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At first glance
You compliment me
Orange hues igniting
My brown sugar frame

I have been scratching tallies
Counting down
The days
Until autumns grace

You embalm me
Forever preserved
Begging to forget
To shed your memories

Brown shriveled leaves
Cracking swiftly beneath my heals
Dust which once glowed green
Filled with promises to deceive

My twisted beautiful frame
Will remain
Your words  lost
In the crackle of crisp air

Autumns arrival
Will bring your ruin
But I
Will be born anew
King Panda Sep 2016
let this be proof that on day
***
I am alive
and kicking
with nothing but a
caffeine headache
and a good
twenty days of
September
in my back pocket
but now
the cross breeze
comes and
I lament the past four
autumns
how they left me
cold
broken
and seeing women jump
off buildings
God!
Sovereign soldier!
Sinner!
Saint!
let me live more than
20 days
I am a good person
I only **** when asked
I eat spaghetti with a fork
and spoon
I once tried to jump off
a cliff
but that was then
and this is now
and the breeze is as cold
as winter
don’t think that I ever enjoyed this
time with you
don’t think that I won’t ever
try that again
I promise I won’t float
in the air
no
not this time
CeilingStar Jul 2018
I am Autumns baby

my bones align every Autumn season
I come alive, rising from the earthy soil
I'm Summers poison,
my blood all hazey sunsets and leaf mulch

It's just something about the way the dawn and dusk shaded leaves flutter delicately onto my bronze barked skin
and the way the forest breathes, shedding it's summer shroud of green, canopy now thin
anticipating the snarling undertow of winters frosty bite
how the branches twist their arms and fingers,
reaching up to the light,
sky as blue as my doe eyes

the sunsets are all for me, low and piercing,
using her fiery fingers to stroke my face
I dance naked with the birds, the trees and the sun, a blur of grace

I'm all variations of brown, with the occasional pop of green
my lungs house my earth and its flower children, in my rib cage built of twigs with a magic sheen
my hair cascades like a molten copper mess
I'm a reflection in a lake, beautiful crystal but a construct you cannot caress

luke warm, barren branches and burning peat
crows, shimmering sunsets and crunchy leaves under your feet

I am Autumns darling

KG
Its something about the earthy air, I feel it deep in my bones
Max Evans Sep 2013
A cold autumns night.
Trains and coyotes whine in the midst of dead silence.
Thoughts strewn about like leaves on the front lawn,
Dead and soon to be weathered away into thin air,

Happy thoughts weathered away in the wind,
gone with the breeze goes the last shred of sanity I had left.
Back to bullying and prejudice,
where the word “gay” gets slung around to anyone who likes to dress different.
Who does the school play instead of the football team,
who didn’t get the nerves to talk to the girl he likes because he knew she wont even listen,
but he’s tranquilized by her poison and that poison is the look she gave him in class today.

But all he hopes for is someone to give a **** about him.
For someone who will actually be there and care about him.
Life savers surround people with compassion and care,
but the preserver is just hung up to dry when his eyes are wet from dragging others out of the sea.

a boy whose never had a good thing to say about his own skin but a million things to say about anyone else’s.
He gets lost sometimes too and manages to find his way home,
like a blind puppy in the woods,
scared and alone in a scary dark world,
he walks and walks until he’s not bumping into trees any more and he feels the soft grass underneath his feet.
Only to find out he is walking into a trap dug by his own thoughts that capture him and drag him underneath the soil,
with the reaper dumping shovel load by shovel load of sand on top of him saying “Don’t worry, you’re home now”.

He cries with the trains and the coyotes on the cold autumn night.
Alone in the woods by himself with nothing but his thoughts,
a weapon of mass destruction to his own mind, and he doesn’t even know it.
Seth Keplinger Jul 2018
I keep pretending I'm alone.
Even after losing my seat
to her new prince.

it's spellbinding,  
enough to make the ole' dog wince.

