I have lived in the shadows
Of the melancholy lie.
One that I have weaved
So many times.
I sharpen the needle,
That has sewn together our souls.
I shall stab it into your heart
And  watch your eyes turn to coal.

I will shatter your heart
As you have done to mine.
Leaving you burdened,
Tortured by this crime.
Tears shall stream down
Your monstrous face,
As you realize a demon
Has taken my place.

But,
All of this talk is just a fallacy.
See,
What I really want,
Is it to be,
Just you and me,
Imprisoned by our antagonizing lust.
Never being able to trust.

Yet,
In constant obsession,
Possessive,
Of our undeniable love.

Being that there is no hope,
I shall make amends with my scapegoat.

Just wishful thinking
From this little girl.
Wishful thinking
That makes others curl.

Still,
It is wishful thinking
That keeps me alive.
Wishful thinking
That makes me want to die.

Wishful thinking and a smattering
Freckles sprinkled across her cheek
A winking *** brought tight aloft
A slick line of buttery soft
Feathery light against my find
A curve brushed with a fingertip
My smile flipped slid away
Her mouth flashed a blurred flirt
She touched the flush
That brought the heat her lips flicked
Eyes closed with a bunched fist
Hair tangled as her fingers wove
Lips parted brushed a last kiss
Heat gone left with frayed thoughts
Wishful thinking as she slipped away

cc1210

Wishful thinking of us entwined
Romantic meals we wined and dined
Such perfect times that we both shared
Promises of love that we both shared

Holding hands our love so divine
Wishful thinking of us entwined
Under full moon we planned our dreams
Romantically and so serene

Ecstasy with a single touch
Pleasured, enraptured by our love
Wishful thinking of us entwined
Words of love for you, I would find

Dreams we cherish sometimes die
The ones we loved have chosen lies
My broken heart for now I pine
Wishful thinking of us entwined

Wishful thinking
doesn’t get you far.

Wishful thinking
digs you into a hole,
straight down
into the ground.

Wishful thinking
is one of the only things
that can completely
hinder a person’s ability

to keep on down
the path of moving on.

our tram rides are loud
words spilling out like loose rice
scattered round our feet
bright blue, silver, darkest black
jackets soft and warm
eye contact that lasts too long—-
immediately
overanalysed, I know.
my wishful thinking,
it often gets out of hand.
walking in the dark,
my hands are cold and lonely
our eyes glance sideways
too much, and yet too little.

Everyone talks about depression as if they know it.  

But what they don’t know is that depression is a hooded figure standing just outside of a wooden doorway,

it’s feeling the blood dripping down your skin and having the sick thought of  “Oh, look how beautiful the red is” (they always say red is my color).

Depression is lying on your bed for hours on end, salt tracks lining your face like the scars on your ankles, staring at your ceiling tracing patterns in the paint and accepting death in life with this hole in your chest because death is a reward, an escape from this pain you deserve to feel.

Depression is writing sick poetry on skin and publishing it with scars, cutting on ankles, not wrists because you’re scared you’ll get in trouble but you so desperately need to be seen, and never are.

Depression is writing the word “alone” and seeing the word “home”, accepting the pain like a gift because you deserve it.

Depression is admitting suicidal thoughts to paper and not to people, and loving the broken things, hoping to tie them together, thinking maybe things will get better, but knowing that’s just wishful thinking.

Depression is hearing your mother call you monster and disgusting through the too-thin walls of your door when she thinks you can’t hear, and then telling you to your face that you have no right to cry, as if sadness is a privilege and you’re so pathetic that you don’t deserve it.

Depression is shutting yourself up in your room and hearing your family laughing downstairs because you feel like you can’t be a part of them and learning at a young age to love family always but that family isn’t always love

Depression is wanting to take love and your heart and break them into tiny little pieces and throw them into waves, to throw them away

Depression is a foot when the shoe hasn’t been broken in yet, is you when you haven’t broken life in, is seeing happy people and thinking they all look the same, like the front covers of magazines with smiles reaching their eyes when yours can’t.

Depression is wishing you could package your smiles into tiny little piles and hand them to people more deserving of them because you know you’re wasting them with half-assed lines of “I’m fine”

Depression is having to view your past as if it wasn’t yours, because to accept it as reality is to accept finality of your life through suicide.

Depression is a hooded figure standing just outside of a wooden doorway and when you close the door out of fear it keeps pounding, possessive, ******, and when you open the door out of anger you shout, “I’M SCARED” to thin air but your voice comes out as a whisper.

I spend sinful nights
Thinking of you
Because I know it's wrong
When I have someone waiting
On me

But it's hard you know
To forget your first
That gave you so much
To remember them by

You're like my second
Star to the right
My lost boy who's so
So childish
Yet somehow
So mature.

