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Sometimes she walks through the village in her
little red dress
all absorbed in restraining herself,
and yet, despite herself, she seems to move
according to the rhythm of her life to come.

She runs a bit, hesitates, stops,
half-turns around...
and, all while dreaming, shakes her head
for or against.

Then she dances a few steps
that she invents and forgets,
no doubt finding out that life
moves on too fast.

It's not so much that she steps out
of the small body enclosing her,
but that all she carries in herself
frolics and ferments.

It's this dress that she'll remember
later in a sweet surrender;
when her whole life is full of risks,
the little red dress will always seem right.





Lord: it is time. The summer was immense.
Lay your shadow on the sundials
and let loose the wind in the fields.

Bid the last fruits to be full;
give them another two more southerly days,
press them to ripeness, and chase
the last sweetness into the heavy wine.

Whoever has no house now will not build one
anymore.
Whoever is alone now will remain so for a long
time,
will stay up, read, write long letters,
and wander the avenues, up and down,
restlessly, while the leaves are blowing.
MV Blake Apr 2015
You don't see me in the night,
My ears pricked for every sound I hear
In the dark, like a stag poised for flight,
And my conscience seeing surgery,
Each sound a cut to my ear.

Guarding your thoughts with my warmth,
Enclosing you with my poised embrace
In the dark, barely breathing by your ear,
And waiting for night to end
Its careless gentle march
Before your breath must cease.

Staying up til morning to see you safe,
Knowing you won't see me standing over you
In the dark, fighting the sickness with my eye,
And hand gently stroking your hair
Until our fragile bodies fade
And your wishful dreams hold true.
For all those brave and tragic souls who care, or have cared, for a dying loved one.
Danny Valdez Jan 2012
He woke up
next to the empty spot
where Wonder Woman had been.
He puked in the toilet
slammed down a forty-ounce Miller High Life
and started putting the suit on.
boots
the gray and black tights
the gloves
the yellow utility belt
and the cape.
It was leather.
He put the cowl
under his arm and left his apartment.
It was a late start
nearly noon
by the time
the bus got him to
Mann's Chinese Theater.
He saw a lot of his
friends and colleges
as the bus went down to his stop.
It was a regular day
all the characters were
in their usual little groups.
Spider-Man & Captain America
two Mormon boys that had been
excommunicated from the church
they got caught **** *******
each other
now they were stuck in Hollywood
like everyone else.
The X-Men
or H-Men as most people called them
were a group of junkies.
One of them had a cousin at Fox
and they got four replica X-Men costumes.
So that's how they scored
their junk everyday
garnered pretty good tips from the tourists.
Cyclops, Jean-Grey, Storm, and Wolverine.
It was a good grift. **** good idea.
Then you had the impersonators
plastic surgery freaks
obsessed with Michael Jackson
creepy bald men dressed as Dr. Evil
and there was always
a lazy fat guy
that would do Elvis.
Not know any of the songs
and saying the catch phrases all wrong,
"Well, thank you Ma'am....thank you so much."
Those guys never lasted too long.
The cutesy cartoon characters
were almost always
pedophiles or ******* ladies.
The horror people were hands down
the most bat-**** insane of the lot.
They got into the most fights
they terrorized the kids
and they talked a lot of ****.
Would bate guys into fights.
Michael Myers would always start ****
with guys that had beautiful women with them.
It was ****** up.
The LAPD took away Freddy Kruger last month
for beating up a guy
right in front of his kids.
There was talk from the cops
about shutting down their whole thing down.
Making it illegal to dress up in costumes
and get tips.
'Panhandling' as the office had said.
But
Batman hung out with
Superman & Wonder Woman
while doing his thing.
The night before
Wonder Woman and him
had been drinking, smoking, and
they ****** once
before she asked him
what she needed to.
"We got two new guys starting tomorrow."
"What?"
"Yeah. They came up to me on the street today,
wanted to know if they could hang with us."
"Wha? What? Well...do they have costumes?"
"Yeah." She said, exhaling smoke, wrapped in the sheet on the bed.
"These guys got a Green Lantern and a Robin costume. Really good quality,
they showed me pictures. Hey, you finally got a Robin now! Isn't that great?"
"****...I don't know Diana...I was kinda liking our little *******.
"Oh come on, Bruce. It'll be good." She said, wrapping her arms around him
as he sat on the edge of the book, looking out the window.
"We can finally get the big, group tips. Like what the H-Men got going."
"Alright. That's fine."
And the next day
there they were,
Green Lantern & Robin.
Wonderful costumes, like she said
their hair color and overall appearance
spot on.
"Hey there!"
"Hello. Robin. Green Lantern."
Their gloved hands all shook.
They got acquainted and he couldnt help but like them.
Nice guys, musicians, Rockabilly guys, from Venice.
They went out into
the crowd of people
Superman's voice booming over the crowd
telling everyone that they're safe from
evil and wrong doers, blah, blah, blah,
the usual ******* that Superman always said.
Batman yelled to Robin over the enclosing crowd.
They were now fully entrenched by people
fat & sweaty
Batman's panic attack took over.
"COME ON!" He shouted over the rising crowd noise.
The dynamic duo
shoved & pushed
parting the sea of fat tourists
and breaking out onto the sidewalk.
"What's up, Batman?" Robin asked
looking up to him.
The size difference was just like in the comics
Robin was a little guy.
"I just needed to get outta there. Let's go take a lap
down Hollywood Boulevard...see what kinda cash we can grab."
"Okay, Batman."
They walked
up and down
the walk of fame
posing for a few pictures
making some kids day
with wide-eyed excitement
that will be with them forever.
They made forty bucks too.
"Alright, that's good for now. Let's grab a beer, Robin."
It was a small dive
on Hollywood Boulevard
they were two beers in
and Robin was learning a lot
about how Hollywood really was.
Some real talk from Batman to Robin.
"Yup. I moved out here in 1997. I saw that movie 'Swingers' and I thought...
I could do that, that could be my life, I want that."
"And what happened Bats?"
"Well...I came out here, went to film school, did everything I was told, and...
I still got ******." He said, taking a long pull from the bottle.
"Well what happened exactly?"
Robin's green glove, gripping the brown bottle
tilting it back, bubbles rising
"Well...ya see...when I was in film school, the instructors all told us...you either do your internship here in Hollywood or go to New York. Anywhere else and you won't be able to make it. That's what they said."
"Yeah?"
"Yeah. So I did my internship here in Hollywood and it was for nothing. The whole two years that I was at Faramount, I was never allowed to even touch any film equipment. Well, just to dust it off and clean it. But they didn't even try to teach me anything there. I just did food runs at lunch, got them their Starbucks in the morning, and took out the trash. Swept the parking lot, cleaned the toilets, I was a ******* janitor at that place. And you know what happened next?"
"Huh?"
"One day they just fired me. Just like that. After two years of being their ***** boy. So now I have $50,000 in student loans that I can't pay back, and a degree that got me nowhere."
"****." Robin said, finishing his beer.
"Yeah. So what do you do?"
"I'm in school for audio engineering."
"Ah...the music business eh?"
"Yeah, Batman."
"Hmm."
Batman grew silent then, just finishing his beer, and staring into the mirrored wall.
He wanted to say,
"I have 117 scripts sitting in a stack next to my t.v. That's eight screenplays a year. Robin, I've been at this for fourteen years and it doesn't get any better. I never stop trying and I keep at it, year after year. But I'm done. Get out while you
still can Robin. This city will eat you, **** you, **** you. If you still have a home, I suggest you go back to it."
Batman sat there, his beer finished, still staring straight ahead.
Robin pulled out a ten dollar bill, smiling, calling for the bartender
with that sparkle in his eye
of youth and hope.
He didn't want to say all that ****
crush that gleam in Robin's eye
like he once had.
Those were the best days
the great days
the glory days
to be young, handsome, poor, and hopeful
that you could make it
that it could happen.
So Batman didn't say another word about it.
Nope.
There were things
Robin would have to learn all on his own.
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
The blazing eye of Dawn is all to fools:
those who see the joy
in Light expressed as Light,
but brightness also graces Night.

Her veil parted, the black curtain
giving way to shades of blue and gold,
Her rapturous embrace inspiring eyes beholden.

