Peace flows into me
As the tide to the pool by the shore;
It is mine forevermore,
It ebbs not back like the sea.

I am the pool of blue
That worships the vivid sky;
My hopes were heaven-high,
They are all fulfilled in you.

I am the pool of gold
When sunset burns and dies, —
You are my deepening skies,
Give me your stars to hold.

It's called anxiety.
Sometimes, I can pay attention to you.
Sometimes, I can't.
Some days are better than other ones.
But the others,
Well, the other ones look a little like trains Going a little too fast for their tracks
Like clocks that break their glass fronts
And cartoon characters with smoke
Coming from their heels when they run
Running faster than the 60 seconds a minute allows
It is my body moving too fast for me to Catch my breath but I'm just sitting at my Desk tapping my pencil and I can feel the Teacher drilling holes into the back of my
Skull
I know the God-awful sound is killing her
But it is keeping me from going insane
It is chewing away the insides of my Cheeks
And scratching at my forehead
Looking for answers
But always coming up with hungry hands
It's hearing white noise
And glass shattering
And candles flickering
I know I should not be hearing a candle
Dance
But I do
It's just me spinning out of control
I know you've noticed I'm no longer using Punctuation but this is how I always feel
This is how my mind is
It is always racing
My foot swings back and forth like
Poe's Pit and the Pendulum swinging faster and faster towards my chest and it's Always on fire
My hands fumble with puzzle pieces
Because I identify with the one that's
Always missing
It is being lonely in the hands of someone
Who loves me
I feel his calloused hands hollowly like I
Don't have a right to them
It is wanting to scream to the hooded
Figure in the door "I'm scared" but it
Coming out as an inaudible crack in my
Voice
I find solace in the cracks between tile
I'm looking at my reflection in black Screens wishing I could just pick myself Up
From the bottom of orange bottles with
Safety-***** lids
A doctor once told me one day I would be
Okay
But one day seems to be miles and
Years away
I've shrunk to the size of a stick
My bones jutting out every which way
Paper-thin and too many words to fill the
Hole in my confidence a man once bore Into me
My hands shake when I step into a church
Like I've done something wrong
My mind goes over every event up until
Now wondering why my hands shake and
My chest drops below the floor
Grandmother tells me I will go to hell if I Do not act right and my mother tells me it Is
All in my head
But again a doctor gave me
An orange bottle with thirty tiny white pills And told me one day everything Would be
Okay.
I just want it to be okay.
My mind is always racing like the way "Normal"
Ones do before taking a test not studied for.
I'm sure you will consider this an episode
Of marked depression, but this monster is Anxiety.
Sometimes I can pay attention to you.
Other times I can't because of this
Infinitely.
Running.
Mind.

I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.

In the heart, most people are temporary.
They roll off like tears shed and fall away,
Not forgotten, but finished.
But some people...
Some people have no horizon.
Some people are forever.

When I met you, you were vast.
I saw the ocean in your eyes.
I heard waves crash in your voice,
Rough and low and musical like the tide.
You're like a storm on the ocean,
And I drowned in loving you.

I didn't know what it was,
Didn't know what to do.
How could I?
You were the first.
Before I met you I'd never
Wondered if somebody's lips were soft to kiss
Wished I could reach out and touch anyone's cheek with my fingertips
Just to feel the warmth of life beneath their skin.
I never treasured the sound of anybody's pulse
As they hugged me
Until I met you.

I'm afraid I floundered,
Like a moth who had seen the moon in the waves
And tried to kiss its cheek
Only to stick to the mirror like water
And flutter madly, trying to stay afloat.

I learned, slow.
I grew.
I knew though, underneath I knew
I'd never get over you.

As the years blurred by
Like raindrops sliding down a windowpane
You were a constant in my heart,
Faint but vital.
As I shed my skin painfully and became...
Calmer, I suppose,
Less hopeful, less wildly passionate,
You lingered,
And the thought of you changed as I did,
But the love never left.

It's absurd, really, that I love so instantly
And so permanently.
But...
I saw your eyes four years ago
And my entire world changed.
I saw your eyes and I wanted to see only them
For the rest of time
The way I can stare at the path the moon makes along the sea
For hours and never tire of its subtle beauty.

I was afraid of you,
Of the power you had over me.
I just shrank back, stood aside and watched you be who you were,
Awed.
I quietly loved you like I'd never loved anyone,
And when you were gone I found that the thought of you
Was not.

And since then it has remained in my mind,
So constant and so quiet, like the white noise whisper of the surf on the sand at midnight,
That I hardly notice it anymore.

Back then, I could have fallen to my knees at your feet.
Back then, I couldn't help but be the fool
Who trailed at your heels
Because I was held there by gravity.
Back then, I couldn't hide a thing.
But now...
I've learned how to go under.

Many times since then, I've felt the fire of salt burn in my lungs,
I've lost my sight of the surface.
I've drowned in a love so deep
It soaks up all the light and consumes any heat,
Crushes the air from my lungs.
Many, many, many times I have felt death
Dashed upon the rocks by brutal storms and black waves.
And as I struggled
I saw your eyes in my head,
Grey and deep and beautiful
Like clouds finally breaking into soft rain,
Like a flower unfurling.
And I kept on.

And eventually, I learned to weather the storms and currents of my passions.

I learned.
To breath deep when my head breaks the surface,
Not to fight the undertow when it wraps its icy fingers around my ankles and yanks.
To show you what you can handle seeing from me,
And to accept that maybe I can't give you anything
But a reverence in my heart and a place in my mind
Where the thought of you will always be
Like a soft summer rain in the morning,
So light and fine that it hangs like mist for a moment before floating to the grass.

Some people are forever.
Some people never leave your heart, your mind, your soul.
Whenever I see you again,
It is like coming home.
It doesn't matter anymore that you don't love me.
I love to see your face,
Your eyes like a rainstorm,
Little lightning strikes of mischief or inspiration crackling within them.
Your little mannerisms and ways of standing that grab at my heart.
I love to hear you speak,
Notice the words you choose
That nobody else ever thinks to use,
And the rise and fall of your husky voice
With the rhythm of a tide against a shore.

I love to be near you
And appreciate every moment of you,
Here in my head.
I am good, now, at weathering the elements:
You see not the poetry that flows across my mind,
Words in a rush that break in swells over my head
And find a push and pull to sway me like a current.
You see not the magnetism, the urge to reach out to you,
Nor the tenderness that I've trained to lie still in my heart.