I still love the sad songs
her puppy dog eyes dispense.
it was never her truth, per usual;
per his glimpse,
into the future of my demise.
I pretend to appreciate the gent in the white coat.
A self diagnosis wouldn't compromise
my vulnerability.  
Don't, she won't, undermine my competency
it lends itself to my daily routine,
I self prescribe- a precisely perplexing potency
abide, at least you tried
an unprecedented golden rule.
This wasn't premeditated,
nor an act of repetition.
We've been classically conditioned, so
I implore and drool.  

I keep pretending it's a new found happiness.
it's for the canaries,
the relievers
and deveivers.
I believe it's for the ignorant
the boring
those of you chasing an
American Dream-
the people with white picket fences
and golden retrievers.
Beware of the conformist
they who did well on geometry tests
their smile so luminous  
like diamonds between her *******.


I'm a brittle leaf in autumns first frost
hanging on the edge of winters righteous freeze.
the shackled, the .22,
let it be me.  
I'm a warning sign, Cuba 1963;

I can barely sleep as it is
from this dusty room
I garner for clues inauspiciously
the obtuse path back to the life i once lived,
obstructed by the 4 seasons, the 4 reasons, the 4 walls,
the 4 grains in this whiskey.

Life outside of her box is a bargain.
Before the flies, where my heart lies;
her highfalutin jargon.
Coping with this void gives me nightmares.
joe shakes my daydreams
they fall from my dilated pupils
and anxiously I begin to slur.
I wish he'd stop cutting his pen through the air,
reminds me of my geometry teacher,
lecturing vicariously through a sorcerer
maybe the boring one's preacher?
everyone in this coffee house likes to stare.
1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
kevin newman Oct 2011
Misty mornings and frost tipped blades

white-tipped grass slippery lanes

autumn chill running through red filled veins


As cold air brushes the face

Autumn mornings we have graced

shivers moments in autmns chill

wakes us up its no frill


Dark eery evenings add to the chill

Halloween beckons

free spirits roam

spookey goings on

as ghosts roam


Guy Fawkes is coming

be aware too

bang flash sparkle

sky s braced with colours

around you


Nature runs and hibernates away

storing food to keep hunger at bay


Trees rustle leaves depart

their journey floating

down in the park


Autumn is here having its way

as plants die off and wilt away


Birds migrate to warm climes too

far away from autumns chill


Seas become rough

no swimming today

summers has long passed away

Dormant in a romantic mood,
Shall I recite a lustful love ode?
Looking at the April autumns
And to those elegant columns
    from the fort of your entire body
    and in the warmth of your *******
You are formed to a mystical woman
******* locked  in a  silence...
In other more  glances
in other many encounters
     you´ll listen our cloudy echo,
     echo of the echo masked in crop
     you and your careless petals.
Your are a woman passionate of sun,
gold and gem around your neck.
in a new and another life
and in many other times,
     I will adore you both
in me and in you
     with lights and shades -
     Veiled during day time
Unveiled during night hours
and naked  a woman ,
of bones, flesh and ribs
     soft as the softest
hard as the hardest
     let me to shell under your
bliss and  only  love,
the waves of my ocean
have been thrilled over again  
and I wanted to shape my sky
with my own sharp  eyes !!

*
By
Williamsji Maveli
Email
williamsji@yahoo.com
www.williamsji.com

Related web sites:

www.moonmakers.com
www.shanthinagar.com
Log on to:
www.mavelinadu.com  if you wish to have a journey throughout the author's native place, Kerala in India.
Lost in the forest, I broke off a dark twig
and lifted its whisper to my thirsty lips:
maybe it was the voice of the rain crying,
a cracked bell, or a torn heart.

Something from far off it seemed
deep and secret to me, hidden by the earth,
a shout muffled by huge autumns,
by the moist half-open darkness of the leaves.