Planted in Her garden, neighboring eaves
rustling in their trembling eagerness to share their leaves!


For in Her realm eternal, flawless
clay of earth and blade of grass
stretch forth to feel the loving light
of their supernal Goddess!

Her joy ran rampant through my boughs,
my swaying branches spreading wide
to grasp the rays of her horizon --

With love untainted as a child's, so boundless
as my selfless roots cried out to sing her praises soundless!


No dalliance ever felt before complete
until this blessed revelation -
this, Her holy emanation, warmed my heart,
annulled my restless reason:

She was every mother: deepest love
in understanding all that came of Her,
enclosing us within the circular.

*She beckoned but a moment by Her brilliance; best,
lest I uprooted trunk and earth to shade Her manifest.
Produced by automatic writing directly following an ecstatic trance.
Mitchell May 2011
Assembly line broke down as the mirrors crashed and cracked.
"Angelina!!!" the crooked boss man yelled.
"Get in herre" the crook socks rang like bells.
Angelina poured sweat of the yellow blouse she had bought two days before for another interview in another office and another profession altogether. The room spun for her even though she would rather have it stay still.
"How much longer till this mechanism shifts and all of this stops altogether. Have their been madder women then me? Has there been madder men then me? Have their been madder times or are the times the same just with different tools and gears and nuts and bolts to tirelessly continue, heaving the corpses through the concrete cracked and littered streets?"
"Angelina!!!"
Another nail gun dropped to the floor, firing twenty rounds into fifty blue collared men's tie clips, deflecting them all to the near by wall which held the coats, the hats, the work shoes which the men were not allowed to wear due to "safety intrusions" and "labor union by lateral horizontal negative dairy laws". Another unfortunate fortune from the cracked mirror case but that, of course, is not the story, our story is...
"Angelina!!!"
Angy hurried up the hungry, empty metal n' holy stairs. She lost her high heels in a crack in the stairs but left them there due to the fear. 2011 had been a good year until she had been forced by her landlord, also her boyfriend, to get a real job rather then stuffing her knitted socks with her poetry and trying to haggle them to new age modern morons of the hip near sighters whom glasses were unintelligible but necessary. The mirrors of the conveyor belts reached the top of the platform but the door was shut. The mirrors bent and shattered leaving the splintered pattern of the world outside of them multiplied by the millions.
Noon was her lunch break and it was noon oh two. Angelina would be late with her lunch and the landlord, Nick, was planning to stop in with some home made sandwiches and home made potato chips.
"Nick will have to wait." Angelina thought to herself. "Nick hates to wait."
Angelina entered to stand in the wake of a shaking, sweating purse wearing, purse lipped boss boss. His hair was tossed to one side, struggling to hide his baldness. The subtelty of their relationship was difficult considering Angelina had slept with boss boss to get tossed this job. The act was actually enjoyable, Angelina thought him a good lay, but boss boss was not a fun person to be around, and he was a much worser boss.
"Angelina!!!"
"Hi."
"Your FIRED!"
"Bye then sir..."
"ANGELINA!!!"
"Yes sir?"
"AREN'T YOU GOING TO ASK WHY YOU WERE JUST SO HASTILY AND VIOLENTLY FIRED?"
"It is not my place to inquire why I was fired sir. If I was not doing my specific duty well enough I trust you, as my superior, to have thought what this subtraction would do to your company. If I had questioned you I would be questioning yourself as a boss and I would never want to do that...sir."
"VERY GOOD. DISMISSED!!!"

---

"So he just fired you, no explanation, nothing?"
"There was nothing really to say after the fact."
"You could have demanded an explanation."
"I was in a hurry to meet you. I know you hate to be late for our dates."
"That's sweet."
"And boss boss shouldn't have to explain himself, he IS a professional."
"He works in mirrors which doesn't make at all make him a ropes course supervisor."
"He's very handsome when He means what He says."
The home made potato chips had been burnt because Nick had fallen asleep while watching old re-runs of run marathons from the 80's. Nick had trained for the Olympics in 83' but while home after training and drinking an OK shake, Nick had stubbed his toe while drinking the OK shake and trying to get to a ringing telephone. Nick had collided so perfectly, so quickly and with such for that his right big toe had bent all the way back, his big toe fingernail touching the hairy patch on the top of his foot. The doctors said amputate the toe and save the foot or chop the entire thing off altogether. Nick, not being a dumb ****, opted for the entire foot. He never raced again.
"Are you going to try and get your job back?
"I don't know"
"Well. It's the 28th tomorrow and I need the rent either way. The insurance agency I'm with has been bugging me about percentages and utilities and...well, you don't want to hear about my worries."
"I don't mind sweety."
"Thanks doll. What're you gonna do?"
"Find more work I guess. I haven't written anything in a while, maybe it's a good time to get back on that train, see what comes up."
"I saw a help wanted sign at the mall nail salon."

---

Baby stroller wheels lined with pink and grey gum were lined up against the overwhelming glass wall enclosing the shops from the streets. Trees reflected green with the sun light lined across the clear wall. Birds flew at the top of the block near the ceiling crop, they wanted to come in but were confused how to do so. Children came through the valley with lollipops and balloon powder and strings lined with meats, they were headed to the capitalistic circus, a wonder land that only brought guilt from lovers and their future children's shame.
Angelina stood outside the electronic moment to moment receivers. She was afraid of not being allowed entry. Everyone entering entered easily, but what of she? Would she be accepted? Clicking her unpainted fingernail atop her leopard print clip purse and what was worse she had no cash to get her orange Julius or perhaps see a film if she couldn't conjure of the courage to stop off at the salon. That was why she had come here, right?
"Where had the salon been?" Angelina said aloud.
The mass of the mall was vibrating with a ferocious congruity. Through the fog of meaty torso's lay blank and content faces. Gripping their wares, their steaming quick food, some of it dropping to their foot only to be kicked around on the dirtied floor. At times a rat would scurry from underneath a traveling underwear salesmen to grab a piece of fried bread, half cooked meat, or small pieces of children's hair which floated softly down to the wet and mud streaked floor. Mall cops waved their sticks to each other, some kind of HAIL or CHEER that they were the one's in charge round' these parts and there wasn't nothing no one was going to do about it.
"Do I really want to work here?"
There was no choice though. Angelina needed to pay the rent or her landlord/boyfriend would kick her out on the street and from there, she had no clue where the blue sky would take her. Her parents, both dead thirteen years ago, would be a terrible place to set up camp, especially in a graveyard. Angelina's brother lived over seas working at a ***** clinic trying and failing to heal the weak and unwanted. He had tried to heal her through voodoo practices he gathered up drunk through his 6 month stay in New Orleans but it had only given her a bright blue and red rash for three to four weeks. She never longer trusted her brother with any kind of healing or "feel better" techniques and was no prepared to make the trek to Europe anytime soon, she was in a relationship at the moment anyway and she had a feeling she might be in love.
Angelina stepped through the glass exchanging doors in unison with a family that was entering at the same time. The door seemed to open for any body but was tentative if it would accept hers, this time, it seemed to.
Inside she made her way up "the miracle marbled stairs" which shined bright and blinded Angelina in certain parts of her eyes. They flashed bright red and greens and whites so visciously and fast Angelina thought she might have some kind of seizure. She planted her feet directly on each step as she walked up the 20 to 30 stairs, going very slow and gripping the handrail. People started to gather around behind her shouting "HURRY UP LADY" and "WE DON"T GOT ALL DAY" and giggling to themselves.
"Were they not seeing these lights?" Angelina thought to herself.
"Do you kind people know where the nail salon is?"
Angelina then realized that what she had just said made no sense. Her eyes were gripped shut, her hand tight around the shiny gold handrail, her feet pointed strictly out like some kind of paralyzed summer penguin. The people which had gathered behind her stood bare, jaw slacked, wondering who would step forth to help this poor helpless creature.
A little girl with red sparkled shoes and a orange bow atop her head stepped forth. She smiled even though she knew Angelina had her eyes tightly shut, maybe she would feel the warmth? The girl's mother reached for her so not to get to close to that "crazy lady" but the little girl pulled away, her father saying "If it's her time to go, it's her time to go".
"Miss lady with the tiger purse, I think the hardware nail pull on is on the 8th floor next to the people that sell bread with meat sticks inside."
The little girl stepped gingerly back as Angelina loosened her grip on the now stained golden handrail. She shook her hair out and ran her fingers through it, straightening herself up as if she were about to perform a song or late night poetry reading. Angelina opened her eyes and peered down at the girl.
"Thank you little girl. What's the best way to get there?"
The girl child said nothing. She pointed to a large metal box shooting up and down the length that looked like a rocket straight to heaven. People were gathered all around its foundation, oooing and ahhhing at the sight of the one's which entered. There was a sign over the line of tubes reading "A Shot at the Void".
"A shot at the Void..." Angelina tentaively breathed to herself.
Angelina stepped up the last couple glittering stairs and made her way through the thick crowd of stale clothes, cheap tricks, obsessed teeny boppers, hardware for wear, shoes with no laces, strips of bacon hanging from mouths, lettuce all shredded, soda cans with their lids torn clean off with small splatters of blood lined on the rim, and a perfectly painted fingernail was drawn on the number eight where the long lines and rows of numbers were there to guide the one's to the shot.
"Number eight. Easy enough"
Angelina pushed the button.

