There's a certain peace that settles inside you when you hear the wind whip through the forest, the sound soothes you until your muscles quiver with joy and you begin grinning with delight as the cool air runs soft fingers down your spine and sends shivers back through you. That was the feeling going through Fayowin as he stalked his prey, a nimble buck that mindlessly grazed in the snowy glade. Fayowin was a wolf, tall and regal, his fur ran a silver-white with intricate blue lines spiraling and writhing around his muscled body. His eyes glowed pure white in the night and shimmered in the daylight. The fangs lining his jaw were longer than the other wolves'... then again he was also larger than his alpha as well. Fayowin saw everything clearer and faster than the most skilled hunters in his pack, and he was also the swiftest. He should have felt proud of his uniqueness, but he felt outcast instead. The other hunters shunned him and disliked hunting alongside him, leaving Fayowin to hunt alone.

Today was no different. It was his turn to hunt and he had to hunt alone. If he failed, the pack would force him out into the cold. "If the pack starves, the hunter freezes," was the motto of his alpha, Alexei. Fayowin narrowed his white eyes and drew in the scent of the deer. As he did, he caught the hint of a she-wolf nearby, not of his pack. Distracted for an instant, he snapped back and sprinted for the deer, lunging for it and tearing into its throat and ripping out the windpipe and blood vessels all in one bite. As the smell of blood coated his senses, he began to feel uneasy and whirled around to see a silver wolf snarling at him. It was the she-wolf he had sensed earlier. She stood just a little shorter than him and had strange markings of her own: she bore black marks under her eyes and one on her forehead that resembled a paw. What struck him the most was the band around her upper foreleg. His eyes wandered as he observed her and she growled, bringing his attention back to her glaring green eyes.
"That... was my ****!" she growled. "I don't know how you managed to get it before me, and I don't know how you managed to escape my notice. Who are you?!"
Fayowin sneered and raised an eyebrow, "This, my dear, is MY ****. I've had my eyes on it for a while now. And frankly, this is my territory as well, and unless you want to become part of my territory, I'd suggest you treat me with respect."
She edged closer to him, surprised and infuriated at this male's straightforwardness. But there was something about that and his scent that appealed to her though. "I'm not leaving without this deer."
Fayowin chuckled, "It looks like you will be leaving without it, whoever you are."
"My name... is Feiria!" she licked her lips hungrily, "and that is MY deer!"
Fayowin narrowed his eyes thoughtfully as he studied her. Even through her winter coat, he could see the outline of her ribcage and could smell the desperation on her scent. He saw Feiria's muscles contract as she prepared to lunge at him. He sidestepped and she landed face-first in the snow, a mere inch from the warm deer meat. She looked at him hungrily, almost pleading. Fayowin sighed and nodded his head once, after which Feiria voraciously tore into the carcass.

He slowly meandered towards the center of the clearing and flopped down into the snow. He could hear the she-wolf eating ravenously behind him as he thought of his next move. If he returned to the pack, he'd be ridiculed and forced to live in the snow. If he stayed out here he faced the same problem.

Fayowin flattened his ears back and started to doze off, still listening to Feiria eat his ****. He began dreaming of gaping mountain passes, tall forests, and warm valleys. He felt oddly warm, not freezing cold as he had expected. He didn't care though, warmth was a gift in the winter. He slept peacefully until nightfall overtook the forest and the moonlight shone down and illuminated his fur, the lines becoming like blue fire. His eyes would have glowed if they were open, but they remained oblivious to the change in scenery until a cold wind blew through his fur and he shivered awake. He nearly jumped when he realized why he was so warm: the she-wolf lay curled up, pressed against him, sound asleep. He tilted his head slightly as he watched her sleep, probably the most peaceful she'd been in a long time. Fayowin would've hated to ruin his gift to her, albeit an unwilling one.
Feiria woke up soon after midnight, and gazed fearfully into Fayowin's glowing white eyes, taking in his
Cynical stare and his glowing body. She whispered, "I've heard of your kind..."
he looked curiously at her, "my kind?"
"the star wolves.."
he averted his gaze, "Never heard of them.. I'm just a normal wolf.."
Feiria glared at him, "You're glowing, *******.. Not normal. Unless.... Unless your whole pack is made of star wolves!" her face seemed to light up as she said it.
Fayowin whipped his head around, "No! I'm the only one like this..." he looked solemnly down at his feet as he finished.
She blinked, dumbfounded. Clearing her throat, she said, "I really should get back to my pack. They'll be worried about me if I stay out for much longer." she glanced at the massive deer behind them and sighed quietly.
"Your whole pack is starving...aren't they?" said Fayowin quietly.
Feiria nodded and he stood up and walked through the snow silently towards the deer. "you'll need to lead me to your pack if they're to get this meat."
Feiria blinked again, then nodded, getting up and starting off  
Towards the north. Fayowin gripped the deer's neck and drug the carcass behind him as he walked. After a half hour of walking, Feiria howled long and low, signaling her pack that she was near. Fayowin sighed as he heard their howls respond. He thought, there will be no howls for me tonight...
As they neared her pack's clearing, a group of young wolves sprinted towards them, rushing past Feiria and surrounding Fayowin. "Who is this outsider, Feiria? Why did you bring him here?"
there were five of them and they all went into attack mode, growling and circling him.
Feiria attempted to stop them before they got into a fight, but one of them pounced, and in a flash Fayowin had him pinned to the ground with his fangs around the wolf's neck. Fayowin watched the wolves around him react, stepping back and glancing at each other. Feiria shouted at them to stop but they didn't seem to hear her immediately, backing down only as Fayowin's growl tore through the trees, echoing throughout the forest
. They finally heard her, "he's a star wolf!" by now a crowd had gathered around them, Feiria's packmates watching Fayowin closely. He let go of the young wolf beneath his paws, who quickly scampered away, and Fayowin sat up straight and tall, his markings and eyes glowing for all to see. The wolves ooh'd and ahh'd amongst themselves before the alpha stepped forward and looked him up and down. "You killed this deer, yes?"
"I did."
"Why bring it here? We are strangers to you."
Fayowin glanced at Feiria, who shifted, uncomfortable with the silence. "I brought it here because i could tell that this pack needed the meat more than my own." Fayowin looked directly at Feiria and continued, "besides... She saw it first."
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(End of day one of writing, really enjoyed it, look forward to writing again)
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Fayowin perched high upon an rock outcropping, overlooking the clearing below and the wolves within. The alpha had allowed him to stay, grateful for the meat. Feiria was pressed against him again, but this time Fayowin didn't mind. He enjoyed the warmth that she provided and felt at ease around her. She nuzzled his cheek affectionately, a move that surprised him enough that he turned to face her, brushing her nose in the process. He gazed fondly into her eyes for a moment before standing. "I have to return to my pack."
Feiria looked shocked, "No, stay here with us. We could use a hunter like you. Plus you're a star wolf, and it doesn't seem like your pack appreciates that."
He let the words sink in before replying, "I have to go. I'll return in the morning." Seeing the desperate and doubtful look on her face, he added, "I promise. I will come back."
Fayowin walked to the edge of the forest, the glow of his body soon disappearing from Feiria's view.
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...
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F­ayowin sprinted relentlessly back to his territory, smelling the familiar and not so pleasant scents of his packmates. The smell of blood ran thick in the air as he neared the clearing. The moonlight cast eerie shadows around him and he could feel the eyes of the wolves watching him as he reached the gore pile. The mound of bones and rotting flesh dripped blood into the white snow.
"You're late. And emptypawed. You know what that means, filth." the voice was that of his alpha, Marroy, who stood three feet tall at the shoulder, a whole foot and a half shorter than Fayowin. His fur was a mottled black with a grey underbelly.
Fayowin bared his fangs, the longest being three inches long, and he growled, "My name.. is Fayowin."
Marroy cackled in the darkness, "So straightforward. That's unlike you. No matter, you failed to bring us fresh meat. As punishment, you'll be reminded why we protect you in the first place."
Fayowin heard growls emanating from the trees. The pack of around 25 wolves was massive compared to other packs, and there were enough hunters to go around. Fayowin took a step back and let his eyes adjust so he could see them in the trees.
"You don't protect me, Marroy! You fear me!"
Marroy laughed again, "Not from where I'm standing, Mutt. You look pretty frightened." Fayowin took another step back. "Run! Run! Give us some entertainment!"
The wolves started bounding out of the trees and began chasing Fayowin out of the clearing. They seemed to be pouring from every shadow. He ran faster than ever before, the trees blurring past him as he tried to get away. He ran for what seemed like an eternity before seeing the snowy valley at the edge of the forest. He added a burst of speed and instantly regretted it. A rock beneath the snow tripped him and pain shot up his left foreleg. He tumbled end over end in a heap of blue and white, coming to a stop twenty feet away. Fayowin heard the pack coming for him and he tried to crawl away, but to no avail; the pain was too much. He whimpered as he was surrounded, and shut his eyes tight as he felt them bite and claw at him, retreating only after there was a ****** pool around the star wolf. Marroy walked slowly up to him after they had gone and said, "I hope you die out here. If you aren't, we'll make sure that changes." Then the alpha left him there, cold, ******, broken and alone.
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* (End of Day two/Start of day three of writing and i'm really hooked on this, I believe this may be one of my better stories...)*
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Feiria lay silently on the rock outcropping above the pack and she thought of the star wolf. Something about the breeze brought thoughts to her mind.  
Feiria lifted her nose into the air as the smell of blood became present. She sniffed intently and heard her packmates do the same. She looked in the direction that Fayowin had left in and saw a dark form slowly shambling through the shadowy flora towards her. As it neared her she could see that it was dripping a dark liquid, trailing it through the snow in a scarlet path. "Its Fayowin.." she thought to herself. "Why are his eyes so dark? Why isn't he glowing?"
she rushed to his side and the smell of his blood was almost overwhelming. There were numerous bites and cuts all over him and his left foreleg seemed broken.
Feiria called for the healer, an older female named Sheya, and supported Fayowin as they walked to the glade and waited for the healer. Fayowin collapsed in the center of the clearing, the moonlight hitting him directly, making the blood seem black against his white fur.
Feiria whimpered helplessly, waiting for Fayowin to answer, but his eyes seemed so lifeless that
She felt it was almost a false hope. When Sheya finally arrived, the blood had stopped flowing and his breathing had slowed until he was asleep. When the healer examined him, she looked puzzled.
"what's the matter, Elder?"
Sheya pondered a moment before saying, "His wounds have healed. I'd say its a miracle, seeing as he lost so much blood."
Feiria examined the sleeping wolf herself and found the elders words to be true; there wasn't a scratch left on him. "Leave him here, the sunlight will warm him once daylight comes and his fur is thicker than ours so the cold will not affect him as much." the gathered wolves sat in silence as Feiria washed the blood from his fur with snow and lay down next to him, pressing her body against his. The blue lines on Fayowin dimmed and brightened in tune with his heartbeat, and Feiria listened as her own beat matched it.
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...End of day 3....
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Fayowin felt like he was in another world, this one so much quieter, but at the same time he could sense every noise, every movement, every vibration. His fur was no longer the bright white it once was, but rather a deep black with crimson lines flowing round him. He was lying down, surrounded by a wolf pack, Feiria pressed against him for warmth. He saw, or rather sensed her spirit energy, a type of green fire that outlined her entire body as she slept. Fayowin stood up, thinking to wake her and let her know he was alright, but she hadn't moved. And neither had he; his white furred body remained as it was a moment ago, but he was looking at it as if in another body. He took a step back as he realized he was roaming about in his spirit form. He looked around at the pack and none of the gathered wolves seemed to notice him. He exited the circle of onlookers and gazed up at the falling moon, watching it descend into the horizon, chased away by the rays of the sun coming over the mountaintops to the east. As the sun peeked over the ridge, Fayowin caught something out of the corner of his eye, a dark mass that didn't fit right with the rest of the environment. He looked and saw two sets of glowing purple eyes in the shade. He called out to them, hoping they might hear. "Hey! Can you see me?"
The eyes looked at each other and then back at him, staring for a moment before turning and running.
"Hey, wait!!" Fayowin called after them and began to chase them deeper and deeper into the mysterious forest.The beings moved faster than Fayowin had anticipated, disappearing soon after the chase had begun. Fayowin stood there in the middle of the woods, panting and searching for the elusive forms. After a moment he saw them at the very edge of his vision, their eyes glowing brighter, almost as if they were taunting him forward. Snarling, Fayowin bolted towards them and they led him on a winding path marked by a barely discernable scent trail. The smell was that of burnt wood and crushed pine needles and was oddly alluring to Fayowin as he ran. It seeemed as if he were running for ages, the sun and moon rotating numerous times around him as he traveled over mountains and rivers, through forests and valleys. On the thirteenth solar rotation, the figures finally stopped, joined by eleven other figures surrounding a circular rock with vines and overgrowth covering its base.
As he neared the figures, he saw that they all looked like him, long furred and covered in glowing lines. "Star wolves... Like me..."
The wolves all surrounded the dais and watched him with razor sharp eyes, watching his every move. As he gazed back, Fayowin noticed that each of them had some form of a trident mark right below their left eye, the color matching the lines tracing their bodies. He felt the urge to move forward, as if an instinct were telling him to stand in the center of the circle. Fayowin stood, all eyes on him as he waited for whatever was about to come.
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....I have nothing to say to you HP... I dislike you at the moment....
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Nightfall was coming swiftly, the moon and the stars swirling into place above them, reaching their peak and then halting completely. All of time and

