks through the fire
Erin Suurkoivu Oct 2020
birds of a feather
no one has put

two and two
together

daisies gone
Occam’s razor

and he
our common denominator

no monsters under his bed
but in it

scars ripped open
I thought had healed

hurt to heal
heal to hurt

words I had never spoken
out loud before

hot lava
righteous anger

memory loss &
found negatives

was that a kindness?
to ply me with alcohol so that I wouldn't remember?

two weeks
no sleep no eat

hurt to heal
heal to hurt

a new hurt
to contend with

suddenly ghosted
back in the dark

like all dark
eating away at light

till only the stars remain
maybe signalling

to one another
I see you, I see

you, I
see
Frank Discussion Jul 2018
She
Rides around the supermarket -
Got her head on tight.
She
Rides around the supermarket -
Got to flow.
She
Steals glances with a gun and
Runs away.
She
Steals children with a gun, so
Start to pray.

The
Final bells are signalling
Hell to pay.
The
Final bells are heralding
The judgement day.

I am broken waters and made of scabs.

I'm a broken down drink of water, laced with scabs.
Nigel Morgan Apr 2013
It’s curious this looking business, looking at something you almost recognize as being what it says on the small white card next to the exhibit. Sand Marks. And these marks hang on linen-lengths two metres long by 40 cm wide. You don’t look at sand face-forward standing up with light pouring through the surface on which the marks are made. That feels unusual. The five linen-lengths are keeping each other company. A set of sand marks, marks in the sand. No. Marks from and of the sand. And why, She thought? What is this supposed to be about? Is this what art is? Grabbing images from under the feet. Their  making engineered, conditions in place to shape and colour, fold and crease, to hold and position rightly. Hmm, She reflected, and thought of her daughter as a child, sitting on the sand of some annual Scottish beach. She would watch her soon to be two-year-old moving beach sand and stones around with her hands, seeing tiny dunes and valleys and routes appear, and making marks. Yes, that would be it. All that watching, that as she grew up became observing and collecting and storing away as images caught in a moment and placed in the mind’s diary, then often lingered over later (as only children can) defining her personal curation of things natural.

Here she is now, her mother thought, all these years on collecting and revealing such sand marks onto ordered frozen surfaces. Would these collectively be an installation she wondered? How She quietly distrusted that word. It was part of a vocabulary She felt She might do without. When She looked at these ecru linen cloths printed and manipulated variously She saw her daughter’s beautiful (always beautiful) hands entering sand, making marks in the fabric of the beach – as a child – now as an adult. There seemed no difference. Just this summer She had watched her daughter mesmerized at the sea’s edge, seeing the sand marks wander, bend and twist below shallow water, just as these hanging cloths seemed to do in her gaze. There was movement in stillness. Her daughter would wait with her camera to capture just the moment when light and ripple came together in a previously imagined moment: a perfect moment she longed to seize. Then later, up on the computer’s flat, backlit screen, it would be shown like a moth caught in a net and pinned behind glass.

In this light-filled gallery, a gallery filled with the reflected light of the sea just a minute’s walk away, this often sombre contemplative work became light of weight and texture, lost its sombre colours, those non-colour shades of grey and canvas, earth and mud, and seemed to float, bathed in light, the colours washed and fresh, alive. It was a revelation that it should be so, and She knew She would carry this view of her daughter’s linen pieces ever after – changing her view of what she’d seen as a steady stream of similar often sombre images representing ‘a body of work’ – another term She disliked and felt was not part of her world of seeing. She thought, ‘I garden, but I don’t do ‘work’ in the garden. What grows under my care and attention somehow has to be and flows through and past me. I don’t own my work in any way. It’s not for sale as something of me. It has no price tag. Work is cleaning the house or dealing with minutes of a meeting.’

There were in this light-filled gallery other pieces to look at. Her artists’ books in a glass cabinet were quietly covered in lichen green board, some closed, others opened to reveal more captured marks, stains and prints. Open to touch and view She warmed to a pair of her daughter’s sketchbooks, delighting in turning their pages carefully, so carefully as not to shake up the often delicate flowing marks on the paper. She imagined – as She herself had drawn once - her daughter’s intense concentration drawing these wider scenes – across the sea to the horizon where a turmoil of weather took place in the changing incessant cloudscapes.

There was other ‘work’ too, other artists’ efforts taking inspiration from landscape. Strange too, to call these pieces ‘work’. Such a term seemed to give their collective creative industry authority and stature She wasn’t always sure they necessarily had. Much of it seemed more play than work. It was so often playful.

Her daughter, meanwhile, was deep in conversation with the gallery’s exhibition officer. Whereas She dipped in and out of this conversation, her thoughts revolved, grass hopping. She remembered hearing her husband speak of his concern about their daughter’s management of this still-fledgling career. A right concern about how family and career would be handled as recognition and opportunity developed. She shared this concern, but seeing her daughter glow at being in the very swim of this art making and showing did not for a moment want that glow to disappear. She knew she would manage, she had always managed and been resourceful, careful, and, She had to admit this, brave. Her condition of being a single-parent She, as her mother, had almost grown accustomed to; She felt She knew a thing or two about finding happiness and the warmth of companionship.

Those linen-length pieces hanging there seemed to intersect such thoughts. She found herself looking at her daughter’s partner who was carefully sketching the linen quintet. He had said to her once that he sketched (badly) to enable him to focus intently on an object, to learn from it. If you sketched something you gave it time, and came to know it as line-by-line, shade-by-shade, the image formed and your relationship to it. He was always careful in talking to her, and even when he began to tread across ground that She hadn’t travelled, he was so sensitive to her feelings. He liked to explain, to tell out his enthusiasm for books he’d read, for music he loved, for her daughter he so adored. She could see that plainly, his adoration, his wonder at her. He had wrapped this young woman round and round with his adoration, and this clearly gave him such joy.

It was getting on. Lunch beckoned. There was a signalling that this hour or so of viewing would gradually fall away. The exhibition officer said her goodbyes. Food was mentioned. She would give one last glance at the Sand Marks perhaps. The linen-lengths still hung there luminous in the vivid, brilliant, but cold light of this early April day. After lunch they would walk to the sea under the powder blue skies and feel that this too was part of such a glad day, a day She would take to her memory as full of the restful pleasure her daughter so often gave her. This dear girl – how often had She heard her partner use that word ‘dear’, knowing he addressed his letters to her with ‘dearest’. It was wonderful that it could be so, that her daughter was so loved. She wanted, suddenly, to throw her arms around them both, and let them know, without any words, that she loved them too.
Behind the evening's golden glow
The skies are hiding early snow
The road leads homeward toward the glow
Day is done, it's time to go

The gold shows ending of the day
The clouds show snow is on the way
Time to ride and not to stay
I've got to put this one away

Amber fills the autumn skies
Signalling the storm behind it lies
It's time to say our fair goodbyes
And be serenaded by coyote cries

The golden sheen is the sign
Your day is done, as is mine
I'm heading west along the line
Back to the ranch "The twisted nine"

A golden glow before the clouds
filled with snow, a winter shroud
I know the wind is getting loud
So I am off to beat the crowd

Behind the evening's golden glow
The skies are hiding early snow
The road leads homeward toward the glow
Day is done, it's time to go
Jude kyrie Jul 2018
My mother used to bake cookies with me when I was young
Intricate designs of colored icing that varied with the seasons.
They were always perfect and looked far to good to suffer the crime of eating.

For half a century I always baked cookies for the holidays
Whilst my children grew tall and independent with no apparent
Interest in baking

As the pale blue winter light falls into my kitchens I see myself
Cutting shapes and painting colors a silhouette on the shadows of the wall.

Placing the last cookie into a Christmas scene can I
Arive at the hospital and sit next to her in the ICU
I see her frailness the alarm in her eyes as she recognises me
But is yet unable to enunciate her thoughts.

Silence as loud as thunder fills the room the seams of the walls are stretched to their limits.
The outer limits beep of the monitor acknowleging her heartbeats
Counting down each one until the last.

I miss our intimacy in that long ago kitchen
And  the random thought enters my mind
I am her only child and she is my only mother.

The monitor rings an alarm a code blue
Signalling the end of her like the end of a football match.
I feel the loss of her like a razor blade cutting my flesh.

And as I leave her for the last time
There seems to be a a mortality in the measured unknown days ahead and the cans of cookies yet to be baked.
By mom
love
Lio Nov 2019
Most of us are familiar with
The escapism from pain.

For an easy and cheap solution
Or because of advices of the
Doctors, psychologs;
Most of us get a cheap piece of matter
Triggering the oscillation of dopamine,
Making most of us addicted to them
As well as being harmed
As the result of their side effects.

Even the teens intoxicate things
Causing these things.