---

Inside the tube there was a slow light hum of jazz transfusion and children breathing. There were three little daughters gripping their mother's hands as they bit into their soda pop straws, ******* up the soda inside the plastic and cardboard cups. All three children stared up at her, maybe wondering what she was wondering, which was exactly what Angelina was wondering, a combination of mistaken telepathy, an accident of consciousness that would be never be talked about between the four of them but most surely existed between them.

Smooth as clay they drifted up the translucent clear glass tube, shooting skyward like a man made rocket shot from a man made gun. They passed shops hocking wears of angelic colors: clear pearl pastels shone through the clear blue glass shining into Angelina's eyes forcing Her to squint, dog barks could be heard through the whistling air begging for treats of black and brown, teriyaki chicken strips and duck heads spun absurdly fast with a rhythm that resembled the wave of a crowd at a baseball game waving wildly like children flying from swings never wanting to land in the sand; all this as the three and one flew higher and higher and higher.

---

Ding.

---

Angelina stepped forward, leaving the three children behind Her to fend for themselves. From the looks of the button they had pushed they were headed East. She gripped her bag and peeled Her eyes, twisted her hair in a tight knot to show her aggression, her vigor, her confidence and stepped into the rabid salmon like crowd.

She saw no signs of the nail salon. She saw only posters of rabbits holding artichoke legs and nail guns firing rockets of ice cream and corn bread. These were the mirrors of the supposed revolution but had nothing to do with her nail salon, she needed the cash and she needed it NOW! How hard were the numbers to acquire? How long must she wait before the envelope is sent and the letter read and thrown out? How long Lord, how long?

Questions for a time when the pay checks were easy coming and Her man was by her side. She passed by a little boy playing William Tell with her sister. An apple on the little tots head and in the boys a small, tight and silver ray gun. The boy pulled the trigger but only a small plume of smoke came from the top making the boy ball over crying and wailing and kicking and screaming, nearly catching Angelina in the shin, what a mess...The little girl stayed still in Her spot though because her brother told her "Now don't move a cinch." Wise move my girl, wise move...

At last! Angelina, reaching Her destination saw the brightly neon colored corner of her beloved Nail Salon. The windows shone with pure red glitter, miniatures of poodles lapping up puddles of ice water, women laying out on the sun to catch rays from the Earth, and husbands shaving their backs all in a circle and row.

"How beautiful..." Angelina breathed out.

She entered the store front. Greeted from every corner were beautiful young cupid like angels faces shining divine but with no torsos, floating heads of angels ***** but crying and smiling. Asking Angelina "What would you like today miss?" or "What are you after?", beckoning for her requests, begging for her touch of vulnerability and lack of knowledge of where she was or what she needed.

"Just an application...I heard you all were hiring?"

"Hiring!!!?" the cupid heads screamed in unison.

"You want to become one of us?"

"Yes, part-time...?" Angelina said hesitantly.

As soon as the words "part" had been uttered from Angelina's wise and brave mouth the many heads of cupid began spinning and spinning around Angelina's body. Faster and faster they spun until Angelina herself was spinning with them, unified in a quadruple hurricane stripping her of her former self and slowly manipulating her body, her hair, her other self into her new self.

As Angelina's torso lay in the corner of the store un-bloodied, clothes tattered as well as some scratches  on her elbows from the toss, Angelina's head was floating in the perfect center of the other three hovering cupid heads.

"How beautiful...how beautiful...how beautiful."

"Isn't it?" the three cupid heads answered.

"Yes, everything here is so beautiful," the four of them whispered.

And as soon as Angelina had entered, she just as soon had left.

END
Rhianna Thorn Jan 2015
hidden in the shadows
i sit
i wait
and i hope

with this small candle
i hold close to my chest
t you'll see it in the flashes of light.

the flashes that
almost blind you
to what is mistaken
for love,
happiness and
a happy way of life

but under the flaring colors,
the luring words
and seductive lips
sits the sad ones.

the ones who wish to extinguish
the small flame
we had so long ago,
the flame i so dearly
wish to roar
to grow
and to consume those who tear us apart
in its burning, enclosing embrace.

but it is but a mere
flicker in the shadows,
compared to the flashes of light
surrounding you in what i know
will be our end
Maggie Emmett Aug 2014
Underwater light faceted
in the enormous aquamarine
set in bronzed stones.
A pale green mist lifts from the pool
follows the lantern lit pathways
back to the dark and shady places
edging to the olive grove
and the blackness
of the wych elms
and the limes
enclosing the garden
like impenetrable walls.

Here, on a very warm night
with a honeysuckle, jasmine breeze
heady, rich and almost liquid
You can stand on the sun-filled stones
stretch and hold
the heart-breaking sweetness
of the night.
Nigel Morgan May 2016
Poor stone. You’ve wrapped it, hidden its serene and uncomplicated self. I can no longer feel its smoothness, its emptiness embodied in touch. You have brought it in from the beautiful silence of its solitary state and covered it around: a net, a bag, a coverlet, a coating of thread through which we can only see something of itself.

There is a consistency here: in this doing, a reflective doing as much as conscious making. You’ve moved from the mending of damaged acorns, splintered leaves, forlorn detritus gathered off the sea strand to making tiny homes, shelters, enclosures, that sometimes have no perceivable openings; so some stones are wholly netted, completely wound and threaded around so there is no escape. But some, it needs to be said, are like the lasts of the cobbler, there to provide a form to hold the stone shoe firm, in place, and around which the woven thread in your hand can ply and knit . . . and then it is sometimes cast away, this last of stone, having only provided a stone shape; so only its shape-memory persists for the viewer. And when touched - this garment, this cloak of thread is pliable, and moves with the fingers’ touch and press.

I should like to capture this stone in the process of its enclosing; what seems to be from a viewer’s stance a not wholly planned journey with the needle - around and about, in and out and under. So I imagine a stop-motion sequence of photographs, beginning with the lonely undressed stone in your hand. As time lapses we watch the intricate play of your hand, your deft fingers, that particular pinching and holding to place the thread here and here and here, the pulling through, the special holding in place while one thread knits together with another thread by going underneath and up and along, and all the time the hand turning, the fingers dancing in the hand.

Then will come moments of rest where the stone moves from the hand to a still surface. It regains its shadow - and rests. The hand moves away and we are left with the silent stone, the journey of its dressing interrupted by life’s necessities. The maker’s hand moves to other tasks; the preparation of food, the writing of notes, the tapping of virtual symbols on the mobile phone (now there’s a surface that shares with the stone a hardness and smoothness – once we held stones for comfort in the pocket – now we stroke the mobile to remind us that we’re safe in the dark street, not ever alone, connected to our thousands of followers, admirers, friends, our loved ones, and that repository of what is and where to go, and the whole world of music and photographs - of woven stones).

Let’s go back to this stop-motion. To lift the stone from its precious private place, usually alone (no other stones around), index finger and thumb come together to lift our stone from its shadow – a shadow that disappears, magically, into the surrounding light. Oh surely no more, the stone cries in its shadowless voice. No more of this twisting turning, upside downing, the sense of the stone recalling a time beyond time when in a storm-laden sea one dark winter’s night it, and countless companions, were lifted from the sea bed and rolled round, around, round, and swept, afloat in a turmoil of waves that break and break and break until finally onto the sloping beach - where the stone is left – alone, motionless – at rest - to dry in the morning sun.