You are the sky
While I'm of dirt and earth
Sharing the universe in separate realms
Conflicting factions, diverse births

I would forever look up
Rest my gaze on the tide of the air
And dream for our eyes to meet
Temporary eternity that we would share

I've cried many a teardrop
But you can never know
Because to you they never could reach
For into my core they'd only flow

But when you stare down sullenly
Your tears would fall, soaking my plane
I'd drink the drops voraciously
Those gifts of love from heaven's rain

Your tears would nurture the seeds I've planted
They'd take root and flourish in the sun
Resolve in my soil held firmly in place
Thinking our journey forth would've then begun

Roots would give birth to stem
Which in turn, would branch out into leaves
Plantling will eventually grow up high
To give back the love, it constantly receives

Such misfortune little sprout
You can only grow so tall
You can never reach that far
You and I can only kiss the drops that fall

So... My beautiful sky of azure
I am but dust on fate's heavy feet
We can only look to the faraway horizon
Only there could heaven and earth truly meet

You must begin early
while it is cool and your head clear
discernment, a sharpened tine
probing the rocky darkness
for all things latent and destructive.

Be aware that the velvet sage
of the leaves belies their power
to take over every space, remember
roots burrow deep, anchoring in
fissures we don’t even know exist.

You must delve as close
to the origin as possible
or the **** you think eradicated
will bide its time, germinating
in the still secret ground

waiting for light
to penetrate the moist earth
waking the sprout
who voraciously pushes up and out
a curled blemish

in your otherwise carefully tended garden.

The lion had just lost his dear wife,
Madam lioness a couple of years ago,
She was in the prime of her life,
When she succumbed to deathly udder cancer,
Mr. Lion grieved with all energy of the bereaved beast
To make it worse, he was also terminally ill
Of the vicious lung cancer, boring his windpipes,
That when he respired sweet music came out,
Like classical xylophones of eyeless Mehrun Yurin,

His sons were away commanding respective territories
Each son a territory in the order of traditional monarchy,
No one was to cook for the sick lion, don’t mention washing,
Hence the sons hired the squirrel alias madam Caroline,
She cooked as she did all other chores in the palace,
She was good in a concocting a matchless soup
From white mushrooms and cured goat’s meet,

As Caroline cooked she also sampled by tasting for her perfection
This little by little tasting made her to increase the strength,
Her skin became smooth, her buttocks swell
Her tail became shorter and steady, but very clean,
Her skin very oily and comely, exuding no evil smell,
Her walking style purged to majestic fashion
Even the type of songs she sang
Were not peasant spirituals,
Mr. Hyena wondered and wondered;
Is the squirrel pregnant?

Only to discover she was not,
But she has a new job;
Of cooking for the sick king lion,
Hyena also heard from the public domain
That she often cooks, goat meat and mushrooms,
But the ram tail twice in week; Tuesday and Sunday,
Jealousy and bigotry, malice and prejudice ganged up at once
And gripped the hyena simultaneously,
And swore to himself that come anything;
Spells of sunshine or blizzards of snow,
He must and must; root out the squirrel
From the palace kitchen,

That bright morning he went to the palace,
Singing a Christian song in praise of Lazarus,
Who resurrected from the dead,
He entered the palace still singing,
He commanded every to stand, put off the laurels,
For he wants to pray for the sick,
He made long and noisy circumlocutions of a prayer,
With regular stamping of feet and amen,
Commanding the devil of cancer to leave,
The lungs of the king, the mighty lion.


He said final amen and all sat down
Two sons of the king, the young lions,
Were all in somber moods, their father was sick,

From the kitchen, the squirrel surfaced,
With goats meat on a metallic platter,
He served the sick lion first,
Then each of them present,
On the first taste of food,
Hyena lost control of nerves
His tail jumped out of the white trouser
That he was wearing that day,
He ate voraciously with a crazy appetite,
No such delicious food had ever crossed his way.

He cleared his food first as expected,
Then he kept mum like a stooge,
Only wagging his long tail
His long tongue hanging out
Flagging in avarice like leaves of banana,
When all others stopped eating,
Hyena began in form of a question,
To which the lion’s family listened
Indeed with kingly caution;
Am asking you the king,
Why is Madam Caroline the squirrel,
Eating your food everyday,
And you are dying of a treatable disease,
To which she has the medicine,
Why is she betraying you?
To such a simple death?

All the lions plus the sick one
Jumped to the squirrel with all horror,
For the squirrel to bring the cure
Or the be killed first be the lion dies,
She pleaded for a minute to bring the drug,
Hyena in full gear of happiness
As his friend chews misfortune,

She blamed her small body size to be the  barrier
To bringing the medicine for king lion,
But nonetheless medicine was available,
Lions roared tell us! Where is the medicine?
In a soft voice the squirrel said;
The only cure for this disease of the king,
Is a fresh liver of a male hyena!