Some of call this signalling matter
Nicotine or alcohol.
Others call drugs as well as
Medicines having great side effects on
Our psychology that means
Our minds, feelings and importantly
Our souls.

How these piece of matter
Deletes your pain?
Simply, by affecting your
Biologic structure.

This causes the cage of
Emotions and behaviours
Freezing your actions and thoughts
As well as mostly
The cage itself.

This stabilization of actions therefore,
Decreases the capability of
Varying the actions.

What you can do,
You are capable to do.
Capacity is the power.

Lesser power lesser creativity.
All in all
Nothing more than robotic step
You all do in all.

By lesser creativity,
What you do becomes
Completely addiction.
No good, no bad;
Only the robotic step
You all do.

So subject becomes object of
External distraction.
In the hellish world,
You are distracted to hell.

A piece of addictive matter
Ends with
Painful robotic suffering
Until you fade away.

But the music, music, music
Is the harmonious effective vibes of
Yourself.

This music can do anything,
Instead of freezing you only if an only.
This music can do anything,
By transforming the self by
Twisting you through making you
Its beautiful voice.

We classify the music
In account of its causes.
But material cause is not the music.
Instead, the elegance of meaning
As well as the shining effect
Is the music.

It is the music that will
Create the best in us!
Make the best of us!
Hold the best of us!

Than you may say,
I want music but this is poetry.

Than I say,
Poetry is the music of the words.

It is the music of life
Will the shining ray of creativity.
It is the music of life
Will the kingdom of heaven.

Its the nectar in form of music
Being the music of nectar,
Becoming the nectar of the music!

Music creating music
In seem of poem.
Catch it, follow it!
Better than any drugs.

Music creating music
In seem of poem.
Say it! Sing it!
Better than anything!

It is the best, you desire!
We call it, you are welllllllllll...
Please chevk up this poem. You can find new ideas about music and drug problem.
Aditya Shankar Feb 2014
I sit down in front of this piece of paper, pen in hand, the wind through my hair and a single dim light’s reflection in my glasses. I close my eyes, tired of repeatedly trying and failing to write an article. I wearily rub my eyelids and sit still for a while.
And that’s when I see him.

He stands against the backdrop of a waterfall, the green grass gently caressing his bare feet as he walks slowly towards the calm, turquoise lake. A sudden whiff of tulips assails my sense of smell as he walks into the water, his composed steps mirroring the complacence of the cool blue he walks into. He wades in till he is waist deep; birds chirp in the distance, trees sway in the wind and everything the sunlight touches melts into a golden brilliance.

As he walks in, ripples branch out from his torso, tattooing themselves upon the surface of the water. They move forward with him, each with a colour that merges into a thousand new hues as two of them meet. I stand there watching in stupefaction; he does not acknowledge my presence as he continues to walk forward, his eyes fixed upon the blue-gold sky over us.

All of a sudden, he climbs out of the lake and begins to hurriedly hunt around, muttering to himself
‘It has to be here somewhere.’ He darts off between the trees, with the raw agility of a young impala. As he continues to fly over the many shrubs and roots in his way, I chase behind him panting and puffing as the entire forest falls behind in a blur of green and brown. And then we hear it, the scream tears through the woods and the sky explodes into a whirlpool of colour; he turns back and looks at me, his eyes wide with horror and disbelief. I skid to a halt before him and I realize that we had reached the outcrop of a cliff. I turn to him, my back to the massive drop from the bluff, a quizzical look in my eyes as I find myself unable to articulate the words in my mind. He puts his hands on my shoulders, the fear etched deep in his wide eyes. And he pushes me off the cliff.

The air whistles past my ears as I fall to the ground; it seems like an eternity has passed before I finally rest my head on the hard ground beneath me. Every bone in my body feels like I have walked headfirst into a moving train, I gingerly raise myself off the cold floor to see him standing over me. He raises a finger to his lips, signalling me to follow him. We walk forward cautiously, the fear of an unknown disturbance still hanging heavy over us. We walk through an open field of wild grass, the pale silver stalks dancing in the breeze as the moonlight lit up our path. He doesn’t say anything to me; I walk alongside his shadow as his shadow. We come to a clearing with a single tree standing proud in the middle of a vast expanse of nothing. He gestures to the tree, we make our way there with haste. I walk into the cool shade of a massive oak and collapse under its mighty protection. He walks around the tree and returns with a figure in his arms. Next to my tired form he lays her down, a look of gentle calm upon his hard features. The moonlight dances upon her face and her shallow breath rattles through the night. Her stormy grey eyes lie wide open as she continues to struggle against an unknown force so as to keep breathing. He stands at a distance, silently watching the two of us on the ground; one battling for her life and the other silent and still like the great oak tree above us. Her lips part slightly, a single droplet of light rises upwards into his palm and she falls into a silent stupor. He gazes at the pinpoint of white in his hand, bringing it slowly to his mouth. I watch on as he proceeds to swallow it, confused about the events transpiring before my eyes. He throws his head back and looks up to the pitch black sky and a million tiny lights wink back at him in response. His eyes open wide, his jaw falls low and a burst of brilliant white light breaks through his tall, proud form. I see the mouth move, I hear him speak a few moments later. The voice rings loud in my ears, resonating from everywhere and nowhere and he says to me, “The path you seek is straight ahead. Do not deviate from the road and you should be fine.”

My head falls back against the firm bark of the oak as I witness my guide disappear into thin air with no evidence of him ever having existed. My eyes close of their own will and I embrace the comforting darkness of slumber enveloping my mind.

My eyes fly awake as a sharp ray of light dispels my drowsiness. I wake up to find myself looking towards a convoluted, winding path leading into the woods. Against my will, I find myself rising and walking down the dusty road. I try to hum to myself, no sound greets me. I try to dart into the woods, but something brings me back to the same path no matter which direction I turn. The sun beats down hard upon my head, and in the distance I hear the faraway call of an eagle. Resigned to my current fate, I walk forward taking in all that I see around me. The sunlight dances between the shadows of the twisted trees, the brown floor beneath my feet gradually begins to evolve into a lush green lawn and the air I take deep, calm breaths of is painted with the scent of rain. I brush aside a shrub and stop in my tracks as I take in the view before me.

I stand before an ocean. The sand twinkles against my eyes, giving me a psychedelic glimpse of a million pinpoints of colour every time I blink. The tide rolls against the shore lazily as the sunlight bounces off the surface of the water. The sky lies mirrored before my feet and my toes play with the fine grains as I walk onto the beach. I sit against the onslaught of the slow tide and feel the refreshing spray of water upon my tired form. The sun begins to drop gently from the sky, retiring to his home beneath the vast expanse of water. I watch the sunset, I watch as the sky is painted by the whims and fancies of the final rays of sunlight as they herald the appearance of a single crescent sliver of silver hanging delicately in the sky, casting a dim white light on me. An ethereal breeze gushes past me, and I find myself obsessed by an urge to enter the water. I stand up, the waves breaking around my ankles as I walk into the water with an oddly familiar slow, composed gait. I walk forward calmly, the waves breaking against my torso as I begin to feel the ground sink below me. I let the ocean cradle me; I surrender myself to the mercy of the sea as she carries me in her lap. All emotion begins to wash away from me; I do not feel the familiar wave of fear as wave after wave crashes over my head, pushing me down beneath the surface of the water. I feel no panic as I take in the water in deep gulps, I feel nothing but a calm of certainty as I feel the ocean filling up my lungs. I smile and close my eyes as I begin to plummet down under depths. I embrace the vast nothingness that spreads out before me and fall unconscious.

A blinding pain flashes behind my eyes, as I gasp and sputter to find myself on a jet black rock, sprawled out like an empty carcass. I look around, unable to find my bearings, and my eyes fall upon a massive, emerald green pillar. It stands on the shore, firm and unmoving even as the ocean tries desperately to push it off its pedestal. I lift myself off the rock with difficulty and force my sore feet to stumble towards the pillar. I fall at its base, every bone in my body feeling like a deadweight. I rest my head against my arm, panting and coughing when I feel a hand upon my shoulder. I look up to see a small boy smiling down at me with an odd benevolence, the light of ages of wisdom alive in his eyes. He puts his hand to the pillar, and I watch in awe as it begins to crumble to a vibrant green ash. I look at him in plain bewilderment, and though he chuckles silently, I hear his deep, rumbling voice in my head. “You have nothing to fear from me, I am merely here to deliver to you what you have been looking for all this time.” I hear his voice tell me. He walks over to the shimmering green pile of dust and pulls out a piece of paper. He places his hand on my head, clasps the paper in my hand and smiles. I see his small head throw my face into shadow as he blocks the sunlight falling on my face, and I sit still, relishing the cool shade.

