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Cerebral Fallacy Jan 2014
It came upon the good doctor to clutch it in his palms
An object so sharp that blood oozes over its tip
Touching and clutching it he weeps tears of excess
Excess of the desire from where emerges life

Nothingness is the very excess that flows beyond being
Beyond the infinitesimal horizons of cosmic pleasure
The devil at play beyond the confines of the mind
Language the immanent trap that infinitely failed

Moving beyond the pale meditation of holy dignity
Gods emerge from the midst of haunting madness
The excess of the gods, divine excrement turn into dust
The sweet aura of the banished god- the scavenger

The very life of the gods contained with death and play
They danced across spaces, traversed beyond scope
Their bodies decay as stars while their excess reaches within
Within every marked desert of intoxication that grasps infinite depth

Weeping in the midst of the great gulf, the gods fade as the night
They emerge as beasts and flowers amidst the deep of the sea
The fall into madness, excess, passion and excrement
Perfume is but the odour of man turning into dust

Even the glory of the gods reflected divine excrement
Every entity an extension of another, the cosmic essence
That binds and destroys life as movement unfolds beyond reason
The essence beyond the shared catastrophe that binds life to itself

The good doctor watches the blood ooze from the body
Blood being the testimony of immanent frailty which traumatizes being
His tears dilute his blood as trauma sustains life
It falls into the ground and the divine fruit is born

The essence of goodness contained within the germ of madness
Madness that tantalizes the notion which shames reason
The realm of divinity where infinite wisdom dwells
It dwells in the midst of bliss- Ananda !

The God of Bliss awakens as the stench of being enters the heavens
The creator weeps as he watches the excess of heavens multiply
The object that the good doctor possesses drives him into oblivion
Never more is the world haunted by the gods !

Bliss even the bliss that is found in the mountaintop
Where the last god lay and washed his feet with perfume
And the milk of the divine yak nourished the heavenly nymphs
Charged with ****** excess, paradise lay in the midst of hell

The good doctor returns to the womb from whence he came
Beyond the confines of trauma, desire and being
Every creature watched as he lay the world bare and nacked
Never again will the gods return to plague the world

Then lie the bodies, cold, writing in pain and pleasure, leaning on love
Bodies that desire the gods of old to sustain trauma and jouissance
Where is the good doctor now? Whence will he return my love?
And there in her eyes, the beauty of the world lay

I looked at her and in an instant her eyes transformed reality
Oceans swept the depth of the horizons, stars became angels
Time turned into eternity and the darkness ebbed into nothingness
Trauma was rent apart and life was bound by divine love

I kissed her lips and as I wept I beheld the good doctor
He lay dying in the depth of the traumatic vengeance
His organs lay in the excrement of totality
His eyes gauged out, his ears rent apart and his mouth torn asunder

His limbs were scattered and his intestines emptied
The years of his life at an end and his body dismembered
Disseminated, the stench of the lifeless corpse filled the universe
I looked at her and it was the stench of love

I looked into the heart of darkness and I wept
The sound of my anguish filled the halls of time and space
The pillars of paradise was torn asunder and rent Hades apart
Eternal sorrow that sustains our love

And then as I beheld the futility of existence I kissed her lips again
I closed my eyes and I experienced the touch of the heavens in her mouth
And in the infirmary  his body lay among the dead
His organs burned as a sacrifice to atone for existence

Existence, trauma and excrement echo the cry of divine justice
And here the body lay without its organs and we were too sorrowful was beyond measure
We then buried his cold body under the stars in the heaven
We saw the scars from where his organs were rent asunder

A corpse contains the testimony of death as he gather everything to himself
But a corpse without organs? What does it contain?
Must it not contain death and trauma itself?
And here his hollow body lay, and death the parasite

A parasite's life lies in the life of the organs within the body
When the organs cease of give life, the enemy perishes
And death lay dying in the grave he decayed
The good doctor lay in the realm of darkness forever !

The blood and his tears have now produced fruit !
It was its fragrance that brought life to darkness
In the darkness of the night my lover went into the grave
Fearing not what lay in the midst of the darkness

Wind is the master of time, she flies beyond the medium that she animates
The wind carried in her ***** the fruit of blood and tears
And then she saw that the keeper of the dead leave the confines of his realm
The wind blew beyond measure into the land of the living

And then I kissed her in the graveyard one last time
For she was too sore to live but her eyes spoke one last time
And there I saw the good doctor was not dead ! He smote his foe in the deep !!
His fruit was now beyond the grave where they lay him !

The hollow of his body is now the testimony of love and eternity !
And there I awoke from my dream and my heart skipped a beat !
My desire was water was now beyond measure and I looked into the river
In the sky I saw that love is the very excess that engulfs desire !
Mateuš Conrad Aug 2016
what a ****-pile of ******* (petition rendered
on the hyphenated word compound
i wanted to correct- yeah, all the dudes can hide,
i tried the Oxford crew, but instead
i just got American  colonialism:
the part where you say: i said the funnier joke,
therefore i'm funnier,
TEAM U.S.A.! yeah! **** yeah! let's keep it as
just that... TEAM U.S.A. GO!
we're aiming for sushi right now...
and i love the fact that Green Day's
when September ends is a sidelining the 9/11,
ever you mind dialling 911...
oh, because i was the fascist, tell that to your mother
when baking bagels, ****...
i don't like the way poetry
tries to incubate violence as the non-existence of,
i hate that poetry is written by *******...
i ******* hate these goody-two-shoes more
than i'd care to think abut ******,
who will, given enough time,
become a fetish subject for historians when
we reach a historical threshold,
give it 1000 years he's be a mythological Barbarossa...
that's what i said about him not being
a unicorn.... give it 1000 years and he'll end up
being a hero, just before the
historians make a fetish out of them like they did
with Genghis Khan...
they'll talk about the autobahn before they
speak of the holocaust and constructing Israel,
which we are assured, by fake-socialists
taking on communism by sitting on a train floor...
if that guy Corbyn is a socialist then i'm Comrade
Mao... you never experienced socialism,
i hardly think you're able, like you
said that former feudal made communist
factions were predestined failures of capitalism...
i know you'll fail being communists,
the Chinese are in charge...
you, aren't, going, anywhere!
yeah, believe the socialist sitting on the train floor...
that ******* comes last...
and don't try that fascist tactic for me ti speak clean...
i'm not going to speak with the everyday citizens' speech
talking to the queen... no, i flap the tongue
you provide the wind and the winding,
schooling in over, so is shooing into lining up...
page 64 of Valis:
either knowledge through the sense organs and
is noun-categorised (some say called)
empirical knowledge, or it's arises within your head
and it's called a priori -
i don't see a problem? do you? well...
isn't a posteriori dismissive of empiricism?
to reach a posteriori knowledge you have to dismiss
empirical involvement... also to mind:
there are aren't any sense organs as such.... i'd like
to thin there are... but deaf people wouldn't consider
their ears to be organs, they're still using sign language
and continue living, neither are eyes organs
given Braille... Philip K. **** had more insight on Kant
high on amphetamines than Hegel ever did...
the basic implant? God... a few people
have escaped the a priori and a posteriori argument
for God, most were seduced by atheism
trying to relieve themselves of the argument being
argued let alone argued for a non-existence of such being,
arguing alone proved the argument to be fallacy riddled,
i.e. / as in: it was argued in the first place... for no reason...
i mean we're talking mutation:
how to mutate a priori hexagonal
               through the empirical medium pentagonal
into a posteriori hex once more...
                   the problem is searching for God in
the medium, the Cartesian substance,
the trial and error coin-flip, empiricism isn't about that,
empiricism is about the necessity of error,
i'm bothered about whether God was implanted
in us as necessarily, or whether he emerged to our
a priori mind from the medium of empiricism -
i call that a Darwinian fallacy, i don't think
the human brain can consolidate a harmonious
coexistence with self-belief and being a Buddhist...
the foremost concern is not whether:
god created man, or whether man created god...
we're talking whether the two ever coincided with
needing proof...
                               obviously not.
that part about being a Buddhist? that's shrapnel...
most of us have so much self-belief that we become
eager labourers, and hardly complain,
because the billionaires have ferrets for a haircut.
but as i said, the easiest, aphorism type of reading
Kant doesn't come from Nietzsche, it actually
comes from Philip K. **** in the bookValis...
empiricism was always going to be a watery product,
rigging scientific results, i mean lying about the results
would end up diluting a bottle of whiskey so it looked
like beer and tasted like a 20% voltage on the tongue
pallet: hardly numbing.
so the three tiers: one before, one intermediately,
and one after...
                           how a hexagon passes
through a pentagon and remains a hexagon...
or how a hexagon passes through a pentagon and ends
up a pentagon....
or how a pentagon passes through a pentagon
and ends up a hexagon...
                                             or more simply?
Bleep Beers... or Bibi (when you say b b and then add the
ee, umlaut arithmetic to double up on) -
no, i don't place my belief in the existence of god
from an a priori suggestion, as if i was to invent it...
to later discredit such a belief with a well argued augmentation
from the inheritance to later dispose of such an argument
in the charity shop of the a posteori stance...
that wouldn't excuse or explain the religious inheritance
of the Kippah or the Hijab...
who would be dumb enough to originate having to wear
a Hijab from not having experienced some sort
of necessity of divination? they would have had too experienced
something outer-worldly... god is too ridiculous to
be an a priori or an a posteriori concept...
but he's just ridiculously worthwhile the unifying
concept of phenomenology in that grand empirical theatre...
which means only one thing... our caving in and mining
god in the realm of the a priori is yet another
reality check -
                         summary:
i'm still bothered why not affiliating the hyphen to that
letter will make not meaningful reference, i.e.:
a-        (without)
                                   which means, a priori
(without a prior / without a beginning)
                       which means, a posteriori
           (without an after, without an end) -
it doesn't mean whether you have god as an implant,
whether you get rid of the implant
after experiencing the empirical medium,
you'll nonetheless experience the medium of the pentagon,
establish that sense-organs are not really organs,
because classifying something as an organic makes
life essentially a continuum, but blind men live long
after the eyes are gone...
                    i'm just saying that god as an idea
is hardly a worthy unit, which ideas are, concentrated
thoughts that cannot align themselves to either
telepathy or narration... they're immovable...
unshaken, undisturbed...
i'm just saying we're too intelligent to seek god
in the a priori realm or the a posteriori realm of things...
we were not actually ever going to find him
on the shores of Ireland or Florida...
it's not that ridiculous to find him on the Atlantic...
he's quantum physics after all, pocket presence...
isolated proof... never a collectivisation to enable
politicised coherence... it's a quantum experience,
a quantum experience that without atoms
gets so much stigmatisation as Judaism proves;
the mock-joke of Moses rummaging realities rather than
reality in the desert to the count of 40 years...
yeah... and later the idea of the multiverse...
that's not funny mate... it's horrid...
but there you are safe in democracy... but you're
used to reading the media outlets citing child abuse...
well... what are we missing? APPLAUSE! APPLAUSE!
ENCORE!
Abigail Shaw Dec 2014
Don’t read this if you’re squeamish,
Or if you’re eating food at the present,
Since some of the subjects discussed in this poem,
Are let’s just say rather unpleasant,

On the subject of donating organs,
Or the subject of organs at all,
It’s not unusual for my claims to leave,
Some subjects feeling pretty appalled,

Now I’d say that most people die,
In fact I’d vouch that it happens quite often,
But when my time comes, set has my sun,
I want all of me in that coffin,

Now I get it, I’d save lives if I donated,
And I don’t mean to sound like a **** (yes I do),
But the unmissable flaw, the foot in the door,
Is that not all of my parts seem to work,

My eyes are screwy, my heart’s far too cold,
The state of my lungs’ll make you shiver,
My kidneys too small, I'm not sure I have a pancreas,
And don’t get me started on my liver,

And let me tell you with a face like mine,
Not showcasing this beauty’s a sin,
But it’s awfully hard to have an open casket,
If I’m not sporting any of my skin

It’s selfish and weird I know that,
But my eyes are where my soul is exposed!
…Yeah actually my soul’s pretty tainted,
Can someone make sure that my eyes are closed?