But I think it's just
Wishful thinking
When I wonder if
I pop into your head
When you're trying to sleep
Like you do for me

Just so wishful because
I just really wanted to be
Your best friend
And maybe even
Something more


They say people who are meant
To be together
Will eventually
Be together but then again
That's just some
Wishful thinking

before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

Did you know that every time he searched your eyes,
While he pushed deep-
That his emotions passion and lust was equivalent to her?
For every time he traced his finger tip down your spine;
your hands grasped to cover more surface.
Cotton.
Polyester.
Satin,
as you braced for smooth impact.
He only understood the similar love language he shared with her.
With you-
craving of possessive feelings,
Proving your worth to him
asking for time via a clock whom hands couldn’t unwind
Separate.
Disintegrate.
A Minaj a trios-
unbeknownst to you existed,
Co-starring you
For every soft connection within each curve...
Your identity was a reflection of another.
For all the things you projected
Marriage.
House.
Dog.
Children.
His capability of taking you to ecstasy,
Lead you here
Had you any clue?
This little game called life,
Excluded the other woman (you).

I want to fly,
I want to roam,
To look into the eyes of the deep.
Where to thou a tiger lives in peaceful eternal sleep.
If only thou would understand the writing coming from this hand wants more than average,
More than normal,
And no one to a bide.
A time to jump,
A time to roam,
A time to call her very own.
No, alas, thou doth break my hope,
Spear my ‘venture!
If only thou tried to understand the writing coming from this hand yearns for hope,
A deep blue sea,
A nothing,
An eternity,
If only thou would understand the writing coming from this hand.

(In a vacant church Little Girl and Big Man sit on a parish
a few feet apart, in between them lies a book titled"My Feelings".)

(The curtain opens. Little Girl sits staring at Big Man. Big Man gets up and goes to the statue of himself in front of them for a closer look.)

Big Man: Will talking in person really make a difference?

Little Girl: I like to think it does.

Big Man:  (turns to look at her incredulously.) What wishful thinking, you're so naïve.

(Little Girl opens her book and starts to read aloud.)

(Big Man cuts her off with a noise every time she starts to say something until she falls silent.)

Big Man: Just as I thought, it doesn't change anything.

Little Girl: But you don't-

Big Man: (cuts her off again.) You just can't let things go, that's your problem. I told you I didn't want to do this, yet you dragged me out here. It didn't accomplish anything!

Little Girl: That's because you don't even want to listen or try to talk, you just want to yell and blame me!

Big Man: That's enough, this conversation is over. (Walks off stage right.)

(Little Girl screams in anger and throws "My Feelings" at the Big Man Statue.)

(The Curtain closes.)

Blue clouds gaze the wrapped sun
frozen kisses in my blood
travelling a thousand miles
to meet up with you.

There is none else walking
down this path where memories
wake up and dance
inside my armored heart.

I peeled off each kisses embrace
out of my parched lips.
I shook off the tree,
where your scent had blossomed.

Every step down this scarcely trodden path saw...
Each peel fall with helpless, damsel-like grace.
Brown leaves shone amber touched by fingers of the sun
Invasion of warmth through my greyed bony carapace.

Gentle tremors reverberate within with subtle anguish.
Sweet scented portal that took me back,
To the illusion of time where we once were...
In drunken stupor...laying under a star strewn canvas of black.

Senses that spoke of a great fantastical tale.
You are still here... In this cloying void with no one around...
Only that scent...your scent tugging on my core
Invisible tendrils berthing my feet back on ground.

Alone and wanting don't want to be anymore.
I want to feast my lungs on your skin once more.
I want to vibrate under your touch again,
In anguished anticipation and sweet pain.

I hurl your name to the echoing wind,
Blowing ferociously over the closed passage.
Only to find that I'm but elongating
the distance between our fading wishful stars.

Fading far only to find that I'm lost yet again,
Still harvesting a basket full of ripened hope.
Traversing planes with warped, slanted doorways,
Frantically seeking purchase on knobs with fevered gropes.

Heavy layered breaths inhaled too shallow...
Tracing missteps to decipher what it all meant.
When all is moot...weary, weathered and futile,
Forever I'll be bathing in the familiarity of your soothing, nectarous scent...