I open my eyes in front of this piece of paper, pen in hand, the wind through my hair and a single dim light’s reflection in my glasses. And on the paper, I see this article.
Well, this is my first post here. And I know that its "Hello POETRY" and this is not a poem, but whatever floats my boat, right? :P
Steven Fortune Apr 2014
High ground
I concede to you
in the disproportion of a time allotted to you
for the choice of robe to grace
a glorified cameo around your flesh
like a sheet designated for an overthrowing
in an honorary statue's unveiling

Liturgy is looming in the bathroom
already hot-boxed in the metal waterfall's
mist of moisture and the mountain range of bubbles
I have settled comfortably into in wait

High ground
awaits your hallowed prance
into the concealed languish of your man's
dangling imagination

I salute you with incentive
through a lowering of eyes made necessary
by your towering above my horizontal soak

I'm beseeching you to wield royal sway
over the humility of my reclined posture
with the hidden scepter of your body
fated to dictate the pace of my
anticipated knighting

The gentle thud of fabric on linoleum
incites a turning of my head to take in
the litany of parts available to my
frenetic feels and jumbled focus

Stationary in your naked smile of proximity
you extend to me excessive time to entertain options
as I coat myself in lukewarm opportunities
and rise to meet you for a bathing in my excess wetness

I accelerate my exit to negate the bubbled tribuataries
sliding to the floor to meet the remnants of your mystery

The wall is cold and you protrude
haplessly to meet the rapid chilling of my undried frame
Warmth is of the essence
Fingers split your hair in celebration
of our uniform heights and I feel you slouch
signalling our first hint of friction
and a twitch in my diviner of your cradle of essential warmth
Do you realize you now rescind creative license?
Or have you filled the snare of your intentions?
Now your balance shivers in the mercy
of my curled leg of leverage
and an coiled arm collecting your ambrosial attributes
like an ice cream scoop
Uniform heights allowing eye contact
makes optional the visual acknowledgment
of my elastic hunting in the smooth field of your breast
with a dancing thumb
I connect and latch onto what is now
our binding axis and shuffle eye contact
with the universal rhythm of a pelvic power ballad
03 26 14
Tara Emad Sep 2012
A gloomy day is upon us when the leaves fall,

glistening under the sun as they slowly make their way to ground

Like the wave of a hand, flopping inward and out,

as it motions goodbye.

When the sun is setting and bleeds into the sky

with the oils of a canvas of war

****** red, sinking into the horizon,

gradually burying itself into Earth.

And when the birds decide to leave us in winter,

heading North, like an arrow below the clouds,

signalling to our safety, but we stay nestled around;

we cannot fly.

When the stream’s path has been broken,

and gravity summons the waters to the deadest of ends,

a puddle of joy is formed,

for us to bathe away our sins.

When stars shimmer in the darkest of night

false wishes, like false hopes,

but we look at them and smile.

We marvel at this beauty,

because we wish our partings were as breath-taking.

We wish our tears didn’t look so ugly,

and our hearts wouldn’t ache

and our breaths weren’t so shallow,

as we realize it is time to say farewell.

In nature, everything comes back,

The sun rises again, the leaves grow,

and the birds return to their land,

stars are reborn even waters feed our plants.

But we, we stay just where we are,

and learn to redirect our melancholy,

our energy,

to nature…

Underground.
Shay Jan 2016
Moonlight; just enough to illuminate the silhouettes creating the forest -
just enough to help the sky glow; a black ocean freckled with stars, so modest.
With tiny chimes in the distant wind of the flickering trees
signalling the beat of pure white galloping hooves heard over the silent breeze.
A myth? Perhaps. Or, more believably, the strength of the woodland?
She casts a playful spell upon us all with her charm easily, as if planned.
Wild and free, full of purity and innocence; she brings excitement  
and is a reminder to never grow up but stay full of enchantment.
K Balachandran Mar 2015
She then wears her special smile
an inamorata's conspiratorial
signalling her arousal, need to get me closer
right there in a room full of people
all of us in the midst of serious business.
I have deep yearning in my eyes
that in turn sets fire to her love central
we burn to be in each other's arms
lovers in exile, commandeer private moments
deflecting watchful eyes of jealousy
every time our secret rituals of amour
take unexpected arms and win wars.
Zoe Irvine Nov 2012
Get it, India head
This is no bed of roses
Poses in prime positions
Are sublime repetitions
Of what has gone
Before

Karma comes knocking
Knowing
Falling flat on your face
Bindis race
First fast then erased
From your forehead
Forever more

Rickshaws run a mockery
Round rubbled ruins
Of modern mishapes
Monarchy's mistakes, perhaps
Perfect pictures of
Predictable
Misadventures

What everyone tells you
Pre plane departure
Setting one belief in front of another
One foot behind
Is what it does
To your stomach
Shaking heads full of
Heavy sighs

Cares to be taken
Clothes to be carried in case
For climactic changes
Of course
What to withstand
Understand
Undertake
When to be undeterred

When to stand your ground
Back down, barter
Bask
Busk your way through town
What to battle over
Where to bathe and how
When to show the colour
Of your mother's money

How to save a dollar
Raise a rupee
Meditate on more that
You could Be
Do the deed
Be caught in times of need
Phone home and find
No-one waiting for your call

All of this and more
You carry on your back
A rucksack full of love and
Missed kisses
But - the greatest part of this is
What no-one tells you -
What it does
To your heart

What you find
When your mind adjusts
And your eyes unwind
And great gusts of understanding blow you free
When you hand over the key
To your list of demands
And give in
To the easy unplanned

Exploring
Imploring looks
Hook your sympathy
Bait you easily at first
The worst
Are always
The kids
Thing is, how could you deny them?

Soon enough
Is enough
“Sister!”
“Look mister, I ain't no fool
And I ain't a millionaire either -
Leave her alone and go home.”
Thing is, how could you feed them all?

You triumph on trains
Blaspheme the buses
The driver's on drugs
Or a suicide trip
You skip rice-based breakfasts
For weeks
Seek out cereals then
Suddenly...you don't

Chinking chai glasses
Chomping on chocolate
A lot
More than most
Coasting roads
Filled with cows
On a scooter scuffed with sand
And stuffed to bursting point

Dogs with holes in
Infecting imaginations
Over masala dosa
Noses signalling distaste
This taste?
Hmm, tamarind - trees?
Try over there
Between the neem and the new banana circle...

Too many memories to mention
There's always one question
When you return to the beginning
Grinning, they ask
How was it?
But how can you say
It was everything
You've never seen
?

India
Get it?
INDIA!!
Get it India
But be warned...
You may never
Get her
Out-ia
Head
JP Mar 2017
Wrote my love
on dark wall
of my eyes..
Icarus Kirk Oct 2013
it is cold, and you're walking, and you can't see your feet
you're numb
not just your face and hands
but everything
detached
unable to distinguish from emotions now
and emotions then

you're walking down the road
and the stars are shining
headlights flying past, rocking your body
threatening to pull you under and break you,
crush you and your mind
and everything else

you're walking down the road, and the moon is low and dark and the sky is otherwise empty
lets say that your eyes are closed
but the drivers eyes are also closed
in the car behind you
and you, perched precariously
toe the white line between death and a dirt road

everyone, it seems, is waiting
for something unknowable
a feeling
a thought
a pat on the back, signalling that everything's okay
everything's allright
it's just fine
go back to sleep
ignore the questioning looks and just
relax

the man in the tan trenchcoat is looking for you
his brothers, his family
disapprove, but
why not
you're not a  bad person
after all
you've done bad things, yeah
made bad decisions, yeah
but overall
what's so bad about sleeping in hotels when the back of your car
is not as comfortable as it looks
so you're desperate
and he's desperate
and you keep missing each other
the looks and idle touches
while comforting
scare you
you are not a  person who feels
so you cannot feel the stubble whispering over your skin
and you did not swallow openly
and stare across the tables as his blue eyes watch you
he doesn't judge you
and for that
you love him
wait.
no.
you don't love him
because that would be wrong, and decades of reinforcement are telling you this
but honestly
if he just loved you back...
there's that word again
the lights over the Arby's are hovering 100 feet above the ground
and you're freezing and alive
and maybe you wish you were dead
but you're not
and that's what really matters
probably
you hope.
i edited this a bit ago
just fyi
The firelight was fading
The shadows grew in size
In the distance if you listened
You could hear the faintest cries
Of coyotes and of timber wolf
Signalling the end of day
Howling at the growing moon
Keeping night spirits at bay

The last piece of the sagebrush
Was burning to it's core
The flames that danced as quicksilver
Now, they danced no more
The fire, once was blazing
It's flames a dangerous height
Was now a nest of coal chunks
to warm us through the night

Four days out and three to go
We'd be in two days ahead
The scheduled trip with this years herd
And we'd be back in our own bed
A smaller group of beef this time
But, that's the way it goes
At least we'd leave the mountains
Before the early snows

Coffee from the morning meal
Was still sitting in the ***
Two minutes in the embers
And it was steaming hot
The first round of watch was up
And the coffee was re done
The second watch, for wolves and things
Needed coffee and a gun

Two went down the first night out
We heard the wolves, but missed them all
They'd been following us for three days now
And at night you'd hear them call
They signalled that the day was done
And that the herd was staying still
The darkness was their element
It was time for them to ****

The fire was near finished
The flames were all but smoke
but that cup of cowboy coffee
put life into this old grey cowpoke
If the wolves kept at a distance
And just kept howling at the moon
We'd lose no more beef tonight
And be home two days from noon

The fire spit and crackled
The night was damp and cold
The stars were silent beacons
To the wolves so quick and bold
We heard them in the distance
Howling loud as if to say
Will you make it through till morning?
Wait until we come to play.....
ghost queen Apr 2020
It was getting dark when I exited the Port d’Orleans metro station. The cold air hit me instantaneously, seeping in between my clothes and skin. I tighten my long coat around me, readjusted my back pack, and pulled out my phone to confirm the address of Tango à Paris. It was only two blocks north of where I was standing.  