It only sleeps, you see, like a dog curled at the hearth:
My passion for you surrounds me when I see you,
In ebbs and flows and eddies,
But passively, dreamily.
It feels like standing at the bottom of the sea for a moment,
Anchored but suspended just barely
With my feet hovering on the sandy bottom,
Being tugged gently to and fro by the water.

I let it wash over me, my ardor, but I do nothing,
Only enjoy how soothing it feels, to know I can love so deeply.  
For I have learned that souls don't need air beneath the sea,
And so I have forgotten to struggle, struck motionless by silence and peace.
When I see you now, I treat you like the old friend you are,
Someone cherished, someone missed,
But calmly so.
And underneath loving you has become that.
I lived with my head above the water for so long,
Fighting, striving,
And now all it is is that I have realized
That that was only the surface,
And there is so much more.

I love you like the ocean.
Wild, desperate, powerful and chaotic
As the waves that dash themselves upon the cliffs, white and foamy and brutal,
But also silent, restful, calm and deep
As the underneath is, slow and blue and graceful.
The battle and the surrender,
That is how I love you.
Both at once, like the sea is.
Vast, like the sea is.
The fight hardly matters, the losing of it,
The nevermore-
I love you in a way that needs no possession, no validation.

Ever changing, but eternal nonetheless,
Like the sea is.

Some people have no horizon.
Some people are forever.

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

stage life...
is so complicated
they'll confiscate it
your eyes will summit
their stocks will plummet

stage life...
is an oxymoron
you'll labor for em
your body's numb, once
stitched seams come undone

lick your finger.............
                     wine rims sing about it
lick your finger.............
                     counter to clockwise flow
lick your finger.............
                    add your liquidity
lick your finger.............
                    finer tuned frequencies
lick your finger.............
                   consume their recipe
lick your finger.............
                   won't find harmony
lick your finger.............
                   blood soaked oath's decrees

stage fright...
it comes in droves
watches all your moves
ebbs and flows

cautiously, write about it
cannot hide, darkest hours
insatiably, desired thirst
tie dye shirts, passion's curse
drink whiskey, pour a cup
no replies , it's all ****** up.

The Rulers wield their silver shields,
             wear golden coronets
while warders guard the prison yard,
             boast brazen bayonets
and unicorns flaunt ivory horns
             defending martinets.

While Bankers beam Their self-esteem
             (bailed out of broker's debts),
and Bureaucrats grow rich and fat
             in six-star luncheonettes,
the deep, devout and down and out
             survive as silhouettes.

The Press take pains to wash our brains,
             Their words have mesmerized.
So, mild and meek, we fear to speak
             in worlds They’ve polarized,
and rush to war, through Satan's door,
             watch cities vaporized.

The Lord of Lore tells tales of war,
             of victories far away,
where eyes stare stark within the dark
             and death is painted gray
on faces cold, some young, some old,
             in spectral disarray.

We're taught at school the Golden Rule
             for all to live in bliss,
but in the wars on foreign shores
             the only rule is this:
“Yo! You and I must fight and die
             inside the black abyss!”

But well alive, the Merchants thrive
            on sales of armaments
that Barons built (with pride, not guilt)
            to quell the dissidents,
while Partisans are posing plans
             to conquer continents.

And back at home, the rumors roam
             “Good times are soon to come,
despite the breeze on frozen seas
             in weathers wet and numb.”
When we’re in need, They’ll intercede
             with prayers if we succumb.

A Tabloid screams of phantom dreams
             to keep our minds at sea
and TV skews the evening news,
             ensures we all agree:
“With dynamite we fight for right
             and not for tyranny.”

The brain aborts when drugged with sports
               and fashions of the day,
and sevenfold, men think as told
              and so are led astray;
and like some sheep (unless asleep)
             they baa when they obey.  

In search of sense in sounds intense
             of droning drum tattoos
(the beat sustains the endless reigns
             which swamp the avenues)
souls, thin and worn, traipse by, forlorn,
             delayed by shackled shoes.

Ten thousand eyes belong to Spies
            who watch us day and night
to track our trails and read our mails
             and say They have the right
to know our thoughts and thwart our plots
             to cease Their oversight.

Behind the scenes, behind the screens,
             the rules are fixed, arranged
(contorted smiles conceal Their wiles -
             Their goals have never changed).
When upside-down, a grin is frown
             and common sense deranged.

Along the roads, the future bodes
             in legends made of dust,
and ashes gray the alleyway
             'neath lampposts scaled with rust.
While Divas dine with cakes and wine
             pale orphans share a crust.

Dead colonies of humble bees,
             a ravaged hornets' hive,
rain forests, dales and minke whales
             soon nothing left alive…        
a world laid waste is to Their taste,
             as long as They survive.

As sunlight wanes in winter rains
             and sullen shadows crawl,
the evening ebbs, and spider's webs
             seem tattooed on the wall.
Upon the night the Masters write
             The Final Protocol.

Feel the Force
Just Feel that Force.
No sign of divorce.
It’ll keep you on course.

It’s everywhere,
Not just a Star Wars fiction.
It may be God out there,
The cure for our affliction.

Whether The Force like us can think
Who knows?
Maybe we’re on the brink
Of its ebbs and flows.

All around there’s a Spiritual World,
Or so some say:
It’s yet unfurled
But we are on our way.

So Feel the Force
I say again.
Time runs its course,
Do ya ken?

As Yoda would say,
Your mind you open
And powerful you will become.

Paul Butters

Twisted reeds sway gently in the wind as black seabirds slice the sky overhead.
Waves rolling one by one crash with increasing ferocity on to the rocky beach,
And I watch the red sun set fire to the spray while  the tide encircles me.
Tugging at my feet, pulling me forward, it beckons for my consent. I give in,
And all is quiet even in such chaos. All is nightmarish and beautiful all the more.

The blood red horizon seers my retinas; freshly unleashed tears take to the sea.
These waves, such enormous swells, crash in on me; an unseen war is waging.
They press  me down and back, and then drag me further into the endless blue.
Over and over again, repetition loses count, my outcries die prematurely.
Only seawater and air manage to sputter from my lips, cracked and worn.

