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"They only burn themselves to reach Paradise"
                                       - Mne. Nhu

original courage is good,
motivation be ******,
and if you say they are trained
to feel no pain,
are they
guarenteed this?
is it still not possible
to die for somebody else?

you sophisticates
who lay back and
make statements of explanation,
I have seen the red rose burning
and this means more.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
JAM Jun 2013
An Explanation With A Payback Worth A Playback

First off let me apologize for being me
Ya see I never really been all that good at intimacy Subconsciously I try to do things romantically
Just for you, cause you my flower that grew from the concrete
But consequently

I'm still selfish I can't help it
Doin' my best to be selfless but they still calling me helpless

It says "not worth it"
Where the name goes on my birth certificate
How's that for picture perfect

So.. how do I compare to the rest?
I'll do my best
To treat you like a princess

Also visualize you as a queen
And realize at times you'll need to spread your wings

All we do is live and die
So I do my best and try to materialize my
Dreams
I'll bleed before I cry
I fell from the sky
Cause I cut the puppet strings

With that said
Let's head to my or your bed
Or the kitchen table if that's what you want instead

Now let me see those lips pout
Arch your back and stick your *** out

Whether you been good or naughty
I'm gonna do what I do and wear out your body...

-J.A.M
Jeff Gaines Mar 2018
Hello everyone,

  I'm so very sorry … I feel horrible doing this, but I have no choice. You see, I have published my first book on Amazon/Kindle! This piece (and many others) had to be taken down because they do not allow published material to be available online for free. (Go figure) I wanted to leave the shell of the posts because I felt compelled to leave all your helpful and loving comments. (Silly sentimental, I know), but I also didn't want to just have the pieces disappear without an explanation. I feel bad enough as it is!

  I owe ALL of you so, SO much for all of your reads, love, and support. It was YOU that gave me the gumption to FINALLY get off my **** and publish! Thank you all for the warm comments, camaraderie, and encouragement! I will still be here, reading, uploading and just being the Rascal that I am. How could I EVER leave you guys?

  The book is called “The Way I See It – FictionPhilosophySoul Food” and it will be FREE for the first few days on Kindle Select, so watch for it, if you are interested. I hope that you go and grab it. If you do, I would also hope that you find it worthy, you would leave me a good review. That will help me get in the public eye! Soon afterward (2-3 days or so), it will be available in paperback.

Find the book(s) here: www.amazon.com/author/jeff.gaines

Or find the book(s), and all about me, here: www.JeffGaines.world

  Soon after, I also hope to have my first novel (a supernatural thriller), called “Wanderer” available as well!

  Wish me luck!
Big, Biggest Love,
        Jeff Gaines
gabriela Sep 2016
let's talk about curiosity.* let's talk about gas burners and sidewalk cracks and how there are french towns in canada where people who don't know each other greet each other with a kiss on each cheek. this is a collection of all the things you knew would hurt and then did them anyways but made sure i was looking. like all those kisses and trips to petco and looking at me from the drivers side-- don't take your eyes off the road, you'll end up like the rest of them did. let me tell you about how my favorite sounds include the following: crickets, gas burners lighting, coffee brewing, and you on the last train to god knows where but the train is coming soon. i can hear the trembling carts on the railway and i can hear you and your voice sounds like getting drunk off wine and witty jokes, sounds like the mantra of "temptation" but in the most subtle way as if i'd mistake it for something holy just to see if you'd notice, sounds like an epiphany i've waited too long to hear, sounds like every "let's talk about it" and "you look alluring" and "i just couldn't help myself" put into one. but mostly. this is what you're going to have to sit down for, because i won't repeat it. does perpetual comfort exist at your train seat? even when i'm not there? does she sit next to you? or is all the spilled tea pooling at my feet explanation enough?  i won't repeat it. not even to the sidewalk cracks or the broken compasses or the birds or the torn down bus seat behind ours or into your voicemail. i won't. especially not into your voicemail. *because here it is:
he makes me feel a little too much
Mitchell May 2011
Assembly line broke down as the mirrors crashed and cracked.
"Angelina!!!" the crooked boss man yelled.
"Get in herre" the crook socks rang like bells.
Angelina poured sweat of the yellow blouse she had bought two days before for another interview in another office and another profession altogether. The room spun for her even though she would rather have it stay still.
"How much longer till this mechanism shifts and all of this stops altogether. Have their been madder women then me? Has there been madder men then me? Have their been madder times or are the times the same just with different tools and gears and nuts and bolts to tirelessly continue, heaving the corpses through the concrete cracked and littered streets?"
"Angelina!!!"
Another nail gun dropped to the floor, firing twenty rounds into fifty blue collared men's tie clips, deflecting them all to the near by wall which held the coats, the hats, the work shoes which the men were not allowed to wear due to "safety intrusions" and "labor union by lateral horizontal negative dairy laws". Another unfortunate fortune from the cracked mirror case but that, of course, is not the story, our story is...
"Angelina!!!"
Angy hurried up the hungry, empty metal n' holy stairs. She lost her high heels in a crack in the stairs but left them there due to the fear. 2011 had been a good year until she had been forced by her landlord, also her boyfriend, to get a real job rather then stuffing her knitted socks with her poetry and trying to haggle them to new age modern morons of the hip near sighters whom glasses were unintelligible but necessary. The mirrors of the conveyor belts reached the top of the platform but the door was shut. The mirrors bent and shattered leaving the splintered pattern of the world outside of them multiplied by the millions.
Noon was her lunch break and it was noon oh two. Angelina would be late with her lunch and the landlord, Nick, was planning to stop in with some home made sandwiches and home made potato chips.
"Nick will have to wait." Angelina thought to herself. "Nick hates to wait."
Angelina entered to stand in the wake of a shaking, sweating purse wearing, purse lipped boss boss. His hair was tossed to one side, struggling to hide his baldness. The subtelty of their relationship was difficult considering Angelina had slept with boss boss to get tossed this job. The act was actually enjoyable, Angelina thought him a good lay, but boss boss was not a fun person to be around, and he was a much worser boss.
"Angelina!!!"
"Hi."
"Your FIRED!"
"Bye then sir..."
"ANGELINA!!!"
"Yes sir?"
"AREN'T YOU GOING TO ASK WHY YOU WERE JUST SO HASTILY AND VIOLENTLY FIRED?"
"It is not my place to inquire why I was fired sir. If I was not doing my specific duty well enough I trust you, as my superior, to have thought what this subtraction would do to your company. If I had questioned you I would be questioning yourself as a boss and I would never want to do that...sir."
"VERY GOOD. DISMISSED!!!"

---

"So he just fired you, no explanation, nothing?"
"There was nothing really to say after the fact."
"You could have demanded an explanation."
"I was in a hurry to meet you. I know you hate to be late for our dates."
"That's sweet."
"And boss boss shouldn't have to explain himself, he IS a professional."
"He works in mirrors which doesn't make at all make him a ropes course supervisor."
"He's very handsome when He means what He says."
The home made potato chips had been burnt because Nick had fallen asleep while watching old re-runs of run marathons from the 80's. Nick had trained for the Olympics in 83' but while home after training and drinking an OK shake, Nick had stubbed his toe while drinking the OK shake and trying to get to a ringing telephone. Nick had collided so perfectly, so quickly and with such for that his right big toe had bent all the way back, his big toe fingernail touching the hairy patch on the top of his foot. The doctors said amputate the toe and save the foot or chop the entire thing off altogether. Nick, not being a dumb ****, opted for the entire foot. He never raced again.
"Are you going to try and get your job back?
"I don't know"
"Well. It's the 28th tomorrow and I need the rent either way. The insurance agency I'm with has been bugging me about percentages and utilities and...well, you don't want to hear about my worries."
"I don't mind sweety."
"Thanks doll. What're you gonna do?"
"Find more work I guess. I haven't written anything in a while, maybe it's a good time to get back on that train, see what comes up."
"I saw a help wanted sign at the mall nail salon."

---

Baby stroller wheels lined with pink and grey gum were lined up against the overwhelming glass wall enclosing the shops from the streets. Trees reflected green with the sun light lined across the clear wall. Birds flew at the top of the block near the ceiling crop, they wanted to come in but were confused how to do so. Children came through the valley with lollipops and balloon powder and strings lined with meats, they were headed to the capitalistic circus, a wonder land that only brought guilt from lovers and their future children's shame.
Angelina stood outside the electronic moment to moment receivers. She was afraid of not being allowed entry. Everyone entering entered easily, but what of she? Would she be accepted? Clicking her unpainted fingernail atop her leopard print clip purse and what was worse she had no cash to get her orange Julius or perhaps see a film if she couldn't conjure of the courage to stop off at the salon. That was why she had come here, right?
"Where had the salon been?" Angelina said aloud.
The mass of the mall was vibrating with a ferocious congruity. Through the fog of meaty torso's lay blank and content faces. Gripping their wares, their steaming quick food, some of it dropping to their foot only to be kicked around on the dirtied floor. At times a rat would scurry from underneath a traveling underwear salesmen to grab a piece of fried bread, half cooked meat, or small pieces of children's hair which floated softly down to the wet and mud streaked floor. Mall cops waved their sticks to each other, some kind of HAIL or CHEER that they were the one's in charge round' these parts and there wasn't nothing no one was going to do about it.
"Do I really want to work here?"
There was no choice though. Angelina needed to pay the rent or her landlord/boyfriend would kick her out on the street and from there, she had no clue where the blue sky would take her. Her parents, both dead thirteen years ago, would be a terrible place to set up camp, especially in a graveyard. Angelina's brother lived over seas working at a ***** clinic trying and failing to heal the weak and unwanted. He had tried to heal her through voodoo practices he gathered up drunk through his 6 month stay in New Orleans but it had only given her a bright blue and red rash for three to four weeks. She never longer trusted her brother with any kind of healing or "feel better" techniques and was no prepared to make the trek to Europe anytime soon, she was in a relationship at the moment anyway and she had a feeling she might be in love.
Angelina stepped through the glass exchanging doors in unison with a family that was entering at the same time. The door seemed to open for any body but was tentative if it would accept hers, this time, it seemed to.
Inside she made her way up "the miracle marbled stairs" which shined bright and blinded Angelina in certain parts of her eyes. They flashed bright red and greens and whites so visciously and fast Angelina thought she might have some kind of seizure. She planted her feet directly on each step as she walked up the 20 to 30 stairs, going very slow and gripping the handrail. People started to gather around behind her shouting "HURRY UP LADY" and "WE DON"T GOT ALL DAY" and giggling to themselves.
"Were they not seeing these lights?" Angelina thought to herself.
"Do you kind people know where the nail salon is?"
Angelina then realized that what she had just said made no sense. Her eyes were gripped shut, her hand tight around the shiny gold handrail, her feet pointed strictly out like some kind of paralyzed summer penguin. The people which had gathered behind her stood bare, jaw slacked, wondering who would step forth to help this poor helpless creature.
A little girl with red sparkled shoes and a orange bow atop her head stepped forth. She smiled even though she knew Angelina had her eyes tightly shut, maybe she would feel the warmth? The girl's mother reached for her so not to get to close to that "crazy lady" but the little girl pulled away, her father saying "If it's her time to go, it's her time to go".
"Miss lady with the tiger purse, I think the hardware nail pull on is on the 8th floor next to the people that sell bread with meat sticks inside."
The little girl stepped gingerly back as Angelina loosened her grip on the now stained golden handrail. She shook her hair out and ran her fingers through it, straightening herself up as if she were about to perform a song or late night poetry reading. Angelina opened her eyes and peered down at the girl.
"Thank you little girl. What's the best way to get there?"
The girl child said nothing. She pointed to a large metal box shooting up and down the length that looked like a rocket straight to heaven. People were gathered all around its foundation, oooing and ahhhing at the sight of the one's which entered. There was a sign over the line of tubes reading "A Shot at the Void".
"A shot at the Void..." Angelina tentaively breathed to herself.
Angelina stepped up the last couple glittering stairs and made her way through the thick crowd of stale clothes, cheap tricks, obsessed teeny boppers, hardware for wear, shoes with no laces, strips of bacon hanging from mouths, lettuce all shredded, soda cans with their lids torn clean off with small splatters of blood lined on the rim, and a perfectly painted fingernail was drawn on the number eight where the long lines and rows of numbers were there to guide the one's to the shot.
"Number eight. Easy enough"
Angelina pushed the button.