Gradually the movement in her fingers becomes slower, even sporadic. She is looking at this stone with her grey-blue eyes, intently. There are pauses; moments of reflection where our stone is set down and viewed, picked up again and moved into a different light (its shadow returns momentarily, fitfully, knowing perhaps any stasis is only temporary). The camera keeps clicking; stop, a 300th of second motion, stop for a second. Already there are thousands of images collected in the camera’s silicon memory chip.

And so movement gradually becomes stillness. The light changes. The camera’s incessant stop-motion ceases. The stone is placed on a white surface for a final photo-call – a single click. Once naked; now clothed. There is no longer the possibility of return to its original stoniness. It becomes an ‘object’ to place on a surface for wonder and admiration – not the stone of course but its clothing, its covering, its embodied shape in thread, perhaps that thread soaked in mud that in itself holds a distance memory of water, even water that has moved from sea to the coastal strip, the estuary, the river’s bank.

Later, after being wrapped in tissue paper, perhaps boxed, and moved into a total darkness, the stone is brought again into the light. It finds itself placed among other stones, stones and shells, rusty objects even, and laid out variously on a pristine white surface. Its stoniness is now shadowed with words: a description, a title, its ‘found’ location, a date of finding – a date of making. That this stone, once beached, and picked from the sand, from amongst so many other stones, and thought unique and carrying potential as a last, a shoe-maker’s frame, a steady 3-dimensional surface for wrapping, now becomes something more that a solitary stone. It has been given a new life, a life of an object imbued with the thread of a maker’s curious mind; that in so threading has come to know this stone so intimately, and with so much love and care that its clothing, whilst having no pre-formed pattern, becomes something in its maker’s eyes that seems  - meaningful, poetic, ‘right’?

Through this stone-weaving with thread, this stone-covering and describing in thread, you have made a poem of the nature of stoniness. Your fingers now know this stone, and perhaps, if we can in our imagination follow that partly accidental / partly planned journey, we can read your poem – of touch, of turning, of minute viewing, of so careful observation of every millimetre of its surface. Yes, perhaps that’s it, what this is all about . . . only our stone has had its wonderful serenity and solitariness, its smoothness and surface taken from us. It will no longer lie in the pocket to comfort the hand. It will no longer lie on the desk to be a tangible remembrance of a place and time, treasured.

                                                       ------

‘And now I remember a poem, portraying a stone, a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certain¬ty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: *a thing that contains nothing save the mystery of life.’
This prose poem is inspired by the stone weaving of the artist Alice Fox http://www.alicefox.co.uk
the darkness enclosing me,
as the light switch flipped.
walking blindly across the room,
feeling my way to the bed where,
you take my hand and finish guiding me,
next to your side.

the darkness still wraps about me,
as the switch flips,
and the path to the bedside hasn't changed;
but there's no outstretched fingers to grab onto,
to kidnap me from reality,
and guide me to my dreams.
When there's no one to wrap you in their arms anymore in the dark.
Breeze bellows,
leaves echo in
quivering psithurism,
dithering like
unbroken smoke,
this approaching omen goads.

Dozing crows
slumbering in rows,
droves of locusts'
silenced drone,
almost comatose in repose;
nighttime overtones
choir of toads'
raspy croaks
answered by alto
of crickets' orchestral strokes.

Gust encroaches;
robed boughs
cloven open,
bring into
scope and focus
me juxtaposed,
suspended apropos.

Although motionless
and petrified in stone,
provoked by zephyr
coaxing to and fro;
swaying pendulous
and no longer frozen,
locus gently thrown.

Death rattle moan
evoked from throat,
reflex can't say no
to rigor rigidly posed,
final sigh in silence,
awoken vocal,
expelled and disposed.

Smote by
morose emotion,
gun loaded then exploded
by neurosis,
now bloated
necrosis decomposes
into gross ochre.

This trophy
and this ode
both an opus to
my inability to cope;
romanced i proposed,
eloped and betrothed to
my own
inappropriate composure.

Pocket full of posies
plucked when luck bestowed
and tears in a cup, a toast;
crying copiously,
tempest runneth overflowed,
eyes swollen and soaked.

Dipped my toes
in the coast
of this ocean's
amorphous folds,
gripped by undertow
holding control of my soul;
swiftly shipwrecked in
shallow shoal,
an old atoll.

On sandy floor,
water burrows roads;
digging, carving, roams
through unmarrowed
silica and sandstone
eroding into a cove.

A host for
opal geode trove,
enclosing a
technicolor rose,
from the depths
a glowing mosaic shone

Unopened lotus floats
on foam
of lapping waves,
a boat;
prone to no
grandiose notion
or motive,
adrift as wind stokes.

I suppose
this only shows
the total corrosion
into which I dove,
the only foes to oppose
are those of burdens, so
only weightless can I atone-
I must let go.
Not sure how i feel about this one, just because I'm not sure if it effectively communicates what I was trying to express... tried to revisit it several times over the last few years since i wrote it (hoping to maybe revise it a bit) but every time I've come up a little short on ideas how i might do that (to the point where ive been considering just scrapping it entirely and rewriting a Part 2 from scratch lol)... still not sure though, since it *is* a fairly coherent continuation of Part 1 (and I wanted to retain that continuity) so any criticism or feedback is especially appreciated for sure!

Also just some things for context while reading:

Psithurism is the sound wind makes through the trees.

Opal is made by water running through silica and sandstone then evaporating.

Lotus has a double meaning in lotus flowers (floating on lilypads) and also its use in Greek mythology as a plant which bears a fruit that when eaten causes dreamy forgetfulness and an unwillingness to depart.
Anya Oct 2018
My parents...
are immigrants
Yet, why is it I,
so strongly
reject
their once,
homeland?
...
Perhaps,
the cause
it rooted at
my dad's cynical
comments
and critics
...
Perhaps,
it's my own visits
stifling relatives
horrible traffic
definitely
less, comfortable
...
Maybe,
it's the rejection
of such a gripping
religion
when I myself,
am an atheist
...
Maybe it's
the stereotypes
Chaining me
enclosing me
irritating me
...
...
...
Whatever the case,
it's there

I can be whoever I want to be
what-blood-crap?

Go far back enough,
and we're all related

The only links I have,
are my visits
and influence
of my parents
who once lived there
...
It's not a bad place...
at all...
...
That's not the problem
...
Is there one even?
...
...
...
I,
can be
who
I want
to
be
The sly smoke lingering upon the room
The door open, enclosing the broom
Calmly I sat,  on my wooden  chair
Reading the newspaper, under the sun's glare

Yet the phone soundly rang
A catchy tune it's speakers sang
In my mind, who could it be?
In the end of the line, a stranger greets me.

And such reveals the mists of mystery
He demands me to stay awake
This uncalled feeling of stressful misery
Is far worst than I could take
Written related to a story a friend of mine wrote, about a man who's called by a stranger. Quite devious.
beyza kaya Mar 2018
these songs are dedicated to those hours late into the night; when the sky gravitates towards the end of the colour spectrum, in which the hues collide, to create an illusion as mesmerising as the look in her eyes when he smiles. because the way the notes grazed her ear drums, as they lift themselves hazily off of the sheet, is one way to describe how it feels when she hears his voice; his laugh encompassing her whole being, enclosing her in a tight embrace.

i sincerely apologise to all the songs i've ruined and stained with the ****** memory of you.
inspired by a playlist made for my then-bf, these songs will never sound the same to me.
roxanne Jul 2018
Below the surfaceless
looking above
under the furls of wavering clouds
all you'd see is that untouched stare
an absence of warmth disclosed
elapsing over,
collapsing over
you

Shallows edges so elusive,
as obscure as a serpents nest
anonymous as the rest,
intrusive like these dated feelings

and yet those eyes like minds wander
wonder as if it's ever been to lie beyond
those gated passages to Edens flowers
a pocket of hours been laid before you,

Ghosts.