I only want those I love to have a part of me,
So if I’m forced, if I’m forced, to partake,
-
-
-
They’ll be frying up my organs,
For refreshments at my wake.
Short poem I wrote after a debate on ***** donation (which I am all for by the way)
Crimsyy Mar 2017
These are my organs,
all trying to function,
mixed with one cup too many
of tea.

These are my organs
sliced to pieces by dishonesty,
who have bled too much
unrequited love.

These are my organs who have
decided to give life a second chance
because they delight in
feeling my body dance.

These are my organs
wrapping themselves around
a stranger
claiming love, love, love
in a world of sad never afters.

These are my organs
shaking off the sadness,
burning, burning,
and in the end
all that remains is
love, love, love.
Johnnie Woods Aug 2018
There are five widely known senses.
Sight, hearing, touch, smell and taste.
We've got some minor ones as well, such as balance, temperature and many more.
However, people fail to realise that there's also the sixth major sense. Thoughts themselves.

   If we look closely, all these five senses have the same base. Specified cells in eye react to energy of light, cells of ear recieve energy in form of air's vibrations, skin cells pick up energy of mechanical changes, and so tasting and hearing depend on translation of certain substances' chemical energy.
   These cells in different organs differ in their structure and the way they appear, however, if we stop looking at them in such small scale, we can see that ALL of the cells or organs responsible for any sense translate the energy.
   So, a light enters the eye, certain wavelenght of certain energy stimulates the eye's rod or cone cells with a certain intensity. Then the energy of light is translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of sight.
   If it comes to smell, a certain particle enters the nose, binds to a smell receptor cell, and the chemical energy of this particle is, again, translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of smell.

   Now, let's move to the crucial part. The sense of thoughts.
   During the creation of thought, pathways in our brain that collect memories(and many more known or unknown pathways) connect. First, there's this spark of electricity, that moves all along the neuron and releases a dose of neurotransmitters(amount of different NTs is equiavlent to strength of this spark, basically resulting in "creating" various thoughts).
Then, chemical energy of NEUROTRANSMITTER is translated to energy of electrical impulse, which happens in the brain, creating the sensation of thought.
   Therefore the 'sense of thoughts' reacts to and is stimulated by neurotransmitters themselves, with receptors on neurons' membrane being receptors of the stimulus. So, kind of like smell, the stimulus is chemical, compared to sight, where it's electromagnetic wave; anyways the result in all of these is electric impulse in neurons (hence the idea of "thoughts" as a sense, due to the same basic layout; transfer of energy).
   The 'smell particle' connects to receptor and is translated to a certain amount of neurotransmitters/certain strenght of neuronal impulse. SO, again, we can see that when the first outer layer of this communication is cut off, we're left only with the neurotransmitters and impulses themselves. Anyway, the transduction of energy remains.

   If it comes to "sense of thoughts" the receptor lies within us, whereas in sight or smell or touch it's external. However, does it matter if it's on the surface of skin or under it if it all comes down to neurons of our brain?
   When you lie in a dark, silent room, without any external stimuli, you still retain your thoughts, colorful, vivid or complex. All the magic of the brain - still happens. So, how isn't it a separate, full-fledged sense?
Kaylyn Jun 2012
I feel as though I’ve been entirely flushed out. It’s like my whole body has been turned inside out, rung out like an old cloth and my internal organs have set flight. At this time, they no longer belong to me nor do they reside in their original places. I've cookie-cut like pieces inside me now; empty. I’m walking round with hallow spaces where things should be inside my chest, my torso, and my pelvis. I’m told time is short on how long the body can survive without these crucial organs, but I’m hoping I’ll have enough time to sow up all my flaws and stich myself back into something worth being. Maybe, second time round, I can rebuild myself without all the things you hate so bad.
Ironatmosphere Oct 2014
These organs in my body have never seen the light of day
I want to set them free
It makes me sad
That they have never seen the sun
Never seen the stars
I want to set them free
I want to let them
See the sun
sept. 28 2014
Are people motivated by money? Could money effect a person's behavior? Would a person forsake morality for money? An ***** donor card places a bounty on you. Some of your parts are only of value for transplantation while you breathe. The ***** donor card gives doctors your permission (under contract law) to remove your organs from your warm and breathing and UN-anesthetized, doctor-declared “brain-dead” body. This isn't speculation. Doctors admit to “harvesting organs” from “brain-dead patients” i.e. patients with pulses.

WEB/ Numerous accounts of patients who have recovered after a firm diagnosis of “brain death” demonstrate that “brain dead” patients are not certainly dead. Here are two cases:

Zack Dunlap, a 21-year-old Oklahoman, flipped over on his 4-wheeler and suffered catastrophic brain injuries in November 2007. Thirty-six hours after his accident, doctors at United Regional Healthcare System in Wichita Falls, Texas, declared him “brain dead.” Preparations to harvest his organs were underway when friends and relatives gathered to say their final goodbyes. His cousin, a nurse, wanting to make certain, scraped his pocket knife along the bottom of Zack’s foot. Zack ****** his foot away. Just months later, Zack was walking and talking. Zack recalled hearing the doctor say he was dead and being “mad inside” but unable to move.

Steven Thorpe, a British 17-year-old, suffered horrific injuries in a multi-car accident. Four doctors declared him “brain dead.” Doctors asked his family to consider donating his organs before his life-support was turned off. The family sought a second opinion from a neurologist who detected faint brain waves. Seven weeks later, Steven was discharged from the hospital having made a near-full recovery. In 2013, at age 21, now an accountant trainee, he spoke to the media for the first time: “Hopefully (my experience) can help people see you should never give up. My father believed I was alive—and he was correct.”

"In plain, straight talk," writes Dr. Lawrence Huntoon, editor-in-chief of the Journal of American Physicians and Surgeons, "the survey indicates a high likelihood that some patients are being 'harvested' in some hospitals before they are dead! In hospitals with aggressive transplant programs (hospitals make a huge amount of money on transplant cases), making sure a patient is dead before going to the 'harvesting suite' may be viewed as a minor technicality/impediment."

"Brain death" never was, and never will be true death. This has been known by neurologists and ***** transplanters since the beginning of the multi-billlion industry. So if a declaration of "brain death" is not true death, but organs are taken legally in accord with "accepted medical standards," why not continue to make "acceptable" less stringent criteria? In the 10 years after the ad hoc committee conjured up the Harvard Criteria, 30 more sets were reported by 1978. Every set became less stringent. Less strict sets were reported until eventually there is a criterion that does not fulfill any of the "brain death" criteria? This is known as donation by cardiac death (D.C.D.). Organs are obtained for transplantation by first getting a D.N.R. order, then taking the patient off life support and wait until the patient is without a pulse (NOT WITHOUT A HEART BEAT!). In the past the waiting time was 10 minutes, then shortened to 5 minutes, then 4, then 2 and now in the N.E.J.M. (8-14-08) the waiting time is only 1.25 minutes until they cut out the baby's heart. How shameful can it get! Shame on the medical field for knowing and not protecting these patients! Shame on the transplantation organizations for valuing money over an innocent injured person's life! Shame on the U.S. government, other governments, and clergy for allowing and even encouraging extracting vital organs for transplantation and research! When will doctors informed of the truth stand for life instead of being political creeps?
Abigail Marie Apr 2014
You cause
a break inside my organs
Pointing out my flaws
our differences.
You are at peace.
I sit jittering, worrying
what everyone will think
of when I didn’t care
you made me laugh at
everything
Changes.  You’re not right for me
Nor I for you, but I can’t help
Thinking
What if?  Then I remember
you’re not what nor
Everything I want.

You are an intellectual snob you
have a depth about you
I would love to delve in,
a psychological study
that even the best critics would praise,
but I don’t want anyone else to have been there
or ever go there.
I cannot hold on to you
tear me away while
You’re haphazardly gluing us together
We’re a kindergarten art project
messy, trying to see
Beauty within the confusion,
unfinished    

You asked me
Where am I most at peace
4 years old.      
I could be anything
No fears
I hadn’t been ripped apart.
I was the girl that said everything,
until I felt the need to screen my thoughts,
like the filter you use to make your coffee
each morning.  I wish that’s where I was,
having you tell me
that you like your women like your coffee
Dark and bitter.

I can look past your chauvinistic ways,
not giving a **** about anyone.
You’re not really closed minded
You just act like it,
which annoys the hell out of me
Sometimes.  I wish life was simple.    
But then
I would never know your complexities nor
Feel the things you help me feel,
like hate for train whistles
or the burn of gin hitting my throat.
Music      
you introduce me to
offstage trumpets, bad movies.  Your politics,
your brown eyes      
and how you can hear frequencies
that most everyone else can’t.  I worry
that you hear
the fear in my voice and heartbreak
With every word I speak.

When were you going to tell me?
Or was that your plan all along?
To throw me out
like yesterday’s coffee grounds
or cut up scraps
Used and unwanted.
I wish I could tell you
to tell her you don’t want her
but me instead,
you don’t, I don’t want you to.
I want holding hands, laughter
comfort, personality, humor, intellect.
You want that plus things
I can’t give
But you always take.

