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It's not OCD
I'm just ****-rententive.

There are two
coffee urns
in my office kitchenette.
Each urn has
a spot to place your mug
beneath the spigot.
Each of these spots has
a circular insert
of gridded plastic
to mark the mug-placement area
and allow spilled coffee to flow through
so this spot
doesn't become
just a puddle of coffee
soaking the bottom of everyone's mugs.
Each of these inserts has
three indentations:
one on each side
at nine and three o'clock
small, arcing parabolas
like reversed parentheses
there to allow someone to
get their fingers into the
coffee mug spot
and under the insert
to remove it
and, presumably
clean it
and then another indentation
more like a groove
or a notch
much smaller, thinner, and deeper
at the top
that fits perfectly with
a matching
small plastic protuberance
jutting from the coffee mug spot
where the insert goes.
In an almost ****** fashion
this protuberance fits into
this last indentation
this notch
this groove
to secure the insert in place.

For some reason
I've never known
perhaps laziness
perhaps inattentiveness
more likely simple
couldn't-care-less-ness
this insert never seems to be
placed into the mug spot
properly.
It is always placed sideways
rotated a quarter-turn
so that the larger indentations
on the side
meant as finger holes
are placed top-to-bottom
noon and six
the small plastic protuberance at the top
being swallowed whole
by the too-large indentation
and its mate
the groove
meant to hold the plastic piece
so tightly
is left alone
to one side
empty
and useless.
This has always bothered me.
Bothered me more than I would like to admit.
It's such a simple little thing to get right
it would take almost no effort at all
and yet, day-after-day
someone
I don't know who
whoever is in charge of these things
insists
on doing it wrong.
And I cannot abide it.
So, day-after-day
when I go to get my morning coffee
I fix it
I twist the insert ninety-degrees
and secure it in the correct position.

Lately
I have noticed something.
Sometimes
when I go to get my coffee
one of the inserts
will already be
fixed.
Someone else has seen
what I have seen
and felt the same
had the same response
took the same corrective action.
This feels like winning something.
I don't know what
but it definitely smells like Victory.
And Conspiracy.

And it makes me happy.
Happier than I'd like to admit.
Eliza Parker Feb 2015
They say the pen is mightier than the sword
If this is true then God was the sword and you were a pen
And I was the pencil who laid you a foundation of erased mistakes only for you to trace upon them as if they didn't exist.
And I was cast in the bottom of some cluttered bag
while you were gently capped and placed in a box lined with blue silk,
And you knew I would always be there to test the waters before you spilled the pages with your brash delicacy.
But you needed me and I craved you for completion.
Together we created sweeping illustrations and lengthy novels with dozens of sequels.
We depicted a tale of modern love in our ball-pointed journey.
But my graphite stayed intact while your ink started to run out.
I could see as our pages unfolded that your colors no longer spread as boldly.
You became more and more invisible as I desperately etched harder and harder into every page hoping to give you clearer guidelines
but you no longer had it in you.
And soon enough we couldn't make anything beautiful.
You had run out.
And I'm still hopelessly drawing maps desperate that you can regain what you once had and use the indentations on previously blank pages to find your way back to me.
emma jane Mar 2016
My eyelids seem
to be the strongest part of me.
When the rest of my body
falls
into the ocean
of blankets they
float open upon the white water
atop
the waves of sleep.
This is when you come back.
In this mattress I am a piece
of clay and I can still feel the deep indentations of where your fingers
wrapped themselves like Ivy around my hips.
Hips, that stuck out like white flags of surrender and
fell to the ground in a straight line.
I can still hear
you.
I am a broken record,
and your whispers are the only track that plays at this hour.
“You are fat”
“Look at how flat you are Emma, no boy will ever look at you.”
“You are ugly.”
These are the nights when I can
feel the spiderwebs your words wrapped around my ribs and
listen to the way my heart beats constricted
in its cage, your hand still clenched around it.
Can’t you see me bleeding?
Safety lies
beneath my eyelids but you pull them open
I can feel
your icy touch behind my eyes as I stare
coldly at the ceiling.
you demand to be heard.
Did you mean to put your words
in my pocket when you reached in to steal the sleep that was nestled there like crumpled dollar bills?
Do you realize that you stayed with me?
Can you take your stolen midnight hours back and place them on your pillowcase?
Will your eyelids close?
Or can you still hear my cries of protest as your soundtrack plays into the night?
I don't understand?
Did you think it wouldn't hurt me?
Or did you want to live forever,so you put your
fingerprints where you knew they wouldn't fade.
This is almost the completed version of a poem I am submitting to a contest. Please please please leave feedback and suggestions. I really want this to go somewhere. I believe it is a message that people need to hear.
Mateuš Conrad May 2016
i know, rubbed off reading Pound, but scout's honour, but scout's honour, yet again: but on scout's honour it was a collage, and and and that's what could make Ezra's too a moment of weakness with a rainbow of subjects, a page ripped out from an encyclopaedia.

night cinema, and films from to preceding decades
this the current, 2nd of decade of a seemingly
never-ending September -
first - the disappearance of alice creed (a british
                                                         ­                            film),
second - the firm (                                            "           "   ),
the other two american, one an ageing classic -
sleepless in Seattle, and the last one the devil wears Prada -
already the differences are so relentless,
modern british cinema loves to capture grit,
graffiti on estates, meaningful f-off conjunctions,
and boy the slang in *the firm
is as good as any -
one of the few films worth rummaging with at sunrise
with it fresh in memory (preferred it to
trainspotting given one face value:
Bex is way more sociopathic than Begpie, and
he doesn't end up living the easy life in
Miami or whether he is being an artist),
but the problem is... the library is too big, it's the sort
of library you'd find in heaven, although less grand,
already outside the realm of sensible reality,
beyond 2 to the power of 83 (named yogibyte),
we have this library, right now,
the 2 to the power of 3.321928 of a googol,
i.e. a Nikolai Gogolplex... but! it's not technically
a library, it's also a stock market, a phonebox,
a ***** booth, a casino... HMR & Customs, banking,
so technically we're not talking a heavenly library
(add to the list cyber warfare,
everything apart from a librarian's shush
is acceptable here)... but it got me
thinking, that film the firm (set in the 80s)...
three strands of music that interest me from the 80s,
synthesiser music (sounds really cheap now, i know)
but at least it sounds better than castrato rock
of the 80s... the synthesiser music of pseudo echo e.g.,
but these instruments were picked up by kiddies and
it was like a harpsichord to them, given previously
Bach's organs and the grand piano: a pool table
compared to a snooker table...          
and the third strand of music from the 80s... post-punk,
Joy Division (i'm not exact on the dates, blurry lines)...
Bauhaus (the man with x-ray eyes)... Staatliches...
well... post-punk... punk-entrenchment, all that
pre- post- proto- pre-fixation post-fixation...
the darker side of punk...
                                              god, this library is too big!
it's a bit like walking into a bookshop and falling
on your knees in desperation:
you can watch the aesthetic of winter through
to autumn no problem, hell, you might get a mystical insight
into this recycling bin... but when it comes to
the aesthetic of mankind's recycling bin, everyone
breaks down not having read or bothered to
read Melville or something: the price of creating
civilisation and moving away from tribalism -
and again onto cinema... cinematic warfare with
gaming, or cartoon cinema, gaming cinema,
in Seattle in 1993 they still used babysitters, now
the grown-ups sit at home while the babies
go out swinging - games less about joystick
button indentations on the fingers and more about
cinema... cinema more about games than about
meaningful conversations - take that word
games in two ways: social gaming, you know
what i mean: ******* people over;
but seriously, can you believe a band like
the soft moon exists and released an album in
2010 with such seminal songs as
parallels and sewer sickness among others?
two thousand and twelve... i was as much
gob-smacked when i realised
that godspeed, you black emperor! released
their album f# a# ∞ in nineteen ninety eight! 1998! i thought
progressive music from any genre died with punk
and the impatience at yet another solo from
robert fripp when no one wanted to do an air guitar
version of his solos (which largely borrowed from jazz).
Poetic T Jul 2015
An urban legend of sorts they said, of a tree, of a
branch that took any weight given. it has nickname
It had a place in secluded nature where no one seen.

"The *** tree,

"Really,

"Ye but you have to watch your step,

"Why??

"Well lets just say its a well fertilized ground,
"The earth and plants feed well on the,
"Sap,
"Seeds,

Not from one but the many, I heard the branch
Can take any weight, a gentlemen of plentiful weight
Tested the legend and got stuck **** naked
Not for a,

"Moment,
"Minute,
"Hours,

"Was he stuck, birthday suit and all,

His lady friend had jogged off with wallet and all,
Its on YouTube,
Called tree hugger nudist,

There is loads of dents little *** holes,
Some say its all the ***** *******,
So many hard ones poking dents,
indentations forever of ******* against this tree.

"I've been their done that,

Really,

"Never again,
"Were standing on this branch,
"What's that look for,

"Nothing,
(Giggles under breathe)

"Getting into the moment,
"Thought sap,
"Tree sap,
"Was seeping in to my hair,

"Don't stop what happened stuck,
"Pants down skinny **** man up tree,
(giggles loudly)

"Dude I'm 6 foot 5inches,
It was sap of a different kind,

(Gags in mouth)

No Fudging way,

Yep that's not the worst,

"How the hell does some one seed a tree that high,

"It was like the tree was ******* itself,

"Old juice, sap, Klingon,
"What ever I throw up on her,
She bit down,
I, we feel three feet out the tree,

"So that's what the plaster cast is from,
"Is that why your walking funny,

Twenty nine stitches its like something
From a Frankenstein film,

Never again my friend a bed is where ill be from
Now on, she fell in a puddle of Jib juice triplets
She had all three different, DNA tests on all
Who visited the tree.
As a video recorded of all who entered,
Just not the naked bits seen.