---

Inside the tube there was a slow light hum of jazz transfusion and children breathing. There were three little daughters gripping their mother's hands as they bit into their soda pop straws, ******* up the soda inside the plastic and cardboard cups. All three children stared up at her, maybe wondering what she was wondering, which was exactly what Angelina was wondering, a combination of mistaken telepathy, an accident of consciousness that would be never be talked about between the four of them but most surely existed between them.

Smooth as clay they drifted up the translucent clear glass tube, shooting skyward like a man made rocket shot from a man made gun. They passed shops hocking wears of angelic colors: clear pearl pastels shone through the clear blue glass shining into Angelina's eyes forcing Her to squint, dog barks could be heard through the whistling air begging for treats of black and brown, teriyaki chicken strips and duck heads spun absurdly fast with a rhythm that resembled the wave of a crowd at a baseball game waving wildly like children flying from swings never wanting to land in the sand; all this as the three and one flew higher and higher and higher.

---

Ding.

---

Angelina stepped forward, leaving the three children behind Her to fend for themselves. From the looks of the button they had pushed they were headed East. She gripped her bag and peeled Her eyes, twisted her hair in a tight knot to show her aggression, her vigor, her confidence and stepped into the rabid salmon like crowd.

She saw no signs of the nail salon. She saw only posters of rabbits holding artichoke legs and nail guns firing rockets of ice cream and corn bread. These were the mirrors of the supposed revolution but had nothing to do with her nail salon, she needed the cash and she needed it NOW! How hard were the numbers to acquire? How long must she wait before the envelope is sent and the letter read and thrown out? How long Lord, how long?

Questions for a time when the pay checks were easy coming and Her man was by her side. She passed by a little boy playing William Tell with her sister. An apple on the little tots head and in the boys a small, tight and silver ray gun. The boy pulled the trigger but only a small plume of smoke came from the top making the boy ball over crying and wailing and kicking and screaming, nearly catching Angelina in the shin, what a mess...The little girl stayed still in Her spot though because her brother told her "Now don't move a cinch." Wise move my girl, wise move...

At last! Angelina, reaching Her destination saw the brightly neon colored corner of her beloved Nail Salon. The windows shone with pure red glitter, miniatures of poodles lapping up puddles of ice water, women laying out on the sun to catch rays from the Earth, and husbands shaving their backs all in a circle and row.

"How beautiful..." Angelina breathed out.

She entered the store front. Greeted from every corner were beautiful young cupid like angels faces shining divine but with no torsos, floating heads of angels ***** but crying and smiling. Asking Angelina "What would you like today miss?" or "What are you after?", beckoning for her requests, begging for her touch of vulnerability and lack of knowledge of where she was or what she needed.

"Just an application...I heard you all were hiring?"

"Hiring!!!?" the cupid heads screamed in unison.

"You want to become one of us?"

"Yes, part-time...?" Angelina said hesitantly.

As soon as the words "part" had been uttered from Angelina's wise and brave mouth the many heads of cupid began spinning and spinning around Angelina's body. Faster and faster they spun until Angelina herself was spinning with them, unified in a quadruple hurricane stripping her of her former self and slowly manipulating her body, her hair, her other self into her new self.

As Angelina's torso lay in the corner of the store un-bloodied, clothes tattered as well as some scratches  on her elbows from the toss, Angelina's head was floating in the perfect center of the other three hovering cupid heads.

"How beautiful...how beautiful...how beautiful."

"Isn't it?" the three cupid heads answered.

"Yes, everything here is so beautiful," the four of them whispered.

And as soon as Angelina had entered, she just as soon had left.

END
Jeff Gaines Mar 2018
Hello everyone,

  I'm so very sorry … I feel horrible doing this, but I have no choice. You see, I have published my first book on Amazon/Kindle! This piece (and many others) had to be taken down because they do not allow published material to be available online for free. (Go figure) I wanted to leave the shell of the posts because I felt compelled to leave all your helpful and loving comments. (Silly sentimental, I know), but I also didn't want to just have the pieces disappear without an explanation. I feel bad enough as it is!

  I owe ALL of you so, SO much for all of your reads, love, and support. It was YOU that gave me the gumption to FINALLY get off my **** and publish! Thank you all for the warm comments, camaraderie, and encouragement! I will still be here, reading, uploading and just being the Rascal that I am. How could I EVER leave you guys?

  The book is called “The Way I See It – FictionPhilosophySoul Food” and it will be FREE for the first few days on Kindle Select, so watch for it, if you are interested. I hope that you go and grab it. If you do, I would also hope that you find it worthy, you would leave me a good review. That will help me get in the public eye! Soon afterward (2-3 days or so), it will be available in paperback.

Find the book(s) here: www.amazon.com/author/jeff.gaines

Or find the book(s), and all about me, here: www.JeffGaines.world

  Soon after, I also hope to have my first novel (a supernatural thriller), called “Wanderer” available as well!

  Wish me luck!
Big, Biggest Love,
        Jeff Gaines
A bit of a cryptic/metaphorical piece.
It is about the things I've seen during winter.
But I've taken those elements and scenes and metaphorically turned them into elements of myself and my life ...
My accomplishments and experiences, my inner self, my friends and family, even my heart ... and how I can still be strong and even content as I enter this time ... still finding beauty in it all.
But, it is also about me facing the winter of my life.
Jeff Gaines Apr 2018
Hello everyone,

  I'm so very sorry … I feel horrible doing this, but I have no choice. You see, I have published my first book on Amazon/Kindle! This piece (and many others) had to be taken down because they do not allow published material to be available online for free. (Go figure) I wanted to leave the shell of the posts because I felt compelled to leave all your helpful and loving comments. (Silly sentimental, I know), but I also didn't want to just have the pieces disappear without an explanation. I feel bad enough as it is!

  I owe ALL of you so, SO much for all of your reads, love, and support. It was YOU that gave me the gumption to FINALLY get off my **** and publish! Thank you all for the warm comments, camaraderie, and encouragement! I will still be here, reading, uploading and just being the Rascal that I am. How could I EVER leave you guys?

  The book is called “The Way I See It – FictionPhilosophySoul Food” and it will be FREE for the first few days on Kindle Select, so watch for it, if you are interested. I hope that you go and grab it. If you do, I would also hope that you find it worthy, you would leave me a good review. That will help me get in the public eye! Soon afterward (2-3 days or so), it will be available in paperback.

Find the book(s) here: www.amazon.com/author/jeff.gaines

Or find the book(s), and all about me, here: www.JeffGaines.world

  Soon after, I also hope to have my first novel (a supernatural thriller), called “Wanderer” available as well!

  Wish me luck!

                                Big, Biggest Love,

                                               Jeff Gaines
I once had a really close friend ... I really want to believe this ... BUT ...
No matter how close I thought I was ... I would soon learn I was wrong. and eventually, after years of what I thought was closeness, she just "vanished" from me (or did she "vanish" me from her?), leaving me no way to contact her.

I pondered the reasons to the point of insanity ... until I realized that it just was what it was and there was nothing to do or say except to write a therapeutic piece like this (a few, actually) and move on.

I was led to find this writing from poet Trent Shelton ...
It truly began my healing process with an enlightening understanding:

"You can't control someone's loyalty. Being loyal is a decision they have to make. No matter how good you are to them, doesn't mean they'll treat you the same. No matter how much they mean to you, doesn't mean they'll value you the same. You just have to understand the people you love the most, can sometimes turn out to be the people you can trust the least. But never let that turn you into a person you're not. Keep LOVE in your heart."
~TRENT SHELTON
Dona Mayoora Apr 2014
I see two people
so in love with each other
schmoozing numinous dialect,
only a purest of heart can fathom.

I see a kiss I hear it too,
I see eyes pinnacles
lips singing
and heart sinking in love.

Now, do not tell me
I’m seeing
a teaching of Venn diagram
on the display board,
and my explanation for
A intersection B is ludicrous!

Please do not tell me
I’m wrong.

It must be poetry
I'm seeing,
and I'm in love with it
more than anything else.

/*Orginal poem published in Mayalayam, translated by poet. */
Set A                             Set B
       _____________        ______________
     /                           \    /                             \
    /                             \  /                                \
   /                               \/                                  \
  /                                /\                                   \
|                              / A\                                  |
|                             |  n |                                  |
|                             |  B |                                 |
  \                             \  /                                  /
   \                             \/                                  /
    \                            /\                                /
     \ ____________/  \_______________/
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Mateuš Conrad Aug 2018
where was i? right, anywhere but here,
listening to some medieval music,
i sometimes sit in one place,
fade, and then find myself sitting
in the same place with a question
on the tip of my tongue: where am i?!

hard not to notice:
heaven reigns supreme with
a "st." michael coming down
with the sword...
depiction, please!
where's satan?
  coming from below armed only
with a tongue...
fair fight, by anyone's standard:
i'm dripping sweat from both
ridicule and sarcasm...

st. michael comes down with a sword...
satan rises up with a flaming tongue,
does satan lick michael's sword
to draw the blood required for
running the heart factory?

               medieval people and their
"nuanced" explanation...
so many images contra words
contra literacy of the people outside
the realm of monks...

   satan rises from the depths of
     hell saying: i wish a socratic dialectic
with god...
god replies: michael i will send armed
with swords...
who ever said: the quill is mightier than
than the sword,
implied: when the tongue has
to be necessarily silenced? then!

      das schwart,
          das feder,
    das zunge...

       how many definite articles are
there in deutsche? das, der, die?
too many or too few?

         always with "st." michael armed
with a sword...
and satan... armed with only his tongue!
i guess, the tongue becomes a tank,
while the sword becomes a feather's
tickling effect...

    angehoben das teufel von der
    tiefe: und gab sie namen...

