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DJ Thomas May 2010
We each have a voice and life, it is how we use them not how we might!  

Stop glaciers melting
Huge population movements
Death of progeny


The small reductions in carbon emissions being targeted for 2020 or 2050 - are thought to little to late to slow global warming.  The melting polar ice and glaciers together with our changing weather patterns are now fact. The resulting loss of river systems and rising sea levels will mean the desertification or flooding of agricultural lands and famine, then the migration of populations - starting with the skilled and rich seeking safety, to escalate into the terror of armed bands
warring over water, food, women and land.

By 20 20
Lets hope for twenty twenty
A 20 20


There is now the thought that the huge physical change wrought by global warming can be charted by the escalation in earthquake and volcanic activity.  And that this may eventually trigger huge eruptions in the American and Asian continents,
destroying civilisations to create a planetary volcanic winter.

Again fire and cold
The cycle repeats itself
Destroying nature


Was there a civilisation in deep history before the flood, prior to and during the last ice-age?
This has been researched and written about in great detail during the last twenty years
and many now believe it already proven by scientific review of documents and
thousands of archaeological finds, also by scientists having used the exactness
in the astronomical alignments of ancient monuments
to recalculate there greater age.  

Dead sold souls herd us
Lost mindless finger puppets
Vapid witless words


Sadly, the majority put their reliance and faith in
the actions of lawyer-ed politicians, most of whom evidence
a fixation on their own welfare,  selfish self-glorification needs
and an unwillingness to rock-the-boat once in power*

Politicians thwart
Party politics deafen
Propaganda’s herd


Putting off all radical action required until after the next election.  
Many have gifted away the necessary legal control and power to take national radical action
to a political or trade grouping of nations - in effect retaining only national rights
to go to war, put up taxes, borrow and spend monies.

Please no rhetoric
Complete local transition
Forget politics


We each have a voice and life, it is how we use them not how we might!

Living we give voice
So one voice might yet be heard
All being, believe!


We are left holding our eco-inheritance and children’s future in the palm of our hand.
Please let our love and imagination drive us each forward to make change.


Biosphere a greenhouse 
Target the impossible
Please gift some life soon?


So, we each of us have hard personal choices to make, which will encompass both positive and negative
benefits in terms of our time, lifestyle, health and wealth.  I chose to base my choices solely on how it
might benefit the eco-system and the lives of our children.

My choices are grouped under five headings: transport, food, home, lifestyle and further action. They are:
-  

Transport: Rail; Bus; Coach; Bike;
(I pass woods in bud - a Red Kite hunting twisting, unhurried moments).  
To give up ownership of electric / motor vehicles
and to avoid air travel where possible.


Highly vaporous.
Emissions farting -
barrelling vipers
.

Food: To eat meat/fish only once a week at most;
(Slaughteramas greed - industrial carcase-ed meals. Sheep full of cancer)
To study fast methods of vegetarian cooking; buy local organic foodstuffs;
visit local farmers markets and farm shops; grow my own when possible
and help friends establish vegetable/herb gardens.
To not ever feed, cleave and eat!


Fat shopaholics,
a deadly consumerism.
Cancers meat to eat


Home:   A cottage sized for me, friends and neighbours,
overlooking a wooded valley and trout stream.
Like me a little untidy and basic
.

Crossing the shallows
trout fingerling feed at dawn
White dots steep hill path

Dusk - eight painted queue
river paired mare and foal
Foliage lined dark black


Well positioned to capture the morning sun, airy and light.  
Yet insulated to stay cool or warm. With easy access to mountain bike trails
and long distance bus routes, plus several end-of-line train stations
in energetic cycling distance over the mountains


A differing beat
Quickly fading doubled steps -
pulling separate


Life Style:* A thinking poet mountain biker, living organic
not part of the great noisious noxious ribbons of hurtling tired.

Pressured paced life -
impossible  commitments.
Organic living


Further Action: *I intend to give up meat not because of the terrible cruelty involved in ten billion or more animals
being slaughtered every year to feed the human race, but due to
: 1)  animal farming being a major factor in the burning of 50 million year old rainforests at a rate of one and half acres per second to generate huge volumes of greenhouse gases, destroying the richest habitats on Earth and a principal source of oxygen; and 2)  that these billions of farmed animals
are themselves a major source of greenhouse gases
.

Burning rainforests
Feeding to cleave open and eat
Subsistence farming


With ongoing intensive fishing, the world's fisheries already in crisis and climate change,
it could be that we will run out of wild-caught seafood much earlier than 2030!


Conserve energy -
and natural resources
Don’t waste foolishly


Each of us might have a different view of what globalisation is,
for some this word encapsulates the dangers of our global fast food culture, omnipresent brands,
popular culture, changing diets and the growing use of packaged processed foods
.

Freedom to act sought
Globalisation's curses
Octopus suckers!


For many it is the illegal international trade in endangered species of flora and fauna,  
second only in value to the $350 billion a year global drug trafficking trade that now services
perhaps more than 50 million regular users of ******, ******* and synthetic drugs
.

The label 'globalization' can cover the: spread and integration of different cultures;  
industry moving to low per capita income countries; sweatshops supplying this seasons branded goods
to retail outlets worldwide;  complex international interleaved financial trading instruments being developed
by banks and financial institutions to trade worldwide, create profits and pay huge bonuses, without risk to themselves
.

Globalisation -
orchestrated profiteers,
betting our losses


Many see globalisation as being the beneficial spread of free trade, liberty, democracy and capitalism,
involving the efficient allocation of resources and capital through the spread of technology.
Unelected international bodies and institutions such the World Bank actively promulgate globalisation,
a '‘world government’ promoting close economic ties between nations
.

Enculturation
Our sad indoctrination
Globalization
  

The anti-globalisation movements dislike the corporate and political nature of globalisation,
protesting the resultant harm done to the biosphere, a more rapid and extensive deterioration of the environment
and the unintended but very real consequences of globalisation: the erosion of traditional culture
resulting in social disintegration; a breakdown of democracy; the spread of new diseases;
changes in diet; increasing poverty.
.

I view globalisation and it's propagation as leading to the final destruction
of the world's cultures and civilisations by locked us into a
dogmatic world political doctrine secured through
trade and political alliances of states, institutions
and corporations that remain hell bent on
imposing this world governance. Such
that individual countries governments
cannot consider making substantive
radical change to avert the planet
being pushed into a natural cycle
that will end the human race
.

Caged in Fools World
The people hear heroic call  
Each one a hero
!

The peoples and cultures of the world need perhaps just one western country to
break the legal chains of globalisation and adopt a radical economic regeneration program
designed to make the total transition to a dynamic culture of localised
clean communities centred on the individual not competition*  

Only one tool
National taxation for -
economic change.


Here I begin discussing how global, regional and national economies might
be based on the growth of small organic local economies.
not the repeated foolishness involved in chasing lower cost base manufacture -
each time at great cost to the economy it has migrated from!
Then a further culture becoming totally reliant
on the transport of foodstuffs and goods -
I can here you saying
:

"Oh **** this guy is -
talking about change, changing -
the world we live in!"


Yes, I am and do we have a choice?  But such change will be organic and involve business
in the restructuring and regeneration of economies till we share green economies.  
In small part his is already happening slowly!


Unlock taxation,  
survivals powerful tool.  
Needed now for change!


This is why we need to consider doing something that many of today's
plutocrats, economists, bureaucrats and politicians, would dismiss out of hand or
discuss endlessly in terms of perfectly competitive markets, perverse economic incentives etc


Major solution
National taxation change
Human extinction



WORK in HAND

This haiku sequenced eco-haibun is an ongoing project being penned day-by-day by many that care and take action. Your reactions are all welcome, thank you


**Take back control now.  
Cease all squabbling, achieve act - decisively!

Globalisation's, global control cut away.
Diversity sought

Promote well being.  Act with imagination -
for ecology!

Creating employment -
with local utilities, local food and transport

Incentivise tax,  to create local benefits.
Gain prosperity

Income taxation -  value added tax, aged -
dangerous mistake

Local licensing.  Lead don't follow excuses.
Saviour taxation

Imaginative - energy, food and transport -
local licensing

An alternative - energetic strategy,
greening business

Organic foodstuffs - out compete processed food.
Life promoting health

Healthy government - a healthy population. 
Zero income tax!

Locally taxed - by distance it travelled -
and category

Products bar coded.  Point of agreed production -
and category

Local added tax, by distance it travelled -
and category

Local energy, initiatives supplant.  
Replacing at risk

User energy, capture and storage.  
Eco-dwelling plan

Local water works,  supplanting initiative.
Replace the at risk

User water need.  Capturing and storing half.
Securing supply

Communications, local initiatives.
Protecting our needs

Local healthy food, life saving initiative.
Planting guaranteed

Sort unemployment, local work available.
Agriculture base

Radical transport - initiatives needed.
Change made possible

Season’s colours blur - in ageing contemplation
chilling warm breezes

Ganges dried mud - dust
Armed hungry thirsty tide
Generations despair,  lost

Our politicians -
squabble condemn progeny.
Flee panic and die

HAIKU SEQUENCE FINISHED

HAIBUN PROSE BEING ADDED
Day by Day
This haiku sequenced eco-haibun needs prose and additional haiku added day by day.  Contributing comment and reactions considered for inclusion...

copyright©DJThomas@inbox.com 2010
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n
Keep your eyes on the road* she says at the door
But he knows better it nibbles at his core
There isn’t no real dangers lurking beneath
They’re looming high up to ***** out his breath!

He nods his head and bows out of the house
It isn’t worth a heed the caution of his spouse
For he knows the real dangers lie above his head
Waiting the pull of gravity hanging in thinnest thread!

With each step he stops to take a look at the sky
Down here is quite safe high up the perils lie
It’s a wonder human minds are still stuck to the myth
That eye must look down when walking upon the street!

As he looks at the high rises inside he shivers tense
They are too eerily tall to hold for long balance
Can come down any moment by itself or if hit
Throw down chunks of debris crush lives on the street!

What if of all those signboards grown weary of bearing load
One crashes down on someone whose eyes are on the road
Down here is no real dangers up there are fearsome ghosts
In the form of cell phone towers sky hugging light posts!

Once more the thought shivers him how in an instant one can die
By a blow coming from high up hitting unseen from the sky
He thanks god that he doesn’t heed what his spouse has to say
But keep his eye riveted to the sky so he survives another day!
Adasyev Nov 2016
There are dangers of hell
             keep waiting
                   till they are felt

There are dangers of hell

You can forget anything
             never forget it all
Devoted to John Cale.
From "Rok krysy" (2008).
Lawrence Hall Jul 2018
from an idea by Sheila Sharpe

In the foul heat and damp and rot and stench
After dusting off 1 the bodies of dead pals
The living and the dead, the living dead
Old Boats 2 lit off a cigarette and growled

“They say this stuff’ll **** ya.”



