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"indented" poems
Once, monster feet were all you wore, pounding its claws upon wood floors. Well now the beast is walking in your skin, that you have lived, and fought them in. How much can a human body take, When horns pierce your skull, to keep you awake? People say faking's profitless, while I'm choking demons back in my esophagus. An intervention for dented hearts, that were beats, you wrote apart? Do they await indented bumps, a heart, bitter, selfishness pumps. Alert the shadows as I bow to them, poetic, inadequate, I lost to them. What worthy life have I built to live, if pain is all I know to give? ------------------------------------
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Jun 5, 2018
Jun 5, 2018 at 7:51 PM UTC
Monster Feet
Elizabeth and God exist in a sunflower grave. Her mother and father slit her stomach open and watched the contents pour out like spaghetti confetti. Tommy, Elizabeth's boyfriend, rode his ocean blue Huffy, until the tread on his tires grew bald and until the grips were blanketed by dead skin. Looking for her, panoramic views of the horizon leapt beside him. Silhouettes of his legs, churned and kissed the orange and caramel dusk. With every tear in his hamstrings and calves, the **** in his sky grew and swallowed the memory of Elizabeth Mendenhall, Honor Student. Margot, Elizabeth's twelve year-old sister, was an idealistic soul. Taking a Sharpie, she wrote on her sister's wall, "Liz, there is no death greater than the loss of self, and no life greater than one where we continuously search for what self is." Margot struggled with concentrating and frying eggs - but focused on the sunflower garden, dangerously and perfectly. Hilary and Brendan were thirty-five and thirty-six years-old. They stabbed their daughter thirty-seven times. They don't know why they did it, they just couldn't think of a reason not to do it. She begged for her life. The yellow petals of the sunflowers caught blood-drops and, after enough struggle, floated down to kiss and lay on Elizabeth's slow-twitch body. Hilary looked at Brendan and said, "What does this mean?" Brendan shrugged and said, "This is new to me." The garden was an oven, and digging her grave was like pulling back on a cheap, plastic latch. Elizabeth had pale, pre-cooked pie crust skin. The slits in her stomach looked like peeks into a cherry stuffed filling. Crinkled lips looked indented by a stainless steel fork, back and forth, side to side. And the soil rained upon her like the reversal of hot vapor, returning home. Elizabeth and the Sunflower Garden.
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May 21, 2015
May 21, 2015 at 5:37 AM UTC
Elizabeth and the Sunflower Garden
Elizabeth and God exist in a sunflower grave. Her mother and father slit her stomach open and watched the contents pour out like spaghetti confetti. Tommy, Elizabeth's boyfriend, rode his ocean blue Huffy, until the tread on his tires grew bald and until the grips were blanketed by dead skin. Looking for her, panoramic views of the horizon leapt beside him. Silhouettes of his legs, churned and kissed the orange and caramel dusk. With every tear in his hamstrings and calves, the **** in his sky grew and swallowed the memory of Elizabeth Mendenhall, Honor Student. Margot, Elizabeth's twelve year-old sister, was an idealistic soul. Taking a Sharpie, she wrote on her sister's wall, "Liz, there is no death greater than the loss of self, and no life greater than one where we continuously search for what self is." Margot struggled with concentrating and frying eggs - but focused on the sunflower garden, dangerously and perfectly. Hilary and Brendan were thirty-five and thirty-six years-old. They stabbed their daughter thirty-seven times. They don't know why they did it, they just couldn't think of a reason not to do it. She begged for her life. The yellow petals of the sunflowers caught blood-drops and, after enough struggle, floated down to kiss and lay on Elizabeth's slow-twitch body. Hilary looked at Brendan and said, "What does this mean?" Brendan shrugged and said, "This is new to me." The garden was an oven, and digging her grave was like pulling back on a cheap, plastic latch. Elizabeth had pale, pre-cooked pie crust skin. The slits in her stomach looked like peeks into a cherry stuffed filling. Crinkled lips looked indented by a stainless steel fork, back and forth, side to side. And the soil rained upon her like the reversal of hot vapor, returning home. Elizabeth and the Sunflower Garden.