"Nature can keep its *** tree,
   "I'll be lucky if mine works again,
"Mine isn't wood its a limp branch now,

"Dude you got ****** by wood,
"Bitten limp by teeth,
"Unlucky bro,
"Hahahahah,
*"Rather you than me,
Joe Hill Sep 2014
artists of flesh
wielding shades of exertion
splashing on canvas sheets
bright through closed eyes

I'm your thumbprint expressionist
mattress impressionist
bristles for taste buds  make
broad strokes the emphasis

aptly utensil
fills focal to edges
though tipping the easel
conception seems effortless

brilliantly tincture
accentuates fervor
while crescent depressions
raise apogee further
I wrote you something
Well, maybe I wrote it for myself
but it's about you and me on the best day of my life
and about you and me on the worst day of my life
It's far too personal to show anybody but you,
so for now I'll just keep it to myself
because you don't want to see it
but I'll hope that you'll see this
and let me know if you want to read it
because I'm sorry
and I miss you
despite everything

because I'm a *****.

I guess I wish you the best,
I just hope you have to suffer a little to find it,
and I hope the best reminds you of me a little.
Joel A Doetsch Feb 2012
We will walk through the Cherry blossoms
in Japan, hand in hand, meandering through
the falling petals.  Our winding path
will weave through the countryside  with
no goal in sight.  We will stop in front of a
particularly beautiful tree, whose branches
are just beginning to look naked.

I will look at you, brush a stray blossom
from your hair...and whisper

           Aishiteru
               .                                                                ­                   
                   .                                                                ­                
                     .   .                                                                ­            
                               .                                                                ­          
                                     .                                                                ­        
                             We trek the Arctic circle and witness
                             the absolute beauty of the Aurora Borealis.                       
                             We're be bundled tightly in our parkas,                                     
                    ­         but we are still be able to feel eachother's                                   
                  ­           warmth.  We laugh as we throw snowballs.
                             We lie in the snow and make angels.                                          
               ­              Well...they'll start out as angels, but in the                                 
                            ­ end, they'll just look like snow that two people                          
                             have just rolled around in.                                                  
           ­                                                                 ­                      
                                              We can't help it.  As we embrace,                             
                           ­                   I whisper
                                                     Negligevapse                                                    
­                                                         .                                          
                     ­                                     .                           ­             
                                                          .     ­                                   
                                                         .                                          
                     ­                                   .                             ­             
                                                     .                                            
                   ­                              .                                                  
             ­                              .                                                        
       ­                                                                 ­                          
         We stroll the beaches of Hawaii, refreshing ocean                                    
         breezes cool us.  I picked you a flower,
         which you now wear in your hair.  Your cinnamon                               
         brown skin offsets your beautiful white smile.                                       
         We run through the breaking waves, our feet                                                
         leaving ephemeral indentations that are as                                             
         fleeting as our cares.  We fall over into                                                     
       ­  the surf and let the ocean wash over us.                                                     
        ­                                                                 ­                         
              I kiss your nose and tell you                                                          
   ­                   Aloha wau ia oi                                                               ­             
                              .                    ­                                                
                ­                  .                                      In China, we race eachother along   
                                     .                               .   the Great Wall to see who can get 
                                        .                   ­        .    to the end first.  We both end up   
                                           .                     .       dragging eachother across the         
                                             .               .           finish line...which happens to be      
                                                 .   .   .               a few hundred feet away.          
                                                 ­                        The locals shake their                
                                           ­                              heads disaprovingly, as we stifle      
                                                    ­                     a giggle.  I lean in and remind you  
                                                           ­                                       
                         ­                                                   Wo ai ni..                    
                                                             .  .                      .            
                         ­                                 .       .                     .          
                                                       .            .                   .          
                                                     .               .                 .            
                                                   .                  .   .   .   .  .            
                                                 .                                                
               ­                In Soviet Russia, girl kiss you                                              
               ­                and I gladly let her, for she                                               
              ­                 and I have had one too many shots                                 
                          ­     of *****.  Our faces are rosy and                                       
                      ­         we lean into each other as our feet                                     
                       ­        make hard noises on the cobblestone                                       
              ­                 streets.  Saint Basil's Cathedral                                          
             ­                  looms over us, as our lips dance                                           
                ­               a familiar dance.                                                           ­       
                                                                ­                                  
                              ­            Ya tebya liubliu                                                        
 ­                                                .                                                
                                                 .                                                
            .  .  .  .                          .               ­                                   
         .             .                      .                                         ­           
       .                .                   .                                                      
      .                    .  .  .  .  .  .                                                 ­       
    .                                                           ­                                   
We gaze at the Taj Mahal, a building                                                         ­   
built for a man's true love. I would                                                            ­      
build you a city.  we take in the                                                              ­          
mighty majesty of Everest.  I tell                                                             ­                
you I'd climb it for you.  You tell                                                             ­              
me to stop being silly, and say
you'd get bored waiting for me.
I give you a back rub instead.                                            

  Hum Tumhe Pyar Karte hae 
                                                            ­             We travel the dutch  countryside
                                              ­                            and kick off our wooden shoes to
                   .                                          ­            watch the tulips blooming.
                       .                                            .     I dedicate an entire field to you.
                          .                                 ­    .         You blush.
                              .                           ­   .         we fall asleep in front of a windmill,
                                 .     .                  .          watching the shapes of the clouds pass
                                         .      .      .             over us. I whisper in your ear
                                                             ­                                                                 ­      
                                                                ­       Ik hou van jou
                                                             ­             .                        
                                                                ­         .                          
                                     ­                                  .                            
                                   ­                                  .                              
                                 ­                                  .                                
                               ­                                  .                                  
                             ­            .  .  .  .  .  .  .  .                                           ­ 
    France has never been as beautiful as                                                               ­   
    it is now that you're here.  We skirt                                                            ­         
    the cities and explore the countryside,                                                     ­           
    Endless fields and clear skies bring                                                            ­     
    out our inner children, and spend the day
    romping and rolling until our clothes                                                          ­  
    are stained and our muscles ache.  I                                                         ­             
    lay beside you, panting.  In between                                                          ­       
    breaths, I manage to impart                                                           ­                
                                                ­                                                            
    ­                                                                 ­                                       
               Je t'aime                                                           ­                                 
                   .                                                                ­                        
                    .                                           ­                                             
                   ­   .                                                             ­                         
                        .              ­                                                                 ­     
                          .  .  .    .    .       .          .                                                    
                                                                ­                                            
                    ­                                            We explore Roman ruins and concoct      
                                                   ­             our own love story had we been born      
                                                      ­          in the Ancient city.  I would have        
                                                    ­            been a mighty General, who saved      
                                                     ­           you from a terrible dicator.  You            
                                       ­                         tell me to stop quoting Gladiator.       
                                               ­                 We share a kiss under the shadow           
                                               ­                 of the colleseum.  I brush your         
                                                   ­             hair from your face...                       
                                  ­                                                                 ­       
                                                         ­                  Ti Amo                              
                                                                ­               .                          
                                                                ­                                          
                      ­                                                        .        ­                    
                                            ­                                                              
  ­                                                                 ­        .                              
                                                                ­                                          
                      ­                                                                 ­                   
                                             ­                           .                                  
  ­                                                                 ­                                       
                         ­                                                                 ­                
                                                ­                    .                                      
     ­                                                                 ­                                    
                            ­                           You smile and reply                                   
                        ­                                                                 ­                 
                                               ­             I love you, too
Feeling hopelessly romantic today.
Mateuš Conrad Jan 2020
.h'america.... the last theological playground of... whatever the mind left behind in the decrepit bulwark that's europe... oh... and those mid-western died-hard hitchcock platinum-blondes in a-waiting... my typo pristine dutch-girls-go-to-church mantra... otherwise? no b'ooh'y'ah! chugger-chugger-chugger-chuck-cherry-choppy-chops-you-*******-cuc­­k-chuckie! quasi-whitman wannabe... billy was a butcher... a thematic long lost gun... billy was a butcher... and all the ripe choppers of pork... gave us a belief in snow; and what some heaved with a falling-of-a-star of dis-.belief: i too was bound to glorification of: what was expected to be known! and the subsequent: wow! i have met only the most limited of men... i have therefore met all men... the "all" men of this rubric of a year, a decade... all that's bygone of a yawn; swear it sn't so! a so! that's not be be sown! i am here too: upon the whim of expectation... merely... waiting... a man comes to be born come his 30s... his 40s? his nostalgia "moment"... former known name of: Jack Lil Lick 'Em Boots... and the crescendo of pauper's black lining of the Wall St. "better oiled"... scalp the ******! and send him unto the rabbi's true blessing... in the cusp of the scalp of the kippah!  and now... you take... your anglo-spreschen-tangle... into the salt-wounds of your h'america! first born: young... i don't like your revision... looking toward Europe with a hope for a sensibility... this pseudo deutsche: pseudo dutch, anglo-; this is no loss of the French or the Slav! this is our celebration! does one have an irish phrasing in uns to be at in it or one? beyond this grip boyo bound glue? this clerical spare of the otherwise leftover skivvy? we have made barons of these minutes.... as if we were to be kings of the coming years... and how we didn't become gods of the atoms... and the men of the suns and planets... that is our... most worthwhile conundrum in a da pacem domine bound; you're going to Beirut on me... or something?!