Wakening from the dreaming forest there, the hazel-sprig
sang under my tongue, its drifting fragrance
climbed up through my conscious mind

as if suddenly the roots I had left behind
cried out to me, the land I had lost with my childhood---
and I stopped, wounded by the wandering scent
Flower Scent Nov 2010
Rain provokes dry roots

Soft clear pear drops bursh brown sheets

waking dormant seeds
Haiku
I once held  a clutch of unhappiness,
in a field of corn flowers
as leaves blew cankered with rust,
if only  Autumns white shadows 
would cross the stubble fields
and by the morning light a wondrous hamlet
would be strolled upon
that would be reason enough
to dream into the realms of the possible
reinventing  brightness unbowed.
Donna Nov 2018
On my way to work
Listening to soft music
With the man I love
Thank you for your lovely messages hp poets I’m at the mo been flooded with work so cannot get back to u all life is hectic x wishing u all a happy day with lots of smiles **
Day Oct 2018
Daft punk and ***** converse
you make me feel like dancin'.
-
Cinnamon apple tea
and good ol' THC,
surely this is all I need.
-
Grey sweater meets morning fog and,
seven AM sunrise
has never felt so sweet.
Jude kyrie Mar 2019
This nights air is purified by silence
Autumns cold kiss touches my face
Hearts are filled with the pungent
Odors of all things ending.

A palid sad sky
Becoming the backdrop
Of the swarming starlings
Curving ever changing lissajous
Shapes in impossibly complex
Mathematical formulas.

The signals of winter
Are everywhere.
And my spirit is in mourning
For a summer scorned.
beautiful Canadian
Autumns
Come at a heavy  price.
Jude
Micheal Bevan Mar 2010
Tint of summer sweet,
In the colours of a smile,
Subtle tones of autumns breath,
Hint at the arc of death,
As the arrow would its length and trial.

And the breath of seasons change,
Dance in the mist of dawn,
Pirouetting ghost of leaves,
As spring clutches summers sleeve,
The shadows of its light come and gone.

Night would contest the day,
And the day an evenings end,
So would its end contest decay,
Of a moment torn on the mend,
As the newborn would clutch at life,
So would the withered at a second look,
And the seasons at a lengthened day,
As the eager eyes for an open book.

And for the stone which stands the winds and gale,
Of the seas rage it would boast, and to no avail,
Of all the hearts sulk and woe,
Could stone spin and weave a tail,
For time leaves no sign,
On that which shows no mark,
And that stone so untouched,
And so wretched a beating heart,
It, like autumns eve,
Could scarcely only breathe,
For fear of winters breath,
And with it, autumns death.
Matthew Roe Oct 2017
On autumns ground I walk,
As winters snow sky blindingly glows.

In the thylacines footsteps i tread,
On a path the future presents.

Sitting in a cafe, I realise,
The tea I have just had, was built from a billion lives.
Who tasted the leaves.
Who told the others.
Who invented the farm.
Who planted the leaves.
Who planted the seeds.
Who made them grow.
Who picked them.
Who told the nation.
Who created the plough, made the grow more effectively, created the axe, learned to chop a tree, learned to shape it, learned wood floated, came up with the ships, made the first boat, made it sail, told the others, discovered nations, learned their language, spoke it, found what they wanted, got tea, got it back, gave birth to 200,000 generations who split off as cup makers, baristas, cow farmers, milkmen, sugar farmers, sugar packers, cafe owners and tea farmers.
'CHEERS!'

We are indeed standing on the shoulders of giants, but the weight will build on ours.
Swimming the route laid out by the Baiji.
Inspired by my love of animals, specifically my curiosity about those that are no longer with us. Relating to how we are all ‘standing on the shoulders of giants’, following in the footsteps of those who have walked before us.
Tilly Sep 2013
He harvests;
                     The beautiful chaos of her curiosity ~
                                                               ­                  as an unblemished apple falls...      
                                                           ­                   for equal measures of sugar & spice.