1 Dustoff – noun.  Dust off – verb with an adverb.  A dustoff is a medical evacuation via helicopter, as in “Doc, your dustoff will be here in three.”  To dust off a patient, then, is to transport a patient, not to tidy him.  I have recently read detailed arguments about the terms dustoff, dust off, and medevac, but no one quibbled about such minutiae along the Cambodian border.  

2 Boats – a boatswain’s mate, the brains and muscle of the Navy.  Boatswain’s mates do it all and are seldom acknowledged in history or art, not even in the recent film about Dunkirk.  A boatswain’s mate is often addressed as Boats, and always with deference, even by the C.O.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Alyssa Underwood Apr 2016
The LORD is my Shepherd, I shall not want
I dwell in fields of green
Led by His hand I may drink my fill
From streams where few have been
Though I may walk through death's shadowed vale
His presence calms every fear
Through the dark dangers He sets a feast
Whenever my foe comes near
His goodness and mercy shall follow me
Throughout my days here on earth
Then take me home where forever my eyes
Shall behold all His glorious worth!
~~~
Sung to the tune of 'Cloud-Shadows' (music by James H. Rogers)
Morgan Aug 2013
I like my body
And I use it to express myself
Which is legitimate and fine
Because it is mine
It belongs to me
So when you,
Who I trust
Respect
And confide in
Condemn me for
the choices that I make
I feel like my walls are caving in
Like there's not a mind left on this planet
who understands, who loves, who cares
If I can't come to you
I am alone
You abandoned me
Made my skin feel cold
Left me out
Used my confessions to hurt me
Abuse me
Minimize me
You made me feel stupid
Small
Incapable
You mocked my self respect
Tore it out from under me and distorted it
Tried to convince me I didn't own it
I never thought I'd find so much hate
Hidden inside of someone I loved so deeply
You have no idea the pain you've caused
When you decided to
tell me how to live
As if I'm too ******* pathetic
To know on my own
You think you're better than me
You think I should hate myself
Well I don't
But I do hate you
Big Virge Oct 2014
Folks It Is A ... " Fine Line " ... !!!
That ... CLEARLY DEFINES ...
The Road That I Walk ...
With Words That I Rhyme ...

Cos' Words That I Talk May See Me In Court ... !!!
WITHOUT Sean Or ... " Just Cause " ... !!!

Because of YES THEM Those In Governments ...
And Those Who They Send ...
To Enforce ... POOR Judgements ... !!!!!

But Of Course They'll Contend ...
That My Wordplay ... OFFENDS ...
And May Well STIR UP TROUBLE ...
And Cause .... " VIOLENCE " .... !!!!!

But It's Okay For THEM To Say What They Like ... !???!
And Declare Their War Fights As Forms of Defence ...
When Plans They Design Keep Causing PROBLEMS ... !!?!!

Well It Doesn't Seem Like Their Actions Are Right ... !?!
When Every News Night The Things In Our Sight ...
KEEP Showing Us VISIONS of People Who ... DIE ... !!!!!

Now That's A Fine Line I Have Re-Designed ...
From Princes' Great Song The ... " Sign 'o' The Times " ... !!!

So Don't Get Me Wrong My Lines Are Refined ...
And Clearly BELONG Where Fine Lines RECLINE ... !!!

Each Line That I Write Proves My Mind Is Inclined ...
To Write About Crimes Affecting Our lives ....

And It Is A Fine Line That Helps Me To FIND ...
A Way To  Express My Anger And Stress ...
About How We TRY To Do What Is RIGHT ... !!!!

But What Does This Mean ... ?!?
In A World So ... UNCLEAN ... !!!!!

What Do We Stand For ... ?
When Going To ... WAR ... !?!

We Should Take A .................
.............................................

...... Pause ..............

And THINK of Our Cause ...
Is Making Blood POUR ....
What We're Really Here For ... ?!!!?

If You're Thinking ... YES ...
Are You .... REALLY SURE .... ???

How Would You Feel ... ?
If The Blood Poured Was ... YOURS ... !!!

Or Someone YOU LOVED ... !!!
And REALLY ... CARED FOR ... !!!!!!

Well As These Lines State ...

It Is A Thin Line Between YES ...
...... " Love and Hate " ......

But Hating For REAL ...
WON'T Help Us ... Relate ... !!!

These Days It's Quite CLEAR The Dangers of FEAR ... !!!!!
But That's Nothing New The Past's Given Clues ...
of How IGNORANCE Fuels Individuals To USE ...
Torture And Abuse Through Crews Filled With FOOLS ...
Who THINK ... Hatred IS COOL ... !!!!?!!!!

Well Hatred Profiled ...
Does NOT Lead To Smiles ...

It Leads To A Place ...
That's NOT Quite So Great ...
And Leads Us Through Leaders ...
Who Like To .... DICTATE ....

Like Those Around NOW .... !!!
Who Want To CLAMP DOWN ...
On People Like Me ....
Whose Wordplay's So Neat ...

That .... Our Poetry ....
Gives Policemen A Beat ...
That Makes Them ... RETREAT ... !!!!!

See What I Mean ... !!!

My Poetry Seams Are Suitably Clean ...
And Walk A Fine Line of Quality Rhymes ...
That ... BYPASS Extremes ... !!!

Because They're Inclined To UNIFY Minds ....
See That's How I'd Like My Wordplay DEFINED ... !!!

Speaking Your Mind Should NOT BE A Crime ... !!!
UNLESS What You Say Divides And Spreads HATE ... !!!

I'd Rather Spread LOVE ...
Through Kisses And Hugs ... !!!
While Most Now Indulge ...
In Acting Like THUGS ...
And Taking HARD DRUGS ...
When They've Had Quite ENOUGH ... !!!!!

People Like THESE ...
Make Me Want To CUSS ... !!!!!!!

But These Days I'm TRYING ...
To ... Rise uP ABOVE ....
These ... Wannabee Thugs ... !!!

Who Spread Talk of Dying ...
Cos' Their Words NEED ... !!!

....... " REFINING " ....... !!!!!!

Things You Put Out ...
Come Back Son DON'T DOUBT ... !!!!!

Now That's A ... FINE LINE ...
That's Got ... LOTS of CLOUT ... !!!
So Think CAREFULLY ... !!!
BEFORE ... Running Your Mouth ... !!!!!

Fine Lines That I Write of Upsetting Designs ...
Are NOT To Start Fights So REMEMBER That Line ... !!!

They May Cause Offence ...
And May Cause Arguments ...
But USE .... COMMON SENSE ...
And REJECT ... VIOLENCE ... !!!

Keep A Cool Head ...
Like Des Dekker Said ... !!!!!

Then Pick Up A PEN ...
Rather Than Make Attempts ...
To Bring Me DISTRESS .... !!!!!!!
Cos' You Want To SUPPRESS
A View I've Expressed ...
That's Left You ... UPSET ... !!!!!

THAT Message Is SENT ...
To Those ... JEALOUS Gents ...
Who Think They're The BEST ...
At Writing Fine Lines ...
With Words That They Rhyme ... !!!

Well CLEARLY They're BLIND ... !!!
And ... OUT of Their Mind ... !!!!!!
To Think That Their Rhymes ...
Are ... BETTER Than MINE ...  ?!?

Those Causing Us STRESS ...
Are Those In GOVERNMENTS ... !!!

They PLAN To DIVIDE ...
NOT See Us ... " UNITE " ... !!!!!

THINK About That ...
Before Starting FIGHTS ... !!!!!

Black On Black Crime ...
Has Been ... LONG DESIGNED ...

Don't You  Think It's Time ...  ?!?
We Start To Fight THEM ... ?!?!?
And Their BOGUS Systems ... !!!

That's Where I Will END This Simple Poem ...  

Cos' ...

Words In Those Lines ...
May Cause Me PROBLEMS ... !!!!!

Even Though Their JUST Rhymes
That Flow And DEFINE ...
How The Words I Transcribe ...

REALLY WALK ...

.... " A Fine Line " ....
An early foray into rhyming, that delves into a number of interesting subjects ......
Md HUDA Nov 2013
If you read my poetry my love
For they are conquering bereavement
To bring you back, my words are arranging a court of river
To sail you on the court my pens are breaking down and turning into a boat….
For you my love, I have learned dangers have no shadow
If a tragedy closes a door, it also opens a new door
For a memory is lost by another memory
Though you will live in my poetry century after century……
Michael R Burch Apr 2020
Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric
B Kenneth Avery Nov 2012
Dedication:

Nectare bred of an artist's haught testament—
        brings only stunted buds of tastelessness.
Be it naught for the height in numerous tidal of Muse—
        to cause the strike of warmth in bruise.

Upon the cheeks shadow'd in might—
        strength of amour upon near-sight.
You!—Blossom, are of a frightful power—
        to journey nestled mind of dark tower.

As though a hawk perched higher than the peak—
        of mountainous and controlling streaks,
Colourblind by potent affair lost—
        by centuries of sicken'd fever crossed.

By and by another name, honeyed pursuit—
        yearning that cause a poet becoming mute.
Meagerly, he instead scribes his burning allegory—
        that shall cause a life—eternal fragmentary.



Dangers of Kimberleigh

“Love Jo all your days, if you choose, but don't let it spoil you, for it's wicked to throw away so many good gifts because you can't have the one you want.”
― Louisa May Alcott, "Little Women"

I.

When the morning demands you and I—
        our ghosts shall pass empty resides,
Against fields where lines opposing light, force and bind—
        of Angel's breath and Dæmon's spine.

Of shrieks louder than their first meeting's kiss—
        residing now—perfection upon midnight's bliss,
Abiding near the tender gardens upon the blinding dark—
        creating haste of love-song made by grave Skylark.

Who in joyous play—should cause collapse—
        towards serene, augmented lapse.
Lapse of falling, of where gentle screams—
        of every child that's ever been,

Who stroke themselves against empty glass—
        and where visions pray upon the grasp,
Of wind—Of blinding—Of melody—
        to hold faint—Immortality.


II.

This shall be where morning seeks—
        no longer calming of beauty's cheek.
Instead to lash with vain and hostile mount—
        crimson over dashed and harsh doubt.

Until image engraved by forgiving rite—
        speaking neglect of fiend or fiendish blight.
In-versed—coole angelic heart to passéd—
        passage beside Lilac's memory in mortal castéd.

In the unwashed Earth, where the unwashed play—
        'till they unfairly capture it from younglings— Away.
Lonesomeness of watchtowers in gossamer's breast—
        when airy words strangled from bless.
  
Reachéd by the hand—abide in fable—
        quiet tho—in fruitation, a single silver Maple.
Shyly envisioned inside salvation's solitude—
        where tenderness drowns tenderéd concludes.


III.

The sister was lovely—inside my sight—
        in our union—created Nature's first night.
Through our throats rendered fragile lullaby—
        which slaughtered silence and made soldiers cry.

Her bristles—exploit in darkness—I could not see—
        or merely recollect in memory.
A mouth moving inside of mine—
        creatures in mawkery of untouched divine.

Eyes whom beatéd harder than the breeze—
        to remind me—gently of the ease.
Of being caught in cognitive stance.
        which leaves surrender to in traditional, disciplined dance.

Upon the backs of universal forestry—
        and inside their stomachs to where we would meet.
Offended to death by requiem—
        made inside our faint dream's drum.


IV.

Where dreamer's would lash upon in endless screams—
        innumerable Rubies ruin'd before their first gleam.
Upon reflection in lover's loss—
        diminished to demise before their first gloss.

It is upon the fool's finest end—
        where lies his fantasy—condemned.
The jester who remains as undefeat—
        before death shall cause lackluster's retreat.

Unaware tho, in current mode—
        as body by body closely will hold.
And messages of Gold conspire in streaks—
        immersed—affection in mind eternally correlates oblique.

Ringing and humming throughout what laid—
        against blonde grass from Sin was made.
Refraction's cast that betrayed—to promise me—
        endless nights of haunting harmonies.


V.

Held tightly in grieving bourne—
        broken—in new blood is sworn.
Across the snow-cover'd Evergreens—
        where the temptress grave is left unseen.

Not upon her kiss—did darkness fall—
        alone—in shining pieces did crawl,
Against creator—and thus creator hence—
        bitter loving shrouded by bare defense.

As her finite skin had laid eternal flesh—
        of what laid inside Pine's parting mesh.