in my haitus away from this canvas:
naive me thought: perhaps a surge...
again proven wrong -
albeit not disappointed -
so i had to look elsewhere -

i had to look for a clarity of diction...
i had to move away from
the western lands and their:
death of god and their death by metaphysics...

even in this barren english...
i could not figure out:
why are these people,
apologetics from the central leftists...
these liberals...
ditto: i will butcher this name...
i will butcher the pronunciation
of this word...

if there are "questions" regarding
what's being phonetically encoded...
so much for me "learning to code"...
i too once wrote a html encoding...
with all the < and < and > toys...
spacing... {[( gradations... etc.,

i had to look east, after a while writing
schlechtdeutschegrammatik...
bad german grammar...
again: it's posthumous "Latin"...
it might be...
bad grammar german...
or german bad grammar...
deutscheschlechtgrammatik...

spelling is the mathematical equivalent
of... arithmetic...
but grammar? you need a ping-pong
table...
you need something cymru-esque...
a scandinavian-esque bilingual cushioning...

english alone will not solve the matter...
it's not french, it's not german,
it's certainly not spanish...
spanish and how post-colonialism was
settled with a post-racial attitudes of
Brazil...
england has taken too much time
looking up and out of the h'american
*******...
no grand satan 'ere...
no silk road bazar of fruits exotica from...
Teheran...
something more... subtle...

i had to go back to the "tsar"...
and the цэркйэв: 'cerkiew'...
and there i was amused how...
well apparently...
there are a lot of words
that do use the sz'cz...
enough... to deviate from
the Latin bollocking represented via
шч = щ....

that's perfectly logical...
i'm done with "perfectly logical"
if it exists outside of the realm of
orthography...

szczypta soli - pinch of salt...
in russian...
щ... that's a bit of a "question"...
yes, yes it is complicated...

szczery / szczera (he's honest /
she's honest)...
szczerość (honesty)...

no it's not... you german fickle-wit!
you forget the ы!

ah! well then... щыптa....
**** me... disorientating...
they could do all that with greek and glagolitic...
but they still had to keep...
latin: roman: holy roman empire: GERMAN...
lowercase lettering...
akin to a... e... c doesn't count...
since that's a greek cedilla "missing"...
ç... or... sigma... ς -
otherwise known in english as that S
after the apostrophe...
when something is called being:
the possessive article...
a (indefinite) the (definite) - some -ism to mind?!
no... but 's is... a bit like the SS...
in greek...
all in lower case: stephen's and...
στεφηνς...
σtephenς: that very much desired: ha!
ridiculous gag... the "much desired"
alternative to an apostrophe S ('s)...

it's Stephen's! it's Stephen's!
it's Sylvester's!
three articles in english:
the indefinite article (a)...
the definite article (the)...
and the possessive article ('s) - apostrophe S...
eS eS!

russian accents...
ъ, ы, ь...

but i only know of one "hard sign" example...
and that disqualifies the J ever needing a lower-case
"dot"... ȷ... namely... зъ: ż... alternatively
also: rz... and ж...
żuk! beetle! somehow the caron makes it...

szczyt! zenith!
щыт!

- and since i'm no longer writing:
i'd be writing if i were monolingual...
or... if i was animated by
the sort of Knausgardian bilingualism
of chop of swede: marker norgie...
but... i'm painting...

i forgot how to write when i could
see "synonyms" of sounds...
entombed in two different phonetic
encodings, namely elevated latin
and "pan-greek": cyrillic...

the variations between:

й and ы...
i.e. via е - "ye"
ё - "yo" (there's an umlaut in russian?!)
"у" - yew and you...
the gamma subscript...
ю - "yu"...
and... я - "ya"...

with regards to this rubric...
i am in the middle...
i can see a distinction between
a "y" (whine why and no I)...
hardly a jotted anecdote...
and yes... the closest the russians
ever come to Cracow is with ы
to a western slavic y...
ask me: toй - ask me: toȷ...
who needs a dot above the J
in the lower-case... if...
if... there's no absolute need for it to
be there: unlike some greenwich mean time
focus?
it ȷust so happens that...
the better clasp of the equator is
married to Greenwich: London...

dr. who time lords:
bellybuttons of the world: the english are...
again: i have to remind myself...
ı am not wrıtıng... ı am... paıntıng...

1(one), l(el)... I and ı(ıota)...
i guess an apostrophe would suffice...
ıf it's not an "ı"...
ı'ota... ı: oath...
sure as fıgurative "****" it's not...

ı must wrıte some more examples
in russıan...
to get me off me mark into
some "wax lyrıcal"...
ıslander mentalıty of the hen'glısch...

see how "the dot" can appear...
and disappear, as one see fıt?
and ıt makes: no little bıt of...
"dıfference"?!

i need to sleep on thıs "exercise"...
dot-pop-up...
dot-fold
dot-pop-up...
dot-fold...

w­­ıll eyes gets it?
hardly...

the rest of these cosmopolitan *******
focused on gwaffiti awt...
which is welsh for: GRA GRA...
when was the last time you heard
an englishman trill an R?
ı can't remember...
give me a night to soak up the pickling
juıces... i can't remember the last time
i heard an homest trIll eıther!
pauper me...

it's probably because of the welsh:
GWA GWA! gwadleıth cowonew...
or coroner row row row a rombat into a rue:
or a woo...
rhyme: contorts...
shapes and disappearing: oopses...
a whole multıtude of 'em...
come like the tıde...
leave... lıke a tilde... quası N:
it's a... H is a zeus...
and J is a Ha Ha Ha wrap-up rap of
laughter: in spanısh: of course...

i don't wrıte... ı paint...

impromptu interludes, quickened:
i'm a marriage of two continents...
and one island...
east of moscow...
asia... west of warsaw and...
these gloomy island pits of
idiosyncracy... never quiet the icelandic
answer to norway...
or greenland's answer to denmark...
but an island... nonetheless...

- to hell witth cascading linear cascades
of narrative: i'm blind to the optics
of "the narrative" in the paragraph
format...

i will look back east...
i will look at the russian script...
i will look at it as a time in ******
history equivalent to:
why didn't you just think of it as Greek?
but "my people" didn't...
and i'm not exactly a "why / didn't"...
i'm part of the excavation machinery...
i come with what was served...
i will leave without
leverage...

and here is the russian icon translated
from the Babel...
the following are orthodox letters
shared by one and all
to the western lands...

а б в г д e з и й
к л м н o п р c т
у ф

a b v g d e z i j
k l m n o p r s t u
f

now we leave: łen łill that be?
we should all somehow know...
to łork out a When a Where
(notably with the "h" being but a surd)...

mother how should i further this?
herbata
hasło (ha-s-woe)
hołd (**-**-w'd)

to no other: otherwise only in scotland:
the loch of tipsy work...
albeit: orthographic distinction...
хęć - a whim a desire...
a loch is no: cheat of a lake...
latching onto the otherwise boredom caron
exposed...

дух (ghost) with a душa (soul)...

else there's c dissociated from the s...
and more so with a kappa kaput...
the drumstick slick on a wet snare of: tss...
ц - almost...
then morphing into a ць -
yet in my version: no so silent...
ćma: moth...
цmokaць / cmokać: to click with the tongue...
to kiss smackingly -
to ingest food via a smoczek...
a smoчek - a smoček... the baby soother...

this is my third day having to return to
this canvas...

first thing's first:
palatization (palatißation)
is not... a name of german crusader song:
palästinalied...

this is one of the main reasons why
i can't imagine myself as being able:
to write a novel -
i can't bear this birth of words into
this pseudo-Kandinsky -
it would be much easier with painting
something for a year -
than writing for a year -
the same thing, over and over again...

if i write a "poem" or, rather, a poo'em...
i expect the concept of
ensō: a circle has to be drawn with
a single uninhibited stroke...
when the body is set free and the body
merely complies...

comparison... if one were to draw
a most pristine ensō...
one would never achieve an ouroboros
depiction... it's quiet impossible
to use one volume of ink
attached to a stroke to complete
a circle... let alone a depiction
of an ouroboros...
what starts off as concrete soon...
fades away... thins out...
until there is so little ink left
on the brush that individual hairs
of the brush start appearing...

a pristine depiction of life...
but never the hardline ouroboros
depiction: this cerberus of reincarnation:
i never would have believed in it -
given that: there would have to be
a limited number of souls...
the thought that i might be introspective
enough as to be one of these: "elites"...
and the rest... were "n.p.c." drones...
zombie-esque drifters...
that had no psychological infrastructure
to have memory and rubric of learning
bound to them to be: invested in?

i am still going to write this Kandinsky...
one way or another...
but i can say only that:
i can imagine myself returning
to a painting - and painting it for a year...
but a book?
if a poem can't be written in one sitting...
it's not a poem...
this is not a poem: this is a novel
equivalent...
the best to my ability: which is none...

all i will ever manage with this
is a pedantic scrutiny of russian orthography,
how i don't follow metaphysical arguments
of the germans, the english or the french,
because i don't dream that often,
and when i do dream?
i dream up nonsense...
last time i dreamed that a hiena was
biting at my arm like a corn-cob...
but it wasn't biting to draw blood...
it was biting and cackling in order
to tattoo me... it bit into my arm and detailed
indentations akin to braille...
a pianola roll...