Dajena M
**ryn

coffees are my one-way ticket to contemplation–
to realizations and dramas
it shapes my eyes
to view life like a panorama

coffee makes me think
about the world,
the people
and both combined

coffee connects me to the crowd
to their lives,
mishaps
sometimes shared with mine

coffee gates to different events and realities
it awakens wishful thinking
and kicks curiosities

coffee, summed up
is a friend
of all those who've got their heads in their *****

it is a guru of life
love,
and other life experiences


                                                   ­       a.t.

underneath the covers, no worries of lovers
too busy focused on the uncovering of all my budding flowers
of all my seeds sproutings, if spirit is allowing
springtime is my favourite, it's a fresh start
to be better and bigger than before
to pick yourself up and wish for more
so I will wish for more, more than men who are decor
so I wish to explore, a man not plagued with internal wars
one that is not afraid to see what lies behind the door
one that is not afraid to let their heart pour

Enter the world of color
Of competition
And danger.
Where all things seem possible and
Nothing is unexpected
Where enemies
Are tricky
Cunning and  just plain stupid
Fat and lazy.
Where an Italian man
With a moustache
And wearing red
Screams
"Let-se-go!"

Yes that is the world I
Am speaking of.
The world of the wishful,
Dreaming they could live in it forever

Been wishing on shooting stars for you,
but it seems even a meteor shower won't do.
Seems I've been shoving at this frame of mind,
looking for positivity of some kind.
But you, you just won't cut it.
You'll come and go, spewing out *******.
But I don't have any time for pettiness.
Especially not for a beautiful face so pitiless.

That's not to say mind you,
that I need pity, that's not true.
But some sort of conscience would be nice,
just to be sure you don't have a heart of ice.
You're a fiend for affection,
that's your greatest affliction.
The desire to be desired drives you,
a temptation we all long to give into.

I'll indulge you as long as I might.
In the end perhaps we could be quite a sight.
If ever I can relieve myself of this unsightly vendetta.
Then perhaps we will move forward, things will get betta.
But maybe it's all just wishful thinking.
Like window shopping for dreams, wishful thinking.

I wish, wishfully to wish a wishful wish.

The poor keep moving
as if relocation
could reframe the algebra.

They cannot see that repetition
traces patterns
in their life.

New beginnings become as hopeless
as stale finales
of debt and desperation.

Wishful thinking makes for certainties
gambling against the odds
of possibilities.

Whispered prayers and incantations
leaves no space
for reason’s compass to steady and settle.

If they stood still and mapped the moment
both sides of the equation
would simplify

and they might construct
a new geometry
of anger.

© M.L.Emmett

This one's for me
and I'm gonna watch it burn.
Watch it flicker and pop and crackle and spit.
Gonna take lessons on how to dance with the draft,
also hoping she doesn't ******* out.
I'll make poems out of smoke and shadows
and fading, lonesome, sepia-tone summer photographs.
I want to make dusty picture frames feel like well-loved tuxedos.
I'm gonna see if candlelight can be all the company I need to keep.
Gonna sweep this floor clean,
like it's not what we say, it's what we mean
between the lines of
one too-polished table setting:
one knife,
one spoon,
but two forks for wishful thinking.
I'm gonna eat my fill
and fill my cup again and again,
to the point that I begin to make conversation
with my reflection in the bathroom mirror.
I'll tell that *******, "My friend, you are drunk."
and he'll tell me, "Kid, look who's talking."
Then it'll be back to a glass
that treats its brim like a suggestion.
Gonna have whisky and black lager and champagne
'til my toes and thumbs tingle.
Thin blooded and numbed;
Steeled by my father's novocain.
Come morning, this house couldn't get more hollow.

In these hallowed halls where I wallow in the way that
I only seem to appreciate the preciousness of days
Once they've passed,
here's what I'm gonna do:
I'm gonna write questions on one side of the wooden window blinds,
and write punchlines to completely unrelated jokes on the other.
I don't know why. Maybe just to **** with people.

I'm gonna reminisce with full streets of ghosts
That glow like kerosene lamp posts
all the while, stomping my feet, just to prove that I can.
Gonna make toasts to the isolated;
to the quarantined and the misanthropes.
I'll boast that lovers are not unlike poachers,
but I'm not gonna mention that in every other under-cover dream
I seem to swoon like ivory elephant tusks.
I'm gonna gamble on Dusk
because I think it's got a little less honesty,
but a little more promise than its
attention-*******, good-for-nothing, go-getter big sister Dawn does.
That flirtations *****.
Gonna give Christian names to half drawn caricatures
of people who only ever existed when the lights died out
and the snow fell heavy.

I'm gonna let the levies break.
I'll go insane, just ******* lose it--
do the Boot-Scoot-'n'-Boogie in a onesie
with the hind flap flying free and the Greek Theatre masks of
Comedy and Tragedy painted on my *** cheeks,
(because no one should ever take their art too seriously)
And I'm even not gonna even care who sees,
partially because there's no one around to watch anyway,
but mostly because I want,
more than anything, to just be me.
Or at least I want to want that.
See, I read somewhere that,
"You should always be yourself…
unless you can be a unicorn,
then always be a unicorn."
And that really struck home for me because,
even though I've never really ached to be
the ******* love child of a Narwhal and Zebra
(In my imagination, unicorns are
striped and impecable swimmers)
I truly believe that Men will always dream of being Titans
and Titans will always dream of being Gods
and Gods want nothing more than to be Wind--
to twist with lit candle sticks
and teach the lonesome how to dance.