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8
You make me smile so easily almost as easy as the breeze on a fall day, Effortless, Knowing it's the least you can expect. You let me write doodles on you, Words that usually hurt, Words about my former heartbreak, But with you it doesn't hurt. You call me your friend, And I try and explain I can't be your friend I'll like you, Oops, Too late for that. Every time you laugh I see your dimples, Indented so deep into your face, I love them, They draw the perfect amount of attention to your face, Those gorgeous dimples help me see your lush lips, Perhaps they'd like to meet mine one day. Your one of the few people that aren't afraid to be seen with me, To be seen talking and laughing with me, Apparently to some I'm shameful, But you just continue on making jokes, Making me laugh. Each moment I spend with you I like you a little more, Liking you has grown easy, Your the kind of person that can make me happy, I think your the only one that can make this loneliness fade, So you should do me a favor and just stay, Stay and keep the loneliness away.
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Sep 28, 2011
Sep 28, 2011 at 8:27 PM UTC
Liking you is going to end up toxic.
i live in a ******** so boring tractors roam the streets in the usual traffic, but i found that you can wizen up to a title of wizard by finding inanimate things entertaining and thought provoking, because the internet will not become the next scapegoat of goldfish memory - not the next box of entertainment - it will be what god’s green earth indented. out here, where you’re far from trafalgar sq. you get crows circling back to the origin of the woods with odin on the lyre venting out against too much pigeon **** coo coo of the attired men and women marking karma with the no. 13 and being ******* on from on high, you get seagulls, even, seagulls so far into dry land... imagine! and you get the autistic zoning in of the cat’s eye, those cats are very autistic, their eyes tell the sad sad story of encapsulated solipsism - snap your fingers or meow and they look at you passing you looking at some randomised point of entering their sleeping pattern - very autistic those cats, they look at you almost cross-eyed when you try to snap them out of it - out of it being: ****** off at being awake. very autistic those cats, those cats are very autistic, they look at you looking past you, looking almost cross-eyed - don’t blame me for the zigzag or the w! so as i said, it’s so boring where i live you see tractors and crows, and the only solidification of your presence is either provided for by an addiction to television eager for the flicker - or drinking... watching bricks, thinking bits and bobs out for the torrent of slavic plumbers building the great ****** of london. lo... upon the yonder... there it blooms ******* i like places where trees tower over man's handing man brick on brick - makes the sky a bit bigger and less asthmatic.
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Oct 6, 2015
Oct 6, 2015 at 10:29 AM UTC
cats autistic
i live in a ******** so boring tractors roam the streets in the usual traffic, but i found that you can wizen up to a title of wizard by finding inanimate things entertaining and thought provoking, because the internet will not become the next scapegoat of goldfish memory - not the next box of entertainment - it will be what god’s green earth indented. out here, where you’re far from trafalgar sq. you get crows circling back to the origin of the woods with odin on the lyre venting out against too much pigeon **** coo coo of the attired men and women marking karma with the no. 13 and being ******* on from on high, you get seagulls, even, seagulls so far into dry land... imagine! and you get the autistic zoning in of the cat’s eye, those cats are very autistic, their eyes tell the sad sad story of encapsulated solipsism - snap your fingers or meow and they look at you passing you looking at some randomised point of entering their sleeping pattern - very autistic those cats, they look at you almost cross-eyed when you try to snap them out of it - out of it being: ****** off at being awake. very autistic those cats, those cats are very autistic, they look at you looking past you, looking almost cross-eyed - don’t blame me for the zigzag or the w! so as i said, it’s so boring where i live you see tractors and crows, and the only solidification of your presence is either provided for by an addiction to television eager for the flicker - or drinking... watching bricks, thinking bits and bobs out for the torrent of slavic plumbers building the great ****** of london. lo... upon the yonder... there it blooms ******* i like places where trees tower over man's handing man brick on brick - makes the sky a bit bigger and less asthmatic.