  (raised the devils from the depths:
  and gave them names)...

why is satan only armed with a flaming tongue,
while "st." michael is armed with a sword?
is god, the god-dialectic / theology
so afraid that it has to remain topped
with unchallenged imagery
                         of sword contra tongue?

ich werden anfangen:
   ich werden treffen du hälfteweg...
            im schreiben...

                  satan rose to a depiction
with "st." michael: disarmed...
  tongue in mouth: which should have been
his hand, "st." michael descended with
a sword... come to think of it,
with satan's tongue cut off...
it still spoke to "st." michael within his
hand...
  the sword overcame the medium...
and so writing was born...
once upon a time when satan's tongue
in his hand began licking the sword
of michael...
            and? if the contemporaries
should hope to know:
writing is the res extensa medium
of res cogitans:
            writing is an extension of thinking:
it's not an invitation to speak...

writing cannot be speaking,
however much commentaries you leave
behind...
writing is an extension of thinking:
it's not an invitation to speak...

it's no disguise...
    in terms of the depiction...
enough of Milton and Dante and...
satan came to the summit
  without his armour without his weapons...
the summit of the plateau...
tongue in gob and joke in cheek...
while "st." michael descended
wit a sword and a missing tongue...
it would appear that god cut out
"st." michael's tongue before his descent
while arming him with a sword to
cut the conversation even shorter
than it was supposed to be, to take place...

the aspired to monotheistic monogamy
of king Solomon,
to imitate swans...
    Muhammad's lost enterprise of
the: greatest harem the world has ever
seen... sorry... Muo-Mo-Hammie:
the macedonian alexander beat you to
the count of 365 concubines...
as did genghis khan...
           so many pakistanis with khan
as a surname...
             your failed harem ambition?
compared to the otherwise world "greats"?
with the ******* promise of 72 virgins
post-mortem? that ship is sinking in my head...
muhammad failed in the ambition
of averaging a 100+ concunbine **** fest...
so he promised 72 for those that believed in
him...
   and if he was ever competing with
king solomon? look at solomon...
         he chose monogamy in the end...
i guess it's a noble enterprise to come back
among the lizards...
to spawn from an egg: from an womb
made external by an egg in the form of a bird...
birds: half mammal half lizard...
            muhammad failed at having
an envious harem...
                which makes me a little bit envious
of him... compared to the others...
he's quiet honest...
        but if he was illiterate...
    who the **** wrote the Quran?
    what's that book, in praise of older women?
andrás vajda...
   who would have written the first
verses (if not the last) of the Quran if not
khadijah **** khuwaylid?

i'm sorry to say: the feeling of conversation
soon turns into a feeling of conversion,
me, beer in hand, park, bench,
an old pakistani walks up to me...
flips out a digital Quran,
tries to convert me...
     opens the book on surah al-baqarah...
i point at three words...
what are these, i ask?
he replies: oh... only allah knows...
really?! really?! i ask myself...

    the three words?
   alif. lam. meem.

           allah knows?!
guess i'm allah then...
given alif: أَلِف  (α, א) a-lif
                 lam: لاَم (λ, ל) l-am
   and meem: مِيم (μ, מ) m'eem...

so yeah, "god" knows...
   how was this old pakistani going to convert
me, supposing i was simply some european
"drunk" sitting on a bench, drinking beer,
assuming i was ease target for
isis propaganda?!

    "god knows"... when it comes
to old pakistanis trying to
             recruit young europeans...
god knows ****!

if this old pakistani was seeking an easy target
like some paedo, he was much mistaken,
what does a pumpernickle (has) to do with
a windmill?! zilch!
i'm not going to exactly crawl out
of my walther von der vogelweider:
        palästinalied
that much easier...
i won't....
   i just think:
the yids have tight defences
against proselytes... they abhor converts...
islam, welcomes them,
at their own peril...
          and there i was thinking that
urdu was "superior" to sanskrit...
an old pakistani tells me "god knows"
in relation to alif. lam. meem.

             i guess the quran has an inbuilt
proselyte defence mechanism:
in reverse... ask a muslim what alif. lam. meem.
means... if they tell you: only god knows...
ha ha...
              hello stupid...
                            is the islamic world playing
a jewish game of gematria?
are the three letters supposed to represent
some sort of "covert" message?
A.L.M.?
        what, based on the hebrew alphabet
where "a" is not an an A but a consonant(s)
akin to ayin and aleph?!
the gay genesis?
          
                really?
                 we: the europeans were perhaps
the barbarians in the medieval years,
harrowed by the cold...
lucky us: lucky me: we did learn to read...
so ignorant of the pakis to presume
such and such...

             that we are still unable to read
and will fall for the next sort of *******...
look at us! we even began to question
christianity with the unearthing of
the nag hammadi library where
jesus played chinese whispers with
st. thomas!

   next time i'll be listening to a camel jockey
or a magic carpet ride aladdin
i'll ask them: you dehydrated, or something?!
oh forget h'america,
their evangelical ******* is worth
as much as a free microwave or a toaster...

_

hell man...
    i mean my neighbor smokes
16 8ths in a spare of the week...

wha?
    ****...
   i remember i used to smoke
an 8th over the week...

yeah... an 1/8... of an ounce...
he smokes two ounces
in a week,
  
gets the **** on discount...
but still has to cough up
over 100 quid for the stash...

but... but... these organic
cigarettes you're pushing?

ha ha... **** me... holy basil
(tulsi leaves) -
and the peppermint and green
tea leaves?
   in ******, whatever you want
to call it, rolling paper...

i've seen the inner sleeve -
big fan of hunter s. thompson,
i suspect...
   otherwise you wouldn't
have used the second, plastic
filter...
  
   tell you what... don't put
that plastic filter on every cigarette -
halve it...
     or provide two or three...
it's reusable -
        i smoked one of your
placebo marijuana joints...
  and then i'm going to smoke
a red Indian cough-up...

   ah... these blue Indians...
Vishnu centrists -
   beyond blue blooded,
more blue skinned herbalists...

dunno... the effects are subtle...
you can only tell the difference
if you actually smoke tobacco...

but sure as hot **** on a street
in Calcutta -
    it beats the Arabic portable
hookah pipe...
   i.e.?  
         vapping - or vapourißing -

i'd say less a cure for tobacco smokers,
and more a cure for
the dope-heads...
    he (my neighbor) smokes
2 ounces a week,
   and somehow manages to stay
down on a job...

    no ******* way...
    he says it helps him to sleep...
like me...
   a liter of ***** and two
paracetamols,
    or one naproxen (if i'm lucky),
or two paracetamols
  and one amitriptyline (25mg)...

sorry, what? sound of mind?
sound of mind to the point
where i'm mindful of grammar
and spelling?

            **** man...
  the content is transcendent
    of whatever the receiving end deems
it to be...

i might actually buy into
this... placebo marijuana -
given that i am a tobacco smoker...
  ha ha! holy basil:
  like Basil Fawlty...

   as you see...
there are people, and there are "people",
there are neighbors,
    and there are "neighbors",
i don't see how the natives
can dictate universal laws of
     private property ownership...
esp. over such... trivial...
meaningless...
          sitting down on a cactus
****-naked "problems"...

i hate being mean,
   i hate telling someone to *******...
i really do...
    i compromised -
i stopped smoking cigarettes
out of my window...
  but yesterday's confrontation?
over a ******* barbeque...
    oops... the compromise
has just been revoked...
  
   music blasting into my ears
through my earphones...
the next thing my cuntish neighbor
will "hear" is sign language...
  
oh yeah... that primary school
lesson:

(a) WHY     (b) DON'T  
        (c) YOU    (d) ****    (e) OFF

(a) index + middle fingers
    slapped on the left palm knuckles up

(b) index + middle fingers
    slapped on the left palm knuckles down

(c) scissor index + *******
   into the side of the left hand

(d) fist, vertical slam onto the left
  palm

(e) thumb's up moving away from
  the palm of the left hand...

because?
      i just can't be bothered trying
to reason with some people...
     they might as well be put in zoological
confinement, and put under observation...
but i'd feel sorry for the chimps
and other animals, have to share a close
proximity.
Disregard is Disrespect

I don’t have a responsibility
but because I feel one
I do

Let my voice and words be enough
if they are not
Let my deeds and actions be enough
if they are not

I will sacrifice:
my blood, my sweat, my tears
to try and make you understand
or at least comprehend

I am different from you
not that I am trying

I am the same as you
not that I am trying

Your definition of me and those that seem to be like me
is secondary maybe even tertiary

What matters is
the explanation of me as i interpret to you
just as
the explanation of you as you interpret to me

I am human as you
because
I AM


© Christopher F. Brown 2016
Mateuš Conrad Nov 2016
i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound
soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art
.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.
Tom Orr Sep 2012
Hills like waves, frozen in motion
Topped with bulbous trees, frantically frothing.
Homes with minimalist facades,
Bobbing like great trawlers;
Settled in the steep crevices of looming elevations.

The Countryside.
Purcy Flaherty Feb 2020
The Equalist!

RE: The guerrilla girl’s poster 5% women artists yet 85% of the models are female.

This poster was heralded as a feminist rebuff of misogyny and the male gaze.

It is my opinion: one of the reasons females are more sexualised than males in Western society; is because the majority of women working in a sexualised industry such as modelling, dancing, fashion or *******; choose to perpetuate that role and the connection between *** and femininity; often in industries where females outnumber the men six to one; I'm also aware that the majority of the hierarchy in theses industries are male, it seems their gender solidarity is more concerned with the money; than notions of ****** inequality; thus perpetuating the issue.

Vernacular test:
Step one - Question one:
I took a survey of 30 fellow artists asking what is a misandry? followed by what is your gender?

Step two - Question two:
I took a survey of 30 fellow artists asking what is a misogyny? followed by what is your gender?

I did offer any information or allow any of the subjects to see the survey paper, or overhear the question.

Results: 30 subjects took part in the survey; One female knew both words and their meaning, and one female didn't know what Misogyny was. (Two females approached refused to take part in the survey, all men approached engaged.)

Step three - Question three:
I then gave all the subjects the dictionary definition and asked why they thought the vernacular misandry is not as well known as the word misogyny?

(I should add that I too couldn't recall the vernacular meaning of: Misandry; though I could recall the meaning or definition of Misogyny.)

Answers:
Female... "I don't care"
Female... "It's due to a gender economic imbalance"
Female..."Blokes just don't like it when women speak out about it"
Female..."I don't get involved in protests"
Female..."I don't know"
Female..."Men just think with their ******"
Female... "There's more misogynists"
Female... "Because men are pigs"
Female... "Why does it mater"
Female... "It's just a word"
Female... "I'm not interested"
Female..."Try being a women"
Female... " It's *******; it's just a vernacular"
Female..."You wouldn't understand your a man"
The other 5 Females... chose to offer no explanation.

Answers:

Male..."I don't know"
Male... "who cares"
Male... "Yeh that's interesting"
Male... Why does it matter"
Male... "Let me think about it"
Male... "Who gives a ****"
Male... "What's this about"
Male... "Can I see the results later"
The other 2 males... Chose to offer no explanation.

I personally identify as human; and don't wish to be defined, labeled or marginalised; I also don’t believe that secularism in any measure is healthy or meaningful in an inclusive society.

I question why 29 out of 30 subjects had heard of Misogyny; and just one person had heard of Misandry.