Not a whisper can be heard out here in such a true state of despair, but not all
Castaways are without faith. The past I once cherished has been lost to the depths,
Yet a knowing tingle in my gut keeps me searching for a message hidden merely
'Neath the surface. Drifting deeper into my pain, I notice a curious thing:  
The force of the waves lessening as I gracelessly surrender to Sorrow and the sea.

My feet torn by jagged rocks no longer felt, my eyelids blistered by the red
Eternal sunset, a few waves push me under before the siege of the sea falters and
I learn to ride the surf, taking each afront as it comes, whether predicted or
Suddenly upon me. My pain ebbs away slowly with the passing of each episode,
And with each wave I acknowledge my loss, relinquishing my burden.

Like so many desparinging hearts before me shipwrecked in the sea of tears,
I forcefully remind myself that one day the lush, inviting green shores of the
Other side of the sea will appear in my line of vision. Yet, for now, I let myself
Drift through the grief of grieving you, often unsure of whether I'm meant to float
Or should let myself sink toward the blackest crags of my mind. Here alone.

sitting here but not
my insides
       in a twist
my organs blooming,
their flower landscapes
rising in my solar plexus
like poetry expanding
its cellular shapes
into
        light frequencies
I need way more.
I need the pulling off
      and stripping down
of souls
I need to meet in
a depth of falling
I need to be pushed off
the silent gates of madness
into endless sea
no looking back
senses piqued
from slightest brush
of oral butter pouring
on hot cream
my mouth, a searing
crimson wound
oscillates in
contraction radar pulses
ripe for intense
tongue exploration
         aching to be filled up with
your distinct flavor
My essence molecular is
overflowing with fluid
giving me life
in throbbing, raw
electric vibes
whipped organic, in
                 rolling tides
Somewhere, out there
                  our volcanic impulses
                          meet in steamy ebbs
                     and send energyflow
to a new and ancient universe,
magnetic
and I am
a raging heaven's child
      wrapped in
           a tight little
              tourniquet
     blood pumping
through these veins
             my longing for
                 dark stretches
   of intimate caresses
to soothe
  the spikes
      of snaking pain
Give me
those airwaves that
let me breathe freedom
into the fields of our skin
Let me run like wild herds
of the animal within

and as I find myself
hanging off
my
      own
  edges
my many-braided loops
         in zigzag split,
a-fray
my skin rips open,
parting fibers
that expose my
very
      DNA
helix swivel
     undulation
hips grinding into
                     soul
reaching in to
pull out
fresh rebirth
from between my folds
O help me to allay
this tender affliction
undo me, already
so I lose control
one little shove
and I am over the cliff
deep into ocean
**** over spliff
I am beyond ready
so grind it to the hilt
Give me your
tender-ripped heart,
spill your honeycomb milk

I am here, ravenous
in the pan
uncooked yet ripe
saliva and breath
steaming my own innards
flushing out strife
I am piquant hot pepper
ready to be broiled
my blood is already
                             boiling
my tender meat oiled
mull me over
in your oral cavity
like sacred wine
until I drip
through your bones
and down your spine
Just meld with me
                        and flow
into that light tunnel
of dark time and space
so I can stake out
my rhythms
and claim
      my
new
sacred
      place

I'm all too used to the touch of your absence.  Your mother's wrath in that time can be a death sentence so tragic.  But when you come back, Demeter returns to her senses expressing light magic.   Life springs through the darkness, and flowers race to see who can reach the farthest.  Lovers emerge to nurture their gardens, and soak in sun to thaw out the hearts that hardened.  Birds sing songs highlighting your arrival.  Trees breathe easy seeing what their last set of leaves died for..
Yet when you retreat, mother again takes away her warmth.  The high-flyers no longer soar, and some paths feel too bitter to explore.  Bone-chill zones, a frozen reality stream.  I can't blame anyone for what's a part of me, as we fall into winter's annual dream.
Queen of the Underworld, I appreciate your harmony.  Thank you for teaching me to see the depths of my own duality.  Still, I can't help but wonder how existence would be had you not eaten those pomegranate seeds.  In the darkness of winter I want to curse Hades for his greedy need to leach on life through trickery.  Though to curse him I'd be cursing myself and ive had it with the blasphemy.  Besides I too know what it's like to rely on the dead as your only company.  I ride ebbs and flows of loss and hope, but I know your presence promotes healing.  So again I'll remain as the seasons change, taking layers and peeling.  I've found in light and dark we can succeed in setting our bound spirits free.  Communicator of both worlds, I want to Thank and honor you, Persephone~

Obsidian wind chimes
welcome the crashing waves
as another day exits, slowly
sinking beneath the bay.

Cool waters drenched in
an almost amethyst hue
offer mental reverberations
as I ponder what I am next to do.

Though the sea is but a tide
that ebbs & flows-
repletes & recedes-
her words of wisdom forgo
past the banks of her beaches
& spread a breeze to every corner
of night.

She beckons me within myself;
her deep abyss but a mirror.
Her waters shine in a glimmering splendor
as she makes the path ever clearer.

To leave this shore that raised me
is not a sign of disrespect, but a show
of honor. My broken levees have her
to thank & for that, I call her mother.

The problem,
One that I keep coming back to,
In America,
Is one of Identity.

It's a thing that ebbs and flows,
With the coming and going,
Of whatever agenda is pushed.

Now, if I'm pulled over, or looked over by name, or dare I associate with color.

Then they'll **** me and my blackness.

Now, should I take it personally, or empathize within the box they put me.

Then they'll curse me for denying the whiteness.

In this tug of war, I write my own story.

Two races,
One mind,
But the spirit of millions.

I am my ancestors, black and white.
This is my perspective.
I'm taking it back.

Written by: David & Sherri Phelps**

She was like the roses in the garden,
a timeless work of art in crimson shade.
But like each bud that opens up to wither,
her perfume ebbs away, her scarlet color fades.

He was like wildflowers in the springtime.
He never cared too much about where he grew,
his time was brief, but filled with vibrant passion.
Then he rode a breeze away,
as wild flowers often do.

And I remember,
I remember,
I remember, cause I still have days
their fragrance drifts to me on Jordan's tide.
So I won't forget,
I won't forget their never gone their just
blooming on the other side.

She was like a daisy in the meadow,
a welcome smile that's shared between two friends.
Kisses hugs and laughter were her petals,
and she have them all away,
until her seasons end.