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29
You need to leave me alone. You should go, far away. I'd hate for you to stay another day, because of you skies are always grey. Depression. Everyday you scream at me and remind of me how useless I am. How ugly I look. My innocence you took. You constantly **** with my mind and I don't want to try. Suicide. I yearn to say goodbye. You make me blue. Your not my friend so why are you in my head? Because of you it's hard to get out of bed. You took me, consumed me and ruined my life. Do you want me to take my life? I'm so lost with you by my side. You need to **** off. I wish to be tough. I'm sick of you making me cry. Depression. I smile to hide you, gosh I'm so ashamed of you. I cut myself as an attempt to release you, the dark hole you've indented in my soul. Depression. With you it's a battle, you either win or you die trying. You've imprisoned me in a cage with no escape. You've taken the key, the key to my happiness. What a mistake I made letting you into my head. I thought we could be friends. Depression. We'll see who wins this battle, you *****
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Feb 26, 2013
Feb 26, 2013 at 11:44 AM UTC
Dear depression
Inconclusive patterns Form indented regularity In flowing drifts A panoply of tropical orchids In my mind A menaced distortion Straining forward Like an isolated image In an old photograph album Disclosing only the fragments Of an insoluble puzzle Its atmospherics of frequency Disturbs me somewhat It is identical to hidden speech Or the resistance to time Of exclamatory reminders Of forward motion That momentarily fascinates Then falls through a hole In a central vortex of vision This is the architectonics Of a thought That can never be articulated
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Feb 9, 2013
Feb 9, 2013 at 11:38 AM UTC
Unspoken
Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction I have a love unending Transcending space and time Living in the world I create deep within my rhyme And I stand 'till I choose to sit And I will sit for now Wiping inkblots off my page as if sweat from my brow Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction She was and still is the girl The girl who was unobtainable Yet my body stays restrainable as I sit here scribbling Tossing her hair over her shoulder I stick to my seat as if atop me's a boulder And I try to convince myself that I'm too busy Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction I am a boy who doesn't take chances While the words dance in my brain And I write of love and true romance and live them on the page So my **** has finally decided to not partake in the occasion And stay seated so I'm not defeated to prevent sorrow's invasion Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction My brain and heart battle for control Of shifting feet and lover's soul And what stands as inconceivable is why I'm so lost A chance is a chance and that is all they are And I need not travel very far Not trying is still losing and standing and sitting both have their cost Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction                                                                                         Heaven's eyes lie through ruby curls She meets my glance and smiles at me While I stew with ink-stained fingers here in purgatory Stand up, **** it! Just stand up! My heart and head reach a conclusion Pages only go so far and the safety of sitting an illusion Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction I stand up and find, to my surprise, My legs choosing to support Dropping pen and picking up the ball that's in my court And I walk up to the girl who plagues my dreams As if her very being, to me, beckons and calls Only to hear the world laughing at me as I slip, trip, and fall And hell is all to real to the boy who occupied purgatory With tear-filled eyes from looking to heaven With ****** nose caused from leaving his seat Seeing my chance flutter away as I run out of the room Indented in the red haired girl's eyes as a simple buffoon Let's back pace, erase my face from your memory I will leave and make you believe my new identity Coming back another day to claim my love once more And being ever so careful to make sure my face meets yours, not the floor
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Jun 4, 2013
Jun 4, 2013 at 11:33 AM UTC
A Cause For Reevaluation
Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction I have a love unending Transcending space and time Living in the world I create deep within my rhyme And I stand 'till I choose to sit And I will sit for now Wiping inkblots off my page as if sweat from my brow Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction She was and still is the girl The girl who was unobtainable Yet my body stays restrainable as I sit here scribbling Tossing her hair over her shoulder I stick to my seat as if atop me's a boulder And I try to convince myself that I'm too busy Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction I am a boy who doesn't take chances While the words dance in my brain And I write of love and true romance and live them on the page So my **** has finally decided to not partake in the occasion And stay seated so I'm not defeated to prevent sorrow's invasion Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction My brain and heart battle for control Of shifting feet and lover's soul And what stands as inconceivable is why I'm so lost A chance is a chance and that is all they are And I need not travel very far Not trying is still losing and standing and sitting both have their cost Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction                                                                                         