The hyena was frozen with surprise,
Like any other foolish bigot,
He begged to leave as his time was over,
No answer came to his request,
Other than abysmal darkness
Of violent death gulfing his body,
King lion drunk Hyena’s blood
In addition to the liver
On the squirrel’s instructions,
The lion became well
And began walking strong,
Out of this joy
King lion  promoted the squirrel
To be a minister of health
In the kings palace.

I learned how to draw dragons in 3rd grade.
I did so compulsively, and voraciously because it was therapeutic.
But they loathed me, and inherited no majesty from whom they were made.
Though I loved them. And I empathyzed with what they would never be.
Because what if my creator had no plans for me.

I'll fasten my belt, but I won't let my beliefs buckle.
I'll need more than luck, though it's sweet as honeysuckle.
Good things start; well the path will get bumpy.
No doubt I am strong, but we all need company.

Most matters can be solved by the mind: it is the original power tool.
It has its domain, as it grows it will prove me a fool.
Inventions of the imagination are poor substitutes
In reality, fantasy has its roots.

The tree grows lofty while I sit in the branches sipping coffee.
Looking down with a fantastic view, I think
"These visions will do--in lieu of a real experience."
Because watching everyone have a good time
seems to suit me just fine.

A lustful mongrel
Licks the bone dry on full moon
Nights that *******.

It is not enough to see
a soul will manifest
what has been sown
immortal purple flame
gnarled roots in stone
the truth of nature
an external blooming
expression of the world

a flourishing vision
voraciously spreads
animating the meadow
with honey-scented breeze
steep slopes sweetened
magnificent blossoms
open lavender wings
to conquer the sky

here the air is thin
windblown seeds
so carelessly thrown
to harsh alpine soil
become willful weeds
persistently untamed
internally unchained
forever wild flowers

Peace of mind is ephemeral,
drifting in harmony, then abruptly skewed.
The quintessence of humanity lost in the blink of an eye.
A gravitational pull overwhelms
Persistent
Tugs at the edges of reality
Patient
Disseminates thoughts, life
Painful
There is no escape as the jarring force draws inward,
voraciously swallowing everything in reach.

Distorting changes,
a myriad of sights, sounds,
besiege a troubled mind.

Blackness
Heavy and infinite
A suffocating contradiction to everything that was.
Ripping, tearing
Impossible void of compressed nothingness.
Twisting, rearranging
Pretentious "used to be"s into trembling trepidation,
too adrift to find the way back.

This is the point of no return.
Who is that person in the mirror now?

M. E. Shao

An Ode to the Letter “A”

A picture says a thousand words
At least that’s what they say
Although they can’t describe a thing
As well as the letter “A”
 
“A” means that there’s others
As if there’s two or three
And if there was just only one
“A” would become “the”
 
An Ode to the Letter “B”

Behold! A letter that can be
Better than numbers one and three
Because it sits quite neighborly
Between it’s buddies A & C
 
Boldly standing faithfully
Barely used the same you see
Bugs will spell it differently
But one less E and then it’s be
 
An Ode to the Letter “C”

Can you guess what letters next
Clocking in at number three?
Careful how you use it now
‘Cause it confuses frequently
 
Certain times it’s overlooked, like
Chief – the “I” before the “E”
Can’t use “I” that same way though when
Coming after “C”
 
An Ode to the Letter “D”

Dare I try letter four
Daunting as it may be?
Duly note this verse might prove as
Drab and dull as me
 
Don’t say there’s other letters of such
Deep complexity
Desire to speak in a past tense?
Dread not! Just add a “D”
 
And Ode to the Letter “E”

Ere I forget I said I’d commit
Ever mindful I shall be, and
Execute my promise, my Oath
Elegantly thanking thee
 
Eyes see so much wisdom
Ears hear so much glee
Every single word of love
Ends, with letter “E”
 
An Ode to the Letter “F”

Finally a letter without a long E
For those are easy to rhyme
Frankly it’s fun to come up with a pun
Fresh from out of the mind
 
Forever I wonder, over and under
From bottom to top, all the time
For a bold new way to come out and say
F this…but with no moral fine
 
An Ode to the Letter “G”

Goodness gracious, golly G!
Gifted writers inspire me
Gernsback, Goddard, de Graffigny
Grouped in glory’s category
 
Guiding words with paper and pen
Grandeur achieved by all of them
God bestowed them minds of gold
Goals to emulate when I’m old
 
An Ode to the Letter “H”

Heavens hopeful, but all should know
Hell awaits for heathens below
Havoc, hatred, halls of stones
Heated seats on hopeless thrones
 
Helping mortals foster love
Hoping for the gates above
Hearts are kind for constant fear
Horror and nightmare might be near
 
An Ode to the Letter “I”

I love the vowels for how they serve
In bridging letters, creating words
Insanity comes, ’cause if not for them
Illegible messes that none comprehend
 
Idle time attempting to read
It’s pointless were it not for these
Irked by consonants, throw in the towel
If you want a word…just buy a vowel
 
An Ode to the Letter “J”

Jack and Jill went up the hill
Jogging straight up and down
Joking and playing, having a thrill
Joy till he broke his crown
 
Jumping in fear, Jill looked around
Jolting across the way
Jeering, she returned and scooped him up
Jill’s stick was shaped like a J
 
An Ode to the Letter “K”

Knobbed in darkness, twisted wood
Knuckled as can be
Kinks and dead spots all around
Knotted is the tree
 
Kindling yes, our God will need, as its
Key for making day
Kind, He brightens nights with knights by simply adding
K
 
An Ode to the Letter “L”

Little, little, did I know
L is oh so great
Like the time I drank that wine and
Lulled a pretty mate
 
Lords and ladies, boys and girls
Like all, must pay the well
Lay respect to that which lets us
Love – the letter “L”
 
An Ode to the Letter “M”

Middle of the alphabet
Molded like a gem
Most will say there’s nothing worth
More than Letter “M”
 
Maybe M hates W
Malice with a frown
Mercilessly mocked by him when
M is upside down
 
An Ode to the Letter “N”

Naughty naughty little N
Never helping me
Nothing useful ever comes from
Negativity
 
No and never, none and nor
N is oh so rude
Neighbors M and O must want to
Nix that attitude
 
An Ode to the Letter “O”
Over, under, bottom, top
Odes to letters never stop
On the day I get to Z
Old and wrinkled, I may be
 
Or young and youthful, hopefully
Only time will tell, you see
Our lives are short, we need to grind
Otherwise we’re wasting time
 
An Ode to the Letter “P”

Paper, pencil, pen and ink, in
Prose I’ve grown to speak and think
Public platforms, message boards
Poetic guide of rhythmic chords
 
Poems are pretty, I think it naught
Pretentious such as some have thought
Pious I shan’t think it so
Poetry shall help me grow
 
An Ode to the Letter “Q”

Quiet! I must concentrate
Q is hard to satiate
Quarrels make me want to quit
Quirks in words which don’t quite fit
 
Quorum comes when all are here
Quickly now, our quest is near
Quantify a love for two
Q is married, to the U
 
An Ode to the Letter “R”

Regal existence, loved from afar
Reality dictates we need Letter R
Rigid and rugged it’s straight and it’s curved
Reading is easy when Rs are preserved

Rallying troops or driving a car?
Really won’t work without Letter R
Reason without one, your point is moot
R runs the game, expect the boot
 
An Ode to the Letter “S”

Supposed vision we are told will
Save the world today
Sorry if I disagree
So many told to stay
 
Spite and harm are currently
Sawing through the way
Someday hope for peace and love
So hate will go away
 
An Ode to the Letter “T”

There never was a letter
That can do as much as me
Think about it really hard and
Thank me when you see
 
The other letters hate me
Though, because of jealousy
They say it’s not fair that I rhyme
That super easily
 
An Ode to the Letter “U”

Usually I’d try her number
Unfortunately my hearts asunder
Used to love her, used to hold
Useless now, attempts are cold
 
Until things change for now I’ll be
Under this cloak of melancholy
Urging progress, longing for more
Unable to close the heart wrenching door
 
An Ode to the Letter “V”

Very strong, vivaciously
Voltage high, tenaciously
Veer this verse, voraciously
Vaulting over prose you see
 
Violence in these words you read
Viking frame of mind have we
Vibrant in philosophy
Verbiage is our currency
 
An Ode to the Letter “W”

Well, here we are
Woe is me!
Winding down, finally
Wrapping up this poetry
 
We’re almost done, from A to Z
Writing alphabetically
Won’t be long, but wait! We’re not free
W was easy….X will not be
 
An Ode to the Letter “X”

X can mark the spot I see
Xanax needed this entry
Xi is Greek, it’s fourteen
Xeroxed words, all randomly
 
Xystus too, as I mentioned Greece
Xebecs sailing open seas
Xerosis I suffer cerebrally
Xenial X was not to me
 
An Ode to the Letter “Y”

You may think these odes of mine
Yawn-inducing, wastes of time
Yet I attest validity
Yes they’re written passionately
 
Yesterday I couldn’t show it
Younger me was not a poet
Yearn for greatness, one day bestow it
Years from now, I hope you know it
 
An Ode to the Letter “Z”

Zealots desired to bless my soul
Zilch is my energy left
Zoned out, these odes have taken their toll
Zoo in my mind, though ’twas deft
 
Zip up this project, my brain can now rest
Zero letters now lie ahead
Zephyrs now soothe me, caressing my chest
Zodiac today – time for bed

“He doesn’t even care to keep the knowledge of her possessions a secret, not the least worried about it being stolen”
“What’s worse, is that everyone knows his treasure exists. It’s common knowledge in town”
“How long will it take to get stolen?”
“It’s a matter of days, if you ask me.