And I remember,
I remember,
I remember, cause I still have days
their fragrance drifts to me on Jordan's tide.
So I won't forget,
I won't forget their never gone their just
blooming on the other side.

One day I will see, in that garden fair,
those who wait for me over there.

I remember,
I remember,
I remember, cause I still have days
their fragrance drifts to me on Jordan's tide.
So I won't forget,
I won't forget their never gone their just
blooming on the other side.
Blooming on the other side.

There was a sadness I revered
But never possessed,
Because there was youth
And hope to spare,

But as youth ebbs,
And hope recedes,
I know that sadness for real,
And how sad true sadness feels.

with well worked hands
he pulls on the sea
     like the hem of a pale skirt dancing 'round his lovers hips

it's what she loves about him most

the way that the tide ebbs and flows
     with the rise and fall of his sun-stained chest

seashells
and gull feathers
and bits of fishing net
     woven into his hair
like the threads of canvas sails

aqueous thunder-head eyes
look like they've seen the fall of every empire
      and soon
they'll witness the fall of ours

he smells of salt-cured wood and the sun
and it's the kind of smell you'll never forget
nor properly describe

he moves like magic

     like waves
          lapping at the shoreline in the calm of dusk

with an anxious tongue
and an appetite that's never satisfied
     he licks the wounds of any heart
he's strong enough to bare the weight of any burden
          of any trash barge or sea ferry

ear pressed to his chest
     like a conch-shaped vessle
          the labor of his heart valves plays like sailor songs
in an empty cabaret

     nerve-wrackingly beautiful

The sea is all flow with no ebb
As the moon hangs full in the sky
He pulls her to him on a breeze
Salty, heavenly, mesmerizing
She comes as he softly beckons
The magnet draws her in close
She inches toward his cool gaze
With the warm water he yearns to drink
For he is parched
And she is giving
Flowing in gentle waves
He calls and she slinks to him in shadows
Locked in the gaze of desire
A gaze broken only by the pleasure
of the deluge of their union
And in that union there is tranquility
His peace releases her
She ebbs, quietly lapping the shore
She turns to see him smile upon her
As she sparkles in the warmth of his glow

291

How the old Mountains drip with Sunset
How the Hemlocks burn—
How the Dun Brake is draped in Cinder
By the Wizard Sun—

How the old Steeples hand the Scarlet
Till the Ball is full—
Have I the lip of the Flamingo
That I dare to tell?

Then, how the Fire ebbs like Billows—
Touching all the Grass
With a departing—Sapphire—feature—
As a Duchess passed—

How a small Dusk crawls on the Village
Till the Houses blot
And the odd Flambeau, no men carry
Glimmer on the Street—

How it is Night—in Nest and Kennel—
And where was the Wood—
Just a Dome of Abyss is Bowing
Into Solitude—

These are the Visions flitted *****—
Titian—never told—
Domenichino dropped his pencil—
Paralyzed, with Gold—

and today
on this day of
your birth
I am ******
down into
the rhythms
of all that
we have been
until this moment
the biting rawness
             of new ebbs
the saddened veins
that vibrate
like used, worn
           guitar strings
the curve of
your fingers
that once played
            upon my skin
your weighted down aura
that I can no longer penetrate
and buoy up
and here I stand
all glowing light spirals
my head whirring
in mystic opulence
my gaze pulled to
the reverence of stars
my purity of river
in a swoosh
around my waist
that gurgling clarity
of liquid
pooling me in sacred
                            cleansing
that I must now take into
another rush
of estuary
and as I raise my arms
to the heavens
I almost fade
into the floodlights
                            of time
and my tears
push through
my skin
like the clear
jewels
of
salvation

your body, the drain plug,
that climactic days of a day
murky sweet strawberry milk water
ebbs and sways
around, surrounds, and surmounts you

Your body the dumping ground
for pretty poppy seeds
seep, steep
seeded somewhere deep

as

synthetic stinging metaphor rain
pours on your mistreated singing skin
spotted, dotted, synaptic rule
akin to lemon poppy seed muffin tops
your head- a top
spins round
and mimics
never-ending bath drain whirlpool

ambulances and ambivalences soundtrack
this nocturne
night of a morning
mourning already
my poor lost sister
a little less than intact
lost in her head
I'm loosing her

and she's nodding

            and she's nodding

                          and she's nodding

                                    and she's nodding
and she nods
and grumbles,
fumbles for words that aren't there
four words that aren't there
forward isn't there

because what do you say
about matters
when your high
and breathing last breaths overlapping
in humble showers
in heart crumbling nakedness
your faithlessness trapping
murky sweet strawberry milk waters.

Nostradamus and sleeping prophet's One lost image of the singular Eye

Re(ad(d): No worry
To, Love Our Sun :).

Signs like Gemini is to air
Sagittarius is to fire a pair
in this crossing with Pisces
to water is Virgo for earth
too We are the mutable ones!!
Sunny is however we coin the calling spiraling too
EYE of the One generation transmutable souls of soil ARE
to earth; 'hues EYED like a butterfly, here to sample many flowers
connected within a Great Spirit invoked as in wilds if peopled or things'!!!
We do feel it within or without the actual considerations of the ultimate doings;
'letting go and taking the risk of trusting and depending on another'!!! One by one!!! :)
EYE of humus hued in spirit and love fused to the stone's twirling and of the ruse's tolling
So many of paths we traverse here as on earth the singular EYE knows out on the HORIZON
The great Eye is too glued on Sunny Sun's ever evolving viewing's as hued spirits cross          EYE'S
Our blinded one eye's longing to Lyra's lyre, great musician Orpheus winging, whose           W
music tamed wild beasts, caused rivers to stop flowing and enchanted even gates                    S
to the Lord of the Dead Hades, the softly lit fire singing inside linking heaven                            A              
to earth viewed from outsider's hues waxing and waning of sleep wakened                              I N
so ode to the moon in the darkness of night gives but who takes her softer                               F USED
delight when One day halves by sun setting all ebbs in flowing as tides                                       B I           
to Great oceans moved like hearts breathe air to presence's emoting                                              STAR'S  
from magic to tragic we long of ecliptic traces cryptically erasing                                                      W
the blindness of memory and sight' majestic beast's floundering                                                      ­      I
a forever crisscrossed from the One Eye here now to Knight's                                                         ­       N
dear lost forbidden inner retreats from the East to God's lost                                                             ­        'S
children cast out to the land from blood pooling in spoils                                                                        O
as easily uncovered as readily as new western lands had                                 ~/ E \~                               N  
claim maddened ravaged savagely eagerly discovered                                 ~(:YES :)~                          G
fear still rocks this boat with hope still sailing onward                                (:FORGIVEN:).                       'S