Heaven's eyes lie through ruby curls She meets my glance and smiles at me While I stew with ink-stained fingers here in purgatory Stand up, **** it! Just stand up! My heart and head reach a conclusion Pages only go so far and the safety of sitting an illusion Let's back pace, erase my face from your memory I will leave and make you believe my new identity Level-headedness was never in the job description Pushing away this world like it's a bad addiction I stand up and find, to my surprise, My legs choosing to support Dropping pen and picking up the ball that's in my court And I walk up to the girl who plagues my dreams As if her very being, to me, beckons and calls Only to hear the world laughing at me as I slip, trip, and fall And hell is all to real to the boy who occupied purgatory With tear-filled eyes from looking to heaven With ****** nose caused from leaving his seat Seeing my chance flutter away as I run out of the room Indented in the red haired girl's eyes as a simple buffoon Let's back pace, erase my face from your memory I will leave and make you believe my new identity Coming back another day to claim my love once more And being ever so careful to make sure my face meets yours, not the floor
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67
I looked for love held by an empty hand She left yours shaking too hard to ignore. Brittle bones and cracked knuckles, Burying your pain in the wall above a bed where she used to lay. Its empty Bare Naked And you've slept on the floor ever since the creases of her body indented in your sheets started whispering things you wish she'd say. But no matter how forcefully you scream or how silently you cry The voices in your head are always too loud. I guess no one ever told you not to believe everything you hear. So when your lifeless body is scattered on the floor, Drugs filling voids, 3am, And nights never seemed so dark; When your throats too raw to curse her name And another "please come back" only makes her feel further away You'll learn that not every "I love you" is sealed with a kiss And meaningful words are often emptier than the people who speak them. When you start searching for the trek marks her fingertips left Or her scent lingering in the smoke, You'll learn that not every story has a happy ending And sometimes the book ends once tragedy begins.
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Nov 22, 2014
Nov 22, 2014 at 4:55 AM UTC
Abandoned scars
Why they call me the fearful poet! (The Razor Thin Difference) *”but who am I to complain the  razor thin difference tween blessings and curses so thin, sometimes are they not, the same thing”* Aug. 2018 ~~~ this familiar line, well traversed, lives on the maps sketched indented on your palms and brow, at the edges of the crow’s nests, the eye’s keyboard witnesses, recording every stroke we tap in seeings, forming letters, letters into lines, lines into verse, as we alliterate, we walk unawares, of the razor thin difference tween blessings and curse, indiscernible until concluded, perhaps, not even then, the stanza’s probable outcome, always unsure, unknowing destiny’s decision so we walk, tread, plumb, shoutout “vive la difference,” hoping the blessing messengers hear us first, consummating our pleas on their favorable sight & side, ever fearful, we do not shout loud enough, do the blind hear, need me, possess my sacrificial offerings, my trepidations, burnt on the Temple’s altar who will breathe their smoke and understand their fearful origins? so we-write, cajole that our every moment’s fear, find the difference, that we don’t bleed from life’s razoring, the thinner thinnest needle threaded, **and fear is the threat, and fear is the thread, that holds me together** until the unraveling requires me to write again, the fearful poet
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Mar 22, 2019
Mar 22, 2019 at 7:18 AM UTC
Why they call me the fearful poet! (The Razor Thin Difference)
I misread a lot of you's I proofread most of your mistakes you ****** at grammar I silently made my red pen dance on your blue inscriptions that you thought were unique I scratched the wrong words I indented your run on's I even added a bit of sincerity to all your reality I stepped back and looked at you you were blotches of red on scribbles of blue you were a mistake that I thought I could fix at the end of the day, I took that paper crumpled it and aimed at the trash and scored My red pen yearned for correcting many more but my red pen gave up scratching and wanted to create its own story of its very own mistakes of its own doing, so it can create a masterpiece of "me"
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Nov 2, 2015
Nov 2, 2015 at 6:41 AM UTC
Grammar ****
I feel apart of this hick town place Breathing in life, through open, clean air Trapped by my mind in a wide open space My granddad showed me on his Gum tree The marks left by moths and beetles alike I went to touch them whilst he let them be The Scribbly Gum tells the same story Our lives intertwined in memories The aftermath of destruction, can be beauty My chubby hands admire what my eyes miss like a blind man hungry for the verse I feel the indented trails, lead me into the abyss I envy those tiny critters, hiding away creating art without even knowing One day I shall join them and there I shall stay Dancing glimpses of times past The smell of eucalyptus sticking to hot air Pulling, aching strings of my childish heart
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May 5, 2017
May 5, 2017 at 11:56 PM UTC
Scribbly Gum
crisp pages indented fom my pen's point, whisper beneath the dry skin of my cracked palm. they flutter together, butterfly wings, and weave together a time so melodious.