and that's the only details of the dream
i can remember...
perhaps i strained memory...
perhaps people who dream...
are fond of forgetting...
perhaps i don't dream because i can
remember being 4...
a shadow (my maternal great-grandfather)...
a large piano, a small piano...
he worked a retirement as a security guard
in a kindergarten...
i once spent an afternoon with him...
i have seen pictures of him...
but i don't remember the face in the photographs...
he sat me before a bonsai piano
while he sat at the large piano...
and i guess: we were going to be the new
Chopins or something...
he's still a shadow... a grey form...
perhaps a extract of memory that reaches
back 29 years is the reason why i don't
dream... then again...

what if i were to have recurrent dreams?
i've heard people have recurrent dreams...
i just have details of dreams...
i'm not complaining but...
it has become exhausting to simply sleep sometimes...
to replay that lullaby of the void...
yes: yes... i will return to russian orthography:
give me a moment!

well, on my "haitus" i had to look beyond
"conventionality"...
there was a period where i found
the glagolitic script - i said to myself:
there must be an equivalent alphabet to match
the runes...

there must have been a way to encode
without the romans and greeks...
after all... there is the St. Cyrill alphabet
and that of Methodus...
how many ethnic groups are there
on this old, yawning continent -
minor point: old age is not plagued by
yawning - only youth yawns...
old age is cured of yawning -
hanging over them the yawning death...
when father - when father - will this old
ponce come into my *****?

glagolitic and cyrillic?
well Ⰱ Б...
Ⱂ and P... which is not exactly lent-greek...
i guess it's only "wise"
to go back into the modern scribbles...

there are so many branches
to be plucked off a pine
to reserve yourself with ending up
to owning a pike...
so what would it help me:
if i had to reverse and ezra pound
my way forward...
bubble bulging roma notations?
i see: when that chisel in marble
V is not supposed to be a U...

EVROPA... etc.

i need to bring to the fore my own
distinctions...
spread: universally within the confines
of the people that speak it:
i even had to made balkan additions...
like the caron S and caron C...
to hide the english gimmick
of SHarp and CHeat...
evidently we use the Z to replace
the H when stressing our "demands"...
Šarp and Čeat...

so back into russian?
i almost forgot that i said...
their orthography is not worth the dog's
bollocking of a lick...

i was wrong, obviously...
but even the russians are supposed
to be allowed their idiosyncracy -
their orthographic pedantry...
russian orthographic pedantry?
ah...

when е met э...
was also the time when э didn't meet з...
this is pedantic...
another russian pedantic "detail"...
how many Y's or J's do you need...
to detail: the elongated-iota?
before... "****" becomes confusing...
within the confines of gamma...

i'm pretty sure the russians have
fixated their attention on the Y/J "debate"
working from their central premise of
the english AYE... I... the pronoun bunker...
der deutsche affirmative: ja!
yah in the hebrew respective for: wisdom...

let's see... i'm pretty sure the russians
have all the vowels bow to this mecca
of Moscow, cite me: and please reiterate...
that i use J and Y interchangeably...
i don't imply: to jot - to "dz"ot...
or Joseph in Ypres...

otherwise: a yeti climbing a yew shouting: yes!
it's not exactly jargon -
but... a prefix y- in english...
is not a suffix -y in english...
which just... "out of the blue"...
demands to be associated with the iota
of: ply... and yet: it's no i.e. e'et...
it's neither ate or the fwench and (et)...
it's a yeti... but not a jetty!

never mind... back into the fussy russian...
i'm pretty sure you will find all
of the pentagram (vowels) bowing before
the altar of pseudo-gamma:

                                     ю (yu)
                                    /
(details in) й ------ я (ya) -- ы (oh look, solo!)
   the above"rant")  |
                                  у (which is a u)
                                /   \
                     e (ye)       ё (yo)

almost... but i'm far from learning russian...
i find these orthographic details...
coexisting...

зъ = ж = ż = rz = ř / ž...

eastern, mother slavic...
beginning with a western slavic translation
"innovation"...
central / western slavic...
balkan slavic...
oh we are such famous clarinet players!
because what happens
when the caron is sliced into two...
and an acute ****** pops out?!

hence the зъ beginning...
yes... it's not "silent"... it's simply not
palatalißed... the tongue doesn't tip-off
the palette... the sound escapes via
the gritting of teeth...
with it: the tongue can rattle and a trill
R is heard...

зъ (ż) contra зь (ź) -
życzenia - well wishes| źródło - source...
now to only write these words
in russia - without knowing the russian
noun-denotations...
for orthographic purposes...

жыченя... or is it... жычениa?
зьруд... problem... can't find the english
W in russian... or the ****** Ł...
there's the english V... the ****** W...
but russian doesn't translate (Вв)
so vell into wery: not so weary but
nonetheless very not so, so...

my problem is not about that though...
this poem this poo'em this:
a pigeon drops a zeppelin-****
on your top-hat implies good luck...
no 13's or black cats crossing your path either...
i could most honestly spend
100 years of each of the 100 individuals
bound to the salt mines in the vicinity
of Beijing... and i would still find myself...
without tears...
because this is the most inexhaustible
crux: it's really bugging me foundation stone...

i won't even mind the modern greeks
at this point... they do use diacritical markers
too... but over-do it... as if compensating
or trying to compete on level par
with their metaphysical dittos...

чaхa: czacha... almost slang term for:
czaszka... чaкшa...
and this is by no means "smart"...
i can't solve crosswords puzzles...
well i can: but i need to find myself
in the company of my grandmother...
in the morning...
i would have had to drooled over some novel
from 7am until she gets out of bed
come 9am... we'd drink coffee and i'd
smoke cigarettes...
and it would be a month prior to christmas
or easter, or the interlude...
and... i'd be freed from writing or
reading anything in english...
either me looking at diacritical distinctions
in the realm of orthography between:
russian, ******, balkan...
or... me never learning french,
or attempting to: ever, again!

******* suffix-eaters...
dyslexics in reverse...
say one thing: write another thing...
this is probably born from my frustration
at being unable to learn french...
perhaps after having acquired english
i was given german to learn...
but no... first hurdle... french...
flop!
now it's a diet of no crosswords...
some sudoku from time to time...
and my new hobby after having found
"too many" googlewhacks...

so there's nothing smart about this:
this is in no way useful to anyone -
being the sort of person
to "mind" whenever one's being asked
to spell their surname...
it's hardly that difficult but...

would i go for the echo sierra charlie
hotel lima echo romeo tango...
or go out full greek with it?
perhaps the greek...
since that would solve the problem
i've had for a while,
concerning the eta / epsilon "debate"...

how does a greek laugh -
what is the crux letter via which
a greek laughs?
you see a H shape on the horizon...
but you... hear the noun: eta...
you later see the name eta...
but that's eta: without an apostrophe...
the apostrophe 'eta being the "surd" H...

in greek then...
epsilon sigma... **** it... there's no "sch"
of a german worth in greek...
let's cut it out:
epsilon lambda epsilon rho tau...

otherwise in russian...
once more:

ś(lub) - wedding - сь(люб)
"soft" sign - ' - apostrophe -
or ACUTE elsewhere...
why not сьлуб?
i don't know... it's not like сь is even
minded in russian...

ah! my favorite!
goń! gonitwa: a race -
the verb impetus: race! chase after!
гoнь!

since ы is the "odd" one out between
the application of "ь" and
and "ъ"...
come to think of it...
ы gave birth to: ю (yu), я (ya),
у (u), й ("y"), и ("e")...
i... i.e. and... in ******...
akin to those languages that use e...
to also imply and...
ё (yo)... how did i miss the umlaut
infiltrating the russian 'bet...
i blame catherine the great!
and... е (ye)...
is that the pentragram?
u, a, e, i, o... yes! we have it!

i truly had better days when sudoku was
the better puzzle to fill a day with...
not this... from glagolitic, to greek,
to roman, to post-roman to russian
and back into...

if we are all "supposedly" literate...
begs the question why: why oh why the emoji...
the *******-wanking hieroglyphics...
the :) and what not...
i guess to better escape this sort of
headaches... minor chances of everyone
becoming a bilingual:
but what's there to brag about
being bilingual!
i guess the polyglots do not have such
headaches of detail...
they just... bypass these rules and regulations...

to better guide me:
if i managed to sift through james joyce's
finnegans wake... and didn't find any
diacritical markers in it?
can't i compensate?
i'm compensating right now!
if the 2010s as a decade was a decade
filled with... sisyphus titans akin
to kant, hiedegger, kierkegaard,
knausga(a)rd, joyce...
beckett - yes...
again that hollowed "y" distinction!
it's not a sisi: yes yes problem...
hardly me being ***** either...
e'ver... i'ver...
ain't that a *****...

clarity of diction... the best motto there is...
crab-bucket-intellectualism:
alternatively the focus away from
any ontological stressors of "example" -
ontological and its variant of
a priori:
perhaps, given that the ontological
is an a priori argument...
here's my crossword puzzle -
ref. thesaurus rex...

and by no means... at all...
etymology is the better variant of any known
history...
when this bundle of words:
that an ontological dialectic can be achieved:
that ontology can be given within
as much as an a priori: bigot! focus...
with as much as an a posteriori:
wizened unicorn quid pro quo tanz!

hamsterwheel loopholes or:
crab-bucket intellectualism...

now: i really could have put these words
to better use... to make them linear...
less cryptic... but how can i?
i'm solving a crossword puzzle in reverse!
i don't expect the easily scared moths
to entertain this fire...

i expect midgets to be dancing...
before my eyes...
whenever i listen to
faun's tanz mit mir
or in extremo's rotes haar...
when the bagpipes and the flutes
kick in...