You are your coffee
disgusting, caffeinated,
addicting
the only patch that helps is
comforting words you never spoke.
We had many conversations
of your desires, lusts, mistakes,
but I was burned,
by lies, distrust.
You left, like always,
a harsh, acidic aftertaste
on my tongue.
Tyler G Dec 2012
I carry the shallow weight of my own regrets.
I carry the guilt of my mother who felt she could’ve done more for my grandmother.
Nights spent, teary-eyed phone calls to the nursing home.
I carry the comprehension of my father.
Hundreds of times he’s defeated me at chess, at card games.
I am his knowledge.
I carry sorrow from soccer games lost and triumph from games won with the stench of wet grass and caked on mud still fresh in my memory.

I carry the weight of high school, the pressure to get into college, the weight of rumors and the regret of not paying attention in class.
Feeling hopeless and defeated when I fail a test, though I remember I can carry the power of success.
I carry the daily jeers and spite of my peers and my teachers.
I carry the burden of my mother’s size eight firmly up my *** when I don’t do what I’m told.
I carry three-day weekends and the joy of a snow day.

I carry my blood, my veins, my organs.
I carry my bones, my cartilage, my flesh and my hair.
I carry my beating heart and the sound it makes letting everyone around me and myself to know that I’m still very much alive.
I carry the ability of perfect hindsight vision, the ability of blind foresight.

I carry my friends, the pressure of their own burdens.
I own the ability to make them smile, the ability to cheer them up when I don’t know how to help myself.
I’ve carried some of them for as long as I can remember; some I can’t carry anymore, and some I’ve just started to carry.

I carry love and passion; I carry hate and abhor.
I carry confusion, delirium, nostalgia of days past.
I carry insomnia and sleepless nights dreaming up at my ceiling of life to come.
I carry my dreams, both physical and mental.
I carry what I aspire to be.
I carry photography, a story of my life through pictures, through captivity, through still frame.
I carry my wishes.

I carry the beach, the waves that crash down onto the shore and onto me and the salty residue that lands on my flesh and hair from staying out too long.

I carry stupidity, I carry charm and I carry luck.
I carry the regret of anonymity and the fear of being alone.
We all carry that; no one wants to spend life alone.
We carry expensive wedding bands and the pressure to say “Yes” and the hope that she’ll say it.

I carry the everlasting gaze of older relatives, some who have passed on to a better world.
They won’t have to carry anything anymore.

I carry countless vacations and holidays spent with my cousins and the millions of laughs we have shared.

I carry reminiscences of vacations and of meeting new people, people who I tried to stay in contact with, but alas, distance prevents friendship.
I carry the knowledge of the traveled world and the confusion of the uninhabited, undiscovered land.
I am a world traveler, I am a superhero; I am what I want to be and I carry that.

I carry a tainted mind.
A mind spoiled by politics, by war, greed and corruption of not only the government, but of my parents as well.
I carry the ignorance of thinking I’m right and everyone else is wrong, the false sense that I know what is really going on in the world and that I, and I alone, can make a difference.

I carry the benefit of living in a prosperous nation, a flourishing town.
I carry the thought of uncertainty of impoverish nations and how they live everyday without food and water, while I sit here and type on my own personal laptop.

I carry teenage angst.
I carry thoughts and memories of former lovers.
Some girls who have grown up to be different than what they once were, some who haven’t changed a bit.
I carry the thoughts of wonder, should I have said something to her?

I carry individualism, not being afraid of letting you know who I am and what I do.
I am myself and if you can’t deal with it then you won’t have to carry me anymore.
I no longer carry these words; my thought have been poured onto this paper.
My future holds the risk of not knowing what I will carry tomorrow, but I know I will carry life.
I know I may not be able to carry this all, but one thing is for certain: I will carry myself.
Akemi Apr 2017
Barbiturate is one of the few drugs capable of killing you painlessly, so of course the state has banned it. Instead we get paracetamol, a ****** over-the-counter painkiller that leaves you in pain for up to five days while your liver and kidneys shut down. Suicide prevention is a ******* joke. Secular appropriations of Christian values that assume life is worthwhile, whether you desire it or not. It’s long been known that rates of suicide rose dramatically with the birth of modernity—techno-scientific paradise for the middle-class which stresses efficiency over existence. New forms of automation, the human body disciplined into repetitious acts, the partitioning of workspaces so that no single worker could operate the whole—so that any worker could be fired and replaced with the minimum amount of training necessary for capital to continue circulating. The body is individualised, scrutinised, and punished by rich kids playing panopticon, so that any mass agitation is coerced into silence through the threat of destitution.

Slitting your wrists barely succeeds and more likely than not leaves you with tendon and muscle damage. Catalytic converters in cars now convert carbon monoxide into harmless CO2 and H2O. Drowning is one of the most painful ways to die. You cannot escape. The state places helpline numbers around suicide spots to treat life after the fact, rather than at the source of suffering. Vocal band-aids, ****** ******* aphorisms that seek to revert you back into a happy state-serving commodity. Things will get better. Life is worth living. Think positive. Alienation is omnipresent. Neoliberal discourse requires you to be subservient to the greater system of capital and the easiest way towards this is the instilment of comfort, of pleasant nullity, the circumscription of emotional capacity and reflectivity. Suicidal thoughts are abnormal, because life is worth living. Eat your packaged food item and watch Netflix.

For a drop into water to be fatal, it has to be 250 feet. Try to aim for your head to maximise brain injury. The most prominent suicide spot around here has a drop of 100 feet. They cordoned it off anyway. Your life doesn’t belong to you. The first time I tried to suicide my mother asked ‘why would you do that?’ as if it was the dumbest thing in the world. The second time, the doctor looked at me in an exasperated manner and prescribed me lots of drugs. Geettt bettterrrr. Nobody cares about you, they simply want you to return to normal. Normality as in serving your parents, serving your friends, serving the state, and serving the market. Normality as in not questioning social norms and institutions. Normality as in get a stable job (i.e. compete against other workers in an exploitative, undemocratic system that values and inculcates self-serving desires), get married (preferably to someone of the opposite *** who is middle-class and imbibes European culture), get pregnant/get someone pregnant (but only once or twice, because anyone who has more children than that is backwards), invest in housing (those students and lower-class families need to learn how the world works; really, it’s a benefit to take their money), watch sports (to instil national pride in your children; no son, we didn’t colonise the Pacific Islands, keep watching the man with the wooden stick hit *****), eat out every week (preferably exotic restaurants), go see the world (preferably exotic locations, so you can be served by exotic people, take in exotic sights, then leave without considering where any of your money has gone to, whether any of it has reached the slums, whether the beach you lay on is accessible to the people living there, or whether it has been privatised by the tourist firm so that only rich tourists like yourself can lie on it), join a club (those capitalists were innocent, it was the indigenous folk that were making a ruckus over the new golf course; it’s not like we’ve been colonising their land and culture for the past three centuries), donate to charity (but never any charity desiring systemic change; that’s crazy), consume, always consume (keeps the economy going; why question the desire for infinite growth in a world with limited land, resources and markets?), replace your phone every year (those poor workers in Asia need our help), repeat to the point of nausea.

The most successful method to suicide is a shotgun to the head; high calibre, slug rounds. Of course, with all these methods, the chance of failing may leave you disfigured, paralysed, mentally disabled or physically crippled (spinal damage, broken limbs, failed organs), with no guarantee that your family, or even your state, will allow for euthanasia. After all, the popular discourse paints suicide as selfish—an irony, considering liberalism places the self first and society second. It is viewed as sinful regardless of context—deontologically detached from anomie, alienation, material deprivation, social pressures, psychological affectations, any cause or structure. Life is worth living. This ignores that the subject is situated in existence. The subject moves through existence to live. Life, then, is the totality of the subject’s interactions. It cannot be universalised into a single state or judgement that merges all subjectivities into a catch-all worthiness. Worth is dependent of the subject.

I don’t know why I’m writing this. Maybe I just want everyone to **** themselves, because the world is ****** and the majority of people are ******* it worse. Most people think being nice makes them good. They turn blind to the systems of oppression they partake in. A while ago my mother was asking if I’d heard about the mass suicides happening at Foxconn, the largest electronics manufacturer in the world. This year she showed me her new iPhone. I don’t ******* understand. I don’t understand how people can be outraged at humanity abuses, yet do ******* nothing to help or change their ways. Yes, market solutions are ******* ****, but these commodities are still coming from somewhere, and while capitalism is in place, our money is still flowing back. I don’t understand how people can be concerned about ecological issues, then pour dishwashing liquid down the sink every night, dissolving the gills, eyes, and organs of fish in rivers and oceans. I don’t understand a ******* thing. I feel physically sick most days. I can barely function outside of university, because engaging with real people, in real systems, just reminds me of how careless, worthless, and disgusting they are. When I first turned vegan, my dad simply said plants are living too. Well no ******* **** dad, why didn’t you ask me my reason for turning vegan, rather than simply repeating the dumb **** everyone else says? If you were stuck on a desert island. Well I’m ******* not. I’m stuck on this **** world filled with nice people who don’t give a **** about anything. I’m stuck every week walking the same roads, to the same university, where I become more and more distanced from reality through abstract philosophical theories that no one else cares about. I’m stuck walking through the supermarket every week, to purchase overpriced commodities produced by transnational corporations I don’t support, but nonetheless have to buy to survive. What alternatives I buy are mocked because it's so funny being ethical in our day and age. Because it’s so much more normal eating pies, and drinking beer, and treating women like objects, and affirming nationalistic sentiments of white supremacy, and making fun of ethnic minorities while they’re incarcerated, and beaten, and killed. All lives matter, the liberal conservatives cry out, while doing ******* nothing to help any cause. I don’t understand this world, and I have no desire to be in it if this is all there is.
Blank Nov 2015
My body is tossed about by violent jolts that fling my unwilling and powerless self about,
a helpless prisoner within.
Even without breath my chest still contorted,
making the pain sting, poke, and **** with every up and down.
Of course,
I am afflicted with hiccups.
I put my small sufferings into poetic sequence in an unconscious attempt at being rid of them.
They're gone.
Going through the short poem,
Correcting little errors.
Up
Down
Jolt
Sting
****
They're back
Of course,
I am afflicted with hiccups.
Hiccups are *****.
(The title is courtesy of my good friends copy and paste and professor google~)
Ashlie Forth Nov 2014
Among many other small organs, id like to give you my heart. I'd eagerly plunge my tired fingers into my chest and rip it out for you. I've heard the internal organs only last for 72 hours out of the body, so ill do my best to get to you in time.
I am a rotten piece of meat but that's all I have to offer you in trade of your love. I am so lucky to have my heart ripped from my rib cage and given to you, I am trusting you'll treat this rotten, scarred heart in a good way.
dani Apr 2019
I crave intimacy
Not the type that subconsciously comes to mind -
The connection
Between one soul,
To another  
Bleeding pure, genuine
Devotion.
I crave fidelity
An enduring exchange
I don't want to be physically touched;
I want to feel my internal organs
Spark.
I want to embrace it  
Savoring every moment
Whatever pronoun relates to you
EP Mason Jan 2014
I hope that when I die
the insides of me
are placed into
the insides of the needy
so that they can bloom like flowers

And the rest of me
is buried with the Earth
so the prettiest flowers can grow from my bones
and bloom in my soul
knowing I gave my life to nature
and all her children
© Erin Mason 2014
THE RAT AND THE PREGNANT WOMAN


A story poem

BY

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



Dedicated to;
My mother Neddy Nabisino Mayende Kuloba Makhakara
And her mother Maritini Nabengele Nasenya Mulemia Namugugu Ilungu wa Wenwa.
The story telling power of these two ladies is the primary source of my passion and love for humorous and peace bettling stories. I owe them all the recognitions.