It was my first date with Séraphine. I had suggested dinner. She suggested something less formal, a bit more active, how about tango, explaining her studio gave a hour long introduction before the milonga. I agreed, as I had taken a year of tango, and felt confident I could keep up, maybe even impress her.

I’d wondered how she kept her 5 foot 8, 130 pound-ish physique, swimmer lean, and now I knew, she was a dancer.

I liked this part of Paris, the 14th arrondissement, L’Observatoire, clean, tidy, having the look and feel of a Nordic city like Olso or Stockholm. The sidewalks were full of interweaving professionals, eager to get out of the cold, the drizzle, and home to their loved ones.  

I walked up L’Avenue du Général Leclerc till I got to No 119. I pressed the buzzer and heard back, “oui.” “I am here for the milonga,” I said. The door buzzed, I pushed it open, entering a small foyer with sign pointing up a staircase to the first floor. I could hear the muffed sound of music and feel the movement of bodies dancing upstairs.

I climbed the curved wrought iron staircase, the old wooden stairs creaking softly with every step. I saw the studio immediately: two traditional French doors swung open, exposing a gymnasium like dance studio, with clean, golden yellow oak hardwood floor. Men and woman dancing, swinging and spinning about.

I entered the studio, paused, and looked around. At the far of the room was the DJ, sitting at table, with two loud speakers on stands pumping out music at just the right volume: loud enough to feel the music, low enough to talk your partner without having to scream in her ear.  

To my left, people gathered around a table. I walked over, they were writing their names with a felt tip pens on self adhesive name tags and placing it on their chest. A woman turned around and smiled at me. “Bienvenue,” she said, “I’m Jolene.” and extended her hand. “I am Damien”, I replied, shaking her hand politely. “Is this your first time here,” she asked. “Yes,” I replied, “I am waiting on a friend, Seraphine.”

“Mais oui,” she replied with a smile, “she is one of our best dancers, talented, if not gifted.” Her head turned slowly towards the doors, my eyes following.

In the door stood Seraphine, wearing a spaghetti strap, damask black on maroon tango midi dress, slit high up her right tigh. Her shoes, opened toe, black thin strap heels, showing off her matching blood red toe and finger nail polish and lipstick. Her eyelashes thick, black, eyelids smoked dark, giving her the stereotypical look of a femme fatale tango dancer.  She was gorgeous, seductive, awe inspiring, like Bouguereau's The Birth of Venus. How could a man resist such a siren. She was goddess among women.

She walked over to us, said, “Bonsoir Madame,” and kissed Jolene
twice on the cheeks (faire la bise) as is customary among Parisian friends, then  turned to me, touched her cheek to mine, making the mwah, kissing sound.

I was intrigued. The kiss implied no longer an acquaintance, but in her inner circle of intimacy. It had subtle implications that set my mind racing about the meaning; it was also maddening, like trying to see a completed jigsaw puzzle while only holding one of a thousand pieces.

“Ca va,” she asked, bypassing the formal “comment vas-tu” greeting. “Ca va bien,” I replied. “Your dress is stunning,” I said. “Thank you,” she replied, with confidence.

She sat down, ruffled through her bag, and pulled out ecru opened toe tango shoes. I couldn’t help notice her feet, delicate, feminine, absolutely exquisite. I also couldn’t help noticing her tigh, exposed through the slit of her dress.

Before she could get up from the chair, an older man approached, extended his hand, which she accepted. She stood up, looked me in the eyes, and said, “it is rude to refused a dance when asked.” They walked to middle of the floor and started to dance to a slow, sultry, Spanish guitar piece. I sat down and watched. She didn’t just dance, she pranced, shook, and swayed her hips as only an accomplished Latin dancer could. It was amazing to watch.

The music repeated, slowed, and concluded. They walked off the dance floor, to the beverage table, topped with a variety of multicolored bottles of wine. He poured two glasses, offered her one, as they talked, she smiled and occasionally laughed. He bowed his head slightly, touched her upper arm, and walked away, as a cortina started.

Seraphine poured more wine in her glass and poured another glass, walked to me, and offered it. I took it, deliberately touching her hand as I did. She sat down, crossed her legs, the dress sliding aside, exposing her tigh, and asked me, “do you dance monsieur.” “Yes, mademoiselle,” I replied, as a new tanda of spanish guitar played. She stood up, extended her hand. I took it, stood up, and lead her to the middle of the floor, dodging couples along the way.

“Tango”, I asked. “Yes,” she replied. I move in close, wrapped my right arm across her back, pressing her body tight against mine, extending my left arm out in position, palm open. She carefully placed her hand in mine, her forefinger on my thumb, her thumb on the radial artery on wrist, as if feeling my pulse. It struck me as odd and was curious as to why.  She’d done it in a such a methodical way.

Her hands were warm, soft, supple, dewy. She closed her grip and waited for me. I swayed gently to the beat of Tango D’Amor by Bellma Cesepedes, as she rhythmically matched my body. I stepped back on my right foot, holding her tight, bringing her with me, then left,  then forward. My chest pressing into hers. My leg brushed against her tigh as I moved, slow, slow, quick, quick, slow of the basic 8 count. I paused for a second, for her to cross then pushed forward, slowly turning to avoid couples.

I sensed her body heat, felt the wetness of perspiration on her back, smelled the earthiness of her scent. She radiated animal magnetism. I couldn’t, nor wanted to resist her. I knew I was a moth, she the flame.

New music started to play, Fuego Tango by Athos Bassissi, a traditional fast staccato accordion piece with a distinct beat for walking, turning, and swaying. I placed my my hand between her shoulders. I couldn’t feel a strap. She wasn’t wearing bra. It felt intimate, seductive, only a thin layer of cloth between us.

She pulled her head back, looked at me in the eyes, and said, “Tighter, I need to feel you, your body, your moves, so I can respond to your body.” I wrapped by arm completely around her, pulling her tight against my me. My primal urges welled up. I wanted her, to kiss her, to protect her,  to provide for her, have and raise kids with her. I felt stronger, more powerful, like a man. I wanted her in my life before she disappeared forever.

She placed her forehead on my temple. I rocked back and forth catching the beat, stepping backwards with my right, and we started to dance, slow, slow, quick, quick, slow, in a vertical expression of horizon desire.

Bending my knee, sliding forward, my chest pressing against hers, pushing, stopping, shifting, subtly twisting, I signaled a backward ocho. I waited for her, than slide to the left bring her with me, waited for her to pivot then slid right, bringing her with me, then waited for her to center. I walked forward, stopped, signalling for her to cross. I waited for the beat then finished my eight step basic.

I could feel her breath on my cheek, fast, hot; felt her breathing, her chest rising, falling sensuously. She felt good in my arms, as right as rain. I liked holding her, feeling her so close to me.

I started an eight step, stopping at the cross, signaling her to move right in preparation for a scada. As she moved, I stepped between her legs, pivoting her and me 180 degrees, repeating the step 3 times, bringing her back to cross, and finishing the step.

I heard her audibly exhale, relaxing in my arms. She was giving up control, learning to trust, surrendering to me. And I, was one with her, nothing else mattered, all else had disappeared. I was in a state of deep mediation. She was the now and forever.

The music stopped, I looked at her, noticed the glow in her cheeks, felt the warm moistness on her back. But most of all, I noticed her dilated pupils. The glowing sapphire blue of her eyes, replaced by a fathomless blackness, which I fell into.

She looked into my eyes with a gentleness, a knowing, and smiled. A new piece started, Rain, by Kantango, clean, crisp, staccato. I moved, walked, slid, in step with the beat, losing myself in the sensuality of the music and the movement of the dance.  I pressed her tight against my chest, sliding forward, rock stepping backward, holding her tighter as I did a single axis spin. I heard her sigh in my ear and felt her body relax. I slid forward to the staccato rhythm, dramatic, forceful, almost charging.