He was, however, smiling in the corner. He coerced the enemy into being his friend.  This is why he doesn’t actually disclose himself to anyone, because she might be misunderstood, like what was unravelling right before his eyes. This time however, the misunderstanding just helped him protect his real treasure, something he thought no one could possess because……………

What if you need to think a certain way to know something; and you can’t think that way without feeling or experiencing something else. If that’s true, so much of this world remains hidden in sight, and we don’t even know its hidden.

You can, to an extent, disguise what arises from material belongings immaterially. That’s what makes the key to your locked doors. The keys to your secrets and trust. Our experiences may dictate the way we feel. Look closer however, and there will always be these cracks on the edges of interpretation, these nuances in feelings, small differences that stem out into larger and larger branches until you have at your disposal- uniqueness.

So, here is a complex network of questions and possible answers deconstructed to portray different perspectives of personality, trust and secrets.

Let’s start with trust. It should ideally start with mutual respect and admiration.   Most things fade away, so in reality you are not trusting the other person, you trust yourself to be hopeful enough to believe trust will not wither through time, which is why it may seem like it’s your fault or centered towards you when you are betrayed of trust.

Even the reasons for choosing why we trust others is vastly different for each person. It goes to show how ephemeral our mind is at the microscopic level., almost like no one can truly know us. The reaction of others and their understanding of you may be an external input. But after that the interpretation is yours. And interpretation is slowly built over cycles of overlapping feelings and subtle thoughts.
Can we use this as a “key” to explore parts of ourselves whilst keeping them invisible to others? Can we recover old feelings or find out what means a lot to us, but we remain ignorant to?

Many things that matter deep inside, tend to have a personal lock, like an unspoken connection, or a bittersweet memory we like to visit. The most interesting part about these is that the key for some of these is unpredictable! Any future incident could somehow serve as an access to it, which is what makes personal locks so magical. No one can possess it because of no one, sometimes not even yourself, knows it's meaning to you. Such a key is truly unique, two people may go through the same thing, but for one person alone, that experience could serve as a key.  Here, an experience from the outside world can awaken memories, thoughts that we inadvertently treasured. It can, in a sense, almost transport us to a different timeline.

The phenomenon of getting goosebumps from listening to a piece of music (called frisson), and experiencing a surge of sensory feeling could be a doorway to some great things and could be a sign of higher levels of creativity. When you re-listen to a song you hadn’t listened to in many years, you can relive the time you originally heard it to startling detail. You may notice newer things about memories, be aware of nuanced feelings. Essentially, it becomes something that’s only yours, because you can’t predict how you yourself will be. The only key for such a secret is a unique reaction to an external input.

When you listen to this song, even ambiguously (not attaching it to any particular person or experience), even then when you later hear it, it will be infused with meaning. Why? Because the environment around you at that time possessed some emotional meaning, even if you didn’t know it. It became like recovering a part of you. Like recovering your own perspective on what’s in front of everybody.

Suppose instead of attaching significance, you simply create scenarios in your mind. You just imagine instances and do this repeatedly. Over time, the song’s original meaning will tarnish away. Such imagination gives temporary satisfaction, and even though one can imagine a variety of different scenes and emotions; imagination itself, feels the same. It does not carry any value by itself. It would seem that listening to a song a couple of times and then years later seems to be the world’s best time machine, but when we overplay it, and tamper it using imagination, neural networks get diluted and may not be serve as a very effective train of reminiscence anymore. *^


Mulling things over in our mind in loops can change almost everything about it- it may change a happy sentence into a sad one, a normal experience into a special one, and now these emotions that have been created by you, are like small filters that complicate further experiences.
Consider that two people go through the same experiences from birth. They may not feel each experience to the same degree. The second point is that subtler feelings are experienced by each of them. One may react more heavily, and the other may have auxiliary feeling in more magnitude than the other. Though these differences may be minimal at the start, these subtle thoughts become triggers, just like the initial experience.
Look at what’s happened. Now the seed of subsequent thoughts and emotion is no longer EXTERNAL. Its internalized. As they grow, though material interactions give rise to initial waves of thoughts, our lives are culminated by infinite intertwined feelings and emotions- so for each material interaction, a hundred immaterial ones are processed subconsciously. A symphony can’t be broken down to violins, piano, and drums separately. The feeling that arises when they are played in unison is simply “different” though its just a conglomeration of its parts. This is similar to our mind, and the concept of “The whole is greater than its parts”. What’s more is that the thoughts occurs in different order, and a different order creates a different story.
The concept of “personality” is viewed as abstract sometimes”.  Like character is something that describes the mind, rather than the experience. But this is contradictory, as “Personality” is immaterial, while the experience, the derivative, is material. So, there is a possibility that during this invisible conversion process, our internal reactions and what we make of things in our mind may gradually shape our personality more than the experience itself.


In a strange way, that makes us original. Perhaps not completely original, but it’s possible that no two people are the same, even if they have gone through the same things.
But since the development of originality is subconscious, let us look at conscious examples to put it into application:

Often, there is a part of a song that appeals to us, a favorite part.  When we ask ourselves why that particular melody appeals to us, it may be hard to pinpoint the source of what produced your liking in that part.  Sure, it may mean something like “freedom” or “joy” of remind you of a memory. But why does it mean a specific emotion to you? This is an example of how something that has no direct connection with a memory could possibly trigger a feeling. This is a magical occurrence. It’s extraordinary that a melody can awaken in you a unique emotion, that others may not react to in the same way. It goes to portray how subtly different our minds are. Furthermore, when we create things out of that feeling we derive from the music- make a story based on the feeling, write a new song, or even play it on an instrument- now you have made something that is unique from the depths of your mind. Your own subconscious interpretation.  
Frequency of frisson was positively correlated with overall Openness to Experience, as well as five of its six sub facets: Fantasy, Aesthetics, Feelings, Ideas, and Values. *This may also mean that extensive feeling, or sensing is related to creativity.

Sensory influx, the visual imagery, nostalgia, all point towards creativity, and many renown creative geniuses draw on their sensitivity to fuel creative processes.

Highly sensitive people tend to be more creative, as the depth of feeling offers scope for exploration. The interpretation and emotion felt greatly corresponds to the creation of ideas, and is similar to how interpretation even creates association between senses, or synesthesia.
Infact, drawing on nostalgia can increase imaginative processes

You might have heard of the term “synesthesia”, where sensory experiences get interconnected. A person with grapheme synesthesia, for example, associates letters and numbers with colors. A person with musical synesthesia sees colors effuse out of musical notes. Some synesthetes taste words, smell numbers, etc. It is also a fact* that Synesthetes don’t necessarily share the same sensory experience-though there are commonalities ( ex: most synesthetes associate either black or white with zero), the difference in perception is linked to the environment of growth, childhood*, and if its occurrence is natural, then synesthesia is developed in childhood or at birth.

A Symptom of synesthesia is also reading sentences that seem personified, as though a stranger with different personalities are narrating them. It is interesting to relate this to how there might be different personas in our own head, and sometimes constantly make commentary on our life! It’s like seeing yourself through different perspectives, except these perspectives have defined forms, which makes it easier to assign little quirks to them. If this helps us sense and perceive the world better, and makes us see through multi-colored glasses, it can be very creatively satisfying to have internal conversations, in a positive and uplifting way. We can be a stranger to our own experience, and wouldn’t a change of view be enlightening?

Synesthesia also, may be linked to creativity and metaphors, * and is in a way a example of consciously coming up with original sensory interconnections, a creative process that becomes part of character.  It's connecting something unrelated and different, and an original combination of connection.

So the rearrangement of feelings, and extent to which people sense and feel can contribute to original creations. It is no surprise that many artists and musicians have synesthesia.

Such experiences, with music, nostalgia and conditions like synesthesia are examples of a how we interpret and sense can consciously contribute to originality.


The bottom line is that synesthesia obtains its roots from childhood, but morphs into something complex enough to blur lines of emotion. The proportion of how things are mixed is unique. That proportion is the starting line for all character, and the proportion can be random and unique.
Thoughts feel so diverse and interwoven, that experiencing different facets of it itself can seem synesthetic. Seeing a neon sky, for instance, may not just bring happiness or excitement, but very specific sentience, and a connection to memory, even if it has never been a part of your life at any point of time. The neon sky could mean regret and eccentricity, and flashes of senses may correspond to it. You may feel the aesthetic of a place to strange degrees, and sometimes a simple scenery can seem “wrong” or “sinister”.


  “Why does the neon sky seem eccentric?” “why are roses connected to a past memory that had nothing to do with roses?”

These questions have some intangible meaning behind them. So, it’s not just that people perceive things differently, it’s that their reality itself, a culmination of perceptions is unique, and so are thoughts. And don’t thoughts and ideals shape character in some way? Don't these interpretations become a part of you? A filter for how you perceive the world?