And the continuance to roam
inside of these channels
left empty and vacuous

so out of depth,
with filtering essence of memory
faltering lights of ambiguity,
letting the pieces drip upwards

you’re alone together with what ties are to be had
you speak as through the pith
of this insecurity,
the plight of this immaturity

a footstep in the waters
spilling from your tongue.

Venture from the beginning
a start to finish
as though time bounded in ripples
your tinted sight lines
undesigned and impalpable
even through strategy

under the palms, your hands,
the happens mind of another kind,
settling not in stones but
in sands
a habitual mess of ingraining
always draining and seeping

never enclosing,
fostered only by a feint solace
in the flooded catacombs of yours.

A participance of midnights moons
in these swimming conversations,
cycled discussions
the rising tides of snake eyes
with one onerous touch
submerging your voice

into a fragmented drowse

burning notes left from pictures
choking out all that swirls
the delirious magnetism of weight that pulls to you
creating an astringent terrain,
as your blood is spilling down

a pipeless drain.

A manifestation of ego's brain bubbling down
under the masque of self-worth and integrity
into a thick mud
painted with entitlement

across a dotted line

the deeds of your fascinations
possessions to another
inclinations unbeknownst to you,
against the black skies
opposing truths of deflection

you find yourself with silkless ink
writing what you think it to be
beyond your skin

and the closer the pen drips
the tighter the bolts become
on the grips over your perception
a darker rainstorm

straining out
lifelessly.

Pressure slowly eased
into soothful washing
though cliffs eroded from memory

cresting the hall
that remains beneath

as a little boy
with glassless eyes
and a mouth full
of rose thorns,

Greeting you

To the welcomes of goodbyes,
until the shrill whispers
of the sirens of deception call you

once more

threading over your faces
elapsing the rims of reality,
overgrowing its garden
into a shipwrecked valley

warped by tainted reveries.
What is the space between,
enclosing us in one
united person, yet
dividing each alone.

Frail bridges cross from eye
to eye, from flesh to flesh,
from word to word: the net
is gapped at every mesh,

and this each human knows:
however close our touch
or intimate our speech,
silences, spaces reach
most deep, and will not close.
I built my soul a lordly pleasure-house,
    Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
      Dear soul, for all is well."

  A huge crag-platform, smooth as burnish'd brass
    I chose. The ranged ramparts bright
From level meadow-bases of deep grass
      Suddenly scaled the light.

  Thereon I built it firm. Of ledge or shelf
    The rock rose clear, or winding stair.
My soul would live alone unto herself
      In her high palace there.

  And "while the world runs round and round," I said,
    "Reign thou apart, a quiet king,
Still as, while Saturn whirls, his steadfast shade
      Sleeps on his luminous ring."

  To which my soul made answer readily:
    "Trust me, in bliss I shall abide
In this great mansion, that is built for me,
      So royal-rich and wide."

* * * *

  Four courts I made, East, West and South and North,
    In each a squared lawn, wherefrom
The golden gorge of dragons spouted forth
      A flood of fountain-foam.

  And round the cool green courts there ran a row
    Of cloisters, branch'd like mighty woods,
Echoing all night to that sonorous flow
      Of spouted fountain-floods.

  And round the roofs a gilded gallery
    That lent broad verge to distant lands,
Far as the wild swan wings, to where the sky
      Dipt down to sea and sands.

  From those four jets four currents in one swell
    Across the mountain stream'd below
In misty folds, that floating as they fell
      Lit up a torrent-bow.

  And high on every peak a statue seem'd
    To hang on tiptoe, tossing up
A cloud of incense of all odour steam'd
      From out a golden cup.

  So that she thought, "And who shall gaze upon
    My palace with unblinded eyes,
While this great bow will waver in the sun,
      And that sweet incense rise?"

  For that sweet incense rose and never fail'd,
    And, while day sank or mounted higher,
The light aerial gallery, golden-rail'd,
      Burnt like a fringe of fire.

  Likewise the deep-set windows, stain'd and traced,
    Would seem slow-flaming crimson fires
From shadow'd grots of arches interlaced,
      And tipt with frost-like spires.

* * *

  Full of long-sounding corridors it was,
    That over-vaulted grateful gloom,
Thro' which the livelong day my soul did pass,
      Well-pleased, from room to room.

  Full of great rooms and small the palace stood,
    All various, each a perfect whole
From living Nature, fit for every mood
      And change of my still soul.

  For some were hung with arras green and blue,
    Showing a gaudy summer-morn,
Where with puff'd cheek the belted hunter blew
      His wreathed bugle-horn.

  One seem'd all dark and red--a tract of sand,
    And some one pacing there alone,
Who paced for ever in a glimmering land,
      Lit with a low large moon.

  One show'd an iron coast and angry waves.
    You seem'd to hear them climb and fall
And roar rock-thwarted under bellowing caves,
      Beneath the windy wall.

  And one, a full-fed river winding slow
    By herds upon an endless plain,
The ragged rims of thunder brooding low,
      With shadow-streaks of rain.

  And one, the reapers at their sultry toil.
    In front they bound the sheaves. Behind
Were realms of upland, prodigal in oil,
      And hoary to the wind.

  And one a foreground black with stones and slags,
    Beyond, a line of heights, and higher
All barr'd with long white cloud the scornful crags,
      And highest, snow and fire.

  And one, an English home--gray twilight pour'd
    On dewy pastures, dewy trees,
Softer than sleep--all things in order stored,
      A haunt of ancient Peace.

  Nor these alone, but every landscape fair,
    As fit for every mood of mind,
Or gay, or grave, or sweet, or stern, was there,
      Not less than truth design'd.

* * *

  Or the maid-mother by a crucifix,
    In tracts of pasture sunny-warm,
Beneath branch-work of costly sardonyx
      Sat smiling, babe in arm.

  Or in a clear-wall'd city on the sea,
    Near gilded *****-pipes, her hair
Wound with white roses, slept St. Cecily;
      An angel look'd at her.

  Or thronging all one porch of Paradise
    A group of Houris bow'd to see
The dying Islamite, with hands and eyes
      That said, We wait for thee.

  Or mythic Uther's deeply-wounded son
    In some fair space of sloping greens
Lay, dozing in the vale of Avalon,
      And watch'd by weeping queens.

  Or hollowing one hand against his ear,
    To list a foot-fall, ere he saw
The wood-nymph, stay'd the Ausonian king to hear
      Of wisdom and of law.

  Or over hills with peaky tops engrail'd,
    And many a tract of palm and rice,
The throne of Indian Cama slowly sail'd
      A summer fann'd with spice.

  Or sweet Europa's mantle blew unclasp'd,
    From off her shoulder backward borne:
From one hand droop'd a crocus: one hand grasp'd
      The mild bull's golden horn.

  Or else flush'd Ganymede, his rosy thigh
    Half-buried in the Eagle's down,
Sole as a flying star shot thro' the sky
      Above the pillar'd town.

  Nor these alone; but every legend fair
    Which the supreme Caucasian mind
Carved out of Nature for itself, was there,
      Not less than life, design'd.

* * *

  Then in the towers I placed great bells that swung,
    Moved of themselves, with silver sound;
And with choice paintings of wise men I hung
      The royal dais round.

  For there was Milton like a seraph strong,
    Beside him Shakespeare bland and mild;
And there the world-worn Dante grasp'd his song,
      And somewhat grimly smiled.

  And there the Ionian father of the rest;
    A million wrinkles carved his skin;
A hundred winters snow'd upon his breast,
      From cheek and throat and chin.

  Above, the fair hall-ceiling stately-set
    Many an arch high up did lift,
And angels rising and descending met
      With interchange of gift.

  Below was all mosaic choicely plann'd
    With cycles of the human tale
Of this wide world, the times of every land
      So wrought, they will not fail.

  The people here, a beast of burden slow,
    Toil'd onward, *****'d with goads and stings;
Here play'd, a tiger, rolling to and fro
      The heads and crowns of kings;

  Here rose, an athlete, strong to break or bind
    All force in bonds that might endure,
And here once more like some sick man declined,
      And trusted any cure.

  But over these she trod: and those great bells
    Began to chime. She took her throne:
She sat betwixt the shining Oriels,
      To sing her songs alone.

  And thro' the topmost Oriels' coloured flame
    Two godlike faces gazed below;
Plato the wise, and large brow'd Verulam,
      The first of those who know.