                                                       ­                                                  ♥
hannah Mar 2014
you said forever
i knew that wasn't true
nothing outlives its end
the debt is paid when its due
no extensions provided
no questions asked
no warning letter sent
no longer a flag up its mast
slowly but surely it came to an end
you fell like a leaf at Autumns End
"'til death we part" is bitter sweet
i'll suffer in silence 'til again we meet
Evening Ways Sep 2014
Sweet silence tamed the breeze
With brisk of pale scathed blue
Granulated through the air
And set my mood
These days before the autumn
Where I have learned to carry
Peddle on and set the marks
Towards all and in whom I choose to pace my care

Frayed I feel my cuffs
Right on the edge
Swaying synchronized within the breeze
And too my steps are fluid
Almost dancing on the seconds
I'm alive to swing my skip
Un-mindingly by abandon houses  
Built and raised on my life's road
This memory lane

I am a sail of seasons changing
Autumn winds a fuel cascading forward my vessel
Over known oceans of remorse
What sorrow deepest I had formed beneath the hull
Now act a platforms, open highways to the east
Of our sun rising on a woken world
In active motion to fulfill
What we know must be done
Now here to reach
What loving hands may greet you
Know me in prevail sailing on today

And when assembles evening
Just as eyes fix darker shades
Upon a world that with me swoons in pleasure
I would see a night time soon to rest me
After all has been appreciated
No single point or high
Our autumn is approaching
With life's true care
Reaching out from my truthful eyes
Mateuš Conrad Mar 2016
where cello was semi-colon, where violins (always plural, no one's weeping or playing to beg) are colon, where Bach's (church pianos) organs / castrato livers kidneys hearts... where comma was the trebling silver triangles... where full-stop was the composer turning into a conductor, to detach himself from the act of composition and into a drama, a staged drama, a Sisyphus ram against the stable coordinate of perpetuated slam dunking bullseye for only a: knock knock. who's there? knock knock nowhere. nowhere where? here. where what? knock knock open the ******* door!*

i lived to the age of 70,
i loathed hating people,
and i loathed loving them
hence the reason i never married,
i could have lived alone
but the monetary system absolved that
wish...
tribalism would never give us
mozart's symphony no. 40 because
we would be exchanging favours
instead of monetary funds...
via solipsism and the ugly synonym autism...
****** instead of wives... well, there you go...
her eager libido explains much,
as a teenager ****** eager (rhyme rhyme rhyme)
explains her escapism into outliving man;
her satan's bargain truly did favour hair,
oh ****, her, while he died a splendid death
aged approx. 30, she with a **** salute
saluted him: i'm worth 90 autumns!
yeah, 90 autumns and arthritis.
The early morning rays of golden sun
dance through the multi-hued leaves
that have made their permanent home
on the dew glistened grass

Sounds of distant birds
filter throughout the trees
reminding me
of what is yet to come

The majestic hawks pirouette
in the autumn sky
tumbling gracefully
towards the quiet earth

They gather quickly
for a prepared rendezvous
in nearby orchards
stained with the fallen apples scent

The smell of pine fills the air
as the trees rustle with chatter
against the slightest of winds

Nature bows in response
casting its colors
dabbing fiery red, burnt orange and yellow
on the farmers’ fields that sing harvest

One can almost be blinded by the fiery brilliance
walking alone in these windy woods
Dead leaves sweep across my hiking boots
disappearing into the hue of pumpkin and wheat

*The sting of a quick wintry transition looms
Danielle Alyse Jul 2013
I dreamt of nights where only solace exists.
Filling lungs upon inhale-
Only hints of mahogany incense.
The nights where, darkness crept low enough for me to kiss the cheeks of crescent moons,
Trace galaxies with my index;
feel smiles from
Oshun.

She watches me-
Watch waves clash relentlessly
Against mountains of limitless heights.

I flew within autumns wind;
Quenched my thirst with natures nectar.
Danced to heavens harps and
Defined passion through the soul of Venus.

Only amplifying loves intensity
Now, earth shattering.

Submerging myself within her waterfalls of purity
Baptizing my mental to be freed from insecurities -
I emerged, no longer mortal.
Owls eyes replaced mine therefore
Dawn no longer intrigued me.