Holding and crying out for uncertainty—
       feelings moaned into sudden Mercenaries.

Morose and fledgling in their stand—
        spiritéd to Death's light misunderstand,
Of peerless eyes and broken brooks by the sea—
        casting ruined cloth over our Evergreens.


VI.

Unfurnished dawn may scour for length of furnished night—
        quick—until mirroréd ebbed ocean does wrong.
To consume the idles of Man's afraid mind—
        fairest—lest His idles struck into divine.

Exclaiméd none tho, in archaic lust—
        deceased—firmest in high robust.
Where pleasure finds comforted pause—
        inside arched-back in neglected cause.

Betray the shallow grimace flee—
        and ethereal composed by the breeze.
Lies delicate delusion before sorrow—
        that shall thieve away the Artist's morrow.

And in thievery is where the Angels lie—
        angelic beasts with unlawful guise,
In courts—castrated by the throat—
        hardened in assumption by blackened elope.
Argument: A paramour in his youth reminisces upon the topic of attachment and devotion in his unrequited infatuation after having the harsh reality of yearning and his memories come across his frail mind due to waking up from a dream he thought of as being a nightmarish realm that resided in a deep sleep after an exhaustive and forlorn'd day. The poem appears in three phases: The false appearance of the admirer finally inside a catacomb of mutual love in bliss after a long-while of misery; the confusion and untouched heart slowly being composed inside a mixture of both love and loss; and finally, the innamorato becoming awake completely and being torn by the realization of the falsehood of his fantasies and wishing to be able to go back to his previous slumber and having the image return untouched and yet also having the horrific realization of having the aspiration of mutual love, seeing it, intellectually, as futile.
Àŧùl Mar 2015
I love you,
The best is yet to come.
Don't scramble,
Let us plan our lives.
We have it in our hands,
Luck and destiny will bend before us.

Yes we toil for it,
Both of us will put efforts.
Don't be scared dear,
Just hold my hand firmly.
What we can't individually do,
Together we will manage it all.

The sun in our sky has risen,
It will reach higher up above.
Not burning it will emblazon,
Just shining away all darkness.
How differences of ours remain,
We won't let them become large.

And yes, today I tell you darling,
Two different individuals we are.
So many of differences will ripen,
But how we treat them is unto us.
We can't let them become so large,
The love we share is much bigger.

Just practice perseverance my love,
Stay strong & toil hard we both will.
Not breaking mountains we must be,
Still challenging stay all our methods.
Zest of ours must not fail in this spirit,
Zealous we voyage on in the sea of life.

We both have that passion in ourselves,
Helping people parry off all the dangers.
Never would we worry about our past,
For we both cherish the lessons learnt.
Odds will often rise between both of us,
We won't let them disunite us any day.

This love I feel is a bit experienced,
And my experience tells me a lot.
We must never fall out separate,
Because together we're happy.
Differences do not invite rifts,
Neither should we let them...
Written under the effects of the wine called love.

My HP Poem #804
©Atul Kaushal
DJ Thomas Dec 2010

Bride of the desert
the indomitable town
Solomon’s Kingdom

            
Lost in history, I wander through a city that was fortified by King Solomon, raided by Mark Antony and ruled by Queen Zenobia who made it the capital of an empire, only to be captured herself and paraded through Rome in gold chains.

Civilisation upon civilisation are entombed within Tadmur; in a huge plain of carved stone blocks, massive columns arched in rows or standing alone, a Romanesque theatre, senate and baths, dominated by a great temple whose origin dates back four thousand years.

Due to a clever mistranslation from Arabic by the euro-centric traveller who ‘discovered’ Palmyra, the city also has a modern name.

Here for millennia, a tribe of Bedu have camped within the folds of these desert steppes and blackened Tadmur’s ruins with their camp fires, to trade camels or herd goats and sheep. Walking the divide between city, desert and the more fertile steppes, I search for their surviving descendants and find a black woven goat’s hair tent with its edges raised to capture a cooling breeze.

Hamed and his sons, huge and wary of foreigners, welcome me to sit within on  carpets and then graciously serve dates with innumerable small glasses of tea. I indicate ‘enough’ in the traditional manner by rolling my right hand and the empty glass. Hamed continues to voice his concerns about the lack of feed for their sheep and the prices achieved at market. I readily succumb to several small cups of greenish Arabic coffee, before being allowed to take my leave.

For millennia the wealth of this city was based on tariffs levied on goods flowing out of the desert aboard swaying camel caravans. Today, these once proudly fierce tribal Bedu no longer breed, train or ride camels.

The Bedu greatly prize their reputation and the respect of their peers. Their traditions are the foundation of these small tribal communities and may predate Islam;  a life now undermined by borders, nationalism, government settlement plans, conscription, war, television and tourism.
                                         *+     +     +      +      +

Black torn empty shells
swept by Mount Lebanon’s shade
Cannabis Valley

As I recall a haiku of ‘images’ of  my very first journey to Damascus, from war-torn Beirut through the lushness of the Bekaa;

in the here and now
a dark suit and Mercedes
cross the Euphrates

Defence Minister, Rifaat al-Assad is in town with his fifty thousand strong Defence Companies, complete with tanks, planes and helicopters.  A coup d’état is in progress to assure Rifaat’s succession to the Presidency of his older brother Hafiz al-Assad, now recovering from a heart attack.

Last year, Rifaat massacred some forty thousand Syrian citizens when he ordered the shelling of the city of Hama. Nobody in Damascus will be underestimating him.

All political and military power is in the hands of the al-Assads and key generals, who command the military and police. The majority of whom are of the Alawite minority Muslim faith from the rural districts near Latakia in the North. Before their revolution, governments came and went in weeks.

My friend Elias is allied to Rifaat’s cause, by simply doing business with the son. Now he and his family share the risks and dangers of this coup failing and stand to lose a fortune. Monies paid locally in Syrian pounds for goods delivered to government agencies.

Elias’s connection with Rifaat and Latakia, as well as his confident presence, humour and love of life, still allows us easy access to the Generals’ Club. Sadly, there is to be no table and floorshow, but a closed meeting with two senior Generals, where we learn that Hafiz has recovered enough to take charge and is now locked in discussions with his younger brother.

The decision is therefore made for us. We say our goodbyes and drive to Latakia.

On Sunday Elias meets his brothers, then with his family, we visit his parents small holding and enjoy a meal together. A wonderful fresh mezza that includes my favourite, courgettes stuffed with ground lamb and rice, in a yogurt sauce. Syrian food is amazingly healthy and my cuisine of choice.

It is a cloudless Monday morning, as I, Elias, his wife and children drive into the docks to board an old 46 foot motor cruiser. Huge cases are stowed as I make my inspection, then start the twin diesels and switch on the over-the-horizon radar. Our early departure is critical. We cast off and the Mate steers for the harbour entrance below the cliffs that guard it. As the Mediterranean lifts our bow in greeting, the disembodied voice of the Harbour Master tells us to return as we do not have permission to sail.

Ignoring the order, I increase our speed through the short choppy surf. We are sailing under the Greek Cypriot flag and in an hour I hope to be out of territorial waters.  At 14 knots we are a slow target.

Fifteen nautical miles from the coast of Syria, I leave the mate to follow a bearing for Larnaca. Elias has opened a bottle of Black Label. I quaff a glassful.

Later noticing a noisy vibration and diagnosing a bent prop shaft, I shut down the starboard engine. Our speed is now a steady 8 knots, so I decide on a new heading to discern more quickly the shadow of the Cypriot coastline on the radar screen.

Midway, the mate and Elias begin babbling about a small vessel ahead and four separate armoured boxes encircling it. Ugly Israeli high speed gun boats or worse, Lebanese pirates. Should they board us and find stowed riches, we will be killed.

Leaving the Mate to maintain our course, I go on deck to play the ‘European Owner’.  The vessel they have trapped is long and lean with three tall outboard motors but no crew are in sight.  Leaving them astern, our choice of vessel now fully exonerated, I and Elias throw another whisky ‘down the hatch’.

With us holding the correct bearing, I ask Elias to wake me as soon as we near Cyprus. Feeling utterly exhausted I collapse into a bunk.  

I wake unbidden, to find the Mate steering for the harbour entrance. Shouldering him aside, I spin the wheel to bring the vessel about. Shaking, I ask them why there are minarets on the ‘church’ and did they not notice our being observed from the top of the harbour's hillock, below which a fast patrol boat is anchored?  The Mate sprints to the Greek Cypriot flag and is hugging it to his chest; Elias wisely prays.

I command the wheel as we motor directly away from the port of Famagusta and Turkish held Northern Cyprus. We later change bearing and pass tourist beaches, it is night fall before we moor-up in Larnaca.
                                         +     +     +      +      +


Later that same year I am called to a last urgent meeting in Cyprus with Elias. He calmly tells me that he will be arrested when he rejoins his family, who have returned to Syria. Elias asks me to take full control of his Cypriot Businesses, then returns home and ‘disappears’ with his brothers.
                                         +     +     +      +      +


Since sacking the two Arab General Managers when they tried to get control of the bank accounts, it has taken more than six months to locate the prison holding all the brothers. We obtain the release of all except Elias, who has been tortured.  We then ‘purchase’ him the exclusive use of the Prison Governor's quarters and twenty four hour access for Elias’s family, nurses and doctors.
                                         +     +     +      +      +


Over the last two years, I have honoured my promises and expanded trade as far as Pakistan. Elias is still imprisoned.
                                         *
+     +     +      +      +
haibun of a late twentieth century travelogue
copyright©DJThomas@inbox.com 2010
Old man, you surface seldom.
Then you come in with the tide's coming
When seas wash cold, foam-

Capped: white hair, white beard, far-flung,
A dragnet, rising, falling, as waves
Crest and trough. Miles long

Extend the radial sheaves
Of your spread hair, in which wrinkling skeins
Knotted, caught, survives

The old myth of orgins
Unimaginable. You float near
As kneeled ice-mountains

Of the north, to be steered clear
Of, not fathomed. All obscurity
Starts with a danger:

Your dangers are many. I
Cannot look much but your form suffers
Some strange injury

And seems to die: so vapors
Ravel to clearness on the dawn sea.
The muddy rumors

Of your burial move me
To half-believe: your reappearance
Proves rumors shallow,

For the archaic trenched lines
Of your grained face shed time in runnels:
Ages beat like rains

On the unbeaten channels