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Nov 18, 2014
Nov 18, 2014 at 6:59 PM UTC
-
What happen to the envy to all imagination Nothing is worse fearing the person you once loved I guess the reasons have become to worthless And the sensitivity is real when you make a picture perfect If you have the right to dream then you have the right to work it That's that feeling that makes it worth it I Try to repent on the true commitments But that fraud is dangerous if it's not indented Positive work ethics I see that's a good successful story Bashing in the moments and bathing in the glory Now I know it's the world wide mess I change from hood hoodies to business suits to dress and impress When Hov made his first Mill I was still in my Batman draws Now this young cub is following in his own lion paws I swear last night was so unreal My jesus your blessing is not invisibles so please take the wheel !!
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Nov 6, 2013
Nov 6, 2013 at 6:39 AM UTC
Coffee Cake ( Round Table Talk )
My sleepy eyes search for hers, as my arm reaches across the empty bed and I find the pillow still indented from her pretty head. A hollowness instantly makes my stomach tight, afraid she's gone without any goodbye, without her cuddles, I would die. In this moment I hate the white of the sheets no longer stained with shadows of her bodies curve, the sun even shining displays its nerve. Footsteps in the hall give my heart a start, the door swings slowly open and a smile forms as her lips part. My arms reach out, my lips don't move, from her throat soft giggles rise and I feel her light touch my sleepy eyes. The crisp air sends goosebumps to cover my body, as she pulls off the blanket to get back into bed, I pull her in close and turn blue into red.
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Dec 2, 2013
Dec 2, 2013 at 12:21 PM UTC
Sleepy Eyes
The tears have come so oft that I can feel their presence in their absence. Their bodyless shape is indented on my cheeks, a perfect trail from my heart to my eyes. Even when my eyes are dry and cold they run with the wet and hot tears of my gladly saddened heart. These blind tears have seen a lot, from the death and parting of a loved one to the birth and gain of another. From mornings in paradise to nightly terrors in hell. When the angels sing in light, these tears rejoice and when the demons come to consume in dark, these tears mourn. When the sun doesn't shine and the snow doesn't let up, these tears feel the pain. When the wind blows and the light shines, these tears feel the joy. These tears have come so oft that I can feel absence in their presence. Their bodyless shape is indented on my cheeks, a perfect trail from my eyes to my heart.
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Oct 19, 2014
Oct 19, 2014 at 10:45 AM UTC
Tears
We built cathedrals on street corners under heavy orange lights cascading down our faces. I loved your imperfections: a narrow, twisted spine, a long, indented nose and a shrill voice slicing through the midnight summer wind. I'd love you forever in the sagging bench on your thin front porch, where I'd spend eternity tracing outlines of silhouetted trees covering soft, flaring streetlights. We burned through hours recounting the wounds from our past. Every kiss was a lightning bolt, and cracked like raging thunder. We felt a violent forgiveness exploding like stars in the pits of our chest.
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Jun 23, 2014
Jun 23, 2014 at 5:07 PM UTC
We Built Cathedrals
Pancakes and french toast. She had a sweet tooth for mornings laying flat on her back. Just like yours, cotton wrinkles indented on freckles. Saliva soaked collarbones, last nights tequila on your tongue. He’d roll you over, breakfast taco. Kiss your neck, turn it purple. Smirk covered coffee, smoke lingering 'round chocolate covered sleepy eyes. All you've ever known, simple sweets and bacon grease; she kept you on your' toes. "I'll be back for the summer," and he'll pretend you’re more than just a morning of goodbyes.