OPENING SONG
How do I start telling this story that I got from my
Grandmothers when sited around the fire yard in the evening?
I don’t know how to start surely,
For to day I am very shy; all of your eyes
Are on me, looking at me like ocean of looking organs
But let me embolden my self with the belt
Of a story teller that my grand father gave me
And commanded me to preach peace
Through story telling in every place I go
So my spiritual service to humanity is telling stories
Is to soothe and heal wounds of humanity
By softly telling peaceful stories
Let me then cough to clear my voice and start;

Long time ago, but not very long time
Some where between the centuries of twelve hundred
And seventeen hundred after the death of the other Jewish
Story teller who died without a wife, who died on the cross
But others say he died on the stake, his name was Jesus,
There existed only two kingdoms in land which is known today
As Bukusu land found in the present east Africa or Indian Ocean coastal Africa,
The first occupants of this vast land is the sons and daughters of Babukusu
Or the ones who like selling ironsmith products
And hence the name the people of Bukusu; the people who sell,
The two kingdoms were the Kingdom of muntu and the kingdom of manani
The citizens in the kingdom of muntu were short men and short women
Handsome and beautiful, slender and not assertive in their physical disposition
But the citizens of the kingdom of manani were all cyclopic,
In their everything; the manner of walking, talking farting, micturating
Farming, breathing, snoring, smiling, singing, whispering
Their whisper was a noisy as the tropical thunderclap
They were tall men and tall women, very tall
Their young person was as short as the tallest
Person in the kingdom of muntu,
When one of the citizen of manani snores
All the citizens of Muntu along together with,
Their king Walumoli wa Muntu had no option
But remain awake throughout the night,
Because the cacophony of a snore from
The sleeping courts of Manani was not bearable,

On many occasions Walumoli wa Muntu
The conscientious king of the muntu kingdom
Had arranged to talk to Silinki wa Namunguba
The ostensible king of the Manani Kingdom
About the cacophonous sleep robbing
Snores of daughters and sons in neighbour kingdom of Manani
Only to cow and chicken away in a feat of prudence
Lest Silinki wa Namunguba will suspect him for being
A night runner or a thief of *** perhaps
Who roams his compound during the wee of the night
In hunt of any of Namunguba’s wife maybe
Perchance having gone out for a mid-night *******,
This is how legendary snores of the sons and daughters
Of Silinki wa Namunguba the king of Manani
Has remained unchecked for ever till today,

One time an ugly passer by happened to be seen
Traversing the kingdom of muntu
In the early afternoon some two
Hours after Walumoli the king
Had just cleared the last plate
Of the mid day meal from
His last wife Khatembete Kho Bwibo Khakhalikaha Nobwoya
He always eats her food last in the afternoon
Because it comes on the table steaming youthfulness
He loves his Khatembete wife, the wife of his old age
The wife he married by use and show of the royal regalia
The powers and dignity of the king of muntu
He married her when he his a king, the scepter in his hand,

Going back to the ugly passer by
It was never known where he came from
Not from the east where the Indian Ocean is
Not from the west where the vastness of the land
Of black people of Baganda and Bacongo
Baigbo and Bayoruba or Bafulana of Nigeria
Or the sons of Madiokor Ngoni Diop in the Senegal,
Not from the south from shaka the Zulu and Mandella the wise one
Not from north in the land of Dinka and Nuer, Ethiopian Jewish and the Egyptians,
The passerby was ugly and from no where, in a dress and
A very ***** dress that fumed out a malodorously stenching reek
He was a man in attires of a woman; this was a taboo in the land of muntu
He was left handed and a heavy weight stammerer, with an appalling
Protuberation of   a hunched back, an enormous hunchback
Enmassing entired of his masculine shoulders,
When the wind blew his loose dress followed it
Leaving the man’s thighs and then bossom naked,
Leading bystanders to a strange discovery; he was not circumcised
He was old like any other father, he had beards
But not yet circumcised, his ***** ends in corkscrew of a sheath,
This was a taboo in the land of muntu, in the kingdom of muntu
Which Walumoli wa Muntu the son of Mukitang’a Mutukuika ruled
For the spirits, gods and ancestors as well as foremen of the kingdom
Behooved that all male offsprings of the kingdom of muntu
Whether born in marriage or out of the wedlock
Born the blood or born as a ******* must and must be
Circumcised in the early teen hood
They must be circumcised before they grow the hairs
On the face, on the chest, in the scapula and on the areas
Surrounding the testicles, the **** and the endings of the backbone,
The man again had six fingers on the legs and on the hands
He walks slowly like a porcupine, his dress was in tartars
He was violent to every one he met
Insulting old people and old women with words
Of bad manners not used in the kingdom of muntu,
He terrified and beat young children, including the royal children
And grand children of Walumoli the king of muntu
He again had to beat and chase nine young virgins
Who had come from the palace of Walumoli the king of Muntu
Away from the forest when they picking fire wood
As well as playing a game of hide and seek with other palace lads,
The ugly passer by then chased to get hold of the
Nalukosi the first born daughter of
Khatembete Kho Bwibo Khakhalikaha Nobwoya
The beloved last wife of the king of Muntu
All other virgins ran home, but Nalukosi remained behind
In the inextricable grip of the ugly passer by
She screamed with hysteria of a hypochondriac
She screamed and kicked with her wholesome mighty
The stubborn passer by never left her alone
She gnawed the ugly passer by with
Her girlish claws of her fingernails
But is like the passer by was mentally disordered
He was a ******* of some time
He derived some pleasure and instead
Enjoyed the girlish scratches of his captive,
Before the eight running virgins reached the palace
Together with their companions, the playmate lads
The shrilling scream of the captive Nalukosi
Was sharply heard at the palace, first by King Walumoli
Who called his wife Khatembete Kho Bwibo Khakhalikha Nobwoya
To come out of the hut, the kitchen and help to listen,
Immediately Mukisu wa Mujonji the palace keeper surfaced
His face displayed genuine askance of an adept military man
Whose martial arts have rusted for a week without usage
He confirmed to the king that the cry from the forest
Is of the one from this royal home of your majesty the king
And none other than the ****** princes Nalukosi Mukoyonjo
The pride of her father, the eye of the palace,
Without hesitation the king permitted the wallabying Mukisu ,
Permission to run in a military dint and find out whatever that
Was eating Nalukosi Mukoyonjo the familial heart of the king,
Mukisu wa Mujonji who was clearly known in the kingdom of muntu,
For his swift running like a desert kite, he already twice chased
And gotten single handedly two male gazelles,
Without aid of a dog nor aid of fellow hunters
And delivered them to the king as a present to the palace
Which he achieved because of the speed of his legs,
On this royal permission he unsheathed his matchette
And went away like any arrow from the bow
His shirt trailing behind him like mare’s tail
Or like the flag on the post on a windy day,
Not a lot of time passed.
Mukisu wa Mujonji is at the spot of struggle,
Between Nalukosi and the Ugly passerby
There was no question or talking,
The first thing was Mukisu to sink the Matchette
With all of his mighty into the tummy of the ugly stranger
The bowels of the ugly stranger opened puffwiiii!
He breathed and gasped twice then succumbed to death.
His grip still strong on the leg of Nalukosi Mukoyonjo
The ugly passer by reached the rigor Mortis
When Nalukosi was still strongly gripped in his
Beastly hand, Mukisu wa Mujonji with all the skills
Used a Sharp matchette again; chopped of the hand
Of the ugly dead passer by off, from its torso
At the point of the muscular elbow,
Now Nalukosi was extricated, but not fully
From the grip of the dead ugly stranger,
The chopped off hand is still knotted at her leg
Around her leg, the dead hand also grips.
Nalukosi jumped here and there to throw away
The leg and the dead hand, but it was not easy to throw
The hand still stubbornly gripped around her angle,
*** time passed, each and every one of the kingdom came
Including the king Walumoli wa Muntu himself
And his nine wives, Khatembete Khobwibo Khakhalikha Nobwoya
Came last, as she was energyless due to rudely shocking tidings
Which the escaping virgins and lads had given her
That the ugly passer by had turned into the ogre
And had swallowed her daughter Nalukosi
That he had swallowed her piecemeal without chewing,
People of muntu came and found the ugly passerby dead
The left had chopped off its torso
But still hanging loosely on the leg of Nalukosi
Nalukosi jumping, kicking, screaming
Screaming away the dead hand from the grip of leg
But nothing had forthcame her way,
Walumoli wa Muntu could not afford to see
The hand on the leg of her beloved daughter
What could he tell his wife, is your all know
Dear reader and audience to this song;
Even the mighty and the wise ones
Generously bend when under the pressure of love,
Out of this dint, even before Mukisu wa Mujonji
Could display his next military card
Walumoli wa Muntu grapped the dead hand
That stuck of the leg of her daughter
And pulled it with another force that
No man born of woman has
Never used since the creation of the earth
By the gods and spirits of Muntu,
The hand come off, he throw it
On the cadaver of the ugly stranger,
He clicked and clicked and hissed
With anger like a wild turkey
In the African thorny forest,
He ordered the dead one to be buried
Their without haste, nor ceremony
Mukisu wa Mujonji buried the body
Quickly in a brief moment with precision
As if he was taking notes
From the lines of the poem
OF Pablo Neruda on how
To bury a dog behind the house
This time burying an ugly stranger
Behind the forts of the kingdom,
After all these women, children and men
Of muntu plus their king Walumoli
Went back to their houses hilariously
Broken into a song and a wild *** dance;
Makoe eehe! Makoe !
Nifwe Talangi Makoe !
Talangi!
Khwaula embogo sitella
Nifwe Talangi!
They sang up to midnight before
They all retired to their beds
Respective beds with panting thoraces
From heavy singing and dancing.