Of the ocean. Such sage humor and
Durance are whirlpools

To make away with the ground-
Work of the earth and the sky's ridgepole.
Waist down, you may wind

One labyrinthine tangle
To root deep among knuckles, shinbones,
Skulls. Inscrutable,

Below shoulders not once
Seen by any man who kept his head,
You defy questions;

You defy godhood.
I walk dry on your kingdom's border
Exiled to no good.

Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.
Of Man’s first disobedience, and the fruit
Of that forbidden tree whose mortal taste
Brought death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, Heavenly Muse, that, on the secret top
Of Oreb, or of Sinai, didst inspire
That shepherd who first taught the chosen seed
In the beginning how the heavens and earth
Rose out of Chaos: or, if Sion hill
Delight thee more, and Siloa’s brook that flowed
Fast by the oracle of God, I thence
Invoke thy aid to my adventurous song,
That with no middle flight intends to soar
Above th’ Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
And chiefly thou, O Spirit, that dost prefer
Before all temples th’ upright heart and pure,
Instruct me, for thou know’st; thou from the first
Wast present, and, with mighty wings outspread,
Dove-like sat’st brooding on the vast Abyss,
And mad’st it pregnant: what in me is dark
Illumine, what is low raise and support;
That, to the height of this great argument,
I may assert Eternal Providence,
And justify the ways of God to men.
  Say first—for Heaven hides nothing from thy view,
Nor the deep tract of Hell—say first what cause
Moved our grand parents, in that happy state,
Favoured of Heaven so highly, to fall off
From their Creator, and transgress his will
For one restraint, lords of the World besides.
Who first seduced them to that foul revolt?
  Th’ infernal Serpent; he it was whose guile,
Stirred up with envy and revenge, deceived
The mother of mankind, what time his pride
Had cast him out from Heaven, with all his host
Of rebel Angels, by whose aid, aspiring
To set himself in glory above his peers,
He trusted to have equalled the Most High,
If he opposed, and with ambitious aim
Against the throne and monarchy of God,
Raised impious war in Heaven and battle proud,
With vain attempt. Him the Almighty Power
Hurled headlong flaming from th’ ethereal sky,
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy th’ Omnipotent to arms.
  Nine times the space that measures day and night
To mortal men, he, with his horrid crew,
Lay vanquished, rolling in the fiery gulf,
Confounded, though immortal. But his doom
Reserved him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him: round he throws his baleful eyes,
That witnessed huge affliction and dismay,
Mixed with obdurate pride and steadfast hate.
At once, as far as Angels ken, he views
The dismal situation waste and wild.
A dungeon horrible, on all sides round,
As one great furnace flamed; yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all, but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulphur unconsumed.
Such place Eternal Justice has prepared
For those rebellious; here their prison ordained
In utter darkness, and their portion set,
As far removed from God and light of Heaven
As from the centre thrice to th’ utmost pole.
Oh how unlike the place from whence they fell!
There the companions of his fall, o’erwhelmed
With floods and whirlwinds of tempestuous fire,
He soon discerns; and, weltering by his side,
One next himself in power, and next in crime,
Long after known in Palestine, and named
Beelzebub. To whom th’ Arch-Enemy,
And thence in Heaven called Satan, with bold words
Breaking the horrid silence, thus began:—
  “If thou beest he—but O how fallen! how changed
From him who, in the happy realms of light
Clothed with transcendent brightness, didst outshine
Myriads, though bright!—if he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the glorious enterprise
Joined with me once, now misery hath joined
In equal ruin; into what pit thou seest
From what height fallen: so much the stronger proved
He with his thunder; and till then who knew
The force of those dire arms? Yet not for those,
Nor what the potent Victor in his rage
Can else inflict, do I repent, or change,
Though changed in outward lustre, that fixed mind,
And high disdain from sense of injured merit,
That with the Mightiest raised me to contend,
And to the fierce contentions brought along
Innumerable force of Spirits armed,
That durst dislike his reign, and, me preferring,
His utmost power with adverse power opposed
In dubious battle on the plains of Heaven,
And shook his throne. What though the field be lost?
All is not lost—the unconquerable will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That glory never shall his wrath or might
Extort from me. To bow and sue for grace
With suppliant knee, and deify his power
Who, from the terror of this arm, so late
Doubted his empire—that were low indeed;
That were an ignominy and shame beneath
This downfall; since, by fate, the strength of Gods,
And this empyreal sybstance, cannot fail;
Since, through experience of this great event,
In arms not worse, in foresight much advanced,
We may with more successful hope resolve
To wage by force or guile eternal war,
Irreconcilable to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the tyranny of Heaven.”
  So spake th’ apostate Angel, though in pain,
Vaunting aloud, but racked with deep despair;
And him thus answered soon his bold compeer:—
  “O Prince, O Chief of many throned Powers
That led th’ embattled Seraphim to war
Under thy conduct, and, in dreadful deeds
Fearless, endangered Heaven’s perpetual King,
And put to proof his high supremacy,
Whether upheld by strength, or chance, or fate,
Too well I see and rue the dire event
That, with sad overthrow and foul defeat,
Hath lost us Heaven, and all this mighty host
In horrible destruction laid thus low,
As far as Gods and heavenly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our glory extinct, and happy state
Here swallowed up in endless misery.
But what if he our Conqueror (whom I now
Of force believe almighty, since no less
Than such could have o’erpowered such force as ours)
Have left us this our spirit and strength entire,
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of war, whate’er his business be,
Here in the heart of Hell to work in fire,
Or do his errands in the gloomy Deep?
What can it the avail though yet we feel
Strength undiminished, or eternal being
To undergo eternal punishment?”
  Whereto with speedy words th’ Arch-Fiend replied:—
“Fallen Cherub, to be weak is miserable,
Doing or suffering: but of this be sure—
To do aught good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist. If then his providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which ofttimes may succeed so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim.
But see! the angry Victor hath recalled
His ministers of vengeance and pursuit
Back to the gates of Heaven: the sulphurous hail,
Shot after us in storm, o’erblown hath laid
The fiery surge that from the precipice
Of Heaven received us falling; and the thunder,
Winged with red lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn
Or satiate fury yield it from our Foe.
Seest thou yon dreary plain, forlorn and wild,
The seat of desolation, void of light,
Save what the glimmering of these livid flames
Casts pale and dreadful? Thither let us tend
From off the tossing of these fiery waves;
There rest, if any rest can harbour there;
And, re-assembling our afflicted powers,
Consult how we may henceforth most offend
Our enemy, our own loss how repair,
How overcome this dire calamity,
What reinforcement we may gain from hope,
If not, what resolution from despair.”
  Thus Satan, talking to his nearest mate,
With head uplift above the wave, and eyes
That sparkling blazed; his other parts besides
Prone on the flood, extended long and large,
Lay floating many a rood, in bulk as huge
As whom the fables name of monstrous size,
Titanian or Earth-born, that warred on Jove,
Briareos or Typhon, whom the den
By ancient Tarsus held, or that sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ ocean-stream.
Him, haply slumbering on the Norway foam,
The pilot of some small night-foundered skiff,
Deeming some island, oft, as ****** tell,
With fixed anchor in his scaly rind,
Moors by his side under the lee, while night
Invests the sea, and wished morn delays.
So stretched out huge in length the Arch-fiend lay,
Chained on the burning lake; nor ever thence
Had risen, or heaved his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enraged might see
How all his malice served but to bring forth
Infinite goodness, grace, and mercy, shewn
On Man by him seduced, but on himself
Treble confusion, wrath, and vengeance poured.
  Forthwith upright he rears from off the pool
His mighty stature; on each hand the flames
Driven backward ***** their pointing spires, and,rolled
In billows, leave i’ th’ midst a horrid vale.
Then with expanded wings he steers his flight
Aloft, incumbent on the dusky air,
That felt unusual weight; till on dry land
He lights—if it were land that ever burned
With solid, as the lake with liquid fire,
And such appeared in hue as when the force
Of subterranean wind transprots a hill
Torn from Pelorus, or the shattered side
Of thundering Etna, whose combustible
And fuelled entrails, thence conceiving fire,
Sublimed with mineral fury, aid the winds,
And leave a singed bottom all involved
With stench and smoke. Such resting found the sole
Of unblest feet. Him followed his next mate;
Both glorying to have scaped the Stygian flood
As gods, and by their own recovered strength,
Not by the sufferance of supernal Power.
  “Is this the region, this the soil, the clime,”
Said then the lost Archangel, “this the seat
That we must change for Heaven?—this mournful gloom
For that celestial light? Be it so, since he
Who now is sovereign can dispose and bid
What shall be right: farthest from him is best
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy for ever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor—one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reigh secure; and, in my choice,
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven.
But wherefore let we then our faithful friends,
Th’ associates and co-partners of our loss,
Lie thus astonished on th’ oblivious pool,
And call them not to share with us their part
In this unhappy mansion, or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?”
  So Satan spake; and him Beelzebub
Thus answered:—”Leader of those armies bright
Which, but th’ Omnipotent, none could have foiled!
If once they hear that voice, their liveliest pledge
Of hope in fears and dangers—heard so oft
In worst extremes, and on the perilous edge
Of battle, when it raged, in all assaults
Their surest signal—they will soon resume
New courage and revive, though now they lie
Grovelling and prostrate on yon lake of fire,
As we erewhile, astounded and amazed;
No wonder, fallen such a pernicious height!”
  He scare had ceased when the superior Fiend
Was moving toward the shore; his ponderous shield,
Ethereal temper, massy, large, and round,
Behind him cast. The broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening, from the top of Fesole,
Or in Valdarno, to descry new lands,
Rivers, or mountains, in her spotty globe.
His spear—to equal which the tallest pine
Hewn on Norwegian hills, to be the mast
Of some great ammiral, were but a wand—
He walked with, to support uneasy steps
Over the burning marl, not like those steps
On Heaven’s azure; and the torrid clime
Smote on him sore besides, vaulted with fire.
Nathless he so endured, till on the beach
Of that inflamed sea he stood, and called
His legions—Angel Forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th’ Etrurian shades
High over-arched embower; or scattered sedge
Afloat, when with fierce winds Orion armed
Hath vexed the Red-Sea coast, whose waves o’erthrew