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Apr 5, 2016
Apr 5, 2016 at 1:34 PM UTC
Breakfast
Soft padded sheets with a chalk-white fade Contours from repeated pressure illustrating a familiar shape Indented rivets in the overused cushion where you tried to hide Red-turned-brown spots dried, markers of where you failed to keep it inside Timid stains of salty moisture once fallen from your eyes Now just a faded gravestone to the bliss simplicity brought before your fight died Deaf ears and the pleas that pass through their shallow halls But the sound changes octaves as it bounces off the thin beige walls And so it echoes unheard as it falls One too many close calls to accept the sound that emulates from it all Trembling bones under heavy skin clutching the bed-frame with an iron grip Second only to the pressure your upper teeth have on your lower lip Revolving doors unhinged, flooding your thoughts as they race Tired eyes stay bolted open, not recognizing the shape of your own face in the jagged glass that now lays fractured and stained from the image you tried to replace But it still didn't go away “This is it,” you say Cavernous holes, Once whole, Now just hollow shells you used to call home Empty of all heart and all hope And you brace for the hit, the moment where it finally all goes black And the silence will finally answer back, telling you you've ****** it up, it's all rotted through, you didn't fight hard enough and now you're done And every single time you're still surprised when that moment never comes And despite the tremors and daggers, your stubborn heart carries on So find the narrow sliver of air where reality and your mind meet And take in all the oxygen like it isn’t always free There isn’t much too it, You just put your head down and breathe Because if there’s only one thing of which you can be sure It's that these souls were designed to endure And "this too shall pass" will become true once more Let your heart and its resting pace made amends Once the shaking stops you can finally stand And wear that smile until courage finds you again Somewhere inside you always knew this isn’t how it ends.
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Jan 15, 2016
Jan 15, 2016 at 5:52 PM UTC
Sheets
Soft padded sheets with a chalk-white fade Contours from repeated pressure illustrating a familiar shape Indented rivets in the overused cushion where you tried to hide Red-turned-brown spots dried, markers of where you failed to keep it inside Timid stains of salty moisture once fallen from your eyes Now just a faded gravestone to the bliss simplicity brought before your fight died Deaf ears and the pleas that pass through their shallow halls But the sound changes octaves as it bounces off the thin beige walls And so it echoes unheard as it falls One too many close calls to accept the sound that emulates from it all Trembling bones under heavy skin clutching the bed-frame with an iron grip Second only to the pressure your upper teeth have on your lower lip Revolving doors unhinged, flooding your thoughts as they race Tired eyes stay bolted open, not recognizing the shape of your own face in the jagged glass that now lays fractured and stained from the image you tried to replace But it still didn't go away “This is it,” you say Cavernous holes, Once whole, Now just hollow shells you used to call home Empty of all heart and all hope And you brace for the hit, the moment where it finally all goes black And the silence will finally answer back, telling you you've ****** it up, it's all rotted through, you didn't fight hard enough and now you're done And every single time you're still surprised when that moment never comes And despite the tremors and daggers, your stubborn heart carries on So find the narrow sliver of air where reality and your mind meet And take in all the oxygen like it isn’t always free There isn’t much too it, You just put your head down and breathe Because if there’s only one thing of which you can be sure It's that these souls were designed to endure And "this too shall pass" will become true once more Let your heart and its resting pace made amends Once the shaking stops you can finally stand And wear that smile until courage finds you again Somewhere inside you always knew this isn’t how it ends.
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37
This lack of Professional identity. wakes me too soon, With the dawn moon. The building tones on a single stone note, Like blood through ears. Overlooked, but for the silence Of time unbooked. I go stumbling into a different fame. Where smaller applause lulls me, Like crumbling brickwork, The flashing indented, Re-invenited, Like ancient sea rocks, Soft to the shells of clinging creatures And the feathers of gulls.