Sexism is not as the dictionary suggested prejudice, stereotyping, or discrimination, typically against women.
Everyone is effected buy prejudice, stereotyping, or discrimination.
The subtleties of which is played out every day.
Feminist or a Misogynist; I am an Equalist I believe that secularism is harmful and misleading for  an inclusive society.
Robert Ronnow Sep 2015
Science can't save you, neither can religion,
at least Popper and Niebuhr, philosophers and poets,
are entertainers, which is why actors and athletes
are paid so much. Thanks for the summaries.
I was teaching Shakespeare's 92nd ridiculous sonnet
to my student who lays blacktop in the off season
Shakespeare bellyaching about dying without her love
a feeling foreign to a modern adolescent sensibility
although many teens are pretty far gone searching
for their mothers or fathers in their dazed lovers' eyes.
Which is why we call it "the wound that never heals."
Or the lesion that's always lengthening. And bleeding.

Muslim fundamentalists and their Christian counterparts
are a mystery to me. Pews and prayer rugs, the airless
indoor environment of religious worship, reading
scriptures, hypnotized by hymns and fainting from staring
at candles through stained glass windows, almost certain
the preacher is faking his certainty about the afterlife.
It's not my problem. A more immediate concern:
receding gums and tooth extractions, swollen joints,
poor lubrication and circulation, wave after wave
of viral infection, the occasional antibiotic-resistant
bacterial attack, usually urinary, and who knows
what internal organs are dividing and conquering
without mercy or cease, i.e. the wound that never heals.

It is wise not to overvalue your continued existence,
good not to be innumerate, unable to compare
a mere 80 years with say 6.0 x 109 or all of time
(to date) times the multiverse. Conversely,
it is interesting all of space and most of history is contained
in your mind (realizing of course it's just a map
of the cosmos not the cosmos itself, or is it?). I'm
unable to wrestle free, tongue in that cavity
and locked in my memories, so separate and disparate
from the biomass in the crosswalks, even my spouse.
Alone, so alone, even your doctor can only devote
limited thought to your situational mortality through
the redress of poetry - also a wound that never heals.

Snow for eternity, that's what this February's been.
All to the good, for someone it's the final February
so enjoy it to the extent you can. By that I mean joy.
Joy at birth. Joy at death. All joy. All times. Anyway,
that was Shakespeare's message: even tragedies are comedies.
May, a Buddhist, chants each morning.
Her husband, Marc, who's Jewish, plays league tennis.
Their son, Aaron, will soon make Eagle scout.
How does that relate to your wound that never heals?
Luck runs out. For D.H. Lawrence in New Mexico
or Ulysses S. Grant in Ohio or Yasujiro Ozu in
Tokyo or Satyajit Ray in Bombay or Rabindranath
Tagore in Bangalore or at the Battle of the Atlantic in the Azores.

The night is a poultice, winter or summer solstice.
My anonymity will not affect the anomie ghettoside
seeing for myself how season by season
vacations and accomplishments accumulate, late in life
and early on, sunrise over mountains or moonrise over Bronx.
Masturbator, prisoner of war. Hospice of the Holy Roman Empire.
Numerous blue notes: the 3 flat, 7 flat, 5 flat,
the 6 flat and the 2 flat too. I don't get
what Wallace Stevens means by imagination.
When groundhog shows up as a totem, there is opportunity
to explore the mystery of death without dying.
This then is the purpose of purposelessness (and of eating less)!
Now what about that wound that never heals.

The Skeptical Observer column in Scientific American
was somewhat alarming when he accepted a paranormal
explanation for how his wife's grandfather's inoperable
transistor radio played music from its hiding spot
in his sock drawer on, and only on, their wedding day.
Now I'll have to believe my father (or mother!) is watching me
perform private ****** acts with (or without) partners
or that they could even know my thoughts. Or aliens
are attending our committee meetings and making
perfectly reasonable decisions given the available information
and the world is rotating just fine without humans.
These possibilities - angels, ghosts, aliens - are better
than holocaust and genocide. In this way,
and only in this way, does doom become endurable.
The wound that never heals in the end is all you'll feel.
www.ronnowpoetry.com
Danny Valdez Apr 2012
My Mom needed something from the store
So I told her I’d walk up there for her and get it.
We were barely getting by
The two of us.
She was living on a disability check
And I was in between jobs
Again
So these little walks to the store were all I had.
I got her some Epsom salts and was walking back
Had just walked past the hardware store
When a small, sleek, black, BMW pulled up next to me.
To my surprise it was a chick
A big titted redhead with pink sunglasses.
There was something in her eyes
When she peeked below the sunglasses
I saw something in them
that frightened me
A voice inside was screaming at me
Just keep walking
Just keep walking
But like a fool
I ignored it
And bent over the passenger seat
In the convertible that smelled new.
“How big is your ****?”
The lady asked
Her chest just heaving and jiggling
With every breath she took
And every word she spoke.
“What?”
“I said….how big is your ****?”
“Ha ha!”
I took a look around
Expecting to see a hidden camera
Or a film crew in a van across the street.
There was no one
No witnesses.
I leaned back down
“7 inches? Maybe 8? I don’t know lady, I haven’t measured my **** since the 11th grade!”
The redhead took off the sunglasses completely and looked me up and down
Those bright green eyes scanning me
From my worn out Converse to my greasy pompadour on my head.
It seemed like an eternity
I got uncomfortable.
Just standing there
Squirming
While the redheaded fox
Kept inspecting me.
“Okay. Get in. Hurry up.”
I wasn’t even thinking
Just reacting to it all.
I’d always dreamed of this
When I was walking down that
Same old ******* street
The only street that I ever saw
Dreaming of
A beautiful woman in a sports car.
And now here she was.
Here we were
Driving down the street
The breeze blowing in our hair
She made an immediate right turn
Onto a suburban side street.
She parked in front of a house that was up for sale.
Again she took off the sunglasses.
“Let me see it.”
She said, staring at my crotch.
“Whoa, whoa, lady. What’s this all about?”
“My husband and I…..we have certain…..tastes. Things we like, things we enjoy. He’s an older guy, so he likes to watch young guys **** me. I mean, just really give it to me good, make me scream. And of course after your services have been….rendered….you’ll be paid two-thousand dollars. Now do you think you can do that?”
“Uh……I—I think so.”
“Well, I need you to know so. And if you were bullshitting me, if that **** isn’t at least 7 inches, you can get out of the car right ******* now.”
“No it is, it is.”
“Well...”
“Well...you gotta start my engine first—“
Before I could finish my cheesy line
She was in the passenger seat
Climbing on top of me.
“Rip it open” She said looking down.
I did as I was told
And ripped the front of her blouse open
The buttons flying in all directions
Bouncing off the windows and rolling on the dashboard.
Her two, round, fake, **** sprang out of the top
Hitting me in the face
As she rubbed them up and down
And all around.
She kissed me sloppily
And then started in with that biting *******.
She met my lip so hard
It drew blood
acting purely on reflex
I grabbed her by the arms very hard
And pulled her back from me
Staring at her with those crazy, intense, eyes
That I sometimes got when startled.
“Oh…..” She said looking down, at the ******* in my Levi’s.
“Alright. You wanna see the house?” She asked.
I let go of her arms and she rolled off of me,
hopping into the driver’s seat and starting the car up.

She drove all the way to the edge of the city
Where the Red Mountains in the east
Meets the long winding road out of town
And into the desert.
It was a large ranch style mansion
Decorated with cowboy themed ****.
The redhead parked the sports car in
A massive garage
Filled with dozen of rare and expensive automobiles .
She told me to leave my plastic grocery bag of Epsom salts
In the car
She said I could get it later, when we were done.
I followed her to an elevator at the back of the garage.
We took it all the way down to the very bottom.
Stepping out of the elevator
I found myself in a large expansive grey room.
The floors were concrete
But they were shiny and slick
Reminded me of the floor in the meat department
At the job I had just lost.
The room had a few beds in it
Some custom built sets were erected all over the room
An office, a jail cell, a medieval dungeon, a medical examination room,
There were a lot these little sets built all over
In the back of the room
The corners
Were pitch black and covered in darkness.
I wondered what they had over there.
“So what do we do?” I asked, fidgeting in my pants
thumbing my switchblade stiletto in my right front pocket.
“We have to wait for my husband to come down. I just texted him.”
“Oh okay.”
“You should take your clothes off and put this on.”
The redhead said, taking a hospital gown from a hanger
Next to the medical examination set.
“….put that on and I’m gonna go get into character.”
She said, walking behind a white privacy screen
The old kind, like they used to have in doctor’s offices.
I undressed myself and got into the hospital gown.
I can’t say what it was exactly
But I still had that real nervous feeling
I couldn’t ignore it
So for some reason
I hid my switchblade on me.
Put it in the waistband of my underwear.
And that made me feel a little bit safer
This whole thing was beyond belief
I was never this lucky
Something was rotten in Denmark
I could feel it in my bones.
But there was no backing out now
I was riding this all the way
No choice.
I took a seat on the medical examination table
The thin paper crunching loudly beneath my ***
They had it down to the finest detail.
Even the little slots with the Highlights magazines.
I watched the black & white clock on the wall
And it took them 28 minutes to finally come out
The two of them together.
The tall, beautiful, redhead and the rich old man.
But they matched in an odd way
His face was nearly the same color as her hair.
A red faced, big nosed, drinker,
I’ve seen that face a thousand times
Ain’t no mistakin’ it.
He had white hair all spiked up
Like how young people have it
And he wore nothing but gold
All over himself.
Gold necklace, full fists of rings, bracelets,
I couldn’t ******* believe it
I tried my best not to laugh
I was snorting to myself
The ******* had a Mercedes medallion around his neck
Like Flavor Flav or something, it was that flamboyant.
But the guy was like 70 years old
None of it made any ******* sense.
The florescent lighting above
it did this thing where
his eyes were so sunken in
that it created these two black shadows
where his eyes should’ve been
just pitch black
endlessly hollow and empty
with a red face.
Satan himself, covered in gold and diamonds.