I stopped and lean to my left. She extended her right leg back, and planeo-ed as I walked her in a circle, side-by-side rock, then to neutral. She tighten her hold, pressing me into her chest, her touch telling me so much, screaming her arousal.

I slid forward, to the side, staring an 8 count to the cross, going into a backward ocho, I shifted my weight, taking her into a moulinette, twisting to the right then to the left, as she elegantly danced around me, back to 5 to complete our 8 count.

I was no longer thinking, just feeling, one with the music, lost in the sensuality, in a type of bliss. I walked forward then back, turning her to the right. To my surprise, she extended her left leg, whipping it across the floor, then back, wrapping it around my leg, slowly sliding her calf up my leg, then unwinding to neutral. I walked forward, she spun around, and slowed her walk. My body colliding, pressing into her’s as we slowly stopped. She turned her face towards mine, raising her hand, touching my face, my cheek, gently turning, bringing it towards her’s, towards her lips. Just as we were going to kiss, she turned her face, my face plunged into her hair, the back of her neck. I could smell, Poison by Dior. I kissed the back of her neck, squeezing her slightly, as she moaned ever so slightly.
They're dividing up my grandmother's jewelry,
An act that feels more final than death.
I like to think she rests easy as she watches
The women she loves wear what was once hers.
They ask me to choose my top 3 pieces,
And how do I?
How do I choose which pieces of her I want to wear on my body
Like armor, like memories of made of gold or silver?
How do I choose between her trip to the Met Museum
Or the pin with the propeller signalling she was the
First licensed female pilot in the state of Kentucky?
What does it say about me this is the one time I wish she hadn't gotten her wings?
I want to wear her artist spirit.
I already have her poet's blood running through me.
This woman, in all her fiery, tender ways
Touches my life.
I hope she'd be proud I'm wearing her jewelry.
So many decisions to make.
Hank Roberts Apr 2013
There ain't real salary, wages, or full time
only disgruntled currency and
spoiled company that left the
milk out after breakfast while flashing

Nike sneakers, Motorola phones, burying
a forgotten geometric axiom, bestowed
with several hammers, in the
place where angels fall from trees

when you shake up their limbs ,
threaten to pull their hair. Sleeping used
to be a victim-less crime until I left
you swinging all by your lonesome

even when dad was shaking me awake
at two after two. Noon. I
was up, down, in and backed out sideways
through a diagonal cave that

was flooded by Europeans
who lost their leather shoes
trying to find Truth by
shutting themselves inside out

Even if God turns out to
be dead or under a trance
because he found his true love
wearing ***** pants, folded backwards

and frayed at the shins, while
she's got holes on inside her
thighs and the final schema,
parallel to the referee

signalling for the bell that's
situated behind environmentally
friendly nuclear bombs that
Bin Laden used to get at a discounted

price and sold them to America
marked up 3 fold.  They'll burn medicinal
plants besides the **** in your
backyard and feed us cancer while

selling us over-priced tickets to
watch over-paid men play with
***** while those on wall street
pull out their carving knives

on the turkey that was too dried
out that upon entry it burst
into a double helix of poisonous
rat-tails that fell off Zeus when they

shattered his lightening in the sand
and opened the glass to the forbidden
triangle of the man with *****, soiled
wrinkled hands, placing his spine out for all to see
Benji James Jun 2017
All those words
I should never have said
All those thoughts
That entered my head
Misreading situations
Placing false allegations
What am I doing here,
my mind is so unclear,
My windscreens fogging up
I'm drowning in the silence
All I want is to hear
Your voice calling out my name

It's not the same
Without you here
I can't bare to watch you leave
And I've made mistakes
It's okay,  it's my fault
I'll take the blame
I'm sorry for causing you all this pain
It's not the same
It's not the same
without you here

I'm sorry
For ripping apart your heart
I'll make it up
I'll make it up
And I'm sorry
For creating all these scars
I'll patch them up
I'll patch them up
I'm sorry for giving up
I'll make it up
(Just wait and see)
I'll make it up
I will make it up

How could I have caused such hurt
When I really love her
How could I not have seen the signs
She's been signalling all this time
How can I take back all I said
I've just gone and changed everything
I don't want this change
Don't want you to go away
Please stay, please stay
I'm reaching out my hands to you
I'm reaching out my hands to you

It's not the same
Without you here
I can't bare to watch you leave
And I've made mistakes
It's okay, it's my fault
I'll take the blame
I'm sorry for causing you all this pain
It's not the same
It's not the same
without you here

I'm sorry
For ripping apart your heart
I'll make it up
I'll make it up
And I'm sorry
For creating all these scars
I'll patch them up
I'll patch them up
I'm sorry for giving up
I'll make it up
(Just wait and see)
I'll make it up
I will make it up

After all, we have been through
After all this time
I'm losing you like this
Because of my selfish antics
How could I not see
How much you were hurting deep down inside
I'm supposed to be your protection
The one that you could turn too
Never should have let you
Fight these battles on your own
I've made mistakes
I've made mistakes
Yeah I hope and pray
That one day you might forgive me

It's not the same
Without you here
I can't bare to watch you leave
And I've made mistakes
It's okay, it's my fault
I'll take the blame
I'm sorry for causing you all this pain
It's not the same
It's not the same
without you here

I'm sorry
For ripping apart your heart
I'll make it up
I'll make it up
And I'm sorry
For creating all these scars
I'll patch them up
I'll patch them up
I'm sorry for giving up
I'll make it up
(Just wait and see)
I'll make it up
I will make it up

I love you so much
I'll repair your heart
From the damage that I've done
I'll make it up
I'll make it up
I love you for all you are
Shine bright my star
Shine bright my star
I love you for all you are.