Busiris and his Memphian chivalry,
While with perfidious hatred they pursued
The sojourners of Goshen, who beheld
From the safe shore their floating carcases
And broken chariot-wheels. So thick bestrown,
Abject and lost, lay these, covering the flood,
Under amazement of their hideous change.
He called so loud that all the hollow deep
Of Hell resounded:—”Princes, Potentates,
Warriors, the Flower of Heaven—once yours; now lost,
If such astonishment as this can seize
Eternal Spirits! Or have ye chosen this place
After the toil of battle to repose
Your wearied virtue, for the ease you find
To slumber here, as in the vales of Heaven?
Or in this abject posture have ye sworn
To adore the Conqueror, who now beholds
Cherub and Seraph rolling in the flood
With scattered arms and ensigns, till anon
His swift pursuers from Heaven-gates discern
Th’ advantage, and, descending, tread us down
Thus drooping, or with linked thunderbolts
Transfix us to the bottom of this gulf?
Awake, arise, or be for ever fallen!”
  They heard, and were abashed, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceive the evil plight
In which they were, or the fierce pains not feel;
Yet to their General’s voice they soon obeyed
Innumerable. As when the potent rod
Of Amram’s son, in Egypt’s evil day,
Waved round the coast, up-called a pitchy cloud
Of locusts, warping on the eastern wind,
That o’er the realm of impious Pharaoh hung
Like Night, and darkened all the land of Nile;
So numberless were those bad Angels seen
Hovering on wing under the cope of Hell,
‘Twixt upper, nether, and surrounding fires;
Till, as a signal given, th’ uplifted spear
Of their great Sultan waving to direct
Their course, in even balance down they light
On the firm brimstone, and fill all the plain:
A multitude like which the populous North
Poured never from her frozen ***** to pass
Rhene or the Danaw, when her barbarous sons
Came like a deluge on the South, and spread
Beneath Gibraltar to the Libyan sands.
Forthwith, form every squadron and each band,
The heads and leaders thither haste where stood
Their great Commander—godlike Shapes, and Forms
Excelling human; princely Dignities;
And Powers that erst in Heaven sat on thrones,
Though on their names in Heavenly records now
Be no memorial, blotted out and rased
By their rebellion from the Books of Life.
Nor had they yet among the sons of Eve
Got them new names, till, wandering o’er the earth,
Through God’s high sufferance for the trial of man,
By falsities and lies the greatest part
Of mankind they corrupted to forsake
God their Creator, and th’ invisible
Glory of him that made them to transform
Oft to the image of a brute, adorned
With gay religions full of pomp and gold,
And devils to adore for deities:
Then were they known to men by various names,
And various idols through the heathen world.
  Say, Muse, their names then known, who first, who last,
Roused fr
Ben Jones Jan 2014
Moo-Cow-Butterfly
Not a happy lass
Stubby little wings
Superfluous mass
Four long stringy legs
Twirly-whirly tongue
Moo-Cow-Butterfly
Highly strung

Weasel-Emu-Rangutan
Fifty shades of fur
Quite the oddest vertebrate
To naturally occur
Burrows in the jungle
Terrified of heights
Weasel-Emu-Rangutan
Restless nights

Labra-Hippo-Jellyfish
Slimy furry blob
Genetic Engineering
**** poor job
Moping on the seabed
Can’t fetch sticks
Labra-Hippo-Jellyfish
Sink like bricks

Chameleon-Begonias
Origin unknown
Disappear rapidly
As soon as they are sown
Neither here or thereabouts
But somewhere in between
Chameleon-Begonias
Seldom Seen
Donall Dempsey Jan 2018
THE DANGERS OF READING FLAUBERT....AL FRESCO!
( for Ray )

"Souvent la chaleur d’un beau jour..."

he reads, stops:
kisses her.

" ...Fait rêver fillette à l’amour."

she completes the words
kisses...kisses him.

Dining al fresco
feeling somewhat frisky

they throw caution
to the wind

soon all too soon
Flaubert forgotten

Madame Bovary
discarded on the grass

soon all too soon
even the food forgotten

clothing of both
male and female attire

discarded on the grass
now nothing but gasps

they each
the other's feast

the wind idly turning
Bovary's pages

skipping to the end then
beginning again

until one last ***** gusty
breeze interrupts their play

chasing their clothes
that run away

his boxers hang now
upon the bough

her pink camiknickers..pale pink bra
making a run for it

laughingly they chase
their clothes

this Adam and his Eve

bra floating ****-up
in a pond

the camiknickers never
alas to be found.

And here now on their
50th

they share the same smile
when asked how it was

they came together

remembering their love making
in windy weather

shyly slyly blame
Flaubert

" Il souffla bien fort ce jour-là,
Et le jupon court s’envola."
***

From the Italian, literally translated as 'in the fresh'. In English, used to mean either 'in the open air' or, where specifically related to mural painting, 'on fresh plaster'.

Almost always, it is used in relation to dining alfresco, that is, eating outdoors.

Both meanings have been in use in English since at least the late 18th century; for example, in Mrs. Eliza Haywood's History of Jemmy and Jenny Jessamy, 1753:

"It was good for her ladyship's health to be thus alfresco."

The lines quoted are from the end of Madame Bovary who expires as the Blind Man sings them in a raucous voice. They are from a  Restive de la Bretonne poem from his"The Year of the National Ladies" way back in 1791. He who was so much into women's shoes  that his very name became as one with this particular peculiar fetish..Retifism

"Souvent la chaleur d’un beau jour
Fait rêver fillette à l’amour.

Il souffla bien fort ce jour-là,
Et le jupon court s’envola."

"Maids in the warmth of a summer day,
Dream of love, and of love always. . ."

"The wind is strong this summer day
Her petticoat has flown away."
Snehith Kumbla Jun 2016
On a mythical Mumbai weekend,
of no serene start or dubious end,
with imaginary beauties, invisible friends,

I stepped out of a puffing train,
my long unkempt hair a lion's mane,
getting used to my twitching tail,

Posing on the Gateway of India,
the extraordinary explorer pose,
took a boat to Elephanta (sans the hose),

and when my shivering co-passengers
had finished feverishly taking pictures
and started screaming holy mothers and sisters,

I took off from the starboard end,
and became the first man-lion to
cross the polluted Indian channel,

surviving to make the news channels,
my scientific name listed as a brand new mammal,
my mating call recognized as a gushing gargle,

On a mythical Mumbai weekend,
of no serene start or dubious end,
with imaginary beauties, invisible friends,

I devoured deep-kissing lovers for lunch
at Bandstand's low-tide on a hunch,
to the delicious sound of munch! munch!

even as Shah Rukh Khan watched disgusted
from his big big bungalow by the sea,
and as the city sharpshooters came after me,    

and later when they brought me down,
from Nariman Point building, like KING KONG,
I tuned a dusty guitar and sang a melancholy song,

on the death of adventure, love and reality,
dangers of delusions, lethargy and self-pity,
repression, horniness and too much TV,

down in a shower of bullets when I went,
sky like the coming of rain, godspeed, godsend,
in a mythical city, where nothing is really meant,

On a mythical Mumbai weekend,
of no serene start or dubious end,
with imaginary beauties, invisible friends...
Mumbai - A crowded, stuffy, over-populated Indian city.

Gateway of India - A 1924 monument by the British to commemorate built to commemorate King George V and Queen Mary's 1911 visit to Mumbai.
Jenny Jul 2018
the electricity runs through our veins
and past the street signs we rumble by
in the car you stole, we go fifty above the speed limit,
the roof of the car is the noir sky above
and the midnight rain pelts our upturned faces
the dancing drops of water drip onto our smiling lips
the sound of the sky collapsing
echoes the flashes that streak the sky,
the flickering light casts paved roads with a brief brightness
(as if god were wearing light up sketchers)
the lacy brallette that wears me
gives me the bravery to stand up in the speeding car
the velvet pants that ripple with the wind
drink up the nighttime rain
and the rare headlights race past us,
heading into homes and hearts
the mellow playlist that connects the aux cord to our ears blasts
so loud, we can no longer hear our insecurity
the mascara that once clung to my eyelashes
now streams down my face.
on a two way street,
we drive down the middle
unafraid in the face of direct dangers
so unaware of the towering empty skyscrapers
and instead highly exhilarated
from the street signs we drive by
too fast to read the blocky lettering
the road signs glint, smiling as we wave and reach towards them
the cigarettes you smoked are thrown through the open window,
still smothering slightly.
i can still taste the smoke on your lips
and your hand tucks my hair behind my ear
and as the wind objects and inhales
unreal in the hazy a.m. car trip
the tunnel rushes towards us,
and we both hold our breaths,
as if breathing would contaminate us.
the lights that glint, cast a yellow-white glow
and for once, i see you for who you are
a boy too buzzed to feel
a kid who only felt "sort of"
a person who couldn't heal
and a lover who could never give love
about a boy who was my living teenage dream // nothing scarier than finding a broken loveless boy who makes you the same
Iska Feb 2018
'Why is it so painful to grow?'

A seed.
Just a seed buried under the ground.
Under the pressure of the soil,
It fights to grow.

The seed cracks,
such a sturdy little seed,
opens with a painful snap.

A sprout coils out.
Out of the cracked little seed.
A sprout now crushed under,
Under the pressure of the unforgiving ground.

Yet still... It grows.

A little sprout,
Now reaches up.
Up and away from the little seed,
and up to the light of the sun.

Pushing and groaning it bursts out.
Out from the unforgiving ground.
Yet now new dangers are to be found.

Will it be trampled
Or eaten alive?
The possibilities are endless,
The ways it could die.

And still.. it grows.

The sprout toils endlessly,
always stretching and growing
Reaching for the crimson sun.

The rain falls down
beating upon the sprout.
Pelting it's skin and whipping it about.
It skin hardens painfully,
and sprout becomes stem.

And still It grows.
The stem keeps reaching,
Stretching to the sky.

The stem then splits
It rips in two a bud appears
A little bud,
With so much to do.

Then the bud breaks
A crack appears
a petal unfurls from within.

Then it's a bloom.
Such a sweet little thing.
Until the crack stretches
So the bloom can grow
In to the beautiful rose
We've all come to know.

And still.. it grows.

Thorns burst free
Breaking out of the stem
And petals billow and grow in the breeze.

Then you see me,
And my beauty delights you,
So you wish to see me every day.
And your scissors encircle me
To give you your way.

They cut me in half.
They slice me in two.
being a rose,
There was naught I could do.

You carry me with you,
Your hands coated in my blood,
I'm dying slowly,
All for your love.

And now... I can't grow.

So as I bleed and wither in pain,
You place me in a vase
Or press me in a book,
All to save the bloom for another day.

And as I gasp for air,
Among your dry pages,
You leech me of all life,
Perfectly preserved
just so I could last the ages.

Or else I am drowning
In glass and water
My beauty wasted
hour by hour
Day by day
All to satisfy your whimsical ways.

And now all I wish to know,
'Why is it so painful to grow?'
Shattered Psyche Oct 2014
I've fallen
fallen badly
to be honest
I'm hooked on you

infatuations a lot more of a dangerous drug
than you'd think

you said we'd never be
that you were broken
I want to fix you
but I'm not quite sure I can
I'm not sure my clumsy hands
can handle your fragile heart
held together by only the faintest hope
that maybe true love does exist

I wanna tell you that I
adore you