“What’s up?” He said, extending his well tanned, leathery claw.
“Hey.”
“Alright, so let’s not waste any time. Let’s get down to business? Huh?”
“Yeah, sure.” I said.
“**** yeah! Let’s ****! You wanna **** him baby?”
”Why do you think I got him? Hell, I almost ****** him on the way home.”
“Did you now?” He said, looking over at me with this look
I couldn’t tell if it was pleasure or rage.
“Alright, alright then.”
The chick started to walk up the three little steps
Of the examination table
Her feet were pale as snow and her toes
Shiny and red like a the paint job on a brand new Cadillac in 1956
I remember that.
She climbed on top of me
Started kissing me and
Rubbing my ****
Under the examination gown.
From the corner of my eye
I saw the husband moving over to the camera
Which was setup a few feet away
Looked to be hi-def ****.
She bit my lip again
Really ******* hard
Pulled a big chunk of skin off
“*******!” I yelled.
“What?” The husband shouted back.
“He hates it when I bite him!” The redhead shouted with a smile
blood on her lips, from mine.
“Well, don’t take any **** son! If she does that again, you just give her a good smack!”
“What?”
“Yeah, don’t be timid boy! This ain’t ******’ Sunday school! We’re ******’, here!”
She did it again
And I wasn’t even thinking of what that old coot was yelling about
I just hit her on principle.
A good open handed smack across the cheek.
“There ya ******’ go! That’s what I’m talkin’ about.”
The old man threw his hands in the air
And started doing this little dance it was the weirdest ****
I had ever seen.
The redhead grabbed my face with her hands
Taking my eyes off the old man
Who was now singing some song
And shuffling around the floor.
She looked right into my eyes
Those mint colored eyes
She whispered to me
But I read her lips
“I’m sorry.”
And she pulled me in and kissed me
Put my hands to her *******
And proceeded to kiss me
Like a long lost love
Not some guy off the street.
And that’s the last thing I remember.
Besides the ***** of the needle in my neck.
Just her red hair hanging in my face
The florescent light shining through.
When I came to
I was standing upright
But I was strapped to a table
My arms
My legs
My head
Every part of me strapped down
Tight.
I wasn’t going anywhere
This was that bad feeling I got when she looked at me.
This was where it ended. Right now.
They were both standing there
Staring at me
Smiling with drinks in their hands
The cameras rolling
They had multiple cameras setup
Some 80’s techno playing from an iPod dock.
“What? What are you gonna do?” I slurred, it was hard to talk.
“I know, I’m sorry. Okay, look. We both agree that you probably are owed an explanation, I mean….these being your last moments and all…”
The redhead interrupted, looking at me, like she had before
There was love in her eyes
“Honey…remember what I said? About how there are things that we like and things that we enjoy? I’m sorry, but this is what we like.”
“*****?” I managed to choke out,
just the sound of the words chilled my ******* blood.
“Yeah. Hey…son, let me tell ya…we’re actually saving you a whole lot of heartache and disappointment. You weren’t gonna go anywhere, you weren’t going to accomplish anything. You’d work the same **** jobs, bouncing from one to the other, until you finally died of either ***** or drugs.”
“It’s for the best, sweetie.” The redhead said.
And I’d love to tell you that
They left the room for a few minutes
And I was able to free my hand
Taking the switchblade
From my underwear
Cutting myself free
Killing them both
And cleaning out their safe’s cash and diamonds.
But this was no movie.
Well not the kind with a happy ending anyway.
That’s when she walked over to the table
And grabbed the knife.
The song on the iPod changed
And I instantly recognized it.
It was the song.
I never could explain why
But as a boy
This song would come on the radio
This 80’s electro song
And it always scared the **** out of me
Turned my stomach
I never knew why
But now it all made sense.
That song would be the last thing I ever heard.
With the cameras rolling
The redhead gave me one more kiss.
I closed my eyes and pretended.
I pretended that she was a girl that loved me
That she was kissing me goodnight
Sending me off with a smile.
I just kept my eyes closed
Squeezing them tight
And I didn’t even feel the knife
When she slit my throat right there
In that slick, shiny, grey basement.
It didn’t hurt
I didn’t feel any pain.
Just warmth.
The blood flowing down the front of my neck and chest
pure warmth sliding down me
And I started to get light headed
Everything getting dark
Very quickly.
I could hear my heartbeat
In sync with a high-pitched ringing in my ears.
The last thing I saw
Was the redhead standing there
Luckily the husband had his head behind the camera
So I didn’t have his scary face as the last thing I ever saw.
No
It was the redhead
And those mint green eyes.
They never found my body.
The couple put me through a wood chipper
And fed my scraps to their dogs
After slicing off my biceps for dinner that night.
They went on doing this for years
Picking up guys and girls from the streets
who were down on their luck
And wouldn’t be high profile missing persons.
They acquired hundreds of DVD’s
Selling these ***** films
To their elite and powerful
Friends in high places.
But they justified it all.
Surely I wouldn’t be missed.
I didn’t have a mother
Like they had a mother
I didn’t laugh and love
Like they did
I was expendable
Disposable
Use once and discard.
The rich eating the poor
Blood meal for their insatiable & gruesome appetites.
It’s okay though.
I’m not mad or anything now.
It’s just blackness
A dreamless sleep
I don’t even know how I’m telling you this
But the worst part
The thing I still think about the most
Is my mother.
And what she must of thought
When her only son
Went to the store for her
Epsom salts
And just never came back.
Wandisa Zwane Oct 2015
Written by

Wandisa Zwane  


April 16, 2015



INT.  APT 3101 - THE BEDROOM  

It's 02:31 am and I find myself laying silently on my bed scrolling through Instagram...Twitter...Tumblr....and Snapchat. I find myself struggling to go to sleep.  I wasn't even able to sleep for an hour or two. It's not normal as its way past my curfew. I receive a text message. I'm confused because it's
still too early for anyone to be texting me, and I know everyone nearby is fast asleep because we have school. So who could be texting me?

CUT TO: PHONE SCREEN

HER ( via text )

I'm struggling with the math homework, help ? Are you up ?

ME ( via text )

I am actually. FaceTime, call or text?

20 minutes later my phone starts ringing. She was FaceTiming me. I stare at her name for about 5 seconds trying to put myself together.

ME

Hello, Ellie

I wasn't focused on the math. I was hoping that we could forget about the math and just talk about us and the futility of life. For some stupid reason I really thought you were gonna say something cheesy like I can't get you out of my head but can we just talk until we fall in love? But no it never happened as we had an hour long conversation about math.

CUE " MATH CONVERSATION"

The futility in that conversation was cosmic to the point where I began questioning existence. But when the call finally ended I was disappointed.

CUT TO: VARSITY

It's 8am and I'm at sitting in English tired and drained. Still contemplating about the futility of life.

HER

Hey, Tyler thanks for helping me with the math homework.

ME

Uhm Ellie do you want to come over too my apartment over the weekend and chill ?

CUT TO: APARTMENT 3101

It's 12am and the apartment is really untidy. I jump out of bed and clean the entire apartment in a record time of 12 minutes and 44 seconds. I'm going crazy over here as I'm trying to remember if I gave her the correct directions. Thank god I gave her the correct directions as I see the uber pulling up in front of the apartment complex. I start sweating and shaking and I'm fearful that I'm going to have a nervous breakdown. I start cringing.
I open the door the door and it's her standing directly in front of me. I can't breathe. I'm overwhelmed by an awe of emotions. Literally - she's beautiful

ME

I mumbled - Hey Ellie it's so good to see you ( the hug was very awkward because I was nervous - it was one of those hugs where both people don't know how to hug each which makes things really awkward)

HER

Hi


ME

So glad you could make it. How was the drive ( note to self: I should stop making things awkward ) I'm so irritated at myself.

CUT TO:  APARTMENT 3101 - LIVING ROOM

She's sitting on the couch. And I'm sitting right next to her. Okay let's just say there was a 30cm gap between the both of us. I was really nervous. I found myself drinking gallons of water. I forgot to offer her anything. I was nervous to the point where I couldn't even make eye contact. I just stared at her forehead and her lips.

ME

Aren't you exhausted I mean that drive was really long ( she lived like 3 blocks away from me )

HER

Not really , I'm just really stressed about varsity and stuff I guess.

We actually start conversing with one another for 5 hours straight.We smoke about 3 cigarettes and have the most fruitful conversation ever about female energy and the power of the the heart. She's really enlightened - I thought she was really basic. We both can't go to sleep because we're actually  enjoying the presence of one another. It was cathartic and refreshing actually.

ME

Want go up to the roof and look at the universe?

HER

I'd love too.

CUT TO : COMPLEX ROOF

I brought a blanket up to the roof cause I thought it was cold. It wasn't but we just layed down underneath the open night sky and gazed into the stars. We connected with the universe/ourselves/each other. It was bliss. We ended up falling asleep on top of the roof. To my amazement we were silently wrapped around each other.

CUT TO: APARTMENT 3101 - THE KITCHEN

HER

( chuckling )
How'd you sleep

ME

( Smiling )
I slept pretty well.

ME

Do you have any plans for today?

HER

YES actually...

SEVERAL HOURS LATER: APARTMENT 3101 - KITCHEN/BEDROOM AND LIVING ROOM

The sun is setting and she still hasn't packed her bags.

ME

When are you leaving?

She said she was leaving on Sunday

HER

In 30.

ME

(I tried to not crack in front of her)
Cool.


APARTMENT 3101

About 2 weeks later she surprisingly pitches at my door with her luggage.

HER
I'm moving in with you!

I was excited at the fact that she was moving in with me but I obviously tried acting cool and composed.

CUT TO: WOLVES CAFE

As they're sitting there talking to each other about their families, Osho and meditation over a cup of tea.

ME

I was adopted.

HER

WOW - That's a huge plot twist.

She sat there speechless for about 2 minutes trying to fathom the knowledge I just presented to her.

HER

So do you ever think about your real parents?

ME

All the time - they both died in a car accident when I was 3.

HER

I'm so sorry.

ME

It's okay - I mean I know they're somewhere out there in the universe checking up on me. I speak to them when I feel lonely.

Enough about my tragic past..How are your parents?

I've never told any other soul about my parents before. She was the first person I ever told .

HER

I never knew my dad but my mom has been living with a brain tumour for like 2 years now.

ME

Wow. That's must've been so tough for you when you found out about it.

HER

It was. I went through the most vicious cycle of depression for an entire year. But I'm trying to make most of the time I have left with her.

ME

How much time do you have left to see her her and stuff ?

HER

(She starts tearing up)
3 months

CUT TO: APARTMENT 3101 - LIVING ROOM

I'm still fascinated by the fact that she's into Osho, existentialism, metaphysics and epistemology. But I also felt like our relationship had escalated so quickly. We're we rushing things? The relationship felt like it was moving at the speed of light.

ME

Do you feel like we're moving too fast ?

HER

There's no such thing, if it's meant to be it will be, whether fast or slow as long as it's true, it will last as long as you want it to.

I was momentarily tongue-tied as I was trying to digest the words she just said.

ME

......

(Still voiceless)

She still had a lot more to say after that

CUES : "rants"

But in that entire rant she said something that echoed within me.

HER

YOU KNOW I MAKE YOU HAPPY

After she said this I felt like fainting. So not only did she make me voiceless I was overwhelmed by an ocean of indescribable emotions- wow

DAYS LATER: APARTMENT 3101 - KITCHEN

I'd finally recovered from those powerful words she preached to me. So I found myself sitting in the kitchen trying to write a letter to her about how I really felt. I wasn't the best at expressing my emotions through writing but I gave it a shot.

ME

Love is the unforetold explanation for creation. Love is life. It's the merger of minds. The marriage of minds. It transcends through time, it's timeless. It takes you into a dimension filled with possibilities and opportunities. It helps you understand you are that you are not worthless. Every time I am with you I understand we are here for a reason. And every time I stare into your eyes. I realise that you are mine.  

I sealed it an envelope and put it on the kitchen counter.

LATER ON THAT DAY:

She opens the letter and starts crying.

CUT TO: THE TREEHOUSE

I introduce her to some of the guys in the treehouse. They welcomed her to the treehouse with open arms.

HER

So what do you guys do in the treehouse?

PAUL : (one of the guys part of the treehouse)

Well in the treehouse we just try to expand. We write, make music, poetry, nothing much really.

MCDONALDS DRIVE- THRU

She was to lazy to go home and cook supper she was s bit hypocritical cause she said we should stop buying junk food. So we decided to go to McDonald's. We were down to our last packet of 2 minute noodles anyway.


