"dabs" poems
Black cabs and ab-dabs.
Dashing through London streets,
High heels and crippled feet.
Back street bars,
wealthy sheiks,
ever running,
Hide and seek.
Black panther's in lippy,
Colourful hippies.
Turbans and tunics,
Kiddies in cotton, with mud on their bottoms.
Big Whigs and stiff prigs.
Market stalls and rubber *****
Undergrounds and all around.
City beats, it's hopping on.
On and off off of buses and train.
London love life, kicking pain.
Picks up his drink and thinks like a fish.
A couple more beers, three seconds of fun.
Slipped into his glass.
Glass one, two three,
Freedom four.
Needs more.
(c) LIVVI
Mar 21, 2015
Mar 21, 2015 at 5:25 AM UTC
She was painted so beautifully.
With little specks of crimson like the fire that burned in her heart.
Dots of pumpkin and persimmon dancing on that one patch of hair she never died back.
Drips of amber and daffodil seemed to glow around her body as she wished to feel happy again.
And a shaded emerald painted like bars which contained her jealousy because all she wanted was to be perfect.
Swirls of cerulean and teal like the tears that dripped off of her face.
And the violet dashes were her moments of tranquility where her hands created magic out of papers and pen and her mind was finally put to peace.
The magenta smeared across her lips, making her feel a tad bit prettier.
Dabs of maroon like the blood that was shed,
When she used the silver blade to pierce her golden bronze skin.
She was a colorful girl behind the grey mask she hid under,
All to avoid the threats she received in black and white.
May 2, 2014
May 2, 2014 at 11:58 PM UTC
From a fifth storey bachelor’s window
pondering shadows in the car park below,
Johnny opens another can.
I stuff another pipe.
We talk about our trip to Brazil
and how great it would’ve been had we gone;
Johnny turns up the radio.
I take the first drag.
Old girlfriends swing by in our conversation,
most of them giving us the finger, mind you;
Johnny dabs at his tears.
I pass him the pipe.
Dusk-scalpels are slicing through the curtains now,
they scrape over coffee table dust,
through Irish coffee stains,
cut open Johnny’s frown:
The neighbours are at it again, arguing;
he accuses her of seeing someone else,
she tells him *correct,
it’s your ****** sister.*
Johnny taps out the pipe in the ashtray,
says he has to do someone a favour;
throws on his jacket,
says take it easy.
Johnny’s shadow tiptoes into evening,
a car alarm screams and a gunshot cries.
I convince myself
this is Brazil.
Feb 3, 2011
Feb 3, 2011 at 7:59 PM UTC
The cannibal is thirsty
for a flesh martini
Dabs of salt here and there
On tongue and ocean groin
The ********* is hungry
To be the tender olive
Eaten very slowly
Lick the ****** pleasures
Of each other's
knife
kiss
Maternal affections
pouring open by God's rage
They are
shelter
Ignition
To each other's
demons
wonderfully delicious
as frosting or
whipped
cream
They are rare fruit, indeed
What are the odds of them finding each other?
Just goes to show, my lonely lovers
There's someone for everyone
You too
Will find
Your soul mate
Someday
just as the blood
Will eventually
Drip
from
the cannibal's
smiling
mouth
Oh my love,
you are my
yummy chicken bone
dipped in
your
sauce
"Ahhhhh...." he says
"This must be love."
Mar 27, 2013
Mar 27, 2013 at 1:53 PM UTC
applying his
lingual buds
to the smooth
lush of her
thighs she rippled
as a lava lake,
no stone skipped
just
melting milk, lapped up
in hungry pulses
cream of silk
pounding thunder
in consonants of
taut skin drum
nuances in vowels
uttered in
animal dissonance
his bristled breath
all over her
fingers
salivary intentions
over rim of lip
feeding the emptiness,
a holy vessel
more ancient than
before time
now ready
to be filled by the
essence of feminine
pineapple juice drizzling
firebud glistening
in fuchsia exposure
open gateway
to divine outpour
a sacrificial altar
of unmasked psyche
completely stripped of
any pellicle
his palms firmly
planted in hot muscle
thumbs parting
glory's hole
deer at the saltlick
lost in the velvet
just pour it in
thick molasses
not stifling,
only honeyed bark
multi-hued like
eucalyptus deglupta
in buttery tips
dripping love,
all over her lips
and just like that, in
slick-painted dabs
of their own
acrylic-drip art
just like that
in the wild
and thick
explodes the ache
of her
ripped
apart
heart
Jul 14, 2017
Jul 14, 2017 at 7:09 PM UTC
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
Dec 11, 2018
Dec 11, 2018 at 6:57 PM UTC
On the eleventh day of Reggae Christmas
My boombastic love gave to me:
11 ragin' reefers
10 lightin' lighters
9 hefty island boys
8 bowls of cereal
7 dabs of oil
6 blazin' bubblers
5 smokin' spliffs
4 grams of purple
3 beautiful bowls
2 boombastic bongs
and a brand new marijuana tree.