but I won't take the chance
cause I'm terrified
of your random nonchalance

you told me I was your world
but how was I meant to feel special
when you bounce from world to world
like some 21st century space traveling Columbus

I was always told myself I was in love with
you
but as of lately
I've come to realize
I was less in love with you
& more in love with the dismal idea
of being part of an "us"

I guess
that I've learnt
that it's only from the shards of a broken heart
that we learn the dangers of infatuation
Infamous one Feb 2013
Get lost on the trails
Bumpy rides and turn
Be careful wipe outs happen
Bumpy rides full or wild turns
Jumps and twists taking risk
Dangers and risks shake off the stress
Bike of blue
Together as one having fun
In the forest nature can't keep mr back
Ride fast get past fear
Up hill down hill take on any skill
Bike riding has a thrill
Not afraid in the zone body aches
Bike galling don want to hit the breaks
Bardo Dec 2023
The Garden

As the Parent stood looking out the window
At their beautiful young daughter playing in the garden with a friend
They could only marvel at what they saw, a Beauty so delightful, so vibrant and alive
Dancing about, so light of foot and with a laughter so carefree
So youthful and so radiant looking,
And when she smiled it was like she smiled with her whole being
From somewhere deep deep down inside her...
"O! Youth, wondrous youth and innocence", thought the Parent, "such a beautiful time and a beautiful sight to behold
Untouched by this world, all her skies, they were blue
A darling child facing out into a loving abundant Universe"
The Parent smiled and nodded their head
All was well yea! All was good in the Garden.

                  The Tree of Good and Evil

But then there came a day when the daughter approached their parent saying
"My friends they all have phones so they can keep in touch with one another, and they can play their favourite songs, I feel a bit left out, I'd love to have a phone too"
Now the Parent could never refuse their lovely daughter anything
So a few days later they presented her with a brand new sparkling phone (just as she had wished)
She was thrilled, this lovely new shiny thing in her hands, this wonderful new toy... plaything
"Now I'll be able to keep in touch with my friends and play my favourite songs" she enthused
But then the Parent introduced a note of caution, they said "You must be careful, there are dangers...dangers out there
They told her of some websites they knew calling them"healthy wholesome sites"
They warned "Stay on these sites, their good safe sites,
Don't stray!... Don't stray onto the Internet!!"
The daughter was a little perplexed by this, she wondered what 'dangers' were
This was something new to her innocent mind.

                               The Fall

Now the Parent had to go away for a few days on a business trip
When they returned they hastily dropped their bags in the hallway
And rushed again to the window, rushed to see the one they valued most in this world
The One they loved above all... their most precious daughter
What they saw though sent a cold chill through their heart
For there was a difference now, a noticeable change in her
No longer was she fleet of foot, now they detected a hesitancy in some of her movements
And her laughter too, had changed, now it came only in short bursts
Not the lovely rippling giggly carefree laughter of old
There was also a pensive air about her, something which hadn't been there before,
And for someone who used to like their time spent alone
Now she seemed to cling onto her friends more
As if now she was afraid they might leave her
As if now she was afraid of being left alone with herself.

The Parent grew worried watching her, so they went out into the garden
"Daughter!", they said, "Is there something wrong ?" Are you not well?"
The daughter's eyes were downcast, it was like she was almost ashamed to look them in the eye
She nervously fingered her phone in her pocket
And then she said something... something strange, not like her at all
She said "The Planet... the Planet is dying"
"What!", said the Parent, "who told you the planet was dying, who told you this ?"
She went on "And there's Bad men with terrible weapons, there's wars! diseases!! famines!!! "
"Who told you all this ?" again asked the Parent, "who told you ?"
The daughter took out her phone and looked at it rather guiltily
She said "One of my friends showed it to me on the Internet"
The Parent said "We warned you Love, we told you to stay away from the Internet
The Parent then bent down and looking their little daughter in the eyes they said
"Sweet darling child , don't be afraid ! You were made pure...pure and strong, invincible in the face of this world
You mustn't fill your mind full of these dark things
These dark black clouds that will only block, clog up your beautiful skies
Dim the radiance of your magical radiant life"
But the daughter she replied almost resignedly "I know now that before when I was happy I was just living in ignorance
I know now this is how people are meant to be... and to feel. I feel I've grown up now".

As she turned and went back to her playmates the Parent thought sadly
"Now she'll have to decide, to look within, to find herself again...to regain her old self...her old smile
Or else, more dangerously... she'll have to wander...to seek outside".
I was always fascinated by the story of The Garden of Eden, this is a modern re-telling. of it. Usually the story's regarded these days as been nothing more than a joke. Perhaps it wasn't the joke we all thought it was, maybe it was actually the story of our lives.
broken poet May 2018
Danger……
There are some different types
dangerous strangers
Dangerous monsters
Dangerous family
Dangerous friends
Dangerous dangers
                 I never assumed the dangers would come from with in
                 I prepared myself for the dangers that would come
                 The onslaught of fears that would come for me
                 Then the dangers started to creep in and i couldn’t fight them
                 They seeped from my bones and into my heart
I wasn’t prepared for these dangers so i wasn’t able to stop them from taking control
Couldn’t stop them from killing my heart and soul
( I have posted this poem of mine on several different international poetry sites everytime there is a school shooting in the U.S as I care about all children deeply and feel for innocent lives lost.
This time in Uvalde, Texas, USA)

https://youtu.be/40KtlqpCN0I

TELLY TROUBLE AND DANGERS
What kids are watching on telly
are crimes and crimes in all variety!
Crimes of hate
crimes of passion
acting it out at shocking rate
thinking in some wild fashion
then ending up cell mates
TV can **** their compassion
Their coffins enter cemetery gates

When kids watch their movie heroes
shoot down people with the gun
they are incited to do the same
to achieve some thrill and fun.

When they see their very film star
slash someone's throat in a fit of anger
they think well of crimes of rage
and plunge everybody else into danger.

The tendency to portray the violent scene
luridly and shockingly on the Big Screen
Ah, even for the small screen, tis the gory
that makes for the dark and thrilling story.

Now that technology's long opened
this wily pandora's box,
the dispersal of amplified social ills
just ain't no hoax

The rowdy hoodlums and reckless gangsters
are simply by-products of Tv influences
The world watches the thriving of the bully-boy pranksters
passively in helpless terror of their offences.

It's all portrayal of the ******, the obscene
by that devious Silver Screen
And the horror movie
though it may seem groovy
begets the horrendous
and drills evil thoughts subliminally
into the subconscious!

Viewing those gruesome swashbuckling films
gives rise to morbid sadistic whims
Flipping through the TV channels just ponder
if the telly's the perfect channel
of information is it a proper panel?

Dad always tells me, 'fear ye the roaches' flicking antennae?
While you oughtta fear the influence of 'em' flickering images by dish antennae'.

It's an unrestrained dark faking
of real life reality exaggerating
Whether it's Bollywood in the East
or it's Hollywood in the West
they don't merely impart tactics of defence
but rather those of aggressive offence

Just verbal tougher gun laws couldn't halt
even underage shooting sprees
Rather it's stringent scanning of Tv content
and banning citizens from acquiring guns
that might make it forever cease

Parental supervision too tis gravely essential
should've been of parental code quintessential
So the next time you catch your youth or teen
absorbed and engrossed while glued to the screen
Just sleuth a bit just to make sure
that for the ******* he's not too keen!

Only a mere single merit that I dug
as I drank cappucino in my mug
that atleast one couldn't live in a bubble
daily watching this bubblebug.
https://youtu.be/MttSW45ren8
Michael R Burch Apr 2020
To a Mouse
by Robert Burns
translation/modernization/interpretation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
Why’s such panic in your breast?
Why dash away, so quick, so rash,
In a frenzied flash
When I would be loath to run after you
With a murderous plowstaff!

I’m truly sorry Man’s dominion
Has broken Nature’s social union,
And justifies that bad opinion
Which makes you startle,
When I’m your poor, earth-bound companion
And fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
A small behest; it-
‘ll give me a blessing to know such a loss;
I’ll never miss it!

Your tiny house lies in a ruin,
Its fragile walls wind-rent and strewn!
Now nothing’s left to construct you a new one
Of mosses green
Since bleak December’s winds, ensuing,
Blow fast and keen!

You saw your fields laid bare and waste
With weary winter closing fast,
And cozy here, beneath the blast,
You thought to dwell,
Till crash! The cruel iron ploughshare passed
Straight through your cell!

That flimsy heap of leaves and stubble
Had cost you many a weary nibble!
Now you’re turned out, for all your trouble,
Less house and hold,
To endure the winter’s icy dribble
And hoarfrosts cold!

But mouse-friend, you are not alone
In proving foresight may be vain:
The best-laid schemes of Mice and Men
Go oft awry,
And leave us only grief and pain,
For promised joy!

Still, friend, you’re blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
Grim prospects drear!
While forward-looking seers, we
Humans guess and fear!

Published by the English department of St. John’s College High School. Excerpted in an essay by Galkina Karolina, Institute of Humanities, Borys Grinchenko Kyiv University, Ukraine, and published on the university’s website. Keywords/Tags: Robert Burns, mouse, translation, modernization, update, interpretation, schemes, mice, men, agley, awry, nature, field, plow, den, home, modern English



Hugh MacDiarmid wrote "The Watergaw" in a Scots dialect. I have translated the poem into modern English to make it easier to read and understand. A watergaw is a fragmentary rainbow.

The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain ...
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these more foolish hearts of men ...
and I think that maybe at last I ken
what your look meant then.

Keywords/Tags: Scotland, Scot, Scottish, Scots dialect, night, nightfall, rain, grave, death, death of a friend, light, lights, watergaw, heart, heartache, broken heart, heart song
jack of spades Jul 2017
Icarus washes up on Miami Beach over the spring break of 2k16 and finds a world where the gods roam the streets,
where his wax wings burned themselves into trenches of scars down his back,
where we warn our children of the dangers of flying too high,
but forget the part about the riptides waiting if you fly too low.

He asks Siri how far away the sun is,
finds Apollo in the red rocks of New Mexico
off I-40 just outside of Albuquerque,
alone and basking in the heat.
The ice caps are melting.