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Dec 24, 2018
Dec 24, 2018 at 5:56 AM UTC
ID
The circulation has been constricted, Painful memories indented, I'm just a mooring of ****** Carrying a shipment of resentment, My organic piston is done repenting, My aorta's done it's sifting, But now I'm down and out, I'm not worthy of remembering, The makeup is addicting, The flesh of my rose is lifting, And now I've lost my pedals, Down a river woefully drifting, There's a thong around my heart, Tightly squeezing, The juice of my love, Now I'm a loveless human being,
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Mar 29, 2015
Mar 29, 2015 at 8:26 PM UTC
Thong Around My Heart
half a dead pigeon has indented itself in the gravel lot next door and every day at dusk, when i run my sacred shower, (with the lights off and windows open and otis redding echoing through the empty house) i have to watch the black static tide of flies swim around one of it's upward bent wings. the first time i saw it my jaw dropped and repulsion choked my throat closed- disturbed by it's total disgrace, i slammed the window shut and preferred to gaze at tile grime to pass the time. but from the days that followed, i managed to muster up respect and acknowledged that this battered half of a bird was now a variable in my scenery (praise be to impermanence) and now the sunset drowns everything in it's hazy blood orange and the wind floods the trees and fills the underside of the bridge with sound, and i stand naked in the warmth, singing boldly out of key, twisting hot water out of my hair, as the summer breeze politely invades my privacy. so i salute the pigeon, say i wish you the best. and embrace the weight and fullness of my happiness, and know well i am more than body and voice, and watch it sink further into the arms of the earth each night. grateful to know that death doesn't end life.
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May 17, 2013
May 17, 2013 at 11:52 PM UTC
50%
I wake up in the morning questioning the infinite cracks on my bedroom ceiling. There is a crack up there for each time you leave. I ask them if they know the reasons as to why I feel undone. The foundation of the room searches for an answer in its faults only to find that behind the paint lies nothing but rotting wood. I feel naked. A resting foreigner on the bed that I made as I lay fully clothed in a nightgown I can feel settling into my skin. I feel ill. ***** settles on my tongue the same way spit does when your mouth waters for something you long for. Some mornings my body becomes a corset that relies on you to tie the knots and by the afternoon I find myself stranded in tangled knots of indented flesh and exhaustion.
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May 3, 2014
May 3, 2014 at 4:28 PM UTC
Woken
About 4 years into the friendship, or whatever it had by that stage become, during a chat on our Internet **** preferences over badly-filtered Americanos in the UCD student cafe, I said to her " I think I enjoyed our friendship more when we used to get coffee and just laugh for twenty minutes. " And after a half second of unusual silence from her, those pools of ever-renewing blue eyes of hers almost incisions into my consciousness, I added" That was pretty unique." And then I laughed unbound, and she almost shrugged and definitely smirked as if to say "this is where I am now, it took some time for me to realise but it's where I've always been." Unapologetic, as only she could seem to be. And it was, like any tryst, fling or abandoned half-romance is, utterly unique. Half on the way to becoming something we were going to hang on to and definitely regret and half-stopped, sulking out of a puddle, dead damp weight created by the differences we made ourselves for the other to behold and dismantle. The immediate was meant for us, first the attraction, then the disgust, then the despair, then the cursing off, then round to the intrigue all over again. She remained the great question mark of my undergraduate years. Heartaches after her were equally demeaning, but far more easily explained. You know you've found someone irreplaceable when they tell things you really shouldn't know, things shoved up in boxes for years, things too unformed to be really caught sounding out, in the moments after your first kiss. And every clever undergraduate will tell you how negative all connotations of "irreplaceable" are. And yet these are the backhanded good graces, the immeasurable gifts that memory serves I wear this like a wound I can find wry mirth at the very sight of, I have learned all this from her without her ever intending These memories are indented in a music box with an imitation sacred heart all mine distempered by the candid lines of a girl who never wanted religion, divulged somewhere in our seat of learning.