©2017 Written By Benji James
Mateuš Conrad Mar 2017
i've been feeding pork and beef to my cats
for months,
   and they love it (i'm wondering why
they don't drink the streotype disney fantasy
of also drinking milk - but apparently
cats are lactose intolerant, and it
gives them the *****)...
          but what i am worried about is this:
there's this uncooked chunk of beef lying in
the kitchen for me to eat...
                                                  it's there, teasing me,
and i'm actually contemplating about going all out
tartar on the thing...
                                        which comes from
what is equivalent to the mainstream forum base
of "virtue" signalling...
                      are there parasite embryos in this
piece of meat? probably? mad cow disease?
probably... i didn't get to go to the glasbury retreat
for almost two years because of the outbreak...
some people don't get to go to the glastonbury festival:
i'm actually considering lucky to have never been...
went?
             yadda yadda: equivalent to be there...
and then heidegger's ontological fetish for being...
whatever...
     it's a raw piece of beef...
                           and it's lying in the kitchen and
i'm supposed to eat it... but go completely tartar?
    it's not mince beef... it's lying here whole...
          it's not going to be a rare steak experience if
i actually do decide to eat it tartar style...
     cultural inheritence? ever experience a mongolian
horde? they did what i'm about to accomplish
with beef, not horse-meat...
                                                 blood-flesh...
sheer... i'm almost turning my teeth into culinary
items of a knife and fork...
   i know i will eat this piece of raw beef meat,
i know i will... because i know that raw aquatic meat
has more chances of containing parasite embryos
than mammalian flesh...
   well... there will be potatoes and broadbean
stalks on the side to add to the flavour... or as some say:
roughage (or fibre).
        but it's the erotica of eating raw beef
that reminds me of the time i "ate" a ****...
                          hmmpf... the perfumes and juices
and aura...
                  the way it overcomes the fetish of suckling
at a sweating armpit...
                             there are gradations in lymph
juices... a person who had a skin (ahem) "disease"
known as acne, and that person being a male,
is twice as like (of the totality of being a person) to enjoy
phem-la... i don't have a proper noun for it,
i hope someone coins the phrase... phemlolo?
               i never knew that ******* only applied to
woman on man... i thought there was a libra in that
definition in reverse... reverse of *******
while ******* a woman? stick your face in the part
your're about to **** with your genitals...
        i slobbered into that part of a woman, teased it with
my nose and spoke so many silent vowels with
the waggling tongue... that i evidently had to become
a part-time eroticist: and that's apparently the shameful
area of the art of writing;
               but you know: as you do in rome...
             now comes the biblical ******...
"forbidden" fruit? that's obvious... it's staring you
in the face!
                          variations of revisionists that cut off
foreskins (excesses of genital parts)...
         it's oral ***... that later translates into
                                          voiced anger, dialectics...
and to think: to state great principles with that part
of the body, and then reduce it to oil up female
genitals? worth it.
                   i really have to reduce it to that,
the mere thought of eating a raw piece of meat that's
in the necro spectrum and will not ooze out
anything equivalent to an aphrodite's perfume
    is brooding over me toward the shrine of thanatos...
but then performing oral *** on a woman's
genital parts is twice as revealing, and taking pleasure
from it? homosexuals do the same, or
are equipped with the same materials:
  it really is a house of cards,
                               the king up and the king down...
yet those who perform this "obscene" act mentioned
           in the book of genesis... of that "tree's" fruit you
will not eat: look... moses didn't speak slave tongue of
the hebrews... and of the people that spoke moses'
tongue, you'd need the equivalent of a rosetta stone...
but now you need three more language variations
to "understand" that's happening...
    probably english... i guess russian... and i'm trying
to think of a third... german?
      but it fallatio... what of the feminine opposite...
and some might dispute this: but i did eat a camomile
in harlow, ****** out of my head...
                              asking the police to take me home
in one of their vans at the end of the night;
fun times in england, with bulgar prostitutes:
who lie they're romanian and then speak to one another
using the cyrillic term haraшo / dobře / o.k.
             still, the idea of what is to come:
eating a steak of meat that's not minced, tartar-style
transcends a literary fascination with *******
literature (akin to harold norse's biography
******* angel) - it will simply remind me of
having once "eaten" out a very flavoursome piece of
****; and then engaged in butchering its face
to contort into O and Ah.
Simon Jul 2020
Choosing doesn’t matter much as choosing to be a somebody, would matter… If not for the totality that is the whole (“trying bit”). Trying is like the ultimate reaction time! Not because it has anything to do with choosing something whether or not it’s good or bad, whilst (choosing doesn’t matter) could actually benefit your own (trying phase) into a (somehow) newer light. Why you may ask of this very detail that seems to not shed any more “obvious” light to what’s already been the most obvious of ideals chosen to be the main majority of facts by today's standards…? Well it completely doesn’t. As it entirely does, also. You see both choosing to do something whilst (trying to simply do that very thing) aren’t the same by ANY standards. As their both each other’s direct counterparts! Given standards for a given achieving rate. None will cause you to trade ideal for fact towards choosing over trying. Simply because if choosing doesn’t matter one bit… It’s also fair to say that trying is the ultimate reaction time, because choosing doesn’t matter. Trying is closer to a stimulus. Whilst choosing is closer to a response. A stimulus is better described as being incredibly instinctive. Where you have NO motion, except for what your mind feels when constantly being pulled in so many directions it doesn’t know which way to advise itself otherwise. Commonly being used as a “deterrent for disaster” when being controlled by the very thing it’s meant to control. A response however, is nothing without its stimulus to direct the trigger that at which made you react towards firstly. Warping your very bodies need to get wrapped up into itself. (More direct artificial stimulus rises and falls confusing the bodies signals…which politely anyways sends back to the mind safely.) Threatening to shower even more reactions down on itself from the literal inside out! Nevertheless, this was good for the mind. Gave it some closure as the “god of your own body”! Mind could personally get back at the body for pulling it into thinking it was the god! When truthfully, it was simply the deprived mortal acting as the constant, repeating, signalling pack mule! Hast to know its place after all… Am I right…?! The mind said, confident in its very words. All because the body reacted to something it inadvertently forced the mind into thinking it was being pulled around in so many directions, it didn’t know how to otherwise order its entire counterpart to simply halt! Simply by saying…STOP! However, you must know by now in today's age, that when something is amiss, you don’t simply surrender lightly. Especially when it doesn’t feel right. You ALWAYS listen to when something doesn’t FEEL…RIGHT! Am I right…?!
Choosing isn’t exactly “the worse for wears”. It doesn’t prone someone’s very self to complain when trying to simply do something (for the better). Especially when the potential outcome doesn’t come up as very mature.
Allan Pangilinan May 2017
I
For the best time to learn how to swim is when you are drowning,
The right moment to live is when you feel you’re dying,
Be not afraid of the unfamiliar, of uncertainties,
That are disguised in forms of hundreds of questions and opportunities.

II
The life we live is a series of narratives,
Of wins, of losses, of growing seeds and falling leaves.
Be prepared for plot twists and guest characters,
As your role will change from each time and thereafter.

III
You will feel happiness and other emotions from time-to-time,
Things that will puzzle you and leave you wondering where’s the rhyme,
All I can say is take comfort in fleeting times you’re feeling lost,
For it only means you know where you want to go -- a destination you’re about to cross.

IV
The uncharted waters might feel unsafe, risky, and sketchy,
Tread them carefully as on the other side are liberties.
Anxious? Stressed? Or perhaps startled and confused?
These are feelings signalling evolution that are being put to use.

V
Be excited to the places you will go and people you will meet.
Give everything, a wave, a smile, a meaningful greet!
You are destined to meet the You’s who are just about to be,
Greatness and possibilities are just some of what you are to see.

VI
Regrets will be in place as they will always be part of this epic,
The ones which will hurt the least on your deathbed must be the ones picked.
Remember that a day in your life when you will ask yourself questions will come,
I wish that you’d be able to answer and forgive yourself for everything you didn’t become.
phantasmal Aug 2013
the night is silent
the sound of leaves rustle
along cracked pavements
you scuff your shoes on the platform
as moonlight glints
off the smooth round edges of
pebbles that are scattered along
rusting railway tracks

the wind whispers
as repetitive ringing sounds
you hear the bell signalling
the arrival of the train
the leaves once tranquil are lifted
in the thin hurricane of night breeze
and coal smoke

the train conductor reaches out
and you cautiously slip
a near faded ticket into his pinched fingers
with a simple turn of the handle
you watch your ticket shredding
and your feet step forward
into the train

inertia brings you stumbling
to the opposite side of the cabin
your hands press softly against
frostbitten windows
and your breath steams the glass
landscapes flutter by;
they are butterflies melting into the night

you run your fingers along
the battered cloth seats and tattered posters
it is cold
and the abandonment seeps into you
from the floor through the soles of your shoes
you shiver

time in the still air slows while
the scenery rushes by as the train picks up speed;
already your worries seem like history
the distance between you and reality
drags on wider but
you don't mind
as you stand in the empty train cabin
with your empty soul and empty eyes

you finally feel as if
you are safe

- - -
K Balachandran Sep 2014
He created a night for him
with the dark metaphors
his poetry tossed on to the air;
from its ember buried under ashes
oozed little by little,
two drops of scared light.

Alone, in the cocoon of the memory
of her words, he distilled and drained
the magic potion of poetic expression.

In it was ingested, the intensity
of sudden lightening
that burns down everything
in to ashes

like the tides that occur high and low
what if ,at will, single source secretes
both poison and nectar?

with your eyes mutely speaking of desire
you are deft in signalling both---
the ascent of love, that creates in me
the instant capillary rise of passion
and
love's descend, as if the monsoon has dissipated
and just a sprinkling announcing rejection!

who are you, reveal your true face
poetic trance at the moment of my inspiration
or dark poetry, gushing out on it's own
from a secret spring, deeply hidden?
Mateuš Conrad Oct 2015
the scientists joined ranks with artists who, with un-complimentary depictions of humanity, like the weavers of the bayeux tapestry, decided to paint queens as ******; the scientists came along with monkeys instead of jealous and shaky hands... that’s like so totally debased, who said i was flat-nosed by a klitschko forearm uppercut and hairy to boot? you want a baboon **** smear with my buttocks to suit a smile on that observation? i’ll just fudge pack that **** between my baboon cheeks for the paintbrush and use your face as the adequate ‘smiles all round’ canvas - gentler than a baby's bottom in sinatra's cheek to cheek take 5.*