Some song forms a golden thread link with some intense feeling which is connected to a memory you never knew you possessed (this memory may be fictional even) which is linked to a whole little city in your world.  Everything means differently. And as we think and think, these meanings become fine-tuned, and create emotions, thoughts and perspectives that shape our individuality. The essence is that your character may have obtained its roots from the world, but your proceedings, both on the inside and outside, are truly yours. And gradually, proceedings reflect character. More than the roots. It’s a many layered mind that could seem impossible to strip down.

Memories can be similar, but the sequence of memories and thoughts, will likely not be the same.


Here we gently skim the daunting surface of the philosophical idea of “Fictional realism”. A main idea here is to try and question what the definition of something has to be to be considered real. We say “It was a dream, not reality” But did it not feel real? When we read a book, or a movie, and voraciously delve into fictional landscapes, does it not truly feel like we are integrated into it, or rather, it is integrated into us? In that case, since we are real and it is now a part of us, can it be real too? Or can it be real, simply because it exists in our minds? Love and loathing also exist in our minds, but we regard them as a real thing, pulsating with its repercussions. Do we regard something as real only if it has a scope for action? Or if it’s something we can touch or see? In that case, the world will be limited, and there would be a loss of explanation for what gives rise to those actions. It would be like saying “imagination seeds reality”.

Memories and thoughts can be similar, but the sequences of them, even if  slightly  different can grow to be hugely dissimilar. If we can consciously create things when exposed to sensory information, why can't we consider the possibility of subconscious creation of individual character?

If I moved a muscle right now a window would break.
If I took a solitary step the tiles beneath me would crack.
Submerged in the oscuridad save for a small pulse of luz called optimism because that’s just how I was raised.

I know I can’t pretend to make an oasis
Because how well did that work out for me last time
The lightbulbs can yell and scream and punch the air
But nothing will make them turn on without a power source.

I can’t be breathing hard or else the candle stub I have left will blow out I have to
Guard it but keep looking for my next step using its meager light trusting
That the beacon I look for is not further than the reaches of my
Light that I will with the remaining shards of my life to keep on
Reining now is uncertainty that is
diametrically opposed to the concept that the sun is gonna rise tomorrow I promise so let me stroke your hair and shroud you until it does.

I exist in this limbo of heeding the hours that come. The ticking of the clock drudges yet I gulp every last second as it arrives.

I voraciously **** the teaspoon of trust I have left that the
Audience is just watching the plot arc to progress and that
The dramatic irony of  some surety is just beyond the radius of the hardly illuminated path beneath my shuddering feet.

Maybe someday I will stumble upon the next candlestick or something.
Maybe someday I’ll find a working light bulb buried in the snow or something.
But here I progress or something.
Un día a la vez or something.
Grappling foot by foot for something.

Something.

Last night,
I dreamt that the friend of a friend had died.

His body floated lifeless on the surface of the Pacific,
tossed about between the Bering Sea whitecaps

like an orca’s seal-pup plaything
while the Arctic wind whipped

and beat the freezing cold water
across his pallid face and through his chestnut hair.

Then his body
began to sink,

its silhouette appearing
against various monotone

canvases of blue
on its trip downward:

a vivid cornflower,
a pelagic cerulean,

a chasm of cold cobalt,
a starless twilight,

a forest of indigo,
a velvet curtain of navy.

Finally,
as it reached the deepest possible shade of midnight—

only a quantum away from black—
it stopped sinking.

There, in that void,
where daylight and color are considered but outlandish theories,

strange fish of all and shapes and sizes
began to surround the decomposing corpse:

Greenland sharks hailing from the frozen arctic,
mantis shrimp from the mangrove labyrinths,

eyeless electric eels from undersea caves near the Galápagos,
vampire squid rising cautiously up out of their World War One trenches,

scores of spindly ***** and pale worms that had ventured far beyond
the safe familiarity of their alien geothermal worlds.

At first, they approached the corpse gingerly,
nibbling only the tips of its hair and fingernails,

and then suddenly, voraciously,
they consumed it—until not even a skeleton remained.

Now, only a single point of light was left
there floating in the void.

And from this single point of light,
where just a moment before the corpse had floated,

a brilliant white lattice structure emerged,
unfurling as would a fern across a forest floor.

It fanned out onto the seabed
and then swept upward, upward

back toward those reaches of sea
where color is known

and fresh air gleefully permeates
that foamy outer membrane that skirts the base of the sky.

Scores of familiar fish began to lift up the crystalline structure—
schools of shimmering sardines,

stately, dignified manta rays,
skipjacks, bluefins, and white-tips,

brilliant cuttlefish, humble pufferfish,
shifty barracuda, gargantuan whale sharks,

all of them
beating their tails in concert

to carry this lattice away,
this measure of a life,

this husk of a soul
at last freed from its earthly bindings.

The fish were carrying it somewhere deeper,
somewhere darker,

to a place that I understood—
even from the inky depths

of my dreaming mind—
that I could not enter.

But then again,
I knew that someday

I would.

It is my sincere pleasure to inform you of the return of the Robins to Hill Country .... Stately , regal birds they are , with a dark gray coat and a breastplate of burnt orange ... Telling tall tales of their Winter quarters ,
blessing my backyard by the veritable hundreds ..
Dining voraciously on earthworms and grasshoppers , sifting through the
grass like diligent window shoppers .. Singing sweet melodies and carrying on conversations , 'tis a great blessing indeed to have them home from vacation ...

Before you start reading this I feel I must tell you, this is long and very possibly, very very boring but, so very important to me and hopefully to my dedicated*


I sat back upon cracked heels
that represented, simply,
just a good place to sit
Somewhere close to the ground
where I could trail fingertips
in the dirt, drawing pictures
of deserted castles
and skeleton butterflies
with wings of fractutured glass
and fairies
with silken headdresses
of thorns
and Unicorns,
missing their horns
and other creatures
of similar ilk

Staring at the fence,
Fifty million years high
I sigh
because beyond the fence
in a babble of voices
they whisper of
Contentment
The underlying sentiment
of precocious antic dotes
spilling precious needs upon
any slight breeze
drifting like glowing dust motes
fills me with a resentment
that is voraciously ferocious
because they
spoke to each other
while all I had was dirt
beneath my fingernails
and partially deformed nightmares
that blew away
on the slightest exhale

As I cleaned the slate
with a flick of my wrist
Rain turned to mist
my dust board of memories
became a mud pile
I couldn't smile
I could hardly even frown
I was still as close as I could ever be
to the ground
I was now no longer kneeling
I was laying with one cheek
against my impression of Calliope,
who is carvorting silently
with rucked up skirts and lute in hand
but not longer in motion
just a muddied mess of dirt and tears
capturing all my naked fears
erased beneath a spirit
that hides in the dirt
on the other side of the fence

This is where he found me
All ragged and breathing stale air
All gasping for solace
trying to wrap myself in warmth
of the voices
from the other side of the fence
It was not blanket sized
more just a crocheted square
enough to cover my heart
which needed the warmth
I swear, I went cold so often
that the dirt that remained
under my fingernails
was the only thing
that kept my fingers warm

He crouched beside me
and said softly
What have we here?
Oh baby bird with broken wing
but whose song I did hear sing
Little Callista, mute from your screams
Broken from your nightmares
that started as dreams...
I saw you through the fence

As I stared into tapestry eyes
and followed the outstretched hand
that didn't try to touch me
sensing my fragility
He pointed to a pinprick space
devoid of concrete and mortar
Just inches from my dirtied face
in the Fifty million year high fence
he graced me with a weary look
I heard you ask once
while chasing skeleton butterflies
if they came from over fence...
Would you like a look?

He stood up over ten feet tall,
simply clasped his hand together
With eyebrow raised
and a twitch to lips
he invited me to stand
with a nod of his head
and a flick of eyes to the fence
I simply unwove all my dreams
and delicious unfantasies
stood, put a hand on his shoulder
a ***** foot in his palms
and he hoisted me

What I saw over the fence was
Magical, Mystical
a complete break to my reality

A simple garden of verdant green
the sublime shade of an unspoken tree
a single little girl
with ten thousand voices
spilling from her lips
from her I caught
just a small crocheted square
on the other side
but it still made no sense
what I saw,
hanging from the fence
until I looked back down
into taperstry eyes
that smiled
with a knowledge of Soloman
having pulled apart
and put back together
a struggling humanity
He simply grinned at me
and trumpeted
She is you, she writes Poetry
You are her and I, We, believe
in both of you.
As you can clearly see
there is nothing beyond the fence
that you cannot be

And he simply bent his knees
and lifted his hands
to the Sun
and toppled me over the fence
so I could, again
become one

the strength in you
is voraciously eaten
by the soul of me.
your hands introduce
the touch of messiahs  
to my frail , battered skin.
the tips of your cosmos
trace my spine
where your lips soon follow.

I am an altar.