CUT TO: HOSPITAL

We went to visit her mother. She introduced me but there was no warmth in the hug we shared. I could feel her shrill body disintegrating. She was really cold. You could see she was dying.

HER

How've you been mom ?

MOM

She couldn't even speak properly. It was sad but when she eventually managed to responded to Ellie's question.

MOM

I'm still fighting but I don't know if I can do this for much longer.

HER

No mum you can't leave me.

MOM

I don't want to make you empty promises my child.

Who's this handsome young man Ellie?

HER

(Smiling heavily)
It's Tyler, my boyfriend

She just called me her boyfriend in front of her mom. She just put a label on our relationship. I thought it was completely platonic.

ME

Afternoon Mam. It's a pleasure to finally meet you.

I knew her name ( Stacy )  but in that moment I felt like a child in primary school - so I decided to be respectful and call her mam. I wasn't sure whether or not I should call her "Ellie's mom" or Stacy. It was just a tricky situation. So I opted for mam.

MOM

( smiling )
The pleasure is all mine Tyler.

She told me to come closer to her cause she wanted to whisper something into my ear.

MOM

Tyler I'm clearly dying as you can see. So I'm leaving with you an important task of ensuring that's my daughter remains happy at all times.Take care of her for me - please

ME

I'll take care of her - she's in safe hands.

MOM

That's the spirit Tyler. Can you give us a moment please Tyler.

HER

Just go down to the kiosk and get me a bottle of distilled water. Please.

(Tyler leaves the room)

MOM

I remember the first time you wrapped your tiny hand around my index finger , you had my soul laying on 3 cms of palm.

( Ellie interrupts )

HER

Mom don't do this , prolonging life is pure idiocy.

(she smiles as a tear rolls down her cheek )

Die so your soul can have its summer ,don't worry about my pain cause I'm really happy for you, your soul can finally taste true liberation, see my tears as autumn leaves falling from trees , I'm naked and all I can show you is the truest forms of love.

MOM

You're so beautiful because you're so true. Our connection has no equation my daughter, as I leave my body just know that my time with you transcends forever.

HER

Mother it's time for you to leave. Take a piece of my happiness, it's futile anyway and I have it in abundance but I shall be lost without you in body, I shall be found when I'm with you in soul.

MOM

Clarity comes with the last breath, as hatred and love become nothing, you are nothing and everything all at once, I'm happy for you have given it to me, tomorrow and yesterday no longer matter

(her heart stops beating and her souls goes home - heart rate monitor indicates her mom has just flat lined)

Ellie starts screaming. The nurses and doctors come sprinting in.


DOCTOR

NUURSE HAND ME THE DEFIBRILLATOR !!

HER

(in agonising pain and disbelief that her mother is dead she starts screaming)

SAVE MY MUM, PLEASE SHE CANT LEAVE ME !! YOU CANT LET HER DIE.

DOCTOR

Nurse get her out of here.

She's kicking and shoving the other nurses as she is being escorted out the room.

NURSE

Don't worry the doctors are doing all they can to save her.

Tyler comes back from the kiosk with the distilled water to find Ellie on the floor crying.

ME

What's wrong?

HER

( Her face goes pale )
She's gone ....

2 DAYS LATER: BACK AT 3101

Ellie has locked herself in my/our room. We haven't spoken to each other for like 2 weeks.

She finally decides to come out of the room.

HER

(Breaks down, again  )
It's her birthday today.

I've never seen her so broken and disfigured before. She's in pieces - distorted.

NARRATOR

Death is the door between two lives; one is left behind, one is waiting ahead. Death is the ultimate experience of this life - Osho

“Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha – misery. This life is death"

HER

I WONT CRUMBLE - IM A BIG GIRL NOW. MOMMA RAISED ME TO BE A STRONG WOMAN SO IM GONNA DO THAT.

She put up this facade as if nothing ever happened. She didn't allow herself to mourn the death of her mother. She was apathetic for the next 2 weeks.

This  was a tricky phase because she either woke up angry or sad. She just rampaged through the house, didn't attend lectures - she just left a trail of destruction wherever she went. I even have the scars to prove it.

A FEW WEEKS LATER: THE DEATH ORDEAL IS FINALLY OVER

She gained about 5 kilograms in that entire period. She just kept on stuffing her face with ice cream and chocolates

HER

Tyler thanks for being there in my moment of absolute depression.

ME

I thought you were never going to be able to get yourself out of that dark abyss you were trapped in.

AT THE BEACH

The sun is setting and the couple is walking along the sand enjoying each other's company.

ME

I've got something for you Ellie

( I hope she likes it )

HER

Yes?

ME

Close your eyes

(Takes out a heart shaped pediment from back pocket  and places it around her neck )

You can open your eyes now.

HER

(Smiling)
It's lovely, thank you

ME

(Smiling back)
I'm giving you my heart but not my soul.

HER

(Blushes)

ME

(In my head)
I'm giving her my heart she better not break it.

Have you ever had that feeling before in a relationship where you think you love the other person more than they love you. To the point where you'd even get their names tattooed onto your chest. Cause that's how I feel right now.

IN THE CAR:


I'm driving Ellie to the airport. OR Tambo in fact. I'm playing some Jamie ** but I quickly change it and play my favourite song Female Energy.

CUE "FEMALE ENERGY"

ME

You excited?

HER

Yes I'm really really excited for this.

ME

I'm really gonna miss you

HER

Me too.

Ellie was completing her mothers bucket list - so she had had to travel all the way to Tibet and learn Buddhism. Nothing much really she was leaving  for 2 months.


But little did Tyler know that this was going to be the last time he sees Ellie because her plane never landed in Tibet - the plane crashed and it sunk with no no one  surviving.

STILL IN THE CAR:

Ellie hands Tyler a letter

HER

Tyler please don't open this until you get home.

ME

(Smiling)
I'll try my best.


Car parks at drop and go zone at the airport. Tyler takes out Ellie's bag from the boot.

They hug and kiss

Ellie cries.

CUT TO : "APT 3101 - LIVING ROOM "

Tyler opens the letter.

CUE "ELLIES VOICE AND ON OUR SWEATERS "


It's funny how for someone who has been so used to being lonely, the second I grip onto something that seems real, my biggest fear is losing that grip - even though for the longest time ever I've become immune to the feeling of loneliness. The same way people become dependent on other beings, people can become dependent on loneliness too - you become immune to self reassurance, your insecurities, your vulnerability and after a while it seems ideal and okay, but only because it's all you've got. You allow yourself to be consumed by this self indulgent energy making you think you don't need anybody because how else do you get by when you know that you have nobody. So when someone comes creeping in through the front door, with nothing but good intentions - you shut them out because you've lost sight of the difference in the realness of someone coming through the front door and the fakeness of someone coming through the backdoor. I struggle to fathom your presence because I didn't see you coming, through any door, you were just always there in plain sight. I don't know how to describe what I feel when I'm around you because I have never felt anything like it. All I know is that it leaves me in a place
An incomplete screenplay.
Mateuš Conrad Sep 2018
.penta - come in: like i said, horror movie soundtracks, i fall asleep listening to them... they're so atmospheric i, simply can't resist their inherent allure.

the infamous Croydon cat killer...
i'm not buying what the media is selling...
i'm currently in the possession
of a quasi-pet...
  a fox...
comes round my garden for food,
leftovers...
which i give to him with overcooked
rice...
      no... i'm not buying the police report...
two reason...
you know where Croydon is...
and when the next incident happened?
north east London...
   did the fox... ******* swim?!
a fox is not a migratory animal...
   it's niche...
   it's local...
   if it has a sustained food source...
scavenger that it is...
omnivore like a petted dog...
  no...
i don't buy it...
              why would it transverse
south west London and strike in
north east London...
    did Herr Fusch
and why were the bodies left as evidence?
this fox has a *******
fetish for cranium meat or something?
i'm no Mr. Softie for the company
of a fox...
     but on the outskirts of London...
cats and foxes share a strange
   symbiosis...
   ever walk the dark Essex roads
at night, and peer into the fox
and the house-cat look at each other with
curiosity?
      like all serial killers...
it begins with animals,
there's always the audacity with animals...
most of them would probably become
model citizens, if they were allowed
a job at a slaughter house...
   so the mainstream media explains
the Croydon cat killer as a fox...
a fox that decapitates a body...
   and doesn't eat the torso?!
******* magic!
that's not how mature nature of
the wild works: you either eat...
or you're eaten..
        my neighbors owned ducks...
you think that when a fox
dug a hole beneath the cage...
there was a duck torso and a missing
duck head?
ha ha! good luck!
       why would a wild animal **** something...
and not eat it?
    a Swizz fondu makes more sense
than this explanation!
no cautionary animal,
that is primarily a scavenger,
travels from south west London
to north east London...
             BULL...****...
       BULL... ****!
           i don't feed my Brody because
i think he's cute...
   i feed him...
     because i randomly feel like it...
do foxes even own the concept
of a head terrine delicacy?
   my little ******* will eat
rice mingling with off-cuts of meat
and fat...
           so... he bit the head off...
but left the torso for evidence?!
BULL... ****...
oh i'm pretty sure a shy, a very shy
bored Jimmy is lurking in the shadows...
shy bored Jimmies need
a canvas of innocence...
animals are their primal choice...
  well... considering that Cain
was a vegetarian and Abel wasn't...
          he's lying low...
he needs to wake up from the adrenaline
rush...
   he needs for it to cool down...
a fox doesn't leave torso evidence...
and what would be the point of...
   did they say whether the heads
were guillotined, or chewed off?
no ******* animal chews off a head,
unlikely for an animal
to decapitate another animal...
   only human imagination provides that
sort of ingenuity...
         crock ****... basic crock ****...
blame the foxes...
     ha ha!
find me this shadowy little Jimmy before
he boasts about
the human sin of being gullible....
thank **** i'm not a campaigner...
   what i do with "my" fox is concerned
with ecological advantages...
also something akin
  to a Monday morning...
and how my neighbor's trash isn't littered
over the road... because
the wolf was fed, and so the sheep
too...
                 there is no logic to
the claim that a fox made methodological
killings of pets...
   if you ever walked
the streets at night,
and watched the stare-off between
a fox and a cat...
   last time i checked:
   cats have claws and a ferocious bite...
foxes? no claws...
just the bite...
oh, right... what am i listening to?
    penta -            come in...
   i'm still thinking of little Jimmy in the shadows,
collecting his decapitated
   cat heads... and stuffing them
with fiddles of a post-scriptum
to the Hollywood movie genre...
   oh believe me...
from what i heard of Eddie the Gain...
20th century alternative culture
was basically him
being covertly cited...
            no...
a fox wouldn't do it...
   if it was a a duck / chicken affair...
sure...
   but cats being decapitated...
and the torsos left as evidence,
i.e. not being eaten?
         little Jimmy is taking a break...
given that: i'm pretty sure a Bonsai
tiger knows a few tricks about
how a predator defends himself...
          then again, the explanation
could be:
  too many cat videos...
             cats aren't cute...
they're bogus critters who are in
the potential of biting and scratching...
come one...
all the way from south west London...
to north east London?!
foxes don't travel that far,
and the closest route would be
by a hypotenuse vector...
   sooner proving Santa Claus
exists...
    and...
              it couldn't be the same fox...
wild animals are analogous...
but they're certainly not original copy-cats...

coming from a newspaper
like the times:
   i'm vaguely allured to claim them
left-leaning... right-centrist for sure...
but they're still quasi-Guardian
types...

the topic at hand came,
thanks to no. 10,154 sudoku puzzle...
and the narrative...