no, i wouldn’t trust islam in the mouth of an egyptian,
nor in the mouth of the copt,
no more than i’d trust the conversation
of a prince of egypt with god in hebrew with god’s friendliness,
which isn’t to say that god didn’t say: my people are suffering,
the pharaonic lineage are building pyramids!
i need to punish their leaders to redeem the people,
wait a minute, why would the hebrew building those architectural
monstrosities hijack my servility?
ah i know, i’ll just have to wait for the one to be crucified.
a prince talking the language of slaves...
must have had tea parties with the stonemasonry class
of fanning those bothersome flies away ponces.
but as i was doping myself on the ultimate escapism
watching the gambler (2014),
i spotted this one line that broke me:
this heavily addicted gambling professor of english
who could only shakespeare and albert camus
came across a grey matter criticism: ‘but that’s
only a subjective observation, we’re all bestseller authors!’
no... and objectivity is so overrated,
i mean it implies being one among the many
talking as the many,
there’s no heraclitus in objectivity - where’s the flow
in objectivity, moving from one particular to another
signalling artistry whether that’s the dumb statistician
clothed in the baseball player looking lost in the faded out
lad culture missing in the concert hall of talk,
and the basketball player more interest in quicksilver words
pixelated, and that longing blonde who inspired the english
professor to peddle-stool her to the position of the faded gem
of hopes of the carbonated water of a writer?
speaking objectively would only provide an inactivity,
a sort of ant’s **** hole: well we’re all here... how’s that?
good enough? no! no, it’s not good enough!
there is no heraclitean river in objectivity -
it’s no good enough to feed subjectivity of seeing many different faces
going about their daily business and feeling nothing of yourself
making a choice to pick something out... there must be
some sort of kantian per se in all this.
so then i stumbled into tescos, watched the first gangsta gathering
in the car park and in the shop i talked to the would-be cashier
about those failing auto-checkout machines
that now ask for ‘approval needed’ on bottles of whiskey
and five pence plastic carrier bags...
‘you type in 0 and still the machines want approval,’
‘silly, isn’t it? they were so innovative once,’
‘you’re a hoodie with an accent? where you from?’
‘st. petersburg, lived there for a month and came back a changed man,
i was caged and told to not try and get into a nightclub
to see the unappreciative beauties that couldn’t never cry at
an opera like la triviata,’
‘must have been terrible,’
‘it was, i heard of the russian-chinese axis of evil pact
and drank non-alcoholic kbac!’
then at home i picked up a newspaper and started to kinda reap
a weeping over the 3rd intifada next to
an article about how an american auntie sued her 8 year old
nephew for breaking her wrist at the blackjack table
with the stakes as high as $127,000.
it made sense at the time to be sufficiently coordinated enough
to drink and read, which always adds up to: sermo potator potor non sum.
so i thought about as to why the 30 silver pieces
sold jesus christ into a slavery of a very different kind -
the “intellectual” one at the pearly gates where he greets
all the ***-kissers with the church pay-check back-lingo,
even though human history would be better off
without a few hours of the last supper morphed into a sunday
service for 2000 years... when joseph would have seen
the little babylonian kid do something monstrous on the last sabbath,
which would also be akin to that famous opinion section of the newspaper:
yes comrade frankenstein (fickle think shine, alternate spelling of the columnist's surname), capitalism is unshakeable,
there is no alternative to capitalism...
but i thought there was an alternative to the marshall plan?
did i miss something - am i really supposed to stand “outside of all space
and time” in classical philosophical practice? i can’t do that with the slogan:
there’s no alternative to the marshall plan! yes there is, communism.
the syrians will tell you that in a few years, fingers crossed,
no foreign investors will be able to impregnate the resurgence
of civilian trust within monochromatic ethnicity;
but of course i’m getting ahead of myself with hopes.
Mateuš Conrad Oct 2015
i am abel’s fiery tongue upon this earth,
cannibalistic in the raw sense of things,
i spoil my kittens like i might a human being,
which does not mean philosophy meets status quo
whereupon no thought is doubted or thought doubted
equates a sensual realism, for the stalemate, this no man’s land
of lettering suggested we go one step further -
i can peer into hell and only see personal misery,
and in all that i see heaven as a collectivisation of misery
of the parched lips riddling the desert sands -
without asking whether thought is truly doubt
or a moral compass we decided upon, that the senses be doubted
and thought proclaimed freer than our allowances consider utilised
or without utility essentially kept (it’s what’s
called congregating on the word reality without a congregation
on the word thought that speaks to western society the most),
for i can allow one thing but not the other -
i too claim the cartesian mechanisation of the senses
by the double inversion of thought: a. doubt thinking to provide existence
without thinking - automation,
b1. doubt the doubting thought and enclose zoologically
further in, to stress the coordinates of preplanned execution doubtless,
b2. doubt reality to undue the method of doubting thought that encompasses
the prime realism of things without thought,
b3. doubt the existence of things to think - keith lemon saying the word... tragic.
but the revisionary trick came when the cartesian model imploded
and said: thought proves being! thought proves existence!
hence no doubt was allowed, a bit fahrenheit 451 to be honest:
i.e. read any book you like... but don’t doubt its content,
think it through, think it out, elevates you into the agglomerate inclusion
with favoured numbering - keeps the “idiots” out, steady on
the beef in the banquet **** of bulimic excesses... steady...
rein in the oesophagus octopi - or like cancer and lobster in italy said:
death by numbers - bulging weight of the nuns chuckling a cha cha cha.
so why did post-cartesian thought engage with heidegger, why
did thinking suddenly uncouple itself from doubting to provide
the “perfect” existential parameter of undoubted sight
given that doubting passed from the realm of thought and into the realm of being?
‘i doubt i was there, i doubt it, i thought about it, but thinking about it
was truly discouraging to be here, so i thought i was there,
and that mediated the equation perfectly: i doubted i was here
but thought i was there, in the end i was here and therefore couldn’t doubt it,
but thinking about being here bored me, so i was “there” doubting
hopefully - rather than doubtfully hopeful of not being there and thinking
that being "there" was me being there would justify thought and doubting ease erasing, i came to the conclusion that being the lambs for the slaughter was enough, so i was here and thought... dasein! in the rally of relays i was "here" disclosing what thought was supposed to be when usurped from doubt and made surprisingly moral. posterior interior pumped suffocating by the toilet rim signalling blitzkrieg ***** and goosebumps on the guillotine ready to pluck a goose for broth instead of flight!’
sage of the black forest has spoken, shush: all the rat skeletons will now
be used for a xylophone symphony.
well it was once called mathematical akin to grammatical,
but so much was lost in the forgotten art of teaching grammar -
adjectives were used to allow timing, adverbs for spacing -
and a lot of emoticons replaced ****** features used once - like an itchy nose
or a half brow of sympathy stretched into an expression of surprise -
but so much was lost, the arts became post-cubism exact in
lacking all inspirational overtones enraging a schooled expression to canvas
a pope might admire, least the randomised passerby.
Sabrina Feb 2020
Panic sinks its teeth
into my laboured lungs,
my shortened breaths
signalling their imminent collapse.

Breathe in, breathe out
I've been through this before.
It's going to be alright,
it's just a panic attack.

Walking down the crowded street
among the lucky extroverted souls,
who can blind themselves
with the cacophony created by a cold city's chaos.

Keep my eyes trained on the ground,
but keep a vigilant eye on the sidewalk behind,
To be sure fear, won't ever catch up to me.
cursed Aug 2013
My dead lover once told me
To pick the reds over the blues
For years I tried to comprehend
And on his third year death anniversary
A friend since child came to me with an envelope
A blue and a red
"This will determine your future"
He said as he slid the envelope across the table towards me
"Well, I like blue so I'll just pick blue."
My friend was shocked
Signalling me not to
And that is when I trust my dead lover
I chose the red over the blue.
That night I cried blood
Reading a letter by my dead lover
Whom cheated on me more than the years we have been together
He was ready to pop the question on our seventh year
Because he get a hell of a day by his dad
Over cheating on me
And a hell from his mom
Over making me wait
It really caught my attention that year
He has changed
Until he was dead.
Now I am more curious over the blue
And when it was handed to me on our suppose to be tenth year anniversary
I cried blood again
To know he never loved me the way I loved him
To know it was a deal with the friend who gave the envelopes
To know my friend was a cancer survivor
To know my friend gave me to him because he thinks he could not lived long
And look who died first.
No one knew why
No one expected it
But now I'm married to the person I never noticed.
A tribute to a person who is a follower of my writing blog since the start. Congratulations, and may your marriage is blessed!
Josiah Wilson Jun 2014
You're like a lighthouse
Signalling to me
As I drown out here
In the deep blue sea

You're like the seat belt
Holding me in place
As the cars collide
And glass cuts my face

You're the oxygen
As I suffocate
Flooding through my lungs
Pushing death away

You're the only one
Who pulls me from the brink
You keep me afloat
When I begin to sink

Into these thoughts
Of me dying
You're the reason
That I'm trying
To survive

You're like a doctor
Jumping my stopped heart
As I start to fade
and I drift apart

You're like the siren
Shaking me from sleep
As the fire burns
Flames devouring deep

You're the helping hand
As I start to slip
Catching at my arms
When I lose my grip

You're the only one
Who pulls me from the brink
You keep me afloat
When I begin to sink