- since if i were to write a coherent sentence:
succumb to a linear narrative...
i'd people reading this to be also found:
easily talking about it...
perhaps i don't enjoy freedom of speech
as much as i enjoy the freedom to think...
perhaps i haven't written anything
worth speaking about, regurgitating,
making vogue, working for some intellectual
period-piece of "vogue"...
perhaps this is a shared problem,
hidden in a cipher...
of: how i can't heave this tool...
this tapeworm of existence,
this medium of god...
to later trash it, to have nothing better
to do with it other than play-games...
worded games... crossword puzzles...
perhaps i need a crossword puzzle to imply:
neighbour's share some words...
together... but then write them differently...
perhaps i require a crossword puzzle...
to read into some russian...
on the praxis base of english...
flying past Warsaw toward the itch
of the edge of Asia...
breathe the air - the heart of the continent...

perhaps i would have never managed
to escape this world if i ingested
mind-benders of the h'american 1960s
revolutionary schematics of the:
new-humanists... crash course in literature:
only one magic mushroom trip away!

фoрк ин дэ рoaд (fork in the road)

ИN...

some shared words, of etymological
curiosity...

(fork) вилка - wilka -
polish? wilka? that which belongs to
a wolf... widelec...
видэлэц...

(knife) нож - nóż -
well... orthography comes into play...
while people can have their...
ahem... in-the-meantime metaphysical
playground...
the ground, the word,
the geology is already here...
written alternatively?
нузъ...

i take a different stance to the common day
****** back east...
when russia starts slagging you off...
you put on a Boris Yeltsin mask on
and dance the drunk panda dance...

(spoon) ложка - łyżka -
in polish? ah those russians... ло ло...
лож: lorz...
lo lo and behold the translated
quasi-russian into the borders of europe...
ł.w.(ызъка)...

black and white (черный и белый):

czarny i biały: rho-si-ye!
char-nee-ye! bel'ye)...

perhaps the timing is a bit off:
the proper wording would be:

czarno na białym -
not: in black and white...
чaрнo на биa-wh-ым...

knocked-out to be honest...
the russians use ый like that?
YJ? oh right! i use it too!
in the prompt:

tyj! tyj ty grubasie!
hmm... -asie...
it would do me a lot of good...
if that iota didn't have a decapitated
head of a halo hovering above it...
why? so i could introduce the acute
slant over the S and surd it...
i.e. -aśιe...

тый! ты груб... exactly...
grub-               -aсьие
тый! ты грубaсьие!
to grow fat: тый!
              "problem": -aśιe vs. -aсьие...
well... it's there: сь...
but it also isn't there: и...

but it isn't: but it also isn't...
i just managed to find out that...
in warsaw (if i lived in warsaw)...
we have that conjunction: -ый-
however rare it is: it is there...

any more delegations from Moscow?
tyj! tyj ty grubasie!  
and i will write these last few words
and know why i don't really feel like
solving crosswords puzzles...
or doing those i.q. schematic tests...

**** it... the welsh should know and help me
out... concerning?
how it's YN and not IN...
how it's Y and not I when referring to THE gwyll:
dusk...
y gwyll o hywels: the dusk of powells...
only the welsh would know my "pain"...
yn y gwyll o y hywels:
in the dusk of the powells...

taking a step back - a step back...
yes yes, apologies... if my punctuation...
is too much of a ******* arithmetic!
too bad!