1    0    0    0    0    0    0    0    5
0    5   ­ 0    0    2    0    0    3    0
0    4    0   6    0    5    0    1    0
0    0    2   0    0    0    8    0    0
0    0    5    4    0    3    7    0  ­  0
0    3    0    5    0    2    0    6    0
0    6    0    8   ­ 0    1    0    9    0
5    0    0    0    0    0    0    0    1
­0    7    0    0    6    0    0    4    0

ut 10,153 was a mess...
i can only suppose it was too simple...

let's just say i had to think
of something,
esp. little Jimmy...
    
                        and the scapegoat fox...
after all: it's the easiest route...
   pretending that a wild
animal is to behave in a civilized manner...
but even wild animals
do not behave like
meticulous killers...
          and decapitation?
it an example of a civilized
meticulousness of a killing...
        
i sniff a rat, a see a rat...
             mainstream media is a load
of *******, and hardly an outrage
of der stimme...
    
foxes don't assert methodological killings...
little Jimmy... whittle Jimmy...
taking a break...
having made foundation
in the first membrane of audacity...
sooner or later...
little Jimmy is moving from cats,
and into the territory of humans...

they all do...
  "they"?
        serial killers!

          that wasn't a fox...
i'm petting a fox at this moment in time...
well.. petting is a lose term...
otherwise strapped to:
"petting"...

           but as you do... solving a sudoku...
here's the linear
narrative:

   (b) 8 8 1 1 3 4 7 9 7 7 9 9 4 9 7 9 4 7
(a) 1 1 5 5 5 1 6 6 7 7 8 2 3 4 9 6 6 6 8 2 3 2 4 4 8 3 9 3 9 2 3 2 2 8 8

and you do think up crazy ****
while you're at it...

1    2    6    9    3    8    4    7    5
7    5    8    1­    2    4    9    3    6
3    4    9   6    6    5    2    1    8
4    1    2   7    9    6    8    5    3
6    8    5    4    1    3    7    2  ­  9
9    3    7    5    8    2    1    6    4
2    6    4    8   ­ 5    1    3    9    7
5    9    3    2    4    7    6    8    1
­8    7    1    3    6    9    5    4    2

but then the everyday newspaper
you read on the everyday
from Monday to Friday....
and there's a newspaper magazine...
ah...
   so that's the problem...
i'm not bundled up in a demographic
nearing retirement age?!

the Croydon cat-killer is still out there...
  a fox wouldn't leave a decapitated
torso as evidence...

as the one simple rule of nature suggests:
NATURE DOESN'T BELIEVE
IN LANDFILL SITES...
IT BELIEVES IN RECYCLING...
a fox that chews off a head
of a cat, and doesn't drag the torso into
the forest to eat?
   well... let's just suppose
that idiocy doesn't exactly permeate
in the wild...
              less a stupid animal...
more a selfish / slothful animal...
  foxes are neither...

             little Jimmy is still out there...
with his love for souvenirs of
cat heads...
           and he's buying time...
so a scapegoat emerges...
  
        if a fox did what was "supposedly" done...
i'm pretty sure there would be
no evidence...
          left...

you get the picture?
  Michael Myers began experiments
on animals... as did Jeffrey Dahmer with
road-****...
                can't someone make an outlet
for these people to work
in slaughterhouses?!
                    they'd be perfect!

decent human beings:
in the most indecent human conditions -
and i'm pretty sure these guys
would love working
in the slaughterhouses...

  i could, for some reason,
forget vegetarians akin to Adolf ******
by then!
ChM Apr 2015
Eating does not mean I am hungry

All the time

Sometimes Eating means just

Sharing a minute with someone

A minute where just the two of you sit next to eachother

And enjoy the moment of being together

This imaganition lives in mind I guess.

And like I know that there is no perfection

So there is no perfect breakfast

So there is no breakfast at all.

You start eating without the other.

You fill stressed by the fact that you have to eat.

Why is there no perfection?

Why seems everything difficult and upsets you?

There might be an explanation.

But also if someone will shout it in your ear.

You wont hear it.

Because you chose to be unhappy

…all by yourself.
Lauren R Jul 2016
As my lungs crinkle and deflate into themselves,
I'm reminded that breathing is easy
I just **** at it.

I hear Lou Dog bark- good dog- and hope he's still out there, biting pornstars because for sure, not all Rastafarian dogs go to heaven. The music's down here.

But you're just the most boring cliche with a pretty face.
And I'm still surprised you're on this side of the dirt.
What a conscience you have.

(Huh?)
I forget which jar I left my brain in this week
Jeff Gaines Jun 2018
Hello everyone,

  I'm so very sorry … I feel horrible doing this, but I have no choice. You see, I have published my first book on Amazon/Kindle! This piece (and many others) had to be taken down because they do not allow published material to be available online for free. (Go figure) I wanted to leave the shell of the posts because I felt compelled to leave all your helpful and loving comments. (Silly sentimental, I know), but I also didn't want to just have the pieces disappear without an explanation. I feel bad enough as it is!

  I owe ALL of you so, SO much for all of your reads, love, and support. It was YOU that gave me the gumption to FINALLY get off my **** and publish! Thank you all for the warm comments, camaraderie, and encouragement! I will still be here, reading, uploading and just being the Rascal that I am. How could I EVER leave you guys?

  The book is called “The Way I See It – FictionPhilosophySoul Food” and it will be FREE for the first few days on Kindle Select, so watch for it, if you are interested. I hope that you go and grab it. If you do, I would also hope that you find it worthy, you would leave me a good review. That will help me get in the public eye! Soon afterward (2-3 days or so), it will be available in paperback. I will be building my Author page tonight (12/21/2018) and my website finished first thing Monday!

Find the book(s) here: www.amazon.com/author/jeff.gaines

Or find the book(s), and all about me, here: www.JeffGaines.world

  Soon after, I also hope to have my first novel (a supernatural thriller), called “Wanderer” available as well!

  Wish me luck!
Big, Biggest Love,
        Jeff Gaines
I wrote this lullaby for my HS sweetheart after she came over to my house crying and was all upset that her family had just told her to leave me and to  "Forget that dreamer!"

I can't say I blame them, in hindsight. I was yer typical parents worst nightmare: Long hair, torn jeans, loud-crazy shirts/clothes, singing in a band, bouncer at a pool hall, big mean Doberman Pinscher, hot rod Firebird Formula, big ol' party house with a pool ... you get the picture.

This poem has been up here since Feb/2018. But I guess during the last server cleaning, it somehow got deleted along with the last two paragraphs of my notes to "The Longest Piece Ever Uploaded To Hello Poetry".

I discovered that and luckily had it backed up, so I replaced the missing notes. Last night I read "I love You" (another lullaby written for her and posted here at HP) and when I went to find this one, it was totally gone.

Better check yer posts. There could be missing bits or even WHOLE POEM uploads!
The moon hangs above two lovers
never fading
from all they want.
Their lips speak a language
of their own.
There need be no explanation
of the urges articulated
between them,
twisting and turning as the misty morning
makes itself known.

They have been pulled under waves
that crash through their fingers
and linger on their tongues
as love.
Altering how they hold each others heart
within the soil of their being,
worn as a scent displayed as beauty
that can only be
from heaven above.

A walk of response places in full view
conversations that cannot
be denied.
Their hearts overflow with sweet passion
face to face,
remembering how the moon hung sweetly
singing stories of adoration
above them
never fading
from this precious place.
Where Shelter Aug 2018
my second fight today with god

the first involves gods correctable errors of judgement

the second,
am asked to deliver a eulogy for someone
I never met and no is not in the range of acceptable answers

alone and misperceived as forsaken, despite calls and poems
glorious and galore, I was slow to realize, now fast,
was I meant to be
her here,
where shelter,
the first, will always now be
too late

you break off pieces for the needy, forlorn,
the ones you might of loved, it’s costly for
both the giver and the forgiven, but I am the unforgiven in giver,
a redeemer failure, the question mark and the short dotted flat line,
uniquely marked human,
the Cain marker forehead now forever a
carved minus sign, meaning I am lessened, lesser and
insufficient was

read out loud, an old soft tender, inspired by hers,
a missive sweetness tinged with affection, writ by a human savior who did not
do a good enough job, nonetheless,
everyone slaps my back later saying beautiful bespoke,
and when you going home, stay a few days, she’d appreciate

a thank you smile but can’t, though the dead will follow you,
that goes unsaid, but you will know
grander grief yet, as guilt continue-us,
and the tune playing non-stop stop isn’t yours,
but you spoke it  to her once as a justification explanation,

it was true but a nile river-red-colored plague
that added to her dissatisfaction, come disastrous for one  
who didn’t ever get to leave egypt

guess i’m admitting its my fault
not gods;
so I let the  ******* off the hook on this one,
but I’ll get even I swear, it/he, nah,
SOB
just laughs,
but this will be one of life’s allusions
I will recall and wonder when will that tune cease,
but get no answer from nobody


that tune?

<>

Go 'way from my window
Leave at your own chosen speed
I'm not the one you want, babe
I'm not the one you need
You say you're lookin' for someone
Who's never weak but always strong
To protect you an' defend you
Whether you are right or wrong
Someone to open each and every door
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go lightly from the ledge, babe
Go lightly on the ground
I'm not the one you want, babe
I will only let you down
You say you're lookin' for someone
Who will promise never to part
Someone to close his eyes for you
Someone to close his heart
Someone who will die for you an' more
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go melt back in the night
Everything inside is made of stone
There's nothing in here moving
An' anyway I'm not alone
You say you're looking for someone
Who'll pick you up each time you fall
To gather flowers constantly
An' to come each time you call
A lover for your life an' nothing more
But it ain't me, babe
No, no, no, it ain't me, babe
It ain't me you're lookin' for, babe


by Bob Dylan
farewell babe

12:48 pm a blustery Saturday
Mida Burtons May 2017
You don't show any clear emotion, don't permit
Me to begin to understand why this is the way
You react, there is never a real explanation
You never thought i deserved one. i don't think
You know how much i truly felt that need for
You to just accept me, not judge me but
You don't know when to stop because
You enjoy it, enjoying hurting Me
Matthias Aug 2013
Intro:
Start with a hook sharp enough to catch many fish.
Move into a broad outline of topic.
Add some examples to peek the interest.
End with a sentence that captures your thoughts.
(Start the way you feel it should be).

Body:
Flavorful topic sentence to open paragraph one.
State in detail specific examples and definitions.
Follow with a reference or two,
This keeps suspicion off you.
Keep same format for paragraph two and three.
(Continue on the feel that increases how you started).
(Or retrograde and start a new direction).