Into these thoughts
Of me dying
You're the reason
That I'm trying
To survive
Mateuš Conrad Dec 2015
when you start talking... you rarely unravel the brain's conspiracy for secrecy, you never want brain = heart automation with solid theories that are rarely given an individual bias to be based on... a bit like those pencil-pushers working in offices for MI5 or MI6 who thought spying was all in fiction, but rarely confirmed the fact: in the c.v. it was stated: show your intelligence to prove the vulnerability of others easily persuaded... that's called providing intelligence... and those adverts for london hipsters on brick lane and hackney pavements just blew my cover... because no one really knows if one will doppelgänger the plot... with the body alcoholic and the shadow intelligent, or vice versa... the oddity... please call david bowie.*

in the freudian sense we get an origin of understanding
with a little boy, who's about to become oedipus,
we have diagnostics from a complex, the oedipus complex,
but with jung the childhood origin of diagnosis is
missing, childhood isn't the source of the problem,
after all we are born with a weak bladder and weak
**** muscles, hence the diaper, hence the elevation
of the problem into the realm of a collective unconscious,
i.e. the plumber doesn't know what the electrician does,
the electrician doesn't know what the artist does,
or how he does it, it's not that we're all unconscious
unable to craft any collective or individual meaning,
but i can recognise a freudian sympathy in 21st century
practice of psychiatry from a jungian one...
the freudian simply assumes your childhood was a nightmare,
that you were abused... but to a jungian - with the
offshoot of the testimony of laing's anti-psychiatry
never mind szasz... you say you go drinking at night
into the woods alone... they sense a fear in themselves
and simply un-diagnose you; which i managed to do...
i can count about 10 psychiatrists who diagnosed me
this that and the other... but they never asked me about
the problems in my mature being, they were looking for a
hurt child, sure i grew up in an environment without
a father between the ages 4 & 8... my father was just
a voice on the telephone and the first nintendo,
a gameboy... but i was surrounded by older people,
my great-grandmother read me a picture bible
and taught me to tie my shoelaces like i'd tie a ribbon
of a present, my grandfather took me for walks with
the two dogs i owned: axel a dobberman and bella
the alsatian, me piercing one of his bicycle tires to get
him off work at the steel factory for a day...
the steel factory closed, went bankrupt, or simply sold-out
to foreign spanish investors, many people left the city
of my origin... never mind...
children are not compulsive liars... but those who
emerge from childhood become compulsive liars...
children are selective liars... once the cookie jar is
opened... once the dog ate the homework...
they can't even combine lying with imagination,
after childhood you can't even do that, you can't
even combine lying with imagination -
there are no images involved, only words, black holes,
symbolism... all you get from an expected combination
of lying and imagination is that imagination
becomes ****** expressions, bordering on apathetic
****** expressions.
but guess what, above all what i said...
i was diagnosed as mad... but i never set foot in an
asylum, a knothouse (knot, yes, madmen are
like knots, jumbled up, the linear pattern of vitality
suddenly becomes a knotted sphere with only cats
able to unwind it - set loose the cats into the madhouses
of the world!) which can only mean ONE thing...
if i was diagnosed mad, but never entered a madhouse...
i'm assured by the laws of deduction, that, i, am,
in, fact, in a society that's a madhouse...
no wonder people can't appreciate the beauty of
the world, they took theology to the parasites
and explained things that way,
plus they advertised, started traffic signalling...
now days people simply pass trees and mountains
nonchalantly... they're more interest in what's organising them,
once words were kept in books... those great bricks,
but since people managed to make everyone literate,
the words broke out from the alcatraz of their
enticement and ventured out, like robots trapped,
and became adverts coca cola and warnings 50mph...
then the beauty of the word disappeared, because everything
in diamond contortion odd simply became dull,
dull because life became faster... and there was
no way of allowing reflection on unmovable things
to contain any speed - otherwise become a dog,
hold something resembling a branch in your mouth,
bite down, keep it in your mouth long enough
while you carry down the stairs a copy of witkiewicz's poems
and your tongue will become alive and numb
with poison... it will become a poison arrow...
and now that arrow is aimed at your heart.
jenny linsel Feb 2017
I look into the mirror
And who is that I see?
Someone I don't recognise
Is looking back at me

The lines upon the forehead
That are called ‘worry lines'
Are caused by getting stressed
Far too many times

A line next to the right eyebrow
It’s the liver that's to blame
Due to excess alcohol
Or so the doctors claim

The line next to the left eyebrow
Is connected to the spleen
So much for thinking the body
Is like a finely-tuned machine

At the corner of both eyes
Are very deep crow’s feet
These are connected to all organs
As they admit defeat

We used to call them ‘smile lines'
But not much smiling has been done
When you have ill-health
Life is not much fun

Black bags under the eyes
Are signalling poor circulation
Or maybe just a lack of sleep
Nightmares without an explanation

The pancreas could be at fault
If there are ‘laughter lines'
But they could just be caused
By laughing numerous times

Lines above the upper lip
They could be caused by smoking
But they also indicate spleen trouble
Those lines are thought-provoking

Lines upon the neck
Otherwise known as a ‘double-chin’
Can be caused by too much gluten
Putting a thyroid in the spin

In the mirrors reflection
There are so many lines to see
Then I realise the person in the mirror
Yes, it’s me!
Connor Reid Dec 2014
LANGTON CRESCENT

Shameless,
a ******.

Jeopardy has no place in the closest of motion,
signalling to eachother,
that you might be related,
or friends.
Childhoods, more than one - in a single life,
spent without knowledge of such,
such an event, in times of jovial adolescence
I was there.

But I don't remember,
brash epithets of discoloured repression,
I remove my ensconcing cap.
Opening up a can of cold worms,
static from the cold draught
which is brought in by an open door,
as everyone leaves the room.

There I am...
I was there!

Someone died here,
I'd never been in this house.
Clutching onto my mothers hand,
through forced habit & love
wandering through life
with a keen interest in 'Why?'
A stark contrast to the average
'How?' That fills up the long, tall order
of the cancerous accolade of dynamic erroneousness
that any self disrespecting lifeform would call -
'A day'.

Whom did I concern?
I was a spectator without a ticket,
being let in for free
gross mistruths passing from one ear and out the other,
intimidating externalisations taken shape in cathode ray tubes
happy to give away nothing for free
purging on selfishness as the 'adults' talk and I induce

A boyfriend.
Too much to drink.
A secret sapphic affair,
that made them happy, it made sense.
Too much to drink.
A ring at the door.
Too. Much. To. Drink.
Panic.
It's fine...Invite him in for a drink,
act like it's all ok.
I still love you both (I don't.)
He knows. (what is going on.)
People aren't stupid,
but they knew he knew - they'd planned for this.
Upset. Anger. A fight. Resolution.
Kitchen. Knife up sleeve. Make up.
She drew him close in her embrace

...

38 times the instrument was coerced to and from its target
like a nodding head.
acknowledging the destruction of the viscera
untangling the truth
the complications of the human condition
spilling onto the floor like hot milk,
tainted by the penance of basic sin
an overzealous lesson in the fleeting nature of causation.
the sand of divine comedy,
fluttering through the hands of the undeserving
emptying itself onto the floor,
every grain more anxious than the last.

Dead. Still as the motionless climb of winter across a silvered pond.

Staring at the almost ***** tangling of carpet hair,
lifted from the hardwood floor like a jigsaw on fire.
'fake' Oozings spattered sloppily across skirting boards,
not all unlike an ill **** on the cling of a public toilet bowl.
blues, reds, purples, blacks
clashing with the absence of concern
this two bedroom tenement was unwell,
discharging its secrets to the seed,
too much for the eyes of a child.
There is a reek, a stench of metal (copper?)
- enticing my nostrils towards curiosity
and a juxtaposition of absolute revulsion.

The story;

A boyfriend.
Two friends drinking.
A ring at the door.
Oh joy! (lies)
He enters.
An argument.
He hits her. (lies)
Upset. Anger. A fight.
He doesn't stop hitting her. (lies)
She runs to the Kitchen.
Knife. She defends herself. (lies)
He dies.

Septic.
"****, we need to fix this, I need your help!"

"We need to make this look right, ****...Self defense, for the police coming."

"Quickly, hit me! We need to make it look like he abuses me."

"When we're done, phone the police pronto and get our stories straight."

"I'm a victim ok?"

"Ok."

In and out.
Easy.

She's the first in Scotland, nevermind Glasgow to get away with her situation
- Lightly that is, 5 years in Cornton Vale, an all female prison somewhere in Stirling.
The other gets away with it - 'Art and part section 293 of the CPA act 1995'.
No charge. As far as they were concerned it was justified (reasonable force).
She gets what she wants. She gets her other half whenever she beckons.
Driven there. No thanks. Selfish.
But she's in love
and maybe she has a debt to pay. maybe she was more involved than she lets on.
doesn't want her life ruined. errands? favours? you name it.

Someone you grow up with, someone who you consider family.
Are they capable of mad passion? A glitch in character?
Can a good person do bad things and feel nothing?

I wince at the retelling of a story.
Buried deep in the waxy imbalances of memory
as if it never happened
jittered from clarity
like a snowglobe that never settles
laughing at the absurd
sourced from fermented sparkles
and igniting omission.
I was there.
Not long after and not long before.
Sitting on the couch and kicking my feet,
getting lost in the cushions
and brooming in the damp, familiar sniff of the 1990s.
Blinds drawn, cups of hot chocolate and endless laughter
- remembrance and reflection entwined
dividing action from thought.

I was there!
...But the memory escapes me.

— The End —