  And all those names, that in their motion were
    Full-welling fountain-heads of change,
Betwixt the slender shafts were blazon'd fair
      In diverse raiment strange:

  Thro' which the lights, rose, amber, emerald, blue,
    Flush'd in her temples and her eyes,
And from her lips, as morn from Memnon, drew
      Rivers of melodies.

  No nightingale delighteth to prolong
    Her low preamble all alone,
More than my soul to hear her echo'd song
      Throb thro' the ribbed stone;

  Singing and murmuring in her feastful mirth,
    Joying to feel herself alive,
Lord over Nature, Lord of the visible earth,
      Lord of the senses five;

  Communing with herself: "All these are mine,
    And let the world have peace or wars,
'T is one to me." She--when young night divine
      Crown'd dying day with stars,

  Making sweet close of his delicious toils--
    Lit light in wreaths and anadems,
And pure quintessences of precious oils
      In hollow'd moons of gems,

  To mimic heaven; and clapt her hands and cried,
    "I marvel if my still delight
In this great house so royal-rich, and wide,
      Be flatter'd to the height.

  "O all things fair to sate my various eyes!
    O shapes and hues that please me well!
O silent faces of the Great and Wise,
      My Gods, with whom I dwell!

  "O God-like isolation which art mine,
    I can but count thee perfect gain,
What time I watch the darkening droves of swine
      That range on yonder plain.

  "In filthy sloughs they roll a prurient skin,
    They graze and wallow, breed and sleep;
And oft some brainless devil enters in,
      And drives them to the deep."

  Then of the moral instinct would she prate
    And of the rising from the dead,
As hers by right of full accomplish'd Fate;
      And at the last she said:

  "I take possession of man's mind and deed.
    I care not what the sects may brawl.
I sit as God holding no form of creed,
      But contemplating all."

* * * *

  Full oft the riddle of the painful earth
    Flash'd thro' her as she sat alone,
Yet not the less held she her solemn mirth,
      And intellectual throne.

  And so she throve and prosper'd; so three years
    She prosper'd: on the fourth she fell,
Like Herod, when the shout was in his ears,
      Struck thro' with pangs of hell.

  Lest she should fail and perish utterly,
    God, before whom ever lie bare
The abysmal deeps of Personality,
      Plagued her with sore despair.

  When she would think, where'er she turn'd her sight
    The airy hand confusion wrought,
Wrote, "Mene, mene," and divided quite
      The kingdom of her thought.

  Deep dread and loathing of her solitude
    Fell on her, from which mood was born
Scorn of herself; again, from out that mood
      Laughter at her self-scorn.

  "What! is not this my place of strength," she said,
    "My spacious mansion built for me,
Whereof the strong foundation-stones were laid
      Since my first memory?"

  But in dark corners of her palace stood
    Uncertain shapes; and unawares
On white-eyed phantasms weeping tears of blood,
      And horrible nightmares,

  And hollow shades enclosing hearts of flame,
    And, with dim fretted foreheads all,
On corpses three-months-old at noon she came,
      That stood against the wall.

  A spot of dull stagnation, without light
    Or power of movement, seem'd my soul,
'Mid onward-sloping motions infinite
      Making for one sure goal.

  A still salt pool, lock'd in with bars of sand,
    Left on the shore, that hears all night
The plunging seas draw backward from the land
      Their moon-led waters white.

  A star that with the choral starry dance
    Join'd not, but stood, and standing saw
The hollow orb of moving Circumstance
      Roll'd round by one fix'd law.

  Back on herself her serpent pride had curl'd.
    "No voice," she shriek'd in that lone hall,
"No voice breaks thro' the stillness of this world:
      One deep, deep silence all!"

  She, mouldering with the dull earth's mouldering sod,
    Inwrapt tenfold in slothful shame,
Lay there exiled from eternal God,
      Lost to her place and name;

  And death and life she hated equally,
    And nothing saw, for her despair,
But dreadful time, dreadful eternity,
      No comfort anywhere;

  Remaining utterly confused with fears,
    And ever worse with growing time,
And ever unrelieved by dismal tears,
      And all alone in crime:

  Shut up as in a crumbling tomb, girt round
    With blackness as a solid wall,
Far off she seem'd to hear the dully sound
      Of human footsteps fall.

  As in strange lands a traveller walking slow,
    In doubt and great perplexity,
A little before moon-rise hears the low
      Moan of an unknown sea;

  And knows not if it be thunder, or a sound
    Of rocks thrown down, or one deep cry
Of great wild beasts; then thinketh, "I have found
      A new land, but I die."

  She howl'd aloud, "I am on fire within.
    There comes no murmur of reply.
What is it that will take away my sin,
      And save me lest I die?"

  So when four years were wholly finished,
    She threw her royal robes away.
"Make me a cottage in the vale," she said,
      "Where I may mourn and pray.

  "Yet pull not down my palace towers, that are
    So lightly, beautifully built:
Perchance I may return with othe
CharlesC Sep 2012
let us consider
declarations of independence
as remedies
for election ills..
democracy has been
deadened
by flows of money
reaching ego ends..
competing parties mirroring
yet exaggerating differences
knowing one and all
precious power is the prize..

independence
allows consciousness to
arise at last..
good then is found
in left and right
shadow enclosing both..
paradox rules oppositions
and detachment soothes
the din of boisterous claims..
new freedom
brings new strength..
money flows
lose direction when
feedback polls confuse..
and democracy then
may deliver promise
once again...
image @ polarityinplay.blogspot.com
Camille Anne May 2016
You are the cold silent breeze
I am the wild windstorm
 
You are the gentle humming of the leaves
I am the startling blare of thunder
 
You are the first ray of sunshine after a downpour
I am the piercing lightning
 
You are the fleeting floating clouds of cotton
I am the cumulonimbus cloud brewing a monsoon
 
You are the smell before and after the rain
You are the calm before and after the storm
I am the chaos in between
Enclosing me in your peaceful clasp
 
Embrace me
Tighter
VENUS62 Jun 2014
I refuse to participate
In this race
so corporate

Where nothing but competition rules
Where competitors
get thrown to hungry wolves

They call it survival of the fittest
And elimination
of the weakest


Competition they say breeds innovation
As if a creative soul
needs any confrontation!

They corrupt you with conviction
Of wealth, riches, fame and
instant gratification

They put a noose round your neck
With a cabin
enclosing your desk

You toil night and day
To keep
the wolves at bay

You die a little every day
Dreaming of things
to do your way

Only you can these fetters break
By doing what you love
Even if it is  for a smaller cheque

In the extra time that you have
Gaze at the world  
with wonder and awe

Go paint on a canvas, or weave a web of words
Or simply go watch
wild animals and birds

For when you finally go up for review
He will treat us all
with the same view

He
for sure
will ask

Did you laugh, did you cry
Did you
Your precious life enjoy?

I refuse to participate
In this race
so corporate
Jenna Lucht Apr 2017
The tide rushes in
And fills my lungs with water,
Slapping the air right out of my chest.
For a brief moment the storm breaks
Giving me just enough time
To breathe deep and push the air
Barely hard enough
To bring me back ashore.
I am enough to control the waves.

A storms breaks out,
Flooding all around and
I am without a life vest,
Enclosing around me from every angle
I barely see an exit.
Soon enough it creeps to my chin
And I am forced to hold my breath.
I am not enough to control the storms.

I shout it as though
The vibrocity of my words
Dictate it's strength.
Ringing through every orifice in my body,
Straining my lungs till I taste the blood
And only a croak is left inside.
I am enough to command the sky.

I shout atop a mountain
As if it were an empty field.
Filling the wind with my fruitless whim,
Charming the skies to not leave me.
All done in vain and with no restraint
I barely pierce the space I stand.
I am not enough to bellow the wind.
The view through the pink window
Blushes pink to satisfy
Employs soft focus the eye cares for
The pink forest aglow
Finds success, the sun shafting through
A vibrant shocking pink porthole
Shoots sharply to the forest floor
On closer inspection it is solid in form
Seemingly impenetrable
I put on my pink lenses
Pressing the pink circle that appears
It is nothing to the touch
Even so, it exists - pure pink
A fascination enclosing
I feel pink warmth
Your hair is a curtain
and I see your eyes
glimmer behind the strands--
the strands I gather up
and fling around us

so that now it is a tent
enclosing two sets of eyes
that look and see and gaze

enclosing two mouths that
kiss, explore, connect.

enclosing two pairs of hands
that careers, cajole, create.