The sun still hurts to touch,
burning Icarus's hands and leaving fingerprints in the feathers of his melted wings,
but Apollo is much kinder now,
soothing the skin cancer with freckles and soft touches.
It no longer feels like a damning.

This is what happens to the children of tragedies:
they flinch too much,
they fall too hard,
they're fragile as glass but immune to everything the world can throw at them.
Icarus flinches at the sound of the oceans.
He knows the wrath of Poseidon.

Icarus rises from the dead with his irises washed white
and his rips etched with Hades's name:
he should have been a child of Persephone,
spring in his hands and flowers in his hair.
He should have spent his days sprawled in the sun's caress.
He should have been infinite.

Icarus flinches too much.
That's what everyone keeps telling him.
He flinches too much at every lifted voice and crashing wave and
he flinches too much when he feels sunshine on his face.
Icarus is sorry for flinching too much.
Icarus is trying not to flinch too much.
Icarus is sorry that it's taking so long to just get over his trauma and stop flinching so much--
sorry.

He doesn't know what to do now that he's touched the sun
and this time it didn't burn.
He wanted it to burn.
He wants to burn.
He wants to feel his bones breaking all over again because
that's the only time he doesn't feel like he needs to be in control.
Why is he chasing things that hurt?
Why does he feel
like he deserves to hurt?
He deserves to crash.

He finally touched the sun.
Icarus feels empty, and
he's still flinching.
projecting myself onto icarus because who else am i supposed to be? not myself !
emily c marshman Oct 2018
I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.
“And such bees! Bilbo had never seen anything like them. If one was to sting me, He thought, I should swell up as big again as I am!”
      -The Hobbit, JRR Tolkien
mochiu Feb 2015
OCD And I
We go to couples counseling every week
you know, the usual "Has there been any progress?"
You see, OCD ... he is a bit obsessive.. and doesn't understand why we need counseling
His nails grind into the office chair and slams the door on the way out
He loves and cradles me with commands like flowers that bouquet against my mind
And the next morning as if the bouquets were to fall over from their steady placed vase, he apologizes.
There are mornings where I cannot leave the sheets because his arms are wrapped around my waist and do not want to let go because if he did I might as well be **** independent
If he loves me so much, why is it that I must wash my hands after tracing over everything he has touched.
OCD says he wants to protect me from all the dangers of the world...
and he reminds me by constantly ticking in my head
asking me if I locked the door...Yes
did I turn off the lights... Yes
did you turn off the stove...Yes
We went to counseling again this week
She says I'm closer to being independent
That little by little
I will be able to strive without OCD
by my side
There are mornings now
where I can leave the bed without his arms
sinking into my waist
and his demanding words
whispering in my ear constantly
"Just stay a little longer... The world is dangerous"
Now... when OCD leaves...
I tell him to make sure he closes the door on the way out.
B Dec 2012
There's some dangers to the game, some times you gotta watch out for where you put your ****, cuz some of these ******* out here have death traps. If you hit the walls right, she'll come back the next night, next thing you know you're in a fight. Who is this person? How did we meet again? ****, I feel like I'm six feet under, maybe ten.

In deep, but not losing sleep. Still workin, going to shows, lookin for new **'s. That's the life of a ****, or one that wants to be, if you try to graduate, you'll get closer to degree. And it burns when it's not fun anymore, and you realize you're at square one once more.

And you keep chasing a *****, an imaginary person, someone who isn't worth it. She'll find you. That's the truth. You don't have to look for it, cuz it'll scoop you, like a cyclone.

Take you places you'd never thought you'd go. And then it's all ove.

Never talk to you again, I gotta keep it movin. I got **** to do, no time to worry about two.

Your **** is grimey, triflin, that's the only words I can think of, I want to put a rifle in, your imaginary mouth and blow it, see you later, you're gone, explosion. That's all I think of when I think about that, two chemicals went bad, and now there's combustion. I gotta cool off, see you later, I'm going to another river, I'm going to chase some paper. The finish line is far away, but I'm going to make it, and if anyone else tries to take it, then I know they're just fakin. Goodbye for now for good forever and never, again will I think about that person I wrote about in the beginning of this poem. **** it. I'm out of town.
Tom Tuinman Sep 2010
Let us go, Oedipus, let me walk you
'Twixt towers reaching to heaven,
Where women are charged to be patient and perfect.
You will not stay upon your leash.

We walk through Mandalay, not Paris,
Where the women have no face.
'Tis but a siren of emergency
That sings to me.

What worth I am to you, Oedipus,
What worth am I to them?
When the footman holds my coat, and snickers,
What worth am I to them?

Every man is a piece of the continent!
She may love me for the dangers I have passed,
And I her that she did pity them,
But she cannot, now and forever.

And while the sun excludes me,
I am not them and they not I,
And the waters do not glisten,
She is their chattel and not mine.

I gaze upon her ornate face and sing,
Her eyes are pools of wonder that see me, and swing away.

I am older, I have sense,
Like Oedipus my King,
But when I see her ornate face
I very nearly sing.

After many lonely nights
In shirtsleeves and not silk,
I went to her, and said:
Here, take this silver, for my milk.

And she may have loved me once
But for my thought and sense,
I'm but a bumblebee today -
I left at some expense.
Another night of television hell I was in the middle of a hell of a block.
And withoout the funds my usal cure of hookers and *******  wasnt a open
road so to speak.

I was lost I wondred the streets like  ****** in need of a john.
When through the darkness it appearded a well lit haven in the middle of
a thoughtless storm.

The cinema cafe drinks and films  hmm from looking at the marquee seems
there wasnt much to choose from .
It read like a preschooler had puked apon the board.

There were sequels, and prequels,  gay vampires that walked around in the day,
Weirdos who flew around on broom sticks and loads of treenage **** minus the ****.
Dear lord! I had to get to the bottom of this problem.

The pimple faced kid at the booth asked me in a squeeky yet firm semi manly
voice can I help you sir?
Yes my dear crater face whats with this **** you call films here ?
Umm I dont make em sir there just whats popular.

The greezy faced hampster had a good point in what he said that is.
cause other than that I had no clue what he was working with really what do you think
I am some kinda pervert?

Let me ask you something do you like this **** you sell tickets to?
**** no dude its garbage for halfwits and retards  and some people from Canada.
Who the hell wants to see that **** from twilight  play snow white?
Let me ask is that a adult film?
Duh no ******* we dont show thoose here.

Would you know were I could see thoose films?
Im doing some umm research on human sexulality  it involves alotta big words
which i cant spell so i'll spare you the details  just point me in the right direction
and nobody gets hurt.

Dude they havent shown thoose kinda movies in theaters for years.
Oh yeah and theres this thing called the internet once is way better than writting on your
cave walls.
Kids there really great *******.

After some back in fourth who gives a **** or really reads this ***** banter.
The man with the pizza face finally hit his limit.
Look *******!
I dont make the **** ,I dont watch the ****!
If you gotta problem take it up with the studio exects in Hollywood.

You gotta point there sparky give me your keys!
What! No.
Give me your keys or else.
Or else what grandpa  your gonna hit me with your walker.

No you silly *******.
Or else I'll shoot you.
Ya see young man that should wear a iron mask.
You may have a I Phone
But I have a handgun  and  that always wins the debate no hand em over.

After a brief moment of the little ******* ***** crying and begging for me not to **** him.
Really he watched to many TV shows I wasnt gonna **** him besides.
Im allergic to prison and it wasnt even a real gun what a *******.

I was off in my borrowed car  to the land of bad ideas and great **** jobs.
A place more fake than barbies dream home minus that dickless tool she always
hung out with  not that I played with Barbie's but she does have some really kickarse *******
and im a big fan of ******* hell what great writer isnt?

It was a drive that seemed to take forever  but finally i pulled up to the front gate
of Warner Brothers studios.
The little weird looking gate keeper looked at me and said .
can I help you sir.

Yes please direct me to your leader strange gaurd troll.
Uhh sir this is a closed lot only people with passes can enter.
Well what if i know the secret word?

Who told you about the secret word?
I had him with that one.
These Hollyweird vampires couldnt have enough brain power to
keep some pass on them.
Okay whats the secret word sir?

I had to think deep and from such a shallow mind that was asking alot.
What could it be it had to be something that rang true like snorting a line of
coke of Katy Perry's  ***'s.

Dear lord I had it.

Brad Pitt ***** donkey *****.

The man looked at me in utter shock  I wasnt sure if he was gonna let me pass
or try to pull me out my slightly worn odd smelling borrowed car.
Alright sir it's lot 69 hahaha  yeah I know im demented.

Right next to the lot there filming Winds Of Change **** The Musical!
Staring Johnny Depp and Bogo the ***** chimp.
****** i wish i wasnt busy  that chimp seemed like he had a good head on his shoulders.
Well when he wasnt jerking off and eating bannans while throwing his poo.
What a talent indeed.

I found myself in the studio people running every which a way.
It was total confussion   seemd like no one had a clue what the hell they were doing.
Hey ******* shouted some weird little man in a chair who the **** are you!?.

The little red haired man must truely be dellusional.
How could someone not know Gonzo?
Well sir just who the **** are you? I replied.

Well im Ron ******* Howard *****!
Hmm never herd of you are you a director or something?
What!!!
Ever hear of Andy Griffith  or Happy Days?
Oh yeah your that little dork that hung out with that cop yeah what a snitch.
I was playing his son *******.

Dam well seems this ginger finally explained to me why that man always had him around
it all makes sense now i just thought he was some kinda pervert.
Course seems like he had picked up some bad habbits from that Fonzie guy
never trust a man who calls the restroom his office but what a man does with
another man in a ***** restroom for plesure or profit is his own bussiness.

Look *******  what the hell do ya want?
Lets start with a gallon's of nothern light maybe some top shelf hookers some good music.
Maybe a couple hits of some lets say nose candy maybe turn off the lights and see what happens.
Im just saying sometimes ya gotta let nature take it's drug filled course.

Im not talking bout from life dip **** i mean what the hell are you doing here?
Oh **** sorry there  carrot top.
I wanna see the person in charge that green lights all this remake **** you souless
morons put out and call entertainment.

The little red haired devil was silent as he explained to me no one ever saw the
studio head it was like meeting Santa Claus or ****** or being in the pressence of a unicorn
really whats the diffrence.