A soft word on parted lips
Gentle, warm and moist
Chocolate brown eyes that understand
Light kisses against my skin
that hint at something more.
I feel her laughter that bubbles forth
and we're both smiling,
it deepens and an unspoken tension
flits between us, luring and tempting.
begging to do more.
My lips part willingly for her
And I taste her on my tongue.
She is sweet and glowing against me.
The heat rises and ebbs,
touches become wanton and frantic
I plead with her to give me my desire.
wish granted
sleep stole over her after the deed,
but I am wrapped in her and awake.
My fingers slip through her hair,
at some attempt to tame it.
Giving up, I chuckle
and kiss her.
Just her.
Her forehead, her hair, her nose, her eyes, her cheeks.
And lastly her lips.
My love and my life
*how I love you.

My phone drops from my hands,
All my body's strength ebbs away.
I have to lie down so I don't fall down
Because my legs can't support my body weight.
And then I'm staring
At the whitewashed walls and ceiling
Of my furniture-filled bedroom
And suddenly the panic sets in.
Everything is too tight, too close, too much.
I need to get out of here.
I need to breathe
But I can't because all I can think about
Is you.
Your words.
Your life.
Your choices.
And as I lay there sweating cold bullets of fear,
I wonder why I'm panicking.
It was just another email.
A general update to no one in particular.
One of the ones you always send out
To everyone because you still think we care.
You didn't say a single word about anyone else.
Four whole pages of you.
And I guess that's why I'm struggling to breathe.
It's like I never existed to you.
It's like you never cared about me.
And suddenly the need to see you
To talk to you
To hold you
To laugh, to cry, to just simply be
With you
Overwhelms me.
Not the you who wrote that email.
Not the you who you think you are now.
The you who doesn't even acknowledge her own offspring.
No, I'm desperate to touch the you
Who I know is locked away in a part
So deeply hidden in your soul
That you've forgotten about her.
The you who still knows a mother's love
For her daughter.
I want to see the unclouded eyes,
Hear the unselfish voice,
Touch the compassionate soul
Of the amazing woman who birthed me.
But I'm so afraid that you've finally done it.
That you've finally killed off
The last vestiges of her soul
With the darkness of your own.
I panic with the truth that faces me:
I'll really never be able to see her again.

A thin, red trail
slaps the pavement,
becomes so swollen,

strands trip around
the neck and cut
deep where there,

in the slick trickles
pulled to small floods,
sinking out, a tip

of the tongue cry
never quite confirmed,
stays strangled. Drips

and ebbs with bottle
in hand, a scarf
in the other. Like ribbon

it weaves into spaces,
drenches the ground
until everything is art.

the sea rises and falls
in rhythm with the moon

my soul ebbs and flows
in  rhythm of our love

True warmth runs deep,
in the web of your reds and your blues,
wrapping and running over every inch of you.
Ninety eight and a fraction of degrees
seeping hot through the intricate map of your bones and tissue.
Every inch bounded in webs and ebbs
of flowing colors,
an endless river to forever be submerged.
How strange is it that the heart resides in a cage?
Protected, beating, behind marrow bars.
Cells in its cell,
fighting and beating in protest to your gentle decay.
Such a display resides within us all,
all blood a testament to the sameness of us.
And if I've captivated you for a moment,
might I ask how different are we?
How my blood runs different than yours?
Though our bodies tell different stories,
the blood is no different.
When you slay them where they stand,
the blood that flows and the tears that fall have no title or rank.
We all bleed the same.

She bolts awake from nightmare’s fear
Her mind fumbles for the mask
Its visage calm, gaze cool and clear
Once in place no one will ask

Exhausted from her restless night
Escape routes all slammed shut
The knots already pulling tight
Deep down inside her gut

The enemy stand at their station
They circle round her bed
Anticipating her annihilation
The demons in her head

Her feet are not yet on the floor
But the battle has begun
Another endless day of war
She must fight, she cannot run

She glances quickly in the glass
Haunted eyes she cannot meet
The enemy charge takes the pass
Her soul in forced retreat

The mask will serve her well today
Its rigid smile conceals
The terror barely held at bay
The torment that she feels

She plants her banner on the mound
Though hopelessness holds sway
She grits her teeth and holds her ground
But the ******* make her pay

All day the battle rages on
But the mask remains in place
Though at her feet hell’s chasms yawn
The world sees not a trace

The conflict ebbs, her shoulders slump
No victory is claimed
She turns for home, trailing blood
Count her among the maimed

Return to camp yields no respite
Command’s duties have no end
Cares for her troops into the night
Strength's last measure she will spend

All her charges now in bed
Mask in hidden place she keeps
In resignation bows her head
And midst the dark, in silence weeps

Now when the camp lies silent
In night’s hush no pennant streams
She braces for coming violence
And girds for bloodshed in her dreams

Brazen rusted iron-scent of blood–
there, before him, a river of crimson and failed dreams.
No boat, no oars.
Just plain chivalry and bravery and yesteryears’ scars
that manifest all throughout and within him.

He dips his feet.

There were scattered skeletons
and crunched broken bones
basking under the dunes of the night.
There were ghosts clinging
unto his own ghosts;
creatures against creatures.
The tip of their swords
sinking down to his own tired flesh
in attempt to find refuge
in the treacherous wings of the forests.

He swims along.

And his shoulders were battered
and his mare was tainted–
with dirt and dust and ashes of the enemies;
with memories and silhouettes buried
sent flying along the caresses
of the north winds.

He gasps for air, and stills himself under the ebbs.

Under many moons and scarcity of life–
Scarcity of Life–
the recurring sight of the gaseous light
and the inconsistency of the breath-intervals,
he remains still and proud.
His soles burnt with pain and interminable suffering
as it crossed the stretches of the savanna.
This is his life,
dwelling on the dawn borealis
and stained with apparitions of the past
and demons and absurdity.

*He has crossed the river.

On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11

Take me to Vienna where the music walks.
Where the buildings invite you to sit,
And accompany them for a cup of melange.
Where the many palace gardens have jovial pique-niques,
With their bikes resting by the trees.