Conclusion:
Wake the reader back up with thesaurus found words.
State again the reason for your thoughts.
Honing specifically on what you want to say,
Without of course bringing in new info.
End with a memorable sign off.
(End with completing your thoughts).
(Or start a new idea entirely),
(Not leaving enough room for explanation).
ConnectHook Oct 2017
HEAR YE HEAR YE
It's a wedding bell for bedding well cause' we're crushin' the illusion of Russian collusion! CNN wets on Russian bedding but Trump bets on Russian wedding, and you're invited to the bridal shower. Punking the monkery, dig the debunkery; from Rasputin to Putin it's time for some straight shootin'. Hillary looks old and glowers at Donald's rumored golden showers. Our media owes US an explanation for streams of steaming urination, but we are willing to forgive and use their wet diapers as debt wipers. My poem's appeal may take a toll, but let its little peal now roll:

******, ******
rings the bell
A Fake News warning; time to spell
out what was wet with Moscow girls.
Putin's putas ?  Wisdom's pearls
were pried from Truth's reluctant shell,
banishing Hillary straight to hell.
None. It's what we want left over
from this hag. We now discover
beds were dry; it all amounted
(all those golden tricks recounted)
to less than a tepid bowl of kasha. . .
Russia laughed from her summer dacha.
InfoWars was on it first
while Dems spun lies from false to worst,
awarding cash for faked dossiers
embellished with the CIA's
well-trained performing circus-seal.
The FBI endorsed the deal
as RINOS horned in on the action:
Washingtonian distraction;
a democrat-concocted fuss—

. . . but we ALL paid Hillary to **** on us.
TRUMP / PENCE 2020
**** on the Fake News !
HILLARY for PRISON
SUBVERT GLOBALISM.
Jeff Gaines Mar 2018
Hello everyone,

  I'm so very sorry … I feel horrible doing this, but I have no choice. You see, I have published my first book on Amazon/Kindle! This piece (and many others) had to be taken down because they do not allow published material to be available online for free. (Go figure) I wanted to leave the shell of the posts because I felt compelled to leave all your helpful and loving comments. (Silly sentimental, I know), but I also didn't want to just have the pieces disappear without an explanation. I feel bad enough as it is!

  I owe ALL of you so, SO much for all of your reads, love, and support. It was YOU that gave me the gumption to FINALLY get off my **** and publish! Thank you all for the warm comments, camaraderie, and encouragement! I will still be here, reading, uploading and just being the Rascal that I am. How could I EVER leave you guys?

  The book is called “The Way I See It – FictionPhilosophySoul Food” and it will be FREE for the first few days on Kindle Select, so watch for it, if you are interested. I hope that you go and grab it. If you do, I would also hope that you find it worthy, you would leave me a good review. That will help me get in the public eye! Soon afterward (2-3 days or so), it will be available in paperback.

Find the book(s) here: www.amazon.com/author/jeff.gaines

Or find the book(s), and all about me, here: www.JeffGaines.world

  Soon after, I also hope to have my first novel (a supernatural thriller), called “Wanderer” available as well!

  Wish me luck!

                                                          ­             Big, Biggest Love,

                                                          ­                    Jeff Gaines
Kinda speaks for itself. I have a "MySpace" page ... somewhere. Haven't been there in years. I NEVER did FB or ANY of the others. And now ... watching it's destruction of our social structure, I am glad I listened to my intuition.

All of the goings on (suicide induced by bullying, SHOOTING rampages in Schools, etc.) have somehow inspired me to coin the phrase "(Anti)Social Media". Feel free to use it and maybe it will open some eyes.

I hope the world wakes up.

See also:

https://hellopoetry.com/poem/2379299/in-the-company-of-thieves/
Kevin Nov 2020
Born into a world of deception,
Embraced in a life of abuse,
Tormented by a state of abandonment,
Betrayed by parents of youth.

Destroyed by words of profanities,
Tortured without excuse,
Alone in a house of misery:
Torn, battered, and confused.

Compelled to a life of insignificance
With their endeavors never seen,
Their family — a false reality,
Alone with only their dreams.

Assaulted with no explanation
By parents who destroy with their hands;
A child bruised and broken
Can only dream of oceans and sands.

Alone in a world with no one,
Their voice never heard nor seen,
Locked in a room of obscurities,
Waiting for death to set them free.

Violence speaks to this child
With no escape to be seen.
Alone in this house of tragedy:
Withdrawn, suicidal, and unseen.

© 2020, K. Saitta
Atypnoc Oct 2015
The allegation I believe did not require consideration
It was a gross exaggeration out of desperation
This fabrication, and every sick insinuation,
A complication of a self explanation
Of your deprivation and justification
For your manipulation to suit your temptation,
infatuation with your impersonation
Contamination
Indignation within your contamination,
An accusation of your relation became your revelation,
It was not your reputation anymore under investigation
Starving for salvation, you fed each sick implication
As if each misrepresentation in vindication were a donation
To trade your damnation for his incarceration
As if creation of a demonstration

Desperation for an explanation
For your infatuation with temptation
Deprivation justification was indignation,
Accusation of impersonation -
Realization of manipulation
Salvation from damnation
Clarification of contamination
Allegation as donation
The Incarceration cancellation
The only explanation
If anything, if anyone,... I hope something I made for you gets to you.
When theres's somebofy that really matters
And a gap of silence does in reality really exist
One wonders as he did what could be the reason
Not knowing as conversations not been kissed

There is a young girl from next door
And he idolized her for friendship true
She is made so welcome in the home
But conversation from her he never knew

He was told oh she is just shy that is why
And she always talked to all others around
He'd gone out of his way to help her out often
But try as he may no conversation to be found

Just twenty three years old a collage student
He'd spoke to her so many a time gone by
Beautiful in so very a way but night or day
Talk to any but he and they said she was shy

He'd never ever done said anything wrong
But conversation it with he never was at all
He felt that when she was there he'd leave
Go to his office staying until someone to call

He felt that maybe she didn't like him but
She'd smile say hello then that ended there
Rather than have her feel awkward he'd go
As he was a good and kind soul to be fair

Always happy was she laughing talking too
But never after hello no conversation was to be
This worried him as he liked her calling in
But that was it and it worried him so sincerely

He came to the conclusion not to talk to her
Thinking that would have her feel at home
She was a happy soul he with values of old
However not able at all to find a reason alone

It was not a matter of life nor death but sad
Oh she's just shy thats why it was often  said
So when she came he'd leave the room again
Go up to his computer or if not up to his bed

He was an inteligent person of knowledge
He'd traveled often the entire world in time
Met so many people of greatest knowledge
But with this girl never any conversation fine

I guess there was no reason she had to like him
Or talk to him at all in any way on any day
He liked her he guessed she just never liked him
So he gave her space and accepted it as is anyway

But there was never any explanation or any reaso
That he himself could think of in all honesty
And sometimes wonder if he'd said something
That was wrong or missunderstood it could be

She'd lay back on the lounge watch T V laughing
But he often simply put the entire thing from mind
However there was no explanation for this to be
At least none that he of this situationcould find

Oh she's just shy thats the reason why often said
But it was to him a situation in life rather grim
Feeling out of place within his own home the case
So much he'd with consideration gave this up to win

terrence michael sutton
copyright 2018
Cole Maxwell Apr 2019
Hi, my name is Cole.
Grab a shovel and we'll deepen the hole where I've buried my goals.
They try to blame my soul for the peril untold,
Though, great fortune most of their lives do hold.
Molded after my father I was destined to be cold.
Alone, broken, I folded.
Unspoken moments in silence are just like King Midas,
The opportunity’s gold, but there's still violence way down, deep inside us.
When tribulations unfold, so does my situation.
Find me by myself, impatient,
On a narcotic vacation, wasted.
Taste the medicine I force upon myself on a daily basis.
This explanation only strengthens my self esteem’s annihilation,
So pray damnation is what I need to keep some kind of exhilaration.
Drawn away from elation, I take the bait and go on strike against my ****** up creation.
When I was 15, the world ended around me,
Cops and medics abounding,
The sight surrounding my plight, pathetic,
Regret was surmounting.
Twelve scars on my throat, they said the odds were astounding I made it, but who's counting?
(Plus the one on my stomach where the blood geyser was spouting)
Jaded.
Like intimate sentiments, death attached to me,
I learned how to live with it.
There was a time that this soul had a temple, now, just a tenement.
The second time I played God I succeeded in my ill intent,
Pronounced dead at the scene, my funeral was finally imminent.
Til I opened my eyes and the room was one I'm familiar with.
I was sure eleven Ambien would work for my benefit.
Why am I being kept alive?
It's like there's no possible end to it.
Multiple reasons as to why I am so sick of this living ****.
It's a given: derision and treason purged me of innocence.
I'm immersed in this intricate curse,
Coerced into impotence.
Teasin’ hearses became a profession,
Hurting became obsession,
Depression’s the path I traversed,
Along with aggression.
So you may have a few questions concerning
The wrath I possess.
And when I rise from the ash like Sylvia Plath I'll confess.  
When I emerge from disguise, the sociopath will profess
The explanation for suicide, and the urge to regress.
Brianna Heins Jun 2012
To lose the robust and ephemeral vitality,
is waking up in dazed desolate imitation,
that creases and crinkles euphoric principality.

Blades of grass, sharp tipped spears of unreality.
A chilling, a challenged negation;
to lose the robust and ephemeral vitality.

Spinning round the ugly formality,
are snickers, unshy sneers of an evil salvation,
that creases and crinkles euphoric principality.

Thrilling no longer a verb, piano key pressing its precious mortality
into her throbbing thrashed temple dictation.
To lose the robust and ephemeral vitality.

A ****** numb soul with the criticality
of skeptics, chewing their lips, a dead cell castration
emotional stripping, slipping into complete impromptu filtration.
That creases and crinkles euphoric principality.
A Villanelle. Such a cool form name.
SC Kelley Aug 2018
You are indescribably beautiful.
More than your breathtaking smile.
Or the way you look at me with those gorgeous brown eyes.
You are beautiful in this supernatural way that makes me yearn for an explanation.

It is such a beauty that makes me feel complete.
A tremendous burst of euphoria and bliss just by the thought of you.
Your bewitching emanation that makes my soul electrify.
As if we were split in a ****** world to search for one another.

Your immense beauty that is far beyond the physical.
It makes me suffer in the most amazing way.
Forces me to watch every careful step,
To not shatter the perfection of a thousand lifetimes.

A beauty that makes the world seem brand new and brilliant.
You make the flowers bloom fuller,
The grass greener,
And the birds sing finer.

You are the deity my heart has struggled to search for,
The divinity my soul has craved,
And the magnificence I have only dreamt of.
Your presence makes this life hold a more significant meaning.

You are the loveliest being,
I have ever had the pleasure of sharing an existence with.
You cause this intoxication in my very soul,
And make my heart skip every beat in the most tremendous way.

You have brought new meaning to my life.
Things that were once a blur now makes sense.
You have given love "at first sight" a true meaning.

~S.C. Kelley
For My Future Love
The last time we spoke,
I forced a smile.
Forced myself to say hello.
No eye contact.
From 6 feet away.
Even though I know,
your smile was fake.
BANG
That string holding my heart together,
explodes.
And the past 3 months
I'd spent
Forgetting every touch
Every love
completely disappeared.
Both smiles were forced.
I wish I knew
the explanation
behind his.
I know we both know,
What's behind mine.

— The End —