p.s. and yes... don't leave anything lying
around in the drafts or as private...
chances are... with a 2 day delay...
this will never be fed into the LATEST feed.
Hal Loyd Denton Feb 2013
The day had entered the twilight time I heard an old train whistle I surrendered to the call of far
Away and I found myself back in time it was Saturday the family was going to town to the
Weeks shopping we parked in the alley past the feed store it was the way we started out we
Walked past the entry where we kids would go in on Easter to get the two free chicks then
You would go back to the bins and buy the fifty cent bag of pellets the fun involved the box with
The light the fruit jar that turned upside down with the lid fixed with indentations that as the
Chicks would drink and throw their heads back the water would bubble down like a water
Cooler little yellow fur ***** what a treat and delight but we would go in the big wide door that
Held the giant stand up scale with the great face and the smell of grain with a thin dust film on
Everything all of that and get your weight to how great was that back out in the sunlight dad
And I would go to Jims for a hair cut we all practiced cutting through stores you could go up the
Alley right beside Woolworths but what fun was best was parking behind Ben Franklins walking
In through the outer supply era and at the back of the store were the fiber barrels with the pink
And vanilla wafers they were a penny and I always got one of each at the barber shop the comic
Books were stacked high and the men were always having a talk fest and Jim whistled a tune
That was just as good as the theme of the Andy Griffith show we did a little bit of Mayberry all
Of us standing in the dark alley beside Rudow’s grocery waiting for them to do the weekly pony
Raffle I never won but I had access to the laker’s pony it was a good thing we had hard enough
Time feeding ourselves and the dog well we did have twenty seven at one time on the farm it
Was the A&P; for groceries run back home put them away and then go out across the drive set
In the shade as a family and eat A&P; Jane Parker Apple pie you would think it was desert at the
Green house restaurant on Market Street in Frisco where all the waiters wore tux’s know this
Was the time of grape Mogen David wine that was fairly priced in the family size jug but there
We set with a five gallon white plastic bucket with blackberries fermenting well dad must have
Already been tipsy that bucket had weeds other debris I won’t hazard a guess of what it was
But let me tell you the cloth on top didn’t help much I used to make a joke about espresso and
That strong Cuban coffee my complaint was it tasted like Wan and his mule was still inside well
This homemade wine hot long brown weeds I don’t care how country you are some things are
Better left alone like going out to our friends and have a meal they would put the milk in this
Big blue greenish half gallon right from the cow there would be lines moving around an oh yes
Don’t forget the snapping turtle we ran over and almost knocked me off my seat and those cars
Were heavy well quick as a country cook could do it turtle stew yum wants some excuse me
Folks As long as these people have a front yard full of grass I’m good you eat a while then chase
Lighting bugs now that’s what belongs in a jar and Like Dan Ackroad said in the movie and their
Butts light up well I didn’t have time to mention Tanners show uptown Sad Sack army show
With Jerry and Dean Gordon Scott as Tarzan they didn’t give the warning don’t try this at home
Or on the way home because in bums jungle where the bums all hang out between trains yes
There were vines on the trees but I don’t think Tarzan let go and rolled in the undergrowth that
Was filled with poison Ivy well Gordon never got to go from Tarzan to the mummy all white
With Copperas lay in the car across the street in the car like a dog with flees while your family
Is in the Home town café eating and the best part getting thrown out of the pool but I have a
Season pass well least climb a tree watch the fun and then a scene from the horror flicks of
The Day a little kid and his mother walk under the tree mommy mommy there is a monster in
the Tree and you wonder why I write I tore out of the tree like a cat possessed I ran over and
Hid in the big pavilion with the invisible man well that’s my home town how about yours
Kendal Anne Sep 2013
To paint the scene of my former life
One must first take a look into a little dusky room filled with shady sunlight,                        
Streaming in through dusty blinds that  never actually shade the eyes.
They produce blinding shafts of light that burn the eyes like blades are hiding within red  fired laser beams.
Imagine a little rocking horse, painted black and gold, with a little red bell dangling off of the red reins attached. Nostrils flaring, ready to be ride out into the sunset, but never actually to be ridden.
Two comfortable twin beds shoved into the corners of the room, leaving indentations upon the slightly greying,
Off white carpet that had once been plush, now smashed into the ground with dirt and grime from children playing.
The comforters on the top of the bed lay strewn and rumpled; covered with dinosaurs and their names,
Allosaurus, Tyrannosaurus Rex, and Brontosaurus.
All with goofy pictures in greens and oranges that a child could laugh at when frightened.
On the right side of that room, from when you walk inside, the walls are painted a malicious purple,
Like a swelling bruise had been inflicted upon the wall by some unseen hand that had forced a fist.
A big ugly bruised wall.
Accompanying that bruise on the left half of the wall is a faded blue,
The color of pearls painted over with a smattering of blue paints,
Enveloping the trim of the room is a metallic silver haze that was just beautiful,
Creating illusions of moonbeams and silver roses within it.
The ceiling was glorious as well. It was covered in millions of stars.
Although they were glow in the dark plastic stickers that could be hung anywhere,
I still saw them as fiery gases burning miles away.
Of course, at the time I was well aware of what stars were, as I had a love for them.
I would gaze upon them late into the night, often in awe and wonder at how it would feel to be one.
Would it feel as if I was enlightened and owned the universe,
Or would it be a darkened, frightening place, filled with loneliness?
I had always wondered.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~~~
There is much screaming. High pitched, it sounds like the whining buzz of an angry bee .
A scream nonetheless. So very loud, it is, and it rings like church bells in my ears.
Ringing, and ringing, and ringing...
The scream sounds so very close to me,
Perhaps this is because the wailing sounds some from my very own mouth.
The screams, crawling and digging their claws up and out of my throat,
Unburying themselves as they seep out in tormenting waves, leaving my throat a red and raw coated mess.
But still, I scream.
My throat resounds the despairing loneliness that had welled up in those short years of my life,
Finally taking their act of freedom, welling up and pouring out like caged birds,
Fleeing from the cage with freedom in their hearts.
Although this was never true, this was never to become freedom,
The fleeing screams do not pierce the veil that shrouds the deaf ears that were meant to hear it,
Turning away in ignoramus bliss.
“You are the banshee wailing,”  
My Mum says with a growling lilt to her voice as she pushed the door to my room closed with a glare,
Her fingers clenching the door, knuckles turning white with frustration.
Tiredness has already beginning to  line her once youthful face with spiderwebs of indecision of what she truly wanted. As I scratched my bleeding nails across the closing door, frantically searching for a place of escape,
My mind races and thus, I began to horde emotions of resentment for my parents.
I constantly wanted to free myself from the jail that my world had always seemed to be revolved around.  
My nails are bloodied and fingers bruised, I give up in defeat from the fear.  
Although it may only be pounding upon and freezing the insides of my veins,
It is exactly what created this insane version of myself. This wild animal who scratches, bites and roars,
The primitive animal comes from deep within the skin wearing it as a costume in the form of  a little three year old girl.
I was locked away for most of the three years I had spent with my cold and unfeeling parents,
Who wanted nothing to do with me, nor ever share their love.
(Or so I thought as a child, whose hopes of freedom were breaking away even before they were molded).
I have retained this in my memory banks for my entire life,
Even after when those around me told me I was too young to remember it.
But how could I possibly remember this in such crystal clear detail,i
If I had been a thoughtless, and blank minded child at the time?
This experience has obtained and earned one of the darkest places in my mind,
It has forced me to keep it inside my entire life.
I call it the dark forest, the place that remains shadowed, blackened and cold.
Most of my horrible memories are part of that forest, creating the trees that form it.
From this forest leaps the monsters that tormented me in my dreams, howling and baring their teeth,
Their shapes surrounding me like a thick and rank fog that was inescapable, their breath rolling down my neck.
The stench making my eyes roll back, turning the world black.
Then suddenly I would wake up, an invisible scream rising in my throat, sweat soaked and shivering with fright.
Even then, I could still see them.  
Their red eyes glowering at me in the darkness of my room that I shared with my sister Dakota.
Sometimes I imagine that I can still see them, and a paradoxical paranoia rushes down my spine,
Forcing every hair to stand on end, and cold fear to paralyze my body, to the point that I am immobile.
Like frightened prey trying to hide and fold the body in on itself,
From an  un-explainable fear that was reared from my childhood.
I was created at the hands of those who love me now, but at first were disgusted at the sight of me.
I was merely an obligation in which they had to feed and bathe on few occasions.
An abomination, something to be frowned upon.
Their indecision and ignorance was what caused one of my largest complications of the brain.
This experience created the driving need that I still carry with me today to be surrounded with people.
I feel as if I cannot survive without them, because my childhood was so filled with loneliness,
That I need to gain back that attention that was taken away from me.
Considering this, of how insane I had been as a child, like a froth mouthed animal, begging for scraps of food,
Only my food was social activity and freedom, in which I was explicitly not allowed to be given often.
My grandparents, if I have remembered correctly, their faces seeming more youthful than my parents,
Pouring experiences  into me like a mug, gracing me with feelings of wonder instead of blind fury,
Overwhelming me with their kindness and compassion.
They were the ones who changed me, took me in and made me feel like I was really alive and was of relation.
They made it seem as if I were still slightly human, not a craze eyed child who acted like a wild animal,
Who was feared and pitied by those who came to see me.
Although it did take time to recover from my horrific experience,
I have learned to gain control of my emotions through meditation, sometimes to the point  of becoming a blank slate.
I was the girl who acted as if I was not of this planet, as if I was off in another universe taking a soul vacation.
Tracing patterns in the constellations, my eyes star struck and filled with wonders that only I knew of.
Being so used to a constant state of harmony, that the world around began to blur,
Taking little notice of any change within it, even if the images crossed and passed within inches of my unseeing gaze.
Viewing the world as it was meant to be seen; with beauty and stained with emotions.
This is a story of a girl with the once crazed eyes who saw the world as a fearful place with no freedom,
Who behaved not unlike a wounded animal caught in a trap,
Whimpering and pleading with her mournful gaze for freedom.  
Only now this girl had been turned into a starry eyed child with wisdom from a past of tragedies.
~This is who I am and this is my story~
This is actually my Lang & Comp assignment turned into a poem. I know it is long. Enjoy~
Meka Boyle Aug 2013
Life is a tiny black x on the calendar,
Wedged between play dates and rescheduled doctors appointments.
2:00 floods into 4:00, until the entire day lies crumpled at the foot of the bed,
Lifeless except for the coffee stain memories of yesterday.
Nothing happens here.
Self questions self, and we all sit criss cross apple sauce on the linoleum floor;
Is this what it means to be alive?
Red and blue parachute above our tiny shoulders,
Mixing with green, yellow, and orange wedges
The same as pizza or convenience store cheesecake.
Outside, noisy blurs of grey and black whir by
Full of passengers too preoccupied with routine to venture
Into the far off world of innocence
That softly plagues everything detached enough to feel it.
Covered in paintings of a reality that's missing all of it's fingers.
Nothing lives here- beyond the faint ripple
Of three o'clock snack time:
Rosy cheeks and small, stubby fingers concealed by apple sauce,
The preservative of youth, it slowly takes on the texture
Of dad's lung cancer-
Dying pigeons rest nostalgically upon city rooftops,
As strangers stop to admire their stagnant beauty,
Crying out acclaim for the regal presence of those
Who can bear to sit still amidst the chaos of an hour:
Cigarette and polyester feathered Madonnas of the modern world-
Installation art at its finest.
Face paint and spaghetti hair
Are only tangible until replaced with something a little closer to
Reality. The American dream sinks to the bottom of a hollow mason jar, as preservatives soak the bones
Of every tiny heart, alive enough to give out at the faintest malfunction.
Dilapidated, our heavy feet tread over spare Lego pieces,
The tiny rectangles push up against our translucent flesh-
Leaving abstract indentations of a city that never was.
Images of the earth projected upon tiny marble surfaces,
Fallen from a cardboard box that was once on isle five,
Impress upon the weary feet
Of strangers, running to throw up beneath the red, green, and yellow windows
Of a Target grocery store.
Nothing grows here, yet we eagerly pluck our wilted produce
From the clammy hands of a metal machine
Programmed one, two, three
To dilute our logic with an even mist of something
Almost like water, but with more promise.
Until, we can easily swallow the bitter pill that
Holds the secrets of the world.
Carson Bell Sep 2011
his Eyes are the leafy root of a carrot,
Portals to the sustenance underground.
his Feet are bare but determined to go far.
his mouth is a canopy to a dense forest
Hiding from the world, what lays inside.

his flyaway hair, like a fallen piece of bark,
an imperfection that's part of a perfect picture.
his Thoughts are raindrops pouring off of an elephant leaf,
Small indentations flowing from a vast expanse.
his Voice is the wind, carrying me away to a better place.

his Charisma is Grandfather Mountain who holds old wisdom,
ever durable through the storm.
his Past, a collection of sand,
is molding into a seashell that will take a lifetime to form.
his Soul is a pinecone,
Guarded on the outside but holds something precious to me.
Allyson Walsh Apr 2015
I.
See these marks on my fingers?
They're not from my bark
They're my bite's fight with dinner

II.
These cuts and bruises
Have calcium to blame
And the food my body refuses

III.
The scars on my middle and pointer
Remind me of the acid burn
That made my image so much lovelier
For myself
Not for the faint of heart.
#ed
Sean Pope Aug 2012
Footprints so carelessly left in the sand:
So varied, haphazard, yet one common band.

The confidant jogger, the beach-combing wren,
The legions of desperate women and men,
Each of them leaves behind wet indentations
For those so inclined to survey and relate them.
How heavy the footsteps of those bearing burdens,
While almost an outline from those sans diversions.

These footprints so often abandoned are strange,
For they effect any who come into range.
How so many strive to make some path go noticed,
When often the same ones leave marks out of focus.
Ghosts of the efforts of steps left behind,
Yet lost to the ages, anonymous finds.

But one thing unites all the grainy debris:
These footprints will be swallowed up the sea.
Chris Aug 2015
~

Miles of nothing,
beige on beige on beige
The sun is screaming,
blistering my skin,
draining me slowly
as breath is heated
and tastes bitter
Shoulders slung low
I can’t stand straight,
bent over struggling,
nothing is anywhere
and nowhere is here

Leaving footprints
for the wind dancers,
black feather fathers,
winged circlers
High above, watching
sifting time
in weakened increments,
hourglass patterns of
falling granules
sinking deeper

Water is a dream
and this dream, a nightmare
for it is there,
just ahead, I can see it glistening
but it does not exist
nothing exists,
as the oasis in my mind
dries up, leaving
empty indentations
on horizontal planes, flat lands
of arid emotions
drifting in and out
reaching for…
reaching
It sure is hot here today.
Simon Bechtel May 2018
Rotting meat lined the walls
of the spot where the crime was committed
Locked from the outside
Shut in as the oil burned,
the smoke engulfing,
the flames consuming the people as they screamed, "Let me out"
but the indentations of the footprints on the door spoke loudest
They spoke of 25 beautiful faces
lost in pursuit of the American Dream.®
Anjuman Deodhar Oct 2013
I gave her a book of poems
for her birthday.

And an eraser.

Not that the graphite words
were exceptionally poignant
but I felt that a gift
with a little something
scribbled on it
would be a bit more personal
than one that’s unblemished.

Even though the letters were destined
to be as fleeting
as those on sand,
even though the waves were the gentle
graceful strokes of her fingers,
even though it was a sanitisation
that could have easily been avoided
had she chosen me
over him,
I wrote them.

Because I knew that like scars
the tiny indentations would stay
and her beautiful fingertips
would feel them
if she ever chose
to run them over the page
while thinking of me.