A one-step waltz tip-toed to distract.

But the fact is, I'm bound to take a few back steps.
I'm gonna think about her.
Gonna harbor hard feelings towards back bedroom dealings
that I have no right knowing about.
Gonna pray like a desperate atheist
that they keep their knees locked in a one night stand.
I might break down.
Only once, just long enough to regain my strength.
Then I'll tame the earthquakes in my hands, like I always do.
Gonna find what it takes to move on.
Not just regenerate, but to grow stronger than I ever was before.
So I'm gonna meticulously straighten these place settings:
One knife.
One spoon.
A healthy dose of wishful thinking.
Gonna try my hand again at dancing with the back draft;
I heard she's been aching for a duet,
and with all the life of candlelight
I'm gonna ignite the coal shafts beneath my eyes.
Gonna finally see me as the man I am,
not the titan I wish to be,
because I heard somewhere that,
"You should always be yourself…
Especially when all you've known
all you've ever shown
is some mythology."
So raise your glass because this one?
This one's for me.

Sleep wishful hopes that the day will come and I wake once more.
Can I lay dormant  waiting till I awaken still, silent reborn.

We slumber and construct the existence Of the next day, we
Wake to a pre-recorded continuation  till we sleep again.

Darkness pervades; an empty whole.
Tears fill this broken bowl.
The nectar too salty to quench the thirst
A brutal reminder of what came first

A Blackness, a Void. God illuminated into being.
Beauty, Belief, Faith - a false way of Seeing.
The futile attempts to make the hole whole,
but it's Loneliness that resides in our Soul.

In every being sprung into existence
the Romantic effort of Man's resistance
is Love, hailed as the Cure.
But ask yourself, "Are you sure?".

At a life with Loneliness by our side
Love's importance becomes amplified.
But Love is just a wishful lie
it is Loneliness that embraces us as we die.

As night spreads its ribbons of darkness
Loneliness taps at my window pane,
But too lost in reverie am I
To pay heed to its doleful refrain

Wishful thinking helps me to escape
From the madness of Life's fickle ways;
Though make-believe is a tangled web,
I thrive in its ethereal haze

How sweet the proverbial nectar
That flows from his lips onto mine;
What bliss I derive from a romance
Only my wild impulse could design

I swoon at his expressions of love
Sung and spoken in poetic verse;
(Though at times my heart scoffs at pretense,
Seeing not a  blessing, but a curse)

Yet, when I gaze deep into his eyes
I thrill to see love's reflection there;
He need only take hold of my hand
And together we climb Heaven's stair

O, how painful  are the loveless hours
Of reality I must endure;
In my dreary solitude I find
Wishful thinking holds a strange allure

Ah! but then reality holds sway ---
Once again the snake devours the dove;
But wishful thinking soon restores my peace
With its exquisite mimicry of love!

Darling, forgive me for my wishful thinking,
but I’ve been passing up a lot of pretty pennies lately.
Ever since you caught my eye in between those box seats
I’ve been tossing you pick-up lines as worthless as the
gum on my shoe. Silly me, for thinking that you gave
me another chance after you wished me well, and
well, I wished that we were more than “just friends”.
Darling, forgive me for my wishful drinking,
but I’ve been trying to pass up a lot of heartache lately.
All the times that I’ve paid mind to you, aren’t well spent.
So, this is my farewell, but let me tell you it isn’t fair
that you lost interest in my expense. Then again, shame
on me, for wishing for change after I threw it all away.

Y can feel the cold wind
the moon is high , the lion inside
crawls , the helmet stop the metamorfosis
mi tooths are sharp my roar is crawling to
my throat .

in the night , think in licans , mi hearts is with them
mis claws are poping out , the lion is out ,
and y feel pity for the little creep .

mi head is booming and i can't stop , the roar
is stock in my throat , it comes out , is not a howl ,
is not a cry , is the lion in my guts asking for a way out ,
his claws , are my claws his teeths are mine ,

y think in the beauty , and her beasty **** eyes ,
a roar comes out , the bikes speed up , thinking in
gonzo  ,  running his bike ,  touring his lican ,
avoiding the **** , a claim for mercy for the
mortal , while the beast crawls for the skin .

suddenly the beast is out , everything around you sounds
different, night is yours , the claws are out ,
feeling pity and a rush , loews night , the effect is cool .
you keep speeding up , you feel the rage , making your roar ,
put fith , 120 km. are enough , hopefully .