There is connection and disconexion between
The living and the dead, the living fear the dead
And dead loves the living,
The dead want the company of the living
For the living to accompany in the land of the dead,
When the ugly stranger was killed
And buried uncircumcised with the hunch
Not plucked out of his back
The gods and the livings dead
In the realm of the ancestors
Of the kingdom of Muntu were not happy,
They never wanted uncircumcised old man
With a hunch back to join them
And worse enough with the six fingers,
The gods and ancestors really god annoyed
That Walumoli wa Muntu has done them bad
He is only caring for the living, the pre-mortals
Especially his last wife and the daughter
But he has neglected the ancestors,
Why trash to ancestors a stark humanity,
They communed among themselves
And resolved to sent Namaroro
The god of dreams, dreams as messages
From the ancestors and dreams from the gods
Namaroro visited Namunyu Lubunda the palace
Prophet in the Kingdom of Muntu to pass
The message vesseling unhappiness of the ancestors
And gods in a blend of gloomy read to execute
A vendetta;
This is when in the wee of the night that Namunyu Lubunda
Dreamed and had a vision of a old man from
The east is warning of the coming long spell of starvation
That will befall the kingdom of Muntu for ten years
                                      That Namaroro told Namunyu Lubunda
As for ten seasons of foodlessness
Behold a begging kingdom
Behold a starving throne,
The scepter of Muntu is a disgrace
To the holder
Then Namunyu Lubunda set forth by dawn
To the Palace to meet Walumoli wa Muntu
In his, palace before any other royal chores come up,
Both good and bad luck combined
Only to have Namunyu Lubunda to get the king at the palace
He got him fresh and relaxed chewing the cup of fortune
In his full ego, all his wives had submitted to the morning dishes
To his dining hall in the palace, he moved his hands from
One plate of food to the other.
Namunyu Lubunda entered with a submissive salutation
To the royal, He bowed and declared the glory of the king
In typical standards of the ethnic composition of the house of Muntu
Walumoli wa Muntu Mukitang’a Mutukuika
Majave Kutusi Mbirira Omwene esimbo ya
Kumukasa,
Walumoli responded with a feat of dignity to Namunyu Lubunda
The palace prophet, as he roared to him; come in
Come in son of Lubunda son of our people,
He did mention the name of Namunyu Lubunda father
As he fears his words may escape with the power
Of his kingdom the scepter of Muntu
To other insignificant families in the kingdom,
Let me announce what brings me here; intoned Namunyu
Go ahead and announce my holiness
s the prophet of this kingdom; responded Walumoli,
Misfortune is awaiting the kingdom
It will eat this kingdom away
Like a ravenous hyena on the ewe’s tail
The ancestors and the spirits of this land
This kingdom of yours the son of Muntu
Are immensely offended with your recent behaviour
In which you commandeered all villages
In your kingdom; from east and west
The **** the innocent passer by
With your owner hands that handle the scepter
You killed and lay to rest the foreigner
A pure omurende to the kingdom of muntu
You buried him uncircumcised without contrite
In the cemeteries of our foremen who asleep and circumcised
Why did you lower the dignity of our forefathers
Who never share a roof with uncircumcised person
To share the ancestral realm; our emagombe
With hunchback foreigner not circumcised?
This kingdom is condemned to all spell of curse of death
Ceaseless hunger famines and starvation
Women dwindle in their reproductive capacity
Rarely will you come across a pregnant woman
Food will be difficulty to put on the table
Even the sweat of your brow will go to naught,
You will not be buried with insignia
Like a pauper you killed will you be buried
The house of your wife Khatembete Kho Bwibo
Khakhalikha no bwoya is a house of no consequences
For even your daughter Nalukosi stands cursed
She will not mature to be wedded into a marriage
She will hover the earth under heavy agonies of hunger,
My assignment is done and over
With or without your permission let me go.









THE FIRST SONG
Our song continues dear brethren
Come join me in arms we sing
Joyous singing of these songs of peace
Telling the world peaceful stories
As we enjoy sitting together around my grandmothers fire yard
Warming our selves to her lovely fire inherent in her good stories,
These songs will sing the glory and success of the king of Manani
It is an irregular Ode to Silinki wa Namunguba the son of Mwangani,
The son of Tunduli, the son of Wajala Njovu, the son of Welikhe, the son
Of manyorori, the son of Chumbe, the son of Kajo, the Son of Mabati, the son of welotia,
The son of sikele sia mulia, the son of Toywa,the son of siruju, the son of Mango, the son of Mulwoni sinyanya Bakhasi, the son of Mbakara , the son of Makhakara wa Nambuya, the son of Mukoye mulala kukhalikha w0nga, the son of Zumba the son of God.
Silinki
"Everyone wants to be a little anorexic" she says

"You know, like, in a glamorous way, like fashion friendly anorexic"

I bite my cheek and nod, pretend to agree

All I can think of is waking up to stars dancing on the ceiling

Pale skin with bruises of unknown origins

And battered feet on and off the scale

Almonds in Ziploc baggies

Bite marks on fingers

Hair down the drain

Measuring crunches by the marks they leave on your spine

And battered feet on and off the scale

Enough water to turn organs into boats

Eating an apple with a fork and knife

Desperate hands grasping for ribs

And battered feet on and off the scale

Standing and the world going dark

Coughing around shots of apple cider vinegar

Carrying an emergency rice cake for weak spells

And battered feet on and off the scale

Enough green tea to drown organs

Sugar free gum to mask the smell of decaying organs

Whatever nail polish covers yellow and purple

And battered feet on and off the scale

How many calories are in toothpaste

Thinspo blogs

Pillows squeezed between thighs

And battered feet on and off the scale

Is today the day my heart gives out

Waking every day in a new body

Fingers clasped around wrists

And battered feet on and off the scale

Notebooks filled with numbers

Purple crescents under eyes

Fingers clasped around forearms

And battered feet on and off the scale

Elbows knocking into hipbones

Being scared of your own reflection

Lies to get out of dinner

And battered feet on and off the scale

The stench of *****

Oxygen that tastes of Splenda

Fingers clasped around biceps

And bleeding feet on and off the scale

 

If this is your idea of glamour

Then you can have it
Trigger Warning
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
I. The Door

Out of it steps our future, through this door
Enigmas, executioners and rules,
Her Majesty in a bad temper or
A red-nosed Fool who makes a fool of fools.

Great persons eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.

We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made

Enormous Alice see a wonderland
That waited for her in the sunshine and,
Simply by being tiny, made her cry.

II. The Preparations

All had been ordered weeks before the start
From the best firms at such work: instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.

A watch, of course, to watch impatience fly,
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun,
And coloured beads to soothe a savage eye.

In theory they were sound on Expectation,
Had there been situations to be in;
Unluckily they were their situation:

One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.

III. The Crossroads

Two friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
This empty junction glitters in the sun.

So at all quays and crossroads: who can tell
These places of decision and farewell
To what dishonour all adventure leads,
What parting gift could give that friend protection,
So orientated his vocation needs
The Bad Lands and the sinister direction?

All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What joy take longer to atone for; yet
Who could complete without the extra day
The journey that should take no time at all?

IV. The Traveler

No window in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply; that mill, though, is not there
Which went on grinding at the back of love all day.

Nor all his weeping ways through weary wastes have found
The castle where his Greater Hallows are interned;
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.

Could he forget a child's ambition to be old
And institutions where it learned to wash and lie,
He'd tell the truth for which he thinks himself too young,

That everywhere on his horizon, all the sky,
Is now, as always, only waiting to be told
To be his father's house and speak his mother tongue.

V. The City

In villages from which their childhoods came
Seeking Necessity, they had been taught
Necessity by nature is the same
No matter how or by whom it be sought.

The city, though, assumed no such belief,
But welcomed each as if he came alone,
The nature of Necessity like grief
Exactly corresponding to his own.

And offered them so many, every one
Found some temptation fit to govern him,
And settled down to master the whole craft

Of being nobody; sat in the sun
During the lunch-hour round the fountain rim,
And watched the country kids arrive, and laughed.

VI. The First Temptation

Ashamed to be the darling of his grief,
He joined a gang of rowdy stories where
His gift for magic quickly made him chief
Of all these boyish powers of the air;

Who turned his hungers into Roman food,
The town's asymmetry into a park;
All hours took taxis; any solitude
Became his flattered duchess in the dark.

But, if he wished for anything less grand,
The nights came padding after him like wild
Beasts that meant harm, and all the doors cried Thief;

And when Truth had met him and put out her hand,
He clung in panic to his tall belief
And shrank away like an ill-treated child.

VII. The Second Temptation

His library annoyed him with its look
Of calm belief in being really there;
He threw away a rival's boring book,
And clattered panting up the spiral stair.

Swaying upon the parapet he cried:
"O Uncreated Nothing, set me free,
Now let Thy perfect be identified,
Unending passion of the Night, with Thee."

And his long-suffering flesh, that all the time
Had felt the simple cravings of the stone
And hoped to be rewarded for her climb,

Took it to be a promise when he spoke
That now at last she would be left alone,
And plunged into the college quad, and broke.

VIII. The Third Temptation

He watched with all his organs of concern
How princes walk, what wives and children say,
Re-opened old graves in his heart to learn
What laws the dead had died to disobey,

And came reluctantly to his conclusion:
"All the arm-chair philosophies are false;
To love another adds to the confusion;
The song of mercy is the Devil's Waltz."

All that he put his hand to prospered so
That soon he was the very King of creatures,
Yet, in an autumn nightmare trembled, for,

Approaching down a ruined corridor,
Strode someone with his own distorted features
Who wept, and grew enormous, and cried Woe.

IX. The Tower

This is an architecture for the old;
Thus heaven was attacked by the afraid,
So once, unconsciously, a ****** made
Her maidenhead conspicuous to a god.

Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that makes its traitors weep.

Yet many come to wish their tower a well;
For those who dread to drown, of thirst may die,
Those who see all become invisible:

Here great magicians, caught in their own spell,
Long for a natural climate as they sigh
"Beware of Magic" to the passer-by.

X. The Presumptuous

They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.

The hero was as daring as they thought him,
But his peculiar boyhood missed them all;
The angel of a broken leg had taught him
The right precautions to avoid a fall.

So in presumption they set forth alone
On what, for them, was not compulsory,
And stuck half-way to settle in some cave
With desert lions to domesticity,

Or turned aside to be absurdly brave,
And met the ogre and were turned to stone.

XI. The Average

His peasant parents killed themselves with toil
To let their darling leave a stingy soil
For any of those fine professions which
Encourage shallow breathing, and grow rich.

The pressure of their fond ambition made
Their shy and country-loving child afraid
No sensible career was good enough,
Only a hero could deserve such love.