If she’s ever thinking of me.

So I wrote with a pencil
and didn’t flinch
when my affection was reduced to
little grey globs of synthetic rubber.

“For my dearest       , Love Anjuman”
was all that I’d written, anyway.
Montana Aug 2012
His name was meant
for someone three times his age.
Someone who reaches into
the pocket of his sweater
for little hard candies,
amidst games of shuffleboard
and canasta.

I would have never pegged him
for a Walter or a Leonard.
(Wait, was it Larry?)

But then again,
the way he
sweet talked me into
his bed that night,
I would've never expected to
wake up alone
the next morning.

A post-it note balancing delicately
on the indentations of his pillow;
*Had to go to work. Nice meeting you, doll.
Jade Aug 2019
volume i
A Portrait of My Sixth-Grade Self
___________________­

Eleven-year-old fingers
swollen with baby fat
dig into the gaudy shimmer
of turquoise eyeshadow
encased in its shattered compact.

I apply the pigment,
erratic smudges extending
from my lash line
to just below my untamed brows.

The blue powder accentuates the swirls
of my fingerprints in dizzy figure eights.

But you can't quit your own skin
like you can quit ice skating lessons.

I am in the sixth grade
when the Popular Girls
in my class tell me that,
if I want to get a boy to like me,
I have to change the way I look.

I abide by the rules of the
Unofficial Mean Girl Doctrine:

{no. 1}

I mustn't wear sweat pants,
these sloppy Old Navy rags
that I have owned for three years.

See,
denim is superior to cotton
even though it leaves
cavernous indentations
on my stomach.

Sweat pants forgive
the extra swell of your waist line.

Denim punishes you
for what you don't have,
more specifically
for what you have too much of.

I ask my mom for skinny jeans
because perhaps if I can
shrink all that I am
into this blue, unyielding fabric
I will feel thinner than I actually am.

We buy the skinny jeans from Old Navy.

{no. 2}

My signature high pony tail is
unacceptable.

I should wear my hair down,
they profess.

I am not sure if this is
because of the tufts of frizz
that loom over my scalp
like wasted dandelion seeds

(I wish... I wish... I wish...)

or if this is just a necessary ritual
in the abandonment of my girlhood.  

After I unsheathe my curls
from their rubber-band Bastille,
their trial commences.

My ringlets slither
in hostile circulations,
executing frequent detours away
from anyone who might scoff
at their animalistic bedlam.

If only I could will
my spectators to stone.

Cuz no one ever dared
**** with Medusa
and her curls.

Instead,
I settle for a flat iron.

{no. 3}

Do everything in your power to be
Beautiful
including, but not limited to,
the laws indicated above.

Yet,
despite my grandest efforts,
it is never enough.

I am never enough.

I am the Walmart Edition
of what the Popular Girls
want me to be.

With my gaudy eyeshadow and the
cheap Dollar Store bracelets
that I wear around my wrists,
plastic flowers blooming
upon threaded stems
that nip at the hair on my arms.

One day on the bus ride home,
a boy from my class tells me
I am too hairy.

"Huh?" I ask,
pretending I haven't heard him.

"Nothing," he mumbles back to me.

See,
little girls are supposed to play with
jump ropes and Barbie Dolls.

They are not supposed to
play with razors as they strip away
every misplaced hair on their body
or consult Teen Vogue
for the latest beauty hacks
like they are Gospel.

This year of 2011/2012
has been engraved  into
the historical road map
of my every insecurity.
The legend of this map,
depicted in smeared globules
of sugar cookie lipgloss,
deliver me to my destination:

self hatred.

Mascara stains the
topography of my flesh
in inky, dotted lines

I follow.

I plummet
like the eternal run
in my stockings.

One way plane ride
non-stop
never to return
from this perception of ugliness
and then--

flight


down.
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Saskia B Jun 2015
A glimpse of blond and shadow,
tall and hunched.
I would paint him as a morning sun,
a blood orange with pinks and golds,
my strokes would be soft
like the blush on his
cheekbones and
the indentations beside his mouth.
I would paint his face a grey,
like clouds that are confused, swirling
and whirling but
amused by the slightest thing.
As I near his chest, I
would paint his heart a purple, so dark and deep,
juxtaposing his bashful smile and *****
blond hair.
The 5 o'clock shadow
spreading its graceful limbs along
his angular jaw,
I would paint a mauve brown,
reflecting the days
of nerves and sadness
as his red-stained lips drop, the smile
gone.
Like the knock of an elbow,
harsh and sharp, eyes
seeing stars, the pain is all consuming
at first, all he can think about and then
the ground stills, the sky is pink,
the grass
a burnt yellow.
I would paint his face blue.
Jessica Leigh Jan 2014
Let me assure you that I am aware
That eyes are eyes
Wherther blue, gray, brown, green
for they see what the nose, mouth, ears
Could never begin to fathom.
And yes, I know that many of the colors
Have been given the audacity to
Make hearts flutter to a halt
While others are reduced to acquiring
Their colors from the dullest of souls.
Everyyone can see the pigments
That have surely created the
Being before them.
Yet most are blind to see,
To notice, to care, to love
What lies beneath those
Purely captivating eyes.

Blues scatter throughout
The world we know
From the sky to the ocean
To sad old men
To new baby blankets
To old denim jeans
To new paint and pens.
They run down streets
With a glimmer of emotion
To be seen by more than
Just the blues alone.
They jump and play and skip
From the soles of their feet
To the top most fragment of
Hair on their heads.
Girl envy and swoon over the
Brightness and innocence
Of those blue eyes we see everyday.

Gray for the hardest of men
And the saddest of women,
Almost stone under their lashes
Strength radiating into the eyes
Of others as they stare back in fear.
Indentations from the old beatings,
Heartbreaks, tramas, and even love.
Hard lines of black cross through
The rough outer gray surface
To produce a wall built up
From the iris, pulled and wrapped
Around the heart and mind.
And even if you put your entire
Being into tearing, ripping, crumbling
Their wall, you'll be thrown back
Wishing you had never attempted.

Brown to melt as a new born
Wraps its hand around
A mother's finger
And to glisten when a
Student grasps their torso
Because they were saved by their teacher.
A brown that never hurts
Enough to harden, but loves enough
To smile and be strong.
A brown that is patient and
Knowing, understanding, caring.
Not because they don't know hurt
But for the idea that they've been
Hurt so as to never hurt others.
They will see things that others miss
And get to know secrets that others
Cannot comprehend of imagine.
But every secret will blow at their
Melted eyes, but they will never
Turn to stone.

Green.
To look in a mirror and see the
Trees whistling by as you look out
A car window, full of hopes and dreams.
With sky blue walls and small pictures
About older and younger sisters.
A white bed and crooked teeth
To match it in color.
No make-up,hair parted in the middle
And eyes to match her mother's.
A smile on her lips and in her milky eyes.
Then her walls turned blood red
And her teeth became straight while
Her long sleeves were clutched in her fists
And her eyes no longer brightened
At people, only at things she did.
The rest of the time, her eyes held black lines
And only melted from seeing the beauty
Of life in something other than herself.

So let me ask you,
Are eyes just eyes?
Whether blue, gray, brown, green?
Do they just see what the
Nose, mouth, ears could never fathom?
And are you sure that you are not
Blind to see, to notice, to care, to love
What lies beneath those
Purely captivating eyes?
Charlie Chirico Nov 2016
Since adolescence
I have been an insomniac,
something sought after
these days,
by ignorance
masquerading itself as
open-mindedness.

An hour to me is not an hour to you.
The same standards apply,
only because those
restrictions can not be lifted.
Such a beautiful tragedy,
concerning a man made
mandate,
that dictates calendar years
and sixty second intervals.

The sound a scribble makes
at three in the morning is
a continuing story of dark circles
and ever slowly forming indentations
that are everlasting countenances.
The sound dead leaves make
as they're stepped on quickly
shows a path yet to be discovered,
leading to an uncovered face formed
by bark, mottled with sweat
as sweet as syrup.

A petrified face.
Covering a worn sponge.
One willing to grow and absorb.
A tired brain.
Swimming in Dextromethorphan.
Controlling a hand
that extends to yawn.

After counting
sixty sheep,
I'll start my next interval.
One nod to know
it worked.
these hands,

these hands were meant
to melt in the keys of the piano
and not for pushing buttons
to operate complex machinery,

these hands were meant
to climb the plateau’s of New Mexico
and not for spilling a half bottle of
Dutch milk while the tv watches me
passed out on the couch,

these hands were meant
to build treehouses for my children
not to drunk punch lousy bums
on the slum streets and lose,

these hands were meant to
pick peaches in the orchards of Georgia
and not to be holding my **** as it
****** in the linen closets and China cabinets
while in the drunken state of befuddlement,

these hands were meant to
make colossal sandwiches
and not to swipe my card
in the drive-thru,

these hands were meant
to caress my wife and
waltz her through life
and not be defiant,

these hands were meant
for gumption and not for
delusions of grandeur,

these hands were meant
to make my own dreams come true
and not someone else’s,

these hands were meant
to have purpose, talent,
motivation, diligence
and not to be shoved
into the pockets of uncertainty and
suffering from indolent characteristics,

these hands were meant
for bigger indentations
in the world and not to be
tyrannized by simplistic minds

these hands,
these hands,
these hands...

but somewhere down the lifeline
of my palms
I had left behind
my spirit and my soul
a long, long time ago
and it’s never too late
to get it back,
oh no,
it’s never too late
to get it all back.
Joseph Valle Sep 2012
Stare at your bedroom wall
and bard me a story about
the creeks of white between
the sun-patches of blue paint,
the faded yellow of the door
where the damp towel was hung
day after day after day.
Tell me about the mark
of a swept paintbrush
that accidentally destroyed
distinction between wall
and radiator.
They're no longer clean,
either of them.
How are the door handle dent marks
from that hurried moment when
you rushed into your room
away from our argument?
What of those stories?
Will you need a new place
to erase the memories from your mind?
The flies and the walls cannot speak
to anyone but you now.