I am a gem
A raw glowing crystal of the earth
With a multitude of sides and angles

I am a spectrum on a continuum
This continuous continuum called life
Forever going, with no thought of me
Existence has no thought of anyone, in fact
And no concept of reality, neither can it perceive the toll it's negative experience allotments has on the individual's life
But existence cannot be blamed, for the hurt it causes us is purely unintentional,
You have to give existence credit for it's intentions--
There are no intentions beheld by the unconscious, therefore if existence were to be personified it would be a neutral force,
though it's impact on our fragile lives from the moment we are conceived and officially a zygote is life-shattering at times,
yet weaved ever so magically through our sadness is joy and the satisfaction of conquering the elements that possess the potential to defeat us.
After every conquest we do become an increment stronger,
though at times we obsess over the bruises we have acquired through our personal wars
Yet, without your struggle, who would you be?

I'm never good enough
You're never good enough
We're all never good enough
We're all not "just right"
These ideas of lack keep us up all night
But if you just let go to those false and self-defeating perspectives
Your true genius would shine, and who could ever put an end to the pure beauty of a soul that emanates the oneness of the source?
We must do away with Capitalism, for it is the source of our discontent and feeling of never ending lack
In the end, we all regress back to a state of being out of touch with the world and being in awe of it simultaneously
When our brains slowly fade back into nonexistence, just like we were before our parents were impregnated with us
Sometimes, you just have to stop and ponder over the cycle
And you start to think about who established the cycle
Which leads to an array of contemplation
One inquiry flowing smoothly but swiftly to the next
My head fills up so quickly with the substance of inquiry
That I can become rather depressed
And it's not the type of depression that's easily cured with rest
It comes to a point where I become obsessed
With finding and deciphering all the answers
That my outward life begins to lose zest
Yet my internal life is growing so rich and so diversely composite that if I were asked to describe my ideas and opinions they would be completely ineffable
I read voraciously, but my mind has a unique system of filtering the articles of myriad genres that I read into this sui generis amalgamation
I have to be careful when I open my mouth to speak
Since my opinions deviate astronomically from the norm
I choose my words wisely to avoid being called insane and treated with scorn.
Since I have to keep most of me a secret, specifically in this provincial vicinity
My heart whispers love to me throughout the day
So I keep the love for my true identity ignited.

I can't deny that subjectively, at times, I view my disposition as a condition that is a contributor of my plight
But objectively I have chosen to wield my sword of might and trudge through this fight
Because I know, just like at the end of every fairy tale is a happy ending
That through the thorny bushes I walk through and all the villains I meet on the way that try to take my life
Their is a sunlit horizon somewhere awaiting me
Awaiting my unique and magical company
Somewhere where I will truly be able to fulfill all of my heart's desires.
Truly, your location is not prejudiced to your desires, but some of the places that you will live will require more courage to fulfill them.

I have many sides, many traits and many distinct ways
About me
But if you want to get to know me quickly and know all of me in one simple image
I will tell you of who I became when the nutcracker played at the end of this children's movie I watched as a toddler
I would intensely imagine the scene that song evoked for me
Coming into character so authentically and indistinguishably from who I was
Out of all of my traits, this one was the one I can recall from the beginning and the one I never lost
My imagination and my strong ability to think visually
Attribute this to genetics, possibly an inherited slight increase of glial cells in my brain (do a google search of glial cells and creativity...
Sometimes, I have to remind myself that Google is not an all-knowing god, even though I ask it just about everything)
So this is who I am
I know myself very well,
but I'm still trying to figure the whole world out.

every moment
is continually shedding itself;
sloughing off the skin of time,
dying, into the past,
to freshen in exposure,

this moment.

to live, really
to breathe, by
impermanence.

constantly transforming,
the body is never solid,
here, there, as atomic flashes,
electrons popping in and out
of existence,
an appearance made,
to depart, in a flicker.

all turns off, like this,
always, eventually,
momentarily.

threshed and stripping
bare chaos
voraciously burns,

returning through extinguish
on smokey black horizons.

sinking, into
tendrils weaving,
knitting by fray,
tapestries engendered
by enveloping decease.

you feel this
don’t you?
unconscious
as much of it may be.

it is the nearest of near,
and dearly intimate,
passions corrosive kiss,
oscillating, opening,
to retract, in flow,
pushing in
to pull away,

thanatos is eros
together, apart again,
together-apart,
here-going.

the heart is aware,
supremely aware of this happening,
even when the mind is fooled
by apparent stability,

and the soul surrenders to
it's inevitability,
even hungering for
divine destruction,
as basic an urge
as the creative impulse.

to be composed
is to be subject to decompose,
fertilizing compositions
in cosmic chasms.

our lungs darkly shining
with every fall of the chest
mirroring,

each breath
one breath closer
to the final breath,

each exhale
a letting go
of what can’t be held
forever,

the expelled
foreshadows annihilation,
on the fading road, towards
this mortal coils entropic end;
a preparation.

to live, surely, is to meet loss
over and over,
to love, fully, is to grieve
again and again,

there is a deep
melancholic knowing
that exists in all living things,

water drops
tears like rain,
leaves fall
like sighs,

everyone,
and everything
dies.

our melancholy
might be sacred
could we truly embrace,
and feel, this reality:

death is the ever present condition.

a tongue a knife a rhyme
a slitted try of silence mine
i could never keep it fought
rip the gut right from my life
ill scream the name until i rot
shreik a word so loud ill cry
i tried my luck but missed the cut

a trickled spiggot sputters with it
a soft spot for the eyes that fall out of my skull
flaming pupils burn the crop
the students of the fire
they stop drop and roll into the wretched thought
that comes each time they learn what has been wrought to build this pyre

to eviscerate the weakened soul
the empty rooms inside my home
voraciously in rapture
tearing sinews off my mind
splitting ears and feeding from the captured
nothing left behind my skin no map no muscles
missing compass knees buckled

******* leave me or ill pull the trigger
ill **** the lost and eat the hindered
incinerate your wicked splinters
and in this home
snap each of your twelve ******* fingers

its teeth are gentle on me in a way that only devils can
we're peckish for atrocities and it has given me a plan
a broken handed man within the corridor
his one eye wide
the other in the devils side
a matching type to mine if i still had my sight
the door is closed and i am blind but we can smell the horror more
breaking out we tore into that bodys core
but that devil, him, the house, unborn
as i woke up in a corpse
for i am dead upon the floor

Your husband died at 40, leaving you to raise seven children alone.
But not before your eldest, hardest working son, Juan, had
Drowned at sea in his late teens while working as a fisherman to help
You and your husband put food on the table.

You lost a daughter, too,
Toñita, also in her early teens, to illness.
Their kind, pure souls found
Their way back home much too soon.

Later in life you would lose two more sons to tragedy, Paco (Francisco),
An honest, hard working man whose purposeful penchant for shocking
Language belied a most gentle nature and a generous heart. He was electrocuted by
A faulty portable light while working around his pool.

And the apple of your eye, Sito (José), your last born and most loving son, who
Had inherited his father’s exceptional looks, social conscience, left of center
Politics, imposing presence, silver tongue, and bad, bad luck, died, falling
Under the wheels of a moving train, perhaps accidentally.

In a time of hopelessness and poverty, you would not be broken.
You rose every day hours before the dawn to sell fish at a stand.
And every afternoon you placed a huge wicker basket on your head and
Walked many, many miles to sell even more fish in other towns.

Money was tight, so you often took bartered goods in
Exchange for your fish, giving some to those most in need,
Who could trade nothing in return but their
Blessings and their gratitude.

You walked back home, late at night, through darkness or
Moonlit roads, carrying vegetables, eggs, and perhaps a
Rabbit or chicken in a large wicker basket on your strong head,
Walking straight, on varicose-veined legs, driven on by a sense of purpose.

During the worst famine during and after the Civil War, the chimney of your
Rented home overlooking the Port of Fontan, spewed forth black smoke every day.
Your hearth fire burned to to feed not just your children, but also your less
Fortunate neighbors, nourishing their bodies and their need for hope.

You were criticized by some when the worst had passed, after the war.
“Why work so hard, Remedios, and allow your young children to go to work
At too young an age? You sacrifice them and yourself for stupid pride when
Franco and foreign food aid provide free meals for the needy.”

“My children will never live off charity as long as my back is strong” was your Reply.
You resented your husband for putting politics above family and
Dragging you and your two daughters, from your safe, comfortable home at
Number 10 Perry Street near the Village to a Galicia without hope.

He chose to tilt at windmills, to the eternal glory of other foolish men,
And left you to silently fight the real, inglorious daily battle for survival alone.
Struggling with a bad heart, he worked diligently to promote a better, more just
Future while largely ignoring the practical reality of your painful present.

He filled you with children and built himself the cross upon which he was
Crucified, one word at a time, leaving you to pick up the pieces of his shattered
Idealism. But you survived, and thrived, without sacrificing your own strong
Principles or allowing your children to know hardships other than those of honest work.

And you never lost your sense of humor. You never took anything or
Anyone too seriously. When faced with the absurdity of life,
You chose to smile or laugh out loud. I saw you shed many tears of laughter,
But not once tears of pain, sorrow or regret. You would never be a victim.

You loved people. Yours was an irreverent sense of humor, full of gentle irony,
And wisdom. You loved to laugh at yourself and at others, especially pompous fools
Who often missed your great amusement at their expense, failing to understand your Dismissal, delivered always with a smile, a gentle voice and sparkling eyes.