Embracing the silence of this night
I've found tranquility in a dream.
Found life within the depths
Of days transition.


-Danielle.a.watson
Ian Mackenzie Aug 2018
As today I walked through summer trees
I feel the taste of autumn upon the leaves

There was a sense of time in the breeze
That life was moving more quickly now
And soon the smell of September would start to please

The trees hold their summer fruit but when I return the golden hues will lie at my feet and will be carried by autumns rush

And in the rustle of drying leaves a creature will stir and look about, knowing that soon winters call will hold him short

And then once more as snow lies all about an anxious plant will appear to start once more this yearly race
And I shall feel it in winters air
As spring calls to me that now a new year will soon be here
At CP August 2018
I dreamt this poem
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, -ourselves,-the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!-'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet **** hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves-do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?-Or is this city Senlin,-
Quietly watching the burial of the dead?
Dumbly observing the cortege of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel-the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,-
A priest, perhaps-did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams ****** down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.
kristen wilson Feb 2015
I compare your eyes
            To the red autumns sky

               I think of you
            As a polychromatic sunset

              Your lips a beautiful painting
             A form of abstract art
Poetic T Sep 2016
Bare branches mean our thoughts have
shed their burden, and now linger at the
precipice of our minds Autumns fall

Stagnant decay as they  are soon to be but
only food for distant thought. A recollection
of something but a faint outline of what was...
brandon nagley Jul 2015
Quote#1- Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five Winters. Seventy-five Springtimes. Seventy-five Summers. And Seventy-five Autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now. Right Now. This very second. And I'm not saying, drop everything and let the world come to a grinding halt. I'm saying that you could become a seeker. You could be loving more. You could be taking some chances. You could be living more. You could be spending more time with your family. You could be getting in touch with the part of you that lives instead of fears; the part of you that loves instead of hates; the part of you that recognizes the humanity in all of us. And I tell you, That's where you're fortunate..


Quote #2- Your good is Better and your better is Blessed!...
Ricky Hayman (Jeff Goldblum), an executive at a home shopping network, is on the verge of losing his job. Sales are down under his leadership, and his boss wants to replace him with his rival, Kate Newell (Kelly Preston). But then Ricky meets an interesting man named G (Eddie Murphy). On a whim, he puts G on camera, and sales begin skyrocketing. But, when the job starts to take its toll on G's formerly enlightened demeanor, Ricky begins to question whether he has done the right thing
Quinchet Nov 2015
The cool breeze. Sets in.
Fluttering leaves. Help me See.

Chest filled with Warmth.
Eyes craving new sites.

Swarming thoughts.
Like bee's around a common yarrow.

My dream filled Soul.
Won't stop nudging. Tick Tock

The Clock spins quickly.
No more time wasted on a wanna be.

Feet move in the Only direction.
Life is here to be tasted, felt, and Seen.
To be Heard.

New flavors, feelings, sites, and sounds.
Await, Like Songs to be sung from a birds air filled lungs.

Sweet sweet Sun. Show me my home.
Take me away. Onto that Road.

Leaving the dust brimming wind behind me.
You see. We know not what time has for us.

What will your duration be in the monotony.
Stretching to new heights. Taking a leap in my reality.

Forget what was to build something bigger than us.
We are just a vessel of never ending love.
Pagan Paul Oct 2016
.
So you snuggle in to your bed
as you hear mid-winter calling.
The cold north wind is blowing
as the last of Autumns leaves are falling.
Did you ever stop to think
as you pull up your blankets tight?
That out in the doorways of the city
desperate figures shiver in the night.
Crowding around the soup van
blue hands grasping for the heat.
Hallowed eyes and frightened expressions
as the rain turns to stinging sleet.
The concrete pavements are hard and cold
the bridges provide scant protection.
The hot food and volunteers words
stir memories into recollection.
Once they were people of society
with homes and jobs and cars and love.
Now they fight behind the charity shops
for clothes and coats and hats and gloves.
So as you snuggle deep in your bed
and your fire starts to burn low.
Remember the people of the streets
as the sleet begins to turn to snow.