He warned me of the dangers of meeting such a great mind yet like I do with
most people I simply shook me head and agreed much like i do with
women im trying to sleep with duh like I care about her tweenty seven cats.

Finally after learning I wasnt taking no for a answer he lead me to a room
And in this room was a screen and apon the screen appread a face.
Who dare question the mighty head of the film studio!!

The voice was loud  still it had that comfoting quallity that you just have to love in
a windbag *******.
Umm me.

You well who the hell are you?
Duh ******* im the long winded ******* writting the story.
Oh well what the **** do you want?

Sir I wanna know what the hell's wrong with you people.
Look im a drunk but i could never be drunk enough to pay a fortune to watch half the **** you call entertainment between remakes and films based on gay *** stories about vampires
and dudes who run around the woods calling themselves werewolves.

You mean you actully saw twilight?
The voice asked me on the verge of laughter.
Duh i see a bunch of hot chicks  going anywhere im following without asking
much like the mindless drones that watch that ****.

Sir your a sad sad man.
The strange face on the screen vanished out from the curtan appeared
what looked like *** it was Bugs Bunny !!

Bug's!  
What's up gonz?
****** i always knew you were real much like Fergie and spanish fly.

Gonzo i know half this **** ***** but its because mindless idiots love studip ****.
Look you were once a popular writer and you cant even spell.
Ouch now go ahead mighty furry samuri.

Ya see whatever makes money we put out and really stupid young girls much like your teenage
wife love that **** and being perverts like yourself wanna get laid you'll take them to that ****.
Bugs are you saying it's all about money?

No **** *******.

We talked drank watched backroom casting couch tapes of early starlets like
Harrison Ford no wonder he was so good with that whip.

It was magic minus the  money loving **** mouse that'll sue your ***.
Bugs I gotta ask you a deep question?
Shoot there Gonz .
Is Mickey really just a cross dresser calling himself Minnie?

You are messed up in so many ways Gonz.
We laughed swapped ***** stories  like the time Bugs slipped
Daisy some ****** and got a ******* in the magic castle  while goofy watched.

What the **** is Goofy?

Gonz .
My furry amigo said to **** if I know.

Untill next time kids stay crazy

And remember if you wish apon a star  ya better make sure to whom thoose copy rights
belong to truley are.
Cause thoose rich ******* will sue your *** .

Cheers

                               FIN?
J Ray Jun 2014
If you were a mermaid                                   c. 6.8.14 J.Ray                         
I’d follow you down
I wouldn’t be afraid
If I had to drown

Into the dark sea
We swim all alone
Though we cannot see
Into the depths unknown

Through the waves
And through the sand
To Pirate’s graves
Let me hold your hand

Sharks around us got big teeth
Hold you close and calm the fear
The dangers in the underneath
But the water is just oh so clear

Your hair catches the suns final ray
I hate to go now but I’ll be with you soon
In my true heart I wish I could stay
I kiss you goodbye with light of the moon
I really hope you enjoy this, critique is always appreciated!
vircapio gale Jun 2012
love-energy swinging toward bitter blows:
a father’s pride becomes a son’s,
he becoming bitter becoming hatred
in the midst of love abused,
a civil fight for freedom failing in the eyes of youth:
these minds of ours turn wildly—
change to the beat of unknown drums
and death knocks us up
pregnant with a new generation of hate,
of goals to love: the obliteration of hate’s mother,
but question on, worship your mind,
build a shrine of doubt and find
darkness emerging as a deeper shade of black
knowledge? knowledge?
myths laid upon us through the perspectival dimming of language
no one’s fault? societal pressures
no cause for blame? survival instincts
no source of evil? history has a gun to their head. . . .
no use for these words? meaningless.
dialogue, yes, for the birds,
the carrion of hope
once the breeding stops
and lets the precious journey start:
down the cesspool of quasi-oblivion,
where we’re all a minority of one,
grasping for meaning in an abyssm of phantasmal foundations.
words, words, the excuse of words;
when father’s left no ground to walk on,
the son sits there digging
ditches for the death of systems
holes in the fabric mother wore,
tears in the existence we thought we knew.

what is this about? question marks
swerving away from sour truth
bleeds the nonsense through the flesh of what we love
and dying, dying, hate becomes a source of love,
guilt projects a softened heart
kneeling down now
outside, but wanting in.
affirmed, dejected.

[OR
are they swerving away from faith
simply a defense against the actions to take
ontic procratstinator! hear me now!
safety is the goal behind every measure
seek danger and you run the dangers of comfort,
seek comfort, and delusion becomes your handmaid.]

for knowledge of past dogma is dogma too
and the heart pumps it anyway;
for existence is. O heart, your sutra
flows nimbly on into eternity,
but you take this life and live it now,
the rhythm born of a mystery,
sacred to the foolish,
sarkin to the wise—
and the dancing wise man
birthing a new enigma
travels on into the depths of the ordinary
with a smile and a bow,
a hop-skip like Nietzschean
melodrama.

I can write it once for fun,
twice for accuracy,
thrice for fame and ten more for shame.
Do you want to know what it’s about
or do you want to figure it out?
the game of pride makes fresh
the fish of mental seas;
but truth is less cozy;
dagger in your existential eye.

no conclusions to be embraced without the whim of faith?
no art show game gripe to win but for the game of taste?

this bout goes on, this Bout goes on! oh how I wish my mind was lacking!
but no! the sacrifice, but the sacrifice,
pigs of Aristotle knew no quarrell,
no such quarrell.

when does such a poem become a forced effort?  when will I stop questioning myself?
where is this urge to destroy originate?
what ******* language am I speaking in when I think?
what and why,
who the but questions, questions
falling spiking holes in teh floor of contentment
or is it laziness: should I tak emy e pick now or wa itf ort he rig htto **** newith mystic alllllllllllll certainty from be yo ndt he fen ceof lan gua ge.

why go back? why try?
the difference between communication and self-indulgent writing is the effort to conform to the extent necessary for the sharingof truth... and so nobility demands conformity, however long it takes and however wonderful it may be in the mean time to simply spill my fingers across the trypesu ritre lia shjkk e a A b B i IG load o f ***... as if the hiddenness of deconstucted language masked my immaturity as a poet, as a person, as a thinker, as a wallower in shame.  as a Man. as a *** machine. as a weak creature. as a creature of potentially great accomplishments but small ***** at the present, as a person hiding from the said for fear of having to live up to it, as one who doesn’t believe his words half the time, even noe, ever noer rht all suiooos  dhjhjh tuof rhty w arbif trya dfyoudng huddkkfkd fmdmf dfdlililhkjga wyeruipok smmm tuhtuth dgfhg dagdh f dhajkdf  fuduudjjd fh d hdhhd bit b not n tno totot t ototot  read read read read read read read read read reda dnrenadkf leadsd fhdus duig hgjhdf dh sdmf sialdihf duf dreioan ign udfin the dh diguicse of hjtkjh heioa never heros heilike hte  e9a 1 1 ih kj n h ogma doifj hedOLvever otitoto the  ososososririrroow ww dance waiting at the librasyer renckjh c concon con iejr a  goodo excucse to t constraint no nt rot th even dfhight hwith th d dear on the all ndklfn eh fh searching thioart worthless buthen I find htheihadf htis hivoih Valid dfkdljhf jhkajh yea it s i kjh Lavlls ishn Vadildld meaning ngon woven into nonesense nd fnidoijifj bJar in Tennessiossdnohf  a freww few deletes and the important words become clear however taxing on an hypothetical reader from the future in which I do hope to become g”reat” half-heartily,  though for show.  .  .and the experience of writing is revealed through the laziness, or tiredness, of a recent graduate trying to write something meaningful after a summer of passion and *** and drugs and resentment toward the family and the sad economic advice given him.
Umi Feb 2018
By the earth and it's wonderful, wide and unique expanse
A mother to what is living on it and inside of it, may it be small
or great in their posture given to them.
Indeed this place inhabits many creatures, faces and races.
Each striving for their own path, of staying alive.
The soft soil of the Earth, a comfortable living and breathing
ground to walk on, proud and all connected, only to be divided
By the sea which covers most of this planet, comparable to a blanket
From which we gain food and drink, in a clear registered cycle.
Of course this place too holds it's dangers, such as a quake could
end it all in a brutal roughless manner and tear it from the ground
we build our houses on.
Or be it an eruption which casts a rain of ash and embers, suffocating
the sky above, the ceiling which was meant to protect is our very end.
A mighty wave, which sweeps over the cities, drowning them in
it's lethal, cold and brutal, moist and salty embrace.
It is not healthy to be in such a negative spectra of thinking however
For this place holds, more transient, living, artistic beauty than I
could simply express or convey in words.

~ Umi
Katie Lo Jan 2014
All my life I've been lectured to stay away from the dangerous things in life.
Stray animals, unknown substances, drugs, alcohol, and the things in between.
But no one ever warned me about the dangers of falling in love.
The way it resembles all the listed dangers.
Oh how love can wound my heart as if it has clawed it bit by bit.
Oh how love is so world known yet so strange and confusing.
Oh how love takes me to the highest clouds with addiction being the aftermath.
Oh how love can make me fumble, release my secrets, and bring me a pounding ache the morning after.
But no one ever warned me about the dangers of falling in love.
Maybe because love in all reality is far worse than any spiked drink.
Worse than a pill that drives me insane.
Worse than being mauled by sharp teeth and claws.
Love is more of a carcinogen.
Flowing through my bloodstream, unwanted, hurtful.
A substance I can't remove, despite the many attempts.
Love is far too dangerous for one to speak of.
Love is something so dangerous we refuse to accept it as an actual threat.
berry Mar 2014
i want you to imagine standing in the middle of an already collapsing house, and having everything suddenly flip upside down; or after years of homelessness, picture yourself being told you had somewhere you could stay for good, only to wake up just before being handed the keys. these are some of dangers of making places out of  people.

1. don't ever turn a human being into a home unless you are prepared to be evicted without warning.
2. when you start to notice their arms taking the shape of a roof over your head, you have two choices: run, or wait for it to cave.
3. if they ask you to stay and burn with them, you have the right to say no.
4. it is not your responsibility to save anyone, and it is not your fault when you can't.
5. salvaging the photos from a house fire will only re-break your heart every time you pull them out to look at them.
6. when the basement floods, hold their hand.
7. if you are not a strong swimmer, remember that the difference between love and codependence is that one of then will drown you.
8. love will never drown you.
9. i knew this from the start but let you hold me beneath the waves in spite of it, just so you could stay afloat. i can't do that anymore.
10. i don't think i'll ever set foot on your hardwood floors again, but i'll pray that someone new moves in soon.

- m.f.

— The End —