It's all rotten anyway.
The sweet stink of evenings
spent in an intimate supine,
with a cleaver caught upright
in the cutting board bedpost.
We were atop one another
with our faces to the ceiling,
reading passages of poems aloud
after drenching the bed sheets
in varied indentations.
Cut words and minced gazes,
we grayed as shadows
against those weathered walls.
I remember those walls,
moonlight had reflected off the frames
of littered photographs, those stories,
and created a dance floor pattern of crescents
and plank-meeting-plank askew.
Those walls will tell me stories
even if you decide not to anymore.
I'd buy them all up, I would,
as I do the meat hook-hanging
in the butcher shop.
Michael W Noland Jun 2013
It was a trackless railway
In the woods
A bit misunderstood
Stripped
Abandoned
And secluded

It was Illusionious
In its imprints

Its indentations
Of footsteps
Intersecting
In sections
With the phantoms
Of past steps

The glints
Of stimuli
Widened my eyes
In My
Accension
From feeble
Mindedness

Suspended

In rhymes
In rows
In times
And places

But this time
It's just different

As I

Blindly
Signed the sky
In denial
Of the price

And paid nothing
2sided2 Jun 2013
I want to run my fingers
along the indentations
your favorite pants
left pressed on your hipbones
after a long day
Batya Mar 2014
You think you're the better writer with
         Your indentations,
Arrogant alliteration,
Games of Rhymation;
When You Capitalize For No Good Reason
OR TYPE IN ALL CAPS;
When you type in italic just because you can;
With thy ineffectual employment of Shakespearean formulation
Or elongated conveyance of your articulation,
                                        When you type in
                                             funny patterns to
                                        better express the  
                                             thoughtfulness and
                                        superiority behind the gemstone
                                                   artist,
And, all- your; meaningful, strategically placed' punctuation!
And perpisfuly mispled wurds bcuz yur so ironic,
And your cryptic title that's meant to come off as genius.
Dylan could crack a skull without a hammer.
ellie May 2015
oh, violet,
where have you gone?
i miss you.
stars still enliven the shadowy night sky,
but those far-reaching streaks of lavender
escaped
the evening’s backdrop
before I could engrave them into my memory.
the snug, lilac comforter on my own bed
no longer a safe haven,
a rigid, metal cage,
trapping me within my midnight hallucinations.
eyes close over and over again,
yet i can’t find a way to escape
from the pale, mauve speckles
that dotted your brown eyes
whenever the moonlight shined down on them.
oh, violet,
where have you gone?
i miss you.
i followed your footsteps,
etched into the remains of my heart,
repaired so below par with the thinnest papier-mâchéu.
but they only led me to a solemn place
where no soul had ever set foot.
faultless, pallid fingertips
trace over deep, orchid indentations of your name,
carved heavily into the walls,
framing my hiding place,
wholly staining your acrid touch into yet another expanse of myself.
every last brush of skin on the hard plaster,
sent me searching, further and further away from you.
laying motionlessly,
overtaken by worn-down gusts of yesterday’s altitudes.
oh, violet,
where have you gone?
i miss you.
daybreak sun rises,
somber shades of purple escape from the horizon.
i haven’t slept a second,
for i fear the dark purple tint that lies behind my eyelids.
light pours through thin cracks of closet doors,
yet the illumination fails to cast shadows off your rigid silhouette .
oh, violet,
where have you gone?
i miss you.
i miss you.
Jenna B Oct 2013
The Lies were better
The gossip  was sweeter
I'm slamming my fists against his chest
I never appreciated the effort all that pretense took
I didn't see how much simpler it was
Not to know

I don't want to know

When the rumors began to unravel
I was the one who tore them apart
It was as sadistic as ripping a flowers' petals away  
to see inside
I saw all I needed to see and more
I saw it all before my time
I couldn't stop the Lies from falling at my feet
I tried to patch them together again, gently,
but they fell apart
and unraveled
some more.

Now I will always know
And I will always remember how the Lies
crashed into my mind
Like the rough waves of the sea
that leaves violent indentations on the sand before they leave again
silently

I never really knew him
Until the Lies began to unravel
I heard the rumors and he fell a little further
When I put my face to close to the fire
I was hungry for answers, but I didn't know
That I don't want to know
and they
burnt his memory ever so slightly
Then the truth escaped
and he was set on fire.

The night was better
The Lies were easier
living in darkness makes it easy to put out the flames
Living in this daylight is too bright, too real.
I loved the subtle distortions
but now they've become ugly truths
sara Jul 2013
the novelty fades
along with the glamour
sprinkling down like a cheap glitter shower
a spring shower;
soft
creeping along your hairline with the smell of light lilacs in a secret garden
dribbling wonderfully through a greasy scalp
one of the most ****** showers that’ll take place for a while
leaving loose indentations and wet feet and a swirling drain clogged with six years of hair
i should have thrown myself a line
now there’s just stale-smelling rooms and a lost little creature
rich in words
shallow in talent
its mouth is a river and help help it’s drowning

my head’s turned to mush and my heart’s turned to stone
i'm a rock caught between the spokes of your bike
twirling and whirling my hair brushes the ground with the bumpity-bump-bump of each rise and fall
it's hot down here, so close to the pavement
worms are frying, they better watch out,
or the rubber sole of a midnight wanderer will eat them right up

also your feet stink I would wash your shoes if I were you 

i wish i wish i wish i wish
i wish i could make words fly from my tongue and spin worlds and not cower from the unseen
i wish i could melt through carpet and slip through cracks in the concrete
i don't want to be anymore
being is hard
i would be satisfied with a nonexistence
no more bridges to burn or heads to crack
no more bleeding eyes and empty shampoo bottles that cost too much and run out too early
no music that will get old
no glasses that will drain themselves
no more trying to fix something that isn’t there
no more pathetic musings
no more tear-stained pillowcases and forced laughter through one-way glass
goodbye persona 182
you were beautiful while you lasted
what is this we just don't know
also what the **** is the title
Gossamer Dec 2013
Alone in her room, she writes feverishly,
Fueled by adoration:
“I love you because you fear
The very thing that will unite us;
I’ll remember you, even in oblivion.”
Alone in her thoughts, the moon rises
With her chest as she takes deep breaths
As she smears the ink, the liquid words that read:
“Can you feel my heartbeats
In the indentations of this letter?”

She begs him to remember,
To try and picture their first date;
She says, “I know it’s hard right now,
But you are stronger than the things
That have ever dared to bring you down.”
She begs him to recall
Sitting in a coffee shop somewhere
In the heart of a beautiful fall
And if he wakes up, she wonders,
“Will he remember me at all?”

This letter is not about her,
Though her scent engulfs the page;
No, this was never about her,
Though she wants him to remember her name
When he wakes from someone else’s mistake
And if the sound of her voice
Is not enough to provoke
Even the simplest memory of their love,
She prays through tears that her
Ink-stained words will be enough.
Aztec Warrior Jul 2015
It's hard to walk
the dunes of depression.
Not only from the loose shifting sands,
but the presence of soul eating,
demonic illusions
that pretend to be poetic
yet are just rotting, hypnotic words
hell bent on falsifying your mind.

The ironic indentations
in this madness
is you are standing amidst
blue sky lithium dreams
of xanax desires,
stuck with rainbow's
colors pounding at you,
making you think everything is fine
as the whole world burns;
a "one day at a time"
horror show
that shouts a *******
symphony in B sharp major.

Hell,
no wonder
I love the "blues".

Aztec Warrior 7/12/15
May my sweet friend find peace
Andres Hernandez Oct 2011
In any mirrored face
the homeless sees nothing shuffling
from his favorite stores
At night they feel their wild
canine teeth

Words surfacing
uncollected in fragments and scratches
besde underdeveloped manors
in the city's growing mold
and buildings separated by dust like a ream of books
on the trail to the open west

Noise clock, sharp chiming
and unbearable
soot blackness of perpetual rain
pulsing faintly in a palsied
flow of the oppressive
heats and sounds

My sister is a forgotten composer of rebellion
given only the courage
to think her words will merely be
a droning
cello's moans
and preludes unsettled
and old

Without authority
someone might hear her
centuries too late
when few will give her a wait or wax cylinder
of words no better than it's tremorless
indentations unseen by the eyes and ears

The days of crystalized quartz
and effeminate handshakes and kisses
vacant gestures and the beautiful
view of the destitue on a warm
spring morning in the park
Michael W Noland Feb 2014
The return ~


It was a trackless railway
In the woods

A bit misunderstood

Stripped
Abandoned
And secluded

It was illusionious
In its imprints

Its indentations
Of footsteps
Intersecting
In sections
In phantoms
Passed
In half
Steps

And in glints of stimuli
I widened my eyes

In my
Accension
From feeble mindedness

Suspended

In rhymes
In rows
In times

And in places

But this one time
It was just different

As I

Blindly
Signed the sky
In denial
Of the price

And paid nothing


~
how much longer
until i am just the indentations
of a body
in my bed?

— The End —