Dec 11, 2014
Dec 11, 2014 at 8:38 AM UTC
On the eighth day of Reggae Christmas
My boombastic love gave to me:
8 bowls of cereal
7 dabs of oil
6 blazin' bubblers
5 smokin' spliffs
4 grams of purple
3 beautiful bowls
2 boombastic bongs
and a brand new marijuana tree.
Dec 8, 2014
Dec 8, 2014 at 9:52 AM UTC
On the ninth day of Reggae Christmas
My boombastic love gave to me:
9 hefty island boys
8 bowls of cereal
7 dabs of oil
6 blazin' bubblers
5 smokin' spliffs
4 grams of purple
3 beautiful bowls
2 boombastic bongs
and a brand new marijuana tree.
Dec 9, 2014
Dec 9, 2014 at 11:14 AM UTC
*She arranges her face into a smile;
And no one will ever know she was crying.*
Apr 18, 2013
Apr 18, 2013 at 2:36 PM UTC
On the tenth day of Reggae Christmas
My boombastic love gave to me:
10 lightin' lighters
9 hefty island boys
8 bowls of cereal
7 dabs of oil
6 blazin' bubblers
5 smokin' spliffs
4 grams of purple
3 beautiful bowls
2 boombastic bongs
and a brand new marijuana tree.
Dec 10, 2014
Dec 10, 2014 at 1:07 PM UTC
Not One Hours Rest, Moon Still Standing Nice and Tall
Stars Still Hanging on, You Ride Hazily and Lazily to The City Train Station
Seeing Faces, Seeing Slouched Shoulders, Seeing Tired Eyes all around you
Waiting and Thinking of Home, Observing Yet Constantly Yawning
In No Time You Are Propelled Forwards and Out Through the City Limits
Metal Container Rattling, No Snooze Alarm for the Rising Sun
The City Dissolves into the Back of Your Eyes as You Hit A Tunnel and Enter the Suburban Void
Suddenly Fantastic Splotches of Greenery Drift into Sight, Dabs of Golden Light Float Like Dandelion Spores in The Air
People Move Up and Down the Carriage Schizophrenically, Fidgeting, Never Considering Sitting Still, Not Even Once
Please Just Look Out the Window
Outside Battered Tree Trunks Lay Lifelessly in the Middle of Wondrous Sprawling Fields
Clouds Ripple Insanely Throughout the Horizon, Livestock Enjoying Themselves While They Still Can
What Follows This is a Series of Dilapidated Sheds and Abandoned Roads Leading Up into the Hills so Jagged They Must Have Been Cut by a One Single Colossal Breadknife
Feb 28, 2019
Feb 28, 2019 at 8:30 AM UTC
COOL your heels on the rail of an observation car.
Let the engineer open her up for ninety miles an hour.
Take in the prairie right and left, rolling land and new hay crops, swaths of new hay laid in the sun.
A gray village flecks by and the horses hitched in front of the post-office never blink an eye.
A barnyard and fifteen Holstein cows, dabs of white on a black wall map, never blink an eye.
A signalman in a tower, the outpost of Kansas City, keeps his place at a window with the serenity of a bronze statue on a dark night when lovers pass whispering.
1.9k
wake up from your adventures, and take a dab.
don't take it far, thats not your job
the dab will take you as far as needed
and you're blankets will resurface.
put on your garments, and take a dab.
the day is new, and its age unknown
its crispy mood has woken your hairs.
You'll need to wear those socks.