Take me to Vienna where life ebbs out
Where the past lives on,
And composers wave out the windows.

Take me to Klimt's golden city,
The city where even the grey Donau is welcoming.
Take me to Vienna and don't take me back.

Her life was run on the oil of synchronicity
planted in the seduction of abstract hypotheses.
The moons and ebbs of tides
Swoop in like thunderclaps
on wing'ed lightning bolts,
Capturing synergy
Wiping out energy
Till she huddles in a pile of her own failure
Tucking up her toes to avoid the floods
Admiring and condemning
The rain soaked
Howling at her gate.

My most popular poems on the Internet

A number of my poems and translations have gone viral, according to Google, and some have been copied onto hundreds to thousands of web pages. That’s a lot of cutting and pasting! The results below are the results returned by Google at the time I did the searches.



This original epigram returns more than 37,000 results:

Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



This Sappho translation has more than 3,500 results:

Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



This Sappho translation has more than 1,700 results:

Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



This Bertolt Brecht translation has more than 1,500 results:

The Burning of the Books
by Bertolt Brecht
loose translation/interpretation by Michael R. Burch

When the Regime
commanded the unlawful books to be burned,
teams of dull oxen hauled huge cartloads to the bonfires.

Then a banished writer, one of the best,
scanning the list of excommunicated texts,
became enraged: he’d been excluded!

He rushed to his desk, full of contemptuous wrath,
to write fiery letters to the incompetents in power―
Burn me! he wrote with his blazing pen―
Haven’t I always reported the truth?
Now here you are, treating me like a liar!
Burn me!



This poem returns nearly 1,500 results for the first line:

Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
which finality swept into a corner, where it lies
in dust and cobwebs and silence.

NOTE: This is, I think, the first poem I wrote which didn’t rhyme, and the only one for quite some time. I consider one of the best of my early poems; it was written in my late teens.



This original poem has over 1,300 results:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

This may be the first poem I wrote. I read the Bible from cover to cover at age 11, and it was a traumatic experience. But I can’t remember if I wrote the epigram then, or came up with it later. In any case, it was probably written between age 11 and 13, or thereabouts.



My translation of Robert Burns’ “To a Mouse” returns over 1,300 results. It’s a bit long for this page but can be found online with a Google search like: Michael R. Burch Robert Burns translations.



This Glaucus translation returns more than 1,000 results:

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
―Michael R. Burch, after Glaucus



This Yamaguchi Seishi translation returns over 1,000 results:

Grasses wilt:
the braking locomotive
grinds to a halt
―Yamaguchi Seishi, loose translation by Michael R. Burch



This original poem has more than 1,000 results:

Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her Tears...

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza and the Nakba. The word Nakba is Arabic for "Catastrophe."



This poem won a big Penguin Books (UK) Valentine poetry contest and returns over 800 results for the first line:

Mother’s Smile
by Michael R. Burch

for my mother, Christine Ena Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



This original epigram returns over 750 results:

Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



This William Dunbar translation has more than 700 results:

Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



This Sappho translation has over 700 results:

Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



This original poem has over 700 results for the first line:

Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm―I hope you hear it.

Much love I bring―I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



My Plato translation (or “take” on Plato) has over 650 results:

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
―Michael R. Burch, after Plato



This translation of a Middle English poem has more than 500 results:

How Long the Night
(anonymous Middle English poem, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



This original epigram returns over 500 results for the first line:

Here and Hereafter aka Saving Graces
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

I have dedicated the epigram above to the so-called Religious Right and Moral Majority.



These Einstein limericks have over 500 results:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!

Asstronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!

Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!



This poem has over 500 results:

Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?

What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?

What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing...
mournful, and distant.

How pitiful our "effort,"
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



This Matsuo Basho haiku translation has nearly 500 results:

The first soft snow:
leaves of the awed jonquil
bow low
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This Matsuo Basho haiku translation has more than 400 results:

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This original Holocaust poem returns over 400 results:

Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and extend this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles!
They sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall
my heart no less. Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."



This translation of a Holocaust poem has nearly 300 results:

Speechless
by Ko Un
translation by Michael R. Burch

At Auschwitz
piles of glasses,
mountains of shoes...
returning, we stared out different windows.






Keywords/Tags: Michael Burch, popular, most popular, poems, epigrams, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo


//bookmark//

This original poem, which has become popular at Halloween, has nearly 3,000 results for the fifth line:

White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



This original poem returns nearly 1,500 results:

Safe Harbor
by Michael R. Burch

for Kevin N. Roberts
The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times




This translation of the oldest extant English poem has over 1,250 results:

Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



This Faiz Ahmed Faiz translation has over 1,000 results:

Last Night
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart—
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...


This light verse response to Philip Larkin’s “Aubade” has nearly 1,000 results:

Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea
boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.
And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

Originally published by Light Quarterly



This love poem has nearly 1,000 results:

don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



This original Hiroshima poem has nearly 800 results:

Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.
Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.
There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.

Published by Romantics Quarterly, Penny Dreadful and Poetry Life & Times



This epigram has over 600 results for the first line:
Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



This prayer poem has over 600 results and has been set to music and performed at a charity benefit for hurricane victims:

I Pray Tonight
by Michael R. Burch

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



This original poem has nearly 600 results:

Like Angels, Winged
by Michael R. Burch

Like angels—winged,
shimmering, misunderstood—
they flit beyond our understanding
being neither evil, nor good.

They are as they are ...
and we are their lovers, their prey;
they seek us out when the moon is full;
they dream of us by day.

Their eyes—hypnotic, alluring—
trap ours with their strange appeal
till like flame-drawn moths, we gather ...
to see, to touch, to feel.

And in their arms, enchanted,
we feel their lips, grown old,
till with their gorging kisses
we warm them, growing cold.



This original poem has over 500 results:

Distances
by Michael R. Burch

Moonbeams on water —
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.



This original poem has over 500 results:

***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



This epigram/joke has over 400 results:

Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.―Michael R. Burch



This **** Baudelaire translation has become popular with **** stars, escort sites and dating services, and has more than 400 results:

Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings—
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



This original poem has over 400 results:

What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.



This original poem I wrote as a teenager has almost 400 results:

The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.
Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early poems ; I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



This original poem has more than 300 results:

Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...
what do we know of love,
or duty?