So here he was without maps or supplies,
A hundred miles from any decent town;
The desert glared into his blood-shot eyes,
The silence roared displeasure:
looking down,
He saw the shadow of an Average Man
Attempting the exceptional, and ran.

XII. Vocation

Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.

The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue

To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise.

Though mirrors might be hateful for a while,
Women and books would teach his middle age
The fencing wit of an informal style,
To keep the silences at bay and cage
His pacing manias in a worldly smile.

XIII. The Useful

The over-logical fell for the witch
Whose argument converted him to stone,
Thieves rapidly absorbed the over-rich,
The over-popular went mad alone,
And kisses brutalised the over-male.

As agents their importance quickly ceased;
Yet, in proportion as they seemed to fail,
Their instrumental value was increased
For one predestined to attain their wish.

By standing stones the blind can feel their way,
Wild dogs compel the cowardly to fight,
Beggars assist the slow to travel light,
And even madmen manage to convey
Unwelcome truths in lonely gibberish.

XIV. The Way

Fresh addenda are published every day
To the encyclopedia of the Way,

Linguistic notes and scientific explanations,
And texts for schools with modernised spelling and illustrations.

Now everyone knows the hero must choose the old horse,
Abstain from liquor and ****** *******,

And look out for a stranded fish to be kind to:
Now everyone thinks he could find, had he a mind to,

The way through the waste to the chapel in the rock
For a vision of the Triple Rainbow or the Astral Clock,

Forgetting his information comes mostly from married men
Who liked fishing and a flutter on the horses now and then.

And how reliable can any truth be that is got
By observing oneself and then just inserting a Not?

XV. The Lucky

Suppose he'd listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.

"It was not I," he cried as, healthy and astounded,
He stepped across a predecessor's skull;
"A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull."

Hence Failure's torment: "Was I doomed in any case,
Or would I not have failed had I believed in Grace?"

XVI. The Hero

He parried every question that they hurled:
"What did the Emperor tell you?" "Not to push."
"What is the greatest wonder of the world?"
"The bare man Nothing in the Beggar's Bush."

Some muttered: "He is cagey for effect.
A hero owes a duty to his fame.
He looks too like a grocer for respect."
Soon they slipped back into his Christian name.

The only difference that could be seen
From those who'd never risked their lives at all
Was his delight in details and routine:

For he was always glad to mow the grass,
Pour liquids from large bottles into small,
Or look at clouds through bits of coloured glass.

XVII. Adventure

Others had found it prudent to withdraw
Before official pressure was applied,
Embittered robbers outlawed by the Law,
Lepers in terror of the terrified.

But no one else accused these of a crime;
They did not look ill: old friends, overcome,
Stared as they rolled away from talk and time
Like marbles out into the blank and dumb.

The crowd clung all the closer to convention,
Sunshine and horses, for the sane know why
The even numbers should ignore the odd:

The Nameless is what no free people mention;
Successful men know better than to try
To see the face of their Absconded God.

XVIII. The Adventurers

Spinning upon their central thirst like tops,
They went the Negative Way towards the Dry;
By empty caves beneath an empty sky
They emptied out their memories like slops,

Which made a foul marsh as they dried to death,
Where monsters bred who forced them to forget
The lovelies their consent avoided; yet,
Still praising the Absurd with their last breath,

They seeded out into their miracles:
The images of each grotesque temptation
Became some painter's happiest inspiration,

And barren wives and burning virgins came
To drink the pure cold water of their wells,
And wish for beaux and children in their name.

XIX. The Waters

Poet, oracle, and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest,
At nightfall tell the angler's lie.

With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere;
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.

The waters long to hear our question put
Which would release their longed-for answer, but.

**. The Garden

Within these gates all opening begins:
White shouts and flickers through its green and red,
Where children play at seven earnest sins
And dogs believe their tall conditions dead.

Here adolescence into number breaks
The perfect circle time can draw on stone,
And flesh forgives division as it makes
Another's moment of consent its own.

All journeys die here: wish and weight are lifted:
Where often round some old maid's desolation
Roses have flung their glory like a cloak,

The gaunt and great, the famed for conversation
Blushed in the stare of evening as they spoke
And felt their centre of volition shifted.
Chiyo Aug 2014
I have bruises like amethyst
But the truth is I’m the catalyst
When I see colours of bismuth
I know you mean business
Bruises like amethyst
But you say you’re a pacifist
An analyst an activist

But you held my mind so it contorts, distorts
And aborts so it can’t resonate or fabricate
Or rationalise a world inside
That doesn't exist and insists
That I can’t be kissed and won’t be missed

I've got a black heart like tourmaline
But I'm the alkaline to your acid time
Trust me I am fine, I'm a pale blue
Crystalline Structural perfection
Don’t need your affection or your ways
Of objections did my bra strap give you an
*******?  

You could say I'm a feminist
But I'm more of a scientist
Busting body myths like biologist
You say ‘but **** are ****** organs’
Listen you morons, all ******* are a erogenous zone
Regardless of gender , boys nips literally have no purpose
Except when they get nervous for getting a little lip service

Trust me I'm fine, I'm a pale white crystalline
Structural perfection I don’t need your objection
Not a gem stone for your collar bone I don’t give a **** about
Your muscle tone, I'm a cyclone all alone I could spend a
1,000 years on my own.
sorry not sorry ok
Are people motivated by money? Could money effect a person's behavior? Would a person forsake morality for money? An ***** donor card places a bounty on you. Some of your parts are only of value for transplantation while you breathe. The ***** donor card gives doctors your permission (under contract law) to remove your organs from your warm and breathing and UN-anesthetized, doctor-declared “brain-dead” body. This isn't speculation. Doctors admit to “harvesting organs” from “brain-dead patients” i.e. patients with pulses.

WEB/ Numerous accounts of patients who have recovered after a firm diagnosis of “brain death” demonstrate that “brain dead” patients are not certainly dead. Here are two cases:

Zack Dunlap, a 21-year-old Oklahoman, flipped over on his 4-wheeler and suffered catastrophic brain injuries in November 2007. Thirty-six hours after his accident, doctors at United Regional Healthcare System in Wichita Falls, Texas, declared him “brain dead.” Preparations to harvest his organs were underway when friends and relatives gathered to say their final goodbyes. His cousin, a nurse, wanting to make certain, scraped his pocket knife along the bottom of Zack’s foot. Zack ****** his foot away. Just months later, Zack was walking and talking. Zack recalled hearing the doctor say he was dead and being “mad inside” but unable to move.

Steven Thorpe, a British 17-year-old, suffered horrific injuries in a multi-car accident. Four doctors declared him “brain dead.” Doctors asked his family to consider donating his organs before his life-support was turned off. The family sought a second opinion from a neurologist who detected faint brain waves. Seven weeks later, Steven was discharged from the hospital having made a near-full recovery. In 2013, at age 21, now an accountant trainee, he spoke to the media for the first time: “Hopefully (my experience) can help people see you should never give up. My father believed I was alive—and he was correct.”

"In plain, straight talk," writes Dr. Lawrence Huntoon, editor-in-chief of the Journal of American Physicians and Surgeons, "the survey indicates a high likelihood that some patients are being 'harvested' in some hospitals before they are dead! In hospitals with aggressive transplant programs (hospitals make a huge amount of money on transplant cases), making sure a patient is dead before going to the 'harvesting suite' may be viewed as a minor technicality/impediment."

"Brain death" never was, and never will be true death. This has been known by neurologists and ***** transplanters since the beginning of the multi-billlion industry. So if a declaration of "brain death" is not true death, but organs are taken legally in accord with "accepted medical standards," why not continue to make "acceptable" less stringent criteria? In the 10 years after the ad hoc committee conjured up the Harvard Criteria, 30 more sets were reported by 1978. Every set became less stringent. Less strict sets were reported until eventually there is a criterion that does not fulfill any of the "brain death" criteria? This is known as donation by cardiac death (D.C.D.). Organs are obtained for transplantation by first getting a D.N.R. order, then taking the patient off life support and wait until the patient is without a pulse (NOT WITHOUT A HEART BEAT!). In the past the waiting time was 10 minutes, then shortened to 5 minutes, then 4, then 2 and now in the N.E.J.M. (8-14-08) the waiting time is only 1.25 minutes until they cut out the baby's heart. How shameful can it get! Shame on the medical field for knowing and not protecting these patients! Shame on the transplantation organizations for valuing money over an innocent injured person's life! Shame on the U.S. government, other governments, and clergy for allowing and even encouraging extracting vital organs for transplantation and research! When will doctors informed of the truth stand for life instead of being political creeps?
mk Jul 2015
your witty remarks
and hearty jokes
aren't very funny

i thought i'd tell you
before things got
out of hand

i don't appreciate you
calling me
"sweetheart"
"baby"

or
"darling"
you are no one to me
and those
nicknames are
reserved
for those who
actually know
how to treat me
as a human
not a plaything

just because
i was born a certain gender
does not
give you the right
to feel like
you have the right
to call me
what you want
and treat me
as you please

my ******
(yes, i spoke the forbidden, sue me)
does not
make me
better
or more
than any
other human
with
any other
*** organs

so next time
you're about to
open that
big mouth of yours
or
put your
arm around my shoulders
or
wink at me
you'd better
think
twice

i'm using
my words
nicely
but
i'm not
always going to be
so nice

unlike what you said earlier
i'm not overreacting
this is a natural response
to everyday sexism
and just because
society has become used to it
adapted to it
accepted it
does not mean
i will give in
or give up
or ever conform
to these
downright disgusting norms

i am a woman
that does not make me
inferior
to those of other genders
nor
am i superior
to anyone
well...
except, maybe,
**you
// thank you, doctor, for showing me that no amount of education can take the filth out of a sexist barbarian //
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
Akemi Apr 2017
Awhile ago, I had been at a party. I’d listened to someone talk about Kate Moss for ten minutes straight. I left the room, found my flatmate and asked why anyone was interested in anything at all. We’d come up with no answers.

All this started a month ago, and all that started long before. I will not bore you with trite aphorisms about how I survived, or how wondrous life has become since. At some point my mind broke. This is a collection of memories about my attempted suicide and the absurdity of the entire experience.

Wednesday, 26th of April, 2017, midnight.

Couldn’t sleep. Surfed the internet. Fell into ASMR sub-culture.[1] Meta-satire, transitioning to post-irony, before pseudo-spiritual out-of-body transcendence. I thought, *this is the most ****** experience I’ve had in half a decade
, while a woman spun spheres of blobby jelly around my head and whispered elephant mourning rituals into my ears.

Tuesday, 27th of April, 2017, afternoon.