Have a potato, and take a dab.
theres plenty more, so don't rush
the savory maple cloud, of pancake.
the coffee is void of the cow milk.
greet your neighbor, and take a dab.
His dog will have a bath, the cat
the rabbit, the finch, the turtle, the mouse,
they will all be thinking about oats.
Hop off your bike, and take a dab.
the ocean left you clean, the sun
a blueish green shade of wandering.
you're a person, in their shoes.
put on some tunes, and take a dab.
the day was tall, hungry and sharp.
the yellow sky fogged with milk
is calling you from your bed.
open the drapes, and take a dab.
the dancing wind will have its supper
and your nose will get to drink.
the green air finds your shirt.
Its been a long life of living
so take a dab
and wake up in a new one
to take more dabs.
Nov 28, 2015
Nov 28, 2015 at 2:26 PM UTC
Drunk, ****** up
Stumbling through the house
Giggling now, trying to find the light
I'm sorry we woke you up
Woulda been passed out all night
And I know you never sleep
You can't, I know, trust me
And I'm always bringing my girls over
**** you've even got a collection
Of bobby pins
And I broke your downstem
And I'm always passing out in your bathroom
"God ****** Calli, what am I gonna do with you?"
Always smokin your hash, taking dabs
You let me do it, because you know what we have.
You don't treat them like you treat me
I'm invincible
I can kiss you and hit you and pull you and push you
Laugh and crash and cry and trash
So shut up, you know what's up
Because in the sheets and against the wall
I'm a bonfire, she's just a match
The way I heat you up makes up for all the crap
When you're saying something sick and I'm so enthralled
The way I nod my head because I get what you said
And I care and I want to hear more
It's different and we get it
Why won't you just admit it?
Haha, nevermind
That look says it all
Sep 11, 2013
Sep 11, 2013 at 7:02 AM UTC
muse,
*she/her has no master, only a mastery;
she, comes compulsing, a physical pounding,
a throbbing impervious resistant to logic or medicine,
which is the so very ever, the peculiar throbbing
of a principled particular “present participle,”*
*write of compulsing is her mocking suggestion.*
*a presence, punishing urging, pas de choix, obey,
submission; write freely but not free, compose or
decompose; is there a difference, no, not, and so ordered,
demand surrendered, how? how? this taking and giving,
can a single act dichotomy be so fulfilling and so emptying?*
<>
wake daily to water canvas, the waves, dabs of paint
protruding, irritating. provoking yet presented silenced,
repetitiously calming, motioned framed within the
white edged sand, the bound-surround of the living painting.
eyes alight, eyes delight, this daily emergence unto
a tapestry devoid of human interference suggests
a differentiating reality; now I understand the how of a
world’s imperfections constituting, tooting its own perfectionism.
this is not lake water; no single flat stone skipping nor
a concentric rippling to a slow death; this is seaward-
bound, an oceans subservient tributary, contributory,
a river, bay, sound - precursors to a vast atlantic infinity.
this is metaphor; this a still life of the perpetuation metamorphosis.
<>
*the muse exhales; as do I subsequently; what difference?
none, she replies to herself, tween painting artist and
verbalizing poet, the un-still life creation, always, always,
different, the essence of diversity in a singularity sameness*
7:13 AM Thu Jul 29
2021
S. I. Sound
Jul 29, 2021
Jul 29, 2021 at 7:59 AM UTC
What joy to remove the glasses,
both the reflection of midday sun on back of purring Sports Utility
and the deep-cut wrinkles in Mr. Rhyne as he walks pretentious Scottish terrier
blur.
The sun's beams take a drink allowing the world to settle
into a point-blank water color -- lovely, blotchy, tame.
Glasses left in passenger seat, shoes laced, shorts of mesh,
a sweet breeze makes the leaves fall -- leaves I don't see,
but hear, relate.
Knee joints slow to start -- oh to be a cartilage machine --
Trees turn from shadow to canopy to cathedral
as the miles pass, as sweat rivers and empties into my eyes
the vision blurs further.
An elderly couple, I tell by their outline, their faces little more
than dabs of paint, wish me a good afternoon.
A nod acknowledging their passing, a wave to say hello/goodbye
and a thought -- will my knees feel this way forever.
A few miles more, the chalky white of eyes turn blood red
by streaming salt; I see even less.