This original poem has more than 300 results:

escape!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



This Matsuo Basho haiku translation has more than 300 results:

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



This haiku translation has more than 300 results:

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation/interpretation by Michael R. Burch



This translation of an Anacreon epigram has over 300 results:

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Anacreon, loose translation/interpretation by Michael R. Burch



This 9–11 poem has over 300 results:

Charon 2001
by Michael R. Burch

I, too, have stood—paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



This “almost” limerick has over 300 results:

Caveat Spender
by Michael R. Burch

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.



This little poetic snapshot has over 300 results:
Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.



This vampire poem, popular at Halloween, has nearly 300 results:

Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring...



This Fukuda Chiyo-ni haiku translation has nearly 300 results:

Ah butterfly!
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation/interpretation by Michael R. Burch



This translation of the Palestinian poet Fadwa Tuqan has over 300 results:

Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.
Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



This translation of a poem by the Kurdish poet Kajal Ahmad has over 300 results:

Mirror
by Kajal Ahmad, a Kurdish poet
loose translation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



This original poem has over 300 results:

Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .
once starlight
languished
in your hair . . .
a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .
unleash
the torrent
of your hair . . .
and show me
once again—
how rare.



This original poem, popular at Valentine’s Day, has nearly 300 results:

Let Me Give Her Diamonds
by Michael R. Burch

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



This original poem has nearly 300 results:

Fascination with Light
by Michael R. Burch

for Anaïs Vionet

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

This Vera Pavlova translation has over 250 results:

Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



These Holocaust poem translations of Miklos Radnoti have over 200 results each:

Postcard 1
by Miklós Radnóti
loose translation by Michael R. Burch

Out of Bulgaria, the great wild roar of the artillery thunders,
resounds on the mountain ridges, rebounds, then ebbs into silence
while here men, beasts, wagons and imagination all steadily increase;
the road whinnies and bucks, neighing; the maned sky gallops;
and you are eternally with me, love, constant amid all the chaos,
glowing within my conscience―incandescent, intense.
Somewhere within me, dear, you abide forever―
still, motionless, mute, like an angel stunned to silence by death
or a beetle hiding in the heart of a rotting tree.



Postcard 2
by Miklós Radnóti
written October 6, 1944 near Crvenka, Serbia
loose translation by Michael R. Burch

A few miles away they're incinerating
the haystacks and the houses,
while squatting here on the fringe of this pleasant meadow,
the shell-shocked peasants sit quietly smoking their pipes.
Now, here, stepping into this still pond, the little shepherd girl
sets the silver water a-ripple
while, leaning over to drink, her flocculent sheep
seem to swim like drifting clouds.



Postcard 3
by Miklós Radnóti
loose translation by Michael R. Burch

The oxen dribble ****** spittle;
the men pass blood in their ****.
Our stinking regiment halts, a horde of perspiring savages,
adding our aroma to death's repulsive stench.



Postcard 4
by Miklós Radnóti
loose translation by Michael R. Burch

I toppled beside him―his body already taut,
tight as a string just before it snaps,
shot in the back of the head.
"This is how you’ll end too; just lie quietly here,"
I whispered to myself, patience blossoming from dread.
"Der springt noch auf," the voice above me jeered;
I could only dimly hear
through the congealing blood slowly sealing my ear.

This was his final poem, written October 31, 1944 near Szentkirályszabadja, Hungary. "Der springt noch auf" means something like "That one is still twitching."



This poetic tribute to Muhammad Ali has over 250 results:

Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image—BOLD.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina



This poem about US involvement in an ongoing Holocaust has over 200 results:

who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same —
the slouching Beast mauls them
and WE have no shame:
“who’s to blame?”



This Ō no Yasumaro translation has over 200 results:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
―Ō no Yasumaro (circa 711), loose translation/interpretation by Michael R. Burch



These Sappho translations have over 200 results:

Sappho, fragment 156
loose translation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.



Sappho, fragment 58
loose translation/interpretation by Michael R. Burch

Pain
drains
me
to
the
last
drop
.



This Parmenio translation has over 200 results:

Be ashamed, O mountains and seas,
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
—Michael R. Burch, after Parmenio



This original epigram has over 200 results:

Love is either wholly folly,
or fully holy.
—Michael R. Burch



Other poems, epigrams and translations with more than 100 results:



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.
Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Nun Fun Undone
by Michael R. Burch

Abbesses’
recesses
are not for excesses!



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



I, Too, Have a Dream
by Michael R. Burch writing as “The Child Poets of Gaza”

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
by Michael R. Burch  writing as “The Child Poets of Gaza”

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



Multiplication, Tabled
by Michael R. Burch

(for the Religious Right)

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, translation by Michael R. Burch



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.

And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.

Suddenly, unthinkably, here he is,
taking my place.



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.



Wulf and Eadwacer
ancient Old English (Anglo-Saxon) poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens. (fastened=secured)
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained—how I wept!—
the boldest cur clutched me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.

Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” — W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars—the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.
The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.
I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.



Observance
by Michael R. Burch

Here the hills are old and rolling
casually in their old age;
on the horizon youthful mountains
bathe themselves in windblown fountains . . .

By dying leaves and falling raindrops,
I have traced time's starts and stops,
and I have known the years to pass
almost unnoticed, whispering through treetops . . .

For here the valleys fill with sunlight
to the brim, then empty again,
and it seems that only I notice
how the years flood out, and in . . .

This is an early poem that made me feel like a “real poet.” I remember writing it in the break room of the McDonald's where I worked as a high school student. I believe that was at age 17.



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?
I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city extend
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command
here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience
and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and nominated for the Pushcart Prize


Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...
... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...
... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...
... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...
... that led up to the Fortress in the trees
will not support our weight, but on our knees ...
... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...
... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...