you speed up , the bike don't go faster , the rage is booming
the eco in your head , claims for the blood of fresh **** .
the full moon talks your language the city is your hunting ground ,
thinking in lestat ,  hearing bach under a howling moon  , the claws get to your gloves popping out, full moon again son , carefull says lestat voice .



but the full moon talks your language  ,  she talks to your lion ,
she says in his ears , feed lion feed , take your paws , use the fangs
the city is your hunting ground , the lion is out your eyes are red
the beast took your heart , think in dogs , licans are lucky they have their clans , youre alone  ,  the city is ******* yours to take , the lion's walks alone .


think in nat geo , hoping they show some fresh **** ,
hoping for a lions feast , eating , with ****** faces , and a full
mouth , thinking in
mi lyonnesse . feeling ***** , the beast is out ,
cant stop , looking people like prays , in your hunting
ground ... every one is a pray  , looking for a child molester ,
for an assassin , there's no crime in killing creeps , the lion
makes excuses , for the **** , moon is up , you wait for a while
then speed up , and again thinking in the little creep . you scream impotent , it was your right , little beasty knows , he was lucky  , now they know how lucky they ***** , claws come back in . your  lucky to be live .

the moon is gone the lion is in , waiting to crawl back out , thinking in the running , in the heart of a creep , the feast of eating his creepy little heart , gas is enough , y will make it to the  cave , thinking in beautiful
lionesses , naked lionesses , their skin their softness , thinking in the
beauty that loves you but is too scared to face the music in her chicken **** heart , good tastes  too many wrongs , she  cant handle it .



the lion crawl back in ,  the helmet deed his job and protect mi head ,
the blood taste in my mouth , feels good , the fang is always out , like
a remainder ,  a message to your face , be cool , the bike brakes in the red light , you look the little creep , crawling to you , you see his dog out , he smells you , the roar scares him , his creepy yellow eyes , but he knows better .


the hummingbird of the morning sings , talking to the sun , mi eyes are hurting me . the night was good no one died , only the lion ,  rest in peace , very deep inside my chest .
the blood moon wakes you up , think in the coliseum ,the  loews feasts
the killings , the blood , the roman ladies , in the streets no one , looks at you , beneath the monet sykes , everyone , walks with the certainty , for their  own certainties , the blood moon wakes every cell in my body the lion claims for a way out , y only see prays , in a ****** red moon .
    


the house is quiet , my teeths are in , y bite my lips ,
take the shorts  up for a run  , throwing all the rage , in the ****** moon the creeps knows better ,  but still , thinking in the cowardness of being inside , having a creep , inside a ****** closet with 80 years old , pitty is an excuse , he knows better deep in his creepy little heart knowing he was ,  only a lucky little rat .


the feast in natgeo , is cool thinking in the creepy enemy , getting eaten alive by hyenas , eaten to the bone , screaming for mercy , thats  happy
or wishful thinking , oh the beast is there ,  yet , deep down you know that is there , waiting  , looking the prays , but that is the secret , that everyone have  it , only few knows it , and control it , as y do
screaming and roaring beneath the ****** moon .



now i'm calm waiting for a day sleep , having the certainty that my beast is controlled , and the blood feast , are just my wishful thinking .
in the nigth ride , think in blake , tiger tiger in the night .
why your eyes shine so bright , that's my line , your eyes shine , the night is your day , the creep is everywhere , here i am  scream some creep defender , thanks the lord , for your life , and dont scream at me defending that crap . the lion talks to people , don't defend **** ,
luckily i'm used to hold on and hold back , in the ****** night , someone says here we are ,  y say , so what , nothing works for you ,
, whats the point , of being there , illogical and creepy , think again your lucky to be alive . y hear knives out by radiohead and  y think in destroy that creepy evil little rat , that almost destroy mi life , and y say to the rat your ******* lucky to be alive .

       c'est tout, je adore.

Love* can conquer all
But so can *war
So be careful
What you wish for

You don't see me in the night,
My ears pricked for every sound I hear
In the dark, like a stag poised for flight,
And my conscience seeing surgery,
Each sound a cut to my ear.

Guarding your thoughts with my warmth,
Enclosing you with my poised embrace
In the dark, barely breathing by your ear,
And waiting for night to end
Its careless gentle march
Before your breath must cease.

Staying up til morning to see you safe,
Knowing you won't see me standing over you
In the dark, fighting the sickness with my eye,
And hand gently stroking your hair
Until our fragile bodies fade
And your wishful dreams hold true.

All you do is ******* take
Take! Take! Take!
All you want is all of me
And I can't give it to you
I wish I could but it's wishful thinking
Wishful thinking like a dream
Like wishing upon a star
It's not as it seems
We won't last forever
And it just won't be
So leave it alone
Why all the fuss?