But under another cathedral of trees, I witness the darkness bend.
Shadows twist -- not humoring the wind -- no, to bring attention
to my thinning shadow, and a question, *is this movement out of respect,
or are the shadows making room for me?*
Nov 29, 2012
Nov 29, 2012 at 7:36 PM UTC
Legalize the dark night
in which he grow up in,
the illuminated streets
in which we modeled our deep edges and rough cuts.
Decriminalize the chilling touch of winter
that makes our lips dry and blood red,
the icy spheres
that paints dabs of colours on our bodies.
Sanction the art of the sciences
where the only one paying is the consumer,
the cruelty of the art
where the media slices the eyes of the observers.
Legalize, decriminalize and sanction
all
that has made us many and
once at once.
Dec 16, 2014
Dec 16, 2014 at 4:07 PM UTC
The snow lay crisply on the sill
And gripped the windowpane.
A coach and horses scurried by
Slowly, slithering down the lane.
Beneath the gas light in the gloom
A group of choirboys sang.
‘Ding **** merrily on high’,
And all the church bells rang.
Whilst in his bedroom, up above,
A little schoolboy lay.
He’d hung his stockings on the posts
And he dreamed of Christmas day.
And on his bed an old greatcoat
Around his neck held tight,
And on his feet a rag knot rug
To warm him through the night.
His water bottle at his chest
Had now become quite cold.
But in his mind the warm thoughts raced
Of many stories told.
His Mom and Dad below him sat
Less warmly by a candle,
And worried how to pay the rent
Thus to avoid a scandal.
‘But one things sure’, his old mom said.
‘This year may be our last,
So we’ll do all that we can do
To make it better than the last.
‘Remember to be quiet’, she said.
‘Don’t wake my baby boy’.
Here’s an orange, apple and monkey nuts
And a little wooden toy’.
His Father crept into his room
And by his stockings knelt.
He slowly placed inside the gifts
Then in his waistcoat felt.
A tiny farthing in his hand
And in his eye a tear.
He gently pushed it with the rest,
Then to his boy drew near.
‘If only I could give you more,
Then Son I surely would.
For if it were the only thing to give
Then I would give my blood.
His Son lay there without a care,
A smile upon his face.
He kissed him gently on the cheek
And left without a trace.
Then slowly creeping across the hills
And softly clipping trees.
An orange globe of Christmas cheer
Began the frost to tease.
Wiping sleep out of his bleary eyes
And awakening to the cold.
Quickly rummaging into the socks
Clutched a farthing as if gold.
A little boy whose Christmas dreams
So simply had been blessed.
Sang a little Christmas song
And rapidly got dressed.
Each breath he breathed froze in the air.
His tiny hands and feet were frozen.
His mind already at the shop
Espied the sweets he chosen.
Liquorice wood and kali dabs
Pink sugar candied mice.
The little journey down the lane
And sliding on the ice.
His mom and Dad they saw his glee,
Forgot their sorry states.
At least upon this Holy day
They’d have food upon their plates
Dec 6, 2009
Dec 6, 2009 at 7:49 AM UTC
The schoolteacher had an affair in Santa Fe.
She was a schoolteacher and a tourist.
And an affair adds dimension.
It makes a place more than memory.
The notion of it inverts.
Santa Fe now resided inside of the schoolteacher.
The city had a cracked voice and blonde hair
and a slightly sagging belly and pictures
of a New York niece on its phone and
an ambivalent relationship with combing its hair
and an irrational fear of left turns.
She expected young artists with vague academic worldviews,
chainsmokers talking loudly about point of view and Heidegger.
Instead the artists were retirees, painting nothing but landscapes
of red earth, attempting to improve on the natural world.
The schoolteacher did not like this kind of art.
It was trivial.
Wholly unnecessary.
Then the blonde artist walked up behind her
in a stucco gallery. He said, "You hate it don't you?"
"Yes."
She turned. He appeared to be in his early forties.
"Tourists never understand it."
"I'm not a tourist."
"You are. You've never been within the land."
"Don't talk to me like this."
"This is how women prefer to be talked to."
"Not this woman."
"Even you. You want to be told you're wrong.
'I look fat' No. 'Everybody hates me.' That's not true.