Woke up mid-day. Looked at all the objects in my room, unable to understand why any of them mattered. Milled around the flat. Went online to order helium so I could make an exit bag.[2] Cheapest source was The Warehouse, though the helium came with thirty bright multi-coloured party balloons. I kept imagining one of my flatmates walking in later that day, seeing my crumpled body surrounded by these floppy bits of rubber and a note saying this life is absurd and I want out of it. There was no online purchasing option, however, and I couldn’t be bothered walking into town. I began reading suicide notes. One was from a kid who’d slowly taken pills as he watched TV, culminating in a coma. That sounds pleasant, I thought, whilst at the same time knowing that it takes up to three days to die from painkillers and that the process is anything but painless or final. I opened my drawer, found a bunch of paracetamol and began washing them down with water, whilst listening to the soundtrack of End of Evangelion.[3]

I’m not sure why, but I began crying violently. I knew I’d have to leave the flat before my flatmates came home. I hastily scrawled a note that said, donate my body, give my money to senpai, give my possessions to someone I don’t know, it smells like burning, it was good knowing you all, before walking out the door with Komm Süsser Tod playing in the background.[4, 5] I’d already written my personal and political reasons for suicide in the pieces méconnaissance[6] and **** Yourself,[7] so felt there was no reason for anything more substantial.

I wandered the back roads of my neighbourhood. My body shook. I felt somnolent, half-dazed. I wanted a quiet place to sit, sleep and writhe in agony while my organs slowly failed. My legs kept stumbling, however, and my head was beginning to feel funny. I found a dead-end street and sat on one of those artificially maintained rectangles of grass. There was a black cat lying in the middle of the road, just bobbing its head at me. I zoned out for a bit and when I came to a giant orange cat was to my left, gazing intently into my teary face. I tried to refocus on my crotch. I couldn’t help but notice a white cat across the road, pretending not to be seen. It had a dubious look on its face, a countenance of guilt. What the hell was going on? A delivery person looped round the street. People returned home from work. Garage doors opened, cars drove down driveways. Here I was, slowly dying, surrounded by spooky ******* cats and the bustle of ordinary existence.

“Uh, hey. You look, uh, like something isn’t . . . do you need, uh, help?” a woman asked, crossing the street with a pram to reach me. I groaned.

“It’s just that, you know, ordinarily, um, I mean normally, people don’t sit on the sidewalk,” she continued, glancing down with the half-confused look of a concerned citizen who is trying to enter a situation outside of their usual experience. I mumbled something indistinct and went back to staring at my crotch.

“You know, I can, er . . . I can . . . I can’t really help,” she ended, awkwardly. “I have a daughter to look after, but . . . if you’re still here when she’s asleep . . . I’m the red fence.” She darted off without another word.

Had she wanted me off the sidewalk because it was abnormal to sit there, or had she seen the abnormality as a sign of something deeper? Either way, she’d used abnormality as a signifier of negative change. Deviancy as something to be corrected, realigned with some norm that co-exists with happiness and citizenship. I was being a bad citizen.

I thought, I miss those cats. At least they had judged me in silence. Wait, what the hell am I thinking? This is clearly a case of deviancy associated with negative feelings. Well, negative feelings, but not necessarily negative change. Suicide is only negative if one views life as intrinsically worthwhile

I could hear pram lady in the distance. She was talking to someone who’d just come back from work. They thanked pram lady and began moving towards me. Arghggh, just let me die, I thought.

She introduced herself as a nurse. From her tone and approach, it was clear she’d handled many cases like me. I’ve never hated counselling techniques. They seemed to at least trouble neoliberal rhetoric. There is little mention of overcoming, or striving, or perfecting oneself into a being of pure success. Rather, counselling seemed to be about listening and piercing together the other’s perspective. Counsellors tended not to interject words of comfort. They’d tell you mental illness was lifelong and couldn’t be fixed. They’re the closest society has to positive pessimists. Of course, they’d still want you to get better. Better, as in, not attempting suicide.

I talked with nurse lady for an hour about how life is simply passing. Passing through oneself, passing through others, passing through spaces, thoughts and emotions. About how the majority of life seems to be lived in a beyond we’ll never reach. Potential futures, moments of relief, phantasies we create to escape the dull present. About how I’d been finding my media and politics degree really rewarding, but some part of my head broke and I lost all ability to focus and care. About how the more I learnt about the world, the less capable I felt of changing it, and that change was a narcissistic day dream, anyway.

She replied “We’re all cogs. But what’s wrong with being a cog? Even a cog can make changes,” and I thought, but never one’s own.

She gave me a ride to the emergency clinic because I was too apathetic and guilt-ridden to decline. Why are people so nice over things that don’t matter? Chicks are ground into chicken nuggets alive.[8] The meat-industry produces 50% of the world’s carbon emissions.[9] But someone sits on the side of the road in a bourgeois neighbourhood and suddenly you have cats and nurses worried sick over your ****** up head. I should have worn a hobo coat and sat in town.

Tuesday, 27th of April, 2017, evening.

I had forgotten how painful waiting rooms were. It was stupidly ironic. I’d entered this apathetic suicidal stupor because I’d wanted to escape the monotony of existence, yet here I was, sitting in a waiting room, counting the stains on the ceiling, while the reception TV streamed a hospital drama.

“Get his *** in there!”

“Time is the real killer.”

“It wasn’t the cancer that was terminal, it was you.”

Zoom in on doctor face man.

Everybody hugging.

Emergency waiting rooms are a lot like life. You don’t choose to be there. An accident simply occurs and then you’re stuck, watching a show about *** cancer and family bonding. Sometimes someone coughs and you become aware of your own body again. You remember that you exist outside of media, waiting in this sterile space on a painfully too small plastic chair. You deliberately avoid the glances of everyone else in the room because you don’t want to reduce their existence to an injury, a pulsing wound, a lack, nor let them reduce you the same. The accident that got you here left you with a blank spot in your head, but the nurses reassure you that you’ll be up soon, to whatever it is you’re here for. And so, with nothing else to do, you turn back to the TV and forget you exist.

I thought, I should have taken more pills and gone into the woods.

The ER was a Kafkaeque realm of piercing lights, sleepy interns and too narrow privacy curtains.[10] Every time a nurse would try to close one, they’d pull it too far to one side, opening the other side up. Like the self, no bed was fully enclosed. There were always gaps, spaces of viewing, windows into trauma, and like the objet petit a, there was always the potential of meeting another’s gaze, one just like yours, only, out of your control.

I lay amidst a drone of machinery, footsteps and chatter. I stared at ceiling stains. Every hour or so a different nurse would approach me, repeat the same ten questions as the one before, then end commenting awkwardly on my tattoos. I kept thinking, what is going on? Have I finally died and become integrated into some eternally recurring limbo hell where, in a state of complete apathy and deterioration, some devil approaches me every hour to ask, why did you take those pills?

Do I have to repeat my answer for the rest of my life?

I gazed at the stain to my right. That was back in ‘92 when the piping above burst on a particularly wintry day. I shifted my gaze. And that happened in ‘99 when an intern tripped holding a giant cup of coffee. Afterwards, everyone began calling her Trippy. She eventually became a surgeon and had four adorable bourgeois kids. Tippy Tip Tap Toop.

The nurses began covering my body with little pieces of paper and plastic, to which only one third were connected to an ECG monitor.[11] Every ten minutes or so the monitor would begin honking violently, to which (initially) no one would respond to. After an hour or so a nurse wandered over with a worried expression, poked the machine a little, then asked if I was experiencing any chest pains. Before I could answer, he was intercepted by another nurse and told not to worry. His expression never cleared up, but he went back to staring blankly into a computer terminal on the other end of the room.

There were two security guards awkwardly trying not to meet anyone’s gazes. They were out of place and they knew it. No matter what space they occupied, a nurse would have to move past them to reach some medical doodle or document. One nurse jokingly said, “It’s ER. If you’re not moving you’re in the way,” to which the guards chortled, shuffled a metre or so sideways, before returning to standing still.

I checked my phone.

“Got veges.”

“If you successfully **** yourself, you’ll officially be the biggest right-wing neoliberal piece of ****.”[12]

“Your Text Unlimited Combo renewed on 28 Apr at 10:41. Nice!”

I went back to staring at the ceiling.

Six hours later, one of the nurses came over and said “Huh, turns out there’s nothing in your blood. Nothing . . . at all.” Another pulled out my drip and disconnected me from the ECG monitor. “Well, you’re free to leave.”

Tuesday, 27th of April, 2017, midnight.

I wandered over to the Emergency Psychiatric Services. The doctor there was interested in setting up future supports for my ****** up mind. He mentioned anti-depressants and I told him that in the past they hadn’t really worked, that it seemed more related to my general political outlook, that this purposeless restlessness has been with me most of my life, and that no drug or counselling could cure the lack innate to existence which is exacerbated by our current political and cultural institutions.

He replied “Are you one of those anti-druggers? You know there’s been a lot of backlash against psychiatry, it’s really the cultural Zeitgeist of our times, but it’s all led by misinformation, scaremongering.”

I hesitated, before replying “I’m not anti-drugs, I just don’t think you can change my general hatred of existence.”

“Okay, okay, I’m not trying to argue with your outlook, but you’re simply stuck in this doom and gloom phase—”

Whoa, wait a ******* minute. You’re not trying to argue with my outlook, while completely discounting my outlook as simply a passing emotional state? This guy is a ******* *******, I thought, ragging on about anti-druggers while pretending not to undermine a political and social position I’d spent years researching and building up. I stopped paying attention to him. Yes, a lot of my problems are internal, but I’m more than a disembodied brain, biologically computing chemical data.

At the end of his rant, he said something like “You’re a good kid,” and I thought, ******* too.

Friday, 28th of April, 2017, morning.

The next day I met a different doctor. I gave him a brief summary of my privileged life culminating in a ****** metaphor about three metaphysical pillars which lift me into the tempestuous winds of existential dread and nihilistic apathy. One, my social anxiety. Two, my absurd existence. Three, my political outlook. One, anxiety: I cannot relate to small talk. The gaze of the other is a gaze of expectations. Because I cannot know these expectations, I will never live up to them. Communication is by nature, lacking. Two, absurdity: Existence is a meaningless repetition of arbitrary structures we ourselves construct, then forget. Reflexivity is about uncovering this so that we may escape structures we do not like. We inevitably fall into new structures, prejudices and artifices. Nothing is authentic, nothing is innocent and nothing is your self. Three, politics: I am trapped in a neoliberal capitalist monstrosity that creates enough produce to feed the entire world, but does not do so due to the market’s instrumental need for profit. The system, in other words, rewards capitalists who are ruthless. Any capitalist trying to bring about change, will necessarily have to become ruthless to reach a position of power, and therefore will fail to bring about change.