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Oct 16, 2016
Oct 16, 2016 at 7:32 PM UTC
She Was Eve When We Were Awkward
About 4 years into the friendship, or whatever it had by that stage become, during a chat on our Internet **** preferences over badly-filtered Americanos in the UCD student cafe, I said to her " I think I enjoyed our friendship more when we used to get coffee and just laugh for twenty minutes. " And after a half second of unusual silence from her, those pools of ever-renewing blue eyes of hers almost incisions into my consciousness, I added" That was pretty unique." And then I laughed unbound, and she almost shrugged and definitely smirked as if to say "this is where I am now, it took some time for me to realise but it's where I've always been." Unapologetic, as only she could seem to be. And it was, like any tryst, fling or abandoned half-romance is, utterly unique. Half on the way to becoming something we were going to hang on to and definitely regret and half-stopped, sulking out of a puddle, dead damp weight created by the differences we made ourselves for the other to behold and dismantle. The immediate was meant for us, first the attraction, then the disgust, then the despair, then the cursing off, then round to the intrigue all over again. She remained the great question mark of my undergraduate years. Heartaches after her were equally demeaning, but far more easily explained. You know you've found someone irreplaceable when they tell things you really shouldn't know, things shoved up in boxes for years, things too unformed to be really caught sounding out, in the moments after your first kiss. And every clever undergraduate will tell you how negative all connotations of "irreplaceable" are. And yet these are the backhanded good graces, the immeasurable gifts that memory serves I wear this like a wound I can find wry mirth at the very sight of, I have learned all this from her without her ever intending These memories are indented in a music box with an imitation sacred heart all mine distempered by the candid lines of a girl who never wanted religion, divulged somewhere in our seat of learning.
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26
Nobody is in love. Shoulder to shoulder, flesh spilling over Flesh: our warm bodies heave And contort together, leaving no room For sentiment that goes deeper than Your off white down comforter. Nobody is in love. The harsh sunlight seeps in Through down turned blinds, And thin, translucent eyelids, Both half open, but oblivious to the Indifferent world. Life is too much with us- Never leaving us alone to really feel: The cold, smooth wooden floor pushing up Against the delicate archs of our sinewy feet, As they drop down to meet the brisk  morning air, That seems to coat everything revealed and left vulnerable By the crumpled up sheets limply collapsed over the headrest, Or the soft, steady breathing Of someone left unstirred by the dizzying Relay of thoughts that dance across my Foolish mind. No one is in love, here. The last fragment of hope Was forgotten underneath mismatched blankets That bear the faint scent of lavender fabric softener sheets And something that lingers nameless beneath your presence. The indented pillow, where you lay your head Holds fast your hollow shape, As if to remind us that reality is only as real As those who are brave enough to feel it. Time treads on and on, Leaving us scrambling over coffee tables And yesterdays newspaper strewn across the bedroom floor, Blindly groping the abysmal space to find something That isn't really there. Instead it's nestled between The tiny slivers of our hearts, Scattered across neon billboards and thee star hotels, Pleading with us to acknowledge it's elusive presence Before the world runs out of excuses, And we're met with a big boom, That probably will never even be felt.
0
Apr 15, 2013
Apr 15, 2013 at 12:06 PM UTC
Nobody is in love
Nobody is in love. Shoulder to shoulder, flesh spilling over Flesh: our warm bodies heave And contort together, leaving no room For sentiment that goes deeper than Your off white down comforter. Nobody is in love. The harsh sunlight seeps in Through down turned blinds, And thin, translucent eyelids, Both half open, but oblivious to the Indifferent world. Life is too much with us- Never leaving us alone to really feel: The cold, smooth wooden floor pushing up Against the delicate archs of our sinewy feet, As they drop down to meet the brisk  morning air, That seems to coat everything revealed and left vulnerable By the crumpled up sheets limply collapsed over the headrest, Or the soft, steady breathing Of someone left unstirred by the dizzying Relay of thoughts that dance across my Foolish mind. No one is in love, here. The last fragment of hope Was forgotten underneath mismatched blankets That bear the faint scent of lavender fabric softener sheets And something that lingers nameless beneath your presence. The indented pillow, where you lay your head Holds fast your hollow shape, As if to remind us that reality is only as real As those who are brave enough to feel it. Time treads on and on, Leaving us scrambling over coffee tables And yesterdays newspaper strewn across the bedroom floor, Blindly groping the abysmal space to find something That isn't really there. Instead it's nestled between The tiny slivers of our hearts, Scattered across neon billboards and thee star hotels, Pleading with us to acknowledge it's elusive presence Before the world runs out of excuses, And we're met with a big boom, That probably will never even be felt.
Continue reading...
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