A few seconds of his face
A glimpse of a biological pull
A desire to push and pinch
To slam and hold dear

Frissoning blossom
Blossoming feelings
Feeling warm
Feeling cold
Chilling heart
melting once more?

-

Not really
More of a pull
attraction caused
Causing strange
thoughts scattered
Wait, what?

-

Is it you
I'm wanting
I'm wishing
Wishful thoughts
Thinking of you
Your smile
smiling cutesy
Smiling for me

(I'm) weird,
(Your s)mile's
weird as well
Smile for me
(Make me happy)

NOTE:  This is a short story; not a poem.  (author)

(Sometimes when you don’t know something can’t be done, you discover a way to do it.)

High at the top of a tree in Forest Park, Parker Squirrel lived in a nest that his mother had built from a hollowed out place inside the trunk of an old oak.   A large branch forked away from the main trunk and a hole in the bark conveniently served as a doorway to the outside world.  On one particular morning, Parker poked his head out from the doorway of his home and looked around very carefully at his surroundings.  It wasn’t the first time in his young life that he had peeked at the outside world from his mother’s nest, but this time he was more alert and cautious than he had ever been before.  Today he was orphaned and all alone.  Sometime in the dark of night, while he was hiding deep inside the nest, he was forced to watch in terror when a large owl came and took away his mother.  So today, feeling very timid and afraid, Parker made every effort to look in each direction before leaving his cozy home to explore and search for food.

Just ahead of him he saw that the rustic ranger station stood like a monument, to welcomed visitors to the state park.   On his left he could see the foothills of the purple mountain range.  He knew that these foothills and their woodlands were all part of the place called Forest Park.  Off to his right a dancing brook bubbled along the edge of a grassy meadow.  In its tall grasses he saw a white-tail doe playing with her newborn fawn. There seemed to be no danger in that direction, so Parker stretched his neck upward and watched as white, cotton-ball clouds floated across the azure blue sky.  Finally he looked down at the ground far below just in time to see a large toad quickly hop under the cover of some wild mushrooms.  Still, he sensed no danger.

Unfortunately, in order to see the forest behind him, it was necessary for Parker to leave his nest and climb around to the other side of his oak tree. And that was a problem for Parker, because the little squirrel was still much too timid to take such a chance.  Instead he stretched as far as he could to look around the wide tree trunk and into the woods.

Glancing back into the forest, Parker saw more tall oak trees with their strong, stately trunks.  He saw a scattering of white flowers that revealed the presence of dogwood trees.  A stand of sugar maples displayed their graceful branches and delicate leaves.  He also noticed some early spring flowers and wild mustard plants splashing bright yellow hues against the fresh green Indian grasses where a tiny meadow carpeted the outer edge of the forest floor.

There were no owls!

Even if they were hiding where he couldn’t see them, Parker would know they were there.  He would be able to smell their unmistakable odor.  To nearly all rodents, the owls have a peculiar stench that is putrid and foul.  And even a young squirrel like Parker would recognize it at once.

The young squirrel was fascinated by all he saw.  His furry skin tingled in the warm glow of the bright, noonday sunshine, almost making him forget the tragedy of the previous night.  Parker had only arrived into the world about six weeks ago, but in squirrel time that meant he would soon be approaching young adulthood.  He had always been cozy and comfortable, cradled in the nest his mother had built in the tall oak tree.  He had always enjoyed foraging with her for seeds and nuts.  The pantry was partly filled, even now, with acorns and hickory nuts, which emitted a woodsy aroma that reminded him of his mother.   He loved the wonderful world he saw from his perch and his heart was so happy that he began to chatter a new springtime song, which he seemed to hear playing all by itself inside his head.

Parker was so enthralled by all the new sights and smells filling his senses that he nearly outstretched the length of his body as he leaned outside the doorway to his mother’s cozy nest and suddenly he fell and tumbled onto the forest floor beneath him.  He landed with a horrible thud!  The little squirrel landed on his back into a clump of moss that grew beneath the tall oak, which only moments before had been his citadel.

  “Ouch!” chattered Parker as he recovered his breath.  The fall had knocked the wind from his lungs but as soon as he discovered he could breath again he checked himself all over to make sure he wasn’t seriously hurt.  Then he began to explore the forest floor.

The little squirrel was so excited, as he ran from one discovery to another, that he completely lost track of time.  Before he knew it, he was a long way from his mother’s tree and it was growing dark.   The little squirrel ran from tree to tree looking for his home and finally he stopped at a very tall oak.  Parker was certain that this was the same tree from which he had fallen, so as fast as he could scurry, he climbed up the trunk, searching among its branches for his mother’s nest.  When he failed to find his home in the trunk of the tree, Parker finally realized that he was lost. The young squirrel had exhausted all of his strength running through the woods.