The doctor nodded. He thought deeply, tried to piece it all together, then finally said “Yes, society is quite terrifying. This is something we cannot control. There are things out there that will harm you and the political situation of our time is troubling.”

I was astounded. This was one of the first doctors who’d actually taken what I’d said and given it consideration. Sure we hadn’t gotten into a length discussion of socialism, feminism or veganism, but they also hadn’t simply collapsed my political thoughts into my depressive state.

“But you know, there are still niches of meaning in this world. Though the greater structures are overbearing, people can still find purpose enacting smaller changes, connecting in ephemeral ways.”

What was I hearing? Was this a postmodern doctor?[13] Was science reconnecting with the humanities?

“We may even connect your third pillar, that of the political, with your second pillar and see that the political situation of our time is absurd. This is unfortunate, but as for your first pillar, this is definitely something we can help you with. In fact, it’s quite a simple process, helping one deal with social anxiety, and to me, it sounds like this anxiety has greatly affected your life for the past few years.”

The doctor then asked for my gender and sexuality, to which after I hesitated a little, he said, it didn’t really matter seeing as it was all constructed, anyway. For being unable to feel much at all, I was ecstatic. I thought, how could this doctor be working in the same building as the previous one I’d met? We went into anti-depressant plans. He told me that their effects were unpredictable. They may lift my mood, they may do nothing at all, they may even make me feel worse. Nobody really knew what molecular pathways serotonin activated, but it sometimes pulled people out of circular ways of thinking. And dopamine, well, taken in too high a dose, could make you psychotic.

Sign me the **** up, I thought, gazing at my new medical hero. These are the kinds of non-assurances that match my experience of life. Trust and expectations lead only to disappointment. Give me pure insurmountable doubt.

Friday, 28th of April, 2017, afternoon.

“The drugs won’t be too long,” the pharmacist said before disappearing into the back room. I milled around th
1. Autonomous sensory meridian response is a tingling sensation triggered by auditory cues, such as whispering, rustling, tapping, or crunching.
2. An exit bag is a DIY apparatus used to asphyxiate oneself with an inert gas. This circumvents the feeling of suffocation one experiences through hanging or drowning.
3. Neon Genesis Evangelion is a psychoanalytic deconstruction of the mecha genre, that ends with the entire human race undergoing ego death and returning to the womb.
4. Komm Süsser Tod is an (in)famous song from End of Evangelion that plays after the main character, who has become God, decides that the only way to end all the loneliness and suffering in the world is for everyone to die.
5. Senpai is a Japanese term for someone senior to you, whom you respect. It is also an anime trope.
6. https://hellopoetry.com/poem/1936097/meconnaissance/
7. https://thesleepofreason.com/2017/04/04/****-yourself/
8. See Earthlings.
9. See Cowspiracy.
10. Franz Kafka was an existentialist writer from the 20th century who wrote about alienation, anxiety and absurdity.
11. Electrocardiography monitors measure one’s heart rate through electrodes attached to the skin.
12. Neoliberalism is both an economic and cultural regime. Economically, it is about deregulating markets so that government services can be privatised, placed into the hands of transnational corporations, who, because of their global positioning, can more easily circumvent nation-state policies, and thereby place pressure on states that require their services through the threat of departure. Culturally, it is about reframing social issues into individual issues, so that individuals are held responsible for their failures, rather than the social circumstances surrounding them. As a victim-blaming discourse, it depicts all people equal and equally capable, regardless of socio-economic status. All responsibility lies on the individual, rather than the state, society or culture that cultivated their subjectivity.
13. Postmodernism is a movement that critiques modernism’s epistemological totalitarianism, colonial humanism and utopian visions of progress. It emphasises instead the fragmented, ephemeral and embodied human experience, incapable of capture in monolithic discourses that treat all humans as equal and capable of abstract authenticity. Because all objective knowledge is constructed out of subjective experience, the subject can never be effaced. Instead knowledge and power must be investigated as always coming from somewhere, someone and sometime.
Are people motivated by money? Could money effect a person's behavior? Would a person forsake morality for money? An ***** donor card places a bounty on you. Some of your parts are only of value for transplantation while you breathe. The ***** donor card gives doctors your permission (under contract law) to remove your organs from your warm and breathing and UN-anesthetized, doctor-declared “brain-dead” body. This isn't speculation. Doctors admit to “harvesting organs” from “brain-dead patients” i.e. patients with pulses.

WEB/ Numerous accounts of patients who have recovered after a firm diagnosis of “brain death” demonstrate that “brain dead” patients are not certainly dead. Here are two cases:

Zack Dunlap, a 21-year-old Oklahoman, flipped over on his 4-wheeler and suffered catastrophic brain injuries in November 2007. Thirty-six hours after his accident, doctors at United Regional Healthcare System in Wichita Falls, Texas, declared him “brain dead.” Preparations to harvest his organs were underway when friends and relatives gathered to say their final goodbyes. His cousin, a nurse, wanting to make certain, scraped his pocket knife along the bottom of Zack’s foot. Zack ****** his foot away. Just months later, Zack was walking and talking. Zack recalled hearing the doctor say he was dead and being “mad inside” but unable to move.

Steven Thorpe, a British 17-year-old, suffered horrific injuries in a multi-car accident. Four doctors declared him “brain dead.” Doctors asked his family to consider donating his organs before his life-support was turned off. The family sought a second opinion from a neurologist who detected faint brain waves. Seven weeks later, Steven was discharged from the hospital having made a near-full recovery. In 2013, at age 21, now an accountant trainee, he spoke to the media for the first time: “Hopefully (my experience) can help people see you should never give up. My father believed I was alive—and he was correct.”

"In plain, straight talk," writes Dr. Lawrence Huntoon, editor-in-chief of the Journal of American Physicians and Surgeons, "the survey indicates a high likelihood that some patients are being 'harvested' in some hospitals before they are dead! In hospitals with aggressive transplant programs (hospitals make a huge amount of money on transplant cases), making sure a patient is dead before going to the 'harvesting suite' may be viewed as a minor technicality/impediment."

"Brain death" never was, and never will be true death. This has been known by neurologists and ***** transplanters since the beginning of the multi-billlion industry. So if a declaration of "brain death" is not true death, but organs are taken legally in accord with "accepted medical standards," why not continue to make "acceptable" less stringent criteria? In the 10 years after the ad hoc committee conjured up the Harvard Criteria, 30 more sets were reported by 1978. Every set became less stringent. Less strict sets were reported until eventually there is a criterion that does not fulfill any of the "brain death" criteria? This is known as donation by cardiac death (D.C.D.). Organs are obtained for transplantation by first getting a D.N.R. order, then taking the patient off life support and wait until the patient is without a pulse (NOT WITHOUT A HEART BEAT!). In the past the waiting time was 10 minutes, then shortened to 5 minutes, then 4, then 2 and now in the N.E.J.M. (8-14-08) the waiting time is only 1.25 minutes until they cut out the baby's heart. How shameful can it get! Shame on the medical field for knowing and not protecting these patients! Shame on the transplantation organizations for valuing money over an innocent injured person's life! Shame on the U.S. government, other governments, and clergy for allowing and even encouraging extracting vital organs for transplantation and research! When will doctors informed of the truth stand for life instead of being political creeps?
Anastasia Webb Sep 2014
little man by the bus stop
with his tin organs, all replaced
because his real ones failed him
(jst like he failed his old wfe)
squat top hat and fat wide smile
and he’s almost a cartoon
and he’s almost not a person.
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
Wilfredo Flores Apr 2013
A fleshy thing—
warm blood and organs
and cells and appendages
and mitochondria with cells
who have cells who have cells.
The introduction of a touch—
a soft, palpable meeting—
moved me and made me.
A union of dissimilar atoms
is moved as the object nears the skin.
And when the two meet, to tell
what happens next is to tell
of the long history
between one thing and another.
A fleshy thing—
warm blood and organs
and something else too:
many dissimilar atoms
that could laugh and play with you.
You can tell exactly what I'm feeling simply by looking into my eyes
My eyes never lie

You want to know the truth?
Look into my eyes
You want to know what I'm feeling?
Look into my eyes

My eyes have exposed me too many times
more than I want
more than I can count

My eyes tell it all
My eyes don't care about the things I want to keep hidden
Don't care about the things I want to keep to myself
They will tell you who I am even if you are a stranger passing by

My eyes are all for truth
and nothing but the truth.
Befrilled Godfather, why tune Yours to mine
These Rightful Verses your Country observes
I, an Eastern Bun's Lord in Mind consign
Put my Pun in-place for their own Reserves
Now this, a Muse if your Clock does witness
Would burn me at stake or hang me condemned
All because such Organs defy Fitness
And thought the ****** I will reprehend
I grow tired of this evident Trough
Whilst you once scribbled Trademarks with your Quill
How, my Heart-Nosed Configure such enough
Yet wish to join you in your White Pipes, still.
Your Epitaph stays; I dare not complete
Just press these Roses your Approval, meet.
#tomdaleytv #tomdaley1994
Alexis Apr 2014
"Sweet dreams,"
My parents would say before we went to bed.

If only.
For my dreams
Were nightmares
Grotesque, twisted monsters
Would run after me
In a dimly-lit forest
Only to have
A car come by suddenly
And run over me
Causing my organs to burst
And blood to stain the ground.

They said,
"May your dreams come true!"
Forgetting that
Nightmares
Were dreams too.
JWolfeB Jan 2015
Teachers are working organs in a sick body
Constantly challenged out of our comfort
Lungs expected to pump blood
A stomach that can't break down
Hearts begged to filter water
Diluting our true purpose
Administrators cannot function without us
A body is working system
Not a conveyor belt of replaced organs
Death is known from organs going on strike
Sickness can only last so long before we pass
As a teacher it is more than frustrating to see a administration abuse good teachers and run them out of districts. There are so many great teachers out there making changes in children's lives without any recognition. They are simply evaluated and not assigned a new contract. Yet this is how it continues to go.
Yang Yan Aug 2020
homeless, no
metropolis without a home
blaring and clinking and laughing
lights sharp like daggers
me and strange men—and
you
blinding
motorcycle

red, yellow, purple, neon
all blurs together
then, music, like iceland, like
a flooded jungle, drowning
I let go,
take me away

you are my key,

---

gun in hand
orchestra in other
and bach and beethoven in between
I'm sure we heard the same organs that day
but you, other hand on bible
prayed

why hadn't I?

my actions will have consequences
.

---

my only chance

test after test
failure after failure
higher
and
higher
suffocating desperation
I
grab on and
never
let go

**** you, and
I'll
be

free
furi ost
Mateuš Conrad Dec 2016
by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind
,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo

— The End —