Pagan Paul (Dec 2008) ©2016
This was the first poem I ever wrote.
Its from personal experience of being homeless for 3 months over winter 2008/2009.
PPx
Jason Schnepper Nov 2015
autumn leaves are falling
the sunrise in the sky
so beautiful as when she smiles
and everyday is like a gift
that just keeps on giving                
such a tender heart filled with love
reminiscing
so precious in this life
are the moments we live
Daddy's lil girl
she means the world to me
and when she sings
my heart listens
such a sweet melody
autumn leaves falling
and everyday is like a gift
that just keeps on giving      
Daddy's lil girl
she means the world to me
I wrote this one about my biggest inspiration in my life, my daughter
I love you
Gregory Villone Nov 2010
Still you haunt my dreams at night
this beautiful lonely dream in sight
I reach to touch but go right through
this apparition that i allmost knew
you left me in your yard that night
alone for a time that did not delight
the message i got when you came back
the pain the agony a broken back
for months i walked barely there
almost seen when people stare
it took to long to fully heal
the idea of living regained its zeal
now again when i sleep at night
i see this gorgeous frightening sight
I wish we still had one last chance
one last shot for our romance
this vision still emblazed in my head
a thought that long ago should be dead
and yet there you are in my dreams
not a single flaw perfect to the seams
and im just a stupid boy turned in to a man
still just stupid and alone for life the span
Cody Gartner Jan 2014
I.
And the Crest was Rome.
The' adorned Arboreous Acus,
forth the Olive
and vine of Rubies Vinti, florere.
-
Custodi Cor Tuum - Enter il Colosseo
-
Spectacle of Libertas,
fall the Petals of Pompeii
a Roma ash,
to gild Choruses Corona of Contristo.

II.
In presiding Atrium,
beauteous above
so accents her gaze en Arena.
And ever again
en Roma pose,
sips the wine of autumns Amber Harvest.
A grace, from Aureus' Optio.

III.
En so, Infamis
en Roma pose,
Gladiator, il Gladitore'
become the Lion.
Secutor,
armoured et. Golden Gladius
en Champitus of Chariot.


by, Cody Gartner 10/9/10

Latin Key:
Arboreous- Tree
Acus- Needle-like, Thorn
Vinti- Vinticulture(wine)
Florere- Flourish
Custodi cor tuum- Guard your heart
il Colosseo- Colosseum
Libertas- Roman Policy of earned, Liberty
Roma- Roman(Rome)
Corona- Crown
Contristo- Sadness, gloom
Atrium- Rich Chamber
Aureus- Gold, Coin
Optio- Option
Infamis-"Outlaw"
Secutor- Class of Gladiator, "Chaser"
Gladius- Roman Sword
Champitus- Champion
Chariot- Horse drawn warcart--"Truth"
© Cody Gartner. All rights reserved
1.

I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go queer,
flapping in the winter rain.
falling flat and washed. And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.

I, who chose two times
to **** myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head. Ugly angels spoke to me. The blame,
I heard them say, was mine. They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.

Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go queer. You ask me where they go I say today believed
in itself, or else it fell.

Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place. You did not know my voice
when I came back to call. All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.

2.

They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave. I had my portrait
done instead.

Part way back from Bedlam
I came to my mother's house in Gloucester,
Massachusetts. And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could. She had my portrait
done instead.

I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care. I had my portrait
done instead.

There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
singing together. My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven. They had my portrait
done instead.

3.

All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again. To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.

They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.

4.

That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
gone wild. Surgery incomplete,
the fat arm, the prognosis poor, I heard
them say.

During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it. But you were mine
after all.

I wintered in Boston,
childless bride,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me. We laughed and this
was good.

5.

I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.

All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats

and August tan. And you came each
weekend. But I lie.
You seldom came. I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid

stranger. And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.

That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.

We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.

6.

In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.