Afraid and suddenly very lonely, Parker was also very sleepy and hungry.   Since he had no food and didn’t know what else he could do, Parker curled up into a ball at the crook of a branch and fell asleep.  Next morning Parker searched the tree again for his home.  To his surprise he stumbled upon a strange nest made up of branches and twigs of oak built close to the trunk of the tree.  This nest seemed substantial and well built.  The interior of the nesting cup was about eight inches across and five inches deep.  Although the nest looked crude from the outside, its bowl was delicately and warmly lined with a combination of moss, feathers and leaves. It was about seventy-five feet from the ground and two fledgling crows were sleeping inside.

An older squirrel might have killed the baby crows for food and driven off the adult birds when they returned, but Parker just climbed inside the nest, curled up beside the sleeping pair, and fell asleep to dream about where he would find his next meal.

Parker’s sleep was interrupted by the noise of the two young birds’ loud clamoring for food.  Their incessant calls were being tended to by the mamma crow, which had returned to the nest and was now busy stuffing their hungry mouths with an assortment of seeds and worms.  As strange as it seems and much to Parker’s surprise, the mother crow also began stuffing his mouth with food just the same as if she was feeding her own children.  Although he didn’t like the earthy taste of the worms, Parker was very hungry and he swallowed every bite.  He found that he was actually quite satisfied with the meal.

Parker soon learned that there had originally been six baby birds occupying the crow nest, but sadly four had recently been taken by the owls in nighttime raids.  Perhaps the loss of her own children was the reason the Mother Crow decided to adopt the baby squirrel and began feeding it along with her own young.  In nature there are many mysteries and not all of them have easy answers.  But, whatever her reason, one thing is very certain.  Parker Squirrel had been officially adopted into the Crow family and he now had a new mother and a new home, complete with a brother and a sister.

Parker’s new siblings were very close to his own age, which meant they soon would begin standing on the edge of the nest and even leave to nearby branches of the tree when they were being fed.  In the course of another week they would be leaving the nest and taking their initial flight while being watched, tended to, and protected by their adult parents.  So Parker had a great surprise awaiting him. He didn’t know it yet, but in just a few days Mamma Crow would be expecting him to learn to fly.  Of course, squirrels, by nature, are curious and quite acrobatic and no one had ever yet told Parker that he couldn’t fly like a bird.   So when the time came for Parker and his siblings to make their initial test flights, he spread his arms and began to flap them hard, as though they were wings, as he leaped from the nest.  Naturally the little squirrel tumbled down once again onto the forest floor with another thud.

Encouraged and nudged along by Mamma Crow and by taunts from his new brother and sister, Parker tried again and again to fly.  Each time he tried flapping his little arms like wings and each time he fell to earth with a thud.  Soon his whole body ached with painful bruises from his many falls.  But even more than the motivation and prodding from his new family, Parker wanted to fly.  There was something inside Parker that made him want to keep trying.  Parker really did want to fly.

Immediately after being adopted, Parker had begun foraging for his own food by pure instinct.  When he found acorns and seeds he brought them by mouthfuls back to the Crow family’s nest.  But now the urge to fly was almost as strong inside him as his urge to scour the forest floor for acorns and nuts.

At night Parker dreamed about flying.  As a younger squirrel he had often dreamed about being a “super squirrel” that flew around the forest, from tree to tree, doing good deeds and fighting off the evil owls with his super powers.  But the urge he felt now to soar through the air was different from the wishful thinking of a childhood fantasy.  Parker felt that he had to fly.  He just had to.

He thought about why he wanted to fly so badly.  It was more than the fact that his new brother and sister could fly.  There was some important reason deep inside him that made him yearn to soar from tree to tree.  As time passed Parker met other squirrels in the forest and he knew very well by now that he was not a crow, so why couldn’t he just be content to be like the other squirrels and forget all about this nonsense of flying after all.  He thought that perhaps it was because he remembered what the owls had done to his mother and what they had done to those siblings from his new family that were taken before he even had a chance to meet them.  Perhaps now, he thought, he was just afraid and only wanted to fly so he could escape the danger of the owls.  Maybe he was just a coward.

The next night when Parker went to sleep he dreamed again of flying.  But there was something different about this dream.  In his dream Parker was not flying like the crows fly.  He didn’t flap his arms up and down like wings.  Instead he just glided and soared with no effort at all.  In this dream he could actually feel the wind flowing over his body as he glided from one tree to another.  When the sun came out and awakened him from his sleep, Parker couldn’t wait to try again.  This time when he jumped from the nest he would not flap his arms because, after all, arms aren’t wings are they?