What is it about air
moving across muscles, tendons, tongues--
a simple miracle--
that fans the flames
I find in your eyes?
Lieke Sep 2020
He told me we were hanging out with a group
but he came up to my door alone
said the others couldn’t make it.

I said okay and we went to the moonlight playground
as he poured ***** down my throat.
my body was urging the poison back out
as I cried. I ran and I sprinted
but the fence seemed enclosing
I was stuck in a nightmare all I had were the stars.

after that night I didn’t like stars as much.
alone I lay there in the wet brown grass
rain joining my teardrops I couldn’t see
I couldn’t scream. When I thought it was over
people started looking at me. they thought
I was the ***** and he just hit it and quit it.

Haunted by a vampire
draining truth down my throat
I lost all pieces of myself
offering my roaring willpower to him

the sweat of his touch infiltrates
my defenceless skin
but I didn’t scream
his ****** hands dragging as if I were *** on wheels.

and one day I will be oh-
so tall and with my gathered tears
i will build a water wall
nor paddle nor wind for I
will be flying
with a cast of all those with prisoner tongues marching behind me.
1 Oct, 2020
Inner peace or depression
The warmth that I feel filling my core
And rising to my cheeks and silent lips
Numb from the nonexistent words filling the air
The calm that surrounds the present loneliness
It hums
Soft and melodic
Filling the studio as the warmth of lone candles cast shadows on the walls
Windows closed
Enclosing my padded room
That no one can see beauty in
The lovely fall of an old soul
Floating in warm cream
Submerged in a colorful mind
Unseen through dark eyes
A stain glass portal into soft chaos
Holden Wolfe Nov 2011
I've followed you
still eyes, years, captivated and lost,
all for you
glancing up to the glaicers in the sky
bloated, full and passing
asking
" Where are you going?"

rain is washing you away
I'm the runner
following you down inside the dirt
from which you grew
tempting in your branch hands
you wanted me

the slightest movement:
I'm yours
longing underneath my fingernails
heart stretched like a sail,
deep breaths push me forward
chasing you
inching
closer to you

but you started to tred the earth before I knew where it was you formed yourself
covered in ice
before you met your first early morning cigarette, dressed in baby blue sky
long before you reconsiled with absent nights and blood cells
or night walks envisioning a flame too hot to touch
and there I was,
past years, past knowingness of nights and days, staring at the face of the moon

you

one glance, one presence, one feeling
gravity
placing me ten thousand steps behind to love you

following your every direction
moving with winds that carried you all around
closing my eyes to dream your next step
hoping
it was torward me

but it wasn't

and here we are
another winter coming
and soon another passing
and all I've had to say all these cycles of seasons,

"I will love you"

and all you had was another footstep
another mark inside me
enclosing me
Mateuš Conrad Nov 2015
that's what i found so problematic in
understanding thought,
but concerning the idea of a flux
i found the stasis point in it,
it was better translated by the cartesian basis
of inquiry, i can't negate thinking
because the ontology of thought
is primarily synthetic to pass the time,
rarely analytic unless professional,
so i dropped the a priori / a posteriori
compounding crap and came up with
good enough reasons for cognitive analysis
and cognitive synthesis...
i can relax now, i guess...
so wrote something in a hardcover by horace
to remind me of the origins of biases and bases...
kindergarden swing tactic and pendulum continuum,
i hate to break it to you, but my thought
has no megaphone in the 18th century,
but my words have a place in the 22nd century
given the 21st century provide the images
i'm bound to decipher...
i guessed the asian girl was a robot...
and subsequently i thought all those things
i wrote in the poem prior...
imagination is hard to insist with regards to successful
usage... it uses no patent geometry or
skeletal phoneticism of reminder...
you will not remember a picasso to say something...
but i bet you'll remember an m to utter the sound
em em mmm mumble, funny how it works.
we're not in art gallery... we're just buying
potatoes for home-made *****...
we're living under martial law in poland
before the anticipated soviet invasion and we're happy...
not like now... the silicon god of the microchip
chopped our limbs and we lost the amazon
green for london grey cement and cemetery...
we're here, there's not point poking fun at my grimace
with a flashlight.
so losing the timing of knowledge... the spacing
of knowledge is an onion metaphor for a working
car engine: drilling team in arabia,
the pirates of somalia,
the cargo ships from scandinavia,
the flirty whipping rich boy scouts asking for
a next **** mojito of fever...
well... i did the opposite to english...
i allowed "*****" words into the vocabulary i use
rather than allow dirt images to weave a spiderweb
enclosing the spider...
i rather censor images than censor words...
poor tactic to censor images...
sometimes a nibble of sadism will penetrate
this whole provision of safe *****,
censor "*****" word usage and you'll only
allow dirtier than the ***** words to enter via
images... my god... you must be a sensitive cubist!
we'll allow **** cannibalism and squares...
but we won't allow the representative of
seasonal cannibalism of spring eating autumn
with the tetragrammaton's H & H (twinned temperament
in coordinate starting vector 0ºC
then donning the appropriate clothes while
the trees change their muscles leaving the skeletal exposed),
or acknowledging that there's only a definite
capital delta / y in writing -
we synthesised the square the circle the triangle...
we got π and pythagorean equation...
we gave these shapes the thesis categorisation of scalpel...
we cut with them...
but then they cut us... mathematicians committing
suicide with drills over the π-continuum
that's anti-trigonometric surrounding anti-matter...
but as society goes... courtesy in speech
doesn't necessarily provide courtesy and chivalry
in action...
censor the words ****... and then watch the emerging show
that's antonymous to the majority of time
spent in commute: dumb gloom & grey fancy
to create a rainbow like a shaman.
Sir B May 2015
Sleep is magnificent
its powerful arms,
gripping us. holding us.
furtively. enclosing us.
in its vast embrace of solitude.

We were sleeping
regardless of the time, and the heat,
emanating from our bodies.
Our bodies, cramped onto a bed
with legs intertwined
and pillows everywhere and
blankets hiding our faces.

The serenity, the solidarity
amongst us.
To simply sleep.
Nothing more, nothing less
simply to lie in the embrace of the other
with eyes closed, but bodies closer.