I'm skipping the stage where we agree. I'm going
straight to the stage where we are opposites.
Plus and minus."
"The part where we *****
"Or connect or lose ourselves."
"I bet you live in a loft. Dozens of half-finished
canvases strewn about. Dabs of dried paint on
newspapers."
"I live in my big sister's basement. She isn't home."
"There's not enough wine in the world."
"That's where you're wrong," he said.
Aug 18, 2014
Aug 18, 2014 at 3:29 PM UTC
On the twelfth day of Reggae Christmas
My boombastic love gave to me:
12 tangy totos
11 ragin' reefers
10 lightin' lighters
9 hefty island boys
8 bowls of cereal
7 dabs of oil
6 blazin' bubblers
5 smokin' spliffs
4 grams of purple
3 beautiful bowls
2 boombastic bongs
and a brand new marijuana tree.
Dec 12, 2014
Dec 12, 2014 at 9:50 AM UTC
On a soft July evening he paints a garden path,
lined with all the flowers she admires. He dabs tarnished lanterns on canvas, so she'd walk safely in gentle light. The brushstroke blows her goodbye kisses as she passes by and finally he sets amber accents into the twinkling of her eyes.
May 29, 2022
May 29, 2022 at 5:44 PM UTC
I, stand before him
poised in bareness;
his bristles, he dips
upon his palette to
color me, in passion
upon canvas
in artistic eyes;
his smile beckons
and unravels my
composure, eliciting
his brush to paint
hidden sensuality
in demureness
his brush tantalizes;
a flick of his wrist
dabs upon canvas
stroking curve after
curve, as if, caressing
my frame, the look in
his eyes reveals;
charcoal etchings
of his cupidity,
coveting lust
pantomiming
intentions upon his
canvas; his thoughts
flow from fingers to
brush, brush to palette,
palette to canvas; in
his mind's eye hunger
unfolds, as I, in turn
invite him to partake
of his artistic craving
to taste his own art
with each brush stroke
savoring my essence
Jun 13, 2012
Jun 13, 2012 at 4:36 AM UTC
time stands still....yes
awake at last
much less hurt.
superb splashes of colour
ingenious maker dabs
deep strokes
lightning-fast!
no words needed
silent canvass
awaiting
bold moves
timeless heart.
riding on a wave
yet to be discovered
such delights....
reality tilts in surreal way
no apparitions
hiding
pitch-black night.
atoms split
from unexpected quarters
undeservedly
so, grateful for support.
in your eyes
not yet seen,
layers of
insane aliveness.
sweet and simple sounds
lead to redemptive road
beauty
beginning
affording faith leaps
believing strains of truth
finding forever sought.
:)
S T, 27 April 2013
Apr 27, 2013
Apr 27, 2013 at 1:45 PM UTC
ATYPICAL GAY GUY
I am an atypical gay guy
I don’t match any mold.
I am not young any more
But not in any way old.
Too fem to be a he-man
Too butch to be a queen.
I am neither fish nor fowl
Always Mr. In-Between.
I do love my show tunes
And of course Miss Babs
And I do put a bit of product
In my hair, just a few dabs.
I don’t haunt the health clubs
Flexing on the big machines
Trying to bring to vapors
Our local workout queens.
I do like to cook a little bit
But, my house is usually a mess.
I don’t like angora sweaters
And would never wear a dress.
You couldn’t really peg me
By the way I usually walk.
I don’t lisp or squeal, so
It’s a manly way I talk.
I do cruise quite normally
When hot guys walk by me.
But, I try my best to do so
Undetected, and slyly.
My taste in men does not
Run to muscled guys.
When I see someone pass
I first look at his eyes.
It’s hard to get me into bed,
I am really rather choosy.
I don’t do promiscuity,
Not a backdoor loosey-goosey.
So don’t go giving birthday gifts
Of dildoes and leather goods.
You won’t find me in costumes
Like rubber and leather hoods.
I am an atypical gay guy
I don’t match any mold.
I am not young any more
But not in any way old.
Too fem to be a he-man
Too butch to be a queen.
I am neither fish nor fowl
Always Mr. In-Between.
Brent Kincaid
1/27/2015
Feb 3, 2015
Feb 3, 2015 at 11:07 PM UTC