Your cataracts and near sightedness made it difficult for you to read,
But you read voraciously nonetheless, and loved to write long letters to loved ones and friends. You were a wise old woman, the wisest and strongest I will ever know,
But one with the heart of a child and the soul of an angel.

You were the most sane, most rational, most well adjusted human being
I have ever known. You were mischievous, but incapable of malice.
You were adventurous, never afraid to try or to learn anything new.
You were fun-loving, interesting, kind, rambunctious, funny and smart as hell.

You would have been an early adopter of all modern technology, had you lived long
Enough, and would have loved playing—and working—with all of my electronic
Toys. You would have been a terror with a word processor, email, and social media
And would have loved my video games—and beaten me at every one of them.

We were great friends and playmates throughout most of my life.  You followed
Us here soon after we immigrated in 1967, leaving behind 20 other Grandchildren.
I never understood the full measure of that sacrifice, or the love that made it
Bearable for you. I do now. Too late. It is one of the greatest regrets of my life.

We played board games, cowboys and Indians, raced electric cars, flipped
Baseball cards and played thousands of hands of cards together. It never
Occurred to me that you were the least bit unusual in any way. I loved you
Dearly but never went far out of my way to show it. That too, I learned too late.

After moving to Buenos Aires, when mom had earned enough money to take
You and her younger brothers there, the quota system then in place made it
Impossible to send for your two youngest children, whose care you entrusted
Temporarily to your eldest married daughter, Maria.  

You wanted them with you. Knowing no better, you went to see Evita Peron for help.
Unsurprisingly, you could not get through her gatekeepers.  But you were
Nothing if not persistent. You knew she left early every morning for her office.
And you parked yourself there at 6:00 a.m., for many, many days by her driveway.  

Eventually, she had her driver stop and motioned for you to approach.
“Grandmother, why do you wave at me every morning when I leave for work?”
She asked. You explained about your children in Spain. She took pity and scribbled a
Pass on her card to admit you to her office the next day.

You met her there  and she assured you that a visa would be forthcoming;
When she learned that you made a living by cleaning homes and washing clothing,
She offered you a sewing machine and training to become a seamstress.
You thanked her but declined the offer.

“Give the sewing machine to another mother with no trade. My strong back and hands
Serve me well enough and I do just fine, as I have always done.”
Evita must have been impressed for she asked you to see her yet again when the
Children had arrived in Buenos Aires, giving you another pass. You said you would.

You kept your word, as always. And Evita granted you another brief audience,
Met your two youngest sons (José and Emilio) and shared hot chocolate and
Biscuits with the three of you. You disliked and always criticized Peron and the Peronistas,
But you never forgot Evita’s kindness and defended her all your life.

You were gone too quickly. I had not said “I love” you in years. I was too busy,
With school and other equally meaningless things to keep in touch. You
Passed away without my being there. Mom had to travel by herself to your
Bedside for an extended stay. The last time I wrote you I had sent you a picture.

It was from my law school graduation.
You carried it in your coat pocket before the stroke.
As always, you loved me, with all of my faults that made me
Unworthy of your love.

I knew the moment that you died. I awoke from a deep sleep to see a huge
White bird of human size atop my desk across from my bed. It opened huge
Wings and flew towards me and passed through me as I shuddered.
I knew then that you were gone. I cried, and prayed for you.

Mom called early the next day with the news that you had passed. She also
Told me much, much later that you had been in a coma for some time but that
You awoke, turned to her without recognizing her, and told her that you were going to
Visit your grandson in New York. Then you fell asleep for one last time.

I miss you every day.

[   To hear a YouTube reading of this poem in its entirety, you can visit the following URL: https://www.youtube.com/watch?v=OX6w1Pwe7gI   ]

You...
To me...
Are the essence,
of the earth mother...
As you watch over your pond,
with an easy, laidback,  grace..
and help us see it grow and
chart it's every, every season.
Turtles, weeds and all...

I adore the fact, that you,
write love with an earthy lust
And you lust with an earthy abandon....


You have an intelligence,
That always expands my mind
All the way over there
on the other upside...

You and I share old friends
Writers of art,
livers of life.
those who mark....
and make the small moments large

Yet, I know you not...
but fervently wish
We could sit and pass time
Over tea or coffee..

You are one of many....
Who write voraciously
With life and passion in your pen
But so too,
You are one of the few
Who I go to read ....again and again.

So I thank you...
My very own  female
Walden...
For the lessons
of the earth, life, loving
and humbly implore you
write again and again..
Til the world stops turning...
Then....just write it's begining again...

What do I love most about life? Perhaps the ability to cook explains all.

So, after our pretty laid-back meetings filled with lame jokes and modest talk about dreams, I offered myself to cook.

"I hate it", he said the moment I told him how much I love to cook shrimp.

It was ironic to discover that each of us loves what others dislike, and vice versa — or maybe, I am the only one feeling that way.

But then, he inexplicably enjoyed the meal. So voraciously. That I thought he did that for the sake of impressing.

Days roll into weeks, weeks into months, and I was still serving the same thing he could barely enjoy. And he eventually got low-key to that.

I was thinking whether he did that for the sake of adapting. It reminded me a bit of how acceptance is much glorified these days. And I was so grateful.

I even wanted to serve my heart for him.

I would gladly do that.

with a soft touch and a blushing smile,
vibrant green creeps into the landscape.
the longsuffering trees,
whose limbs have long been heavy with snow,
finally stretch their arms into the warm air
as suggestive buds speckle their gnarled fingers.
the clouds swell with life, and the sun
glows stronger than ever before.
as their spidery roots drink voraciously
from the moist dirt, smirking daisies and
blooming tulips unfurl their alluring petals
and bask in the glorious yellow light.
the firm, unyielding ground is teeming
and bustling with a myriad of fauna,
unsteadily rubbing the remnants of slumber
from their bleary, squinting eyes.
the flat, chilly silence of winter
has been quelled by the lilting robin’s song.
and as the very earth herself wakens
from this melancholy hibernation,
i let go, and float down that euphoric wave called life.

Constantly tripping, stumbling
The circus search for imperfect heels
I’ve offered so little effort to protect
My love for the empirically ideal
Concerted my focus on what never to expect

I’ve been wearing a chip upon my shoulder
With an Achillean charm
Been chopping at my shin to guard my pride
When I should have thought myself an Oddarm
And thereby learned to fly

And of all the endless grained aspects
Strewn on the gray beaches of time
I could not have wasted my ignorance
On one more voraciously sublime
To squander the virtues of such chance

And the glancing blows of life
Shape in me such strange affect.

near the surface,
just beneath the sounds of our feet
among the bones, are arrowheads
maybe a spent cartridge from the bluecoats
who brought a strange thunder,
disturbing the a cappella birdsong,
deeper
hidden in eons of darkness, unperturbed,
until now, by the shallow, scratching efforts
of the creatures above,  
a black organic soup, remnants of plants
and animals who once breathed  
like we, we who now voraciously drill
through the tired but tenacious skin  
to reach a rich marrow, one we resurrect
to blaspheme in our mobile ovens
and scatter ashes
on a deaf and dying rock  

Post Script:
The earth never forgets.
Whatever we do to ****** it is recorded, often in ways undecipherable to man, but etched  permanently somehow, somewhere.
Does the earth seek revenge?
Or is it retribution, or a reckoning?
Anything that has the power to recall every act in infinite detail and in perpetuity has the potential to respond.
Maybe a propensity to respond?  
Is the earth an angry god?
I do not know, but
the earth never forgets.

Dedicated to the Hard Hats, ..for holding it all together.


**** frost on the green grass
There's a cold moon in the sky
The estuary waters black and calm
Where golden ripples lie.
Dawn's horizon lightens up
Bright stars begin to dim
Hard Hats all arrive for work
And with frozen breath...log in.


Work boots crunching on the stone
The men disperse to trucks,
The diesel motors roar to life
Their departures forming rucks.
Swarming in the morning light
Each to his own job's task,
Bridge building work underway
As dawn's first sunbeams bask.


Amazing the complexity
That building bridges has,
Amazing how voraciously
It eats up time and gas.
The planning and design work
The funding of supply,
Those organizational matters
And the labour standing bye.


Digging, lifting, shoving, shifting
Moving this to there,
A logistical nightmare
For the novice, unaware.
Steel and timber by the ton
Concrete pours en mass,
Gravel, sand and aggregate
And reservoirs of gas.



Procurement of supply ensures
A smooth transitional flow
Of successive small procedures
To make the project mesh and grow.
Day after day the massive trucks
Carting tons of sand
Are authorized by gate men
To unload on to land
Where motorway construction
Is steadfastly taking place
And progressing at
A gradual and steady building pace.



From concept to completion
A million multitasks,
Which involves a caste of thousands
And a schedule which asks,
That the finished installation
Be completed by the time
Of the Rugby World Cup kickoff,
Our global status on the line.


Like ants the Hard Hats swarm about
Each does his little bit
And gradually, over time,
The bridge emerges from the pit.
It emergeth like a phoenix
In a drab and sombre gown
But on completion, shines like fire
To be the nation's most re known.


The Manukau Harbour Crossing
A project for the Gods,
Of massive lengths of concrete
And miles of reinforcing rods.
Of an eternity of effort
From everyone involved
And an asset for New Zealand
And a beauty to behold.