Before anyone could stop him, Parker leaped from the nest.  He began to fall straight down, but instead of flapping his arms up and down, he stretched his arms and legs out as far as they would reach.  Then, suddenly something happened.  Instead of dropping to the ground with a painful thud, Parker started gliding.  He didn’t fly far enough to reach another tree, but he was able to glide to another branch on his own tree.  After recovering from his own surprise, he looked back to the nest and he saw his mother and brother and sister all standing on the edge of the nest with looks of amazement on their faces.  They were all calling out to him to try it again. This time, having learned what to expect, Parker glided all the way to the next tree.  After a few more tries, Mother Crow was flying right beside him.

One day Mamma Crow told him to follow her.  “Come with me,” she said.  “I want to show you something.”   And he followed her, gliding from tree to tree.  She led him to a new place, deeper into the woods than he had ever been.  Soon they arrived at a place in the forest that almost seemed enchanted.  He was very surprised to see that were lots of other squirrels gliding from tree to tree just like Parker.

“This is your new home,” said Mother Crow to Parker.  “You’re not just an ordinary squirrel, you know, you are a flying squirrel.”

Then she told him, “From the day I first adopted you I knew that you were special. But you had to discover by yourself who you really are.  Here in this place you can be safe and make friends of your own kind.”  After saying goodbye and wishing him well, she waved at him and, looking back one more time, she flew away.

Well, that is how Parker learned to fly and how he discovered who he really was.  After that he continued to live a very happy life with his new friends.  The owls never seemed to trouble him in this part of the woods.  But he never, ever, forgot about Mother Crow and the family that adopted him. Even to this day, Parker often stops by the nest with a mouthful of acorns and nuts.

Let me get to know you inside and out; let me get to know your biggest fear and what type of soup you like, tell me more about how you like smoking at two am to clear your head, let me get inside your brain and not just your mouth

Speak to me more than just in body language, tell me stories of your childhood you never dared to repeat, relive the best memories with me in places so void of aging we're convinced we're timeless

Get to know my scars inside and out and let me keep my bandaids for as long as I need, kiss my bruises and tell me that getting up is a process and you'll be trying too, convince me that nails are meant to be broken and laughter is meant to sound hoarse because everything in life is messy and that's the beauty of it

Please, let me know that we're okay - speak louder than their words and look me in the eyes, don't tell me lies coated in beautiful letters, tell me truths so raw it'll burn your tongue and pierce my ears; tell me that we were meant to burn but burning alive never scared you, take my hand and lead me into a forest so dense I won't be able to find my way back and hide the flashlight, let my instincts guide me to you and for the love of god don't let go of my hand when I run back to you

Convince me I'm whole and let me show you you're broken, kiss me goodbye and let me teach you why hello is my favourite word, entangle me in kisses and let me be your oxygen when you're left breathless;

help me believe in 11:11 again

A thousand things that run amok in my mind
Issues of present time that seem unkind
But if closely examined, this whirlwind of thoughts
Glimpses of rainbows, unicorns and gold-filled pots

Embedded within this maelstrom of uncertainty
Promise of niceties, of peace and serenity
Picturesque views of limitless artistry
Bring forth such joy and love and tranquility

Like a book of thoughts offering surrealistic images
A barrage of scenarios as I flip through the pages
Images that spoke of untold alternate endings
That is borne out of the heart's delicate beginnings

Engulfed in a blissful torrent of emotions
Caught submissive, in the riptide of affection
Frame by frame I could play, pause and repeat
Document joy and sadness, victory and defeat

Stories told that could happen in another plane
Series of eventual outcomes that I wish to gain
Wondering the things each other is doing
What is seen and what is heard, in this world you're living

Possibility of walking beside hand in hand
Dancing close, eyes in lock in a strange foreign land
Drive up into town to watch a romantic show
Sharing a milkshake or playing in the snow

Standing at your doorstep, an unannounced surprise
Bearing sunflowers and chocolates, for my beautiful prize
Running through a field, in love with frenzied craze
Lying on a mat, eyes locked in a deep, loving gaze

Two kissing silhouettes with a sunset backdrop
A scene, frozen in time that I don't want to stop
Marooned on an island, all deserted and bare
We bask in the sun and at the stars we stare

Sitting across of each other so close
In a cafe, whispering love and jousting toes
Being in love and intimate in a hot steamy shower
Sharing a Parisian landscape atop a well renowned tower

Snuggling close, sighing in the arms of my lover
Kissing through the night letting the heart take over
Cupping your cheeks, tasting the lips so sweet
Wake up sweet darling, good morning I would greet

Ferry you to work, plant a kiss that'll melt your knees
Be at the bay, together we look out into the seas
Talk on the phone and missing you right after
Texting endlessly, professing eternal love for each other

Such thoughts are brought by dreams and wishful thinking
Ideals that me give hope even when my boat is sinking
But I'll never ever stop wishing it'll all come true
Because my dreams were conjured for it was meant that I find you