Such is the power of sleep.
To bring two individuals together,
to bring two souls together.
Aligning their heart, their minds, their bodies
to love each other.
Another poem for english class
zasrany Jan 2014
"I got down on my knees because he said I would 
if I loved him. 
And what did I know then? 
when I first betrayed my body. 
Sold it for a kiss and a smile, 
thought to please at any cause, 
left to fight for independence in the backseat of cars.
On stained leather interior dank with the smell of expectations 
I traded integrity for security and called it love, leaving pieces of an empty shell falling behind my mother patting my head and saying 
“What happened to that nice boy you were dating? ”. 
Well, I pushed memories farther down 
buried beneath piercing sunlight, 
dreams my night would come to save 
and prayed 
scraping already skinned knees 
while I cried myself to sleep. 
So I bit the apple in confusion, 
abandoned my innocence 
beneath the tree of knowledge 
and became as bitter as the fruit 
I couldn’t refuse. 
Time and again, 
giving in, 
giving up, 
waiting, 
always wanting something more than pick-up lines, 
promising more than promiscuity, 
clothing myself in false hopes, 
enclosing my weariness in frail arms for years… Cars turning into bars with one lamp, 
and piles of discarded clothing, 
and I heard myself say “no” over and over. 
But he didn’t hear me, 
wouldn’t listen when he called me a “*****”, bringing me down and took the only innocence I had left. 
And I was searching still for purity, 
lurking in hidden corners, 
hips swinging, lips pouting, 
trading and shattered innocence 
for bared and braised and offerings 
I learned how to control 
and three years of vengeance passed 
while I was that woman despised. 
Well, they begged for plastic perfection 
found in the temptation inches from their faces and I could feel the longing, 
the lies when they said “You’re so beautiful” 
And it wasn’t enough
And so he loved music more than me, 
loved work more than me, 
loved money more than me, 
loved her more than me. 
And I loved him more than me. 
And I gave in 
to where I thought love hid; 
to the times I thought it was real. 
We give in to what men want, 
we paint ourselves with what we think are the colors of the rainbow, 
when we’re really cloaked in hips and lips, 
the brutal realities that leave us grasping 
tatters of the illusions of love and longing 
and the shattered threads of innocence. 
Until we wear our own colors 
and part the curtains we draped over our mirrors in mourning 
and look ourselves in and say 
“With you I feel like Isis and I am beautiful”.
A poem I saw on Def Poetry that I will never forget, It was written and performed by Dawn Saylor .
While others chant of gay Elysian scenes,
Of balmy zephyrs, and of flow’ry plains,
My song more happy speaks a greater name,
Feels higher motives and a nobler flame.
For thee, O R—, the muse attunes her strings,
And mounts sublime above inferior things.
  I sing not now of green embow’ring woods,
I sing not now the daughters of the floods,
I sing not of the storms o’er ocean driv’n,
And how they howl’d along the waste of heav’n.
But I to R——- would paint the British shore,
And vast Atlantic, not untry’d before:
Thy life impair’d commands thee to arise,
Leave these bleak regions and inclement skies,
Where chilling winds return the winter past,
And nature shudders at the furious blast.
  O thou stupendous, earth-enclosing main
Exert thy wonders to the world again!
If ere thy pow’r prolong’d the fleeting breath,
Turn’d back the shafts, and mock’d the gates of death,
If ere thine air dispens’d an healing pow’r,
Or ******’d the victim from the fatal hour,
This equal case demands thine equal care,
And equal wonders may this patient share.
But unavailing, frantic is the dream
To hope thine aid without the aid of him
Who gave thee birth and taught thee where to flow,
And in thy waves his various blessings show.
  May R—return to view his native shore
Replete with vigour not his own before,
Then shall we see with pleasure and surprise,
And own thy work, great Ruler of the skies!
Robert Zanfad Mar 2011
Edgar Allen settled evenings in the room at the rear
at a desk by the window where he could hear
breeze-rustled sycamore leaves sleeping
behind the neighbor’s house next door

through night’s florescent blue moon light,
its mist through low leaden clouds
he imagined the phantom he named Lenore,
and remembered lost Annabelle Lee  
amore he'd left laid alone aside a blackened sea

hers, the voice of a tree speaking, hushed,
like distant waves rushed upon shore,
faintly whispering heart-secrets
the ardent couldn’t keep evermore

was it she who sighed with love’s breathless lips
to flicker the flame of a tortured oil lamp’s light
the words born laboring children
with pen put in service to cover past rent,
refill an empty flask of verdant absinthe
for a nine-dollar-half-column poem -
fodder for fickle romantics to tear over
before a performance of Bellini’s new Norma

hardened, our modern hearts
fattened on diets of swollen bellies
that belie the dour misery of starving
they’ve grown sclerotic and cynical,
hungry for suffering flavored substantial -
a greasy disaster to stain the paper wrapper
enclosing depths of the human condition


sophisticates, we dismissed puerile appetite
for honeyed songs of longing,
the ornamented confections of jealous angels
old drunken poets sang
until dark full comes, alone, and we’re small again

then shadows still speak to starry skies
and fairy tales may come alive
to suspend belief with secret dreams
of the dear, lost Annabelle Lee
In an annual tradition that ended in 2009, a mysterious stranger would place three roses on Edgar Allen Poe's grave to commemorate his birthday.
Nigel Morgan Nov 2012
I
 
You surprised me.
I was expecting the train
to appear on a different platform
(there were only two),
but there you were
walking towards me
and I was still drawing the view.
 
You were so full
of delight at ‘being here’.
And I had myriad thoughts
gathered like the flowers
I’d picked in welcome
that suddenly seemed so sad
as I placed them in your hands,
already wilting, already
past their best.
 
How stupid to think
such a gesture
could mean anything
true. I love you, I’d said.
But you were already
thinking of the orchids
you’d seen over the station fence
and the photograph
you had to take.
 
II
 
Fields of blown grass
too wet to haymake
now too tall
too thick to cut
full of foreigners
tares Biblical
a morning’s work of
investigation with a
reference book: grasses.
Such tones tints and textures
such plenitudes of stalk
directions nodding
swaying a circular motion
a field of movement
against the hills
against the sky

III
 
Evening: still light
Door open: soft breeze
Beethoven on the radio:
A heroic symphony.
Indomitable.
You are kneading dough,
I am reading by the door.
Both restless, both unable
To surrender to the day.
 
IV
 
You sit in front of me
exactly where you sat
last year (but in the spring)
when there was a different light
and the colours of the garden
were gathering their brightness
for summer.
 
I have a photo of that time:
your quiet gaze (of love I like to think).
 
Today we hold each other’s gaze
as in its morning’s air
a river little distant
claims sounds’ space
enclosing us
 
in its embrace.
  
V
 
This garden
touches me
like no other.
 
It haunts
my dreams
with its
still rich
forms and colours.
 
Sun light is
playing patterns
on the dewed grass.
The nearby river,
the echoing birds,
the braying cattle,
my slight breath,
this pen’s touch,
such wonders
of stillness.
 
VI
 
You are my dearest, my love,
my companion of the hearth,
the woman who guards my keys,
the girl who holds my hand,
the artist who with delight
entrances me in what she reveals
of a world within a world.
I am so in love with her.
 
But I am full of sadness,
full of dread that this loving
amour will fade and end.
 
Already on the cusp of summer
and I sense autumn in the air -
when leaves will fail and float and fall.
 
VII
 
As I left you
I broke a long-held rule
and turned to look back,
and through
the windowed door,
saw you rise
from the table and walk
with such grace
and confidence
across the room
and out of sight.
The Howgills are a small group of hills in a beautiful and little visited part of Cumbria. The celebrated fellwalker and author Arthur Wainwright described the Howgills as looking like a herd of sleeping elephants. These poems come from a sketchbook journal I kept during a week spent there in late July.
CharlesC May 2013
That blade of grass
imagine
as microcosm of
the universe whole..
that last step
a motion containing
world's busy motions..
when rising at dawn
a pillow placement
enclosing all of
the coming day..
holograms
of mindfulness
joy stimulation...
Jade Jan 2019
From the moment
the tale of her ruin
made itself known,
mankind has
coveted proof
of her existence.

Many a curious hand
has stalked across
the glossy veins of maps
and the cracked vertebrae of books
enclosing information
most pivotal to
her secret whereabouts
and the tragic evanescence
that initiated her exile.

Many a
sailor
explorer
scientist
poet
have perished among
the gnashing jaws of the sea
in their pursuit of
the glory
her exploitation
would surely bring.  

In response to such
grievances--
the reality
of losing oneself
in the midst of
searching for what
has already been lost--
imagination--
the belief in magic,
in the seemingly
unbelievable--
was outlawed
within the
human psyche;

now,
they say she is merely
a madman's legend,
a myth concocted by Plato
so as to warn against
the perils of greed.

But never did they consider
that perhaps she did not
want to be found to begin with,
that her seclusion
has always been a necessity
so as not to repeat
the monstrosities of the past--
so she should not resurface
to satiate their earthly desires
only so she can be drowned anew.

{Atlantic}
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Emanuel Martinez Sep 2012
How come your body of warmth
  Boulder of boldness and hope
    My limbs in vain, fold
      In and out of its hold

Smoothness and strength
  Making me hang stealthily below
    As the muscles in your arms
      More than tickle, grip, supporting my back

Frolicking, commanding every enclave
  Exploring this landscape with precise measure and expertise
    Cherishing every arch, every curve, every carving
      Like the greatest monument,
        You guard me against all elements

And every time you press this lips
  Cautioning against the unleashing of nirvana
    Tinkling with mere existence
      There's a launching of infinite catharsis

Even when this land becomes regimented and bound
  Enclosing every possible escape
    Encroaching, expelling the very efforts to liberate
      You pause in front and gaze into the power of my eyes
        Extracting every trace of repression and restraint

Canvasing, surveying the infinite value of this place
  The conqueror, the lord, the trustee of this land
    Has come to stop pondering the chase
      He's built the greatest monument, he never planned
September 18, 2012

— The End —