At Wilfred Owen’s Grave
by Michael R. Burch

A week before the Armistice, you died.
They did not keep your heart like Livingstone’s,
then plant your bones near Shakespeare’s. So you lie
between two privates, sacrificed like Christ
to politics, your poetry unknown
except for that brief flurry’s: thirteen months
with Gaukroger beside you in the trench,
dismembered, as you babbled, as the stench
of gangrene filled your nostrils, till you clenched
your broken heart together and the fist
began to pulse with life, so close to death.
Or was it at Craiglockhart, in the care
of “ergotherapists” that you sensed life
is only in the work, and made despair
a thing that Yeats despised, but also breath,
a mouthful’s merest air, inspired less
than wrested from you, and which we confess
we only vaguely breathe: the troubled air
that even Sassoon failed to share, because
a man in pieces is not healed by gauze,
and breath’s transparent, unless we believe
the words are true despite their lack of weight
and float to us like chlorine—scalding eyes,
and lungs, and hearts. Your words revealed the fate
of boys who retched up life here, gagged on lies.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day
while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.
Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.
Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

Originally published by Southwest Review



At Once
by Michael R. Burch

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.
Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.
Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.
And yet she would care,
and pour out her essence ...
and yet—there was more!
I awoke from long darkness,
and yet—she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.

Published by The Lyric, Romantics Quarterly and Grassroots Poetry



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.
Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.
Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.
What I found, I found lost in her face
while yielding all my virtue to her grace.

Originally published by Romantics Quarterly as “A Dying Fall”



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true . . .
but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.
They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope . . .
You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,
their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

Originally published by Grand Little Things



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.
Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.
Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!
Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.
Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.
Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,
or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall
and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.
Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...
If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.
So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Translations with more than 100 results and/or a high number of page views:

“Wulf and Eadwacer” translation
“Deor’s Lament” translation
“The Wife’s Lament” translation
“Whoso List to Hunt” by Sir Thomas Wyatt, translation
“The Eager Traveler” by Ahmad Faraz, translation
“Herbsttag” (“Autumn Day”) by Rainer Maria Rilke, translation
“Archaischer Torso Apollos” (“Archaic Torso of Apollo”) by Rainer Maria Rilke, translation
“Komm, Du” (“Come, You”) by Rainer Maria Rilke, translation
“Der Panther” (“The Panther”) by Rainer Maria Rilke, translation
“Liebes-Lied” (“Love Song”) by Rainer Maria Rilke, translation
“Das Lied des Bettlers” (“The Beggar’s Song”) by Rainer Maria Rilke, translation
Original poems with more than 100 results:
“Water and Gold”
“See”
“The Folly of Wisdom”
“The Effects of Memory”
“Finally to Burn: the Fall and Resurrection of Icarus”




Dream of Infinity
by Michael R. Burch

Have you tasted the bitterness of tears of despair?
Have you watched the sun sink through such pale, balmless air
that your soul sought its shell like a crab on a beach,
then scuttled inside to be safe, out of reach?

Might I lift you tonight from earth’s wreckage and damage
on these waves gently rising to pay the moon homage?
Or better, perhaps, let me say that I, too,
have dreamed of infinity... windswept and blue.

This poem was originally published by TC Broadsheet Verses. I was paid a whopping $10, my first cash payment. It was subsequently published by Piedmont Literary Review, Penny Dreadful, the Net Poetry and Art Competition, Songs of Innocence, Poetry Life & Times, Better Than Starbucks and The Chained Muse.



we did not Dye in vain!
by Michael R. Burch

from “songs of the sea snails”

though i’m just a slimy crawler,
my lineage is proud:
my forebears gave their lives
(oh, let the trumps blare loud!)
so purple-mantled Royals
might stand out in a crowd.

i salute you, fellow loyals,
who labor without scruple
as your incomes fall
while deficits quadruple
to swaddle unjust Lords
in bright imperial purple!

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!



Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly



To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She Always Grew Roses
by Michael R. Burch

for my grandmother, Lillian Lee

Tell us, heart, what the season discloses.
“Too little loved by the ego in its poses,
she always grew roses.”

What the heart would embrace, the ego opposes,
fritters away, and sometimes bulldozes.
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she loved nonetheless, as her legacy discloses—
she always grew roses.”

How does one repent when regret discomposes?
When the shadow of guilt, at last, interposes?
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she continued to love, as her handiwork shows us,
and she always grew roses.”

Too little, too late, the grieved heart imposes
its too-patient will as the opened book recloses.
Tell us, heart, what the season discloses.
“She always grew roses.”

The opened-then-closed book is a picture album. The season is late fall because it was in my autumn years that I realized I had written poems for everyone in my family except Grandma Lee. Hopefully it is never too late to repent and correct an old wrong.



Little Sparrow
by Michael R. Burch

for my petite grandmother, Christine Ena Hurt, who couldn’t carry a note, but sang her heart out with great joy, accompanied, I have no doubt, by angels

“In praise of Love and Life we bring
this sacramental offering.”
Little sparrow of a woman, sing!

What did she have? Hardly a thing.
A roof, plain food, and a tiny gold ring.
Yet, “In praise of Love and Life we bring

this sacramental offering.”
“Hosanna!” angel choirs ring.
Little sparrow of a woman, sing!

Whence comes this praise, as angels sing
to her tuneless voice? What of Death’s sting?
Yet, “In praise of Love and Life we bring

this sacramental offering.”
Let others have their stoles and bling.
Little sparrow of a woman, sing!

“In praise of Love and Life we bring
this sacramental offering
as the harps of beaming angels ring.
Little sparrow of a woman, sing!”



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.



Geraldine in her pj's
by Michael R. Burch

for Geraldine A. V. Hughes

Geraldine in her pj's
checks her security relays,
sits down armed with a skillet,
mutters, "Intruder? I'll **** it!"
Then, as satellites wink high above,
she turns to her poets with love.



Rag Doll
by Michael R. Burch, age 17

On an angry sea a rag doll is tossed
back and forth between cruel waves
that have marred her easy beauty
and ripped away her clothes.
And her arms, once smoothly tanned,
are gashed and torn and peeling
as she dances to the waters’
rockings and reelings.
     She’s a rag doll now,
     a toy of the sea,
     and never before
     has she been so free,
     or so uneasy.

She’s slammed by the hammering waves,
the flesh shorn away from her bones,
and her silent lips must long to scream,
and her corpse must long to find its home.
     For she’s a rag doll now,
     at the mercy of all
     the sea’s relentless power,
     cruelly being ravaged
     with every passing hour.

Her eyes are gone; her lips are swollen
shut to the pounding waves
whose waters reached out to fill her mouth
with puddles of agony.
Her limbs are limp; her skull is crushed;
her hair hangs like seaweed
in trailing tendrils draped across
a never-ending sea.
     For she’s a rag doll now,
     a worn-out toy
     with which the waves will play
     ten thousand thoughtless games
     until her bed is made.



Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!

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