In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image. She eyes me from that face
that stony head of death
I had outgrown.

The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own
Dorian Gray.

And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time -- two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.

7.

I could not get you back
except for weekends. You came
each time, clutching the picture of a rabbit
that I had sent you. For the last time I unpack
your things. We touch from habit.
The first visit you asked my name.
Now you will stay for good. I will forget
how we bumped away from each other like marionettes
on strings. It wasn't the same
as love, letting weekends contain
us. You scrape your knee. You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.

I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you. I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
of herself. We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it. I made you to find me.
leaves are turning brown autums on the way

sky has lost it blue now it turns to grey

temprature is changing grass begins to brown

leaves they cover pavements as there falling down.



tree are standing bare no leaves to be found

leaves that they once carried now lying on the ground

creating autumn scenes mother natures way
such a lovely picture on an autumn day





such a lovely picture a lovely time of year

pictures we all love when ever autumns here
Garrett Glenn Feb 2010
The glow of a midnight moon touches
The tears of night’s cold gaze.
The moor rolls heaven’s stars
On into the great forest.

Who will ride to the grove
During autumns chilly nights?
None other than the moon worshiper
His cloak loose and divine.

Knots of the Celts painted on his face
His eyes envy green.
To the grove he rides to meet them,
The druids of his own clan.

Their horses hushed at the grove’s edge
A circle formed with rocks.
Each flattened stone with a symbol,
Matching each of the worshiper’s cloaks.

Chanting begins slowly
Their arms raised to the sky.
To the moon they pray for life itself
Pray they never die.

The fire burns brightly
From the moon to the druid’s heart.
His soul one with the forest
With the fire he heals its pain.

The ivy begins to sprout
From the trees of the grove.
From his hand to his fingertips
The moon begins to glow.

The yellow glow swirls round,
The great plants begin to grow.
The runes pulse with ancient light
The elders raw power.

As their eyes burn bright
The trance still strong.
The worshipers chant slows slightly
His eyes still envy green.

The arms all fall.
Their heads swing low.
The runes stop their humming.
It has been done.

To his horse he walks,
On its back he mounts
From the grove he rides on autumns night,
The forest now full of life.
Nishu Mathur Jul 2016
It is the same garden that holds,
Prickly rose bushes,
Healing basil and spritely marigolds.

It is here the bees fly, birds rest their wings,
It is here every morning the nightingale sings.
It is here the hare scampers, the squirrel scurries,
The snake slithers, the rodent hurries.
It is here the gecko hides, the worm crawls,
The bat flies when darkness falls.

In the mud and the dirt, the soil and the gravel,
In coarse little stones, smooth little pebbles,
In  topaz skies, in waters azure,
In a lotus that blossoms in a world impure.
In the siesta of flowers, the fiesta of leaves,
In the dance of raindrops serenaded by  a breeze.
In summer's golden glare, autumns russet finger
In the green breath of spring, the white hand of winter..

Beauty in His creations, in every season,
In every color for a rainbow of reasons.
Each special and each rare,
Each, in a bough or burrow,
Has a niche somewhere.
Di Nov 2011
Oh laughing maid of carefree days held in sunlight’s last embrace,
You’ve shed your hues of emerald green,
Dawned earthy tones and hide your face.
Behind a veil of falling leaves,
I no longer see sweet summer’s blush,
Gone is she that twined the flowers,
And brought forth the warbling hymn of the thrush.
The winnowing winds replace your song,
Scattering mortal leaves away,
As billowing clouds condense above,
You cannot keep the cold at bay.
Beneath your new bower of crisp pine,
You sit enthroned in gold and red,
Gone is the laughing child of the sun
A regal woman sits in her stead.
Yet do not mourn for what you were,
Stately autumn holds a new delight,
You hang ripe fruit upon the tree,
And paint the ground with ice at night.
And if perhaps you still while away,
Dreaming of the mirthful joy lost,
Know that the sweet girl of the light,
Will be borne again from winter’s frost.
Please critique

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