Marshalg
@theGate
MHX
Mangere Bridge
14th March 2009

Please view the following link
http://www.youtube.com/watch?v=VzQZ-M90Zig

Definitely not the type of girl to plant
flowers on a window sill, the type to carry
softness on her shoulders or a desire to witness
hesitant, supernatural births of new morning suns with
enchantment. She was a trigger
aimed at empty clay pots, balancing
on balconies and devouring emptiness as if volume alone
would make her feel satisfied.

And her body held as much sentiment
to her as a graveyard, skin crawling in an empty house
she carried in her head. Everywhere she went
stormy impermanence concatenated
with the things she tried so voraciously to erase, like
tethers
tying her name down to insipid figures, like
beginning chapters of stories
she didn't want to hear
with a protagonist
too similar, too homespun,
to herself.

Perhaps she had intention of detonating in
her final, grand exit strategy, an elaborate move
where the Queen conquered escapism, but now
but now

no one will ever know.

The Red Sea! It lay like a distressed soul, unsettled, deserted and restless;
On its tile-paved shore, I leant against a lamp post, in the desert land;
Women in burkas busied themselves with their kids and picnic baskets;
While cats searched voraciously, among the rubble, for the left over bones.

On my left lay Sanaa, the once upon a time city of Shem, first-born of Noah,  
Whence Queen Sheba embarked in all majesty with gifts for King Solomon.    
And far, beyond the saltiest swelling Red, lay the darkly exploited continent.
Now, a warm gust of wind slogged its way into my lone distraught self.    

Tides heaved, flickered their wet tongues across the rubble, and licked me,
Then withdrew themselves tired, but again and again returned half-heartedly
With much salty tears and sweats of ******* and sufferings of bygone ages:  
The assorted agonies of the Mediterranean, the Indian and the Pacific deeps.

Through the dull splashes, waded to me, Moses and Aron and the Pharaoh;
They said: “Visitor, listen to the voices of the depths!” And I heard well
The abysmal rattle of chariots, wheels and bones, uncarbontestably ancient.
And in the splash of the Red, I scarily tasted the tears and blood of torments.

Then they cautioned me: “Beware of the pseudo-democrats and pseudo-reds:
The gunpowder brokers!” and quoted: “In this world, you’ll have troubles.”
And now, the Sea sounded: “Sorry my dear son, I’m here to bear all these.”
I sighed in pain, but the Sea, through the burning lamp posts, smiled at me.

Evil will always invite us to a feast of retaliation—that seductive chance to pay an offender back with more evil, disguised under the pretense of protecting what is rightfully ours and of defending our dignity. Reciprocated malice is what it craves most of us, as it thrives on infecting us with its slimy, slithery, leprous self. It seeks voraciously, insatiably to ensnare, enslave and devour us, for it's a hideously monstrous creature sent from deepest caverns of hell. Its predatory intent is to extinguish our light with its darkness, and if we open the door to it (even a crack) it will reach around with long, lecherous fingers to grab us by the throat and choke the life out of us with such force and speed that we won't even see it coming.

But goodness has an invitation of its own, an invitation both to us and to our offender, an invitation to drive out the infection of evil and illuminate the darkness. It invites us, when offended, into the precarious but glorious adventure of turning the other cheek. But first we must understand clearly that this turning of the cheek should never be mistaken for turning a blind eye to continual sin. It is NOT ignoring the hurt or diminishing the harm done to us so that we might spare ourselves the dreaded inconvenience of rocking the boat and disrupting our own greater interests, nor is it foolishly submitting to evil's unhindered presence around us and control over us while cowering in the face of it. It is not attempting to self-righteously shrug off that which feels to us like a serrated knife twisting in our belly or burying, beneath the layers of an ever toughening heart, the fallout from an ongoing betrayal which mocks all that is decent and sacred. It is not weakly accommodating habitual, sinful behavior in the name of peacemaking, giving up the good fight of faith in order to give in and just live with it while our soul suffocates in the meantime. It is not saying that it doesn't matter, that it's okay or no big deal. To do so (and I have surely done them all) is to deny the powerful truth of the gospel, the truth of the serious and highly offensive nature of all sin, the truth that God absolutely hates it, is greatly angered by it, calls it what it is and that He desires (and has made provision through Jesus Christ) to set sinners free from it, not simply overlook it and leave them entangled in it.

So we too ought to have a righteous anger toward the destructive nature of sin, both in ourselves and in others, seeing it as God sees it and calling it what He calls it by humbly speaking the truth in love and pointing them to Christ. And once we have removed (or are willingly, honestly engaged in the process of removing) the obvious plank(s) from our own eye (including a crouching fear of uncomfortable but necessary confrontation), we are supposed to do what we can (whenever and however the Holy Spirit leads us...that part is most essential) to help others (with mercy, meekness and wisdom from God) remove the speck from theirs. We are called to 'restore gently' (Galatians 6:1) and '****** others from the fire and save them' (Jude 23) as the Lord enables us by His sovereign and saving grace to do it, to enter fully into His kingdom work in this dark world and into the risky business of loving even our worst enemies. It is our high privilege and duty as followers of Jesus Christ and those who bear His name on this earth to participate with Him in His work of redemption. He alone can save and deliver from sin, but we are called to be some of the instruments He providentially uses in the process.

Turning the other cheek (as Jesus taught it, commanded it and lived it out) is a shrewd, deliberate and Spirit-led extending of extravagant grace and unselfish blessing to our offender, along with a daringly tactical invitation to him to show his true colors and his true intentions, whatever they may be. Exactly how this looks and plays out will vary greatly depending on the unique circumstance or relationship, and we must always rely fully on the Lord (on His word and through communion with Him in prayer, His perfect example and His prompting) to give us wisdom and creativity in carrying out our part with humility and discernment, never forgetting that we too are in want of much deliverance from our own sins and besetting habits and therefore in desperate need of others to graciously do the same for us.

We must ask and believe God for His step-by-step direction in all of these things and be willing to follow Him no matter what it might cost us, even if the price is the seemingly unbearable discovery that our offender does not and will not love us—a possibility which may feel worse to us than death. The paralyzing fear of such a devastating revelation can easily become one of our greatest stumbling blocks to giving truly wise and beneficial gifts to those who hurt us, especially if they are among those from whom we desire a particular intimacy and acceptance.

Are we willing to face even more rejection? Are we willing to set aside our own 'need' to be loved by them in order to courageously, unconditionally love them as Jesus loves them and as He loves us—with a yearning for deliverance from sin and restoration to intimacy with God that requires the laying down of oneself for the sake of the other, the spending of oneself on behalf of the spiritually captive, naked, hungry and oppressed? And if not for their sake, are we willing to do it for the sake of our own intimacy with Christ and our own soul's hunger? Are we willing to rest completely in and rely only on His perfect and never-ending love to fill us so full that it cannot help but spill over to them? Are we willing to trust that He is enough for us in all things and at all times through all situations?

However complicated the situation may be, offering the other cheek is meant to be a sacrificially loving and boldly open invitation for our offender to make a clear and definite choice between repentance or continued and greater evil. It gives him the freedom, the responsibility and the obvious opportunity to decide exactly what he will do with our 'other cheek.' Will he 'kiss' it with genuine kindness this time (as a pledge toward true restoration) or strike us once again? The choice and responsibility are his alone, but either way it will eventually expose him for what he really is and his intentions for what they actually are and, perhaps, by the mercy of God bring him to see his need and desire for true reconciliation and healing. Our part is simply to hunger for him to hunger after God and to do what we can to cunningly provoke such an appetite.

But even if that never happens, even if he chooses to remain in captivity to sin, evil will no longer have a safe place to hide in the shadows. And once it is out in the open we can look it fully in the face with our dignity intact and without backing down or shrinking from our call to always be the aroma of Christ, and we can overcome it with the power of good through the strength of Jesus and the praise of His name (even when the situation and the Spirit dictate that it is wisest to keep our mouth shut and 'not cast our pearls...'). And because of Christ's satisfying love and all-sufficient grace, we can do it again and again and again, not with reluctance and resentment but with overwhelming compassion and unexplainable peace flooding our soul, even in the midst of earth-shattering pain. We can defeat evil by our very refusal to give into it or become part of it and by our determination to rest in the Lord and His promise to defend us in His perfect time and in His perfect way. And that is the heart's ultimate 'vengeance' against evil, for surely it cries out resoundingly for it.

So rather than taking our desired revenge on the evildoer (our offender), we can take it straight out upon the evil one (the devil), upon our real enemy and on his evil schemes. One of the weapons which the Lord has given us to carry out this precise form of tactical warfare is forgiveness, and we must learn to use it regularly, skillfully and lavishly without giving way to fearful intimidation or self-serving cowardice. 'And who is equal to such a task?' Only the Spirit of Christ living in us! We are utterly dependent on Him to do it in and through us and, unless we yield to His grace and power, it will be an impossible undertaking.

Dear wounded and hurting ones, we have been issued distinct invitations to two mutually exclusive feasts, and it is time now for us to choose which one we will be attending. There is much at stake in our decision, and so we must journey to the foot of the cross to make it...